#j.t. rogers

[shippingdragons]

Rehearsal photo of Toby Stephens with writer J.T. Rogers from Corruption at LCT NY

[denimbex1986]

'Andrew Scott’s career has been a slow yet steady one. Like many other British actors, he started in the theater and had small roles in both movies and TV. With his talent, little by little, he earned better roles until they hired him to play Moriarty in Benedict Cumberbatch’s Sherlock. For many, he came out of nowhere, but by then, he had been a working actor for more than a decade.

After that role, many new opportunities arose: a villain in Spectre, and especially, his performance in the second season of Fleabag. With that, some new, interesting offers came. Later this year, he’ll be Ripley in the Netflix adaptation of Patricia Highsmith’s character, made popular by Matt Damon. This year, he should have gotten a nomination for an Academy Award for his incredible performance in All of Us Strangers. Today, we’re looking at his TV career and his best performances in that medium.

10. The Hollow Crown (2012-2016)

The Hollow Crown was an interesting project: using Shakespeare’s plays about the different English Kings, with every episode being about one of them. Ben Wishaw had one of his best performances ever playing King Richard II, and so did Jeremy Irons as King Henry IV.

This Role Wasn't His First Shakespeare Rodeo

The actor has worked in the theater before, so this wasn’t his first time saying the words of Shakespeare, and it shows. Scott appeared as King Louis XI of France in the story of Henry VI (Tom Sturridge), and he makes his Louis both regal and noble yet capricious and irascible, making his time on screen count while also moving the plot along.

9. Band of Brothers (2001)

Produced by Steven Spielberg and Tom Hanks, Band of Brothers is still one of the greatest TV shows about war, even all these years later. The show follows the Easy Company of the U.S. Army 101st Airborne Division during World War II.

The Actor Leaves a Mark

The show was one of the first chances for many actors who would become known, from Simon Pegg and Damien Lewis, to Tom Hardy, Michael Fassbender, and Andrew Scott. The actor only appears in one episode, “Day of Days,” as John “Cowboy” Hall. They say there’s no small part, only small actors, and Scott proves it here, as even if it’s a small role, the actor leaves a mark, especially on the audience and the character played by Damien Lewis.

8. Black Mirror (2011-Present)

Black Mirror has become the smartest sci-fi show on TV. Every episode is its own thing, and that allows for great closed stories like "San Junipero" or "The Entire History of You" and getting fantastic actors to play those parts. Bryce Dallas Howard, Mackenzie Davis, Jesse Plemons, Daniel Kaluuya, Hayley Atwell, and Scott are just some of the actors to appear in this anthology series.

The Actor Plays Tragic, Broken, and Devastated, Spectacularly

Scott was the lead actor in season five's “Smithereens,” playing a tragic character named Chris. The character is a ride-share driver who kidnaps a worker at the social media company, Smithereen. The actor plays tragic, broken, and devastated, spectacularly. As the story goes forward, he portrays even more dark and sad layers to this character, who is completely lost in life after a tragic accident.

7. Oslo (2021)

Based on the play of the same name written by J.T. Rogers, Oslo is a TV movie about the secret negotiations in the Oslo Accords between Israel and Palestine. The accords wouldn’t have worked without a Norwegian couple, diplomats in the Norwegian Ministry of Foreign Affairs, Mona Juul (Ruth Wilson) and her husband, Terje Rød-Larsen (Scott).

He Plays the Doting Husband With Grace

Scott is great at playing the doting husband, who is trying to help while acknowledging their roles might put both him and his wife in trouble. As the host, his character tries to take some weight off the conversations by creating a space with free-flowing whiskey and food, and the actor sells that idea and how much in his element is when he’s able to know more about the people who are with him, and not their position in the negotiations.

6. The Pursuit of Love (2019)

Written and directed by Emily Mortimer, The Pursuit of Love adapts the book of the same name written by Nancy Mitford. This is the story of two cousins in 1945, Fanny (Emily Beecham) and Linda (Lily James), as the two couldn’t be more different and want different things in life.

He Steals Every Scene He’s in

Scott has the most eccentric and fun character in the whole show, Lord Merlin, a neighbor for whom the word dandy was created. The character and Linda are two peas in a pod, and Lord Merlin tries to protect her from her many romantic adventures, good and bad. The actor steals every scene he’s in, as his Lord Merlin always knows what funny things to say, loves parties, and even dyes his pigeons in strange colors. If you’re still not convinced, watch his introduction in the show to understand how crazy the character he plays is.

5. School of Roars (2017-Present)

School of Roars is an English-animated show for kids. Their lead characters are five monsters who go to Monster Preschool to learn how to deal with many problems, from not breaking things to not being a sore loser.

Scott’s Voice Acting Talent on Full Display

It might feel weird to find the actor who has played Moriarty and the “Hot Priest” and who is going to be playing Mr. Ripley, doing voices in a kids' show, but such are the talents of Andrew Scott. The actor has done voiceovers before, and in this show, he voices many adult characters. He’s the narrator, but also Mr. Snapper, Mr. Bogglelots, and Mr. Marrow, having his voice-acting talent on full display and proving he can do anything.

4. Modern Love (2019-Present)

Modern Love is one of the most underrated series on Prime Video. Based on the weekly column of the same name, published by The New York Times. This anthology series is all about those kinds of stories with an incredible cast, from Anne Hathaway to Dev Patel, Tina Fey, Julia Garner, and Andrew Scott.

He Perfectly Sells His Character’s Evolution

Scott’s biggest role is in the episode “Hers Was a World of One,” where he plays one-half of a gay couple adopting the future baby of pregnant Karla (Olivia Cooke). The actor plays the uptight member of the couple; the one who isn’t comfortable with the arrangement, especially when she moves with them. Once they live together, his character has many problems with Karla’s way of life in the third trimester of her pregnancy. Scott and Cooke have great chemistry together, and both perfectly show how their characters find common grounds and evolve just before she goes into labor.​​​​​​​

3. His Dark Materials (2019-2022)

Based on the novels by Philip Pullman, His Dark Materials was a TV series about Lyra (Dafne Keen), an orphan girl who is looking for a missing friend and finds a conspiracy to get the most important material in the whole world, Dust. In this alternate reality, every character has an animal companion named daemon.

The Actor Is Having the Time of His Life With This Character

He’s an explorer; he’s a powerful being; he has lived many lives. The actor is having the time of his life playing this magical character with a traumatic past, as it allows him to display all his acting talents. Scott appeared in seven episodes as John Parry/Jopari, a marine and explorer and father to Will (Amir Wilson), one of the most important characters in the show. Fun fact: the show has a Fleabag reunion, as Scott’s character daemon is voiced by Phoebe Waller-Bridge.

2. Sherlock (2010-2017)

Sherlock was the latest look at the famous character. This time, by moving him to present-day London. It has a breakout performance by Benedict Cumberbatch as the detective, with the support of Martin Freeman as Watson. The show had three 90-minute episodes a season, and its last season was in 2017. Even then, audiences are still hoping it might come back.

He Played Sherlock’s Nemesis, Moriarty

Scott appeared in nine episodes as Sherlock’s nemesis, Jim Moriarty, in the performance most first saw him in. This Moriarty was a much more unhinged and cruel villain, a full-on sociopath whose only objective was to kill Sherlock, and Scott sold the hell out of that character. The creators were so impressed by his performance that they kept adding him in new episodes, so he could continue doing his crazy Moriarty thing, tormenting the heroes and creating absolutely Machiavellian plans.

1. Fleabag (2016-2019)

Scott was the most important part of Fleabag’s season two, after Phoebe Waller-Bridge herself, as he played the “hot priest”. The character was as complicated a mess as the show’s heroine, and that’s why they understood each other and fit together so well, so much so that he was the only one who could see Fleabag was breaking the fourth wall and looking at the audience every once in a while.

A Nuanced and Beautiful Performance

For many, Fleabag is one of the greatest TV shows of all time, and Scott’s performance had a hand in that. His priest is not the typical one, as he’s conflicted and has his own crisis of faith. He’s also in love with Fleabag. The actor is able to convey those conflicting feelings perfectly, with nuance, and show them to the audience all at once. His “It’ll pass,” is one of the most devastating yet beautiful words said by the actor in his career, as it says everything it needs, making for one of the best endings in TV history.'

[seph7]

Last character role for the busy, brilliant J.T. Walsh

Roger Ebert October 26, 1998

"Pleasantville" contains the last major role by the much-admired character actor J. T. Walsh. He plays the head of the 1950s sitcom Chamber of Commerce, a man much threatened by change, who warns, "There is something happening in our town" - a town, we know, where nothing has ever happened.

Walsh, who played roles in nearly 60 movies in a busy acting career that began only in 1983, also was seen recently as an internal affairs investigator in "The Negotiator" and a murdering truck driver in "Breakdown." He died on Feb. 27 of a heart attack, at age 53. ((he was 54))

"He was so hard on himself," remembers Gary Ross, who directed him in "Pleasantville."

"I met J. T. at 7 in the morning and he was having a big whipped cream cheese danish, smoking a cigarette while he was eating. He smoked all the time. Tough on himself. And he was so hard on himself as an actor.

"As a director, you try to sort of find what it is they need, a little bit of reassurance, and with J. T. it was - boy, how do I get him to forgive himself and relax a little bit here? He was so brilliant, and I would go, 'This is great, this is great.' But he never believed it."

On why Walsh came late to acting, Ross said, "He was an encyclopedia salesman. He was so good right from the start. Remember him in 'Good Morning, Vietnam?' "

He also was in "Sling Blade," "Nixon" (as John Ehrlichman), "Contact," "Red Rock West," "Backdraft," "Hoffa" (as union leader Frank Fitzsimmons), and many TV programs (he had a continuing role on "L.A. Law" in 1986). ((he was only in one episide. His recurring role was in 'Dark Skies'))

In "Pleasantville," he leads the forces of status quo against the threat of change. "J.T. had the best way of describing the movie," Ross remembered. "He said the kids from the future (who stir up the 1950s sitcom universe) are like the sand that gets in the oyster. It was such a perfect metaphor - the irritation that produces something beautiful."

As for Walsh's death so soon after filming was completed: "It's just an insane loss."

[tobys-walrus-crew]

We have the first rehearsal photos for Corruption at @ LCTheater!!! Yesterday Lincoln Center Theater began rehearsals. The play is written by J.T. Rogers and directed by Bartlett Sher and will begin previews on Thursday, February 15! Tickets go on sale on Friday!

Photos: Chasi Annexy

[medium-observation]

MAY RELEASE

Hadestown - First US National Tour

March 16, 2024 - Medium Observation

Video | Matinée

Cast:

John Krause (t/r Orpheus), Cecilia Trippiedi (u/s Eurydice), Matthew Patrick Quinn (Hades), Lana Gordon (Persephone), Will Mann (Hermes), Marla Louissant (Fate), Lizzie Markson (Fate), Hannah Schreer (Fate), Sevon Askew (Worker), Jamal Lee Harris (Worker), Cate Hayman (Worker), Quiana Onrae'l Holmes (Worker), Daniel Tracht (Worker)

Notes:

Near Perfect video of Cecilia and John as Eurydice and Orpheus respectively. They are incredibly fantastic and are such a cute pair. Some washout and shakiness throughout.

NFT Date: November 1st, 2024

Screenshots: https://flic.kr/s/aHBqjBiBBy

Video is $20

Les Misérables - Sixth US National Tour

February 6, 2024 - Medium Observation

Video

Cast:

Nick Cartell (Jean Valjean), Steve Czarnecki (u/s Javert), Hayley Dortch (Fantine), Matt Crowle (Thénardier), Victoria Huston-Elem (Madame Thénardier), Devin Archer (Enjolras), Mya Rena Hunter (Éponine), Jake David Smith (Marius), Delaney Guyer (Cosette), Sky Vaux Fuller (Young Éponine), Olivia Grace O'Sullivan (Young Cosette), Henry Kirk (Gavroche), David Andino (Bamatabois/Babet), Matt Rosell (u/s Feuilly), Kyle Timson (u/s Factory Foreman/Brujon), Kelsey Denae (Wigmaker), David Young Fernandez (Jean Prouvaire), Randy Jeter (Bishop of Digne/Lesgles), Cameron Loyal (Claquesous), Andrew Marks Maughan (Combeferre), Julia Ellen Richardson (Factory Girl), Ethan Rogers (Courfeyac), Juliette Redden (u/s Old Woman), Christopher James Tamayo (Montparnasse), J.T. Wood (Joly), Mikako Martin (u/s Ensemble), Arianne DiCerbo (Ensemble), Genevieve Ellis (Ensemble), Greta Schaefer (Ensemble), Veronica Stern (Ensemble)

Notes:

Perfect video of this incredible cast. Steve tears the house down as Javert and is near perfect in the role. The video has very little washout and the colors are very pretty. There is some grain when it's very dark but it's not distracting. Some shakiness throughout.

NFT Date: November 1st, 2024

Screenshots: https://flic.kr/s/aHBqjBdxRt

Video is $20

Videos can be purchased through me at

mediumobservationtrading@gmail.com

[frasier-crane-style]

Road House 2024

Well, I had fun with it. I do like that it's not really the same plot, setting, or characters as the original, but someone taking the base concept and doing it on their own terms. Instead of a backwater town, it's on sunny beaches. Instead of Swayze's warrior poet, we get Gyllenhaal as something of a recovering violence addict. The villains are a spoiled rich kid and a fixer with zero impulse control instead of a kingpin. It works because it's not trying to hit all the notes that the original did.

Like The Simpsons getting an American cheeseburger in Japan, it's interesting to see a different era's take on the same premise. You get a feel for the differing tropes of the eighties and the twenties, both good and bad.

-2024 uses strong CGI to give the action a scope that the original couldn't. You have people getting hit by cars, fighting on speeding... speedboats, having battles that progress from sinking yachts to trucks driving through buildings. It's in keeping with the ethos of the original, which had its villain using a monster truck for evil, but in a very modern way.

-There's some crystal-clear 'Everyone's Sexy and Nobody's Horny' action. Every character, even minor ones, are somewhere on the hottie spectrum. One third-tier henchman is played by chiseled JD Pardo.

Dalton's boss goes from stocky Kevin Tighe to lissome Jessica Williams.

It's as much a glossy fantasy as a Roger Moore Bond, but there the point is that... it's a fantasy. This is supposed to be more or less reality, but there's no character actors that look like Charles Dutton or J.T. Walsh. Joaquim de Almeida isn't enough, I need some people who look like truckers!

Yet there's no real sex in the movie aside from some butts played for laugh, the obligatory "look how cut Gyllenhaal is" scene, and Daniela Melchior briefly wearing a bikini. (I'd say she doesn't get ogled like she would in a Fast & Furious movie, but she was in an F&F and didn't get ogled there either. This truly is the mighty Marvel age of sexlessness.)

Oh, and MacGregor plays a GTA character. He can't act, yet weirdly manages about as many facial expressions and vocal inflections as Kiersey Clemons does. Weird, since she's been acting all this time and he's been putting people in sleeper holds. Maybe he took night school.

[goalhofer]

2024 Miami Marlins Players By Nationality

American: 21 (Tim Anderson; Jr., Matt Andriese, Josh Bell, Anthony Bender, Jake Burger, J.T. Chargois, Xavier Edwards, Nick Fortes, Braxton Garrett, Nick Gordon, Bryan Hoeing, Jesús Luzardo, Max Meyer, Andrew Nardi, A.J. Puk, Emmanuel Rivera, Trevor Rogers, Tanner Scott, Josh Simpson, Burch Smith & Ryan Weathers) Dominican: 6 (Vidal Bruján, Edward Cabrera, Bryan De La Cruz, Jesús Sánchez, Sixto Sánchez & George Soriano) Venezuelan: 2 (Luis Arráez & Avisaíl García) Bahamian: 1 (Jasrado Chisholm; Jr.) Panamanian: 1 (Christian Bethancourt) Puerto Rican: 1 (Emmanuel Rivera)

[jmovielover]

Max Originals (Part 8)

Minx (March 17 2022-September 8 2023; 2 seasons) "In the 1970s, a young feminist from Los Angeles joins forces with a shady adult entertainment publisher to create the first women's erotic magazine. Through this unlikely alliance, the characters discover meaningful relationships in the most unusual places." (Developed by Ellen Rapoport)

Julia (March 31 2022-December 21 2023; 2 seasons) "Exploring the life of television chef Julia Child, who pioneered the cooking-show genre, during an evolving time in American history." (Developed by Daniel Goldfarb)

Moonshot (March 31 2022) "In a future where Mars is terraformed, two college students sneak onboard a space shuttle from Earth to Mars in order to be united with their significant others." (Directed by Christopher Winterbauer)

Tokyo Vice (April 7 2022-April 4 2024; 2 Seasons) "Jake Adelstein, an American journalist, plugs into the Tokyo Vice police squad and descends into the neon underbelly of Tokyo." (Developed by J.T. Rogers)

The Garcias (April 14 2022-May 12 2022; 1 Season) "The Garcias chronicles an American family based in San Antonio, TX, who are gathered for a summer vacation in their fancy beach house in Mexico." (Developed by Jeff Valdez)

[shippingdragons]

Toby Stephens Returns to the New York Stage to Investigate the Media In ‘Corruption’

Stephens talks about playing Tom Watson, the member of Parliament who pursued the investigation of the UK phone hacking scandal. “We’re still living in the aftermath of all the stuff that came out," he says.

By Harry Haun • 03/25/24 4:55pm

Toby Stephens as Tom Watson in Corruption at Lincoln Center’s Mitzi E. Newhouse Theater. T Charles Erickson

“I love doing what I do on stage,” declares Toby Stephens, more joyfully than boastfully. Call it a (very) early calling. The gifted offspring of genuine theatrical royalty (Sir Robert Stephens and Dame Maggie Smith), he plies the family trade with distinction on two continents. He can’t help it.

When Broadway first saw Stephens, he was drawing double duty in the 1999 revival of Jean Anouilh’s Ring Round the Moon, playing patrician twins who turn into romantic rivals. A quarter of a century later he has finally returned to New York in Corruption, where he is one of just two actors in a company of 13 who does not play multiple roles.

Stephens portrays Tom Watson, a British Parliament member who helped squeeze a death rattle out of Rupert Murdoch’s News of the World for hacking the phones of thousands of celebrities. Playwright J.T. Rogers adapted Watson and journalist Martin Hickman’s 2012 book Dial M for Murdoch: News Corporation and The Corruption of Britain into Corruption, currently getting a world-premiere staging from Bartlett Sher at Lincoln Center’s Mitzi E. Newhouse Theater, the site of the duo’s previous Tony winner, 2016’s Oslo.

In the 25 years between his New York stage sojourns Stephens has been busy doing his thing “in an industry that’s becoming more and more precarious,” he tells Observer. That’s meant keeping “a variety going,” trading movie roles like the Bond villain Gustav Graves in Die Another Day with a turn as Hamlet with the Royal Shakespeare Company. “I still try to balance theater with making money. That’s what it comes down to—finding that balance.”

What was the lure that brought Stephens back to New York? “A number of things,” he begins. “Firstly, I worked with Bart and J.T. on Oslo in London and enjoyed the experience. Secondly, Corruption is a new piece. Really interesting new writing is quite rare these days. Lots of revivals are done, but I really want to work on something new.” And then there’s focus of Corruption: the media, privacy, and truth itself. “It’s an important subject because we’re still living in the aftermath of all the stuff that came out. It’s still on-going.”

It’s not been an easy play to bring off. “There’s a point in rehearsals and previews where you suddenly feel like ‘Oh, I’m in control of this. It’s not in control of me,’” he says. “What I hate is when you aren’t quite in control of the material. It’s just beyond your fingertips.” The challenge of Corruption was its complexity. “The play is freighted with information, and you have to get that across and make it all seem naturalistic and real. You must leave the audience believing this narrative.”

Adding to the complexity, the show changed throughout previews, a process Stephens calls “terrifying,” though, “that’s how J.T. and Bart work,” he adds. Some of the changes were subtle, others were major. “By the time we reached the first night, it was a very different piece than what we started with. The skeleton was there, but the way we told the story was different. They tightened it up, cut things, rearranged things, even put new scenes in.” Still, there was enough time to work with the material that by opening night Stephens had found the control he was looking for. “I had fun because I knew it was cemented and this would be the piece we’re doing.”

How deeply did Stephens delve into the character of the man he was playing? “Not very,” the actor admits. “I know of him because I’m aware politically in the U.K. I read the newspaper and follow current affairs. I’ve watched him through the years. In terms of research, I believe the play is the play. That’s my main touchstone. I have to trust J.T. has done thorough research, which he has.”

Tom Watson, Toby Stephens, playwright J.T. Rogers, and director Bartlett Sher on opening of Corruption. Tricia Baron

In fact, Stephens opted not to read the book the play is based on. “I find doing loads of research—beyond what the material is— isn’t helpful. All that does is confuse and muddy what you’re doing,” he says. “My business is to do the play I’m given and make my character dramatic and nuanced enough for audiences to deal with.”

So for Stephens, the research is the script, though he does admit one addition to get Watson’s accent right. “He’s got an accent that’s quite broad when he’s talking as himself, but when he’s in Parliament or talking officially, it’s slightly subtler,” he says. To nail that, he watched “a lot of videos—but up to a point. I don’t want to do an impersonation.”

Tom Watson was a surprise guest at Corruption’s opening. “Thank God, I didn’t know that he was present,” Stephens sighs. “Afterwards, Tom said, ‘If this play was done in London, it would be a lightning rod.’ I think he’s right about that. It’s still very fresh in people’s memory. There’s still legal action against newspapers for hacking.” Though Watson had read the play before seeing it, Stephens thinks he was slightly stunned by the whole thing. “Actually seeing it, seeing somebody else playing you, is a completely different thing. You’ve got someone who has lived the real story, and you’re doing a simplified version of that. But I think that he was very, very impressed by the show. ”

[citylifeorg]

Works & Process Presents Lincoln Center Theater: Corruption by J.T. Rogers, Directed by Bartlett Sher

“An exceptional opportunity to understand something of the creative process” – The New York Times Works & Process at the Guggenheim presents Lincoln Center Theater: Corruption by J.T. Rogers, Directed by Bartlett Sher on Sunday, January 28, 2024 at 7pm at the Guggenheim’s Peter B. Lewis Theater, 1071 Fifth Avenue, NY. Tickets $55 to Choose-What-You-Pay. To purchase tickets,…

[tobys-walrus-crew]

“In rehearsal with the up-for-anything Toby Stephens, Terje Larson in OSLO in London and now Tom Watson in the premiere of CORRUPTION, here at LCTHEATER.” — Writer J.T. Rogers on Instagram

[diarioelpepazo]

El Abusador regresó en plan fenomenal: Largó dos vuelacercas y con ello logró su segundo juego multijonrón de la temporada para llegar a 39 y se robó la base 67 para imponer un nuevo récord para un venezolano y colocarse a sólo tres de las 70. Cabrera, por su parte, con su imparable, dejó atrás a Adrián Beltré y quedó solo en el puesto 16 de todos los tiempos.   Ángel Marín Si usted ha seguido aunque sea de manera superficial las incidencias de la temporada 2023 de Grandes Ligas, es probable que en más de una ocasión haya oído que el desempeño de Ronald Acuña Jr. en este torneo está entre los mejores apreciados en cualquier época. ¡Simplemente es bestial! Una de las razones que sustenta esa última aseveración es el dato proporcionado por la reputada periodista Sarah Langs sobre el jugador franquicia de los Bravos de Atlanta. Específicamente tras su desempeño de este martes ante Phillies de Filadelfia. Y es que al primogénito de Ronald se le ocurre dar cuadrangular al primer envío que ve en la partida para llegar a 38, luego en la 5ta entrada se roba su base número 67 para establecer nuevo récord para venezolano alguno en un año, dejando atrás a Roger Cedeño, posteriormente, en el episodio 6 despacha otro vuelacercas, el número 39 quedando a las puertas de ser el 5to hombre 40/40. En este sentido, Langs recalca que este es el segundo juego del calendario en que el sabanero da par de jonrones con almohadilla estafada, cifra que iguala la mayor cantidad de compromisos con este performance en una sola temporada al menos desde 1901.  El otro duelo donde Ronald consiguió 2 vuelabardas más base robada, ocurrió el 15 de julio contra los Medias Blancas de Chicago. Ahí se la botó a Lance Lynn en el inning 3, luego al relevista Kendall Graveman, mientras la estafada se las asestó a la batería conformada por Gregory Santos y Seby Zabala. Este 19 de septiembre se la sacó a Cristopher Sánchez y Yunior Marte; la almohadilla robada fue a la batería Michael Lorenzen-J.T Realmuto. Cabrera en solitario en el puesto 16 de todos los tiempos [caption id="attachment_88212" align="aligncenter" width="1024"] Cabrera se despide como en sus mejores tiempos. Foto Cortesía[/caption] Los días pasan y cada uno de ellos siguen aumentando la leyenda de Miguel Cabrera en el mejor beisbol del mundo, y este martes, Miguel Cabrera conectó imparable para colocarse en solitario en el puesto 16 de todos los tiempos en el apartado de hits. Cabrera logró imponerse en la batalla ante el lanzador derecho Ryan Pepiot, quien dejó un cambio en cuenta de 3-2, mismo que con mucha habilidad envió de línea al jardín central en la parte alta del séptimo capitulo en el compromiso de su equipo ante los Dodgers de Los Ángeles. Con este inatrapable llega a 3.167 para dejar en el camino a Adrián Beltré y colocarse en solitario en el puesto número 16 de jugadores con más hits en la historia de las Grandes Ligas, siendo Cal Ripken Jr. el siguiente en la lista con 3.184. Con este hit el venezolano coloca su average en .258 en la presente temporada 2023. Para recibir en tu celular esta y otras informaciones, únete a nuestras redes sociales, síguenos en Instagram, Twitter y Facebook como @DiarioElPepazo El Pepazo/Meridiano

[boomgers]

Para tener la primicia hay que romper las reglas… “Tokyo Vice”

Basado libremente en el relato de no ficción, contado en primera persona, del periodista estadounidense Jake Adelstein sobre el golpe a la mafia japonesa por parte de la Policía Metropolitana de Tokio, este drama captura el descenso de Adelstein a los bajos barrios, cubiertos de neón, en Tokio, donde nada ni nadie es realmente lo que parece.

Estreno: 7 de abril de 2022 en HBO Max.

Creada por el dramaturgo J.T. Rogers, la serie cuenta con las actuaciones de Ansel Elgort, Ken Watanabe, Rinko Kikuchi, Rachel Keller, Ella Rumpf, Hideaki Ito, Show Kasamatsu y Tomohisa Yamashita.