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#im breaking them down by continent and then ill go back to the full world quiz
rathockey · 1 year
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im relearning all the countries in the world (i had a lot of free time at my old job and thats what i did with it alsdkfjalskdf) and man. there's so damn many of them.
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jaskier’s breakup album
alright full disclosure i probably went into way more detail than i needed to. but jaskiers a dramatic little shit and therefore so am i. but this album slowly became my baby and I've been listening to it for the last 2 weeks while I've been doing homework and its a good sad bop. these are just my opinions, but i think it would be cool to see what other people think (esp because im fairly new to this fandom). also this post is really long. sorry about that. 
so. we all know jaskier is a bard. he traipses around writing songs about whatever fling he's having or about his witcher. netflix canon makes it pretty clear that geralt is one of jaskiers muses (and probably one of his more reliable ones given what we know about jaskiers dating history). jaskier is also very, very dramatic (as I'm sure everyone knows cause he's the damn comic relief that show desperately needs). in particular though the scene at the beginning of 1x05 where geralt is djinn hunting and jaskier stumbles upon him, drunk, singing off key, and rambles about how "the countess de stael, my muse and beauty of this world, has left me. again. rather coldly and unexpectedly, i might add. i fear i shall die a broken hearted man” and jaskier is clearly half muttering some sad attempt at a breakup song he's trying to write at the beginning of the episode so the question is, wouldn't he do the same thing post mountain scream down with geralt?
the answer is of course, yes he would because jaskier is nothing if not a dramatic little shit. and i am proposing that he writes not only one but an entire album (or set if this is canon era, but if this is canon i think he would keep a great many of these songs to himself, only playing a few select ones with the hopes that someday geralt will hear one and realize how badly he fucked up) of break songs and lamentations about geralt, because say all you want about what their relationship is, but one does not simply go traipsing around the entire continent with someone for 20 years and not grow close to them in some way shape or form (and the show makes it clear that geralt is at least one of jaskiers close friends so). now what is on this breakup album? well I'm glad you asked.
i peg jaskiers music (modern or canon honestly) for this album as being a combination of taylor swift’s folklore/evermore albums and james arthur and ill explain why. 
taylor swifts folklore/evermore albums have this almost ethereal, floaty, reminiscent, indie vibes. there are many metaphors, recurring themes and its overall kinda dramatic at points which i feel is exactly what jaskier would be doing right now (it also just kinda gives me canon era vibes, idk). but james arthurs music is much more emotionally intense which i think is definitely in character for jaskier at this point because he strikes me as someone who copes with things through his music. both artists do the sings through story telling in an almost monologue manner which goes along with that kinda bardic music and all that. i also think that jaskier would want geralt to know that these songs are about him because hes dramatic like that (kinda like how taylor swift writes her stuff). anyway here's what i think would be on his breakup album: 
heres a link to the playlist
1. the lakes - taylor swift 2. from me to you i hate everybody - james arthur 3. maybe - james arthur 4. sad eyes - james arthur 5. hoax - taylor swift 6. naked - james arthur 7. right where you left me - taylor swift 8. all too well - taylor swift 9. impossible - james arthur 10. exile - taylor swift 11. illicit affairs -taylor swift 12. safe inside - james arthur 13. quite miss home -james arthur 14. my tears ricochet  -taylor swift 15. phoenix - james arthur 16. this is me trying - taylor swift  17. happiness - taylor swift 18. death by a thousand cuts - taylor swift 19. empty space - james arthur 20. coney island - taylor swift 21. new years day - taylor swift 22. the 1 -taylow swift
so theres 22 songs which im sure jaskier would do on purpose cause hes a dramatic little shit ( “one song for every year i wasted on you” or something of that sort). jaskier being a dramatic little shit is going to be a recurring theme. some of them work better for modern era than canon era but as a whole this can be interpreted as either romantic or platonic. anyway lets unpack. 
1. the lakes by taylor swift (more canon era interpretation)
this song is the bonus and final track off of folklore. the song is actually about how she wants to go live in seclusion with her boyfriend out of the public eye but that is not what it means in this interpretation. i think that this song is about how jaskier feels as though his career as a bard is tainted now because he spent so many years singing geralts praises and there is no way he will be able to escape that part of his life because undoubtedly hes going to get requests for toss a coin and others he wrote about geralt and people will probably know him as “the witchers bard”. so this song is him talking about how he wants to run away and live out his life in seclusion because geralt took from him one of the only happinesses in his life. 
Take me to the lakes, where all the poets went to die I don't belong, and my beloved, neither do you Those Windermere peaks look like a perfect place to cry I'm settin' off, but not without my muse 
the line “i dont belong and my beloved neither do you” references the fact that jaskier feels like an outcast now that he’s spent years traveling around with a witcher, notoriously outcasts from society, so he feels that he doesnt belong anymore either.
I want auroras and sad prose I want to watch wisteria grow Right over my bare feet 'Cause I haven't moved in years And I want you right here
the second stanza references his idealization of living out his life in solitude, with nature, where no one can judge him (and geralt cant yell at him). 
jasper would have started this album with that song because it states his intentions: he feels as though he’s done with singing. it could also refer to him leaving the public eye (in modern era) to write this album.
2. from me to you i hate everybody by james arthur (more canon era interpretation) 
songs 2-4 on jaskiers album are ones that he wrote at various points while he and geralt were still together/best friends/etc. these three songs establish what the relationship was like before everything went downhill, but they are kind of melancholy, like looking back on a past love (which is what jaskier is doing). this one jaskier wrote about when they met. geralt would have heard him play it before and he would have known that this song was about him (he probably also secretly liked it and jaskier putting it on his album would have been like a slap in the face because it wasn't one that he had shared with other people, thinking it to be too personal). if this album had been released in modern era, jaskier would have released this song as a single to get geralts attention. he would have definitely wanted geralt to know that this album was about him. 
I used to come here on my own and drink So I didn't have to think or hear the whispering I stand with people telling lies again In suits and ties again and I just need a friend
they meet in the tavern and its clear that jaskier is Not having a good time and really just needs a friend, hence why he decides to go talk to geralt.
You walked into the room and cut the atmosphere like a knife, alright Sobering mind 'cause up to now, I've just been wasting my time, ooh yeah
the “wasting my time” part is of particular interest because it clearly articulates that jaskier feels as though adventuring around with geralt was the best part of his life and before that he'd just been a bard with debatable songs. the song as a whole makes it sound like geralt was jaskiers lifeline.
3. maybe by james arthur (modern or canon era works)
this song, while geralt would know immediately it was about him, was not one jaskier ever shared with geralt. it would have been written a few years after he and geralt had met initially. the reason that jaskier never shared it was because it talks about destiny and geralt made it Very Clear that he does not want to fuck with destiny.
I don't know what's going on Where you came from and why you took so long All I know is that I feel it Like it's the realest thing, I mean it Something changed when I saw you Oh, my eyes can't lie You said, "They're so damn blue And I love how you're so forward Is it too soon to say I'm falling?"
this would have been what young jaskier felt over the course of a few years after traveling around (or befriending if this is modern). There was probably a slip up somewhere, or jaskier just thought that he got really good at interpreting geralts grunts and the line about the eyes is what he hoped/imagined/thought geralt was saying to him in return. 
So maybe Maybe we were always meant to meet Like this was somehow destiny Like you already know Your heart will never be broken by me So is it crazy For you to tell your friends to go on home? So we can be here all alone Fall in love tonight And spend the rest of our lives as one
jaskier probably thinks that destiny is some wildly romantic thing hence why he compares them meeting to destiny. the line about heart break would have also hit especially hard after the mountain scene. also i think its pretty clear that jaskier wants to spend as much of his life traipsing around with geralt in the show (modern era wouldn't have been any different), hence wanting to spend the rest of his life with geralt. 
Oh, is it too crazy For you to tell your brothers about me? They told me they'll protect you But I'll look them in the eye Tell them you and I will be as one
this is the part that sells it for me. i think that geralt lambert and eskel would all be very close (admittedly i havent read the books but i kinda get that vibe from the fandom so). this part about geralt telling his bothers about jaskier and then jaskier probably meeting them would have been an Important Moment. 
4. sad eyes by james arthur (modern or canon works) 
aright so im not sure if geralt has heard this one before. i can see it going both ways. its a possibility that jaskier wrote it at some point and then would kinda sing it softly when hes patching geralt up after a particularly rough hunt so its one of those where like geralts not quite sure what the song is but then he hears it on this album (cause say this was modern era and jaskier actually did release this album geralt would totally buy it after a few weeks and then realize how badly he'd actually fucked up) and is like shit thats what he was singing all along?? but anyway this one is essentially about how jaskier thinks geralt puts too much pressure on himself and all that stuff
You wear the burden World on your shoulders, babe So let me hold the weight I know you're hurting Deep as the coldest pain But this is the order sayin'
essentially jaskier can see through geralts bs and hes calling him out on it and wants him to just take care of himself for once (see: the scene in 1x05 when geralt says he cant sleep) 
5. hoax by taylor swift (canon or modern works)
so this song begins the plethora of break up songs that jaskier wrote about geralt. this one would have been written some time after the incident, after jaskier has some time to reflect on the whole thing. i know that taylor wrote this  song about enduring a toxic relationship, which kind of works if you think about the way that geralts treated jaskier and how jaskier interpreted it (but im not implying that their relationship was toxic or abusive or anything) 
My best laid plan Your sleight of hand My barren land I am ash from your fire
jaskiers plan was to reinvent geralts image and geralt did not think that it was worth it. jaskier is just sorta his side kick (who gets him into trouble, as geralt points out) and geralt kicks him aside like he doesnt mean anything to him (like ash from a fire
Stood on the cliffside Screaming "Give me a reason" Your faithless love's the only hoax I believe in Don't want no other shade of blue But you No other sadness in the world would do
this is a little more literal with the screaming on the cliffside. jaskier wanted a reason to stay and geralt didnt want him to. jaskier knows that witchers dont feel emotions (or at least not like humans do) so hes been tricking himself into believing that geralt actually liked having him around, knowing that it was probably going to blow up in his face at some point. but he doesnt quite regret it, and doesnt want to be sad over anyone else.
6. naked by james arthur (modern or canon works)
this kind of goes along with hoax, jaskier probably wrote them around the same time. he’s admitting in this song that he would be willing to try to work it out with geralt, but geralt needs to change first (needs to actually communicate and let him in and all that stuff). 
'Cause here I am, I'm givin' all I can But all you ever do is mess it up Yeah, I'm right here, I'm tryin' to make it clear That getting half of you just ain't enough
hes quoting geralts words back at him here ( “all you ever do is mess it up” is pretty similar to the line about shoveling shit), saying that all hes ever tried to do is be good and kind to geralt, but geralt hasn't really done the same in return and while jaskier may have dragged him into some things, geralt also needs to take responsibility for what hes done as well. 
7. right where you left me (modern or canon works)
this starts the Real Sad Boy Hours songs. this would refer to how he felt pretty much right after, not knowing what to do because geralt had been so much a part of his life for so long: 
Help, I'm still at the restaurant Still sitting in a corner I haunt Cross-legged in the dim light They say, "What a sad sight" I, I swear you could hear a hair pin drop Right when I felt the moment stop Glass shattered on the white cloth Everybody moved on, I, I stayed there Dust collected on my pinned-up hair They expected me to find somewhere Some perspective, but I sat and stared
this is kind of the processing of the event. and also the moment on the album where the audience would realize that this relationship that he's been telling about until now definitely ended. this song isn't super super emotional, its more a jumble of thoughts cause he didnt know what to feel after the breakup happened. although he didnt write it right after the break up, it was written much after as a looking back.
8. all too well by taylor swift (modern or canon era works)
(the link to this one is from a live performance because i like the emotion in this one better) so this song is not off of folklore (its off of red) but its such a powerful, painful breakup song that i had to include it in the lineup because it seems like something that jaskier would have written very very soon after the incident. the memories especially that she touches on in the song (driving upstate, dancing in the fridge light, looking at the photo album, etc) are all very powerful and real and i can see jaskier doing the same thing. again, if this were modern era i think that he might release this one as a single. theres so much to unpack in this song, this ones gonna be a little longer oops.
Maybe we got lost in translation, maybe I asked for too much But maybe this thing was a masterpiece 'til you tore it all up Running scared, I was there, I remember it all too well
this clearly references the mountain scene. they were a pretty good duo until geralt blamed him for all his problems. and jaskier was effectively stuck on the top of a very dangerous mountain that he would have had to navigate down by himself. 
Time won't fly, it's like I'm paralyzed by it I'd like to be my old self again, but I'm still trying to find it After plaid shirt days and nights when you made me your own Now you mail back my things and I walk home alone
jaskier spent half of his life following geralt around, its likely that he doesnt know what to do with himself or his life now that he doesnt have geralt to follow around on adventures. he doesnt know what to do anymore (see the first song).
But you keep my old scarf from that very first week 'Cause it reminds you of innocence and it smells like me You can't get rid of it, 'cause you remember it all too well, yeah
this is more of a hope that jaskier has. he hopes that geralts held onto something of his that he left behind. maybe he left a shirt in one of roaches saddle bags (canon) or a notebook in their apartment (modern) that geralt just cant seem to get rid of. he would like to think that he had an impact on geralts life and that it wasn't just all for nothing. in the beginning, he wants geralt to be just as hurt as he is.
'Cause there we are again, when I loved you so Back before you lost the one real thing you've ever known It was rare, I was there, I remember it all too well
this is a dig at geralt. he'd never had someone to follow him around on adventures before, much less a human. as far as we know it seems like jaskiers the first human that has even given him the time of day. this is jaskiers way of throwing it back in geralts face
9. impossible by james arthur (canon or modern works) 
this would have also been written very soon after the incident. it is more jaskier being mad at himself for not seeing the signs than him being mad at geralt. it is almost like his admittance of the event and like hes finally accepting what happened.
I remember years ago Someone told me I should take Caution when it comes to love, I did And you were strong and I was not My illusion, my mistake I was careless, I forgot, I did
jaskier is someone who clearly falls in love (or at least screws around with people) easily so its likely that someone would have given him some advice along these lines once. but when he met geralt its likely that this caution went to the wind. 
When all is done, there is nothing to say And if you're done with embarrassing me On your own you can go ahead, tell them
Tell them all I know now Shout it from the rooftops Write it on the skyline All we had is gone now Tell them I was happy And my heart is broken All my scars are open Tell them what I hoped would be impossible
this hints at the first song on the album. jaskier has no stomach for singing for audiences asking to hear about the adventures of geralt of rivia. this is his way of telling geralt that, almost as his punishment, he should have to deal with the people who ask why hes not traveling with his bard anymore, because jaskier has no intention of doing so. this is pretty brutal because (as we know) geralt doesnt really enjoy talking about feelings, or talking at all in general.
10. exile by taylor swift (modern or canon era works)
this is a fictitious conversation that jaskier wrote as occurring between him and geralt. it can be looked at either way but i think it makes more sense if bon iver is jaskier and taylor is geralt. 
I think I've seen this film before And I didn't like the ending You're not my homeland anymore So what am I defendin' now? You were my town Now I'm in exile seein' you out I think I've seen this film before
this first chorus is from jaskiers perspective. note the use of “homeland,” as home becomes a theme on jaskiers album. in geralts version of the chorus the line instead is “youre not my problem anymore” which is probably what jaskier took the whole mountain thing to mean. 
All this time We always walked a very thin line You didn't even hear me out (you didn't even hear me out) You never gave a warning sign (I gave so many signs) All this time I never learned to read your mind (never learned to read my mind) I couldn't turn things around (you never turned things around) 'Cause you never gave a warning sign (I gave so many signs)
(the () in this are geralt) this is jaskiers lamentations about how he didnt notice geralts abject discomfort in their relationship and also his regrets in not being able to remedy the situation. 
11. illicit affairs by taylor swift (modern or canon works) 
so this song is clearly and obviously about an affair. however, i have seen interpretations of the song where people view it as being in a relationship that is  so intense and well hidden that in a sense it is almost like an affair, like in the aftermath you’re not even sure if it was real or you deemed it because there isnt really a trace of this other person anymore, and that is the way i think jaskier would have written this song. 
And you wanna scream Don't call me kid Don't call me baby Look at this godforsaken mess that you made me You showed me colors you know I can't see with anyone else
the dont call me kid, dont call me baby part would reference jaskiers humanity, he has a normal human lifespan at least in canon (very much unlike geralt) so geralt might brush him off as being young and stupid. jaskier would have made this album to show geralt that hes not being young and stupid, that this did screw him up, and hes suffering cause of it. kind of like a reality check or a slap in the face.
Don't call me kid Don't call me baby Look at this idiotic fool that you made me You taught me a secret language I can't speak with anyone else And you know damn well For you I would ruin myself A million little times
the secret language would of course refer to geralt himself. hes a hard man to understand (especially cause half his vocabulary is grunts) and hes also a witcher. so jasper had to learn to understand him and now he has no use for that anymore. and the ending line about ruining myself. that would be jaskiers admittance that he would do it again, he'd do it all again, which comes back up in later songs.
12. safe inside by james arthur (canon era interpretation)
this is one that jaskier would have written maybe a week or so after the incident. the song itself deals with distance and coping with not being in someones life anymore, and i think that that is something that jaskier would struggle to cope with because hes not sure he wants geralt to be alone. this song is more for jaskier than for geralt. 
Everyone has to find their own way And I'm sure things will work out okay I wish that was the truth All we know is the sun will rise Thank your lucky stars that you're alive It's a beautiful life
obviously geralt can take care of himself, but its kinda clear that he doesnt much like his life as a witcher (the part where he talks about them getting slow and killed). so this is kind of jaskiers way of almost reminding geralt that his life on the path is still beautiful and important now that he back by himself. 
Oh, will you call me to tell me you're alright? 'Cause I worry about you the whole night Don't repeat my mistakes, I won't sleep 'til you're safe inside If you're home I just hope that you're sober Is it time to let go now you're older? Don't leave me this way, I won't sleep 'til you're safe inside
this is more jaskier worrying about geralt being by himself. he hopes that hes okay in the aftermath of this this and that hes taking care of himself still. because of course jaskier would write a whole breakup album but still write one song about how he hopes the person is doing well.
13. quite miss home by james arthur (modern era interpretation)
this song. oh my god. its so amazing. if you dont listen to any of these, at least listen to this one (actually im pretty sure no ones read to this point so if you have thanks). this song is kind of more along the same vein as the previous one, how jaskier misses geralt but its more for him than geralt. he would have probably written it at like 3am in a fit of tears and weakness, and debated long and hard about whether or not to put it on the album, but done it anyway because what does he have to lose? theres a lot to unpack here tho so this is going to be a longer one. (sorry)
I'm in the kitchen while you smoke outside You're careful not to let the smoke inside I always tell you it's poison But I know it helps you take the edge off the day We get a drink before it's closing time The one on high street with the blinking sign All these memories feel poignant I won't be there to see the snow melt away
this is a very very clear picture of an event that seems to have happened a great many times, so much so that it seems like second nature. its like a little glimpse into what their life was before this incident. its intimate, but it still is melancholy.
Whoa I'm in another city I got nobody with me And it just really hit me
this is where jaskier is now, it provides some opposition. its like a culture shock almost, like hes so used to this intimate lifestyle with another person that its jarring to be by himself.
That I quite miss home And I miss you telling me To leave my shoes at the door 'Cause you just swept the floor And the dirt drives you crazy Yeah, I quite miss home 'Cause it feels like poetry When the rain falls down on the window While you're in my arms And we're watching the TV Yeah, I quite miss home
the key here is what jaskier is referring to as “home.” it's not the place, its geralt himself. all these memories center around him, not an establishment. (calling geralt “home” comes back in later songs.) again, this mosh of memories is like theres so many of them that its almost overwhelming but its stemming from jaskiers need to feel something other than lonely and hes craving this reality that hes lost.
14. my tears ricochet by taylor swift (modern or canon era works)
this is a song that really emphasizes jaskiers dramatic little shit tendencies. this is something that he wrote, trying to predict what geralts reaction would be if he found out that jaskier died. this is really just jaskier fantasizing that geralt didnt actually mean any of what he said and does still care about him. theres many lines in here that are jabs at geralt (if I'm dead to you why are you at the wake? and Even on my worst day Did I deserve, babe All the hell you gave me?), but i think this is the most important one:
And I can go anywhere I want Anywhere I want Just not home And you can aim for my heart, go for blood But you would still miss me in your bones And I still talk to you When I'm screaming at the sky And when you can't sleep at night You hear my stolen lullabies
this is again, jaskier referring to geralt as home. as seen in the last song, he clearly wants to go there, but he cant. this could also refer to where he grew up, which he cant go to either because his parents still view him as a disappointment (as seen in finally). jaskier saying he still talks to geralt is completely in character, he probably still curses him and the whole thing. but the part about geralt not being able to sleep at night and hearing his stolen lullabies is really hard hitting. jaskier likes to think that geralt wouldn't be able to sleep without his banter or his lute playing or something of that nature. over all its a very powerful song.
15. phoenix by james arthur (modern or canon works) 
this is a fictitious apology that jaskier wrote from geralts pov, kind of what he wished that geralt would say, but knows that he won't. 
Let me, let me begin Let me begin, with an I.O.U Who I owe everything to Lately, lately my friend Lately, you think I'm ignoring you But I've been trying to pull through All of the pain, I know you're looking down, down on me I could have been someone I hurt everyone Pushed away everyone who got near
in this “geralt” outlines what he did wrong, and that he didnt mea what he said at all. again, this is more for jaskiers benefit because he knows that even if geralt were to apologize to him, it wouldn't be to this extent.
16. this is me trying by taylor swift (modern or canon works)
this is jaskier trying to articulate the fact that hes trying to pick himself back up after everything, his way of showing his “healing process” and that he can do it, he doesnt need geralt (as the song shows, its not going very well)
And it's hard to be at a party When I feel like an open wound It's hard to be anywhere these days When all I want is you You're a flashback in a film reel On the one screen in my town And I just wanted you to know That this is me trying (maybe I don't quite know what to say) I just wanted you to know That this is me trying
its showing that jaskier is having trouble enjoying things that he once did (like parties) because hes still so distraught over what happened with geralt, but at the same time he also wants to show geralt that he doesnt need him. it has a very i dont care kind of attitude, but jaskier at the same time is having a hard time showing geralt that hes doing okay, hence the “maybe i dont quite know what to say” which is out of character for the very talkative bard
17. happiness by taylor swift (modern or canon works)
this is more him convincing himself that things will be okay. he's clearly trying at this point to move on, but its proving difficult because geralt was his happiness for so long:
There'll be happiness after you But there was happiness because of you Both of these things can be true There is happiness
he also repeats the line “havent me the new me yet” a few times, which i think is again him trying to convince himself that its going to get better and he will move on from it. but this line is the one that i think hurts the most:
No one teaches you what to do When a good man hurts you And you know you hurt him too
this implies that 1. he still thinks geralts a good man (not a monster) and 2. that he knows he hurt him to and doesn't know how to fix either of them. this is also kind of him giving up on how to fix it, but him recognizing they were both at fault is important for the arc of the story.
18. death by a thousand cuts by taylor swift (modern or canon works)
this is another song that is not off of folklore (its from lover), but i wanted to include it because it think it has a little bit of anger to it (especially in this live acoustic version that i linked) which i think that jaskier would feel a few weeks post incident in a fit of rage, like why am i still feeling this way? why did you think that this was okay?? and its right after happiness, which shows that his healing really isn't linear. there's many lines in this song that pertain to geralt and jaskier and i could talk about the whole thing but im not going to
But if the story's over, why am I still writing pages?
this i think is very jaskier. its so raw and like, i know this is over, why am i still writing about it? why am i making an album about this? why should this still matter to me? its very angry and again, like many of the songs, like a slap.
My heart, my hips, my body, my love Tryna find a part of me that you didn't touch Gave up on me like I was a bad drug Now I'm searching for signs in a haunted club Our songs, our films, united, we stand Our country, guess it was a lawless land Quiet my fears with the touch of your hand Paper cut stings from our paper-thin plans My time, my wine, my spirit, my trust Tryna find a part of me you didn't take up Gave you so much, but it wasn't enough But I'll be alright, it's just a thousand cuts
this part, especially if you listen to her sing it, (which i would HIGHLY RECOMMEND BTW) is very passive aggressive and the the last line is like quite sarcastic and downplays it, like, yes you put me through all of this, but i guess its *just* a thousand cuts. this really shows that in many ways geralt was a part of jaskiers life, and his sudden removal from it would have stung in many ways, and thats not something that you can get over quickly. 
19. empty space by james arthur (modern or canon era works)
this song starts the beginning of jaskier getting over geralt. these last 4 songs would have been written much after the incident, after hes had time to think, but there's still this nagging in the back of his head thats like, well what if im being stupid and he is the one and im supposed to go back?
I don't see you You're not in every window I look through And I don't miss you You're not in every single thing I do I don't think we're meant to be And you are not the missing piece I won't hear it Whenever anybody says your name And I won't feel it Even when I'm burstin' into flames I don't regret the day I left I don't believe that I was blessed I'm probably lyin' to myself again
this is more what jaskier wants to be, not what he actually is. he thinks that hes over geralt, but hes not (the chorus gets into it more but im not going to talk about it here, but it essentially says “only you can fill this empty space”) clearly jaskier is further along in his healing process, but hes still having second thoughts. he wants to be over him, but he knows hes lying to himself, very deep down. 
20. coney island by taylor swift (more modern era interpretation)
this is the true moving on song. it’s still laced with memories and speculation, but it puts clear distance between the two of them, much more so than empty space does because it lacks the longing. it just shows things for what they are. 
And I'm sitting on a bench in Coney Island Wondering where did my baby go? The fast times, the bright lights, the merry go Sorry for not making you my centerfold
its apologetic, but nothing more than that. it dwells more on what could have been rather than what he wants it to still be. 
The question pounds my head What's a lifetime of achievement If I pushed you to the edge? But you were too polite to leave me And do you miss the rogue Who coaxed you into paradise and left you there? Will you forgive my soul When you're too wise to trust me and too old to care?
this is interesting because it addresses their immortality and how they've been together for years and also the way in which they left things (paradise). but it also implies that things were on the downfall. and the last two lines about forgiveness is interesting because it then calls geralt “too wise to trust me and too old to care” meaning its more a wish of jaskiers rather than something he knows geralt will do.
Were you waiting at our old spot In the tree line By the gold clock Did I leave you hanging every single day? Were you standing in the hallway With a big cake, happy birthday Did I paint your bluest skies the darkest grey? A universe away And when I got into the accident The sight that flashed before me was your face But when I walked up to the podium, I think that I forgot to say your name
these are all very specific, very intimate moments that would clearly mean something to geralt. and it further implies that jaskier is uncertain if he actually made geralt feel appreciated when they were together. but again, its more what could have been rather than what jaskier wanted it to be, which is a nice segway into the last two songs. 
21. new years day by taylor swift (modern era interpretation)
this is another one not from folklore, this song is the closing track on reputation, but i like the nostalgia of it so i decided to include it (and it also has good parallels to the last song). initially jaskier intended for this to be the last song on the album, but decided to add another one last minute (and we will get into why). this song is more jaskiers muted longing to still be with geralt, albeit in the far future. 
There's glitter on the floor after the party Girls carrying their shoes down in the lobby Candle wax and Polaroids on the hardwood floor You and me from the night before but Don't read the last page But I stay when you're lost and I'm scared and you're turning away I want your midnights But I'll be cleaning up bottles with you on New Year's Day
this interpretation is very much like the actual songs interpretation: the desire to stay with someone through the unexciting parts of life, like cleaning up after a party on new years day. additionally, wanting to start something new with someone (being there with them past the midnight kiss and actually starting the first day of the year with them). additionally though, there is the line of “dont read the last page” which refers to the last song on the album, which we will get to. 
Hold on to the memories, they will hold on to you And I will hold on to you Please don't ever become a stranger whose laugh I could recognize anywhere
this is more jaskiers reality. hes torn between holding onto these memories and hopes and actually facing reality. he wants to hold on to geralt, but he also kinda wants to move on. and the last line about the laugh, thats more jaskiers own hope, he hopes that he will come across geralt again and things will work themselves out.
22. the 1 by taylor swift (modern era interpretation)
the decision to make this song the last one on the album was a very last minute decision, and it was written significantly after the rest of the songs. the reason for this was without this last song, the album ends on a note of hope “Please don't ever become a stranger whose laugh I could recognize anywhere” but this last song is more of a reality check and acknowledgment that what's done is done and that it will never be again. 
I'm doing good, I'm on some new shit Been saying "Yes" instead of "No" I thought I saw you at the bus stop, I didn't though
this refers to the fact that its been some time since the whole thing and jaskiers kind of changed a little bit. he claims hes doing good, and maybe is going to try out a new career (since the first song references wanting to put music down for awhile). seeing geralt at the bus stop is a reference to cardigan where he says “chasing shadows in the grocery line” where hes not actively looking for geralt anymore and it doesnt upset him that he didnt see him.
I guess you never know, never know And if you wanted me, you really should've showed And if you never bleed, you're never gonna grow And it's alright now
this is jaskier saying that hes almost glad that it happened because it gave him a new perspective and it was a learning experience. he also says that its alright, which is the second time that hes said hes okay, which probably means he isnt completely, but hes much closer than he was on the rest of the album because hes not still looking for geralt at every turn
I have this dream you're doing cool shit Having adventures on your own You meet some woman on the Internet and take her home We never painted by the numbers, baby But we were making it count You know the greatest loves of all time are over now I guess you never know, never know And it's another day, waking up alone
this is jaskier acknowledging the fact that geralt has probably long since moved on with his life, either with other romantic people or with his life entirely (the first time he does this on the album). he says that while their love or friendship was unconventional it still was definitely something (implying that it may have been one of the greatest loves of his life). and the waking up alone part references quite miss home and being by himself, but it isnt sad, its just a fact at this point.
But we were something, don't you think so? Roaring twenties, tossing pennies in the pool And if my wishes came true It would've been you In my defense, I have none For never leaving well enough alone But it would've been fun If you would've been the one
this is the part where we see that jaskier has grown. hes recognized that his wanting to be with geralt was never anything more than a fleeting wish or a moment that couldn't last. but he knows that it had potential and it could have worked but it didnt and thats okay. in the last chorus the pennies line is “rosé flowing with your chosen family” which implies that he and geralt were close enough to know each others family (chosen or real), meaning that it meant something. and he wouldn't have minded a long term relationship with geralt, but its not what happened.
in new years day jaskier says “dont read the last page” this song is that last page. part of him still doesnt want geralt to know that hes put aside the hope of it working because he wants to still keep himself open for geralt, but knows that  its not healthy and ultimately he needs to move on. hes essentially giving geralt the choice: remember jaskier as wanting to get back with him (since the last line of the album would have been “please dont ever become a stranger who's laugh i could recognize anywhere” or let him have the knowledge that jaskier is done with him (since the official last line of the album is “but it would have been fun if you would've been the one”)
anyway thats jaskiers breakup album. i put way too much effort into this. and if you actually read through the whole thing, thank you and please let me know what you think!! if you use this for fics or have your own interpretations please please tag me, id love to see!!
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the-ronan-cycle · 6 years
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Diverse Book Recs
I recently typed up a list of books for a friend who said she’d stopped reading because she couldn’t find diverse/queer books. This list is predominately focused on queer diversity but there’s also lot’s of super awesome ladies and poc here too. The list is also in two parts, the first are all books that I’ve read myself and include me trying to give a summary, content warnings (If I can remember, I can’t guarantee they’re all exhaustive.) and a rating. The second part has books on my to read list that, to my knowledge, have queer characters. All of the titles are linked to their goodreads page.
I Was Born For This - Alice Oseman
A Hijabi ace fangirl goes to London on a week long trip to meet her internet friend and go to the concert of her favourite band. Jimmy, the trans, gay, mixed race, mentally ill singer for said band is figuring out how growing up famous has changed himself and his friends. They cross paths and stuff happens. A really interesting look into fan culture, both the good and the bad. Really fun characters and relationships. Written by the same person who does the Heartbreaker webcomic. CW: alcoholic behavior, brief mention of unintentional trans outing 4.5/5
The Raven Cycle - Maggie Stiefvater
Welsh mythology meets small town Virginia. Gorgeous, poetic writing by Stiefvater tells the surreal story of a group of teenagers on the search for a lost welsh king and wish foretold if one wakes him. Along the way they discover the power of ley lines, dreams, and ~friendship~. One of the main characters (my favourite character) is canon queer (he’s into a girl and guy but like, the word bi isn’t explicitly said) and one of the other main characters is canon gay. It’s a difficult story to describe but it’s such a fascinating read. CW: child abuse, alcohol and drug abuse, there’s a scene in the second book that I think the author confirmed was sexual assault 5/5
Shades of Magic Series - V.E. Schwab
Avatar the last airbender meets pirates and royalty and multiverses. In this world there are 4 earths that intersect at London. Kell is one of the only two people who can travel between Londons. Grey London is our world, Red London is Kell’s, full of magic. White London is a wasteland barren of magic and ruled by bloodthirsty twins. Black London is dead. The main cast of Kell, Lila Bard, a pirate thief who gets caught up in the adventure, Rhy, the (gay? Bi? I forget lol) prince of Red London, and Alucard, (also gay? Or bi?) actual pirate have to save the multiverse! Lots of great subplots, written by a queer woman and impossible to put down. If you saw me with my kindle in class after winter last year, it was because I literally couldn’t stop reading. CW: frankly it’s been too long since I read it im sorry 5/5
Leah on the Offbeat/Simon vs the Homosapiens Agenda - Becky Albertalli
Simon Vs is the book Love Simon is based on. Simon (gay) has a mystery pen pal, Blue. All he knows is that Blue also goes to Creekwood High and is gay. But Simon leaves the emails open on a school computer because he’s a dumbass and then also an ass but the bad kind, Martin finds them and blackmails Simon. It’s similar to the movie but I prefer the book! There are some scenes and plot points that didn’t make it in. Also his friends don’t suck as much when he’s outed. Leah on the OffBeat is the sequel about Simon’s friend, Leah. She’s bi! Simon thought all his friends were straight but jkjkjk gays flock together. Cute wlw high school story. CW: character is outed against their will, underage drinking  SVTHA 5/5 LOTO 4/5
The Gentleman’s Guide to Vice and Virtue - Mackenzi Lee
Main character is a total slut and we support him. Bi and ready to party. But wait it’s the 1800s and that’s not super chill. In a final hurrah before he has to become master of his family estate, Henry Montague takes his best friend (gay and also ready to party) and, reluctantly, his little sister  (ace and ready to be a doctor) on a tour of the continent. Along the way they discover a plot and their trip turns upside down. There’s pirates! Period accurate medicine! Characters unlearning their prejudices! CW: Child abuse, period typical homophobia, sexism and racism 4/5
Captive Prince Trilogy - C.S. Pacat
hEAR ME OUT. This is probably my favourite series I’ve ever read. You’ve heard of enemies to lovers? Get ready for enemies to friends to lovers to enemies to allies to lovers! Crown Prince Damianos of Akielos is caught up in a coup lead by his half brother and sent to the enemy nation of Vere to be a pleasure slave for their crown prince, Laurent. Now here you think it’s gonna be some kinky sex romp but it actually becomes the best political intrigue with a thoughtful, loving, very vanilla romance. “If you gave me your heart, I would treat it tenderly”. Dw they only have sex after the whole slave thing is over. Also, they abolish slavery so there’s that. If you don’t like the first book,  I get it but just try the second book, the tone changes with the change of setting. The author does some really interesting stuff with her setting. Typically writers will just make society reflect our by default but Pacat threw that out, homophobia? Never heard of her. In Vere it’s actually taboo for men and women to have sex before marriage because of the threat of bastards. So everyone just is gay instead. You want a matriarchal warrior women country? Pacat has got your back. The series does lack in well written women. There are a few women but not enough, Pacat has talked about this and is basically like, u right, I’ll do better in my next series. Written by a queer WOC (kinda? Woc is the wrong word but just read these tweets where she describe it better than i ever could)  and I love it, the end. CW: child abuse, child sexual abuse, incest, rape, sex slavery, prostitution, graphic violence, non consensual drug consumption, child death, suicide, torture, animal death (also it should be obvious but none of these things are glorified, the abuser is the worst and he sucks and everyone hates him) 6/5
Carry On - Rainbow Rowell
Based on the Harry Potter parody series from Rowell’s book Fangirl. Simon Snow (doesn’t ever figure out his sexuality but had a girlfriend and boyfriend) is the chosen one, orphaned and brought to a magical boarding school, must save magical britain from evil. His best friend, book smart Penelope and his (possibly evil and a vampire? Also gay) roommate Baz must work together to defeat the humbug. This book has a really fantastic closed magic system and gives the character very clear limits. CW: rat death? 5/5
Queer There and Everywhere - Sarah Prager
A nonfiction book about 23 people throughout history that were both queer and very cool. From Frida Kahlo and Abraham Lincoln to the actual Danish Girl and Kristina Vasa, Prager dives into the lives of many historical figures who were also queer. A really wide gamut of women, men and nb, cis and trans, white and poc. Could have had more historical figures from the east. A fun, easy read. Made me cry, i want lesbian moms. 4/5
Huntress - Malinda Lo
It’s been a few years since I read this so bear with me. Cool magic girl main character and less magic but also cool other girl as well as a misfit group including the prince and a badass lady named shae (hell yeah) have to go into the fae world to right the magical imbalance of their world. Wlw, written by a queer woc CW: I don’t remember sorry 4/5
Outrun the Wind - Elizabeth Tammi
(I’m actually only half way through this) (Also it’s written by a mutual of mine on tumblr so that’s tight) A queer retelling of the greek myth of Atalanta. Atalanta (bi) is taken by the hunters of Artemis and has to help them defeat Apollo who’s being shitty. Wlw, written by a bi lady CW: animal death
Iron Breakers trilogy - Zaya Feli
Bastard Prince (queer), Ren, is happy to be out of the line of succession and just party it up but suddenly is framed for the murder of his brother and on the run along with a prisoner who escaped with him. Ren is faced with realities of y’know, not being a prince and decides to help save his country. Political intrigue with some twists I didn’t guess. MLM CW: slavery, graphic violence 4.5/5
All for the Game trilogy - Nora Sakavic
Think dark, queer, sports anime but with a co-ed team. Neil Josten (demi sexual- “which way do you swing? “I don’t?”) is on the run from his mob boss, murderer father and finds himself on the collegiate exy team of the palmetto foxes. Exy, a violent cross between lacrosse and soccer is Neil’s favourite thing but the team is made up of misfits. Neil has to survive both his father and the Raven’s (another exy team) owner, another mob boss, coming for him and his team. Super fast paced, very intense, after the first book I couldn’t put it down. The characters are all super interesting as are the relationships. Multiple mlm relationships, one briefly mentioned wlw couple CW: (o boy here we go) suicide, graphic violence, graphic torture, non consensual drug consumption, alcohol and drug abuse, prescription drug abuse, non consensual kissing, rape, child sexual abuse, sex work, mention of gay conversion therapy, discussion of self harm and self harm scars, child abuse 4.5/5
The Posterchildren - Kitty Burroughs
It’s been years since I read this so I really don’t remember much. It’s about a school for superheroes. Definitely wlw I don’t remember any else 4/5
Six of Crows Duology - Leigh Bardugo
A misfit group of criminals is hired to travel north to break into an impregnable prison. The cast of characters is lovable and the plot is fast paced. It’s set in the same universe as Bardugo’s first series but you don’t need to read them. (I did and they were ok but six of crows is better). Two of the main characters are mlm. CW: gore, graphic violence, child abuse 4.5/5
The Percy Jackson Series and Magnus Chase Series
I don’t need to describe these lol. PJO has two canon gay characters, the most recent series has lesbian and ace huntresses of artemis, and a bi main character. Magnus Chase has a non binary main character starting in the second book.
On My To-Read List:
Orlando - Virginia Woolf
I love her writing, it’s poetic without hurting my brain to read. This is a classic queer novel. It’s been said that Woolf wrote it as a “love letter” to Vita, her lover. The main character changes gender throughout the novel.
Stars in Her Eyes - Clare C. Marshall
I bought a copy of the first book in this series from the author at a convention last summer. It’s about a school for people with powers. I asked and apparently there’s a queer character but you don’t find out til the second book.
Ash - Malinda Lo
A wlw retelling of cinderella by the same author as Huntress.
The Academy Journals - Garrett Robinson
Apparently there’s trans, lesbian, gay, poly, ace, bi, pan! It’s about a magical school. It has really good reviews on goodreads so that’s promising
The Abyss Surrounds Us - Emily Skrutskie
There’s gay lady space pirates. Actually maybe not space? Idk i got space vibes
Vicious/Vengeful - V.E. Schwab
A story about moral greyness and supervillains. Kinda reminds me of Nimona tbh. I heard the main character is ace?
Our Bloody Pearl - D.N. Brynn
There’s mermaids, and pirates, and it’s gay apparently. The main character uses they them pronouns I think.
Breaking Legacies - Zoe Reed
Fantasy wlw by a trans dude (i think? They went through some sort of gender transition but i can’t find their pronouns)
The Dark Wife - S.E. Diemer
A wlw retelling of Hades and Persephone
The High Court Series - Megan Derr
Fantasy political intrigue mlm and I was told the main character is trans
Btw my rating system was basically:
4/5=i enjoyed reading it and would recommend it but probably wouldn’t read it again
4.5/5=I really liked it and would probably reread it
5/5= i love it, i either have or plan to reread it
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cynthiajayusa · 6 years
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‘Schitt’s Creek’ Creator Dan Levy Talks Queer Journey
Oh, sure, Dan Levy gets excited. Really, he does! The sparkle may not be written on his face – cherubic, distinguished, writerly; one with features much like his actor-dad, Eugene Levy – but inside you can bet he’s screaming. It’s a Canadian thing.
Our conversation takes place on a day in mid December, the day after Pop TV’s Schitt’s Creek, his farcical and heartfelt sitcom about a family stripped of their riches that is lovingly created as a gift to this godforsaken world with his father, has picked up a Critics’ Choice nod for Best Comedy Series and Levy is screaming. Really!
“We have a limit to how excited we can be about ourselves,” he says, snickering. He continues, Canadian-modesty fully intact: “But it’s a thrill.”
The thrill humbly extended to a tweet written by the out 35-year-old conveying gratitude for the show’s recent wins when GALECA: The Society of LGBTQ Entertainment Critics awarded Schitt’s Creek with two honors, TV Comedy of the Year and Unsung TV Show of the Year, during their annual Dorian Awards. (Full, proud disclosure: I’m a member, and I voted for Schitt’s Creek in both categories.)
Get Levy talking about Mariah Carey – the diva inspiration for one of season 4’s sweetest and gayest lines, pertaining to his onscreen boyfriend, Patrick (Noah Reid) – and he won’t stop screaming. We spoke about the Elusive Chanteuse’s prominent place on Schitt’s Creek and about what’s in store for his lovably dramatic character, David Rose, mom Moira (Catherine O’Hara), dad Johnny (Eugene Levy) and sister Alexis (Annie Murphy) in season 5. Plus, this season’s coming out story that Levy says was an emotional shoot and “my proudest episode.”
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I was feeling such disappointment when the Golden Globes and the Emmys didn’t acknowledge Schitt’s Creek yet again this year. So, this Critics’ Choice nod must feel like, “Finally, awards committees are catching up to the rest of the world.”
Slowly but surely we’re cracking into that illustrious group of shows that get nominated for things and it’s a wonderful feeling. We’re a very small show, and I think for very small shows that don’t necessarily have huge resources to promote themselves for award consideration, a nomination from the critics at this point is fantastic. It means it’s been word-of-mouth, and I think the fact that we are also streaming on Netflix has cracked us open to an entirely new and different audience as well.
And listen, our team, first and foremost, just wants to tell really interesting stories and wants to have fun when we go to work every day, and that has always been the goal for me as someone who’s running the show. The minute you start to look outside and think, “Oh, we’re being recognized for this; people are putting us on lists,” it’s wonderful but it can really change the experience of making your show. Suddenly you’re more concerned about, “Are things living up to the standards that the media have kindly set for us?” And that can be really intimidating.
So I try not to pay attention as much as I possibly can; especially when we’re making our show, I try to disengage from all of that so we can really focus on what’s ultimately going to serve our characters. But I’m not gonna lie: It’s been a joy over the past couple of years to see our show up there in the ranks of other shows that I have long admired myself. So I’m just ultimately bursting with pride for our team.
How are the Roses coping with each other during season 5?
Season 4 was a really emotional chapter in this family’s trajectory and we were able to really peel back some layers and show a lot of growth. Season 5 is really about having fun. The guards are down a little bit, which means we can have more fun with our characters, we can put them in stranger situations.
We tried our best to pair characters this season with characters that have never been paired before and really take stories outside of the box and expand our world a little bit, so this season was always intended to be the shiniest and brightest and boldest we’ve ever done. But I’m just really excited because there’s so much in store in season 5. It’s bursting with life and joy and I can’t wait for, particularly, a few episodes.
David does a lot of things this season that, for me, as a gay kid growing up, were horrifying: tree-climbing, baseball. What was your favorite David adventure to shoot this season?
The fun thing about David is he’s someone who has put on such a front for so long that he has really, over the course of his two years in this town, allowed himself to just get in better touch with himself and expose himself to vulnerability in ways that he never would have. So something like the first episode of season 5 (laughs) – constantly feeling the need to prove his relationship and how far he’s willing to go for it – was really fun. I mean, the day was grueling and I was stuck up there (in the trees) for, I think, seven hours…
So by the end of the shoot, your face was David’s. You weren’t even acting anymore.
(Laughs) The character and me as a person really came together in those moments. But yeah, I would say the excitement of our first episode back is really an indicator of what’s to come.
I can’t believe these characters are just now trying on Moira’s wigs. How did that not already happen?
The idea was, for us, that she needed to be on a totally different continent in order for David and Alexis to even dare touch that wall, because of all the things, all the buttons you can press with Moira, those wigs are everything (laughs). So we thought it could be really fun, considering no one’s ever tried them on. And we never ever really touched it, but that was really out of respect for Moira, who was holding court in her home. Now that she’s away we can all sort of have some fun with it, and getting to select which wig we got was a really fun process too. I tried on that little blunt, blonde wig that I wear in the episode and thought, “Well, this could be good for my real life!”
Will there be more Mariah stuff? And also, how much Mariah is played on set?
A lot of Mariah is played just in my life, which seeps into my professional life. She tweeted about the show last year after the Mariah Carey reference in our season 4 finale.
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You recently celebrated that tweet’s anniversary on your IG.
I’ll be celebrating that anniversary for years to come. I lost it. There’s been some amazing people who’ve said some wonderful things about the show, but the Mariah Carey tweet, to me, was like, I don’t even know how to process that. I think back to being a teenager, putting up Mariah Carey posters on my bedroom walls. It was a full-circle moment.
The last time we chatted you told me that one episode in particular this season made you cry. Why is it so meaningful to you?
It’s a layered thing. I find it sometimes quite emotional to be in the position that I am in, to be able to tell queer stories and show them on a mass scale, to write moments and stories, and in this particular case a love story, that seems to really affect people. It’s hard not to think back to a time in your life where you didn’t have that kind of freedom. For me, I think back to high school when I was still in the closet and wondering if I would ever be able to live out in the open. To now be in the position that I am, getting to write what I find to be a really lovely queer romance that millions of people get to watch, it’s quite profound.
And how about the episode’s impact on you?
It’s a particular moment that I had to write that is something that most queer people go through and articulating that, dramatizing that, is just a very meaningful episode for me and for a character in our show. It’s a coming out episode. So getting to write that and trying to find a way around that kind of story that’s been told several times in film and television and literature, finding a dynamic way into that story and out of that story, was probably the greatest joy and challenge I’ve had as a writer for TV. And now that we’ve cut and polished the episode it’s my proudest episode we’ve done as a show.
Given that you understand the weight of this show on your audience, I’m guessing David and Patrick will never break up.
(Laughs) Um, I don’t ever want them to, but you never know what happens. All I know is that we do understand what our fans are enjoying and we certainly wouldn’t want to do anything to jeopardize their loyalty.
It’s the first successful relationship I’ve had in a while and it’s not even mine.
Funnily enough, me too.
For the Schitt’s Creek: Up Close & Personal tour, you and some cast members are touring various U.S. cities. How did the idea for the tour start and are there any Tina Turner musical numbers?
(Laughs) The idea for the tour started mainly because I think so much of the success of our show is based on the enthusiasm and the word-of-mouth that has come from our fans. And the feedback that I’ve received from our fans has been so much more than, “We love your show”; it’s long letters about how this show has provided sort of a safe space, a happy space, a joyful space in dark times. We seem to have a relationship with the people who watch our show and love our show that is slightly deeper than I think the relationship that a lot of people have with the shows that they watch on TV.
Shooting the show in Canada, we don’t ever really have access to a lot of our fans. We shoot for three months out of the year and the rest of the time is me editing or writing the show, and a lot of the response and feedback we got from fans was a desire to interact with the cast, and so we started developing this idea. It’s a Q-and-A, it’s very casual. We show some things we’ve never shown before, we show some behind-the-scenes stuff, we show some bloopers, and there may or may not be a musical performance that may or may not involve a Tina Turner song sung by someone who may or may not play my boyfriend on a television show (laughs). But for us, it’s a great way for us to meet our fans and for the fans to come and say hi in person. We did our first in Los Angeles a little while ago and it was incredible. There was so much love in the room.
Regarding the writing, do you think in terms of meme-able moments in the writers’ room?
No, no! In fact, there was some kind of Instagram sticker – you know the GIF stickers you can use? There’s one of Moira that apparently had like a billion views or something insane, and I’m always sort of amazed how people have taken moments from our show and turned them into these little internet memes, because when we’re writing we never really think about that. But it’s quite an expressive show (laughs), so I understand how it would be very easy to take some reactions from our cast and make some sort of universal reactions of disgust or confusion.
I used your face when I was disappointed by the Golden Globe nominations.
(Laughs) I’m so happy that I could be there for you in that time.
Has working on this show and writing queer characters with your dad bonded you in ways you didn’t expect it to?
I honestly don’t know, actually. The show has been sort of wonderful in the sense that we have been put in a position where we get to see each other every day. I think just going through the experience of making this show and seeing its success has been a wonderful thing for the two of us.
There are just times in your life when things happen that you’ll never forget and you know that you’re sort of in the middle of doing something quite special and lasting, so I know that whatever I do after this show, we’ll always have this time together, we’ll always have this sort of chapter of our lives that we got to immortalize on screen, which is quite lovely.
source https://hotspotsmagazine.com/2019/02/28/schitts-creek-creator-dan-levy-talks-queer-journey/ from Hot Spots Magazine https://hotspotsmagazin.blogspot.com/2019/02/schitts-creek-creator-dan-levy-talks.html
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demitgibbs · 6 years
Text
‘Schitt’s Creek’ Creator Dan Levy Talks Queer Journey
Oh, sure, Dan Levy gets excited. Really, he does! The sparkle may not be written on his face – cherubic, distinguished, writerly; one with features much like his actor-dad, Eugene Levy – but inside you can bet he’s screaming. It’s a Canadian thing.
Our conversation takes place on a day in mid December, the day after Pop TV’s Schitt’s Creek, his farcical and heartfelt sitcom about a family stripped of their riches that is lovingly created as a gift to this godforsaken world with his father, has picked up a Critics’ Choice nod for Best Comedy Series and Levy is screaming. Really!
“We have a limit to how excited we can be about ourselves,” he says, snickering. He continues, Canadian-modesty fully intact: “But it’s a thrill.”
The thrill humbly extended to a tweet written by the out 35-year-old conveying gratitude for the show’s recent wins when GALECA: The Society of LGBTQ Entertainment Critics awarded Schitt’s Creek with two honors, TV Comedy of the Year and Unsung TV Show of the Year, during their annual Dorian Awards. (Full, proud disclosure: I’m a member, and I voted for Schitt’s Creek in both categories.)
Get Levy talking about Mariah Carey – the diva inspiration for one of season 4’s sweetest and gayest lines, pertaining to his onscreen boyfriend, Patrick (Noah Reid) – and he won’t stop screaming. We spoke about the Elusive Chanteuse’s prominent place on Schitt’s Creek and about what’s in store for his lovably dramatic character, David Rose, mom Moira (Catherine O’Hara), dad Johnny (Eugene Levy) and sister Alexis (Annie Murphy) in season 5. Plus, this season’s coming out story that Levy says was an emotional shoot and “my proudest episode.”
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I was feeling such disappointment when the Golden Globes and the Emmys didn’t acknowledge Schitt’s Creek yet again this year. So, this Critics’ Choice nod must feel like, “Finally, awards committees are catching up to the rest of the world.”
Slowly but surely we’re cracking into that illustrious group of shows that get nominated for things and it’s a wonderful feeling. We’re a very small show, and I think for very small shows that don’t necessarily have huge resources to promote themselves for award consideration, a nomination from the critics at this point is fantastic. It means it’s been word-of-mouth, and I think the fact that we are also streaming on Netflix has cracked us open to an entirely new and different audience as well.
And listen, our team, first and foremost, just wants to tell really interesting stories and wants to have fun when we go to work every day, and that has always been the goal for me as someone who’s running the show. The minute you start to look outside and think, “Oh, we’re being recognized for this; people are putting us on lists,” it’s wonderful but it can really change the experience of making your show. Suddenly you’re more concerned about, “Are things living up to the standards that the media have kindly set for us?” And that can be really intimidating.
So I try not to pay attention as much as I possibly can; especially when we’re making our show, I try to disengage from all of that so we can really focus on what’s ultimately going to serve our characters. But I’m not gonna lie: It’s been a joy over the past couple of years to see our show up there in the ranks of other shows that I have long admired myself. So I’m just ultimately bursting with pride for our team.
How are the Roses coping with each other during season 5?
Season 4 was a really emotional chapter in this family’s trajectory and we were able to really peel back some layers and show a lot of growth. Season 5 is really about having fun. The guards are down a little bit, which means we can have more fun with our characters, we can put them in stranger situations.
We tried our best to pair characters this season with characters that have never been paired before and really take stories outside of the box and expand our world a little bit, so this season was always intended to be the shiniest and brightest and boldest we’ve ever done. But I’m just really excited because there’s so much in store in season 5. It’s bursting with life and joy and I can’t wait for, particularly, a few episodes.
David does a lot of things this season that, for me, as a gay kid growing up, were horrifying: tree-climbing, baseball. What was your favorite David adventure to shoot this season?
The fun thing about David is he’s someone who has put on such a front for so long that he has really, over the course of his two years in this town, allowed himself to just get in better touch with himself and expose himself to vulnerability in ways that he never would have. So something like the first episode of season 5 (laughs) – constantly feeling the need to prove his relationship and how far he’s willing to go for it – was really fun. I mean, the day was grueling and I was stuck up there (in the trees) for, I think, seven hours…
So by the end of the shoot, your face was David’s. You weren’t even acting anymore.
(Laughs) The character and me as a person really came together in those moments. But yeah, I would say the excitement of our first episode back is really an indicator of what’s to come.
I can’t believe these characters are just now trying on Moira’s wigs. How did that not already happen?
The idea was, for us, that she needed to be on a totally different continent in order for David and Alexis to even dare touch that wall, because of all the things, all the buttons you can press with Moira, those wigs are everything (laughs). So we thought it could be really fun, considering no one’s ever tried them on. And we never ever really touched it, but that was really out of respect for Moira, who was holding court in her home. Now that she’s away we can all sort of have some fun with it, and getting to select which wig we got was a really fun process too. I tried on that little blunt, blonde wig that I wear in the episode and thought, “Well, this could be good for my real life!”
Will there be more Mariah stuff? And also, how much Mariah is played on set?
A lot of Mariah is played just in my life, which seeps into my professional life. She tweeted about the show last year after the Mariah Carey reference in our season 4 finale.
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You recently celebrated that tweet’s anniversary on your IG.
I’ll be celebrating that anniversary for years to come. I lost it. There’s been some amazing people who’ve said some wonderful things about the show, but the Mariah Carey tweet, to me, was like, I don’t even know how to process that. I think back to being a teenager, putting up Mariah Carey posters on my bedroom walls. It was a full-circle moment.
The last time we chatted you told me that one episode in particular this season made you cry. Why is it so meaningful to you?
It’s a layered thing. I find it sometimes quite emotional to be in the position that I am in, to be able to tell queer stories and show them on a mass scale, to write moments and stories, and in this particular case a love story, that seems to really affect people. It’s hard not to think back to a time in your life where you didn’t have that kind of freedom. For me, I think back to high school when I was still in the closet and wondering if I would ever be able to live out in the open. To now be in the position that I am, getting to write what I find to be a really lovely queer romance that millions of people get to watch, it’s quite profound.
And how about the episode’s impact on you?
It’s a particular moment that I had to write that is something that most queer people go through and articulating that, dramatizing that, is just a very meaningful episode for me and for a character in our show. It’s a coming out episode. So getting to write that and trying to find a way around that kind of story that’s been told several times in film and television and literature, finding a dynamic way into that story and out of that story, was probably the greatest joy and challenge I’ve had as a writer for TV. And now that we’ve cut and polished the episode it’s my proudest episode we’ve done as a show.
Given that you understand the weight of this show on your audience, I’m guessing David and Patrick will never break up.
(Laughs) Um, I don’t ever want them to, but you never know what happens. All I know is that we do understand what our fans are enjoying and we certainly wouldn’t want to do anything to jeopardize their loyalty.
It’s the first successful relationship I’ve had in a while and it’s not even mine.
Funnily enough, me too.
For the Schitt’s Creek: Up Close & Personal tour, you and some cast members are touring various U.S. cities. How did the idea for the tour start and are there any Tina Turner musical numbers?
(Laughs) The idea for the tour started mainly because I think so much of the success of our show is based on the enthusiasm and the word-of-mouth that has come from our fans. And the feedback that I’ve received from our fans has been so much more than, “We love your show”; it’s long letters about how this show has provided sort of a safe space, a happy space, a joyful space in dark times. We seem to have a relationship with the people who watch our show and love our show that is slightly deeper than I think the relationship that a lot of people have with the shows that they watch on TV.
Shooting the show in Canada, we don’t ever really have access to a lot of our fans. We shoot for three months out of the year and the rest of the time is me editing or writing the show, and a lot of the response and feedback we got from fans was a desire to interact with the cast, and so we started developing this idea. It’s a Q-and-A, it’s very casual. We show some things we’ve never shown before, we show some behind-the-scenes stuff, we show some bloopers, and there may or may not be a musical performance that may or may not involve a Tina Turner song sung by someone who may or may not play my boyfriend on a television show (laughs). But for us, it’s a great way for us to meet our fans and for the fans to come and say hi in person. We did our first in Los Angeles a little while ago and it was incredible. There was so much love in the room.
Regarding the writing, do you think in terms of meme-able moments in the writers’ room?
No, no! In fact, there was some kind of Instagram sticker – you know the GIF stickers you can use? There’s one of Moira that apparently had like a billion views or something insane, and I’m always sort of amazed how people have taken moments from our show and turned them into these little internet memes, because when we’re writing we never really think about that. But it’s quite an expressive show (laughs), so I understand how it would be very easy to take some reactions from our cast and make some sort of universal reactions of disgust or confusion.
I used your face when I was disappointed by the Golden Globe nominations.
(Laughs) I’m so happy that I could be there for you in that time.
Has working on this show and writing queer characters with your dad bonded you in ways you didn’t expect it to?
I honestly don’t know, actually. The show has been sort of wonderful in the sense that we have been put in a position where we get to see each other every day. I think just going through the experience of making this show and seeing its success has been a wonderful thing for the two of us.
There are just times in your life when things happen that you’ll never forget and you know that you’re sort of in the middle of doing something quite special and lasting, so I know that whatever I do after this show, we’ll always have this time together, we’ll always have this sort of chapter of our lives that we got to immortalize on screen, which is quite lovely.
from Hotspots! Magazine https://hotspotsmagazine.com/2019/02/28/schitts-creek-creator-dan-levy-talks-queer-journey/ from Hot Spots Magazine https://hotspotsmagazine.tumblr.com/post/183119013920
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isaacathom · 6 years
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like, if i were to basically redo it to just be a fun fantasy romp - id take it back to its original sort of time setting rather than having it be urban fantasy. Finley died in an expedition about 10 years earlier, making Crystal and Akian into orphans. theyve basically been living with the D’Lore’s since then, so Akian and Chase being really fucking close makes complete sense (and was likely why they started living wit the d’lores in the first place). in that last decade, like 5 yearsago or so, SKye joins the family after the whole uhhhhh Sorix/Naten situation. my poor boys. so crystal and skye already know each other. they arent super close, mostly because skye’s a moody lil bitch sometimes, but they know each other and are passing friends. crystal works with the d’lore’s apothecary, since the d’lores are like, biiiiiiiig boys. mayors or some shit. big boys. not a king, tho. well, actually, maybe? that could be interesting. or perhaps like a pricipality sorta deal. ill think about it.
since the d’lores are royalty here, kidnapping Akian and Chase (the crown prince boy and his gf) makes complete sense. theyre a perfect ransom and way tohold the entire city/region hostage. its a crisis. skye and crystal, who are really pissed about it, decide to take proactive action. which brings them into contact with Violet, who runs a small library with her “aunt”, Dawn. Violet helps them find some information about some of the weird shit the two reported seeing before their sibs were kidnapped, and gives them a shit ton of advice on what they could do. because violet is the best.
smth smth happens, they come into contact with Will, who is an expedition man just like Finley, and also the guy with th complex relationship with Skye. the three manage to convince Will to take them along into his second trip into a portal he’s discovered north of the town, because violet thinks it’ll have useful info and then begs to come along to see it. sothe 4 go in. suhbitch, its the heaven realm, and here they meet Skye’s mother, Alexa, who has still been dead for 200 years because, lets be clear, Skye’s dad fucked a ghost. fucking crazy. fantasy is wild. and she helps give them some pointers. maybe suggests they head to Quartai, which is the Big Boy Kingdom. a probably more overtly magical/religious place, more info on Ryaris and shit, stuff like that.
the 4 go there. then im not sure how stuff resolves from there. they probably still end up heading to the southern isles, which is an even more Big Magic place that has all these portals. in between then, violet seems to disappear, following an(other) encounter with Princess Alara, angry wind mage of the hour. which isnt great? but thats because Violet realised something was off about Alara (in a way specific to Violet) and she went out alone after the others went to sleep to find her and demand answers, and then, well, shit escalates.
they finally get to the fire realm and find the castle. before they can sneak inside, Alara catches them and promptly kidnaps Crystal, under the rationale that, well, Crystal is actually quartaian royalty, she’ll be a good ransom as well! :) skye and will (and i guess ash if hes just floating around, i dont Know)get tossed in the jail cell with chase and akian. Violet, who has now assumed the position of Princess fucking uhhhhh she has a name. fuck. T- Tacha??? yea ok whatever. Princess Violet’s out here, trying desperately to avoid the consequences of abandoning the group and trying not to get seen by any of them. but after overhearing her mum and sister interrogating Crystal about shit (and probably revealing Crystal’s heritage at that time, tho idk how id tie that shit in proper) Violet decides to stop being a coward. easily talks her way into the jail, frees everyone, get them all their stuff back, and make arrangements with some sympathetic guards that escort the exhausted Chase and Akian to a portal that will plop them out near-ish to the capital city, where they will be quickly found. bonus points if one of the guards, being a local to the area, offers to then personally escort them to the palace and hand them over. if yes, then violet likely gives him something that is proof of divine intervention (like, a symbol that cannot be manufactured by a human? and that is proof that Ryaris was involved and has returned them, smth like that, idk)
then the three of them work together to free crystal from Alara, who is acting as the primary antagonist. Ryaris is getting cold feet like noones fucking business, which is why she hasnt made a single appearance apart from kidnapping the two at the start. Alara’s filled in the rest, in part because Alara can pass for human (shes more a demigod than a minor goddess, in contrast to Violet), and because Alara was a LOT more into the plan from the start. probably using some info they gathered in Quartai or in theheaven world (it definitely has a name, i dont remember it) to convince Alara that, well, no, Dalace is absolutely fucking lying to you, stop it. which is easier than you would think, because Dalace’s lies were revealed the instant Violet returned home.
Part of Dalace’s plan to escape from her imprisonment is to have Ryaris (and her daughter, tho that was a later addition) force a whole bunch of humans into constructing and using portals, which would weaken the seal and also give Dalace more power. then she can break out and wreak havoc. her end of the deal is that, once restored to full power and free, she would bring back Evelyn and Violet. Evelyn being Ryaris’ human wife, who died like 5-6 years prior to the start of the story, and which was actually caused by Dalace in order to force Ryaris’ hand. but that conceit was that Violet and Ryaris were both dead. But Violet is here, perfectly fine, and with 0 trace of any magical interference. Violet was been alive the entire time, just out of Ryaris’ sight and in a different place than where Alara ended up going undercover. essentially a stroke of bad luck.
so, yknow. Violet has overheard Ryaris talking to Dalace, and has already found out about the fact that her revival had been promised. so its like, ‘what proof do you have???’ ‘well, im here, arent i?’ ‘:|||||’ if its then additional that, after violet left the party, the other three found out that Dalace doesn’t have the ability to revive, and that revival as a skill would require the death of Losa (light goddess and just general death lady), they can use that too. combine forces. violet uses her knowledge of the agreement, and the others use their acquired knowledge of the limits of magic. bam. maybe even some prior history, like ‘the stories say that Dalace went mad because everything died in her care. if she could revive the dead, surely this wouldnt have been an issue?’ ‘..... fuck youre right’. i mean they almost definitely have to fight her too because Alara’s a bit of a pain in the ass. people probably almost die. hardcore.
everyone chills out, they go convince ryaris to maybe chill. thats very easy because ryaris literally just wanted to settle down with her wife and two children before shit got messy (and i mean, Same). very easy to convince her off the mess train. but, of course, she’s already done a lot of the damage. the ransom for Akian and Chase has been active for like, at LEAST a week, possibly even more, she’s already reaped a solid chunk and started making good on her promise to Dalace. so the damage has been done. Dalace will get out soon. so they decide like, ok, lets fix it. time to go like, punch her in the face.
and then they beat dalace or reseal her or something. im not sure? dalace’s issues with the world are so deeply seated, her anger so much a part of her, that you cant really turn her good again. and to kill her would be nigh impossible and extremely disastrous. so really its like. do we trap her again but More this time, do we force the gods to actually intervene this time instead of acting through Champions? its rough. a godly intervention would only work if the group had been to each of the realms, because then they’d have met or affected each god in some way. but theyve only been to light and fire worlds. any more than that and it just gets like..... convoluted...... it was the original idea but idk. smaller main cast, makes even less sense. going to the worlds of each of their patrons makes SOME sense??? which then means id need to add a trip to the earth world (perhaps this is where they go from the southern isles. since they dont have a fire portal. and then they lose violet in earht world?). which then only leaves out the water and wind worlds. but the wind goddess is explicitly on Ryaris’ side, having freed Ryaris from her own constraints after a Whole Bunch of Shenanigans. so they dont actually need to convince the wind goddess, Xen i think, to support ryaris. Caliyo, the water goddess, is a little harder to finagle. she doesnt really agree with Ryaris for what i hope are Obvious reasons. in theory keeping Ash as a member of the party would potentially fix that, since he’s an active and practicing water magician prior to meeting the cast, and it’d be fair to guess that she might have a hand in that?in the community he’s from. sort of a mini water realm? Caliyo could also possibly be convincedby like, Losa and....Elra? earth lady. to just maybe think about just fucking talking to Dalace, for fucking once. its been fucking millenia,just talk to her and maybe youll convince her to stop being a shit. idk. Dalace is complicated? and a pain in the butt.
like, if Ash remains part of the squad (which does skew the cast 2:3 male, and 1:3 male when Violet leaves, which Pisses me Off) he can act as throughline to Caliyo. i dont see why not. his community is very much magical. buuuttt you could also potentially get around having him be in the party by having the same connection be present in the Southern Isles, which is a separate magical community that hides away from the continent. and if you think about it, how would you hide an island? other than straight up illusions.mist! caliyo is a perfect patron for the southern isles, thus removing Ash from the story as well in a clean 1 2. which also removes the dragons, which is.... a shame, definitely. big fan of them. but it also makes some sense to remove super overt magic stuff, if people are supposed to believe is superstition or extremely rare. a northern tribe that rely on dragons doesnt gel with that. they can still exist, i guess, but as a completely separate entity. though that does then raise the question of how the party of 4 get from Quartai to the southern isles. in SB, they flew there on the backs of some of Ash’ dragons, which also allowed them to cross the fucking sea between the isles and the coast. unless theres a secret way? like, hey, a secret bridge. use the portals to return back to the capital city, tie up some loose ends (employment and ‘WHERE THE /FUCK/ HAVE YOU BEEN?’ sorts of ends) before heading south to the coast and then trying to find the path across. Skye or will would be good for that, though Violet is also a stellar candidate due to the sheer magnitude of her magic. she’s basically a minor deity. its crazy. it depends on like, narrative usefulness? i guess? like, violet was the one who put them on the path to realise the kidnapper was Divine in some way, and put them in contact with Will. Will got them into fucking Heaven Light World, which got them to quartai, where they were able to get more info (or maybe even skip quartai altogether, tho thats smth else to deal with). so at this stage, crystal and skye’s sole contributions have been to kick the whole thing off. at best, skye mightve suggested they go to a smaller library than the Royal one, since, well, theyre already known to the royal one and the librarian likely tells them to stop bothering everyone and go back home (stay safe from kidnappers, etc). so Skye finding the path to the island, with all that light boy goodness, might work? crystals skillset can then come in handy when they travel to earth world, since she’s an earth mage. she can learn magic and possibly even learn about her heritage there. smth smth. depends how long theyre there.
idk. you can probably remove quartai from the mix altogether??? and have them go straight from Light World to heading south of the capital. does sorta remove the quartai buildup though? with the whole ‘youre the descendant of a runaway prince’ thing. since it justified crystal being removed from the group and likely the first person to find out about violet being a god, which can then feed to like. Shit. theres no other reason to separate out crystal and not, say, Skye. crystal and skye hold identical levels of relevance to thespecific kingdom theyre from. theyre commoners. crystal is in slightly higher regard because akian is practically a princess and even before that her family were good friends with the royals (because, yknow, Finley is a runaway prince who sought refuge in a neighbouring kingdom, lol). skye is just like, some guy, even though he lives in the palace too. theyre just commoners in high esteem of the king. so like, if you were going to separate Crystal out from the group for that, you should also take out Skye, which means in practice youre just chucking Will in a dungeon on his own. which just seems rude. the boy has suffered enough.
the idea was that bringing Crystal into Quartai, a place she has never been but that her father had once promised to take her to (which i can set up). and that by placing her in that environment, maybe even engineering a scenario where she is taken to the royal library (which i guess is like, a public library run by the royals? i dont know) and is spotted by Alara, who has been living in Quartai for the last year or so to gather intel. and, by the nature of how it is, theres royal paintings on the wall showing the late queen, Crystal’s grandmother, and theres an immediate visual connection. Crystal looks just like her dad. someone else (or alara, if it works) might even comment on her being new to quartai with a sort of ‘are you sure youve never been to quartai before? you look like you’d fit right in’ and it couldbe assumed as a personality thing. especially if in terms of personality, crystal doesnt appear to mesh with quartaian society at all. and if the line is by a character with no humour. which means Alara would actually be a perfect fit. it would be a genuine question and observation - Crystal looks Quartaian, whatever that means. while in quartai, they find out its connected to the earth goddess Elra, which helps convince them that they should maybe ask Elra for advice, since she seems like a goddess who has a lot of input and would know about goings on. crystal is then revealed to be an earth mage later (either southern isles or in the earth realm itself) which is like an Ooh boy. you could possibly hammer it further home by, if they DO meet Elra, her confusing Crystal for quartaian royalty. either by assuming she’s a specific Queen (her grandmother) or just a general ‘oh, youre a princess of quartai, then?’ ‘w- no?’ ‘oh? my apologies’. though if elra is going to notice any lineage she’s going to recognize the tall white haired youngster with piercing eyes and an overwhelming magical aura is the daughter of the goddess of fire. so. might distract her?i think it would be too on the nose for Elra to straight up call her out. 
though i could definitely make Crystal not looking local a thing? because she’s not. culturally she is, but both of her parents are full blooded quartaians who fled across the border because Keiran (correctly) anticipated that him marrying a commoner wouldnt go down well. Akian and Crystal both look quartaian. but they also look nothing like Will, who is from another demographic also not native to the kingdom. but his demographic is more prevalent, like there are far larger communities of them. Akian and Crystal just look out of place. Skye technically has a sort of otherworldly quality, but thats partly because his dad fucked a ghost. i cant get over that. but he still looks local enough, because he looks like his mum! and aside from being a ghost of sorts, she was from that kingdom, just 200 years in the past. so theres been drift, and he does look slightly off relative to everyone else, but to an extent you can assume thats just an individual thing. especially since his family is unknown. Akian and Crystal’s parents are known. their apperance is familiar. and that appearance is distinctly foreign. theres no real PROBLEM with that, because theyre good friends with the royal family and have been living in or near them for their whole lives, but its notably. their specific complexion, hair colour, and eye colour? not common ‘round these parts. that sorta thing? could work??? especially if relations with quartai are sorta weird. like..... we’re cool....... but also dont move here? with the exception of Kieran, because the implication is that he’d been a lot friendlier than his mother (and his cousin) and when he comes knocking on the door going ‘listen man i just fled the country can i crash on your couch with my girlfriend for a few days’ the kings like ‘yea dude go ahead. you can explain tomorrow at breakfast. just us’ ‘thanks dude i really appreciate it’. maybe its a quartaian thing. not big fans on these guys. so they just stay in their place and dont leave much. people from this kingdom can come to quartai, sure....... you cant STAY for that long, but you can come visit.......... sure.
which, if quartai is kinda.... i guess just straight up racist??? xenophobic? one or both. if quartai is straight up racist, than crystal’s appearance as a fullblooded quartaian would be quite notable! because its like, oh, youre a local! wait, y- youre NOT a local????? what the fuck do you mean youre not a local????? from - from sp- ok. sure. alright whatever you say lady. move the fuck along then. people see this ragtag group with this one quartaian lady and assume, oh, a local with some friends from out of town. well, if thats the company they want to keep, sure. cause it looks almost correct. it almost makes sense. but then you hear her speak, in a distinctly non-quartaian accent, and its like ‘hold on a sec’ but then she’ll say some words with a quartaian twang, relating to adventure, and you have No idea how to process that. what. its wild. doesnt come across in raw text but, you know.
im sure i can roughly justify going o quartai. theyre a generally more spiritual kingdom, with prominent reverence in a specific goddess who is tied in with the geography and economy (Elra), and the royal family are supposedly her descendants on some level. theyd have more specific information about the gods, the history of their involvement in the world, some shit about Dalace (not in depth, tho, just that she took over at one point and it was a Bad time). it depends how much info they can get from light realm? i mean, they arent REALLY supposed to say much. they arent even really supposed to interact with the living. which does make you go 0>0 at Alexa. hot damn. willing to break big rules for some living dick. legendary.
i mean i feel like its better if they DO go to quartai, because it allows them to encounter Alara, who has basically bribed and conned her way into a position of power through some whack shit and has integrated into the community to get some of the Juicy Information. they can meet her in a safe environment and find that she’s weird, they can learn a bit about shit, crystal being quartaian can be emphasised in a sort of coy way (im a shit writer sooo it probably wouldnt read very coy lol) and there can even be some foreshadowing for Violet’s position as minor fire deity. since thats almost definitely what catches alara’s attention. a tall, light haired individual with burning green eyes and an implaceable aura? fascinating. but when Violet doesn’t catch any of Alara’s references (to like, the gods and shit), Alara assumes she’s mistaken and perhaps she’s just sensing a strange combined aura. its not till later in the earth realm, when they meet as protagonist vs antagonist, that she realizes no, she was right on the money the first time. because at this point in the story, the main cast have actually started using magic, and theyve already found that Violet’s use of magic is effortless. and with their magic unlocked, so to speak, violet’s aura is fucking incredible. none of the others can see it, with the possibly exception of either Will or Skye, depending which way dark/light fall re: seeing shit. but Alara is an incredibly well practiced mage and demigoddess, and she knows how to see it, and violet’s is intense. its unmistakeable. alara isnt 100% sure what if she recognizes the aura, for the simply fact that violet disappeared when they were 9 and alara hadnt learnt to see/feel aura at the time. but she thinks she knows what it means. shes confident that violet is some demigod. which god? unclear. until Violet throws a fireball at her and tells her to fuck off.
the only other possible ways for violet to be a fire demigod and NOT being the daughter of Ryaris, are for her to be the daughter of Xen (goddess of wind) OR be a distant descendant of Ryaris via her mortal parent, who is also her mother, and which might overrule the godly disciple of the godly parent. the latter is nigh impossible because Ryaris has only had two children to her knowledge, unless she blacked out during 200 years exile and accidentally boned down. she’s pretty sure she didnt, though. not that thats a topic that comes up, exactly. but ryaris only has two kids. Alara has no children, and Violet is not the right age to be the daughter of Alara’s sister. she is, however, the approximate age to BE Alara’s sister. so is sheactually, or is it cosmic coincidence that two demigods (the fire/wind twins and someone else) were born around the same time? who knows! alara has no idea. violet doesnt have a damn clue either. ita rough.
uhhh this got very lost VERY fast. uhhh tl;dr return the story to its original full fantasy setting (not urban/modern fantasy). akian is the girlfriend to the prince of a kingdom, with crystal being her sister. skye being in a weird state of being commoner but living with royalty, just like crystal. akian and the prince are kidnapped by Ryaris in order to force the kingdom into an awful ransom agreement whereby they will do a bunch of suspicious shit. crystal and skye believe they saw part of the kidnapping take place, and attempt to get information. after a bunch of the royal staff tell them to stop worrying and go home, they go find a non-royal library run by Dawn and her ‘niece’ Violet, who help them find some info. Violet, being very much in the know, hooks them up with Will, an adventurer and cartographer who is planning a visit to a portal he located north of the city. after a lot of negotiating/arguing, Will agrees to let the three of them come along, and off they go. a whole bunch of shit happens, involving a trip to neighbouring kingdom Quartai, where Crystal is treated strangely in relation to the party and they first meet Alara, posing as a foreign noble who takes an immediate interest in Violet.
more shit, they end up in some hidden magic isles south of the continent, which then leads them to the earth realm, where they seek an audience with the goddess of earth Elra, on how they can get an audience with Ryaris, goddess of fire, and most likely the kidnapper. more shit. alara appears again and they have a brief confrontation. that night, violet disappears. after failing to find her, they resolve to press onwards (leaving fucking missing persons signs all over this foreign land and even informing Elra about it). go to fire realm, get captured by Alara, who separates out Crystal in order to interrogate her about her lineage to confirm a suspicion she has that Crystal is long lost quartaian royalty (si). violet is brought in to help, much to their mutual distress, and then alara kicks violet out for just doing an awful job of forcing crystal to talk.violet then breaks everyone else out of jail, sends Akian and the prince home with some guards she trusts to take them back safely, and then they go rescue Crystal. final showdown with Alara. convince alara that Dalace, goddess of darkness, has been lying out her fucking ass the entire time and cant do anything she promised. alara reluctantly agrees to confront Ryaris about it. Ryaris admits thats all true and that she knew from the start Dalace was a lying piece of shit, but, i mean...... yknow....... your wife dies and you havent seen your daughter in over a decade........ white lies are nice. also alara was the one who got sucked in. its complicated.
then they go ‘aight time to fuck with dalace’ and then i have no idea. probably all the goddesses (who theyve met throughout the story) come and tell dalace to stop being a cunt? roll credits.
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