#it's funny because it's *kinda* like they're playing but they're not

[premamelody]

i plan on redesigning these 3 a this point so imma just post these ones here

basically almost like a bunch of months ago i made a happy future au where drones, worker and disassembly pretty much live in a society (no way incredible) and lineage of most of the main become influential families or smth

if you're wondering no these 3 arent directly nuzi children they're just in that lineage that last name was kinda kept but changed to dooress bc someone down the line found doorman cringe idk

important detail about hybrids: in short, bodies are separate from the system. systems can mix wd and dd coding but bodies have to be created to appeal to hybrid systems which in this not too long from its creation society (about like uhhhhh 200 years did I settle on? thats like a bunch of gens. enough for 2nd gen nuzi line to not be there i think.) hasn't been made yet. oh yeah dds look different all of them do to separate from the solver.

vera is a dd dominant wd hybrid. her system was incompatible with a wd body but with her dd body she cannot access certain functions. she is leading the drone defense force one of those dooress aimed positions. she doesn't really express herself much,,,really because of family pressure as she's the eldest current generation child in the family so a lot of expectations. i remember having a plot point where she couldn't hang out with a wd she had a crush on bc his family wasn't rich enough.

rocky is a regular dd. on the doc it says he leads a weapon manufacturing unit but i guess the day i drew this i was on construction. mmmmmmmm we'll see. hes stressed ah but plays it off with :D and a charming attitude (please help him). likes to pick on older sister, vera and rocky i think play fought a lot. his #1 argument is "you're short" ofc jokingly. yes i named him after rocky, whose va is kovach, the va of n. funny reference.

then theres my favorite, mina. she's a sort of therapist or counselor for solver drones and manages records on Mother Heir's (explaining later) to ensure they're doing fine, especially the Cyn ones. she's kinda n but would not take hate for an answer. she doesn't appear to be hurt by much and sometimes has a sort of aggressive happiness. like uhh you scream at her and she'll scream back in revenge or smth. lil gremlin.

[chobani-flip]

the disconnect between the storytelling of the show and of the fandom

lately, I've been thinking about storytelling and storytellers in the context of 911.

like, there's two sides to this storytelling business, right?

there's the small group writers and showcreators who have an idea for the characters and plots and have to come up with a way to share those ideas within the constraints of a network television series

and then there's us, a massive international community with a wide-range of life experiences, who watch their show and then go on to tell our own story about it.

and i wonder if we're always watching the story they're telling.

im not even necessarily talking about the buddie goggles right now.

what got me thinking about this was ana flores.

and the one scene the fandom likes to pretend sealed her fate (when in actuality, let's be quite candid, it was the fact that she was a beautiful woman who dared to date eddie instead of allowing him to remain a viable option for canonical/fanonical offscreen cannoodling with buck)

"there's a lot to be said for getting back on the horse, but there's also some value in learning that you don't like horses." eddie: "i'm sorry?" "sometimes, our limitations tell us when to stop. but sometimes, they can show us where to look next." (romantic, feelingsy song starts playing) "today, he falls off the skateboard. but tomorrow, he writes the great american novel."

see, the problem here is that this is CLEARLY meant to be viewed as wise and deep advice. as a moment of connection between ana and eddie... the way the scene is cut, the music that plays in the background, the intense eye-contact between the two characters, the way eddie reacts to her words... we're meant to enjoy the simmering tension and potential between them...

but... it's not great and deep advice, not really. it's been pointed out that it comes off as ableist. and ana is supposed to be a teacher at this excellent inclusive institution; she is meant to have experience with children of different abilities feeling frustrated and wanting to do the same things other children are doing... someone on here pointed out that if they were the teacher, they would seek to understand what need christopher was trying to fullfil by getting on the skateboard and help him achieve it by other means

but what ana comes up with is this awkward horse metaphor that doesn't really make sense for the situation, and a condescending: "awwww, well, im sure he's the next hemingway"

BUT SEE, THAT'S NOT THE STORY THE SHOW IS TELLING US. the show is ostensibly framing this scene as romantic and great and deep. and that is NOT ana's fault. the character of ana didn't travel to our reality, didn't block the scene, didn't cut it and add the soundtrack. that's on the showcreators.

but somehow, it's really difficult for us to see it that way when it comes to ana.

in a way that it's not when it comes to Hen, poor little Mara and the Doberman.

because we know Hen and Karen, and we like them.

so we awkwardly shuffle around, side-eyeing each other, quietly nudging each other and going: "bit of a fail that, huh? kinda a weird thing to do on the part of the show, huh? comparing a little Black girl to a dog...why did they do that???"

or there was an excellent post floating around about whether Buck and Eddie realize they can say no to sex, that their consent matters.

"what if i come home and she wants to haaaaaave..." "well, you'll get through it somehow," says buck with an amused grin on his face.

see, the problem isn't necessarily whether the characters know that their consent matters, but whether the showcreators do. because this is clearly meant to be viewed as a joke.

eddie is a macho guy, who tends to keep his cool in difficult situations, so it's funny when you see him freaking out over the fact that his girlfriend wants to have sex with him and he doesn't want to have sex with her because her former chosen-profession taps into his well of Messy Catholic Feelings.

isn't it? isn't that just fucking hilarious?

and the answer to that is: no. it's not funny to any part of the audience who's ever felt pressured (by a partner, by society, by their own expectations) to want or to have sex.

but does the show realize that?

i'm sorry but i don't think so. this is the show that framed dr.wells sexually assaulting buck during a therapy session as a joke to casually bring up and needle him over later, that felt the need to reassure us that chimney and maddie can and do have wild, passionate monkey sex (you remember, albert teasing chim, then the hotel with the revolving room, etc), that had karen ask hen what the point of a relationship was if the couple weren't having sex...

now, i genuinely don't think the showcreators mean to be hurtful, or harmful. i don't think they realise how all these things come off. because they're a fairly small group of people from Los Angeles, America, and are working within the constraints of a network television show

(and the point of the Eddie and Buck scene was Buck coming out to Eddie, so maybe they felt Buck saying: "you know, you can tell her you don't want to have sex, right? that's allowed." would fraction the focus of it? idk)

but what happens is that there's this disconnect between the story they're telling us and the story we continue to tell among ourselves.

when it comes to the characters we like, we tend to ignore the unpleasant meanings and messages in relation to the character, or we retcon it in fanfic, or we Fix-it with some heart-to-hearts and apologies.

(for example, i haven't seen many fics that show athena being a Cop as not-a-great-thing. but are we really ok with her saying "i wasn't on their side, but i understood their side." when her son expresses some reasonable dissatisfaction with her reaction to a cop pointing a gun at him and michael? or are we just ignoring it because we love angela basset?)

when it comes to characters we are predisposed to dislike, this disconnect makes us dislike them even more. which leads to the writing of bashing fics, and in some cases harassing the performers online jfc do not do that people that's never ok

(of course, some characters are hated justifiedly imao, like the buckley parents and chimney's father...)

maybe this is the frustration that makes for such a prolific and active fandom?

I don't know.

but I think it's something to keep in mind when watching the show. because that disconnect is always going to be there and I know that for my own personal mental health, it's easier and nicer to believe that a group of RL people might be just a bit ignorant at times, than that my favourite characters are massive assholes unpredictably and randomly

[mattodore]

everyone say hi to elias 👋 they enjoy long walks on bloodstained beaches and failing perception checks

[lingeringscars]

updated overall faves from the top of my head:

cassandra who's afraid of little old me? the bolter but daddy i love him guilty as sin? the alchemy florida!!! the smallest man who ever lived

[alchemiclee]

there's so many popular repetitive video games that seem so boring to play, but then I watch people stream them with a group of friends, and they make it seem so fun just because the people playing are so lively and goofy and funny. I want that. I want to be part of a group of streamers or at least group of friends that make receptive and otherwise boring games fun and hilarious. a group that's not boring, serious, competitive. one that cares more about having fun and laughing than completing the video game objective 😭

[mymarifae]

this interaction is killing me. thank you len for bringing up bad memories and making toya sad for no fucking reason like literally this was so unprompted. we love an insensitive 12 year old

[tutoriel12]

i think i'm unironically getting into kerdly

[wolfisblank]

The rest of my largos. Decided to only make largos that included new slimes

[nnagicshop]

also apparently i've memorized the sound of my neighbor's truck (he's done some work to it) cause i heard it and was like lol there he is and then he pulled up next to me and we're not even at home

[holytrickster]

idk i think it's so funny I went down a survival horror game rabbit hole when a) I'm too freaking anxious for horror games I will make myself cry, b) it was all PS2 stuff which is extra funny bc I've never even played on someone else's playstation let alone had one, i was always a wii kid lol. but now my brain is like ah yes. time to consume everything I can about games I can't even play and that are stupid expensive/hard to get now

[longagoitwastuesday]

Do you have favorite actors for the various roles in "Cyrano de Bergerac"? I would love to hear your thoughts!

I do! I actually rambled a lot about this while I was watching the different productions I could get my hands on (I tagged it "Cyrano de Bergerac" and "I talk too much").

My favorite productions are the one with José Ferrer and the one with Benoit Solès, and those actors make the best Cyranos in my opinion. Though that's probably something in part beyond the actors' choice, their dynamic with their respective Roxane and Christian are the best ones, I think, and I find how Cyrano moves around these two particular characters at the core of a good Cyrano characterisation.

José Ferrer's use of his voice, which is arguably Cyrano's true most characteristic feature, is unmatched imo (although McAvoy does a very good job with this too), and he manauvers very well several of the different aspects of the character, such as his playfulness, his shittiness and longing. By the end of the play you believe he is the most beautiful man on Earth. Cyrano, however, is a bit pathetic (not just in a "pathos" way), and I'd say Ferrer gives off an air full of dignity very fitting of many scenes, but that eats almost entirely this aspect of Cyrano; Benoit Solès manages this very well, while also playing well with some of the other ones, such as the playfulness, the longing, the pain and the despair. Both Ferrer and Solès are hilarious, tender, a bit shitty, vulnerable, playful and sad. Albeit neither of them portrays 100% what Cyrano is, I think both come pretty close in slightly different flavours, and by the end of the play one ends up being terribly fond of them.

My favourite Roxane is Clara Huet in the production with Benoit Solès, but Mala Powers in the 1950 film is a close second. I think they portray wonderfully Roxane's spunk, and her mix of honest playful cheerfulness and her haughtiness, her intelligence and wit, and how much like Cyrano she is.

I've not come to love for now any Christian as much as I've loved Ferrer, Solès, Huet and Powers, but again I think the Christians in the 1950 film and the Solès productions are very very good. I love the dynamic they have with their Cyranos, especially the one Christian and Cyrano have in the 1950 film, enhanced positively by the added scenes (they actually work so well in showing their developing as friends, their deep love and care for each other!). I don't want to expand too much on this to avoid spoilers (beyond the already known 'Christian dies' ones I mean), but some things they do with both these Christians are a thing of genius, and both feel vulnerable, kind, ready to fight and truly desperate at times; I like when they do that.

There's an Italian production which has a Cyrano I truly enjoy as well, despite how they dumbify him more than I usually like my Christians. His mix of anger and deep pain when he discovers Cyrano's feelings for Roxane were so well made, and his physical presence makes you identify who Christian is even before the play starts.

The Podalydès production has two different Christians. The one in the version on youtube isn't bad, but @ride-a-dromedary likes Éric Ruf a lot. I actually adore him based on the clips and gifs she's posted of him, but I haven't been able to find the version with him online, so I can't know. But he truly seems one of the best. Based on what little I've seen, I love his intense gazes and subtle gestures.

I'm not entirely sold on any Le Bret, De Guiche or Ragueneau yet.

I think the German musical has a decent Ragueneau in vibes, and the 1990 French film does as well. I found his poem made song for what I think is a Spanish production (I'm not sure if it's a fan creation based on the Spanish production), and while I've not been able to find that production online, the song works well in vibes too I think.

The German musical's Le Bret in vibes is very good. He encompasses well his deep love and worry for Cyrano while also being done with his shit. They truly feel like close friends. The 1950 film kind of combines Gaston de Castel-Jaloux and Le Bret into one character, which sadly changes Le Bret's dynamic with Cyrano a bit, but that's a very good Le Bret as well. The one in Solès' production is pretty good too. He has my favourite delivery of the scene in which Le Bret chastises Cyrano for risking his life sending letters.

De Guiche is complicated. I think productions often make him too pathetic and laughable or too bad, so bad it makes the last act kind of not make sense. The 1950 one, the 1990 French one, the Kevin Kline one and the Solès one are all good, but I am not passionate for any of them either.

And basically that's it!

[silverselfshippingchaos]

he really said that 💀💀💀 what a man 😍

[wp100]

omfg they covered up Vanessa Vancleef's thighs

[sweepingtree]

if i have to hear "AY YO!" from any of these kids one more time i'm going to lose it entirely

[ce-heich-ce]

I like when games have tiny guys as a thing that looks ridiculous but everyone takes it seriously in-game. It's even better when they have voices that dont fit them

[smol-tired-binch-blog]

Reading 'x reader' fic whilst picturing my proxy OC is so funny. "He towered over you" no he didn't