#it's frustrating because I want to enjoy something with Zee and NuNew but so far nothing has really worked for me

[littleragondin]

After Sundown (2023)

Synopsis:

Saengrawee has spent his life in the temple with Luang Lung Chanthakorn. When he turns 21, Parit – an old friend of the monk – comes to take him away, to live in Phra Nahkon with Parit’s family. As he settles in the mansion, Rawee starts getting plagued with nightmares, and visions of a ghost. Parit’s grandson, Praphloeng, comes back to Thailand at his parents’ demand. They worry about a prophecy who warns that if Phloeng does not bind his life to a soulmate by the time he turns 25, his life will be in grave danger. Said soulmate can’t be from Phra Nahkon, nor be a woman (according to mdl). Luckily, Rawee fits the bill, and despite their mutual dislike, the two men accept the ceremony. But while they learn to live with each other, and Phloeng’s presence is able to soothe Rawee’s nightmares, the ghost’s apparent grudge against Rawee only seems to deepen …

this shot is just too pretty

Non-spoilery review:

It was not a very good movie, all in all. I think it worked with a lot of ideas that, while not necessarily groundbreaking, were good enough to make a nice romance and an interesting horror story. The reluctant soulmates/fake marriage tropes are beloved for a reason, and can make for a compelling journey. The newcomer in the house mysteriously targeted by a ghost that seems to know him is also pretty classic, and when used well can be ground for a good, creepy mystery. The problem here is that imo, the execution was sub-par.

To begin with, the horror is not well integrated to the story. While I liked all the ghost scenes – tense and efficient, and in 720p at night the ghost freaked me the fuck out let me tell you – they were not well integrated into the story. Outside of those specific scenes, there is no sense of something terrifying happening to the main protagonist of the story, he doesn’t seem worried not curious about any of it, focused as he is on his romance.

And that’s where for me, it went from ‘not great’ to ‘not good’. Because with how much time is spent on the romantic parts of the story, I still can’t believe how little development happens. They are reluctant to even be in the same room a moment, and straight up acting like a married couple the next with absolutely nothing to justify this. Zee and NuNew share a lot of soft, romantic scenes, but they felt disconnected from each other, and because there is no showing of their feelings gradually changing those scenes, for me, lacked any emotional impact. That said, the two of them work well together, and the chemistry was chemistring alright when they were on screen. Still, with characters that don’t have a big personality and a scenario that has trouble holding itself together, there is only so much chemistry can do.

So yeah, for me After Sundown failed both as a horror and as a romance movie. I had no emotional investment in anything happening (which also made the reveal/conclusion at the end fall flat), the pacing was not good and actor performances alone (which were mostly good across the board) could not save this one.

Tl;dr: I gave this one 5/10. I would only recommend it if you really really really miss Zee and NuNew and just want to see them act cute with each other while not being bothered by the absence of actual story and the presence of a few good jump scares. Also if you just want to see Nammon wet and shirtless, just skip to 1:12:00 =3

Below the read more, I will go a little more into the reveal at the end, as well as a few pet peeves I got through the movie. It will be full of spoilers.

The reveal about the ghost:

I hated how we got nothing about the ghost during the whole movie except that she thought Rawee was someone else (the monk/his uncle) and wanted to kill him for it, and then 20 minutes before the end you get that huge, 10-minutes long info dumping flashback explaining who she is, what her relation to both the family and Rawee’s uncle is, how she died and why she is so vengeful. My first thought was ‘that’s a movie I would have liked to see’, followed by tons of ideas on how it could have been, you know, actually made part of the movie and not just stacked at the end like an after thought. 1 hour 20 minutes in, and you have no notion that there was a tragedy in that house, that Parit has A Mysterious Past regarding his sppuse, or that the ghost is actually linked to the family in any kind of way. It’s fine if you don’t want the protagonist to find out until the very end, but there should be stuffs to clue us, the audience, in, otherwise the reveal comes and you’re like ¯\_(ツ)_/¯ okay I guess. Show us a picture of her in the house, maybe hidden away so we know Something Is Afoot, have some of those final flashbacks interwoven into Rawee’s nightmares (maybe make it so they’re misleading, showing her under a different light). Make the scene where Parit comes to the temple and meet the monk, after all those years, far, far more charged so I can feel that they’re not just old acquaintances but share something so much deeper. That they share both love and guilt. Just mention the fact that Phloeng's father never really knew his mother, that she died when he was small and I don't know, maybe they Don't Talk About Her Anymore. Give me something basically.

Also, at least Parit and Luang Lung Chanthakorn were aware of what was happening/who she was, and no one ever thought of, oh, I don’t know, do something about it? Warn the guys?? Why on earth did the monk say yes to sending Rawee back there knowing what the fuck happened in there and the responsibility he had in it? Come on.

Smaller things and Pet Peeves:

Ok this one is just for, like, random grievances I had with the movie.

First of all, Rawee’s lack of curiosity. You don’t have to make him an amateur detective, but that guy who grew up in a temple (so I assume at least a little spiritual) starts having nightmares and visions and doesn’t question it for a second? Doesn’t think oh, maybe there is something going on, maybe if I find out what the spirit wants and why, I could get rid of it? Nothing? I know my own curiosity is probably skewing my opinion but I wanted to shake him and beg him to ask even one goddamn question! Please!!

The “secondary couple”. Okay, so, this one ties up more to the romance aspect of things. We set up Pudson to be a sort of rival to Rawee, the spurned, jealous boy who hates the one who took Phloeng away, but there is never… I mean I’m pretty sure we never see him and Phloeng in a scene together, even, and all of this amount to nothing. Never actually hurts Rawee, never confronts him or tries to actually get Phloeng, this never leads to any tensions between Rawee and Phloeng… Then Kraiphop, the chauffeur, who is being so nice to Rawee and who makes Phloeng jealous once. Less of an actual rival to Phloeng, he’s presented more like a kind man who might help Phloeng realizes that he actually like Rawee. But the jealousy scene happens after we have seen them basically act chummy and nice to each other so it doesn’t work either. And then!! 35 minutes before the end, we get thrown a bone that oh maybe Kraiphop actually kinda likes Pudson, who may fall too, but that’s so brief, and then completely left hanging, I don’t see the point of having those characters. And I say that when it gives us Nammon shirtless and wet, so you can imagine…

Finally, and those are both the smallest and the most annoying of all (alright I might push it a little). That single voiceover we have maybe a third in?? There is that breakfast moment where Rawee’s voice says something along the line of ‘uh, since I sleep by Phloeng’s side the nightmares are gone and then there is never EVER another voiceover during the whole movie? Could you not have found another way to show not tell this? This irked me so bad lol

And then, MDL tells me it’s supposed to happen in 1961, and while the (very cool) car Phloeng rides seems to agree, the rest of the aesthetic screams Khun Chai to me (not just because it’s the same house I swear) which is 1942-something so like … two decades earlier. It’s not a lot but it added some confusion post viewing I guess.