#it's a album tho

[kiwi-b0nes]

contemplating

[serqphites]

what the fuck did billie put in this album. literal crack omg

[reegis]

I would mail you my left kidney in a jar for more art of Loki with a tail and silly little ears and little peets

tfw you Accidentally find your previously dead wife while you’re in the middle of robbing a train

[francesbrumes]

coverin up the propaganda

[a-silly-stained-glass-anomaly]

[youaremydearestdream]

the outsiders musical rant !! sorry if this doesn’t make sense, i just had to get it out there !

i find it interesting that despite being the main character of the outsiders musical, ponyboy does a lot of harmonizing with others instead of just taking the melody

he takes the melody when he’s narrating,, especially about his problems (tulsa ‘67, his solo parts in i could talk to you all night and far away from tulsa, etc.) but when he sings with other people, he is normally heard harmonizing

he opts up in grease got a hold and great expectations, leaving everyone else behind as they sing the melody. this shows his yearning for a life outside of tulsa, and a life outside of his problems. he takes the lower harmony in i could talk to you all night with cherry, and the highest harmony in throwing in the towel. he is always consumed by the need to get away.

cherry keeps him grounded. he can relate and connect with her, but it’s not enough. meanwhile, pony is disconnected from his brothers, but with darry most of all (darry sings the lower harmony, musically the furthest away from pony) while soda is the connector between the two, which is why soda is the one who takes the melody during the chorus of throwing in the towel when all three brothers sing together— soda is literally in the middle of them, stuck between a rock (darry) and and hard place (pony)

ponyboy is almost always harmonizing with everyone, except for when he’s with johnny. johnny is who he sings of running away with. by killing bob (in self defense!!) johnny is the one who makes running away a reality, which is why it’s fitting that johnny is the one takes the harmony when he sings with ponyboy in far away from tulsa and death’s at my door. he’s the one that pony feels the most safe and comfortable to be himself around because pony knows that johnny always understands him.

it’s only until after johnny dies that pony begins harmonizing with him instead, jumping between low and high harmonies during stay gold. this shows how affected he is by johnnys death— his harmonies are as “unstable” as he is. he finally comes back to the melody when he sings the last line of the song by himself, internalizing johnny’s message: to stay gold, to be himself, and to learn that there are so many more reasons to why life is worth living.

during the finale, he lets darry and sodapop read out the narration, showing that he has successfully mended the gap between him and darry. he sticks to the melody throughout the entire song. he no longer opts up like he did in the beginning because he has realized that running away from his problems (and running away from the melody) cannot solve anything. by the end of the outsiders musical, ponyboy has finally grown into his own skin and is no longer ashamed of where he comes from.

[dorkfruit]

but everything's just come together at last /:

[phewgitoid]

oh hey, theyre album covers now

the albums theyre based off:

leo - born to die // raph - the great milenko // donnie - the normal album // mikey - flower boy

[skidcd-megamix]

aba gear

Real

[faunandfloraas]

Seungmin for the Toy World VCR.

[pondhue]

oh pondue where art thou have gone

[loucygoosey]

Finally watched soul eater they are my children

[teakoodrawz]

candy

[speakofcompersion]

ONEW 'Flow' Tracklist 1. Beatdrum (Title) 2. Hola! 3. Maestro 4. Shape of My Heart 5. All Day 6. Focus

[wrenderart]

Hatsune Miku and co.'s Demon Days