kinda thinking about how the women who serve as maternal figures/raise kids in yyh are never quite ready for it. genkai's an arguable exception, but like.. atsuko had yusuke at 15, shizuru's basically in charge of kazuma full time in her early 20s/late teens (depending on version) with very very absent parents, and even shiori is given a kid she wasn't expecting, in the form of an old, old demon rather than like. a regular, blank slate ass human baby. and although shiori seems to do quite well with kurama, kurama can never be honest with shiori about who he is, or much of what he's seen. if he was, it'd probably make things far more complicated and overwhelming. atsuko, no matter how much she cares for yusuke, Could Not Have Been and thus wasn't ready to have him at 15. her attempts to make the most of that situation have had middling success at best. shizuru has also been placed into a parental role. we don't really know how long she's been raising kuwabara, but that's.. probably still parentification anyway. she shouldn't have to do that, and she shouldn't have to do that so young. and i think some of her coarseness with kuwa is out of frustration with her own inexperience + inadequacy + uncertainty, his not cooperating, and their parents for putting this on her in the first place. the ones who know the full extent of their situation grow desperate and it squeaks out in unpleasant ways, and the one who seems unbothered by it is the only one who has no idea that she's in way over her head. and i mean. ok. gonna preface this by saying keiko is NOT yusuke's mom in any sense of the word. but she does take care of him in a way atsuko couldn't manage to. she's often looking after him and cleaning up after his messes and stuff. she takes him on as a responsibility, and that is, in a way, a caretaker role. not to say that it SHOULD be her responsibility, but it's how she ends up being.
and when the stress of trying to make someone take care of themselves or be kind or good or Whatever goes awry, again, the violence and arguing and distance and ugliness of caring for someone reveals itself.
and i wonder about that. for a series dedicated to physical fighting as a form of communication, what does it say that this extends to the complicated, quietly desperate situations of so many of the women/girls it depicts, whom our more central characters were shaped and raised by?
hell, even hiei touches on this, because hina loved hiei, but there was no way she was prepared for him, obviously, nor for the pain of losing him. rui (whom i also see as a sort of caretaker figure to hiei, inasmuch as either of them were caretakers) literally throws him off a cliff because she couldn't face down the village elders, and out of some mixture of care for hina and, likely, fear for her own survival. and the guilt and pain of that killed hina and deeply wounded rui.
it's like motherhood, this thing that's so often treated as sacred and beautiful, is a kind of stitched up, painful, eggshell-walking thing that hurts parent and child and it's just. oughh
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finessa hyperfixation save me
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Guys I'm so emotional thinking of Skull throughout the years.
Skull, who refused to die peacefully and almost died a second time because he finally found something worth dying for. Only to come back and get the chance to live the life he never got.
Imagine Skull as a proper member of Lockwood and Co, out of his jar and free to help solve mysteries and take down dangerous visitors. It's exhilarating and he feels so powerful with his colleagues side by side with him. He never stop giving the team shit and being overall kind of a grouch but no human or ghost ever comes close to them when their overprotective type three is around.
Skull is powerful enough that he's able to stick around even when other Visitors are slipping back to the Other Side. He clings with everything he's got to this life he's building. As the Problem dies down, new challenges arise: dating and marriages and babies. He officiates the Locklyle wedding to the confusion of most of the guests. Grumbles but is also secretly relieved he's not invited on the honeymoon. Makes silly faces at newborn babies from a ghost touch safe distance. He watches the various children like a hawk and tells wild made up stories when the parents aren't listening. He swears up and down he just got some ectoplasm in his eye when a child shows off a school made family tree with good ole Uncle Skully tucked into the corner.
Lockwood's bad shoulder gives him trouble, George has high blood pressure and Lucy finds she can't read a damn thing without glasses. They're well into middle age, greying, wrinkled and Skull loves them just the same. He's forever stuck in his mid-teens but he's fought beside and grown up with this amazing, stupid little group. Lucy asks him once if he ever thought about moving on and Skull truthfully tells her that he can't imagine doing so without them. He finds hobbies: he takes up painting, learns to drive, even helps George write a book detailing Visitors and the Other Side. He gives baking a go but things tend to go wrong when you can't taste what you're making.
It does get harder as they age quicker and Skull realizes how limited time is. One by one they go, peaceful and easy and buried with the highest honors as a nation mourns its heroes. He waits to see if any of them will come back, maybe spend a few decades causing mischief with him but they don't. They led full, fulfilling lives, unlike him, they had no reason to stick around. Lucy is the last, even as her mind is going her ears are still sharp as ever. He whispers to her she needs to eat, to take her medicines. She looks around blearily, asking who's talking to her.
He couldn't bear to see her when she passes. He's kept her stupid, stubborn, reckless ass safe for years but he can't save her from this. Nor would she want him to. He waits on the Other Side for her, hoping for even just a glimpses. Skull catches sight of her walking into the distance, she looks back at him and beckons him forward. He wasn't ready 200 years ago but now that he's lived a life as an agent, a fun uncle, an artist, a scholar and Lucy Carlyle-Lockwood's best mate. For the first time ever, he's able to take her hand and walk towards whatever lies in store for them.
The kids bury their mum with the now empty skull knowing that, their souls are together.
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Back again hi hi hello..... how about mattuardo.. what do you think of them
Its very cute in my opinion i really like it but i didn't draw it often bc my friend says its cringe (dw im luckily not friends with that person anymore)
Skipping class with your best friends rival to listen to music together :3
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In that moment, despite their differences and past experinces, she extended her hand towards her, waiting for her to take it. In spite of both of them looking at the other with disdain in their eyes, she took her hand and stood up from the ground. There's no point in saying Angelina saved Six, the evidence is already there. Angelina and Six. Their friendly rivalry will live on, but their relationship deffinetly changed in that very moment.
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