have you read the jasmine throne by tasha suri. will you read the jasmine throne by tasha suri. when will you read the jasmine throne by tasha suri
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Fantasy books by female authors that deserve more praise and recognition and are so SO MUCH better than whatever SJM writes.
The Sun Sword series | Michelle West
A hundred thousand kingdoms | NK Jemisin
The killing Moon | NK Jemisin
An ember in the Ashes | Sabaa Tahir
Shatter Me | Taherah Mafi
Furyborn | Claire Legrand
The bone season | Samantha Shannon
Darker shade of Magic | VE Schwab
The invisible life of Addie LaRue | VE Schwab
Realm of the Elderlings | Robin Hobbs
Sands of Arawiya | Hafsah Faizal
The Daevabad Trilogy | SA Chakraborty
Year of the Reaper | Makiia Lucier
The bear and the Nightingale | Katherine Arden
The Night Circus | Erin Morgenstern
Descendent of the Crane | Joan He
The bridge Kingdom | Danielle Jensen
Dark Shores | Danielle Jensen
Falling Kingdoms | Morgan Rhodes
Range of Ghosts | Elizabeth Bear
Children of blood and Bone | Tomi Adeyemi
The Wrath and the Dawn | Renee Ahdieh
Lumatere Chronicles | Melina Marchetta
The Alchemists of Loom | Elise Kova
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my preferred magic systems tend to be vibes-based (i love magical realism and folkloric fantasy). i get irritated by pedantic, cinema-sins style worldbuilding where all potential plot holes are filled in and all ambiguities answered. but someday i'd like to read or write a book in which supernatural rules and limitations are meticulously researched using the most pedantic scientific methods imaginable.
like... do werewolves transform only when the light of the full moon is directly on them? is the change triggered by a quality particular to moonlight (which is, after all, simply sunlight reflected off the surface of an orbital body)? can they still eat chocolate in human form or is it poisonous to them the way it is to canines?
what about vampires? what happens to the blood they drink? how do they process it? do they need to pee? can they blush? they don't show up in mirrors. would their clothes be visible? an empty suit, just hanging there? what about piercings, dentures, glasses, fake nails? if a vampire put on a ring, would it be invisible while it's being worn and visible once it's removed? do they cast a shadow? can they stand in moonlight (which is, as mentioned, just sunlight with extra steps)?
then you've got demons. real can o'worms, demons. even ignoring the christian-centric nature of your typical demon, as well as the universe-shattering theological implications of a creature whose mere existence proves the existence of an omnipotent deity, there's so much to consider. if a demon can't walk on holy ground, could it skateboard? if crucifixes harm them, are they also vulnerable to any cross-shaped symbol, even if it isn't holy? could you scare a demon by bringing it to a death metal concert? how much holy water would it take to kill them? a thimbleful? a molecule? less?
can ghosts think? how, when their neural pathways are static? what is the chemical composition of ectoplasm? if they can attain corporeality enough to do things like move furniture around and slam doors, why don't they make themselves corporeal 24/7? and most importantly, if a ghost attained corporeality and sucked you off, would it look like your dick was getting wet on its own, or would you see it appearing and disappearing into the ghost's invisible mouth?
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whats your take on the “palebird not caring about talltail leaving” scene? i always thought it was WEIRD, like yes she was a little distant because she was blatantly depressed, but not to the point where she would straight up not care about her first son leaving potentially forever?? it feels like one of those scenes the writers put in to make the The Woman look bad so the Bad Dad isnt aaaasssss bad.
I feel like many of my problems with it come from the end of TR being a mess. It sets up a ton of plot threads and either goes somewhere strange with them or drops them completely.
Palebird's is one of the ones that just gets dropped.
On one hand, I'm glad that Palebird isn't demonized, but they don't seem to know what to do with her. She's cold towards Tallkit and increasingly short and snippy as he gets older, reacts in a way that's pointed out as aloof and uncaring when he leaves and when he comes back, and Talltail takes it like betrayal when she moves on with a new mate... and then they just don't really have a thesis for that.
In the end, Talltail never stops and teases out his feelings on her, they never show a conversation where some characters talk about why she acts that way, Tallkit's upbringing isn't contrasted with his halfsib's upbringings... their last talk is actually about Shrewclaw and the kits his wife's going to give birth to. Talltail's BULLY.
This book that shows an abusive father and a nasty little jackass redeems both of these boys, making a sharp 180 to say they Weren't So Bad, but has barely any interest in Palebird. When she gives Tallstar one of his 9 lives, it's laughably short;
That's it. That's the resolution. She doesn't even act happy to see him return, they have a conversation about Talltail's bully, and then after she's dead he's like, "I'll never doubt she loves me ever again."
Like, ok? All right?? Did we just miss the falling action or did Ms. Hunter not feel like it that day?
In general I have so many feelings about Tallstar's Revenge... I can't say I HATE it because it is fun to read, and I like a lot of the things it lays down, but I can't LOVE it for how every step forward it feel like 2 steps back. And the differences in the narrative's sympathy towards Sandgorse (emotionally abusive and committing child endangerment because his son is disappointing him) vs his wife Palebird (completely unsupported while displaying a near textbook case of PPD) are like a tiny little microcosm of the problems in WC.
Sandgorse gets a whole journey dedicated towards finding out he was actually a hero who gave his life saving Sparrow, abuse forgotten, but Palebird... exists, and Talltail's mad she had new kids until he's suddenly not.
So in a nutshell, my take is that this soup is bland and watery. Look at all these complicated potential feelings they just cast out the window so they can talk about Shrewclaw the Bully and his Very Sad Death.
There's much better individual examples of how the narrative tends to treat their male and female characters (which is why I compare Sparkpelt and Crookedstar more than I compare Crookedstar and Palebird), but Palebird's a good place to talk about the pervasive disinterest that WC has in its girls. And how much of a waste it is.
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