#it's obviously a story with anti-carnivore sentiments these days

[nekojarashishi]

I wonder if the concept of werewolves exists in Beastars? Not the traditional werewolves where humans turn into wolves, but rather, something along the lines of a myth about a herbivore turning into a carnivore, possibly used as a cautionary tale amongst herbivores about being careful about who you trust, or to be careful to watch for otherwise hidden dangers

[the-desolated-quill]

The Tsuranga Conundrum - Doctor Who blog

(SPOILER WARNING: The following is an in-depth critical analysis. If you haven’t seen this episode yet, you may want to before reading this review)

Ugh. I suppose it had to happen eventually. After four great episodes on the trot, it was only a matter of time before Chris Chibnall ran out of steam and returned to his usual output.

Okay. That’s not fair. The Tsuranga Conundrum isn’t that bad. It’s not like Cyberwoman or his Silurian two parter. In fact had this come out during one of Moffat’s series, I probably would have considered this episode a highlight. But Series 11 so far has been a true return to form for the show, with episodes like The Woman Who Fell To Earth and Rosa featuring some amazing moments of characterisation as well as intelligent and quite often powerful writing. Somehow Chibnall has managed to defy expectations and demonstrated just what you can do with a show like Doctor Who if you were to actually put the time and effort in. It’s for that reason why I feel like The Tsuranga Conundrum is such a spectacular dud.

It’s funny how i mentioned Moffat’s tenure as showrunner because this honestly feels like an episode from that era just as The Power Of Three felt like a throwback to RTD. All the episodes so far this series have had slow deliberate pacing, giving the audience time to truly get to know the characters and the setting. In fact the characters are clearly the main focus this series with the plot and monster (if there even is a monster at all) being secondary. This I feel is what has made this series so strong. It’s what made even a weak episode like Arachnids In The UK have an emotional kick to it. The Tsuranga Conundrum on the other hand feels like the complete opposite of this. Everyone is dashing about, spouting exposition, with the characters becoming almost an afterthought. Obviously if you’re into this kind of plot driven, fast paced Who, then more power to you. It just feels really out of place after the previous four episodes.

What also affected my enjoyment were the character inconsistencies and general stupidity. I have had nothing but praise so far for Jodie Whittaker’s Doctor, but this... I don’t know what has happened, but this is not a good episode for the Doctor. For starters the episode opens with Team TARDIS on a junk planet and coming across a sonic mine, but instead of doing something sensible like running away, the Doctor just stands there like a twit waiting for the thing to detonate. Then when she regains consciousness four days later on the Tsuranga, she tries to hijack the ship so she can get back to the TARDIS. Yeah! Fuck the other patients! It’s not like their lives matter or anything! That has got to be one of the most unDoctorly things I’ve ever seen. I’m sorry, but the Doctor would never do something like that.

But wait! A UO breaches the shields and enters the ship. The Doctor’s doctor Astos, having just ordered her to return to her bed, demands she checks the much safer port side of the ship while he takes a look around the more dangerous starboard side. It was his tone and manner that really got to me. Can you imagine him saying that to a male Doctor? And do you know what the worst bit is? She actually does what he tells her to do. I couldn’t believe it when I saw it. Again, there’s no way the Doctor would do something like that. I don’t care what gender they are. The Doctor in any of their incarnations wouldn’t have submitted to someone else. They would have taken charge. And yeah, she eventually does once Astos gets killed, but that scene still irked me. When I first heard the words ‘Chris Chibnall is going to be writing the first female Doctor,’ this was the kind of thing I was afraid we would get.

I’ve got nothing against Jodie Whittaker of course. She’s still giving it her absolute all, but there’s just very little for her to work with here. Another scene that really stood out as weird was the scene where she asked Yasmin to pick a number to set the bomb timer to. Why?! That just seems like such a callous and inappropriate thing to do in that situation. Matt Smith’s Doctor I could buy doing that. That’s just the kind of dickish and plonkerish thing he would do, but Whittaker’s? It just feels like an excuse to do weird, kooky shit. And here I was hoping we’d left that behind with Peter Capaldi and the dreaded sonic sunglasses. Not to mention all the moments where the story stops dead in its tracks so that the Doctor can witter on at length about hope and anti-matter. Again, Jodie Whittaker does her best, but there’s a time and a place. It’s hard to marvel at an anti-matter drive when there’s a fucking alien eating the spaceship.

Let’s quickly discuss the Pting. I liked it. It’s a good design and a different kind of threat for Doctor Who. I’m impressed this series how Chibnall so far has managed to stay away from the usual ‘alien invaders wanting to take over the world’ schtick, finding different kinds of threats and motives for each episode. The Pting isn’t evil. It’s just hungry and looking for something to eat. That’s so innocent for a Who antagonist that’s almost charming. Unfortunately it’s undermined by yet more stupidity. The Doctor is alarmingly slow to catch on to the fact that the Pting isn’t interested in killing the crew. It just wants to eat the ship. I would have thought the computer describing it as ‘strictly non-carnivorous’ and seeing it scoffing down her sonic screwdriver would have been a bit of a giveaway, but there you go. She acts like this is a big revelation, but we knew this from the start, didn’t we? If the audience are further along than the Doctor, something has gone spectacularly wrong. And then Chibnall drops the clunker that the Pting feeds on energy. Wait... huh?! If it feeds on energy, why was it eating metal earlier? And if the Pting ate all the energy in Astos’ life pod, how did it explode?

Characters are another issue. Because the episode is zipping along at a hundred miles an hour, there’s barely any time to really get to know anyone. Lois Chimimba’s medic character I thought had potential, having to take charge of the ship after Astos’ death and maybe taking inspiration from the Doctor and following her example, but she’s too busy dealing with a comedy male pregnancy (that I didn’t much care for by the way. I didn’t think it was particularly funny and it just felt like Chibnall came up with it at the last minute to give Graham and Ryan something to do). You’ve got this famous general and her engineer brother who aren’t particularly interesting. There’s the usual sibling rivalry you’ve seen done millions of times before the eventual reconciliation where the two spout ‘I love yous’ over slushy music (this is the closest composer Segun Akinola has gotten to Murray Gold territory and I very much hope we don’t come any closer). Then the general pops her clogs due to Plot Contrivance Syndrome and the engineer ends up saving the day piloting the ship... which begs the question why didn’t he just pilot the ship in the first place if he knew how to do it? Makes the general’s death seem a bit silly really.

Whereas previous episodes managed to tug at the heartstrings with subtle, but effective moments of characterisation, The Tsuranga Conundrum goes the RTD route of bashing you over the head with gaudy sentimentality and melodrama. Nothing can be left to chance. Everything has to be spelt out so that even the idiots at the back of the class can understand the emotions on display. The Doctor’s speech about hope. Ryan talking about how his mum died and how his dad was never there for him. Ryan then using that experience to tell Yoss how to be a dad. The android giving the final eulogy about stars guiding you through bollocks (I’m paraphrasing obviously, but that was the gist of it). It all just feels incredibly forced and not in the least bit affecting. The one moment I think sparked a genuine emotion out of me was Graham and Ryan laughing about how Grace would react if she saw them delivering a baby on a spaceship.  That was a nice human moment that. I liked that.

It isn’t a bad episode. It’s certainly not the worst thing Chibnall has ever written. If I close my eyes and cover my ears during the stupid and annoying bits, I’d probably enjoy it. But compared to the previous four episodes, it’s hard not to see The Tsuranga Conundrum as a massive step backwards.