#jeffrey nordling

[verocd]

[ljones41]

Ranking of “BIG LITTLE LIES” Season 2 (2019) Episodes

Below is my ranking of the Season Two episodes of HBO’s “BIG LITTLE LIES”.  Based on Liana Moriarty’s 2014 novel and created by David E. Kelley, the series starred Reese Witherspoon, Nicole Kidman, Shailene Woodley, Zoë Kravitz and Laura Dern:

RANKING OF “BIG LITTLE LIES” SEASON TWO (2019) Episodes

1.  (2.07) “I Want to Know” - In the series finale, Celeste Wright questions her mother-in-law Mary Louise Wright about her late husband Perry’s childhood during a child custody hearing.  Madeline Mackenzie worries the lie about Perry’s death is tearing the Monterey Five apart.

2.  (2.02) “Tell-Tale Hearts”- Renata Klein faces an uncertain future when her husband Gordon lands in legal trouble.  Celeste opens up to Mary Louise about her relationship with Perry.  Madeline’s husband, Ed Mackenzie, confronts her about her secrets.

3.  (2.04) “She Knows” - Renata throws her daughter Amabella a disco-themed birthday bash; after attending a prying bankruptcy hearing with Gordon.  Bonnie Carlson’s mother, Elizabeth Howard, suffers a stroke during the party.  Celeste begins to unravel under a drastic decision made by Mary Louise.  Madeleine and Ed remain at odds over the revelation of her secret.

4.  (2.05) “Kill Me” - Bonnie struggles with her mother’s recovery.  Renata tries to help Celeste by meeting with Mary Louise.  Celeste attends a custody hearing initiated by Mary Louise.  Celeste’s twin sons, Josh and Max, along with Jane Chapman’s son, Ziggy; are bullied by a boy at school.

5.  (2.06) “The Bad Mother” - Celeste is blindsided by Mary Louise’s attorney at the custody hearing.  Bonnie contemplates a solution to her mother's suffering and her own ongoing guilt.  The Monterey Five feel the pressure of increased scrutiny of Perry's death.

6.  (2.01) “What Have They Done?” - Bonnie exhibits worrying behavior, following the night of Perry’s death.  Madeleine is shocked when her daughter Abigail says that she does not want to attend college.  A grief-stricken Mary Louise arrives in Monterey.

7.  (2.03) “The End of the World” - Mary Louise sets her sights on Jane and Ziggy after learning the truth about the latter’s paternity.  Renata discovers that Amabella is experiencing a crisis at school.  Madeleine and Ed attend couples therapy.  Celeste struggles with the possibility that she was addicted to Perry.

[more-comfortable-in-hell]

[sunshinestatecineplex]

TV: "Consequences with Extreme Prejudice" - American Sports Story: Aaron Hernandez - Episode 2 Recap

As he settles into college football life, Aaron Hernandez faces immediate issues. While being talked up as a big new recruit, he did not know how to break through as a key figure on the team. This led to off-the-field issues, including run-ins with the police. Carl Franklin directs “Consequences with Extreme Prejudice” – the second episode of American Sports Story: Aaron Hernandez. The episode…

[filmjunky-99]

s t a r t r e k d e e p s p a c e n i n e created by rick berman, michael piller Tahna Los, Kohn-Ma [past prologue, s1ep3] 'No more wormhole, no more Federation or Cardassians. Or anyone.' - tahna [to kira]

[specificpersonaluse]

[kwebtv]

Pirates of Silicon Valley - TNT - June 20, 1999

Drama / Biography

Running Time: 95 minutes

Stars:

Noah Wyle as Steve Jobs

Anthony Michael Hall as Bill Gates

Joey Slotnick as Steve Wozniak

John DiMaggio as Steve Ballmer

Josh Hopkins as Paul Allen

Gailard Sartain as Ed Roberts

Jeffrey Nordling as Mike Markkula

Allan Royal as John Sculley

J. G. Hertzler as Ridley Scott

Gema Zamprogna as "Arlene" (a pseudonym for Chrisann Brennan)

Brooke Radding as Lisa Brennan-Jobs

Wayne Pere as Captain Crunch

Brian Lester as Charles Simonyi

Gerald McCullouch as Rod Brock

Marcus Giamatti as Daniel Kottke

Melissa McBride as Elizabeth Holmes

[ulkaralakbarova]

Tess McGill is an ambitious secretary with a unique approach for climbing the ladder to success. When her classy, but villainous boss breaks a leg skiing, Tess takes over her office, her apartment and even her wardrobe. She creates a deal with a handsome investment banker that will either take her to the top, or finish her off for good. Credits: TheMovieDb. Film Cast: Tess McGill: Melanie Griffith Jack Trainer: Harrison Ford Katharine Parker: Sigourney Weaver Mick Dugan: Alec Baldwin Cyn: Joan Cusack Oren Trask: Philip Bosco Ginny: Nora Dunn Lutz: Oliver Platt Turkel: James Lally Bob Speck: Kevin Spacey Armbriester: Robert Easton Personnel Director: Olympia Dukakis Alice Baxter: Amy Aquino Tim Rourke: Jeffrey Nordling Doreen DiMucci: Elizabeth Whitcraft Tess’s Birthday Party Friend: Maggie Wagner Tess’s Birthday Party Friend: Lou DiMaggio Tess’s Birthday Party Friend: David Duchovny Tess’s Birthday Party Friend: Georgienne Millen Petty Marsh Secretary: Caroline Aaron Petty Marsh Secretary: Nancy Giles Petty Marsh Secretary: Judy Milstein Petty Marsh Secretary: Nicole Chevance Petty Marsh Secretary: Kathleen Gray Petty Marsh Secretary: Jane B. Harris Petty Marsh Secretary: Sondra Hollander Petty Marsh Secretary: Samantha Shane Petty Marsh Secretary: Julia Silverman Jr. Executive: Jim Babchak Jim: Zach Grenier Dewey Stone Reception Guest: Ralph Byers Dewey Stone Reception Guest: Leslie Ayvazian Cab Driver: Steve Cody Dewey Stone Receptionist: Paige Matthews John Romano: Lee Dalton Phyllis Trask: Barbara Garrick Barbara Trask: Madolin B. Archer Hostess at Wedding: Etain O’Malley Bridesmaid: Ricki Lake Bitsy: Marceline Hugot Bridegroom: Tom Rooney Trask Wedding Orchestra: Peter Duchin Trask Secretary: Maeve McGuire Tim Draper: Timothy Carhart TV Weatherman: Lloyd Lindsay Young Bartender: F.X. Vitolo Clerk at Dry Cleaner’s: Lily Froehlich Heliport Attendant: Michael Haley Helicopter Pilot: Mario T. DeFelice Jr. Helicopter Pilot: Anthony Mancini Jr. Trask Receptionist: Suzanne Shepherd Rhumba Guy (uncredited): Matthew Bennett Staten Island Secretary (uncredited): Trish Cook Pretty Brunette Office Girl (uncredited): Priscilla Cory Cyn’s Aunt (uncredited): Marilyn Dobrin Trask Executive (uncredited): Kevin Fennessy Receptionist (uncredited): Anita Finlay Office Worker (uncredited): Tom Sean Foley Staten Island Ferry Commutor (uncredited): George Gerard Secretary (uncredited): Dhonna Harris Goodale Young Businessman (uncredited): Daniel Henning Office Party-Goer (uncredited): Eric Kramer Secretary (uncredited): Elisa London Secretary (uncredited): Karen Starr Petty Marshall Secretary (uncredited): Alison Wachtler Film Crew: Director of Photography: Michael Ballhaus Editor: Sam O’Steen Screenplay: Kevin Wade Costume Design: Ann Roth Makeup Artist: Joseph A. Campayno Makeup Artist: J. Roy Helland Art Direction: Doug Kraner Director: Mike Nichols Unit Production Manager: Robert Greenhut Set Decoration: George DeTitta Jr. Casting: Juliet Taylor Executive Producer: Laurence Mark Producer: Douglas Wick Hairstylist: Alan D’Angerio Gaffer: John W. DeBlau Production Design: Patrizia von Brandenstein Location Manager: Richard Baratta Supervising Sound Editor: Stan Bochner Transportation Captain: Tom O’Donnell Jr. First Assistant Camera: Florian Ballhaus Production Supervisor: Todd Arnow Boom Operator: Linda Murphy Still Photographer: Andrew D. Schwartz Assistant Costume Designer: Gary Jones Camera Operator: David M. Dunlap Sound Re-Recording Mixer: Lee Dichter Art Department Coordinator: Samara Schaffer Transportation Co-Captain: Louis Volpe Script Supervisor: Mary Bailey Assistant Art Director: Tim Galvin Production Coordinator: Ingrid Johanson Production Sound Mixer: Les Lazarowitz Music Editor: Patrick Mullins Sound Editor: Marshall Grupp ADR Editor: Michael Jacobi Property Master: James Mazzola Cableman: Mike Bedard First Assistant Director: Michael Haley Stunt Double: Vic Armstrong Original Music Composer: Carly Simon Stunt Coordinator: Jim Dunn Stunt Coordinator: Frank Ferrara Stunts: Phil Neilson Stunts: ...

[j2memories]

The New York Times article (August 12th 2021)

Jared Padalecki on the ‘Walker’ Finale and ‘Supernatural’

In an interview, the actor and producer talks about the season finale’s big twist and the “Supernatural” prequel that took him by surprise.

By Max Gao

Aug. 12, 2021

This interview contains spoilers for Thursday’s season finale of “Walker.”

More than a year after his wife’s murder at the U.S.-Mexico border, Cordell Walker (Jared Padalecki) returned to the scene of the crime with his family and the man responsible for pulling the final trigger: Stan Morrison (Jeffrey Nordling), the longtime Walker family friend, Texas Department of Public Safety chair and recently elected district attorney.

The twist was a secret that Padalecki — who serves as a star and executive producer of “Walker,” a modern-day reboot of the hit 1990s series that featured Chuck Norris as a high-kicking Texas Ranger — had been keeping since production on the show began last fall.

“The big difficulty for me was having to tell white lies to my friends and family and fellow cast and crew,” Padalecki said in a recent interview. “I didn’t feel good about it, but I’m learning to put that line between friend and fellow actor.”

Thursday’s season finale revealed the events leading up to the death of Emily Walker (played by Genevieve Padalecki, Jared’s real-life wife). Emily was dropping off water for migrants one night when, in a case of being at the wrong place at the wrong time, she heard a truck hit a pothole and found a group of people smuggling drugs across the border through a side road. While Cali (Katrina Begin) wounded Emily, it was Stan who, fearing the wrath of a powerful crime syndicate known as the Northside Nation, delivered the fatal blow. Stan and Cali paid off a dying man named Carlos Mendoza (Joe Perez), who agreed to confess to the crime only two days after the fact — only to be exonerated by Cordell’s sedulous search for the truth.

In a phone interview from his home in Austin, Tex., Jared Padalecki spoke about the pivotal confession scene in the finale, the evolution of his Cordell Walker, the impact of his 15-year run as Sam Winchester on “Supernatural,” and the brief online fallout from his reaction to that fantasy drama’s upcoming prequel. These are edited excerpts from the conversation.

What do you think motivated Cordell to force Stan to confess to his crimes in front of the entire Walker family?

Season 1 saw Cordell Walker still reeling from his wife’s murder and trying to put on a happy face and professional face, but really going through a lot of turmoil behind the scenes. I think he realized that the only way he could refrain from killing Stan outright was to get him to confess. Being an attorney and the D.P.S. chair, Stan knew all the loopholes and all the ways out. Walker had to set his eyes on a goal, so what was going through my head [as an actor] at the end of [Episode] 17 and all of 18 was that I just have to get this guy to say the truth and to agree to tell the truth in public.

I actually added that line on the day where I say, “Tell my family what happened.” Then, in that moment, it just occurred to me to say, “Tell Emily’s family.” [Nordling] did such a powerful job in that last scene of pulling the line between somebody who’s ashamed, but finally just ready to release the proverbial escape valve on all the pressure that’s been building up for him.

How does finally uncovering the truth about his wife’s death help Cordell to move forward?

He just needed to exhale, and he’s at a better place now. Now he realizes he needs to be there for his kids, for his parents, for his brother, for his work partners, and for himself. We’ll see in Season 2 that Walker has found some degree of closure.

How much influence did all of the stories of families being separated at the U.S.-Mexico border have on this series?

I was reading an op-ed from a law enforcement agent in Texas about how they were bound by duty and how they had to obey the law, but they just couldn’t bring themselves to put a 3-year-old in a cage. People talk all the time about how a coin has two sides. But in reality, a coin has three sides: there’s heads, tails, and the edge. So we wanted to find that edge, that gray area, and really lean into it about somebody who takes their job very seriously, who risked their life to make others’ lives safer, but also still has a deep moral code.

We developed the show before the pandemic and things came to a fever pitch between our communities and our law enforcement in different parts of the country. And America doesn’t really have a big appetite right now for tall, white, straight law-enforcement agents roundhouse kicking minorities in the face — and nor did we, so that lined up. [Laughs.] We’re more interested in these stories of a parent or a human being who find themselves stuck between a rock and a hard place.

How did you begin the transformation from Sam Winchester to Cordell Walker last year during the pandemic?

We had already been developing “Walker,” so I was able to spend some time leaning into who this character might be. And at the time, I think [the showrunner] Anna [Fricke] and the gang had already broken five or six stories. I used that time selfishly to really try and develop Cordell Walker even further, because I knew that getting the phone call to go back to Vancouver and finish “Supernatural” would come in a snap.

I did 327 episodes of that show, and that is basically 2,500 full days of filming and all the days in between of prepping and trying to figure out who Sam is, so it wasn’t difficult to get back to Sam. Frankly, knowing the last few episodes of “Supernatural,” I didn’t really want to live as Sam every day, because they were so sad. [Laughs.]

Do you still find yourself grieving the end of “Supernatural”? How did that show change your life?

We, the people who worked on and watched “Supernatural,” were all fortunate to have that time to prepare for a loss. And ultimately, the loss still was tragic and dramatic. But in another sense, “Supernatural” never really died. I still talk to [Jensen] Ackles, Misha [Collins], and the rest of the gang. I did “Supernatural” from age 22 to age 38, and I’ll never deny that my time and experiences on that show are certainly a part of who I am now. It’s still a part of me. I could film a scene as Sam Winchester right now because he lives in me, and I’m certain he always will.

I’m sitting in my office right now, and behind me is my last-ever tape mark. The last day of shooting when we shot on that bridge, which was the last shot of the series, we had our tape marks. My dear friend [the actor and stunt man] Jason Cecchini picked up the last tape marks — my red tape mark and Jensen’s blue tape mark. He put them on a call sheet and framed them, and as we all said our goodbyes, he handed them to us. I have so many reminders. The mother of my children is somebody I met on the show in Season 4, and now we have three kids! It sounds like a cop out, but because I thought about it so much, I can’t even begin to explain how much it changed me.

In June, you posted on Twitter that you were “gutted” to learn that your former co-star Jensen Ackles and his wife, Danneel, were working on a “Supernatural” prequel without your knowledge. What exactly happened that night?

I hadn’t heard of it, and then he and I chatted [the next morning]. He just kind of explained: “Man, it’s not picked up yet. It’s not even written yet.” He knows and I know how much “Supernatural” means to both of us, and it wasn’t a secret he was trying to keep, necessarily. It was just something that he didn’t feel really even existed yet. But he has been like: “Hey, I’ll let you know what’s going on.”

I love Jensen deeply. He’s my brother — he has been for many years, and he always will be, no matter what. He’s spent more time with me on camera than anybody probably ever will, so he knows my strengths and weaknesses more than I do, and vice versa. I respect his opinion.

It was just one of those things that because it was online, and people were assuming I was part of it, I really wanted to just say: “Hey, I’m not keeping a secret from you guys. I just don’t know about this.” And I should be old enough to know better than to put something out there and expect that people will understand. It’s hard to tweet a specific tone. If you write it online, it’s like, “Oh, he doesn’t know! They’re going to kill each other! The world is ending!” And I’m like, “No, no, no.” [Laughs.] I try to avoid social media as much as possible because of that.

Link to the article

[virtualcollectionblizzardblr]

I found this on NewsBreak: Helen Hunt and Jeffrey Nordling Make Red Carpet Debut Holding Hands at Gala

I found this on NewsBreak: Helen Hunt and Jeffrey Nordling Make Red Carpet Debut Holding Hands at Gala

[miscellaneouscelebheights]

Johnny Messner

Christopher Masterson & Brooke Burns

DMX

Frank Grillo

Jason Bateman

Jeffrey Nordling

Josh Gad

Michael Pare

Samuel L Jackson

Sarah Wayne Callis

Silas Weir Mitchell

Stacy Keach [Dress shoes, Johnny in Vans] Back in 2007/2008

Tony Curran

Travis Fimmel [Barefoot, Johnny in Dress Shoes]

Wendy Moniz [3inch more heels]

Yvonne Stahovski

Gary Chalk (Listed 6'0")

Jim Tooey (Listed 6'1")

Kristen Ruhlin (5'4" tops)

Michael McGrady (Listed 6'2", in boots, Johnny in vans)

Robert Newman (5'10" range)

Profile from Assassination film

Profile from Ring Of Death 2008 film

[powerrangersfan2021]

Jeffrey Nordling

[more-comfortable-in-hell]

Jeffrey Nordling & Xander Berkeley in Apollo 11 (1996)

[ramascreen]

Poster And Trailer For THE LOCKSMITH Starring Ryan Phillippe

Screen Media has released these official key art and trailer for THE LOCKSMITH In Theaters & On Demand February 3rd Starring Ryan Phillippe, Kate Bosworth, Ving Rhames, Jeffrey Nordling, Gabriela Quezada,  Madeleine Guilbot, and Charlie Weber The Locksmith marks Nicolas Harvard’s directorial debut  Co-Written by Joe Russo and Chris LaMont Miller (Ryan Phillippe), an ex-con recently released from…

[positivexcellence]

keeoone: You can stream @thecwwalker newest episode now, on the @cw app. It’s free. Also here is some behind the scenes photos and videos. swipe. do you even go here? #walker