#in reality I want to go straight home and keep working on plushies and art but I have to go be productive waaah

[incorrect-ikevamp-quotes]

Do you think they would actually enjoy the modern world? Or would they want to stay in their current time period?

Hm, well, I think that may vary depending on each suitor if I’m honest! (I’ll be excluding Sebastian from this one, only because he is a modern man and I wager he would want to stay in the mansion in order to finish his thesis) 

Under a cut bc it’s a long boi:

I think for people like Arthur and Theo, for instance--who always seem to live in the fast lane--it might not really prove much of a problem. They would continue enjoying the night life and move with their busy schedules. Tl;dr: (For them? Same shit, different day)

Vincent would likely be doing just fine given how Theo often provides assistance in places where he struggles; to promote his art, to spark intrigue in the general public and benefactors. He might be a little overwhelmed by the influx of stimuli that comes with the modern era, constant noise and interaction and movement--perhaps worry that people are losing their ability to live in the moment. (Not to mention what’s being done to the environment...) There might be a learning curve/adjustment, but I think Theo would help him ease in. Plus, it would be a little easier to promote his art given the less stringent restrictions on public exhibitions. He’d still have to work for his fame, but at least the van Goghs wouldn’t have to live in constant unease in the proximity of the cutthroat academy.  Tl;dr: (Mixed feelings, but tries to stay positive about modern times)

Dazai is more familiar with this kind of life of quick turmoil and breakneck speed, if anything he falls back into his old coping mechanisms--hello writing, drinking, and smoking. An overwhelming influx of information and suffering would probably be hard for him to manage, despite how expertly he hides it. I think I would be worried he would lose himself in the dismal reality of diminished connection with other people. Yes I’m shoving him into therapy, I want him to start living for himself and taking care of himself ffs

That isn’t to say there aren’t happy possibilities for him, just that I think he really needs to heal first. I could see him very happy in a kind of writer’s circle with people he loves and trusts; less expending his energy in a desperate attempt to fill the void and please others, more cultivating his own happiness... Tl;dr: (Positive potential, but honestly part of me thinks the past quieter/simple/rural life suits him better...he still loves meme culture tho, he finds it so expansive and creative)

Isaac is in a similar boat as Dazai, I think! He has wonderful potential as a mentor and professor, and living in a world that has a little more patience and respect for genius might help encourage him to put himself out there. That being said, I think the pace of life would exhaust him though--he is very much the kind of person that prefers to keep to himself and just puzzle and tinker. Baby boy just wants to do equations, build little inventions, and read up on the recent discoveries in astrophysics (BRUH WHEN THE IMAGE OF THE BLACK HOLE CAME OUT HE FORGOT HOW TO B R E A T H E) Napoleon is the only reason he eats anything healthy or on any kind of regular schedule s m h. Tl;dr: (Not a lot changes, honestly? He was reclusive then, he still is now--he just has more toys/academic resources. If anything he might get a little too lost in his work because of it, somebody please make sure he’s eating/sleeping/socializing;;;)

Poor Jeanne is SUFFERING. Please release him from this nightmare he is begging. Jk jk, I don’t think it would be too bad for him--but I do think that he would have the aforementioned problem of too many stimuli and too much interaction. I think he would ease into it a little with Mozart’s help; he would just be awkward and wooden until he got the hang of it. Most people just find him quirky in an amusing way, and don’t think too hard about it. I’d wager he’d probably become literate at this point because of the abundance of resources and necessity to read/write (okay but imagine this baby with a little kid workbook iM GONNA CRY!!! TAKE ALL MY CRAYONS JEANNE). 

Can you imagine this mofo at a Starbucks??? Tall and stoic, dark and debonair (EVERYONE IS S W O O N I N G), and he just asks in a light tenor “can I have a mocha with eight shots of expresso” with a completely straight face. “Sir, that could kill you” “Don’t worry, I’ve been dead a long time” And he just moves to wait for his order. 11/10 cryptid I could watch an entire show just about his daily adventures

He works with Napoleon a lot given their similar skillsets. They coach kids at high schools that have fencing teams (it’s really REALLY cute bc if they’re on the younger side, Jeanne will very dramatically lose bc he wants to encourage them and the kids are delighted--but the parents are INCHES from laughing so hard they’re in tears). Otherwise, he mostly takes up gigs as a security worker/bodyguard, only really works for the money. He prefers to spend his time in ways that feel meaningful if he can, so don’t be surprised if you see him in foster homes and in social working spaces. He has an uncanny understanding about him, a kind of silence/patience that doesn’t stifle; it makes the kids/teens calm down in milliseconds. They really listen when he does talk, and he sets good and clear boundaries--he knows how to be firm when it’s required. He gives them the structure and placid grounding they’ve never had, and really pays attention to what’s important to them. Brings them little things he notices; brings flowers to the one that likes to draw, brings CDs (he is bad with technology, but they usually only have access to older/outdated stuff anyway) to the one the one that struggles to write with white noise in the house, brings little plushies to the ones that lose theirs. He’s simple but solid, and he finds a lot of meaning in helping kids overcome the similar kind of struggles he faced.  Tl;dr: (Steep learning curve, but he just sees it as all the same really--just more work to be done with the literacy requirement and adjustment to technology. Will be resistant at first, but when he gets accustomed and starts finding people who are important to him, he wouldn’t want to change anything/go back. But will admit there are some days he just wants to go to the most remote place he can access and just live there for a month with no human interaction whatsoever; people are inefficient and insufferable sometimes)

Mozart’s life honestly doesn’t change much? I feel like he would easily be able to keep composing and continue releasing his work as per usual. Given his quick capacity to schmooze and say what people want to hear when he must, he’d be more than able to network his way into success. I think the only thing he might struggle with now and again is inspiration, given the world operates on a very surface level in the modern era sometimes. Profound insight and depth are not quite as cultivated in many ways, and he can struggle to find something that just sparks motivation/novelty in his mind, makes him start composing at breakneck speed. He reads a lot and watches some TV shows/movies when he’s at really low inspiration levels, the kind of guy that sneers at Game of Thrones--but finds things like BBC’s Sherlock more passable (wants intrigue and complexity, doesn’t much enjoy the sensationalized drivel). When Arthur finds out he loves ATLA he about falls off his seat. “It’s a children’s show.” “Yes it is, with a remarkable level of depth and craftsmanship, what are you trying to say?” He begins to find a kind of rhythm in his composing, and Jeanne and Dazai often drop by with so many crazy stories he finds himself filled with music anyway LMAO Tl;dr: (Same as Isaac, really just keeps doing his thing without being impeded, and he enjoys the luxuries/conveniences of the modern era. Will be slightly resistant at first because of how alien some of the changes are, but will fall into the habits/customs slowly and surely. Fine with it, will whine a bit at the growing pains tho)

Leonardo actually canonically owns a bar, and does that really surprise anyone? He really enjoys the excitement of meeting new people and hearing about their myriad histories, the influx of cultures/languages/experiences. It’s a nice but lowkey place, people stop for a drink, listen to some good music--chat amiably and relax after a long day’s work--before heading out. There are regulars and people that just stop for that single day; tourists, vacationers, so on and so forth.

When asked, many people note a sleek black cat with sharp eyes that led them to the bar... Tl;dr: (Don’t Let the Existential Dread Set-in: The Prequel, adapts well to the modern era because of centuries of experience but also...he’s so tired...somebody please hold him I can’t watch him live like this, lord jesus)

Optimally, I see Comte filling his time with myriad pursuits; ranging from philanthropy, indulging in art/music/theatre (often a benefactor as well), and keeping track of his chirren (they may exist more independently now, but he still worries about them ;-;). Otherwise nothing much changes for him, still goes to galas and fancy gatherings, still enjoys fashion and spoiling people, still seeks to occupy himself with social interaction and care-taking--if he doesn’t have a family of his own. He’s basically just that meme that’s like DON’T LET THE EXISTENTIAL DREAD SET-IN. DON’T LET IT SET-IN!!!!!!!!! Tl;dr: (Not to repeat myself but also Don’t Let the Existential Dread Set-in: The Sequel, literally just desperately trying to fill the void please somebody help him he also just needs to be held fuck’s sake, I’m going to drag him kicking and screaming into happiness--but otherwise has no great trouble adjusting to the modern era. I feel like he would have a more minor form of what Dazai struggles with, maybe a lack of personable connection that he once had; fewer chances to be himself and relax. Also probably worried about the increasing unhappiness and turmoil building in the world in general...)

Napoleon is similar to Comte in that he often checks up on Isaac and Jeanne from time to time, and does the aforementioned fencing lessons with kids. He also takes a lot of basic security positions--for venues, concerts, museums--you name it. He dislikes the idea of sitting behind a desk a lot, so he prefers to do a lot of different things; he even cooks from time to time at the restaurants  that know him very well. One gig he particularly enjoys is battle choreography for movies/theatre! He tends to stay away from anything too historically close to his era of origin, but he has fun coming up with realistic (smaller scale) hand-to-hand combat scenarios and duels. Tl;dr: (This era doesn’t feel like too much of a change. It’s a little more intensive in terms of pace, but he manages to keep up pretty well, it just exhausts him from time to time--and he usually goes on trips or hikes to unwind when he needs to like Jeanne LOL they do not go to their happy place, they go to their high lonesome place).

Shakespeare also continues to do his drama thing, organizes troupes on tons of different levels--from community level to more intense, skilled groups that re-enact his own work. His life doesn’t change all that much beyond a new form of theatre logistics, and he adjusts to the technology fairly easily out of necessity. He’ll stop by Vincent’s place from time to time to show him recordings of his latest shows, but otherwise is almost always on the move. Tl;dr: (So long as he can keep following his greatest passion, he doesn’t really mind the changes in how theatre happens--he doesn’t have any sizable issues with the modern era.)

Ability with technology (phones mostly):

Arthur: more than capable, well-versed, loves to do everything on his phone no prob--maybe lives a little too much on his phone (Vine/TikTok/Youtube can kill his productivity RIP) also yes he has a fidget spinner on his desk, no I will not be taking any constructive criticism at this time

Theo: yes but with a lot of cursing at first, had to do it for work and now looks down on anyone that can’t keep up with him (except for Vincent)

Vincent: knows the basics, taking and sending pictures, writing things in notes for later, texting (tho sending emails is a little harder for him); he does his best but he can be slow. Really really enjoys the paint programs on his iPad for when he’s on public transit, but he starts setting alarms after he gets the hang of it (he’s missed his stops before because of it LMAO)

Leonardo: what kind of stupid question? Man knows how to pick them apart and put ‘em back together for crying out loud, uses it like a pro--comes to him naturally, and he’s the guy that keeps coming up with ways to jailbreak Apple products and thwart their money-grubbing tactics. Catch him playing Minish Cap on his emulator on the way to work, brah

Comte: just vibing, keeps up with the times easily since he’s been doing it for so long, much like Theo uses it to keep in touch with the people around him--he’s the “prefers to call instead of text” sorta guy though, he worries about losing emotional subtleties and he likes to hear people’s voices. Doesn’t do anything special on phones, more just a tool; will read/listen to podcasts/does have emulators (courtesy of Leo) and enjoys playing Pokemon when he’s bored

Jeanne: types one finger at a time, it will take a while--but he’ll get there (deleted all his contacts by accident once and Mozart was just. HOW.) He barely knows how to use a phone, and it’s a steep learning curve for him

Mozart: purely functional when it comes to his phone, refuses to rely on it beyond the necessities that only tech can do (for instance, sending emails or reading articles or uploading compositions) he still writes his music before making more polished digital copies. He will sometimes listen to pieces digitally, but prefers to play them in-person; he feels that a lot of the soul in a piece is lost despite the convenience

Dazai: you absolute fools. you baboons. why would you ever give him this kind of power. it is 3AM and he has been on a wikipedia trail spanning hours, started with Cleopatra being the seventh in her line with that name all the way to cotton candy being called “daddy’s beard” in French. please help him he hasn’t slept in years. Also probably binges anime and manga lbr. He’s the one making vine references every other second, always up to date on the memes^TM

Isaac: also mostly uses it as a tool for research and calculations; it’s a way to keep track of information. He also likes to play background music while he’s working, so he finds the device nice and convenient--plus less having to go around pestering people in-person. he does start to get interested in coding and tinkering with apps/programs eventually, too

Shakespeare: finds it a delightful little contraption, so useful because it lets him jot down ideas as they come to him quickly, and he can edit his texts much more easily with digital interfaces. also likes that performances can be recorded, because now he can analyze his staging more efficiently--it gives him a good sense of what needs to be adjusted, and encourages him to keep streamlining/try new concepts

Napoleon: likes it because he can keep in touch with people more easily, the kind of guy to drop a line before checking on a friend. he really likes to look up recipes and find out more about cooking techniques he’s never encountered before. Isaac starts making an Instagram account just to show Napoleon’s impeccable plating, and Napo gets quite the following without knowing for a while

[twilightknight17]

So I fell asleep last night before I could make the post, but I got P5 Scramble yesterday and I’m having a blast so far. ^_^

I’m probably going to go through it the same way I did my Royal playthrough, so if you don’t want to be spoiled, don’t click through on these posts!

Before we start, I just want to mention that I don’t really know anything about the story. Somehow I’ve managed to avoid spoilers for an entire year except for a few small things.

I do know the identity of (who I assume is) Kyoto’s Jail Monarch. (Monarch is kind of a weird, formal word. I think I liked Jail King better. Or... Warden? Warden might have been the best choice.) ANYWAY, I think I know their identity, and by extension, I have a vague idea of why Shadow Joker exists. Other than that... You’re getting speculation and bullshit untainted by later plot revelations. XDDD

I did find it funny that when I booted the game up, I got a “No save data found, unable to start game” message. Like... no shit, PS4, it’s a brand new game. But the little starting tutorial fight was cool, and I liked the opening movie!

The police briefing was...interesting. It’s good to see them actually being somewhat logical? Like... considering everything that happened the year before, it makes sense that they’d assume this is the Thieves again. They have no way of knowing that there’s no way to access Palaces anymore. This isn’t really the Thieves MO, though. Except for the guy who confessed to document tampering. The author shredding his work for no reason and the guy streaking through the criminal justice headquarters don’t seem like they did anything wrong. Those seem more like psychotic breakdowns.

But... I guess we don’t know if the police ever knew anything about Black Mask, or if Shido was convicted on only real-world crimes and not the metaverse hits he ordered. I wonder if that’ll get elaborated on.

Zenkichi’s introduction was him laughing at the streaking guy in the middle of this Serious Police Meeting, so I think I’m gonna like him a lot. ^_^

Anyway, the “higher-ups” really want this case closed, according to “Commissioner Kaburagi”, who I already don’t like. If you’re the police commissioner, Makoto really would be a better choice, holy shit. She’s already prepared to go after Akira, who is the only Thief they know the identity of, so I guess that’s fair. But still. Has he not been falsely accused of enough for a lifetime?

Although... if you’re gonna look up all his life details, can you maybe... share some? Just a few things? Hometown? How are his parents? Anything?

*

Coming back to Leblanc was cute. Got some Trickster’s Maze vibes from the initial text conversation where they were talking about how people kept not responding to texts, but I think it’s all good. Love that the Sayuri is still on the wall, and that Morgana’s been home with Akira.

Naming the app “Emma” is never going to stop being hilarious to me, because reasons.

Y’know, Atlus, this would work a lot better if he could like...respond to their curiosity. At least these dialogue options seem to suggest that talking things out with his parents went well. Even “I missed you” isn’t inherently negative. He’d miss them either way.

.......so when my boyfriend gets back from his soul-searching vacation, he’ll be welcomed back with open arms, right, Ryuji? Right?

Meanwhile, for summer break plans, Yusuke wants to go to Kyoto for a month-long art tour. Unless...

Never change, dear. Never change.

Nice of Sojiro to water my plant and keep my room from drowning in dust, but he really couldn’t have replaced the bedframe with literally anything other than the plastic storage crates? XD The attic looks so empty and lonely without the shelves of trinkets and plushies, and the TV.

So my reaction to this next part was literally, “LAVENZA, IT’S BEEN LESS THAN 24 HOURS”. X’‘‘D Akira really can’t catch a break. But Lavenza’s dialogue sounded actually sad that he was being dragged into this again. And she’s promised repeatedly that she’s going to be there for him. It’s sweet, even though my room is still a prison and she’s still using torture equipment. Iron maidens, Lavenza, really??

I’m a little concerned that Igor’s not around, though. Lavenza did the dream/reality/mind/matter speech instead. Where is he? I know he’s never around for spinoffs but considering my headcanons I’m very curious now. And why didn’t he like... tell Morgana that Lavenza said ruin is coming again? Even if we don’t count thirdsem events, Morgana still knows that he’s Hope, and he still has a bond with the Velvet Room. Talk to your cat damn it.

Oh no, she’s cute and Alice-in-Wonderland themed. I’m doomed.

She called it her “EMMA keyword” and I immediately blurted “what? keyword??” and then everything went directly to Hell immediately. Keyword was the key word, I guess. X’‘‘‘DDD

And you can tell it’s been six months, considering that these nerds got caught almost immediately. And got their hands bound. And got dragged to the throne room and forced to kneel!

...I’m doomed.

Someone at Atlus looked directly at this fandom and all the fanart of the interrogation and said, “Yeah, they’d be into that.” XD Steppy steppy. At least she’s not a rapist like Kamoshida, but jeeze, we keep getting beaten up and thrown in the dungeon by royalty. All we need is a princess and we’ve got a whole royal family!

Although, I suppose the prince didn’t bother with a dungeon. XD

I think it’s interesting that apparently the guards tried to take our Desires and failed. I guess being a persona-user means your mental state is stable enough that something like that can’t manifest.

Oh no, she’s cute. I love her. Another for the collection of Joker’s baby siblings. This is number... 5? She kind of reminds me of Jose, a little. I’ll be interested to see what she is, since she’s got amnesia right now. She can’t be just a straight AI.

But if she’s Yald’s mom, I’m also going to be majorly weirded out.

I really like the gameplay? It’s so interesting to see how the characters move and fight when they’re not limited to turn-based attacks. And I like being able to jump to different points and use them to ambush enemies. I don’t fully understand all of it yet, and it’s hard for me to keep an eye on things like status ailments and my teammates because everything is so chaotic, but I’m sure I’ll get it.

I did die to a miniboss, and when I hit “return to checkpoint”, it gave me the prompt to select a language for the voice acting again. I dunno what was up with that. X’D And I’m baffled by the concept that you can just leave the metaverse and come back and it restores all your health and stuff. No penalty. Time doesn’t pass. You didn’t waste a day. Have the kids finally learned that we are capable of entering and exiting more than once on the same day? Hallelujah.

...this boy is angry that we have to deal with the Jails instead of having a BBQ feast. Never change, Yusuke.

If you go by the crepe shop in Shibuya, Morgana still doesn’t think you’re a crepe person. I’m so tired, Morgana. It’s also a bit weird and forced that Iwai and Takemi are both out of town. We couldn’t have seen at least one of them? I know we’re not gonna be able to use those shops when we’re on the road, but we could worry about that then.

(Disturbingly easy to return a gold bar that you apparently bought off the dark web. Omg. That was hilarious.)

AND THEN YOU GET UP THE NEXT DAY AND ZENKICHI IS JUST IN YOUR HOUSE? SITTING IN THAT CHAIR? That is not the “detective chair”, sir, that is my boyfriend’s chair, and you need to move. At least he likes the curry, but jesus fuck. Sir, I have unresolved trauma of adults coming into my house to snoop into my business. Get out of my house. X’D

You give me a detective sitting in my boyfriend’s chair and then immediately send me to a taping of the same show in the same studio where I first met him. God, P5S, you’re trying to kill me.

Alice clearly knows that giving out the keyword is doing something. She’s being very deliberate about this. But I don’t think she’s actually aware of the Jail. Love that she’s so arrogant that she can’t imagine that Akira just... didn’t use the keyword, and that’s why she can’t control him.

So I guess the Jail Monarchs are called such because they’re imprisoning other people’s shadows in their distortions. So these are people that want control over something to the point that it distorted their worldview. Part of me wants to go off on a ramble about how this relates to Mementos or Apathy Syndrome, but I’ll wait and do that when I have more information. I’ve got some more of the dungeon to do, and I cannot wait to see Alice’s boss fight.

I’m having so much fun. I really missed these kids; they’re grea--

.......I hate these children. X’‘‘‘‘DDDD

[kaz3313]

Hell is in the Ink Machine

Chapter 3 and not close to being done (this story was originally going to be 5 chapters lol)

@a-rae-of-sunshine thank you for all the support you've given to me and for inspiring to create this!

Also I added a few Ocs that I just meant them to be a one time use kind but I might actually expand on them (and make versions of them out of this AU!)

As always TW violence/gore

(PS I live for reblogs and comments and tags and you can just key smash and it will warm my heart. So thanks to all those that have done any of those things or all of them I appreciate it)

Screaming is never a good sign especially in accordance with Henry’s new violent tendencies.

Wally closes his eyes hearing the screech. He’d made it to a vent and was planning on leaving the place through it. Henry made no attempt to join him, just aimlessly walked away, and for once Wally felt he’d be able to escape.

But that scream...it sounds a lot like Miss. Campbell...how could he leave her if she is in trouble? Wally is the only one Henry wouldn’t attack outright he should stay with him to keep him in line.

 Though why should he? He’s barely twenty-three and he shouldn’t have to babysit a man who in an instant could kill.

The moral dilemma sits in his mind like a stomach full of food poisoning. Susie is one of the nicest people he knew; the two would gossip, eat, and even go shopping together (Both Shawn and Sammy poked fun at him for it. Wearing clothes he knew he could never afford was always fun to him it felt like an adult game of dress up).  When she was new to being a voice actress at the studio Wally would always encourage her. The two even did funny voices together to pass the time on slow days (though Wally half the time only exaggerated his voice). He left Tom and Alison without a second thought and even if neither were hurt he wouldn’t make the same mistake twice. Wally sighs but his mind is already made up.

 Sammy’s vision still is sinking in darkness when he manages to crawl to his office. His body yells in protest as he forces himself to his knees scrambling in one of his drawers. He pulls out an extra pair of pants and shirt he saves in case of an ink leak. Instead of a usual new stain of ink on the old clothes splotches of red show on the grey fabric. His fingers tremble as he attempts to tie both articles to his chest.

The loss of blood finally makes a bigger impact as the world wobbles but Sammy tries to counter it with rhythmic breathing and sheer will. Luckily he’s stubborn enough to stay conscious as he scoots his way to the office phone. He dials the police department’s number but nothing-not even dial tone- answers his call. Suddenly he realizes the lines dead and drops the phone emitting a small whimpering noise. Out of all the days-

His half broken thoughts are interrupted by the scream echoing through the studio. The voice seems so familiar but Sammy can’t place it. Not that he needs to he sends silent empathy to whatever poor soul is caught in line with the axe and the man behind it.

He swallows again not knowing what to do. He assumes either everyone in the art department is dead or unaffected; Henry doesn’t seem to have any in betweens. If there is alive people he could do his best to explain but...well the dead have to use Not only that but Sammy isn’t too sure how long he'll last with the pain he’s forced to endure. Stairs seem unpleasant and time consuming at the moment.

Now he can always travel downward but the chance of encountering Henry again was high. Then again it would be a better chance to find alive people then the animation department.

The exit is in the animation department though he could escape, collapse in the road, and someone may be a kind Samaritan to bring him to the hospital. If he leaves though the studio will be,without warning or mercy, in the hands of Henry.

He closes his eyes to better consideration unknowingly he’d fall under the ever present threat of a restless sleep.

 Shawn hears the scream as clear as day and as much as he’d love to run to be hero he fears he’s too late. Last he knew Susie was I an unsuspecting storage room with shelves to block the door but based on the scream and a gut feeling Shawn guesses she didn’t stay there long.

 He stares at his desk knowing the selfishness of grabbing his stuff in case he needed to leave quickly rather than looking and helping people out beforehand. He reasons with himself that he can’t help anyone if he’s dead as well as reasons that if he has no money he might as well be dead.

A familiar whistle fills his ears as his head pokes up seeing the wandering man in the department. Shawn recognizes him instantly.

Henry; Head to toe he’s covered in dried blood and from lack of apparent wounds Shawn guesses it it’s not his own. He whistles the theme of the cartoon and Shawn remembers he’s the whistler for the theme. That fact does little for him at the moment of the approaching murderer. He quickly shoves himself beneath his desk searching for anything that could be of use to defend himself. All he can find is a sewing needle that he holds like one would hold a pocket knife.

Henry walks slowly and begins to mess with the machines that fill the room. He stuffs then takes out plushies with a mad sort of daze in his eyes. Henry flips switches on and flips them off before turning to the time clock. He repeatedly punches in a time card while muttering phrases under his breath. Although these actions could just seem a little odd Shawn is terrified.

After a few minutes of Henry doing virtually nothing he walks over to Shawn’s desk the Irish man still under. Henry stands staring at Shawn but makes no move toward him. Almost like he can’t see. Shawn breathes out; whatever is in this man’s vision it definitely wasn’t him.

“Don’t even notice me, do ya? You’re in ya own world, ain’t ya? Well at least I’m not there,” Shawn states and Henry tilts his head to the side. “Can ya here me? Do you know where the noise coming fr-“ Shawn feels a pit develop in his stomach as Henry raises his hand. His father always told him not keeping his mouth shut would kill him; Shawn never thought much about the warning.

Henry places a hand on the other’s head and waits. Minutes pass and Shawn feels sweat form on his face. Something more had to happen right? The man is just waiting to kill him? Is he just drawing it out.

Nothing.

Henry leaves; Shawn realizes his opportunity missed but can’t seem to blame himself. There's something otherworldly about the animator. Something that terrifies Shawn even more than anything else.

Screaming and running is a very stereotypical thing for ladies to do but for once Susie decides that it’s not the time to be a groundbreaking women. No, all Susie wants to do is scream and run and cry into Sammy and be held and-

 With all her heart she just wants to be saved and out of this hell. Quickly she finds a large room and barricades herself in breathing heavily. The room she noticies has another glass window and it looks about the same as the last one; why is everything down here so confusing?She sinks to the floor holding her legs to her chest and burying her head in her knees.

“Woah, Boris don’t scare me like that,” Wally jumps just hearing the older man’s voice. He manages a smile out of noticing the twisted irony. He would love to know why he’s always referred to as Boris but hey as long as “You found a weapon buddy?” Henry plucks the pipe Wally has out of his hands.

“That- it’s not yours Henry,” but he just swings it around no desire to give the new item up. “Please, you been calling me buddy and everything. I’ll keep it safe for you,” Even with asking nothing happens and Henry ventures on. Not wanting to leave him too his own devices Wally follows along.

 Henry feels sick to his stomach as he grips the pipe tighter in his hand. The world around him a blend of cartoons and reality. His mind is muddled with memories but a sinking feeling in his chest told him something is off. Something off with the studio closing down, with him leaving, and the ink machine. He couldn’t get his timeline straight but he presses forward hoping an answer would provide itself at the end of his adventure.

His adventure full of ink and horrors no one should live through. At least Boris has joined him; otherwise it would be a rather lonely road.

“Where are you?” These question drifted to his head a few times previously. He was in the hellish Joey Drew Studio in the toy department.

“What are you doing?” Obviously trying to get out; too bad all the falling just lead to his spiral downward.

“Why are you attacking?” The ink creatures were attacking him! He has to defend himself.

“Why have you let your mind succumb to the Ink Machine?” This thought leaves him in a curious wonder. It’s an odd scary thought but something in him resonates with him...but not for long.

They encountered a room full of dead Borises; how horrific.

Wally is forced to see the horrific beginning of the massacre. As soon as he walks in the room full of people he knows bad things are to come. None of them suspected a thing. Wally tries to shout out, a desperate attempt to give them any warning but it was too late. Henry is already coming toward them so without a word Wally swiftly leaves.

Screaming, crying, begging, chaos that Wally decides he won’t experience  experience again. Even if his own mind berates that he’s a coward, at least he’s going to live. A guilty conscious is better than no concious.

Daisy Patch has worked, in the toy department, at Joey Drew Studios for a little over month. It isn’t bad job to say the least nice people, paid enough to provide for herself, and all she has to do is make dolls sometimes even getting the benefit of taking one home when Shawn botches the smiles on them. Her own small smile creeps on her lips thinking of the Irish man. She already knew he wouldn’t be interested in her, well he wasn’t interested in any gal, but a girl could dream. Dream she did and keep all the dolls he gave to her. Daisy always reminded herself that he gave the plushies to everyone, not everyone but anyone who was halfway decent, but the thrill of getting a gift from a crush always gave her the blushes. Or when he greeted her, or when he asked for her to bring some message to another. or when she much delivered his love letters written in Irish to Wally; she read them like they were her own but who wouldn’t?

 Speaking of Wally she just saw him dart out of the room when- her eyes widen as she notices the man covered in blood in the doorway. Her coworker,Stephan, stands up about to say something to the man but he strikes him with a pipe. Stephan shouts and the rest of the toymakers begin to panic. Daisy can’t bring herself to leave her seat and watches the mass of bodies run around like chicken with their heads cut off. Blood man is meticulously striking them down with his blunt tool.

Worker after worker falls; he beats them to unconsciousness and hits them a few more times, whether good measure or insanity Daisy isn't sure. Blood fell to the floor and many people along with it.

Stephan, who's closest to her, lays on the floor unmoving. Blood runs down his face and is matted in his blond hair. Daisy scoots from her chair to the floor beside him.

"Stephan?" She gently pulls at her friend's clothes but he doesn't stirr. He won't stir will he?

Daisy stares at the dead man pondering morality and wondering why she hadn't screamed from this morbid sight. Why she fails to cry; instead she sifts her fingers through his hair not noticing that all her other coworkers have fallen. She doesn't even notice the murderer right behind her. Not until with the pipe connects with the back of her head.

[toonstarterz]

BECAUSE I’M NOT POPULAR, I’LL READ WATAMOTE: CHAPTER #143

So in keeping with the recent trend of bringing back older characters, Watamote goes for a throwback and puts the OG trio into the spotlight. With Kii-chan, we got to experience how Tomoko managed to rekindle a previously strained relationship (somewhat). Will the Tomoko-Yuu-Komiyama team finally become a true circle? Or is it destined to exist as an awkwardly shaped, but cohesive oval? 

Chapter 143: Because I’m Not Popular, The Three Of Us Will Study Together

As always, Komi’s looking damn fine with her patented punk/goth style. Those open-shouldered skull shirt, slick choker, asymmetrical skirt, and striped leggings all come together to make her look like a total rockstar. It’s delightfully contrasted by the fact that’s she’s a pervert with a baseball obsession, but being fashion-conscious does help to round out her..unsavory side.

But, Yuu, sweetheart, as much as a skater dress looks good on you, you could do without the spikes. Granted, I’m hardly an authority on fashion, and in some circles, I’m sure it looks great. But it’s doesn’t seem as...flashy as she usually presents herself. Perhaps it’s because she’s with Tomoko and Komiyama that she doesn’t feel the pressure to be overtly stylish, and is more comfortable with something more subdued.

Man, the throwbacks just keep on comin’. What’s next, are they going to find Tomoko’s Yandere Boys Verbal Abuse CD hiding in her room?   

Friendly reminder that Tomoko is, was, and will always be a piece of shit.

That said, Tomoko isn’t the type to be mean just for the heck of it. Her usual targets like Komiyama and Yoshida are only targeted because it’s been made apparent that they can handle it. With Komi-something, Tomoko knows that she’s not utterly irredeemable, which is why she takes any opportunity she can to milk Komi’s indecency. Because otherwise, she’ll be the bitch, and that’s a line even Tomoko won’t cross.

This chapter should be titled, “-the four of us will study.”

Speaking of which, Yuu and Komiyama have never seen Tomoko’s big plushie before, right? They probably think that it’s evident of Tomoko’s hidden cute side but if they ever found out about all the questionable things Tomoko does to the poor thing, that idea is sure to be shattered.

I suppose I should address the elephant in the room and ask what the hell is it with Yuu and her incessant sweating? Not even down her face or anything, but it flies off her body. Could this be her unique way of expressing hidden anxiety? That’s a scary possibility, to be sure.

No, there’s supposed to be beer cans everywhere with inebriated kids playing footsie under the table that quickly escalated into necking and–oh, wait, this is reality. My bad.

Ah, so these are the friends that Yuu-chan often brings up but we’ve never really seen before. They certainly look like a lively bunch, though that’s really all one can say from a single panel. Granted, if Yuu's school does have relatively inferior academics, then I imagine there’s a bit more goofing off going on here than actual studying.

Same here. That’s the reason yours truly goes off to work at the local cafe rather work at home. Too many distractions and external stimuli at your abode, and no one to hold you accountable for slacking off.

Not entirely sure if this is a joke lost in translation, but apparently Komiyama is humming a ditty about the Chiba Lotte Marines, namely infielder Nakamura Shougo. That’s actually kinda cute.

Got nothin’ to say. Itou just looks adorable here. 

This, however, is decidedly NOT cute.

As the series’ resident purevert, Komiyama’s crush on Tomoki has always fluctuated between two extremes: innocent, schoolgirl affection and disturbingly fetishistic lust, and this line about, um...licking Tomoki’s eye circles falls way into the latter. For the record, I’m generally nonjudgmental about one’s unharmful sexual preferences–to each their own, you know–but given Komiyama’s history, I’m genuinely concerned for Tomoki’s wellbeing should the girl ever get her paws on him. 

Itou is canonically the strongest character in the whole series. Those powers of perception were gained through unfathomable amounts of mental destruction. 

Self-awareness? What self-awareness?

Is this going to be running gag now–Yuu innocently “complimenting” Komiyama with a between-the-lines insult?

I dig it.

Some may call it slacking, I call it strategic half-assery.

Ah, so Tomoko is officially aiming for a liberal arts school. For a girl who used to have zero prospects after high school, it’s uplifting to see Tomoko with an actual long-term goal in mind. It really is the only thing she’s reasonably passionate about, and the “starving artist” lifestyle actually fits pretty well with Tomoko’s approach to the world, so good for her.

Poor Yuu is never going to make it in the “real world”, is she?

Checking out the play-by-play when you’re supposed to be studying? Sometimes I forget that Komiyama actually has a cute side.

You know, given all the times when Tomoko and Komiyama are shitting at each other, these little bits of politeness between them are much more poignant. Sure, they’re being conscientious about it since Yuu’s there, but I can see this happening even if she wasn’t. See, Tomoko and Komiyama tend to mirror each other–insults are reciprocated with insults, and friendliness is reciprocated with friendliness. Even when they swing far on one side, something always pulls them back into equilibrium.

This would’ve been a good spot to put a gag here, with Komi expecting a strikeout only to explode with joy in front of her friends when the Lotte’s make an unexpected comeback. Instead, Nico Tanigawa goes for realism, validating the more pessimistic side of Komiyama. As for why they chose this route, I actually believe its to set up a little arc for Komi. As of now, baseball and Tomoko are her saving graces, and neither is looking good right now. Ultimately, this could lead to Komi facing the reality that dreams don’t always come true, and learning to accept that.

Yuu was definitely fishing for an answer to Nemo and Katou, and the fact that Tomoko doesn’t tell her right away is actually a good sign. Back in the old days, Tomoko would jump at the chance to “brag” about Yuu, her then-only friend because she was so insecure about their friendship falling apart. Since then, she’s made a number of meaningful friends, so that need to brag is long gone. 

I love seeing characters describe other characters they’ve barely interacted with. Komi does see Nemo as a girl in the “sorta-in-crowd” so it makes sense that she would see her as “flashy”.

Says the girl who also dresses super fashionably.

Shocked, but not resentful. It’s uplighting to see Komiyama take Tomoko’s relative popularity in stride, and it’s a feeling that’s been there since the Kyoto Field Trip Arc. Despite having very few friends herself, she’s never thought poorly of Tomoko when the girl gained more friendships. If anything, it made Komiyama see her in a slightly better light now that she knows Tomoko isn’t completely irredeemable. 

I could almost swear that Komi is doing that on purpose.

Cuties.

Everybody’s Golf is that PS4 game, correct? Good taste, this girl.

Shit, Tomoko, at least take her out to dinner first.

But it actually makes sense for why Tomoko brings it up like that. She knows that she’s at that stage in her relationship with Yuu that she just can’t casually molest her anymore (not that she should have been doing that in the first place, but still). Tomoko, the perv that she is, still has those shitty desires, but she’s more tactical about it. Like a politician. 

Lol! Tomoko is such a jokester!

...right?

This harks back to those times when Tomoko fantasized about being an arms dealer/mercenary. Naturally, that’s a far cry from wanting to be a golfer, which is much more grounded in reality. Even Tomoko’s reasons about the payload and being a woman carries merit. Sure, it’s ultimately a fleeting interest, but at least her dreams aren’t so...how should I say, destructive anymore.

Even deeper into the realm of reality is her interest in being an esports streamer. Being a millennial, it’s a perfectly understandable desire that fits into Tomoko’s work ethic and personality. Sure, her last experience as a streamer was an utter failure, but now she’s got a good grasp on what it really takes to be one. My guess about Komiyama doubts stem from her thinking that female streamers become popular largely on their sex appeal, which Tomoko evidently does not have by most accounts. 

Tomokitis (noun) – a rare disease characterized by an irrational lust for little brothers with baggy eyes named Tomoki. Prolonged exposure to Tomoki will worsen the lust to the point where mere proximity will trigger it. Those afflicted are forever hopeless.

As freaky as Komiyama is, I’m more impressed that her thirst for Tomoki overrides any disgust she may have at the possibility of being related to Tomoko. Well, Tomoki is basically a drug for her at this point, and junkies have accepted far worse to gain their fix.

Sploosh.

In the rare possibility that the universe decides to hook up Tomoki and Komiyama, Tomoko is going to make one hell of a cockblocker. 

Shoot, even the cat gets a return appearance. Nico Tanigawa are really putting out all the stops lately with the nostalgia, ain’t they? 

If memory serves, there isn’t a scene in the manga that shows Yuu being particularly interested in cats, so this was actually pulled straight from the anime. You know, that scene in the last episode where Yuu chases down a mentally broken Tomoko only to suddenly stop and pet a kitty? If they're willing to reference anime-original moments like that, then Nico Tanigawa must have fond memories of their anime adaptation.  

Is Yuu taking about the dog or Yoshida? :p 

Okay, so the dog. Wonder how she’d take to being compared to a pig?

First Pineapple-chan, and now Yuu-chan. It seems pretty mandatory that anybody outside of the loop would think that Yoshida was bullying Tomoko. Of course, once you realize that Tomoko has done things that would get her on the front page of a #MeeToo article, all bets are off.

Has Tomoko ever been this upfront about how she harasses Yuu? It was always my assumption that this was an unspoken reoccurrence between the two of them. At least the physical stuff anyway, as Tomoko is known for making “jokes” about getting Yuu knocked up. The poor girl really is too sweet for her own good.

While Yuu may not be the sharpest knife in the drawer, that doesn’t mean she’s clueless about the sexual world (she supposedly lost her virginity after all). I’m sure she’s aware that most people wouldn’t tolerate Tomoko “accidental” groping, hence why she questions how someone could not bully her for that. 

It’s pretty ironic how even though Yoshida is probably the most transparent character in the series, Tomoko still can’t figure out if she’s friends with her. That might be Tomoko’s fault somewhat as she’s the type who needs things spelled out to her, and given that Yoshida is more of an “actions speak louder than words” girl, you can see the barrier there. At some point, one of them’s going to have to take that first step and say it to the other’s face if this friendship is going to go places.  

Poor Yuu. The first friend of the series is the last friend to see Tomoko’s growth.

This has been a headcanon of mine since the very beginning of the series, but I’ve always felt that Yuu Naruse had this inner sadness to her. That underneath her beautiful looks and kind personality was a girl who suffers more than she lets on. Remember, Yuu’s personality is fundamentally the same as it was in middle school, despite all the outwardly changes she made in high school. What Tomoko once called a “debut” could have actually been a survival tactic. Yuu never likes to be a bother, and her way of hiding her emotions isn’t always healthy, whether it’s holding back tears about a terrible beach, or making her friends sing for an hour at karaoke. And heaven forbid her breakup with her ex-boyfriend was uglier than she let on. Worse yet, Yuu knows her weaknesses, which only makes her self-deprecating moments hurt even more.

Perhaps I’m talking out of my ass, but hey, Yuu deserves an overcomplicated character analysis just like all the others.  

And as always, Yuu, the angel she is, always puts Tomoko before herself...

I find it admirable that Komiyama is so secure about her social life. Her tiny circle of friends and lack of some Tomoki lovin’ have never truly brought her down, and she can even make fun of herself for it. It’s much different from Tomoko’s rampant self-consciousness of the earlier days, Some may argue it’s a lack of shame as opposed to self-confidence, but Komi is clearly making the best out of it.

Hikari, eh? Other than reminding me of a certain Pokêmon character, I wonder if that’s a joke about how Itou “lights up” when she unleashes her powers of observation.

...

...

...

So, um...fujoshi anyone?

The prices one pays to be a friend to Kotomi Komiyama. 

All in all, this was a fairly easygoing chapter, as most chapters with the OG trio are. With the emotional rollercoaster that Golden Week had provided us, it’s nice to wind down a bit and reflect on the past. That’s not to say that this is a “recap” chapter by any means. Simply that this self-reflection exists to guide our heroines into the next stage of their young lives. It may be as simple as making a new friend over a perverted Skype call, but if there’s only one thing this series has taught us, it’s that the simple things are just the start of something greater.