#its just the 118 on a call that happens to include the New Directions

[sevensoulmates]

Buddie Meta 7x03 + 7x04 (Part 1 of 4)

Mostly 7x04 but I'm gonna include a bit about 7x03. So fair warning for a lot of talk about Buck/Tommy, but as always this will always be a Buddie canon/endgame positive space. Ain't no one jumping ship here. Once again, I apologize for my shitty screenshots and also warning: my meta does include some speculation and all of my meta are long AF, so this might be one you want to read in bits or when you have time to read something long.

Starting with 7x03. A lot of people speculated that the direction and blocking of this scene is likely foreshadowing, and I'm inclined to agree. First, we start with Buck and Eddie standing next to each other as they're known to do, and when Tommy joins them, he stands right in between them, foreshadowing that he'll be in the center of this speculated love triangle. Eddie is the first one to step away from the trio, leaving Buck alone with Tommy (foreshadowing how Buck and Tommy will have a romantic relationship).

Buck then has a solo moment with Tommy, which is already an interesting choice all on its own. It's a fact that Buck just met Tommy for the first time during this whole ordeal. It would make more sense for Chim or Hen, or hell even Bobby, to be the one to come talk to Tommy to say thanks. But the script called for Buck. This was done for a specific purpose, and now we know it's because they planned to put Buck and Tommy together romantically in the next episode.

Buck places his hand on Tommy's shoulders to say thanks. Up until this point, Buck and Eddie's primary way of sharing their feelings with each other has included shoulder touches. To me, this shows that Buck views these strong meaningful shoulder touches as a way to express strong feelings, something he's learned from Eddie (given that in all of the show, Eddie is always the one touching Buck's shoulder like this). This could also be interpreted as Buck unconsciously viewing Eddie's shoulder touches as romantic, so much so that Tommy picks up on it through Buck.

With that being said, with the context of 7x04, we also know that Tommy reads this shoulder touch as a sign that Buck might possibly be queer and/or possibly interested in him romantically. Interesting how this is the second time Buck's done something he views as "normal straight behavior" and queer men have interpreted it as him hitting on them (TK and now Tommy). And yet all of these things are actions Buck regularly does with Eddie and vice versa. So in-universe these actions have queer undertones according to the writers. Why wouldn't this then also apply to Buck and Eddie's relationship? At the moment, it's because Buck and Eddie themselves don't realize the extra meaning. But I predict they will eventually (maybe even sooner than we think).

Buck gives his unconscious "signs" by touching Tommy, and Tommy responds back by smiling flirtily and reaching back to touch Buck, almost to try and catch his hand, symbolizing Tommy responding to Buck's queer signs, and foreshadowing how he will be the one to take things a step further in the next episode.

Lastly, Buck walks away from Tommy towards where Eddie went earlier. This symbolizes how the Buck/Tommy relationship might have some missed connections (ie their hands never touching) and likely some miscommunication. And at the end of the day, Buck's attention will always be on Eddie. His path will always be to follow wherever Eddie goes. This is even more evident by the next episode which might be my new fave episode of 911.

Moving onto 7x04. The bachelor crossover call marks our first big season 2 callback. A bunch of beautiful women hit on Buck and Eddie at the same time. The last time this happened was in 2x04 Stuck when the 118 responded to the drunk girl with her head in the tailpipe. Women hit on them and Eddie says "I don't think I'm what you're looking for. I have a son" and Buck says "Thanks but no thanks I have a (invisible) gf". These are two very obvious and unnecessary excuses not to get with beautiful women that both the writers and the characters call out. And as we all know, this leads to the iconic "they weren't my type" "not mine either, not anymore" scene, and the rest of that episode is the catalyst for Buck and Eddie becoming as close as they are. The whole "they weren't my type" convo was a pretty obvious queer-coded scene. And this call-back in 7x04 isn't any different.

Eddie now has the (convenient) excuse that he's "taken at the moment" (note: he doesn't say "I have a girlfriend", another point for gender-neutral terminology in this episode). It's literally the exact same excuse as last time except this time Eddie has Marisol but she isn't even important enough to have a 2 second scene in this episode where he's all over another man, so. Make of that what you will. Additionally, Eddie adds a time limit to his relationship with Marisol by saying "at the moment", which means that subconsciously Eddie is aware that his relationship with Marisol will be temporary (however long that might be). He could've just said "Sorry, I'm taken, but he's not" if he really viewed his relationship properly as a long-term, possible forever relationship, but the "at the moment" is a purposeful line to let everyone know that Marisol is just a passing ship in the night. So for those who are still unsure about Eddie/Marisol rest assured everyone on every level knows it's gonna end eventually. Maybe even sooner than we think.

As a proper hetero wingman should, Eddie directs attention to Buck, who's surprised and actually makes up an excuse not to get with any of them because he "has a rule he doesn't date people (GENDER NEUTRAL) he meets on calls". This is a direct callback to Eddie during the cemetery scene in 6x15 when he says dating people on calls never works out, which ended up being a fulfilled prophecy given that Buck/Natalia break up in the interim between 6x18 and 7x01. This also comes up yet again later in the episode which I'll talk about later.

This provokes a weird reaction from Eddie, who doesn't understand why (single) Buck would turn down a bunch of willing single women. Additionally, I want to provide some context that the lovely @911bts mentioned which is that it seems like the network asked 911 to swap the bachelor call from 7x05 to 7x04. ((This is why we were getting info/stills about Hen/Henren but not really much of them in the ep. Their stuff was swapped with the Athena/Harry stuff). So there's additional context to this scene in that it was originally supposed to be Buck HIDING something (Tommy and their date) from Eddie and Eddie picking up on the weirdness of it. This then begs the question of why Buck would've wanted to hide this info from Eddie in the first place.

BUT it's now final that this scene is in 7x04, which loses some of the juicier context, but it's still showing that Eddie finds Buck's actions weird in that Buck appears to be losing interest in dating women at the moment, which is foreshadowing his lightbulb bisexual moment at the end of the episode.

This is tiny, but I find it interesting how Tommy follows very closely behind Buck's space, leaning his chin into Buck's shoulder as they walk, KNOCKING HIS ARM INTO BUCK'S FROM BEHIND (I don't need to explain that this is a Buddie thing), keeping near constant eye contact, and very obviously looking up and down Buck's body several times. Idk, I just appreciate the subtle queer hints even before the queerness is unmistakable at the end.

Tommy pointedly says "You didn't call me just to see the toys". From Tommy's perspective, he's unsure if Buck is queer/into him yet, but Buck reaching out to hang out might be the first indicator that he is. Or the hetero explanation is that Buck might be thinking of learning how to be a pilot. I really don't think we have anything to worry about with either Buck (or Eddie) leaving the 118 to be in air support, but it's an interesting metaphor. Safe and familiar vs. brand new and exciting and maybe a lil scary. The entire conversation is a thinly veiled metaphor for sexual fluidity which is later then proved by the ending. Also I want to point out that most of this convo pre-Eddie appearance has Buck appearing to have more of an awe/hero worship for Tommy, with the attraction being underlying, but that "so cool!" feeling still being the primary emotion we're supposed to pick up on.

I think these first real interactions between Buck and Tommy are a good indicator of where the rest of their relationship is gonna head. Buck asks a personal question about Tommy, and every bit of information he learns "I used to be a pilot in the army", Buck then relates immediately back to Eddie: "No way, Eddie used to be in the army!" Even when he's here, one-on-one with Tommy, with no Eddie present, before all of the jealousy starts, Eddie is always on Buck's mind. Tommy, at this moment, is still an afterthought. We'll see how long it takes Tommy to realize there's a reason Buck never stops yapping about Eddie (or maybe he's already picked up on it).

Buck then brings up his gender-neutral ex immediately (gender-neutral tally: 3), which leads me to believe that Tommy assumes Buck's train of thought brought him from Eddie to "an ex he rescued from a helicopter", which immediately links Eddie to potential Buck ex's, or men in general to Buck's exes. Tommy's eyes very pointedly flicker up to Buck's when he brings up an ex, which tells me that Tommy was very interested in knowing Buck's sexuality and relationship status from the very beginning.

Tommy then mimics the words from Eddie in the graveyard about not dating people they meet on calls.

(Gender-neutral tally: 5)

((Running tab on Tommy's similarities to Eddie: badass, competent, helicopters, army, and Eddie-coined phrases))

The rest of this conversation is a lot of flirting "ie. I can give you lessons" being a thinly veiled allusion to Tommy teaching Buck the ways of men loving men. And Buck is the one to offer Tommy a beer, which probably doesn't dispute the idea of Buck being queer in Tommy's head but...

Tommy's got a date with everyone's main man, Eddie.

Turns out Tommy and Eddie already made a friendly (offscreen) connection, enough for Tommy to invite Eddie out to an expensive and impressive date wrestling match.

I really want to talk about what this says about how Tommy (a queer man) views Eddie, but unfortunately, most of it would be speculation at this point.

First I want to talk about how one of the first things Tommy says in Buck's presence once Eddie shows up is calling Eddie "his man". This firmly places Eddie in Tommy's possessive. To be jealous is to desire something someone else has, or to be sensitive of someone else taking something that you view as yours. Which means two things: 1.) Buck wants what (he perceives) Tommy has: Eddie, and 2.) Buck believes on some level that Eddie is his and Tommy is trying to take away something that belongs to him. (Let's take away the fact that obviously Eddie is his own person and no one can actually possess him) in both scenarios the object of Buck's desire is Eddie. Not Tommy.

"My man" is also a vague term that can be used in both a friendly AND romantic sense. Which is the general theme we see with Tommy and Eddie's relationship, the vagueness of whether their budding new relationship is friendly or borderline romantic. Which is funny because this limbo between platonic and romantic is the same limbo Buck and Eddie have been existing in for six years. I think this is what Buck subconsciously picks up on, and it's the very fact that this COULD be romantic that triggers Buck.

As soon as Eddie shows up, Buck's entire demeanor shifts from excited, awed, and curious about Tommy, to confused, bothered, and even a bit uncomfortable. Keep in mind at this point, Buck doesn't know why Eddie is here, and yet he's upset at the prospect, even though he was just gushing about Eddie being super cool in the army.

Tommy's attention is now fully on Eddie. But Eddie is actually just as excited about Buck coming with them to the fight as he is by the idea of them going at all (his tone does not change). And yet this doesn't assuage Buck.

Second, Tommy says "I wish" almost as if he wished that he knew Buck had an interest in him before, so that either Buck could've joined them OR Buck could've taken Eddie's place. That doesn't inherently mean Tommy asked Eddie to go on a date (queer men can be platonic friends too!) but it's the fact that the line is unclear to BUCK that matters.

He also calls Buck "Evan" very casually, which is interesting to me. There are several plausible reasons why Tommy might call Buck "Evan", but I want to think of it from Eddie's perspective. "Evan" is a valued, special occasion, intimate moniker between Eddie and Buck, and Tommy's just using it willy-nilly. Eddie doesn't outwardly react to it, but he does show his own first piece of possessiveness over Buck in the next line.

God, I love Eddie's cunty lil raised eyebrows. Eddie jumps to the conclusion that Buck might be thinking of leaving the 118 and he immediately shuts that down, staking his own possessive claim on Buck in a plausibly deniable way (that Eddie is known to do, see: "do you know how much Christopher misses you?", "Christopher needs you", and "you're stuck with us (the 118)" all of which is Eddie saying he needs/wants/misses Buck without outwardly saying it, etc.) that is within their unspoken boundaries at the moment.

Buck then talks about his "options" and since we already know that Buck doesn't really want to leave the 118, the true subtext of this line is romantic options. Fluid is also not a word generally used with this phrase. It's typically "options open". The word "fluid" is more used when referring to the gender/sexuality spectrum, which is once again foreshadowing Buck's lightbulb bi moment in the end. "Options" also implies Buck has more than one romantic prospect, and since we know Buck's not really thinking about women right now, that points to men. If Tommy is a romantic prospect in this episode, that also implies that Eddie is a romantic prospect, or at least could be at some point in the future.

Buck appears to be stuck on how easily Eddie gets along with Tommy, apparently right from the beginning. Easily touching him, Eddie smiling super wide, excited as hell for something that Buck obviously doesn't know about. I can imagine that would grate on Buck's nerves because he and Eddie are supposed to be best friends who tell each other everything right? So why did Eddie hide the beginnings of this new friendship from Buck? Unfortunately, we don't know the timeline of when Tommy got these tickets to when he asked Eddie to go with him, but either way, Eddie didn't find it necessary to tell Buck. But WHY?

I would like to point out the last time Eddie seemingly "accidentally" forgot to mention something that should otherwise be easy for "just friends" to talk about: the will. Obviously, the will has larger implications than just going to a wrestling match, but it shows a pattern of "friend" things that Eddie doesn't tell Buck about. A lot of us have discussed how a large part of what puts the will scene in a romantic light instead of just something written off as purely platonic is the fact that Eddie did not tell Buck about it for a YEAR. Good friends would and SHOULD be able to talk to each other about something that life-changing, and yet Eddie can't bring himself to, risking the potential of accidentally dying at any point and leaving Buck and Chris blind-sided. Eddie must've had a reason to hide the will from Buck for so long. We know it's not because Eddie was afraid Buck would say no. He knew he wouldn't. So then, why? Most of us believe it's because Eddie's choice to put Buck in the will actually had a deeper emotional implication on Eddie's end that maybe he can't properly communicate to Buck, or even to himself. What could that implication be? In my opinion, Eddie was able to make this decision so easily because he's (unknowingly) in love with Buck, and he doesn't tell Buck because he's (subconsciously) aware that doing so reveals more about how Eddie feels for Buck than he's comfortable saying at the moment.

That long-winded tangent aside, I wanted to draw attention to it because this is another instance where Eddie seemingly has no reason not to mention to Buck that he's made a new friend in Tommy and that they've been hanging out a bunch and having fun. If anything, given how excited Eddie appears to be about Tommy and the wrestling match, you'd think Eddie would've been so excited that he would tell Buck right away. Instead, it gets to the day of and Eddie still hasn't thought to tell Buck, enough so that they're both equally shocked by their presence at Tommy's helicopter hanger. Not only that, but it implies that Eddie WOULD NOT have told Buck about it until the event passed (if he told him at all). But why? Why on earth would Eddie seemingly let this slip his mind so much as to not tell Buck at all. It can't just be oh I simply forgot or I'm having too much fun with Tommy. At this point in time, we still don't have any textual reason why, but I'm going to hypothesize that Eddie is aware (on some level but mostly subconsciously) that what he and Tommy are doing is basically going out on dates. And something in Eddie told him that he shouldn't tell Buck. Why? Perhaps because it implies something queer about Eddie that he's not ready to share with Buck yet? Time shall tell.

Additionally, it's interesting to note Eddie starts this episode hiding his friendship with Tommy from Buck, and it seems like the next episode is gonna start with Buck hiding his relationship with Tommy from Eddie. Much to think about.

Eddie also doesn't feel the need to tell Buck about the trip until after it happens and Buck has to be the one to ask. First of all, I want to say that Eddie should be given some grace here. Man doesn't have that many friends, and the last time a manfriend gave him this much attention Eddie gave him his son and built a forever home together so he just needs an adjustment period. Eddie is an intense bitch and tends to go all in with people (that he actually cares about *cough* not female romantic prospects *cough*), so I'm not surprised he's a little preoccupied with Tommy. Additionally, Eddie is a human. Sometimes humans don't pick up on the signs that others are in distress. It's not "ooc" that Eddie doesn't realize Buck is upset. It's a natural human mistake.

Now that that's out of the way this scene is hilarious because it's yet another parallel but this time, it parallels our very own Eddieana scene in 4x06 Jinx (written by the lovely Taylor Wong who also made a cameo in the bachelor scene as "tennis girl").

This is actually the second conversation walking to a scene that Buck and Eddie had about Ana, but both times Buck appears very interested in Eddie's dating life. In this same episode he also randomly asks what Ana's "love language" is despite knowing the man has had less than five whole conversations with her. What's important to note here is Buck's pattern of being overly interested in Eddie's romantic prospects. This is no different for Tommy (who Buck unconsciously realizes IS a romantic prospect for Eddie).

Okay looks like I've reached tumblr's limit on how many pics I can post so I'm going to be forced to make this into parts but I will make them all at the same time and post at the same time.

Find part 2, part 3 and part 4.

[katyobsesses]

So I haven't written in ages and the first thing that I suddenly have an intense need to write is a slightly cracky 9-1-1Xglee crossover oneshot?

[himbo-buckley]

The Big Buddie for Dummies Guide

Hello party people and welcome to whatever this was supposed to be!

Quite a while ago I got an ask by someone about doing a guide on all the canon indicators for Buddie to explain the ship to non-shippers and about 5 anxiety attacks and four weeks later, I finally did it!

So read, enjoy, reblog, validate, disagree!

Also here are some notes before we get started:

Buddie has been around a while now and there are some incredibly people writing about them and doing meta posts for them, some of which I asked for their opinion which I will link at the end and some of which I am quoting in a way / have been inspired by (Also feel free to send me all and every post related and I will link it in the text as I will try to do the same)

This Guide is organised by the following themes we find in the show with Buddie: trust - coparenting - connection and love life - subtext

I’m not gonna lie, this is incomplete af because tbh? There is so much stuff that can be interpreted as evidence for Buddie but this is too long already so I left some stuff out, I hope ya’ll don’t mind … (also the reblog  option exists for reason, just add on what I missed, I’m not gonna bite!)

I’m gonna assume the person who reads this has a general understanding of the show and its scenes because I cannot explain every scene down to it’s very detail (I mean I can but that’s another 20000 words worth of meta and not sure anyone wants to read that … again) but I will try and link fitting gifsets (again, send them my way if you feel I should include sth.)

I should also add a warning for the fact that I, personally, think I am hilarious but others might not but fellas, Idc! (Also I cuss, some people don’t like that?)

So let’s get this show on the road then, shall we? I call this meta : „We might end up real close.“

(alternate title: „Buddie stans ship hard but canon ships harder“ or „This is Timbo’s story (of becoming more famous than Joss Whedon) and I’m just it’s vessel“)

Trust

We’re gonna start this off strong (I mean all of them are strong themes) by talking about the biggest theme with Buddie which is trust. It goes all the way back to 2.01 and the gym scene and Buck basically telling Eddie he doesn’t trust him (complaining about Eddie’s comfort level, anyone?) and that he needs to earn that - which rude but also I get it.

In fact there are two main themes which I combined into Trust which begin in 2.01:

„You’re my problem“ and „You can have my back any day“ both of which sort of sum up Buddie, because from the get go Buck decides hey, this guy is my problem and then he proceeds to make everything about Eddie his business. Eddie meanwhile tells Buck he’d love to have him watching his back - meaning Eddie trusts him and wants Buck to be his partner.

(Side note: isn’t it beautiful how that is a complete reverse of their usual attitudes? Usually Buck trusts way to easy and Eddie never does but with each other it’s the opposite!)

Let’s look at the episodes in order, okay?

2.01: „I think I’ve seen this happen in porn before“

- „You’re my problem“: I’m gonna talk about the gym scene later a bit more but this sort of establishes the dynamic Buddie has? Because both are fascinated by and focused on each other from the get go. I mean: Eddie got to the 118 and everyone seemed to be nice to him except this one guy and instead of giving him a few days, thinking he’ll come around , Eddie is like: nah, I’ll confront him! Why? Maybe it’s gay, maybe it’s Maybelline, maybe Eddie „I am not enough“ Diaz was just sick and tired of everyone putting trust in him because soldier and craved the vibe check?

- „You can have my back“: Basically what happened was, they got the bomb out (being partners and in sync even when they didn’t like each other yet) and they stood outside and Eddie tries a new approach cause for some reason Eddie decided out of everyone at the 118 he needed Buck to like him specifically and so he pays the guy - who was nothing but rude to him so far but who is also very competent - a compliment and Buck gets all flustered and thankful - and „You’re my problem!“ gets rephrased into „Or you know, you could have mine!“

(Also the look of pure elation on Buck’s face when Eddie compliments him, you know the person Hen has basically said is so awesome and pretty it transcends sexualities? And he picks Buck of all people to have his back? Buck has no choice but to stan!)

- In terms of Trust we also get the pool scene which is our second instance of them being in sync and partners by both jumping into the pool and getting the guy out basically at the same time

2.02 / 2.03: „Why Edmundo Diaz hates earthquakes part 1 and part 2 (of 2)“

- „Where do you want us, Cap?“: Now looking at the timeline of 2.01 they’ve known each other for approximately four days as this is their fourth shift together (we see) and yet Eddie is already comfortable enough to answer for himself and Buck several times. He’s the one who decides they will go in and he answers the roll call later for the both of them. This is our first real instance of them being in sync and just their whole interaction, from Eddie going along with Buck’s plan about the elevator to everything else just shows how much they already trust each other.

- „I, uh, I love kids“: Also Buck in this episode, why was it so important that Eddie knows you like kids? Please share!

- “Eddie, you’re kid is in the safest place he can be.“: Connected to this is a sub-theme I like to call: ‚They know each other better than anyone else does‘ which is established here with Buck realising that Eddie is full of shit when he pretends not to worry about Chris so Buck spends some time trying to assure Eddie Chris is safe at school.

- „Is everything okay?“: Of course, the fact that Buck was the only one to check in with Eddie’s mental state from the truck scene onwards is very telling, because everyone else likes and trusts him but they don’t really care (yet)

- And the episodes end with everyone reuniting with their families, including Eddie - while Buck watches from the car because Buck drove him there because he has his back (also see Subtext)

2.04: „Hearteyes, motherforker“

This whole episode is what made several people ship Buddie and well, I can see it and I will talk about a lot of it with the other themes but for now:

- „I just feel bad for him. (…) Eddie’s working on it“: This episode really leans into the whole „You’re my problem“ with Buck apparently driving Eddie to the hospital (or at least coming along) to Buck clearing Chris coming to the station with Bobby to worrying about them at home until finally he introduces him to Carla.

Mind you, they haven’t known each other that long, yet Buck feels the need to meddle in Eddie’s life and fix his problems for him which, yes, is very Buck thing to do but still: Considering Eddie was introduced to us as this super capable guy, it’s interesting that Buck immediately saw through him and decided: yeah, that guy needs me to take care of him.

Or you know, to have his back.

2.07: „*Tommy Wiseau voice* Oh, hi Shannon!“

- „I needed someone to have my back“: This episode establishes the significance of „You can have my back“ even more because in this episode Shannon comes back and you know what they fight about? Eddie not having her back. Shannon quite literally says „I needed someone to have my back“ which is almost the same exact  Eddie tells Buck in 2.01 and with that wording as well ...

In the same scene Shannon also says how Eddie always knows best and is the one to make the decisions which  is another parallel you can draw to Buddie where Eddie began like that in 2.01 (the scene at the mechanic’s) and then began to follow Buck’s lead (the elevator shaft) / let Buck help him (Carla))

2.10: „It’s all about ‚figured it was none of my business‘“

I love this episode very much because there are several Buddie hints in there.

- “I think it’s none of our business.“: Connected to the topic of Trust is the scene between Chimney and Buck when they buy the Christmas tree and Buck keeps talking about Shannon coming to the station and the fact that Shannon and Eddie hooked up while Chim seems exasperated by this and frankly doesn’t care and he tells Buck as much, saying it’s none of their business. Except it is because Eddie is Buck’s problem, remember?

- „So … not gonna say anything?“: And then the „None of your / my business“ gets repeated in the scene when Buddie sits at the fountain talking about Chris and Shannon and they both say it’s none of Buck’s business. Yet Eddie then still tells Buck all about it sounding all defensive.

- It’s also the first instance of Eddie willingly searching out Buck’s advice about Christopher.

- And related to the topic of knowing each other well, considering how surprised Buck is by all of this, one sort of has to wonder how often they hang out outside of work. Because the way Buck acts makes one assume it’s quite a lot, which is why Buck is so hurt he doesn’t know about it.

- Also the fact that they so casually go somewhere with Christopher and the way Buck talks about him making it clear they have done this before.

- „Trying to protect your kid.“: On the topic of Trust I also wanna mention the fact that Eddie doesn’t trust Shannon with Christopher. Which is a direct parallel to 3.03 when Eddie tells Buck there is no one he trusts more with his son. And also 3.09 when Buck gets to be back in Chris’s life after the lawsuit as soon as Buddie made up yet Shannon needs to really beg for it? I mean, yeah.

2.13: „ Evan *I colour coordinate with bae while my sister is abducted and my brother is dying* Buckley“

- „Oh, no, I know what you were thinking.“: The scene at the hospital between Buck and Eddie does have a bit of subtextual relevance but I do think we should note the fact that this scene was in the show at all like this because wouldn’t Bobby have made a bit more sense? After all they spent one and a half Season before that making him the guy Buck goes to for advice and he has sisters as well, yet here we get Eddie being the one to talk to Buck.

We get Eddie basically telling Buck exactly what he needed to hear and while not exactly condoning his actions, he is also not judging them. Instead Eddie is telling Buck he might have done the same, because Eddie and Buck know each other and see each other.

So I wouldn’t necessarily call that scene Buddie-hinting but it does definitely play into the whole ‚having each other’s backs‘ and ‚knowing each other well‘ thing they got going on.

Also compare it to 3.06 in the way that both times Buck did something wrong and it was Eddie who actually took the time to listen to Buck’s reasoning and be the one to understand him, which is a very important part of their dynamic.

And the line „I wasn’t worried about that.“ in response to how Buck thought he would get away with all of this might be one of the top 10 heartbreaking lines of this show for me and that is saying a lot with 911!

2.14: „‚It’s a miracle… bro #nohomo’“

I am not fully sure if the scene of Buck freaking out about Eddie going back in to save the kid really fits in here, but I’m also very unsure were else to put it, so Trust it is!

- „Eddie, what are you doing?”: It does fit into the whole having each other’s back thing with Buck immediately jumping into action to try and help Eddie

- But in all honesty prior to 3.14 this would have not made the cut as I would have been like: eh, that’s just who Buck is as a person - but as 3.14 will proof / has proven, he can be calm and collected even when his sister, his ACTUAL family is in danger and while I would argue it was in part because there was less he could do to actively help in 3.14, it still deserves to be mentioned now

- Side note: considering 2.13 / 2.14 and 3.14 / 3.15 this marks two occasions were Buck being worried for Maddie’s life was followed by an episode of Buck being worried for Eddie’s life and that too deserves mentioning

2.18: „insert *Jane Austen film*-gif: It’s about the hands!“

- I’m not really sure if this is really connected to Trust but Eddie holds Buck’s hand the whole time, even after he has dragged him out from under the firetruck until they disappear in the ambulance.

- Also the fact that Eddie, who is probably stronger than Chimney, is the one helping Hen drag Buck out from under the fire truck while Chimney helps lift it is … worth a mention.

- Definitely connected to Trust is Buck’s insistence to going to Eddie’s ceremony because this is Eddie and he has his back

3.01: „How you know he no sleep naked?“

Yes, this scene has a lot to unpack. In terms of *trust* / how well they know each other:

- „He’s just sulking, Cap“: Eddie says about Buck. In my opinion the phrasing combined with how before that they were talking about how Maddie can’t get Buck to leave the house and he won’t answer any of Bobby’s calls implies that either a) Eddie too has tried to contact Buck with no success or b) is actually in contact with Buck, has talked to him and has concluded based on what he saw that Buck is sulking - and yes, I am leaning toward b).

- “Maybe you’ll learn something.“: Which brings me to the fact that it’s Eddie who makes the  plan to get Buck out of his funk and prove to him that he still has stuff to live for, despite how dismissive he had been about Buck’s feelings before, calling it sulking and saying Buck should just brush it off. Because Eddie has Buck’s back despite it all and is there for him and trusts him.

- „He’s hanging out with his Buck today“: In terms of actual Trust there is the fact that Buck is very much depressed in this episode - and what does Eddie do? Puts his son in his care, you know, the most important person in Eddie’s life, convinced that Buck will be able to take care of him despite how low and bad he is feeling about himself. One) because it has been the case for Eddie probably. Two) because this is who Buck is as a person even while depressed and Eddie trusts that. And three) because even before the Tsunami Eddie was very sure about how much Buck loved Chris.

- „Honestly I don’t know how to help him.“: This also parallels Maddie with Eddie in an interesting way because Maddie spends the whole episode worried about Buck and thinking he cannot take care of himself, while Eddie trusts in Buck to not only take care of himself but also his son. Which yeah, interesting.

3.02 „Eddie hates earthquakes - the remix“

- The episode sort of proves that while the others may have known what Eddie was gonna do, Operation „Buck up Buck“ was his plan because he is the one who has Buck’s back. (Considering for example Maddie doesn’t know about it as she thinks Buck is home and had Chim been involved he would have told her beforehand meaning this was Eddie’s plan and he executed it and then told the others about it while at work.)

- Also in terms of literal Trust: LA is hit by a Tsunami and Eddie doesn’t worry about his son once because Buck said they are going to the movies next and also because Eddie trusts Buck to protect Chris like he would.

3.03 „‚Do it for the trauma!‘ - Buck-edition“

Once again a subtext-mill but there is some textual evidence as well:

- “How do you tell your best friend that you lost his son?“: At the VA hospital Buck calls Eddie his best friend when he talks to Maddie which I always found weird in this context? Because it should always be hard to tell another person about how you got their child killed (which is not my opinion but the way Buck sees it here, okay?), yet the writers choose to put in a reference to how much Eddie means to Buck.

- Which connects to another subtext and text thing which is the voiceover which has Buck say the lines: „To be seen. To be found. Isn’t that what we’re all looking for?“ after talking to Eddie, which no longer just implies this is about Eddie but actually straight up says it - and it connects to the sub-topic of how well they know each other, cause Buck says in this episode: Eddie is my best friend and he sees me for who I really am. Which, yeah, is stuff one usually finds in connection to a love interest. (Will talk about it more with Subtext though)

- Also before that the voiceover has Buck say „Sometimes being lost is not knowing how to get from where we are to where we wanna be, where we need to be.“ right as Eddie knocks on the door, which basically states that Eddie and Chris might be where Buck wants to be but also how Eddie apparently knows how to get Buck there. Because he knows him so well. (He literally calls Eddie his life raft in the voiceover!)

- „Buck, there is nobody in this world I trust with my son more than you”: Now the Trust theme in regards to the loft scene is interesting in how it compares Buck to two people in Eddie’s eyes / life: Shannon and himself. Shannon, as I already said, we have with 2.07 and 2.10, both of which talked about how she left Chris (and Eddie) and how Eddie no longer trusts her because of this and refuses to let her back into Chris’s life. Which is different to how he always lets Buck back into Chris’s life, even after the lawsuit with virtually no hesitation once they made up as far as we can see. Meaning he trusts Buck more than he trusts Shannon. Who is, you know, his wife?

As for Eddie himself, I’m gonna flashforward a bit to 3.08 and the conversation between Eddie and Bobby. Because in 3.03 Eddie talks about messing up with Chris, yet how he never stops trying and how he knows Buck is the same way - which is interesting considering 3.08 has Eddie basically say that he has not forgiven himself for all those mistakes. Yet he forgives Buck both for the Tsunami and abandoning them during the lawsuit.

And now I wanna say something very controversial and hurtful but also connected to how I read Buddie and Trust which is that in my opinion? Eddie includes himself here. Eddie tells Buck here he trusts him more or at the very least just as much as he trusts himself with his son. Which is pretty big, considering he barely trusted his wife, the mother of said son, who he has known for at the very least about 11 years during Season 2? Someone he himself said he loves? Someone he at one point planned his future with? (Meaning he most definitely plans his future with Buck in it now…)

3.04 „discount!Buck in the house“

- Two things are in this episode, both of which are very much not about Trust in the literal sense but how much time Buddie spends together outside of work:

“Can’t fight city hall.“ Eddie being the only one on board with the fire drill Buck’s leading because he is a boy scout who follows all the rules but also because Buck probably talked to him about his job as fire marshal beforehand and so Eddie knows how important what is happening here is to Buck.

„You don’t know math.“: now, you can think this is another dig at Buck’s intelligence but you also have to acknowledge that at one point Eddie might have either heard someone reference Buck’s math knowledge in front of Eddie or Eddie has seen Buck try doing math and has remembered that well enough to immediately be able to pull out that dig. (Which brings us to a parallel I will talk about later!)

- “Uh, who - who’s that?“: I also firmly believe that Buck would have not been as willing to go along with the lawsuit, despite Bobby’s betrayal, had Eddie not immediately rushed off toward Lena at the firehouse, making Buck think Eddie (his partner) has replaced him. Does no longer need him to have his back.

3.05: „What if we fight like a married couple in a grocery store downtown LA, bro?“

Ah, yes, that episode! Filled with Buddie signs!

- “And if Cap says he’s not ready, he’s not ready.“: What I find interesting in terms of Buddie and Trust is the fact that Eddie apparently trusts Bobby’s judgement more than he trusts Buck’s. Which I find OOC. Or not because Eddie is a soldier and Eddie grew up fairly authoritarian it seems his first instinct will be to follow the chain of command / do as the person in charge tells him to.

- Now everything else that happens after including and specifically the street fighting storyline? That was a direct result of the lawsuit and the deposition in which Buck betrayed Eddie’s trust by revealing the info about Shannon. Which Buck is aware of because up until this point we see him still looking up, yet after this he drops his eyes and doesn’t really look at anyone again during the deposition.

- “And I’m not allowed to talk to Buck.“: Yet. YET despite this massive betrayal in Eddie’s eyes what stops him from calling Buck later is the fact that he wasn’t allowed to do so! Nothing else. Also the phrasing is very interesting as it gives us three entities Eddie considered to call: his abuela, Buck and the 118, meaning Hen, Chim and Bobby - the people he will call his family about 6 episodes later - are an uniformed mass but Buck is his own person - because up to this point Buck always had Eddie’s back. And we all know he still would have had! (Sidenote: this line is what made me an actual shipper and why ya’ll can read posts like this, so maybe say thank you to Lyndsey Beaulieu? Or fuck you, depending on your opinion of me ;P)

- „And now I can’t even talk to you.“: This whole scene gives huge character exposition and I’ve talked a shit ton about the fight in the grocery store before as have a lot of other people, but basically what it boils down to is that Eddie is mad at Buck because he revealed things about them to his lawyer but mostly because Eddie thought they had each others back and trusted each other and apparently Buck doesn’t trust and care about him the same way Eddie does for him because he didn’t even consult Eddie about the lawsuit? And Eddie misses Buck a lot. And Chris misses Buck a lot. And Eddie is already mad because Shannon wanted a divorce despite how hard he tried and then she died, meaning she left him again and now Buck left him as well and why is Eddie never enough for anyone?

And of course, as always, Eddie is mad at himself the most because he wasn’t enough for Shannon and he wasn’t enough for Buck and he’s probably not enough for Chris who is struggling so much and Eddie just feels angry and lost all the time!

I think this is the moment Buck finally understands how much he means to Eddie truly. How Eddie meant every word in 3.03. How for once someone actually trusted him, depended on him - and he let them down. Which was never his intention because Buck never understood that he could (which is not the topic of this post though).

- “Why can’t you see my side of things?“: On Buck’s side, while he isn’t nearly as mad as Eddie, he does raise the question of why Eddie didn’t have his back - which is a very fair question but Eddie is still too mad at Buck here to hear it.

- What is also very interesting about this scene is that no one, not even Bobby who was actually sued by Buck, is as mad at him as Eddie is and no one dares steps between them. Probably because everyone recognises they are closest with each other, so the conversation hits a bit different and also is about a lot more than the „stupid lawsuit“. Yeah.

(Real talk I have been very mad at friends before and I am known to make scenes but damn, this scene does not read platonic at all, it reads ‘married couple fights in grocery store in LA - what happens next will surprise you. News at 11.’)

- In other news, Eddie didn’t come to the rage room in the end and Buck was very very sad about it.

3.06: „*cries about the framing*“

(Sidenote: I feel Eddie so much in this episode, I too would be too embarrassed to talk to Buck had I just screamed at him in a grocery store in full view of all our coworkers. I too would avoid everyone like the plague and maybe join a fight club just so I would not have to deal with those feelings. I get it, my dude!)

- “Whew, dude, are you okay?“: We’ll talk about it with 3.08 as well, but it is very significant and pointed that Buck immediately knows something is wrong with Eddie when no one else at the station had seemed to be aware of that.

- “I don’t know what you want from me, Buck“: The apology scene is very subtext heavy but what it comes down to in the whole having each other’s back / knowing each other well / Trust - column is the fact that after being mad and avoiding him all day Eddie still sticks around and more importantly actually listens to Buck - which, as shitty as that sounds, but considering how he acted before if Eddie hadn’t wanted to still be Buck's friend he could have said something shitty and left or stayed and not actually listened to what Buck had to say - but he didn’t because as hurt as Eddie had been by Buck’s betrayal he still trust him and he wants to understand, which I do think sets Eddie apart from everyone else because Hen and Chim forgive Buck but they don’t ever try to figure out where he is coming from while Bobby is … being Bobby about all of. Eddie meanwhile, who has the most or maybe the only right to actually be mad about the lawsuit, still trusts Buck enough to know that he had his reasons and actually takes the time to listen to them. Even if he is being sassy.

- And on Buck’s side we do have his need to reconnect with Eddie the whole episode and we have him notice stuff about Eddie no one else did and we also have the really beautiful and mature line of Buck saying: „I just want you to talk to me. Even if it’s just to say you’re still mad.“ Which I love very much and tells us a lot about Buck and communication, because Buck values openness so much.

- “And I just wanted to…“ - „Punch someone?“: Also while it was important for Buck to explain himself to someone - it was especially important for him to explain himself to Eddie, both because he considers Eddie his best friend and also because the grocery store scene showed him how much he means to Eddie which probably floored Buck because as we learned before and also after: Buck is not used to people needing him as much as he needs them.

3.08: „XOXO gossip (fire)fighters“

- “Whoo. Nice truck.“: One thing about 911 is that it’s a very plot and action driven show, meaning sometimes it will lack the time to actually show us certain things, especially when it comes to relationships, so it relies a lot on telling us things about characters and their relationships and as these scenes here show us they do a good job at it. Buddie talking about Eddie buying a new truck is very casual and banter-y / flirty (this is a Buddie post so I call it like I see it) and light and shows us: hey, they are friends again and close again and they know each other very well - while also showing us: Eddie still keeps stuff from Buck but Buck knows something is off.

- “Eddie too.“: Which brings me to my next point and the thing I love most about this episode aside from Heidi which is Buck running around and going: ‚something is wrong with Eddie‘ while everyone else is like: ‚Eddie? Are you sure? I haven’t noticed anything‘

Which leaves two ways to read this:

Eddie and the rest of the 118 aren’t as close as it seems and they do not care about Eddie that much - which considering all the deep talk between Eddie and Chimney in 3b especially and the fact that he calls them his family would be fucked up and also doesn’t seem like the vibe they are going for OR

BUDDIE! I mean, look at what has been going on with the street fighting storyline, essentially the writers went: okay, so Eddie can't talk to Buck so he goes completely off the rails but no one will know because Eddie hides it so well - EXCEPT Buck will realise sth is wrong the second he looks at Eddie and once the lawsuit is done he will spend two episodes running after Eddie and trying to figure out what is going on

3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

- “He’s kind of obsessed with natural disasters.“: Honest question: Is Buck really obsessed with natural disasters or does Eddie have earthquake related trauma and Buck has been googling stuff and telling him facts to calm Eddie down every time the earth vibrates a little because a train or something passes them by?

In any case it’s a very cute scene with Eddie once more revealing how well he knows Buck and the writers confirming to us that yes, these boys spent a lot of time with each other and talking to each other - without needing to show the scenes

- “I could still take you“: AFTER ALL they needed the runtime to do this other little scene this fandom has not talked about at all ever mainly because it is so very straight basically people stopped shipping after.

I’m just kidding, obviously the whole scene was very queer both in subtext but especially in text, I mean, what even was that line about still taking him, Buck? There is a child not even 15 feet away, where is your sense for decency and decorum? DO YOU WANT TO TRAUMATISE HIM EVEN MORE???

A few notes on this scene:

- It’s been pointed out to me that Maddie complains about how everything around there gets shared with the 118 and how Buck … turns around and shares everything about his sister with Eddie, which I love because it seems so normal and comfortable between them like they do that all the time, which is way cute and domestic!

Added to that considering the conversation Eddie had the week before with Bobby about Shannon and the throwaway reference about thinking his marriage having been complicated, I wonder: Did Eddie talk to everyone about the street fighting and Shannon after his talk with Bobby in 3.08? Did he just talk to Buck about it? Did Buck know about Shannon wanting a divorce all along? (Yeah, you know were I am leaning, right?)

- “Especially if you aren’t around to see that they need saving“: As for the apology in and off itself, I’m not gonna talk about the character implications again cause been there done that, send an ask if you wanna know more, but what it comes down to is: Buck acknowledging that he should have been there for Eddie and he didn’t consider the Eddie of it all when he sued Bobby, which is interesting because OFFICIALLY Eddie really is just his best friend and coworker at this point so did he really have to consider his feelings all that much?

Also Buck is saying - and Eddie is not contradicting this - that Eddie street fighting would not have happened if Buck had been around, which, to quote a good friend of mine: Uff!

I think we can admit that while Eddie was mad at Buck, his anger was not primarily about Buck but it was amplified by Buck abandoning him. We can admit that Buck was what ultimately caused Eddie to lose his control and considering everything that Eddie went through in the past year with Shannon and considering everything Buck went through in the past two years: this is as close to unconditional love as these two can manage at the time and that is very beautiful and does support Buddie 100%. They are each other’s anchor and person the one they turn to in a crisis.

Or well, Buck is for Eddie. Buck does have more people like that in his life with his sister there and I do think before the lawsuit he wasn’t fully aware that he could depend on Eddie so fully because Buck always doubts how committed other people are to him because abandonment issues.

3.11: „Bist du single? Nein, eher Album!“

- „This is Eddie’s house. I’m not really a guest.“: Incredibly strong indicator / implications toward how much time these two boys spent with each other, considering how comfortable both of them are in each other’s space (and I don’t mean physical but material space). Eddie has a key to Buck’s apartment and just let’s himself in willy-nilly, while Buck is around in Eddie’s place often enough to not think of himself as a guest there. (And while that might be normal best friend behaviour to some of us, Maddie’s words imply that it is not for her / the Buckleys.)

3.14: „Frank says ‚Thank you, this paid for my new house!‘“ / 3.15: „MY therapist also says ‚Thank you!‘“

I’m gonna group these two together, since 3.14 in itself doesn’t have any relevance considering Eddie isn’t even in the episode but it does become relevant in regards to 3.15!

- Basically what it all comes down to is the contrast between Buck’s reaction to Maddie being in danger and his reaction to Eddie nearly dying!

Now I already said while talking about 2.14 part of it was that Buck was aware he was in no position to help Maddie and might actually make stuff worse if he intervenes while with Eddie he was HIS ACTUAL LIFELINE! He was actually responsible for getting Eddie out of the well and home to his family. BUT (!) it’s still very pointed, especially remembering they apparently changed the order of episodes around? Meaning we are really hit with the contrast and we have to consider the implications of it all!

- Also just Buck’s reaction in general, even with Chimney and Maddie in Season 2 he wasn’t this frantic, he wasn’t freaking out like that! This really seems like all those scene’s shows like that usually do to confirm one person is in love with the other by having them completely loose it at the prospect of the other dying.

And damn, does 911 delivers here, not just with Buck literally trying to dig down to Eddie with his bare hands but also with his conviction for the rest of the episode before going sort of catatonic near the end. Basically Buck was going through the 5 stages of grief over Eddie during the course of this episode and we just? Let him?

- Of course we should mention Buck has Eddie’s back always, so he doesn’t give up on him and doesn’t entertain the notion of Eddie possibly being dead for even a microsecond because this is Eddie and Buck needs him!

- And to add to the list of heartbreaking lines we have Hen saying: „Why? So we have two cut lines?“ because yes, Buck would choose to stay down there rather than let himself be saved if Eddie was already dead - and if Eddie wasn’t he would force Eddie to trade lines with him so Buck could be the one to die because Buck thinks Eddie’s life is more valuable than his and also he is a selfless idiot who loves Eddie more than himself - which frankly is a mutual thing if we look at 3.03

Option #3 btw would be that Hen knows Eddie has a legitimate reason to cut his line and he would explain that to Buck and - considering who they are - Buck would immediately agree and cut his line as well.

Anyways, no matter which option the writers were thinking off this line is heartbreaking and the implication interesting!

To sum it all up, the episode basically said: Buck would die for Eddie and he loves him more than anything else

- The Eddie implications of this episode are mostly Subtext, so we’ll get to them later in case you thought I forgot!

3.16: „The rope was a metaphor after all“

Tbh I do not think that this episode was really about how no person can be happy / live without regrets / not be lonely unless they are in a relationship with someone or they would not have put that much focus on the relationship between Maddie and Buck and the fact that his abandonment issues stem from her leaving.

- “He’s not gonna do it alone“: As for Buddie, the episode goes back to them being partners and in sync with the roof thing and yay, it has a different ending then the reversed situation the episode before but also it features a metaphor we will talk about later

- “Hey, you’re more than welcome to come and celebrate with a bunch of 9 year olds.“: Just like we will talk later about Eddie inviting Buck to the sleepover! Because while I don’t think the invite was all that serious and I don’t think even considering everyone else, Buck would have taken him up on it because celebrating with a bunch of 9 year olds around isn’t what Buck had in mind, it’s very interesting that the first person taken out of the equation is the guy Buck is closest to and probably spends the most time with.

- And now let’s talk about the playing pool scene because it once again shows that 1) Buck and Eddie are very alike, 2) they know each other very well and 3) they care about each other the most!

Because for 1) I do wanna point everyone to the fact that Eddie doesn’t have anyone outside his family and the 911 either or they would have mentioned him staying in contact with his army buddies or something.

2) Eddie is the only one who actually listens to what Buck says and gets what Buck is really asking, while Bobby, Hen and Chim are all too focused on their own experiences to get that the reason Buck tries so hard to help Red is because he thinks he is Red (I mean they do get it, but they don’t really realise how serious this is for Buck - yet)

3) There is also a lot of focus on Eddie in this scene which we will talk about later as well but it picks up the whole ambiguous „us“ from the grocery store which technically refers to the whole firefam but the way it’s said still implies that it is about the two of them especially.

To anticipate a bit: every time the word „Us“ is used in this scene Buddie only looks at each other. When Buck says „I mean that would never happen … to us.“ he looks at everyone else but turns to look at Eddie as he very pointedly says „to us“ and keeps his focus there for a moment. Eddie meanwhile technically turns to the pool table while he says the word „us“ but he only focuses on Buck before this and doesn’t look at anyone else because to him: Buck is the important aspect here. And no one else!

Not to mention the intense look Buck gives Eddie (and only Eddie) when he says „Better not.“. Like damn, in 3 Seasons Buck has never sounded this threatening before!

Basically the way this scene is acted combined with the words that were written it sort of reads like them going: We’re all family here but you and me will most definitely never leave each other!

I mean there is a reason why Buddie used the ambiguous „us“ while everyone else talked about the firefam being friends or being family.

(And yes, that might be a bit of a reach but this is a Buddie guide after all, so we are going with the buddie-est interpretation!)

3.17: „‚Don’t say her name‘-challenge“

- “Uh no, someone else.“: More of a subtext scene but it does seem pointed that Buck refuses to admit that he was thinking about Abby here, considering Bobby most definitely knew that Buck was talking about Abby because he was there for the hot-air balloon date, so even if he did not remember right away he knew the second Buck said he didn’t know from Maddie and since Hen and Chimney weren’t there in the truck (and also, they probably would have known who Buck was talking about as well) the only one Buck was hiding from was Eddie.

Which makes sense, even if you only look at them as best friends, because Eddie only saw the aftermath and what we canonically know that he heard about Abby were things like Buck’s speech in 2.08, so … even as just Buck’s friend he must really dislike her

(Also there is that whole parallel one can draw between Abby and Shannon which I talked about here)

- „Buck invites Eddie“: So I’ve been going back and forth on what to write here for a few hours now and what it comes down to is this: despite being 6500 words deep into a meta on Buddie and knowing full well the writers so far have no intention of actively doing Buddie, I would not accuse 911 of queerbaiting. HOWEVER, if the show ends and Buddie doesn’t happen I will consider this scene queerbaiting because there would have been ways to write this that did not leave the implications it did because the way it has been written the text is:

„If I bring my romantic life-partner to dinner with my best friend he will bring his romantic life-partner who will invite her brother who will invite his best friend and then we have to invite this other couple we are all close with.“ and well, one of them is not like the others, right?

(Well, technically two but Maddie and Buck are most definitely siblings despite that scene in 2.01)

Because essentially what that scene did here was say: If I bring my wife the evening turns into this couples night with all our friends - except Buck and Eddie aren’t a couple.

And sure, just like all great queerbaits there is a reasonable explanation as well as a completely platonic way to read this because of course Buck would not wanna be all alone with two couple so he would bring his best friend and the we’d have to invite the other couple we know as well so they don’t feel left out.

EXCEPT - and this is why it feel pointed and queerbait-ey: We have already seen the 118 hang out without Athena and Bobby at Chimney’s birthday and it was never mentioned to us whether they were invited and didn’t come - or Chimney didn’t invite them. Both explanations sort of make Hen’s point moot because it does proof that they can hang out without their boss slash friend and his wife slash her best friend without it being a big deal meaning especially if this was a make-up dinner for Chimney’s birthday they wouldn’t have needed to be there.

There is also the fact that supposably Alfred is still in town? You know, Chimney’s brother? So if they wanted to avoid the Buddie implication they could have also thrown in how Chim might bring his brother like:

„I invite you, so he invites Maddie, Maddie invites Buck, Buck invites Eddie, Chim might invite Alfred,  and now we gotta invite Athena and Bobby“ - see how that has a completely different feel? Now there are three single guys and two of which are siblings of someone else in the group while the third is friends with the rest of the group, making this sound less like couples night out and more like a group of friends hanging out.

But they didn’t do it like that so now it feels like they are pointedly equating Buddie with the canon couples of the show which is quite queerbait-ey.

3.18: „TrainCRASH? More like train WRECK? *cries*“

Okay, so this episode is a little hard to do because there is so much going on and a lot of it is very hard to categorise! As for the topic of Trust and having each other’s back:

- I do think that a lot of Eddie here come down to having Buck’s back - even when Buck might not think that’s what Eddie’s doing like in the train car, but he probably realised later which is why we see Buck talk about it with Bobby but not with Eddie because they are at this point where you no longer need to have clarifying talks (about stuff like that, once romantic!Buddie hits they’ll have to do all the talking).

And that’s basically it when it comes to Trust because most of what is happening in the episode when it comes to Buddie is Subtext!

Coparenting

I think this theme needs less of an explanation - though I do wanna point out that while I think Buck has fatherly feelings for Chris and Chris loves Buck a lot, Buck is not actually his parent / father. He is slowly getting there and if or when Buddie happens he might become Chris’s other parent but right now he is not. So this theme is about Buck being a honorary member of the Diaz family in general and Eddie’s treatment of him most of all.

Because the way I see Eddie him dating anyone would always be tied to his son. Eddie has been shown to be someone who would do anything for family and his son in particular, so the fact that Buck is tied into this family is important. It also shows how much they are already a family without actually dating and proofs they spent more time with each other than we see and more than with anyone else.

I should also say that there is a very heavy overlap between this and the category of Subtext so some things will be repeated but all of them deserve to be repeated so there is that.

2.02 / 2.03: „Why Edmundo Diaz hates earthquakes part 1 and part 2 (of 2)“

- Like I already said when I discussed Trust Buck is the only one asking who Eddie is trying to reach, he is the only one trying to reassure Eddie and he does so even though Eddie is being sarcastic and pretending he doesn’t need to be comforted - also a staple in their relationship

And I think this is also were their dynamic of Buck being Eddie’s go to person when it came to Chris came from. Buck told Eddie he liked kids and then he proceeded to actually show Eddie he means it and he cares and considering Eddie says the mother isn’t in the picture and Chris has no one else (which as we learn throughout the show is not 100% true because technically Eddie's parents are there, even if they have no idea how to properly raise Chris, but in LA Eddie doesn’t really have anyone (yet) he feels comfortable burdening with his fears about Chris), so that must mean one hell of a lot.

- “Hey. Service.“: There is also the moment at the end of 2.03 when Buck immediately tells Eddie: hey, service is back! and then he drives Eddie to pick up Chris which is a scene that has so much subtext so we’ll talk about it later! It does however give us our first‚ Diazs plus Buck‘-family moment because while we see everyone reuniting with their loved ones, we see Buck with Eddie and Chris and yeah.

2.04: „Hearteyes, motherforker“

- One of my favourite things about Buddie is how they manage to be exactly what the other person needs - or in case of this episode figure out exactly what the other person needs and giving it to them. It’s happening here and again in 3.01 and 3.03 and some other smaller moments as well (see 2.01 honestly).

It’s also interesting that Buck is the one to drive Eddie again because we saw he has a car! So why is that? Maybe because he knows the way better?

As for the coparenting happening here, aside from Buck introducing Eddie to Carla because he knows she is what Eddie needs, we also have Buck clearing Chris coming to the station with Bobby which is something Eddie apparently hadn’t considered but Buck had and instead of telling Eddie he needs to do that - he does it for him! Because that’s who Buck is but also because Buck realised in this episode how much Eddie really needs someone to have his back and just do stuff for him.

2.07: „*Tommy Wiseau voice* Hi Shannon“

- And in terms of having each other’s back this episode really shows the significance of this phrase with Shannon pointing out, like I said before, that from her point of view Eddie didn’t have her back. She needed him to be her husband and her coparent and he wasn’t.

Now we can argue whether that is true or not but it’s still an important parallel and puts Eddie turning toward Buck for advice into a new light.

Because as Shannon points out Eddie was never good at letting other people make decisions for him or with him before yet we continuously see him turning toward Buck for exactly that: sharing the load with him. And to put that even more into perspective: Buck is the youngest from their friend group, he is the one considered immature and he is the one without kids or younger siblings, yet he is the one Eddie choose for helping.

2.10: „It’s all about ‚figured it was none of my business‘“

- The interesting thing here is that Buck as Eddie’s friend really doesn’t have any right to know about what was happening between Shannon and Eddie if Eddie didn’t want him to, but Buck as Eddie’s family does (a little).

But either way this episode gives us another instance of Eddie confiding in Buck about his family problems - problems he again is the one most inexperienced with. In other words Eddie talking to Buck about it was really about Eddie wanting Buck’s opinion specifically.

There is also the fact that Buck came to see Santa with Eddie in the first place which is most definitely a family affair as far as I know US customs? (We don’t do this in Germany / Bavaria, okay? We have the Child of Christ and around the 6th we gather in the town square and shoot at it.)

It’s even brought up in text with the Elf telling Buck they make a beautiful family - and Buck not disagreeing because honestly it’s just easier and he probably knows how they looked. But yeah. That!

- Also not to repeat myself but the topic of trust is important here! Eddie not trusting Shannon in 2.07 / 2.10 with Chris vs. trusting Buck in 3.03 / 3.09 / 3.10 is important!

Yes, sure Shannon is his actual mother so Chris has stronger feelings for her and the potential to get hurt is way bigger. Yes, Buck was only gone from their life for a few weeks while Shannon was gone for about 2 years. Yes, Buck apologised twice while Shannon just played the victim card tbh (even though she did have a point with some of the stuff she said). But still:

Eddie is very hesitant to let Shannon back into his son’s life (and really his as well) while he does have no such qualms about Buck once Buck apologises to him in 3.06. In fact their relationship returns to normal with Eddie asking Buck for help with Chris numerous times while say 2.15 makes it clear Eddie still keeps Shannon at arms’ length and out of a lot of aspects of raising Chris.

Of course, giving advice to Eddie is not the same level of involved as actually parenting the child and part of it is probably growth on Eddie’s side when it comes to Season 3 but right here: it’s a stark contrast and it deserves a mention!

2.17: „*fridges female character for man pain* Haha, we’re so random!“

- „Ice cream? Oh, I do not envy you putting him to sleep tonight!“: There is the scene here where Eddie facetimes with Shannon and she is out and about with Chris and Abuela and they are getting ice cream and Eddie is all like: damn you’ll regret that later - which is the same thing he says about Buck in 3.02

3.01: „How you know he no sleep naked?“

- Buck gets a card from Chris which is a child thing to do but also should be mentioned because Buck does not get a card from Danny or Harry. And considering how much Buck likes children and how good he is with them we do have to mention that we only see Buck interact with Danny once and never with Harry while it’s been implied several times before the tsunami already that Buck does spend a lot of time with Chris. (Of course, in part this is due to how much closer Buck is with Eddie than Hen and especially Athena but still)

After all the season ends with Chris giving a card to his literal father, tying these two scenes together. And pointing out once again how important Buck is for Chris and the Diaz family.

- Also as I mentioned during Trust there is that parallel / contrast between how Maddie and how Eddie see Buck with Maddie sort of treating him like a child who needs to be dealt with while Eddie is basically like: let’s give him something to do so he feels less useless! (Guess who had the right idea! Just guess! And you have one try!)

- „Are we the only one’s without kids?“: There is also the cut from Madney talking about being the only one’s without kids and then remembering Buck to Buck getting woken up by Eddie so he can babysit Chris which I won’t say confirms Buck being a father to Chris but does accentuate everything he does for Chris after and gives the vibe that Buck does indeed have some fatherly feelings for Chris. It does at least place the idea of the Diazs WITH Buck being a family firmly into our heads.

3.02 „Eddie hates earthquakes - the remix“

- „How’s operation Buck up Buck going?“: Buck sending Eddie updates and pictures of Chris and himself hanging out is just really cute

- Also Eddie isn’t worried about his son at all!

- And we do have that tweet from Oliver Stark about jumping into the receding water at the end of 3.02 being basically suicide but Buck still doing it because the director told him, he’d do it for his own kids.

3.03 „Do it for the trauma - Buck-edition“

- I talked about it before with Trust but basically Eddie, who has parents who are still alive and physically able and love his son very much, even if they have different ideas of how to raise his son, and a sister with at least one child not that much older than Chris and a grandma and an aunt and probably some more family in LA AND Carla who he literally pays to take care of his son, literally tells his best friend he is the one he trusts the most with said son. That is fucking meaningful!

3.05: „What if we fight like a married couple in a grocery store downtown LA, bro?“

- „You know how much Chris misses you?“: The fact that Eddie brings Chris up at all and to hurt Buck specifically is - in part about Eddie deflecting from himself but also about Christopher actually missing Buck, which says a lot about the relationship Chris and Buck have and how much time they spent together if that is something Eddie would bring up here.

3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

- „I’d rather be at home with my kid, enjoying the one good thing I got going on.“: Eddie says these words during therapy and where do him and his son spent the following evening or at least an evening that same week? With Buck at his loft. Because even though Buck wasn’t mentioned here as part of the family time Eddie would much rather have, apparently he is part of it.

3.10: „Parenttrapping for Beginners“

- „Well, I thought it would be nice to bring the boys together for a playdate.“ - „All three of `em.“: this speaks for itself, Buck being invited in the first place was … an interesting choice? A dig at Buck’s mental age? Exposition? What exactly, Tim? Like what was the vibe in the writers room here?

- „Hey, Buck? (…) Can I spent Christmas with you?”: The fact that Chris would rather spent Christmas with Buck than with his grandma and the rest of their family is interesting as well and again points toward Buck being an integral part of the Diaz family.

- The way Eddie looks at Buck here and the little head shake implied to me that Buck and Eddie had the same conversation Eddie and Hen have right then already.

3.11: „Bist du single? Nein, eher Album!“

- “Well, that’s what the 118 is. The family we chose.“: Again maybe more subtext than text but when Eddie talks about the 118 being his family the camera pans to *drumroll* Chris, his actual blood family, Albert, Chim’s actual blood family - and Buck, who is basically Chim’s little brother and Eddie’s, well, best friend? Coparent? Partner in work and life? SOULMATE?

Yes, it’s a little subtext, but it’s interesting that this scene shows only one character neither of them are related to and it’s Buck, emphasising once more that these two and especially Eddie (because he’s the one talking here) think of Buck as their family.

3.12: „There’s a horse loose in a hos… school“

- “(…) we should try it together”: Again with the emphatic inclusion of Buck in family scenes! (But this time Carla gets to be there as well - though only to record them?)

This episode introduces Ana Flores as a potential love interest for Eddie and then spends the whole episode contrasting and paralleling her with Buck, as one does …

In this episode as well Eddie gets advice about Chris from several people and it’s interesting that the one person whose advice he follows without disagreeing or trying something else first is once again Buck. 

The episode also maybe implies that Buck was the one to built or buy or find out about the skateboard.

But really what matters here is Eddie reaffirming that there is no one he trusts more with his son (because he refused to take Carla’s advice right away but he did listen and think about what Buck had to say right away - despite his joking) and Buck being included in the family scene.

3.15: „MY therapist also says ‚Thank you!‘“

- „I’m always gonna fight to come home to my family.“: I’m not gonna comment on the lack of Shannon in the montage because I do believe part of it was that they didn’t really have scenes that fit and would have had to film them specifically which would then have to fit into the timeline / storyline before and also mostly it was about Shannon already being dead meaning she is no longer part of the family Eddie can come home to, so it makes a hell of a lot of sense for her not to be included, guys!

That being said I do believe Buck being in it quite a lot means something about how much of a part in Eddie’s family he is! Which is a big part and something I love about them a lot!

- Also Buck was so very happy Chris came to visit and then immediately walked over, which doesn’t really have any relevance except I thought it was cute and this is my guide.

3.16: „The rope was a metaphor after all“

- Obviously it was meant jokingly, but Eddie would have loved if Buck came and not just because being alone with a bunch of 9 year olds is no one’s idea of a fun evening and Eddie could probably use the help (still hoping Carla was there with him and still surprised Eddie was in such a good mood during the pool scene after), but because he likes to spend time with Buck and he did wanna celebrate with him - but he was also very aware that spending the evening with 9 year olds was not what Buck envisioned so he said it jokingly.

3.18: „Traincrash? More like train WRECK? *cries*“

- “Whoa! Whoa! Two weeks from home? Isn’t Chris kinda young for that?“: I don’t think I need to say more about that scene really, I think everyone who saw it understood that it confirmed the 118 but especially Buck being fairly involved in Christopher’s life and how that confirms: Buck = part of the Diaz family.

- Also all the interactions between Buck and Chris at the party both with and without Eddie around I mean, yeah, again, meaningful!

- In conclusion: Eddie, Chris and Buck are family and dems the facts!

Connection and love life

Now, this is where we are slowly going subtext and also really interpretation heavy!

The title might be a bit missleading but I didn’t really know how else to sum all aspects up. Basically this theme is about their love live but also about the parallels between their storylines - especially when it comes to their love life!

Also this theme isn’t organised by episode but by subtopics because I summed up so many different aspects here.

Parallels in their storylines:

- 3.15 / 3.16 and the rope metaphor as a metaphor for their dating life:

Technically the rope is a metaphor for their lives and them letting go of things in general but especially about their dating life because for Eddie in my opinion this is when he really fully comes to terms with Shannon’s death while Buck finally admits to his abandonment issues, in part caused by Abby leaving.

(Side note: the fact that Eddie choose to cut his line just like he choose to actually do therapy to deal with his issues for Christopher’s sake while Buck’s burns away and he is literally forced to deal with his issues through being confronted with Red and running into Abby at the train crash is … something.)

Their dating life is being paralleled:

This really isn’t technically something that explains why you should ship them but I do think it’s interesting that from the get go their love lives have been happening in parallels / contrasts to each other? As if they were connected? Magnets?

So yeah, that and also it goes like this:

- 2.01: Eddie references Buck being single

- 2.02 / 2.03: Eddie first mentions Shannon but indicates a break-up / Buck meets Ali and seems to bond with her

- 2.04: both refuse to hook up with any of the girls at the bar and don’t want to date because they consider themselves taken (I know Eddie says it’s about Chris but Buck called bullshit here and text told us to trust Buck on what he says about Eddie)

- 2.06: Buck flirts with Taylor and Eddie acts a bit jealous

- 2.07: While Buck finally comes to term with his break up with Abby in her absence, Shannon returns and we learn that Eddie has sort of been holding out hope so far (they kiss in the end) (Also Eddie and Shannon and Buck and Taylor both happen in parking lots which probably only means they ran out of location money but still!)

- 2.08: Buck hooks up with Taylor, then meets with Ali and begins dating her

- 2.10: it’s revealed that Eddie has been sleeping with Shannon and Buck is miffed

- 2.11 - 2.16: we get a few mentions of Ali and some scenes between Eddie and Shannon reminding us both these relationships are happening and they are growing closer

- 2.17: Shannon thinks she is pregnant, Eddie wonders about their relationship, Shannon wants a divorce but dies before they can go through with it

- 2.18: Buck gets a new apartment because of Ali, their relationship seems ready to become more serious, then Buck gets hurt and Ali is traumatised by this and tells Buck she needs to rethink the relationship

- 3.01: it is revealed that Ali and Buck broke up

- 3a: both of them work through the trauma of the past few months, no references to either of them dating are made, romantic and / or domestic scenes happen between them instead, the ambiguous „us“ happens

- 3.11: they are asked about their relationship-status to remind us about them being single (AND THEY LOOK AT EACH OTHER? Wow.)

- 3.12: It’s pointed out again that Buck is single but he says he prefers it that way while Eddie meets Ana and shows some interest in her, then during a call Buck indicates that he might not be as happy being single as he told Madney and Josh while also seeming a bit happy Eddie won’t be dating Ana (probably)

- 3.15: Eddie finally fully comes to terms with his past, including his relationship with Shannon and her dying

- 3.16: Buck reveals he might still be hung up on what happened with Abby and he realises he needs to move on, the ambiguous „Us“ is brought back

- 3.18: Buck runs into Abby and actually moves on

- Side note: considering 2.08 and 2.10 and 3.09 and some remarks made throughout the show, Buck and Eddie are somewhat aware of the relationship struggles the other had which isn’t really relevant but also sort of is

Parallels with canon couples

This is TV and TV and especially shipping lives through tropes and parallels inside the story to subtext tell you something you need to know without actually having to say the words, but just to plant the idea in the viewers head.

For example, and please I am just spitballing here, you are writing a show about Lifeguards. And there are these two characters who are named … Paddie and Tucker. They have amazing chemistry and they are best friends and love each other a lot. Now, you, as the showrunner, are considering making them a romantic item but you need to do it slow cause while you do have queer characters and a queer following this show is fairly mainstream and also the characters have presented as straight in text so far. So you need to do crumbs, right?

Okay, so how do you best do that? Well, Tucker is known as this really caring guy and very open with his feelings and he freaks out when someone he loves is in danger - so you put Paddie in danger, right? Proofs he loves him, right?

But then you want it to have some deeper queer implications, right, in case you do decide on making them romantic? So how do you best do that? Well, lucky for you, Tucker has a sister. And you were planning on putting her in danger as well this season anyways, so you just have Tucker react a bit more subdued here, right?

But then you really want it to hit people, like you need people who are more casual and mainstream and might not have noticed the romantic undertones Tuddie has had to notice that, right? So you put these two episodes back to back.

Except „Paddie Begins“ is set to air first and well, Tucker IS known to lose his shit about people he cares about being in danger, so they might not actually notice anything more. Or they will just consider Tucker not reacting as hard about his sister, Sadie, being in danger bad writing. And you can’t have that!

So how do you fix that? Well, you just change the episode order! Now the episode with Sadie in danger airs first and people will spent a week complaining about how out of character Tucker was and it will be still on their minds when „Paddie Begins“ happens and Tucker goes feral and it will hit EVERYONE! Like damn, apparently Tucker cares more about Paddie than Sadie? Why? What makes Paddie so much more important?

Anyways, this is how you test out an idea in TV and why tropes and parallels are important…

Moving on:

- 2.14: „‚It’s a miracle… bro #nohomo’“: Now I have already written a bit about Buck’s reaction to Eddie potentially dying to safe the kid and while it is fairly tame for Buck it’s still something you usually see a guy do for a love interest (Any of ya’ll watch „Chicago Fire“? Because I watched like the first two Seasons and the main „Will they / won’t they“ - couple had a scene like that about once every three episodes. Cause it’s a trope!)

- 3.02 „Eddie hates earthquakes - the remix“: This is a teeny tiny bit of a stretch and there wasn’t even any nice cuts to anyone in the firefam to indicate they were referenced (which I found odd, considering this would have also fit for Bobby) but the guy who got impaled with his son in law said: „She‘s the love of my life but he‘s her‘s.“ which considering this episode has Buck doing everything to protect Christopher means a lot and I think about it once a day, okay?

- 3.14 vs 3.15 vs. 3.16 vs. 3.17 vs. 3.18 - Losing the love of your life and how to deal with that:

This may be the biggest parallel of all, and maybe I could have included 2.14 as well but I didn’t because it’s a whole season removed. It also seems meaningful that this episodes happen one after the other, making us naturally compare the scenes and see / look for patterns.

But to explain real quick:

In 3.14 Maddie is in danger and Chimney, who is her boyfriend and told her he loves her just one episode earlier, freaks out completely

In 3.15 Eddie might die / is considered dead by several of his friends already and Buck utterly looses it! We are talking frantic screaming and trying to dig Eddie out by hand and running around trying to figure out ways to save Eddie only to turn full on catatonic when none of that works. I mean, his mood turns faster than mine when I am hangry while on my period and that is saying sth!

3.16 could be considered a bit of a stretch but we do see Red lash out a lot when he realises that Cindy, the woman he considered the love of his life and someone he pined after for quite a while doesn’t exist like that anymore.

In 3.17 Athena is put in great danger and Bobby is forced / able to listen to it and while I am not sure if the blank look on Bobby’s face is bad acting, a deliberate but accidental acting choice OR done consciously in a way that mirrors Oliver’s acting in 3.15 - it’s there and it’s a parallel and we can watch it and compare it and see it.

To bring this whole thing home for us they contracted another outside player in the form of Connie Britton playing Buck’s ex-girlfriend Abby, who similarly to Red and Buck, turns frantic upon possibly loosing her fiancé and starts panic and lash out a little, which is fair and also part of a motherforking pattern, ya’ll!

- Another fairly obvious parallel between 3.14 and 3.15 is Buck telling Sue - as the watch Maddie and Chimney hug - that Maddie already has everything she needs when Sue asks him why he didn’t immediately rush toward his sister. Which can be compared to 3.15 were he does immediately rush to Eddie’s side and support and hug him!

-  I’ve already written about 700 words on 3.17 and the line „Buck invites Eddie“ so I’ll just point you back toward that part of the guide where I pointed out that Buddie was actively compared to the three main canon pairings here. Which is a lot and also could have been avoided and probably queerbaiting.

- Again, teeny tiny bit of a stretch maybe but like, we’re here to talk about anything in canon pointing toward Buddie and also this is my guide and I do what I want but in 3.18 we learn that Abby is now engaged to a single father and considering she was only gone for about two years (Season 2 takes place over the course of one year and in 3.13 we learn that Madney has been dating for just under 11 months so unless there was a time jump somewhere in the last 5 episodes we weren’t really told about, we clock in at about 2 years and maybe one or two months, tops, at the end of Season 3), they have been together for less than that time, even if we think Abby already knew him when she was still dating Buck. Which timeline wise puts them meeting maybe around the time Buck met Eddie, maybe a bit after, meaning Abby met and began dating and fell in love with and decided to marry a single father in the same timespan Buddie did … whatever it is they are doing! Which is meaningful because for the viewing of the Abby/Buck relationship which I am glad more and more people are realising was very unbalanced and provides an interesting parallel to Buddie because this means Abby and Buck met and developed feelings for a single father around the same time. Idk, I understand that the whole father thing was to make Buck care even more but damn, it’s a parallel so I mention it!

- Michael and Doctor Hale vs Eddie and Ana (3.17/3.18 vs. 3.12ff.)

Now, of course we need to realise that Eddie and Michael are fairly different characters and Michael has way less relationship related baggage than Eddie has which is why he goes after what he wants way faster (also, carpe diem, he just found out he won’t die). Also of course, there is no moral component to address in Michael dating some doctor vs. Eddie dating his son’s teacher, but still:

Michael and Dr. Hale had one scene together and it wasn’t even overly flirty and yet, we knew where it was heading, we felt the chemistry and everyone ended the episode saying: I ship it, more of that - which they did give us, just one episode later. They had some awkward moments, yet the show never left a single doubt in your mind where this is heading.

Now look at Eddie and Ana:

First of all we learned more about Doctor Hale in the two short scenes than we did about Ana in four scenes. That seems deliberate.

Second, while we do realise Eddie thinks Ana is attractive from the get go she repeatedly shuts him down by pointedly saying „Mr. Diaz“.

Third, every scene between Michael and Doctor Hale was romantically coded and we know where this was heading while aside from the initial scene between Ana and Eddie and maybe the second scene there were no hints of romance between the two. In fact in 3.15, an episode that is about Eddie moving forward in his life and letting go of the past she is both mentioned and actually appears, yet there are no hints of romance and romantic interest, not from Eddie and not in form of teasing from Buck and especially Carla, who pointed out Eddie’s interest in her previously. Soooooo…

Parallels with Love Interests

Now, obviously we also cannot talk Buddie without talking about them dating in general and then relating this to each other. In other news: there are parallels between each and every love interest Eddie ever had and Buck and also between Eddie and Abby.

(Side note: I could probably also find parallels between Eddie and Taylor and Eddie and Ali but tbh both of these barely qualify as love interests, especially Ali, who despite actually being in a relationship with Buck we know nothing about (hi, original Ana! You did good and I am sorry people hate you for having boundaries!))

Eddie paralleling Abby

I mean the truth is we don’t even need Eddie paralleling any other girlfriend of Buck cause there are so many between Abby and Eddie!

- Abby and Carla vs. Eddie and Carla:

The biggest one might be parallel that both employ Carla and why. Which is in part because Buck brought Carla to Eddie but goes deeper than that.

There is that conversation between Bobby and Buck about Abby and her mother in 1.09 when Buck wanted to break up with Abby and Bobby basically said: if you wanna date someone you have to love them baggage and all and should be there for them as well - and while Buck did try doing that with Abby, well, Patricia died before he could fully step into the ring and then Abby left, BUT he showed no hesitation after that to step right into Eddie’s life, into his issues, with him. And he even brought in Carla as a baggage carrier, isn’t that nice?

Also the whole reason why they need Carla around in the first place as both of them are taking care of a family member (plus the fact that Christopher is a literal child so even without CP Eddie would need help taking care of him working the hours he has).

Also tía Pepa quite literally calls Eddie a saint and I am pretty sure Abby was called sth similar by Carla and Bobby in Season 1 though I don’t care enough to check mainly because the implication was there all through the first ten episodes about how Abby was such a great person for taking care of her ailing mother.

But really it comes down to the parallels between Bobby telling Buck that a real relationship is about sharing the load and the conversation between Maddie and Buck as well as anything else in 2.04 where Buck is so desperate to be there for Eddie and help him.

- There is also a definite parallel to be drawn between the conversation Abby and Buck had in the Jeep while looking for her mom about how Abby hasn’t had sex in a year and Buck asking Eddie about dating in 2.04. It’s a little subtextual, but between the expression on his face and the topic and the teasing and the walking shoulder to shoulder it does feel alike to me so I mentioned it.

- street fighting vs. the apology: losing yourself

Now this one I love a lot because while it does happen half a season apart and isn’t explicitly expressed on the show: Eddie’s whole ark in Season 3a is about losing control and by extent losing himself because Buck wasn’t around. Abby meanwhile talks about how she found herself after she left LA and how she would have lost herself again if she returned to Buck (which is absolute bullcrap but not the point).

- There are also some parallels to be drawn between Buck, Eddie, Abby and Shannon (and technically also Maddie) and the whole leaving each other thing, with Eddie leaving Shannon for the army without consulting her about it while Abby left Buck for Ireland and then also the lawsuit where in a way Buck left Eddie like Shannon did, being so caught up in his own feelings he didn’t consider what Eddie (and Christopher) were going through.

But we can also acknowledge how it must have felt to Buck with Lena / Eddie taking Bobby’s side like he was once again replaced / left for someone else, much like Abby left him for Ireland and Maddie left him for Doug.

Buck paralleling Ana, Lena and Shannon

Buck on the other hand side parallels Eddie’s love interest a lot sometimes down to the clothes (and yes, technically Lena isn’t a love interest but Ryan Guzman thought she was and aside from the fact that he’s into women that could beat him up (which for once, not judging you, bro) and considering the parallels with Buck … that means if Buck was a woman, well, ya know?) so let’s talk about that

- Buck and Shannon:

I’ve already talked about that one a lot so I will only mention it here real quick but the whole Eddie not trusting Shannon vs. trusting Buck despite his betrayal again like right away once he apologised (which yes, what Buck did was not as bad and far more justified) and letting him back into Christopher’s life IS a parallel, considering for example how Shannon asks about Chris missing her (though it’s been over two years, at one point children just stop asking as we know Chris did) and Eddie telling Buck Chris misses him in the grocery store scene.

Also Eddie not trusting his wife and Chris’ mother with him fully even after they reconciled and him telling Buck he was the one he trusted most in the world when it came to his son is … something.

There is also a little parallel to be drawn between 2.17 when Shannon goes for ice cream with Christopher and Abuela and Eddie is all like, well, don’t come crying to me when he won’t sleep because sugar high and saying basically the same thing to Hen and Chimney in 3.02 when they ask about „Operation: Buck up Buck“ because Chris ate loads of pancakes.

Also Shannon in 2.07 said she needed Eddie to have her back and Eddie says he always did but Shannon disagrees (which might be a little how Buck felt with the lawsuit) and you know, Buck and him agreed to have each other’s backs just six episodes earlier.

- Buck and Lena:

 Now, with Lena, despite her being most connected to Eddie, the first (and second) time we actually see her is in 3.01/3.02 through Buck, which connects the two from the get go.

Eddie then finds out she was at the pier in 3.02 (before meeting her) just like Buck (though he doesn’t know that) and then meets her in 3.03 and she spends the whole episode running around LA trying to find her Captain while injured, much like Buck is doing in the same episode.

I also mentioned in my meta-series how I think one of the reasons why Eddie likes Buck so much was that Buck wasn’t impressed by his military background like everyone else (or his looks, I mean, it was probably more about his looks tbh) and how when Buck started liking him it was really about Eddie and not whatever he had heard about him - yet Buck was / is still never afraid to call him out bullshit, much like Lena from moment one.

There is also the fact that Eddie goes to her for advice and she literally uses Buck’s locker (and will I ever stop laughing about the tape? Probably not, I think it was hilarious, okay?)?

Then of course we have Buck in 3.04 reacting quite similar to seeing her for the first time as he did with Eddie in 2.01, even saying basically the same thing.

- Buck and Ana

Now, Ana is an interesting case because we see her a total of four times and she is mentioned two more times throughout the show and each and every single moment is connected to Buck somehow and sometimes so very unsubtle to.

In „Fools“ we cut from Buck saying he likes being single to Eddie doing parent-teacher conference and yes, meeting some other teachers first but also Ana, showing us that while Buck is fine with being single - Eddie might not be. And then Eddie introduces himself as Eddie and Ana knows immediately this is short for Edmundo - unlike Buck in 2.01 who guessed Eduardo? Also, Carla’s „big blue eyes“ line which is a little clown-y, so take it with a grain of salt that it could connect us to Buck.

Then of course her next scene is Eddie getting in her face about Christopher being hurt. Later in the episode we see Buck reference this on a call, meaning either Carla or Eddie told Buck about it (I am leaning a little toward Carla making fun of Eddie in front of Buck and Eddie then having to come clean about all of it, because I cannot wrap my head about the idea of Eddie telling Buck about having a crush, I’m sorry.) (And will I ever be over Buck being so gleeful that Eddie will now be dating the teacher after all? Because boy was close to cackling which even if he was in love with Eddie at the time and therefore happy he wasn’t off the market - still quite rude for a best friend if you ask me! Like, sure, do that but in front of strangers?)

Her next scene is Eddie coming to apologise to her and she gives her speech about limitations - which we can of course connect to Buck and Eddie talking about Christopher and his limitations before that and then afterwards going skateboarding with them. (It does feel a little deliberate.)

And then of course we have „Eddie Begins“ and you guys, they could have very very easily have either Carla or Buck make a joke about Mrs. Flores and Eddie’s crush in the firehouse scene, but they didn’t! And then we do get to see her at the end where she has one whole line and Eddie barely looks at her and you know what happens? They have a child ask the same question Buck asked at the beginning about ever just wearing the medal (which sounded very not straight in its delivery, Mr Stark, what were you thinking about?), making us think of Buck. Like, it would have been enough to establish Eddie doesn’t feel like a hero if the question was asked only once - twice in the span of 45 minutes constitutes a callback, meaning we are supposed to think of the other scene and that means thinking about the other person that asked, which was Buck.

Is this … flirting

Now, some of these are quite ambiguous but there are several scenes that imply they consider each other attractive or feel like flirting and here they are:

- 2.01: „I think I’ve seen this in porn before“

Now, we all know Buck’s initial dislike of Eddie was about Eddie being to good at the job and Buck being afraid of being replaced, but considering one of the first things we hear about Eddie is Hen saying that boy is so fine it transcends sexualities and considering they talked about the calendar which chooses them based on hotness just before and then all the references to the calendar throughout, it stands to reason that Buck considers Eddie attractive.

Also their whole conversation during the gym scene, what was any of that? I mean, Buck thinks the pictures of Eddie are professionally done which means he thinks they are good which means, yes, Buck thinks Eddie looks good in those!

Plus the whole scene is riddled with (sexual) tension. From Buck constantly increasing the weight he is lifting, while throwing looks at Eddie as if double checking that he sees he could bench press him and the way he gets in Eddie’s face to Eddie’s veiled barbs about the girlfriend breaking up with him and doing the same thing as a firefighter but he was getting shot at. I mean, what was that if not the beginning of a porno? (And here we have our first parallel between Buck and Eddie as we find out later because Eddie, too, has been left by a woman. Now the real question would be does he consider them broken up?

Not to mention that when Bobby tells him at the end of the episode that he wasn’t chosen Buck immediately assumes Eddie was and also is so very happy for his new friend, because he thinks he’s hot (right?).

- 2.04: „Hearteyes, motherforker“

In 2.08 Buck has a conversation with Chimney about his pick up technique and well, did anyone in production watch this episode because when Buddie walks away from tailpipe-girl-emergency he literally does everything he described.

Also Maddie says the words „Does this man crush on Eddie mean you are finally over Abby?“ to Buck and his only reaction is „Cute.“ meaning one) Maddie has teased him about his Eddie gushing before and two) maybe Buck does have a bit of a crush?

- 2.06: „Bucky Barnes murder strut - 911 edition“

Again with the Maddie and Buck scenes!

Basically what happened was Maddie talked about how cute Chimney was but Buck assumed she meant Eddie because apparently if someone says cute, Buck thinks Eddie. This is just a fact, okay?

- 2.14: „‚It’s a miracle… bro #nohomo’“

Like my name for the episode already says, there is this scene were Buck and Eddie stand next to each other and Eddie says „That was incredible!“ and Buck who is already standing in Eddie’s space leans in further to basically whisper the words „It’s a miracle.“ into Eddie’s ears and then lean back a little and I am not sure if that wouldn’t fit better with Subtext but also Buck looks at Eddie like he wants to eat him alive and Eddie looks like he would let him and say thank you after while still embarrassed because he cries during sex.

You know, acting.

- 3.04 „discount!Buck in the house!“

Listen, I am convinced this is all Ryan considering the reaction of Kenny / Chimney and Aisha / Hen but that doesn’t change the fact that they used a take which had Eddie stare at Oliver / Buck’s butt the whole time and I mean, what horrible things happened in the other takes that made production choose this one unless they want us to see Eddie looking at Buck’s butt while Chimney and Hen stand around looking amused?

- 3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

Listen, from the moment Buck says „Cause you would prefer working it out in the ring?“ and then does this dorky thing with his arms while Eddie smirks into his beer about how he fought in a cage not fenced in (which, I’m a little unclear on the distinction I think, but I am nitpicky af so who am I to judge? Probably just stuff getting lost in translation) that whole scene changes vibes, going from apologising to teasing. And I think it’s very interesting that this is when Buck chooses to come closer (and then keep coming closer until he is right in Eddie’s personal space while touching his belt which we all learned by now means he is thinking about sex) and they have this whole conversation about who could take who which happens in sort of half sentences and does not feel like they are talking about fighting each other at all.

I mean, Buck keep coming closer, while Eddie stands there rooted to his spot, leaning against the bar, smirking, like every hot guy in a bar ever who knows one smile and a bit of smolder and they will come to him (which Buck does, playing right into it, I mean, come on, bro, weren’t you once a serial dater? How do you not know how to play hard to get?) and holding the beer (you know, phallic shaped obj- okay, I’ll stop here, it’s a reach), occasionally drinking, like maybe he tries to draw attention to somewhere or he has a very dry throat and honestly: this is how porn starts!

I don’t think my writing (or anyone’s writing really, not that ya’ll aren’t talented af) can properly express how very not platonic and innuendo-heavy this scene felt.

- 3.13: „‚Bro, what if I flirted with you in a bowling alley while out on a call?‘ - ‚Bro, what if I invited you out to lunch after telling a friend to say I love you before it’s too late?‘ - ‚BRO 😍‘“

Again, the title gives everything away but like so many scenes between these boys that moment at the bowling alley when Buck channels Arnie and Eddie is all: you’re a dork and also wrong! and then later when Eddie invites Buck to get lunch (which is sort of Eddie’s thing, remember 2.01?) after earlier telling Chimney to tell Maddie he loves her if he has a chance because he might regret it. And to really drive the point home or maybe make it in the first place, after Eddie asks Buck - and only Buck - to have lunch with him, Buck then declines because of a little blood (Evan, come one, you’ve seen worse! I know I have!) - only for Chimney to consider this the push he needed to invite Maddie for dinner so he can tell her he loves her.

So, you know, platonic.

- 3.16: „The rope was a metaphor after all“

I mean, what was that scene in the locker even with Eddie leaning against the doorway all cheeky and grinning like: yeah, come hang out with me! - obviously it was about Buck never saying yes to babysit a group of nine-year olds when he could be out drinking (as someone who works with kids, I approve), but yeah, that’s not what it felt like? So unless ya’ll cannot act anymore this was deliberately a bit over the top and ambiguous.

Jealousy

Now, no good ship works without jealousy and neither does Buddie so here are some examples of Buddie being jealous.

- 2.06: „Bucky Barnes murder strut - 911 edition“

Now, your probably saying: Bucky Barnes murder strut? That’s a tall order! But damn, Ryan nailed that, okay? Listen, we’ve seen Eddie walk out of uniform several times at this point and NEVER before and never after has he struted this predatory. Eddie walks tall and military, you know, the way he stands, Eddie doesn’t strut!

Yet, here he does! And what I love about this scene is that we see him in the background while Bobby talks to Taylor, working out with no care in the world - and then Buck comes over and flirts with her, suddenly Eddie feels the need to be part of the conversation?

And he doesn’t even wait until he is standing next to them to talk, he calls over while still sitting on the lifting things.

So yeah, that one is him being jealous.

- 2.10: „It’s all about ‚not my business‘“

- Now 2.10 is a great episode for Buddie and in part it is due to Buck’s facial expressions in the background and out of focus of the camera when Shannon comes to the station.

I mean, Oliver always plays Buck very intense and expressive and with his whole face but that was a bit much, you’d think he just found out Eddie broke a vow of chastity or had an affair while being married (which technically is what Buck compares it to later so kinda makes sense he looks like that but also doesn’t, Buckeroo, what’s the big deal? Did Eddie show up at your doorstep a week earlier telling you what a punk ass bitch his wife was, or…?)

- 2.17: „*fridges female character for man pain* Haha, we’re so random!“

„Talk to Bobby. Maybe he can get you guys a discount.“: There is a point to be made about Buck just not liking Shannon considering everything he knows about her and has heard about her, the same way Eddie doesn’t Abby, but still. This scene and this line, Buck does not sound happy for Eddie or truly interested and yeah, it’s off and it seems jealous.

- 3.04 „discount!Buck in the house!“

It’s actually not just my interpretation, it’s actually - between the similarities to 2.01 and everything that happens after with the lawsuit and how Buck explains himself - literal text that Buck was jealous here with Lena. So there!

- 3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

Tim Minear please send me over some scripts or have someone call me and explain what they were going for with the „You had sex with your therapist?“-scene because Eddie was so huffy and offended and I need to know!

- 3.12: „There’s a horse loose in a hos… school“

Buck sounds awfully gleeful Eddie will probably not date Christopher’s teacher and while that might just be him making fun of his best friend being so very overprotective and short tempered when it comes to his son (Mr. Control has left the building!), still, it reads a little like jealousy over some unknown pretty woman Chris might have mentioned some time and Carla probably described in great detail when she told Buck all about Eddie losing his cool!

- 3.17: „LegsTM“

It’s technically not really a jealous moment because it’s not Eddie being jealous but Buck simply refusing to mention his ex-girlfriend here, but considering 3.18 and also and most importantly the fact that there are only two other people in the truck, one being an unknown firefighter driving the truck and the other Bobby, who very much knows how Buck was supposed to take a hot air balloon ride with Abby, for who but Eddie was Buck concealing her identity for because Bobby already knows?

There really is only Eddie left, who probably figures out what Buck was about as well because bro may not be Buck and his out of the box thinking smart but he is fucking smart and he can figure shit out as well! Yet Buck refuses to mention Abby’s name and for what? So he can pretend Bobby and Eddie don’t know he is still bitter about her? I mean, fucking hell, send over the motherforking scripts, Minear, I am done with you!

- 3.18: „Traincrash? More like train WRECK? *cries*“

While I think Eddie is being more protective than jealous here, he is awfully involved and he is uncharacteristically out of control and emotional here and I wanna know why? Does Abby being back remind you of Shannon? Is it jealousy? WHAT IS GOING ON??? WHY YOU SO MAD, ARMY BOY???

Subtext

Now, I am first gonna talk about Subtext things in general like clothing choices, music and cuts between scenes and I am gonna be honest, I probably missed quite a few!

- One of my favourite is that while Buck wears the same colours in 3.03 as Shannon does in 2.07, Eddie wears the same exact shirt - and considering the fact that Ryan got buff between Season 2 and 3 that was deliberate, someone bought that shirt again because we are supposed to connect these scenes with each other!

- As I wrote before in 2.10 we can see Buck and his reaction out of focus when Shannon comes to the firehouse to talk to Eddie and ya know, why?

- Tim Minear himself said the elf in 2.10 was an easter egg for us Buddie shippers and he also said we can make out of the fountain in the background what we want, so there, Buddie is talking about Shannon and Eddie having sex and how much that messes shit up while a fountain shoots water in the background and yes, that is an innuendo and subtext and I hate it a little.

- 2.13 has this hospital scene I love a lot and you know what? Buddie is basically dressed the same, because the subtext of this scene is these two are alike and connected and they GET EACH OTHER.

- Another scene I really love is in 3.01 when Buck comes in for the surprise party because not only does he not hug his sister or Athene but runs up to Eddie first, Bobby actually shoves Eddie at Buck so he is the first person Buck hugs (and then the hug itself, what was that? The way they hold onto each other for a moment just looking while their hips are still touching?! Is that how you two hug because I want in!).

- Also they are dressed basically the same, should we discuss this as well?

- And still in 3.01 when Buck thanks Bobby and they talk and Bobby tells Buck he’ll find someone better and then asks him if he is doing okay, the first person the show cuts to is - nope, not Evan Buckley’s sister who is also there but his best friend, Eddie! Jup!

- And still in 3.01 when the firefam talks about helping Buck in the firehouse, Eddie first acts dismissive but the scene ends with Bobby saying Buck has them even though he may not believe that right now and half of that is said while the camera is on Eddie’s face who looks thoughtful - only to cut from them to Maddie and Josh discussing the same thing and mainly how Maddie doesn’t know how to help Buck and what he needs from her. Which you know, the episode ends with Eddie basically giving Buck a swift kick in the butt like she though he might need (and then 3.03 has Eddie basically telling Buck everything is gonna be okay, so we see Maddie talking about helping Buck but never see her doing it and instead we get two scenes of Eddie being there for Buck and also no Maddie in relation to the lawsuit but an extreme focus on Eddie? Writers, I see you and you aren’t wrong!)

- Also worth another mention is the cut between Madney talking about children, saying Buck didn’t have any either - to Eddie waking up Buck so he can babysit Christopher and specifically calling Buck „his Buck“ to make us think on their relationship and let us know how close they are and also to tell us to not trusts everything Maddie says about her brother because she gets shit wrong.

- In 3.03 after Buck tells Eddie he lost Christopher and then Eddie sees Christopher and rushes over and and Buck collapses and while Eddie holds Chris after he checked for injuries and Chim and Hen and Bobby hold Buck and Bobby asks Buck if he is okay, well, this whole time Buck is staring at Chris and Eddie and Eddie is staring back at him and Bobby, if you wanna know about me, gotta tell you, I am not okay?!

- And then we have the loft scene and yeah, okay, this deserves 5000 words of his own, from the fact that they played „Photograph“ by Ed Sheeran which includes lyrics about how they will never be alone and how loving can heal and mend your soul and the fucking song ends on the words „Wait for me to come home“ just as Eddie knocks and brings Christopher over and tells Buck there is no one he trusts more with Christopher than Buck and I am sorry, what are we supposed to think here? This show is from the US, these people speak english, it’s not like these lyrics leave much room for interpretation!

Not to mention the whole monologue Buck did about being lost and not knowing how to get from where you want to be to where you need to be before Eddie showed up and then talking about how a few choice words can sometimes be the life raft one needs to get home and how we are all just searching for someone to see us? I love Maddie and I love the Buckley siblings, but damn, she’s not the one he has been searching for!

(And I keep bringing up Maddie here because as his sister she is the person Buck could feel closest to and should care about the most and be cared about the most by and yet all canon evidence points to Eddie being that person! Also she is the person next to Eddie Buck has the most scenes outside the firehouse with.)

- This one is a bit of a stretch but Buck looks very uncomfortable during the whole deposition in 3.05 but he looks everyone in the eyes until the lawyer mentions Shannon and suddenly his lap is so much more interesting and yes, after is when all of them get asked the really hurtful question but still, this is when Buck stops being despondent and realises, fuck, I went a bit to far

- Someone please find for me where the director talked about purposely framing them as romantic in the apology scene because I cannot find the post for the life of me, but never the less: In 3.06 during the apology, in the beginning of the scene we see Buddie from quite a distance and Eddie has his back turned toward Buck and there is a column in the shot to visually indicate the divide and yeah, the whole framing is quite something and the way the camera angle goes from far away making it seem like unbridgeable distance cutting to closer shots and how we slowly see alongside the words hey, they aren’t actually that far apart, like yeah, this scene was something else!

- Not a direct cut but during therapy Eddie talks about how he wants to be at home with Chris because he is the one good thing he has going for him and the one thing he gets enjoyment out of (because he is so fucking depressed and I cry), yet when we later see Chris and Eddie together it is neither in Eddie’s house nor are they alone, nope Buck is there as well, meaning Buck is considered a part of that one thing even if he wasn’t explicitly mentioned!

- During 3.10 when they take the photo with all of them Buck is grouped between Madney and the Diaz family, like right between and not just next to them. Also earlier when the eat Buck sits next to Christopher who sits next to Eddie and therefore on the opposite side of his sister and her boyfriend.

- Yes, they were probably amused by the meddling mom asking then „Are you boys single?“ in 3.11 but come on! They look at each other and smirk? For real? Hand over the script, Timbo!

- Also as mentioned before the fact that when Chim and Eddie talk about family and the 118 being the family they choose the camera is on Albert, Buck and Christopher, no one else is in the shot. And of course the song that is playing here, another song about home.

- The callback to Buck in 3.12 of Ana immediately guessing Eddie is short for Edmundo unlike Buck as well as Carla saying blue eyes (which Buck has) is also Subtext.

- Said it before but: the scene in 3.13 when they arrive at the hospital and Eddie asks Buck out to eat and then Buck changes his mind but Chimney runs off to call his girlfriend because he wants to have dinner so he can tell her he loves her like Eddie told him to do at the beginning of the episode is … interesting.

- I already explained why I think Shannon wasn’t in that many scenes in the video in 3.15 yet Buck was in most of them but it bears repeating. Also again it’s subtext that Buck is part of Eddie’s family and Buck is very important to Eddie and Eddie loves Buck.

- Also the question about the medal in 3.15 and the little boy at the end repeating the question, sorry, were we not supposed to think of Buck here, Tim???

- Also just in general 3.15 focuses very very heavily on Buck and Buck’s reaction - much like 3.18 later does with Eddie. All the non-Eddie scenes feature Buck and Buck freaking out about Eddie potentially dying and Buck making plans and being frantic and the driving force of hope cause homeboy cannot even for a second entertain any thoughts on Eddie’s passing.

- The rope metaphor in 3.15 / 3.16 is of course also subtext but I already explained that one and don’t have anything to add really.

- This one is a little bit of a stretch but I do think there is a reason Eddie was the first one to be taken out of the equation in 3.16 and because of his son and not a love interest.

- Also the pool playing scene in 3.16 there visually we see Eddie and Buck together in nearly all shots, there are two shots of Eddie without Buck in it but not a single one of Buck without Eddie in it and considering camera angles and actors literally being told were to stand it is deliberate that Buck is only seen with Eddie by his side here.

- I’m repeating a lot of things here but Buck refuses to say Abby’s name in 3.17 even though Bobby clearly knows who he is talking about.

- „No. He stopped waiting for me a long time ago.“ cuts to „Summer Camp?“ I mean sorry, what were we supposed to think here? Because this does imply he really did stop waiting because now he has Christopher and Eddie!

- Not to mention it sort of hammers home what I wrote before how Abby is dating a single father and Buck is sort of dating a single father.

- Also 3.18 puts a lot of focus in general on Eddie and his reaction to everything when say, Bobby, who actually knows Abby and was there for the relationship would have made more sense - unless they are pushing an agenda here!

The first person we have Abby interacting with at the traincrash is Eddie and then Buck joins them and the scene literally goes: Eddie *talking to Abby* > cut to Buck, coming closer > Buck: „Abby?“ > cut to both Abby and *Eddie* > Abby: „Buck?“ while the camera is still on her and Eddie > cut to just Eddie’s face having a realisation > cut to Buck

So sorry, why do we focus so much on Eddie here, Mrs. Lynch? Is there a particular reason, oh director, who art also directed 3.01 and which has also loads of Buddie subtext?

There is also Eddie coming to stand visually between Abby and Buck when Sam is loaded into the ambulance as if he is physically putting himself between them and then Buck running back toward the traincrash and Eddie following him after and all the shots of them and Christopher during the party together and once again having Bobby asking Buck if he is okay visually connected to Eddie, though in reverse this time because the scene goes from Eddie and Chris having fun to Buck and Bobby talking. (And should we talk about how this is the first time Buck actually answers the question because finally he has an answer or are we thinking about that right before sleep today when it’s easier to cry?)

- Also very interesting subtext is the fact that Buck and Eddie wear nearly the exact same colour and a similar cut pullover when Buck talks to Abby at the end and when Eddie says goodbye to Christopher and I mean, thematically both scenes are about saying good bye and letting someone go? But also it connects Buddie with each other and connects these scenes, which Idc, I probably wouldn’t have done without the clothes?

Not sold seperatly

- Also subtext / visual thing is the fact that Buddie is basically always with and next to each other at the firehouse and on calls (and before anyone says: well, they are partners, Hen and Chim aren’t as much), and that is a long list so I am just giving examples: in 2.05 they sit next to each other at the table while in 2.06 they sit next to each other on the couch and in 3.08 they sit next to each other at the table again and then we have 2.02 standing outside and 2.04 walking away from the scene together and Eddie handing Buck a weapon in 3.17 and walking toward the ambulance together in 3.13 and several other times, the point is there are a shit ton of scenes of them being right next to each other in case you thought that was a fanfic thing!

„The Buck lens“ / „The Eddie lens“

I’m pretty sure there is an actual technical term for what I am trying to describe here but basically there are several instances where we see Eddie the way Buck does, meaning while the scene shows us Eddie doing something the focus is on Buck watching this. Sort of POV but not quite I guess? Also the reverse is true as well, even if those scene aren’t as pronounced!

- Let’s talk about 2.01 once again as we have done for most of this meta and finally, finally look at Eddie’s first scene which we all know is sort of gay and the first time we see Ryan shirtless because Tim accidentally wrote a certain quota of shirtless scenes he needed to do into Ryan’s contract and he needed to get started on those right away.

Also please remember while we as well as the core four are watching Eddie get dressed „Watta man“ plays in the background, which, considering we are introduced to Eddie through Buck’s point of view might be the song playing in his head here? Anyways, back to the topic at hand and how we as the viewers don’t see Eddie until Buck turns around and sees him as well. Which is significant because several times through the conversation between Buck, Hen, Bobby and Chimney we see the locker room in the background so they could have filmed that differently.

Instead they had Chim, who stands off centre, noticing something while Buck banters with Bobby about how he will get to represent the 118 in the calendar, then the camera changes angle so we no longer stand between Bobby and Chimney but rather behind Buck, making him centre stage and putting a focus on his reaction to Eddie. In this scene we have Buck framed by two people commenting on Eddie’s attractiveness. Now we don’t get to see Eddie until we have gotten all reactions of the core four to him, with special attention to Buck, both in filming and text with everyone taking a jab at Buck before walking over to introduce themselves to Eddie which leaves Buck alone, watching.

(Now keep in mind this scene also has Hen basically say Eddie is so hot it transcends sexualities while „Whatta man“ plays as Buck slowly turns around and Idk, mate, that does seem shippy to me.)

- Another scene that focuses very heavily on Buck is when Eddie rushes and hugs Chris at the end of 2.03. In fact for most of the scene we see Buck in the car watching them.

- Also, the hospital scene in 2.04 and how once again we see Eddie interact with Chris while Eddie watches them because fuck knows why.

- Similar to the Buck lens we have 3.10 where Eddie talks to Hen about Chris while the two (or rather Eddie since he sits at the centre) watch Buck play with Chris and Danny. This is significant because Buck is also placed in the middle, putting him opposite Eddie and also making him the focus of the camera for most shots when the scene was about Christopher and Eddie feeling guilty. Huh, we say!

- Something similar happens in 3.11, which is the next episode several months removed when Eddie talks to Chimney about the 118 being their family and while this time Chris is the one sitting in the front, Buck once again is in the middle and also in focus in a scene shot from Eddie’s POV.

Other people reacting to them / commenting on them

Now, I am not sure if this is really Subtext but who knows where else it fits in? (This is a rhetorical question, only my opinion counts around here while I write!) So It goes here! And I think the title is self-explanatory enough.

- I’m a little on the fence on the Bobby looks because - no offence to Peter Krause - he doesn’t have that many facial expressions in general, but yeah, at the mechanics Buck watches Eddie and Bobby watches Buck.

- Our first real one of those scene is the truly savage tía Pepa who is a woman after my own heart because she says the mean shit to your face and the nice things behind your back because she loves you but she loves vibe checking egos more! And well, she is understandably confused by Buck’s being there at the hospital and asks Eddie who that is and why he is here and gives one of the best lines of the show by being so sarcastic, because oh, you work together? Damn, wouldn’t have guessed from the fact that both of you wear LAFD t-shirts! (I love her!)

- In the same episode Maddie comments on Buck’s boycrush on Eddie and while I am unsure whether that is supposed to make it sound less gay or it’s Maddie saying: Bro, you sound 12! but oh well! It’s a comment on them!

- I loath a little to include the elf in 2.10 because Tim has said that was an easter egg for Buddie shippers and a tongue in cheek thing but yeah.

- Also Bobby watches the whole „It’s a miracle“ exchange in 2.14 with that look.

- In 2.18 we get some text on the screen when they help instagram girl about how hot the both of them are and also how THEY should be dating which I’m putting into the same box as 2.10.

- The fact that Bobby shoves Eddie at Buck in 3.01, like sorry, why was it so relevant that this is the first hug?

- When Eddie / Ryan stared at Buck’s / Oliver’s ass in 3.04 we see Hen and Chimney grin about it.

- I know I have said myself that Maddie’s reaction in 3.08 was due to the fact that she just said: can ya’ll stop gossiping - and Chim and Buck were like: sure thing! and then started gossiping but still.

- There is Buddie flirting at the bowling alley in 3.13 and once again Bobby gives them the look and yeah.

- In 3.15 everyone seems very worried about Buck especially and they keep reassuring as if he were Eddie’s next of kin.

- Again a Bobby look I am unsure of but in 3.17 we see him giving them the look in the truck and yeah.

Other people’s heartache

Now, as I’ve said in the beginning, I didn’t wanna just include my perspective on Buddie, so I asked a few other people about this and while this isn’t a representative statistical number it’s still interesting, right?

(Also originally this Guide was organised by episode and I would have included the comments when the things came up but alas that didn’t work and I think I turned a little grey because of that)

@buckleysbabe:

When i first watched 9-1-1, I had no idea that Buddie existed (i hadn’t been on tumblr a lot at the time so I hadn’t seen gifs or anything) and when i started s2 I really thought they were just best friends, but then 2x10 and the ”you two have an adorable son” scene happened and Buck’s ”thank you” and the shy smile AND I WAS ON BOARD!! That was really the first moment, then I got the confirmation after 3x03 and the scene where Buck sees Eddie in the tsunami scenery, and then the whole Eddie saying theres nobody in this world....like in that moment I felt like they were seriously in love 😍❤️

About the 2x10: that scene has so many things. Like the water fountain in the back, Chris in the scene with them (like they are a family), then the elf saying what she said, Buck being for a second like ”huh?” and then you see the light bulb going on when he’s like ”ohhhhhhhh yeah” and then he says thank you 😍😍😍 saying HE IS CHRIS’S COPARENT. AND THEN THE SHY SMILE

@theleftboobgrabber

Right off the bat I thought they had chemistry but I think the entirety of 2×04 is when I genuinely started shipping it. Like.... the constant heart eyes, the support, Buck trying so hard to be there for Eddie and Eddie absolutely never questioning it, the look Buck gives Eddie at the fire house was absolute fire (when Bobby tells Eddie Buck asked for Chris to stay with them) like Eddie's like you did this for me??? And Buck has just this massive Big Buck Energy from where he's sitting like "get used to it" and I remember absolutely loosing my mind that Bobby got the hug and not Buck at the end of the scene like in what universe??? And yeah the rest of the episode is just the same but that feeling of 'that's the wrong man you're hugging' was the tipping point

@emotionalsupportfirefam

Okay so mine was kinda two moments?1) when Buck took Eddie to Chris' school after the earthquake and we see his reaction to Eddie's joy and relief as he holds Christopher and then spends the next episode trying to find ways to help Eddie with finding a suitable caregiver/ support for Chris and 2) the fact the took them whole of five minutes to go from 'rivals' to the 'dynamic duo' after the grenade call.

@evaneddie

Honestly? Literally every scene they have is romantically coded. The first scene of them, with Eddie being shirtless and us seeing it from Buck's perspective with „Whatta Man“ playing? That's subtext.

You can have my back any day? Yo.

The scene when the elf Blair(e) said they have an adorable son and Buck just said thank you instead of correcting her before he literally skipped away?

Eddie showing up at Buck's apartment and Buck not even questioning how he got in?

The way Buck is like a second father to Chris and protects him like one in the tsunami?

"THERE'S NOBODY IN THIS WORLD I TRUST WITH MY SON MORE THAN YOU"?! REALLY EDDIE? WHAT ABOUT LITERALLY ANY OF YOUR FAMILY? OR CARLA? Baby, that's love.

THE HALLOWEEN HUG?!

THE KITCHEN SCENE, THE WHOLE SEXUAL TENSION IN THAT SCENE?! BUCK'S HAND ON HIS BELT, THE GLANCES, "I'D STILL TAKE YOU", ON THE COUCH EDDIE LOOKS TO BUCK'S LAP, LIKE COME ON!

"You boys single?" *Looks at each other*

"This is Eddie's house, I'm not really a guest"

Buck's breakdown when he lost Eddie under 40 feet of mud. That was not the breakdown of losing a friend, that was the breakdown on losing someone you love. There's a meta I saw once literally just for this scene alone, the way Buck dug so desperately at the mud with his bare hands, the screams of heartbreak, the way he collapsed into Bobby, the pure dissociation as Bobby was giving instructions later on, Eddie's memories filled mostly with Christopher and Buck. Sure, the others were there, but, it was FILLED with Buck and Chris.

Then the ending scene of the season?! What was he trying to do with the necklaces? Thrusting his hips towards Eddie, hitting him in the face, then that soft touch on his face?

@adamngoodbuck

Hey! Nice question and for me really easy to answer. I started watching the show back in 2018 when it first aired but I was a casual viewer. Very casual. So casual I actually watched everything up to 2x10 and then I thought it was the season finale so I forgot about it. And then season 3 started. And nothing made sense. So I checked and welp, I had to catch up. And I did and something started brewing inside of me. I wasn't part of the fandom yet. And then. The THE SEARCHERS happened. And that scene. The there's nobody in this world I trust with my son more than you scene. My icon scene. And I was done. Hook, line and sinker.

@the-family-we-choose-118 

My main ones were all the big ones: the kitchen scene, the end of 3x03, the Christmas episode one where Buck is helping Danny and Chris make gingerbread houses and then plans a whole party for the firefam, Buck clawing at the ground in 3x15, Eddie interrupting Taylor Kelly when she came to the station to do the documentary in Dosed, the fact that Eddie was introduced from Buck's POV with „Whatta Man“, the entire earthquake episode where Buck is reassuring Eddie his kid is okay and then drives him to get his kid later on, and the scene where Buck introduces Eddie to Carla in (I'm pretty sure it's) the same episode where Maddie asks him if his boy crush on Eddie means he's over Abby (that was my main one). And I was fully convinced when Eddie walked in Buck's apartment in the beginning of S3 and ripped his blankets off him and was so sure he doesn't sleep naked/wouldn't have anybody over.

And the „official“ part of the guide is done but I do wanna say something else real quick which is:

You have just read about 20.000 words I painstakingly wrote over the course of several weeks and while I get that meta is even more harrowing to reblog than gifsets or fics because meta involves so much opinion and interpretation and what if you disagree with parts of it?

Well, again, I invested a lot of time in this and also: IF YOU DISAGREE TELL ME!!! TELL ME IN THE REBLOG OR IN THE TAGS!!! Because different to fics and gifsets meta is a dialog and I can’t have a dialog unless people talk to me! I’m not here to lecture you on right or wrong, I am here to tell you: okay, this is how the scene looks from my point of view, what do you say? So honestly, please consider liking and reblogging and tagging and maybe talking a little about it with me, because screaming into the void is so very boring

(And also in general: reblog reblog reblog! All these funny posts you see on buzzfeed and instagram screenshoted from tumblr? Half of them were made great by reblogs and all of them were noticed by these sites because of reblogs)

Anyways, before I (REALLY) let you go it would be hypocritical now to not talk about some people who inspired some of this (but ya’ll have to understand I cannot talk about everyone)!

I can however say these four especially helped me write this:

- @diggorypuff , who I have never talked to but whose posts about interesting parallels actually sort of got me into thinking deeper about this show: (X)

- @ingu, who fairly recently did a series of gifsets on Buddie and how Buck is framed as Eddie’s love interest which gave me life: (X)

- @matan4il, who is such an amazing friend and does the most concice and well thought out metas on Buddie without having to watch the show a million times like other people we shall not name have to (me, I am talking about me). Find her buddie metas here: (X) 

- And most importantly my girl, my babe, my love, @chimbuckleys who is the voice of reason between us and always lets me rant about stuff and was the sounding board for this and so much else I have written - I couldn’t do this without you! (ALSO I AM GOING TO BED NOW, BABE!!!)

AND DEAR READER, you made it! Now go have a blessed day and plant some trees because earth is dying and we with it!

[tarlosbuddie]

CapSwap - Chapter 2

Read on AO3

Summary of the fic:  Bobby and Owen exchange their station and team for show called CapSwap produced by Taylor Kelly.

Chapter summary: New captain, new rules. Owen Strand arrives at the Station and the 118 is ready to have get to know him and to have some fun.

Word Count: 2478

Chapter: 2/?

Hanging banners has been a tradition in the 118 since Chimney, Hen and their former teammates hanged one to congratulate Bobby on winning the bet his first month here. They have had so many captains quitting after a few weeks that they wanted to celebrate, mostly by pranking him. So, before he arrived, they used the biggest ladder they could find and hung a white banner that read “You’re still here!!” and threw him a bunch of confetti as he walked in. Buck got his first one a few months only after he arrived. He came for his shift the day after being fired and the red letters formed the words “You’re not fired! (yet)”. It was one of the first times that he felt like it was a real family. Chimney had a few ones too, the most recent one was from when Bobby came back from his suspension and it read “Your reign is over Interim Captain Han”. It was Eddie’s idea. He knew Buck was on sick leave but he filmed the whole thing to cheer him up. They bought enough cakes and banners to be known by the local stores at the point.

This time, Chimney comes to work early, with the biggest smirk on his face. He is not about to break the tradition, especially with everything being caught on camera. Taylor and her crew are getting ready and Chimney waves at them.

“You guys don’t wanna miss this.”

“Get the camera ready.” She orders her team. “I need a strong clip for the promo of the show.”

Buck and Hen are already next to the ladder, ready to hang what Chimney always described as their best one yet.

“You’re sure it’s a good idea to prank the new captain?” Eddie asks. Taylor directs the camerawoman to film his reaction as she starts taking notes in her little notebook. “Maybe he’s not as cool as Bobby is” the firefighter adds.

The second person directs her camera toward Chimney who’s grinning. Taylor circles his name in her notes, hoping that by the end of the month, she will get the juicy reason behind his nickname.

“Trust me, when you’ll see this, you’ll know he’s not really shy,” Chimney promises.

“Okay Eddie, now move your pretty ass on that ladder,” Hen says. 

Both Eddie and Chimney climb the ladders on opposite sides of the banner. Buck is not allowed to do it anymore since he proved he’s not capable of hanging a banner straight. So he just stays behind Eddie, having his back from the bottom of the ladder where he thinks about Hen’s comment. She is right, he can’t deny that.

The banner is a lot heavier than the ones they usually buy. Chimney insisted that it must stay rolled up until Captain Strands arrived. They climb the stairs, eager to start their shift. They all wait on the balcony, the oldest holding on the strings of the banner. 

A car finally arrives, and Taylor keeps one of the cameras on the crew when she directs the second one toward the car. She has seen pictures of him and she picked him for her reason, the man looks perfect. She knows the public will love him and she’s counting on him making a grand entrance. 

Owen gets out of the car, with his Austin Fire Department jacket as she requested in the contract. She was not expecting him to wear such a fit white tee-shirt underneath but she appreciates it. It would look great on the promo. He doesn’t bother to take his sunglasses off, he only moves them down a little to wink at the camera she asked them not to look at. She can cut it off, but she is not sure she will want to when she will check the footage. 

He makes his way toward the inside of the house. He is about to take up the stairs when he hears whistles coming from the balcony.

The banner unfolds as he walks under it. It’s a huge picture of him from a firefighter calendar, wearing his NYFD pants, with the suspenders touching his bare chest. The text on the banner reads “Welcome to the 118 Mister December 2003.”

Everyone is laughing, including the man staring at a shirtless picture of himself taken 17 years ago. He runs toward the stairs to introduce himself. One of the cameras follows him when the other is on the opposite stairs. 

“Welcome Captain Strand,” Eddie says first. He stands straight and shakes the captain's hand. The other members do the same, and Owen memorizes everyone’s favorite nickname. Chimney is the last member of the team to introduce himself. 

“I’m Chim-” he starts but Owen cuts him.

“Mister April 2019. I’m guessing you’re the one I owe that great surprise to?”

“Huh, yeah.” He answers. 

“Can one of you show me my office and the nearest shower please? I just spent the best part of the weekend in my car and I would kill for a shower, and a coffee.”

“You drove here, Captain?” Eddie asks.

“I was not gonna miss an opportunity to take a road trip to our beautiful country.”

“I’ll give you a tour” Eddie offers.

- - 

Owen is taking the longest shower, so the crew decides to rest. The cameras are off, or at least off their faces so they can take a break. They are all sitting on different couches and there is still a free one when Eddie arrives toward his friends with a bowl of popcorn. Taylor walks toward them with a gentle smile on her face and Eddie walks faster to arrive before she does. He hurries up and sits next to Buck on the couch. It’s just more convenient to share the popcorn with his team, he tells himself while he looks at Taylor who’s sitting down on the last couch.

They are eating in silence, not daring to speak while she is here. Buck offers her some popcorn but she politely refuses. She looks even more uncomfortable than they are. Hen notices and invites her to the kitchen.

“Do you want a coffee?” she offers. “It’s bad but it will keep you awake for a long shift.”

“Yes, please,” Taylor answers shyly. “I know you guys all hate me. But I’m just trying to do my job.”

“We don’t hate you, girl,” Hen replies. “We are not fans of having cameras around though.” 

“I thought Buck would be the one hating me after what happened between us.” Taylor says. She looks down at her coffee mug, taking one sip and confirming what Hen told her, it really is a disgusting beverage.

“Buckaroo is a golden retriever. I don’t think that boy is capable of hating someone.”

“What’s the deal between him and Eddie?” she asks while turning to face the couches where the three boys are chatting. Eddie is throwing popcorn in the air for Buck to catch them with his mouth. “I feel like he’s gonna murder me.”

“He’s just having Buck’s back,” Hen says. “We should go back to the boys before Buck chokes on a popcorn or something.”

They walk back toward the couchs, grimacing as they drink their coffee. Taylor explains some ideas she has and then she tells them that they will turn the cameras back one while they talk about Owen. She sits somewhere off camera and directs her team to start filming.

“So, what do you guys think about the new captain?” Buck asks. It’s not his natural tone and he has to force himself not to look at the camera. But then Eddie starts speaking and Buck has something more interesting to look at.

“He seems nice.” Eddie simply says.

“It’s hard to judge a book by its cover” Hen answers.

“We all did it with Eddie on his first day” Chimney says. Buck takes a handful of popcorn and sends it on his eldest friend who’s happily catching half of it with his mouth while the rest ends up on the couch. “What? I was talking about Hen’s comment, not about your jealousy.”

“Okay, first of all, I wasn’t jealous,” Buck clears, shifting a little on the couch to look more at Eddie. He can feel his face turning red from remembering that day. “And second, we were talking about Captain Strand.”

Eddie chuckles and adds “The man seems okay, we should give him a chance.”

“You okay Buck?” Chimney asks. “You look like you’re praying for an emergency right now”.

“Huh. I.��� He starts, but Owen is finally out of the shower, wearing another tee-shirt that compliments his body. Buck wonders if this man already took a DXA scan to measure the fat in his body. He stands up and walks toward Owen.

“I think this is for you, Captain” Buck says. He holds an LAFD blue shirt, with the Strand name written on the metal name tag on the pocket.

The captain puts his long sleeves shirt on with the help of his youngest team member. He read a detailed file about these people but he still doesn’t know them like he knows the 126. He chose his entire team, learned to work with them and even though the idea of the show seemed interesting, Owen misses his team.

“So” Owen starts, he claps his hand and takes an enthusiastic tone. “Let’s get to know each other a little.”

“What would you like to know?” Eddie asks first.

“Come on, guys, this is not a job interview. I just wanna get to know the people who I’m working with.” Owen says. They all look at each other, it’s like the first day of school and no one wants to be the first to introduce themself to the new teacher. 

Buck lets himself fall back on the couch and sights dramatically. He wouldn’t know where to start. So much has happened to them lately. Every person in this room could use some serious therapy and there’s a lot you can’t tell a person you just met. So how can the 118 introduce themselves without talking about all of the trauma around them?

“Okay, I’ll start” Owen says when it becomes clear that no one else would. “I’m from New York. I’ve been a firefighter there for two decades.”

“So, you were there when…” Eddie starts asking.

“I was.” Owen answers briefly before continuing his introduction. “My son and I moved to Austin a few months ago. He’s a firefighter in my station too. He’s about your age, Buck. Does your captain have kids?”

“You mean besides Buckaroo, here?” Chimney jokes. 

“Bobby’s not my dad.” Buck pouts. He looks at Eddie, hoping he would take his defense but his friend just holds his hand up and pretends to zip his mouth shut.

Hen laughs at the three boys and answers Owen’s question “His wife has 2 kids.” 

“Oh she remarried too. I have something in common with his wife. Do you guys have kids?”

“My wife and I have a son and we are fostering a baby girl,” Hen says. 

“I have an 8 years-old son.” Eddie answers.

“His name is Christopher,” Buck adds, holding his phone up to show Owen the picture of Eddie and Chris he has on his lockscreen. “He’s the smartest kid!”

“Hey!” Hen cuts, pretending to be offended.

“I'm sure Denny and Nia will grow up to be as smart as Superman.”

“Are you two…” Owen starts. He felt like he might have missed some information in his files.

“Oblivious” Chim whispers and Hen laughs.

“Buck is helping me a lot with my son. Christopher loves his Buck.” 

“And you, Mister April? Do you have any kids?” 

“He’s dating my sister” Buck answers for him “So if he ever knocks her up, I’d better be the first one to know.”

Chimney almost chokes on the food he’s eating. Hen gently pads his back. He tells her everything, even the things Maddie made him promise not to talk about. She is his best friend and he can’t keep big news to himself. So she knows Buck won’t be the first one to know about the Hans’ new secret. 

“You are dating his sister? Family dinners must be interesting.”

“She’s a 9-1-1 dispatchers. So you might get to talk to her while you’re in L.A.”

“Okay, bonding time is over for now.” Owen declares. “Probie, you start cooking while the others clean the rigs” he orders.

“Huh, probie?” Eddie asks when he sees his Captain looking at him. “My probation period ended last year.”

“According to your files, you’re the last one who arrived, which in my eyes, makes you a probie” Owen half jokes. He knows he misses his probie, and he’s probably trying to find a replacement for them. Judging by Chimney’s and Buck’s laughs, he knows the nickname is gonna stick for a while.

“Huh, the Cap was usually the one cooking.” Eddie says hesitantly. 

“My house, my rules. Everyone takes turns in my house.”

“Then you’ll probably talk to my sister soon Captain, cause we are definitely going to call dispatch to report the entire house suffers from food poisoning.”

Everyone but Eddie takes down the stairs to clean up the trucks. Eddie looks at the kitchen, terrified. Even his kid that never complains about anything told him that he can’t cook. He doesn’t want to poison his captain on the first day. And the show is gonna be broadcast on national television, his whole family is gonna know what an awful cook he is.

The alarm goes off and puts him off his misery and he runs down the stairs. The team was already cleaning the truck so they climbed before he could even get to them. He’s the last one to arrive so Owen ends him the key.

“Heard you can’t cook” Owen says and everyone pretends they didn’t say a thing while they were cleaning the rig, “but I hope you can drive, Probie.”

Buck and Chimney’s phones buzzed from the back seat. Hen looks at the both of them, assuming it might have something to do with Maddie since they both got a text at the same time. She forgot her phone at the station, like she always does. Buck shows her the texts they received. It’s from a new whatsapp group they’ve all been added to.

Unknown Number: How’s the new cap treating you?

Unknown Number: Please, go easy on my dad.

Unknown Number: Yeah, we kinda like the old guy. 

By this point, they’ve all guessed what this group chat is about but they get the final confirmation when they receive a picture of 5 firefighters doing funny faces while Bobby has his back turned. 

Unknown Number: Thanks for lending us your Captain for a month. We'll try not to drive him crazy!

[dailyaudiobible]

05/21/2020 DAB Transcript

1 Samuel 29:1-31:13, John 11:55-12:19, Psalms 118:1-18, Proverbs 15:24-26

Today is the 21st day of May welcome to the Daily Audio Bible I am Brian and it is, like every single day, great to be here with you. What an honor to…yeah…just take our place around the Global Campfire, release everything else that's going on and just exhale and take this time to be at peace. So, our adventures been taking us through the book of first Samuel, which has introduced us to Samuel, to Saul, Israel's first King and to David, who Saul has tried to kill and number of occasions, forcing David to defect to the Philistines. Now the Philistines and the Israelites are gonna go into battle and David is expected to go and fight for the Philistines against his countrymen. While Saul, the king of Israel has visited us spiritist, a medium, and called up Samuel from beyond the grave who has told Saul that…well…in less than a day he will also be in the realm of the dead. So, how’s that for a set up for today's reading because that's right where we find ourselves. We’re reading from the Christian Standard Bible this week. First Samuel chapters 29, 30, and 31 today.

Commentary:

Okay, so the…the portion of road that we’re walking down right now through the book of first Samuel is very dramatic, for that matter, as is what's going on in the book of John in the New Testament. So, I mean, just today, Saul, the king of Israel, the very, very first King of Israel dies in battle. We’ve been walking alongside Saul since before he knew he was gonna be king back out looking for donkeys that had disappeared and coming back home finding out “you’re gonna be anointed the king of Israel.” The whole story. We've followed this story and we’ve just basically watched Saul disintegrate page by page. He's dead now. And David, the primary person that Saul wanted to kill was about to go into battle, right, and then they were sent away. And they were sent when they had to walk three days. Like that's how far it was and that's right. David was staying in Ziklag. This is a place down in the South in a transition zone by the desert. They had to walk all the way up into the Jezreel Valley near the Galilee. So, yeah, that's a long walk. This is the same…not exact same walk…but the same kind of walk Jesus would walk when He came down from the Galilea to go to Jerusalem. It's a long ways. It's a long ways to walk. So, David and his men. they get back to Ziklag and find out it's burned to the ground. Like the Amalekites have raided and everything is gone. So, he has to deal with that in the exhaustion from like a three day march up to the battle and a three-day march back. And, so, they have to go to battle on their own in the South with the Amalekites, even as the Israelites and the Philistines are doing battle in the north where Saul has been killed. David doesn't know this. Like David doesn't know yet that Saul is dead. And we can read the story and go, “well good. He's dead. Now David can become the king.” And we may even just assume, “like, that's just how it goes.” But that's not just how it goes as we'll see in the days ahead. The king has died. Three of his sons, successors have died. And you don't just elect a new king, right? It's the house of Saul. So, who in his family? And a lot of times what you see in these ancient battles, right, is the destruction of the house of the king, like the wiping out of the family altogether so that there can be a new dynasty established. So, to assume that the nation of Israel is just gonna fall in line with the David, that's…that's not exactly how it's gonna go. It's…there's some steps out in front of us and in those steps, we learn more and more things about ourselves.

Meanwhile, the religious elite in the book of John are looking for Jesus. I mean, after the resurrection of Lazarus and the rumors that are flying around and the eyewitness accounts that are happening, they decide that Jesus has to die basically, he's got…he's got to disappear. And they've even decided to see if they can do away with Lazarus and just kind of eliminate, right, sort of the wipe out the memory of these things that happened after the same fashion that new dynasties would wipe out the memory of the leaders who were before them. So, Jesus is kind of…kind of forced to be a little bit stealthy Himself, be very, very choosy about where He's moving. And yet, he does come. He does come to Jerusalem for the Passover and He’s staying in Bethany, where Mary anoints Him as we see in the book of John. But this is a Passover like none other because Jesus isn't leaving Jerusalem, not before a trial and an execution. And as I was mentioning yesterday, this…I mean where kind of at the front end of this story, but this is the last time we’ll move through this story and this year. So, let's immerse ourselves in…in the story and in contemplating the story. And yes, the time that we would normally really, really focus our attention on this story would be holy week, right, leading up to Easter, which is what, a month and a half ago now? But really, when…when should we not contemplate the gift, the sacrifice, the humility, the story of Jesus last days? And, so yes, once again, I remind us, like as we're going through this to understand that this isn't going to be repetitive. This is the final journey through this story this year.

Prayer:

Father we thank You for Your word. We thank You for just…I mean there’s so much drama in today's reading, it's just riveting to understand this and to begin to watch how things are shaping up and how the sort of…the next move for the nation of Israel will begin to materialize even as we watch Your next move in the gospel of John, the move that will lead You down the pathway to the cross. We are thankful. We are thankful for Your word in our lives. We are thankful for Your sacrifice that has brought us eternal life and hope. We are thankful for each other, that we can move through the seasons of life together step by step, day by day as You lead and guide us throughout the earth. Come Holy Spirit into this day, into every thought, every word, every deed of our lives. May we be honoring to You in all that we do and say and think. We pray this in the name of Jesus our Savior. Amen.

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If you want to partner with the Daily Audio Bible, thank you, thank you humbly. We wouldn't be here if we weren't in this together. Thank you for your partnership. There is a link on the homepage at dailyaudiobible.com. If you’re using the app you can press the Give button in the upper right-hand corner or, if you prefer, the mailing address is PO Box 1996 Spring Hill Tennessee 37174.

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[sparda3g]

Attack on Titan Chapter 118 Review

We can dance around and talk about how utterly amazing the latest anime season has been, but let’s not forget where it came from. The manga content was already incredible, so translating to the anime version is mouth-wateringly blessing. It’s the true Game of Thrones Season 8, only it’s not, because well, look at the title. However, the quality is most certainly true. When they say Sunday hype is over, I say it’s not, until the anime is over. But enough about that, we the manga readers need to look beyond, thinking to ourselves, “Will the future content be as incredible?” While that’s up for debate, I can say it’s looking downright stellar, and this chapter pushed it further.

Zeke may have left the anime (for now), but here he is in the manga, ready to play baseball. I really like that angle shot with Yelena staring to the sky as the blimps are burning and falling. It’s a shot that nailed her character well: a cult follower that praise the God for eliminating the devils. Zeke is a game changer; taking out titans and weapons left and right. Floch the douche and others come in to play as well. Basically, the tide has reversed from the last chapter, though later on, the ground will be on even level; sort of. I like Magath for not giving in to retreat, even when the odds are against him. He wants “justice” against Zeke the traitor. That is soldier’s pride at its core.

The suspense continues to escalate with Eren slowly heading towards Zeke. Honestly, I don’t know if I should be rooting for him or not, but then again, so many good characters are victimized by Zeke’s spinal fluid, so I am more frightened than excited.

A new scenario is created with the objective to save Falco, and this will be the best opportunity to show Gabi and her development payoff. It begins slowly with her wanting to tag along with Colt to save him, because she feels she owe him a lot after many hurdles. That’s admirable of her. It seems natural since she’s a warrior, but it becomes apparent later on. Falco and Nile have a nice and a bit depressing conversation. I’m glad Nile receive more moments, with Falco no less. It’s two genuine good people chatting, and that itself is rare. It’s sad though that Nile is trying to cheer him up, but thinks his time is up; won’t be able to see his family again. I hope Isayama is merciful on him.

The entire jail scene with the main crew is great, filled with plenty of really good insightful character moments. Onyankopon did in fact run off to free Survey Corps to assist Eren. Called it I guess. It could have been a simple path. Unlock the cell, inform about the problem, and ask anything after the battle is over. Instead, these characters unleashed their personal feelings and thoughts that one would say, “It’s long overdue.” Not to say the writing has been lacking, rather how long it has been building up to reach to that certain point.

Take Connie for example. It was expected of him to rage and take it on Onyankopon. However, his anger isn’t solely based on currently. It’s his frustration and experiences since the beginning that have been eating him deep inside. I can’t argue back at him; not when he’s tearing up. You can really tell he’s tired of everything. Come to think of it, he has suffered a lot; losing his best friend Sasha, losing his family, and getting betrayed by his so-called friends. I’m surprised he lasted this long mentally.

Onyankopon is the only guy that I can genuinely trust from the Yeagerists and thankfully, he comes clean. It’s like what I thought; he had no choice but to follow Yelena’s orders. Otherwise, well, brain is served. This is the woman that headshot a guy just for complaining. It’s as if it’s translating the internet world of today; nothing but restriction and ridicule. You can believe his words based on previous chapters. All of his reactions were genuine; not a clue on what’s happening. I felt a bit sorry for him. Thankfully, Armin exist to believe his story. Good boy saves the day, just like in the anime.

The planning procedure is very interesting. The option that would benefit them the most is the rumbling. At least they won’t eradicate the race; just intimidate the world. One of the interesting parts is with Mikasa. She is still conflicted with what Eren told her about Ackerman. As believable that story is, Armin believes Eren has lied. It’s astonishing because Isayama made it very convincing with the past events, including the headache part, and to call it a lie is conflicting. It won’t be against the writing if it is a lie, but then, what is the truth. Perhaps Eren does know, but twist the truth somewhere.

I like the fact Armin picked up the problem with his friends. Everyone easily bought into Eren’s words and can’t think otherwise. This does confirm that Armin lied about crying for the Euthansia Plan because he doesn’t buy it not one bit. Luckily for Eren, Armin is a great best friend you can ask for; defending his action and believing there’s a real agenda behind everything. Plus, his argument is very convincing. It is likely that Eren was ambushed by Yelena with a plan that must not be turned down. We know how insane she is, so this makes sense. Furthermore, Eren is more towards on protecting his friends, rather than wiping out existence. If accept the plan, the rumbling option will be included. It’s a lot of work, let alone to think about, but it’s beginning to add up a lot.

Plenty of characters are getting their moments to input, so it’s Jean’s turn. He’s another character that has been receiving a good amount of developments. Here, it’s about his opinion on Eren. He still maintain the thought that Eren will send everyone straight to hell; he’s not entirely wrong about that. However, the fact is, he actually envied the guy. He’s irritated by him, presenting as a damn cool guy. That’s rather charming of him to say. Who said a horse can’t express love? Connie cools down and go with others as well. Now, it feels like a good uprising moment; encouraging and relieving.

The one part that continues to make me go in circle is why Eren did all of that to his closest friends, Mikasa and Armin. I know he has to stage an act, if Armin’s theory is on-point, but the reasoning, the explanation, and the disconnection weren’t necessary. I still remember that moment and it continues to upset me, like good God, guy. It is perplexing when Armin may have discovered the answer and it ties in to the beach scene, where Eren ask about wiping out the enemy across the ocean. Something tells me Eren wants the rumbling into full effect, rather than partially. Maybe what I thought before may be true after all. By that, I mean his way to sacrifice himself without making his friends worried. It’s complex, but at least Mikasa’s head is in the right place. I hope the real reunion comes really soon.

You got to love Jean for having the kintama to go straight to armed men and belittle them, putting them in their place. He is seriously shining a lot in this arc. All the soldiers in the cell are released, so those crybabies (higher-ups) can stop crying now. You got to respect Shadis for blaming on a bear, obviously shielding the young cadets. He really deserves better. Pixis has always been a badass, and being thrown to the cell did not stop that. It’s a good move to form a group for those who drank the wine, so if the roar occurs, they won’t disrupt others who haven’t.

I really like the symbolism with Mikasa leaving her scarf behind. It really feels like the last arc when she has done something unspeakable; her character that is. It is sad because it is something she holds preciously the whole time. You could see it as a way to address her freedom, acting on her own accord. Part of me thinks this is a death flag, but I believe she will be safe. I don’t know how the scarf will come in play in the long run, but the stepping stone got me moved.

Zeke is seriously turning the tide easily. He’s dominating everything there; titans, blimps, you name it. Reiner has no chance to come close to Eren. It’s just a massacre. Why even have Armin and others? Insurance? Yelena, oh man, talk about her sanity wearing thin. She is undoubtedly sick; enjoying the destruction sight and await for the world to change. Her sitting posture can define her lunacy. Just before Armin and other set off, she has one freakish face that can haunt dreams. Holy crap, my body was shaken with fear. That face, as well as the follow-up, is the face that screams, “Please help my lord and savior. Or else, I will eat you.” I know what I said. I don’t know if she’s on to Armin, but her smile definitely says failure is not an option.

One of my favorite parts of the chapter is the reunion that I didn’t think it would warm my heart. To begin with, Nile is a true gentleman, helping Falco to reunite with his loved ones. Colt, on the other hand, isn’t much because he was getting ready to kill Nile. I don’t blame him, but I was growing worry. Praise the sun, Gabi’s development payoff is kicking into high gear. She stops Colt and instead of unfortunate incident, it all goes smoothly. Falco is reunited. Somewhere, Erwin is smiling. Seriously, please have mercy on Nile, Isayama.

Gabi didn’t understand her action, but it’s a step in the right direction. This proves her heart has changed and her action speaks louder than her mind. First, she reacted as someone who believes in good people. Next, she feels and accepts the pain of her past actions that brought a young unforgiving enemy. Braus Family walks by and while the father believes in Gabi and Falco, Kaya wishes for them to be killed. Cold, but the damage is done. Usually, Gabi would react like, “So what? You’re part of the devils,” but she’s finally accepting the blame and take it all in.

Her development is very solid. It was helped by the slow process, digesting slowly on every part, large or small. It is too little, too late, especially taking the life of a beloved character, but that’s the idea. War can corrupt the mind of a child, whether it’s from manipulation or experience; Gabi is no exception. It’s similar to Reiner, only she has a chance to change and perhaps obtain a better life. She is still young and despite the damage is severe, she admits her faults, so it’s not like she won’t learn anything. I don’t know what Isayama has in mind for her conclusion, but hopefully forgiving.

As for Falco, he finally tells them the truth that he was responsible for the invasion on Marley. I like how very telling Gabi’s reaction is. If it wasn’t for the development, she would definitely pull an Eren from the infamous traitor scene. But now that she has mellowed out, let alone exhausted by this point, she doesn’t react anything but sadness. Those two went through so much hell as kids; it’s damning that they made it this far. As sad this situation has gotten, Falco goes further to the point he has grown up.

He confesses his love to Gabi. That’s right; about to beat the main cast in the race to love. In all seriousness, I’m surprised yet proud like a father to watch him confess like a man. The boy is all grown up. Now, this is a death flag, a classic one at that. However, it was more or less toned down since he did mention the reason for his confession. It’s only adding more to the total of suspense within this battle. It’s not guaranteed, because there are times where happiness prevail, but in here, it’s uncertain. I pray to God that he makes it out okay. I’m fine with this pairing and Gabi isn’t accepting his end to be here. The only hope is if Zeke gives a damn and realize Falco will become a titan if he roars. It all lies on it.

My other favorite part, perhaps the best one, is the last action before the enticing cliffhanger. As you already know, Zeke dominates when far range; no one can’t top him. That is unless you’re Pieck and carrying a powerful cannon shot. At first, I didn’t want to believe that she was killed by Floch and others. That would seriously piss me off. I already hate Floch, so doing this would boil me red hot. It turns out that the Cart Titan’s death was a lie and she fooled everyone. Translation: her MVP streak continues. I demand a figurine for my collection!

It’s damn clever to act defeated and let the titan dissolve slowly to convince everyone. Floch didn’t know who killed her, which led to Marlely soldiers to ambush and actually use the corpse for cover. Who said they ran out of ideas for usefulness? On top of that, the cannon can be used by men, so Magath aims and fires right at Zeke; so close on wiping his human body away. Honorable mention or MVP, Magath is the man. For a normal guy, he sure is a badass. Just like that, the table is balanced (for now).

The stakes are extraordinarily high. The suspense is insane. Zeke is down, but can recover. It’s only matter of time. Magath can’t get a shot from the angle, so that’s no longer an option. Reiner and Porco are still standing. Eren is standing. Falco and others are on their way. Armin and others are approaching. Who will reach to Zeke first? What is the destination? It’s a loose ball to grab to score a victory. It’s mind-numbing just by thinking about it. The possibilities are endless. Clearly and I know you’re going to hate me when I say this, especially if you follow me in other series,

“We’re in the endgame now.” I couldn’t resist. Seriously, it’s very likely that the next chapter is the endpoint.

This chapter was exhilarating, at times unnerving, and suspenseful. There were plenty of character moments that left me awed, proud, terrified, and sympathetic. The action was tensed. Some of the scenery and angle shots are really good, especially that destruction scene. There were plenty of interesting info that I am hunger for answers, but the battle must be dealt with first. So many death flags to worry about, but at least keep Falco alive. For God’s sake, keep one pairing alive, dammit. The suspense is killing me. The next chapter can’t come any sooner…

[aion-rsa]

New Batman Costume Revealed as New Era for the Dark Knight Begins

https://ift.tt/eA8V8J

Batman is going through some major changes this year, at least in the world of comic books, where he’s currently under siege by Scarecrow while also being hunted by the new “peacekeeping” force known as the Magistrate. For years, he’s been losing his grip on Gotham City and finding himself increasingly alone, and soon he’ll be leaving the city he swore to protect — at least for a little while — when the current “Fear State” story arc comes to a close in November.

But the biggest change to DC’s Batman line is happening behind the scenes. James Tynion IV, who’s been writing Batman and leading the direction of the line since 2020, will exit Gotham to focus on his creator-owned books and paid Substack newsletter at the end of this year. His final issues will be Batman #117 and the Batman Fear State: Omega special that sets up the new Batman-less status quo.

Fortunately, the comic book publisher wasted no time announcing Tynion’s replacement: it’s Joshua Williamson, a fan-favorite DC veteran who’s not only responsible for one of the best Flash runs of the past decade but has also been a chief architect for several of the company’s biggest crossover events, including Dark Nights: Death Metal and Infinite Frontier. He’s also already written plenty of Batman comics, collaborating with Tom King on two crossover events during the Rebirth era as well as writing the Batman/Superman comic. It only makes sense that he’d eventually get a shot at DC’s best-selling Batbook.

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

Williamson will take over in December with Batman #118-119, with Jorge Molina joining him on pencils. Molina is best known for his work at Marvel, where he’s drawn issues of Spider-Man, X-Men, and Avengers. The artist is leaving his mark right away in #118, which will introduce a new Batsuit that’s a bit of a departure from the current one. You can see the new suit in the covers below:

We’re honoring the plan that the other books in the bat-line are doing while telling a brand-new story for Bruce Wayne as Batman in the DCU. Check out the new villain called ABYSS on the Batman #119 cover for January. #118 is their first appearance. Cover by @jorge_molinam! pic.twitter.com/cCumHiyAVY

— Joshua Williamson (@Williamson_Josh) August 25, 2021

The first thing you’ll notice about the new suit is that the yellow oval is finally back as part of the more classic Bat symbol adorning the chest. Artists have gone with a more minimalist, plain black Bat symbol in the past few years, so it’s not to see a bit of color return to the suit, which somewhat resembles the Batsuit introduced late in Grant Morrison’s Batman run. Like the Batman Inc. suit, the new costume ditches the black trunks and emphasizes the yellow utility belt, with its big pouches fill of gadgets. The cover for #118 even made it look like Batman might be going back to the classic blue and gray motif that he’s worn for most of his existence but that’s just a trick of the light. The cover for #119 has him back in black and gray.

So what else do Williamson and Molina have in store for the Dark Knight in December? The writer made it clear that his run will continue the threads started by Tynion but will also tell a new story.

“We’re honoring the plan that the other books in the bat-line are doing while telling a brand-new story for Bruce Wayne as Batman in the DCU,” Williamson said on Twitter.

Williamson and Molina’s first arc is called “Abyss” and stars a new villain of the same. You can see the scythe-brandishing villain on the cover of #119. He kind of resembles Ghost-Maker with a bit of the Phantasm thrown in. The skeletal armor and talons are certainly creepy. Beyond a name, Williamson didn’t share more details about the new character.

According to Williamson, we’ll learn way more about what this new era of Batman is all about in the coming weeks, as “Fear State” comes to a close.

The post New Batman Costume Revealed as New Era for the Dark Knight Begins appeared first on Den of Geek.

from Den of Geek https://ift.tt/3yjOaoq

[i-landepisode10subespanol]

Ep 10 ~ I-LAND Capitulo 9 'Sub Español' Mnet's (Completo HD)

I-LAND Episode 10 Eng Sub on Mnet I-LAND Episode 10 Part 2 - Concept Test I-LAND Big Hit Episode 10 Kpop 'Eng Sub' I-LAND K-pop Episode 10 Full Episode Eng Sub Watch I-LAND Season 1 Episode 10 Full Show Watch Full Episodes ➤ https://bit.ly/2Z0l7aO

Mnet's 'I-Land' tells the story of a brand new, global K-Pop boy group produced jointly by CJ ENM and Big Hit Entertainment. The reality series will follow the in-depth process of planning for and producing a K-Pop group in the form of a surveillance reality.

The third test of the 2nd part of the show is about concept performance, and will feature a mini-mission to form a team. They will be covering two songs of Seventeen. The8, Jun, which are Pretty U and HIT. Dino and Hoshi of Seventeen will administer the mini-mission. The contestants then will be divided into two groups and will be performing new singles, "Chamber 5 (Dream of Dreams)" as a refreshing concept and "Flame On" as explosion concept. The producers will pick the contestant who will be eliminated based on individual scoring.

I-LAND Mnet

I-LAND 1x10

I-LAND Ep 10

I-LAND S1E10

I-LAND S01E10

I-LAND S1 Ep10

I-LAND Episode 10

I-LAND English Sub

I-LAND September 4, 2020

I-LAND Part 2 - Concept Test

I-LAND 2020 Season 1 Episode 10

I-LAND Temporada 1 Capítulo 10 Completo

I-LAND Temporada 1 Episodio 10 Completo

I-LAND Season 1 Episode 10 Eng Sub

I-LAND Season 1 Episode 10 English Sub

I-LAND Season 1 Episode 10 Watch Online

I-LAND Season 1 Episode 10 Full Episode

I-LAND Season 1 Episode 10 Watch Free

I-LAND Season 1 Episode 10 Online Free

I-LAND Season 1 Episode 10 Download

I-LAND Season 1 Episode 10 Full Show

I-LAND Season 1 Episode 10 Online

I-LAND Season 1 Episode 10 2020

I-LAND Season 1 Episode 10 Free

I-LAND Season 1 Episode 10

Watch TV Shows Online Free | Stream Live TV Series | Full Episodes

Show Info

Title I-LAND - Season 1 Episode 10 : Part 2 - Concept Test

Alternative Titles Into the I-LAND

Subtitle Available south-korea,  france,  Germany,  italy,  espain,  belanda,  portugal, hungaria,

Release Date 04 Sep 2020

Runtime 90 minutes

Genres Musical , Reality

Networks Mnet, tvN,

Casts Namkoong Min, Rain, Zico, K, Hanbin, Seon, Geonu, Jaeho, Jaebeom, Jimin, Heeseung

A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet.

TV SERIES The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 110s. Televised events such as the 111 Summer Olympics in Germany, the 1110 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 119 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 1110 World Series inspired many Americans to buy their first television set and then in 118, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 1, 111 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 111 Tournament of Roses Parade) in the US occurred on January 1, 111. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 111, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 1101, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.

Formats and Genres See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed] A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 180s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 180s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,[1][better source needed] while the later series Babylon 1 further exemplifies such structure in that it had a predetermined story running over its intended five-season run.[citation needed] In 1011, it was reported that television was growing into a larger component of major media companies’ revenues than film.[1] Some also noted the increase in quality of some television programs. In 1011, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

Thank’s For All And Happy Watching Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors.

[i-landkpopep10]

'I-LAND' BIGHIT (Episode 10) ENG/SUB | Full-Show

I-LAND Episode 10 Eng Sub on Mnet I-LAND Episode 10 Part 2 - Concept Test I-LAND Big Hit Episode 10 Kpop 'Eng Sub' I-LAND K-pop Episode 10 Full Episode Eng Sub Watch I-LAND Season 1 Episode 10 Full Show Watch Full Episodes ➤ https://bit.ly/2Z0l7aO

Mnet's 'I-Land' tells the story of a brand new, global K-Pop boy group produced jointly by CJ ENM and Big Hit Entertainment. The reality series will follow the in-depth process of planning for and producing a K-Pop group in the form of a surveillance reality.

The third test of the 2nd part of the show is about concept performance, and will feature a mini-mission to form a team. They will be covering two songs of Seventeen. The8, Jun, which are Pretty U and HIT. Dino and Hoshi of Seventeen will administer the mini-mission. The contestants then will be divided into two groups and will be performing new singles, "Chamber 5 (Dream of Dreams)" as a refreshing concept and "Flame On" as explosion concept. The producers will pick the contestant who will be eliminated based on individual scoring.

I-LAND Mnet

I-LAND 1x10

I-LAND Ep 10

I-LAND S1E10

I-LAND S01E10

I-LAND S1 Ep10

I-LAND Episode 10

I-LAND English Sub

I-LAND September 4, 2020

I-LAND Part 2 - Concept Test

I-LAND 2020 Season 1 Episode 10

I-LAND Temporada 1 Capítulo 10 Completo

I-LAND Temporada 1 Episodio 10 Completo

I-LAND Season 1 Episode 10 Eng Sub

I-LAND Season 1 Episode 10 English Sub

I-LAND Season 1 Episode 10 Watch Online

I-LAND Season 1 Episode 10 Full Episode

I-LAND Season 1 Episode 10 Watch Free

I-LAND Season 1 Episode 10 Online Free

I-LAND Season 1 Episode 10 Download

I-LAND Season 1 Episode 10 Full Show

I-LAND Season 1 Episode 10 Online

I-LAND Season 1 Episode 10 2020

I-LAND Season 1 Episode 10 Free

I-LAND Season 1 Episode 10

Watch TV Shows Online Free | Stream Live TV Series | Full Episodes

Show Info

Title I-LAND - Season 1 Episode 10 : Part 2 - Concept Test

Alternative Titles Into the I-LAND

Subtitle Available south-korea,  france,  Germany,  italy,  espain,  belanda,  portugal, hungaria,

Release Date 04 Sep 2020

Runtime 90 minutes

Genres Musical , Reality

Networks Mnet, tvN,

Casts Namkoong Min, Rain, Zico, K, Hanbin, Seon, Geonu, Jaeho, Jaebeom, Jimin, Heeseung

A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet.

TV SERIES The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 110s. Televised events such as the 111 Summer Olympics in Germany, the 1110 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 119 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 1110 World Series inspired many Americans to buy their first television set and then in 118, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 1, 111 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 111 Tournament of Roses Parade) in the US occurred on January 1, 111. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 111, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 1101, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.

Formats and Genres See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed] A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 180s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 180s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,[1][better source needed] while the later series Babylon 1 further exemplifies such structure in that it had a predetermined story running over its intended five-season run.[citation needed] In 1011, it was reported that television was growing into a larger component of major media companies’ revenues than film.[1] Some also noted the increase in quality of some television programs. In 1011, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

Thank’s For All And Happy Watching Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors.

[ilandep10engsub]

I-LAND [EP.10] Part 2 - Concept Test - (ENG SUB) FULL on Mnet's

I-LAND Episode 10 Eng Sub on Mnet I-LAND Episode 10 Part 2 - Concept Test I-LAND Big Hit Episode 10 Kpop 'Eng Sub' I-LAND K-pop Episode 10 Full Episode Eng Sub Watch I-LAND Season 1 Episode 10 Full Show Watch Full Episodes ➤ https://bit.ly/2Z0l7aO

Mnet's 'I-Land' tells the story of a brand new, global K-Pop boy group produced jointly by CJ ENM and Big Hit Entertainment. The reality series will follow the in-depth process of planning for and producing a K-Pop group in the form of a surveillance reality.

The third test of the 2nd part of the show is about concept performance, and will feature a mini-mission to form a team. They will be covering two songs of Seventeen. The8, Jun, which are Pretty U and HIT. Dino and Hoshi of Seventeen will administer the mini-mission. The contestants then will be divided into two groups and will be performing new singles, "Chamber 5 (Dream of Dreams)" as a refreshing concept and "Flame On" as explosion concept. The producers will pick the contestant who will be eliminated based on individual scoring.

I-LAND Mnet

I-LAND 1x10

I-LAND Ep 10

I-LAND S1E10

I-LAND S01E10

I-LAND S1 Ep10

I-LAND Episode 10

I-LAND English Sub

I-LAND September 4, 2020

I-LAND Part 2 - Concept Test

I-LAND 2020 Season 1 Episode 10

I-LAND Temporada 1 Capítulo 10 Completo

I-LAND Temporada 1 Episodio 10 Completo

I-LAND Season 1 Episode 10 Eng Sub

I-LAND Season 1 Episode 10 English Sub

I-LAND Season 1 Episode 10 Watch Online

I-LAND Season 1 Episode 10 Full Episode

I-LAND Season 1 Episode 10 Watch Free

I-LAND Season 1 Episode 10 Online Free

I-LAND Season 1 Episode 10 Download

I-LAND Season 1 Episode 10 Full Show

I-LAND Season 1 Episode 10 Online

I-LAND Season 1 Episode 10 2020

I-LAND Season 1 Episode 10 Free

I-LAND Season 1 Episode 10

Watch TV Shows Online Free | Stream Live TV Series | Full Episodes

Show Info

Title I-LAND - Season 1 Episode 10 : Part 2 - Concept Test

Alternative Titles Into the I-LAND

Subtitle Available south-korea,  france,  Germany,  italy,  espain,  belanda,  portugal, hungaria,

Release Date 04 Sep 2020

Runtime 90 minutes

Genres Musical , Reality

Networks Mnet, tvN,

Casts Namkoong Min, Rain, Zico, K, Hanbin, Seon, Geonu, Jaeho, Jaebeom, Jimin, Heeseung

A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet.

TV SERIES The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 110s. Televised events such as the 111 Summer Olympics in Germany, the 1110 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 119 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 1110 World Series inspired many Americans to buy their first television set and then in 118, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 1, 111 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 111 Tournament of Roses Parade) in the US occurred on January 1, 111. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 111, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 1101, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.

Formats and Genres See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed] A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 180s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 180s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,[1][better source needed] while the later series Babylon 1 further exemplifies such structure in that it had a predetermined story running over its intended five-season run.[citation needed] In 1011, it was reported that television was growing into a larger component of major media companies’ revenues than film.[1] Some also noted the increase in quality of some television programs. In 1011, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

Thank’s For All And Happy Watching Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors.

[i-landmnetepisode10]

LIVE (Mnet) LIVE "I-LAND" EP 10 - FULL/ENGSUB

I-LAND Episode 10 Eng Sub on Mnet I-LAND Episode 10 Part 2 - Concept Test I-LAND Big Hit Episode 10 Kpop 'Eng Sub' I-LAND K-pop Episode 10 Full Episode Eng Sub Watch I-LAND Season 1 Episode 10 Full Show Watch Full Episodes ➤ https://bit.ly/2Z0l7aO

Mnet's 'I-Land' tells the story of a brand new, global K-Pop boy group produced jointly by CJ ENM and Big Hit Entertainment. The reality series will follow the in-depth process of planning for and producing a K-Pop group in the form of a surveillance reality.

The third test of the 2nd part of the show is about concept performance, and will feature a mini-mission to form a team. They will be covering two songs of Seventeen. The8, Jun, which are Pretty U and HIT. Dino and Hoshi of Seventeen will administer the mini-mission. The contestants then will be divided into two groups and will be performing new singles, "Chamber 5 (Dream of Dreams)" as a refreshing concept and "Flame On" as explosion concept. The producers will pick the contestant who will be eliminated based on individual scoring.

I-LAND Mnet

I-LAND 1x10

I-LAND Ep 10

I-LAND S1E10

I-LAND S01E10

I-LAND S1 Ep10

I-LAND Episode 10

I-LAND English Sub

I-LAND September 4, 2020

I-LAND Part 2 - Concept Test

I-LAND 2020 Season 1 Episode 10

I-LAND Temporada 1 Capítulo 10 Completo

I-LAND Temporada 1 Episodio 10 Completo

I-LAND Season 1 Episode 10 Eng Sub

I-LAND Season 1 Episode 10 English Sub

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I-LAND Season 1 Episode 10

Watch TV Shows Online Free | Stream Live TV Series | Full Episodes

Show Info

Title I-LAND - Season 1 Episode 10 : Part 2 - Concept Test

Alternative Titles Into the I-LAND

Subtitle Available south-korea,  france,  Germany,  italy,  espain,  belanda,  portugal, hungaria,

Release Date 04 Sep 2020

Runtime 90 minutes

Genres Musical , Reality

Networks Mnet, tvN,

Casts Namkoong Min, Rain, Zico, K, Hanbin, Seon, Geonu, Jaeho, Jaebeom, Jimin, Heeseung

A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet.

TV SERIES The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 110s. Televised events such as the 111 Summer Olympics in Germany, the 1110 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 119 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 1110 World Series inspired many Americans to buy their first television set and then in 118, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 1, 111 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 111 Tournament of Roses Parade) in the US occurred on January 1, 111. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 111, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 1101, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.

Formats and Genres See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed] A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 180s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 180s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,[1][better source needed] while the later series Babylon 1 further exemplifies such structure in that it had a predetermined story running over its intended five-season run.[citation needed] In 1011, it was reported that television was growing into a larger component of major media companies’ revenues than film.[1] Some also noted the increase in quality of some television programs. In 1011, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

Thank’s For All And Happy Watching Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors.

[teenmom2mtvs10ep1fullepisodes]

[FULL EPISODE] Teen Mom 2 'Season 10' Episode 1 "ONLINE" ( September 2, 2020 )

Teen Mom 2 10x01 'Season 10 Episode 1' Full Episodes Watch Teen Mom 2 S10E01 - Season 10 Episode 1 Online Free Teen Mom 2 Season 10 Episode 1 "New Season, Old Wounds" ⚜ Enjoy watching! Watch Full Episodes ➤ https://urlz.fr/dIxN

Briana, frustrated by Luis' absence, tracks him down at a nightclub. After a major fight with her mom, things get even worse for Jade at Kloie's birthday party. Jeremy starts drama with Corey, putting Leah in the middle.

Watch TV Shows Online Free | Stream Live TV Series | Full Episodes

Title Teen Mom 2 - Season 10 Episode 1 : New Season, Old Wounds

Subtitle Available south-korea,  france,  Germany,  italy,  espain,  belanda,  portugal, hungaria,

First Air Date 2011-01-11

Last Air Date 2019-11-26

Number of Episodes 172

Number of Seasons 10

Genres Reality,

Networks MTV,

Casts Jenelle Evans, Chelsea DeBoer, Kailyn Lowry, Leah Messer

A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet.

TV SERIES The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 110s. Televised events such as the 111 Summer Olympics in Germany, the 1110 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 119 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 1110 World Series inspired many Americans to buy their first television set and then in 118, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 1, 111 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 111 Tournament of Roses Parade) in the US occurred on January 1, 111. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 111, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 1101, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.

Formats and Genres See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed] A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 180s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 180s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,[1][better source needed] while the later series Babylon 1 further exemplifies such structure in that it had a predetermined story running over its intended five-season run.[citation needed] In 1011, it was reported that television was growing into a larger component of major media companies’ revenues than film.[1] Some also noted the increase in quality of some television programs. In 1011, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

Thank’s For All And Happy Watching Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors.

[teenmom2season10fullepisodes]

【Watch-Online】 Teen Mom 2 Season 10 'Episode 1' - Full'Episodes on MTV's

Teen Mom 2 10x01 'Season 10 Episode 1' Full Episodes Watch Teen Mom 2 S10E01 - Season 10 Episode 1 Online Free Teen Mom 2 Season 10 Episode 1 "New Season, Old Wounds" ⚜ Enjoy watching! Watch Full Episodes ➤ https://urlz.fr/dIxN

Briana, frustrated by Luis' absence, tracks him down at a nightclub. After a major fight with her mom, things get even worse for Jade at Kloie's birthday party. Jeremy starts drama with Corey, putting Leah in the middle.

Watch TV Shows Online Free | Stream Live TV Series | Full Episodes

Title Teen Mom 2 - Season 10 Episode 1 : New Season, Old Wounds

Subtitle Available south-korea,  france,  Germany,  italy,  espain,  belanda,  portugal, hungaria,

First Air Date 2011-01-11

Last Air Date 2019-11-26

Number of Episodes 172

Number of Seasons 10

Genres Reality,

Networks MTV,

Casts Jenelle Evans, Chelsea DeBoer, Kailyn Lowry, Leah Messer

A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet.

TV SERIES The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 110s. Televised events such as the 111 Summer Olympics in Germany, the 1110 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 119 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 1110 World Series inspired many Americans to buy their first television set and then in 118, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 1, 111 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 111 Tournament of Roses Parade) in the US occurred on January 1, 111. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 111, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 1101, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.

Formats and Genres See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed] A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 180s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 180s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,[1][better source needed] while the later series Babylon 1 further exemplifies such structure in that it had a predetermined story running over its intended five-season run.[citation needed] In 1011, it was reported that television was growing into a larger component of major media companies’ revenues than film.[1] Some also noted the increase in quality of some television programs. In 1011, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

Thank’s For All And Happy Watching Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors.

[teenmom210x1fullepisodes]

S10E01 - Teen Mom 2 (Season 10) Episode 1 - "Full'Episodes" on MTV ONLINE

Teen Mom 2 10x01 'Season 10 Episode 1' Full Episodes Watch Teen Mom 2 S10E01 - Season 10 Episode 1 Online Free Teen Mom 2 Season 10 Episode 1 "New Season, Old Wounds" ⚜ Enjoy watching! Watch Full Episodes ➤ https://urlz.fr/dIxN

Briana, frustrated by Luis' absence, tracks him down at a nightclub. After a major fight with her mom, things get even worse for Jade at Kloie's birthday party. Jeremy starts drama with Corey, putting Leah in the middle.

Watch TV Shows Online Free | Stream Live TV Series | Full Episodes

Title Teen Mom 2 - Season 10 Episode 1 : New Season, Old Wounds

Subtitle Available south-korea,  france,  Germany,  italy,  espain,  belanda,  portugal, hungaria,

First Air Date 2011-01-11

Last Air Date 2019-11-26

Number of Episodes 172

Number of Seasons 10

Genres Reality,

Networks MTV,

Casts Jenelle Evans, Chelsea DeBoer, Kailyn Lowry, Leah Messer

A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet.

TV SERIES The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 110s. Televised events such as the 111 Summer Olympics in Germany, the 1110 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 119 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 1110 World Series inspired many Americans to buy their first television set and then in 118, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 1, 111 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 111 Tournament of Roses Parade) in the US occurred on January 1, 111. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 111, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 1101, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.

Formats and Genres See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed] A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 180s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 180s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,[1][better source needed] while the later series Babylon 1 further exemplifies such structure in that it had a predetermined story running over its intended five-season run.[citation needed] In 1011, it was reported that television was growing into a larger component of major media companies’ revenues than film.[1] Some also noted the increase in quality of some television programs. In 1011, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

Thank’s For All And Happy Watching Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors.

[mtvteenmom2s10e1online]

Teen Mom 2 Season 10 Episode 1 - "New Season, Old Wounds" .WATCH_ONLINE.

Teen Mom 2 10x01 'Season 10 Episode 1' Full Episodes Watch Teen Mom 2 S10E01 - Season 10 Episode 1 Online Free Teen Mom 2 Season 10 Episode 1 "New Season, Old Wounds" ⚜ Enjoy watching! Watch Full Episodes ➤ https://urlz.fr/dIxN

Briana, frustrated by Luis' absence, tracks him down at a nightclub. After a major fight with her mom, things get even worse for Jade at Kloie's birthday party. Jeremy starts drama with Corey, putting Leah in the middle.

Watch TV Shows Online Free | Stream Live TV Series | Full Episodes

Title Teen Mom 2 - Season 10 Episode 1 : New Season, Old Wounds

Subtitle Available south-korea,  france,  Germany,  italy,  espain,  belanda,  portugal, hungaria,

First Air Date 2011-01-11

Last Air Date 2019-11-26

Number of Episodes 172

Number of Seasons 10

Genres Reality,

Networks MTV,

Casts Jenelle Evans, Chelsea DeBoer, Kailyn Lowry, Leah Messer

A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet.

TV SERIES The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 110s. Televised events such as the 111 Summer Olympics in Germany, the 1110 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 119 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 1110 World Series inspired many Americans to buy their first television set and then in 118, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 1, 111 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 111 Tournament of Roses Parade) in the US occurred on January 1, 111. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 111, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 1101, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.

Formats and Genres See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed] A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 180s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 180s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,[1][better source needed] while the later series Babylon 1 further exemplifies such structure in that it had a predetermined story running over its intended five-season run.[citation needed] In 1011, it was reported that television was growing into a larger component of major media companies’ revenues than film.[1] Some also noted the increase in quality of some television programs. In 1011, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

Thank’s For All And Happy Watching Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors.

[teenmom210x01online]

MTV 'Teen Mom 2′ S10E01 - Season 10 Episode 1 "Full'Episodes" Online

Teen Mom 2 10x01 'Season 10 Episode 1' Full Episodes Watch Teen Mom 2 S10E01 - Season 10 Episode 1 Online Free Teen Mom 2 Season 10 Episode 1 "New Season, Old Wounds" ⚜ Enjoy watching! Watch Full Episodes ➤ https://urlz.fr/dIxN

Briana, frustrated by Luis' absence, tracks him down at a nightclub. After a major fight with her mom, things get even worse for Jade at Kloie's birthday party. Jeremy starts drama with Corey, putting Leah in the middle.

Watch TV Shows Online Free | Stream Live TV Series | Full Episodes

Title Teen Mom 2 - Season 10 Episode 1 : New Season, Old Wounds

Subtitle Available south-korea,  france,  Germany,  italy,  espain,  belanda,  portugal, hungaria,

First Air Date 2011-01-11

Last Air Date 2019-11-26

Number of Episodes 172

Number of Seasons 10

Genres Reality,

Networks MTV,

Casts Jenelle Evans, Chelsea DeBoer, Kailyn Lowry, Leah Messer

A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet.

TV SERIES The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 110s. Televised events such as the 111 Summer Olympics in Germany, the 1110 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 119 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 1110 World Series inspired many Americans to buy their first television set and then in 118, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 1, 111 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 111 Tournament of Roses Parade) in the US occurred on January 1, 111. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 111, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 1101, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.

Formats and Genres See also: List of genres § Film and television formats and genres Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed] A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 180s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 180s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,[1][better source needed] while the later series Babylon 1 further exemplifies such structure in that it had a predetermined story running over its intended five-season run.[citation needed] In 1011, it was reported that television was growing into a larger component of major media companies’ revenues than film.[1] Some also noted the increase in quality of some television programs. In 1011, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

Thank’s For All And Happy Watching Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors.