#just to say: all my essay/blog things are always free on Kofi

[amewinterswriting]

On Supporting Artists

We all need to get better about supporting artists. Both on an individual level and a structural level. We are currently living through a time of change - though that is broadly true of any period of history; humans create change as naturally as breathing. But some of the specific changes I see happening now have a lot of potential to radically change how we view, make, and consume art, and it’s up to us to make sure those changes are positive ones.

Read the rest (for free!) over on my Kofi!

[thelaurenshippen]

I'm just a starting writer, I did a little nanowrimo this year and wrote 39k words about a vampire gamer, I've always been a vampire girl, but here's the thing I don't know what to do with it.

Currently I'm unemployed for a variety of reasons but I'm lucky enough to have a partner who has a salary that can support us both.

But also I love writing, all my life I just wanted to write and being unemployed this year during nano gave me the opportunity to try and do that.

And now I'm curious is there a way to get paid to be a writer? Not as a marketing copy writer but a fiction writer, or essayist?

So what does one do?

Should I just publish whatever I wrote on a blog and put up a donation button?

Should I just publish on Tumblr?

Should I do it on AO3/Wattpad?

I'm at a loss.

I also don't have social media only use Tumblr and a little BlueSky after twitter exploded, and I really don't want to go and "build an audience on TikTok and booktok" (please gods no).

ah, yes, the eternal question: "how do I make money as a writer?"

I wish I had a good answer. I wish I had any answer. and I would love for other writers on here to chime in with their perspectives, because I am constantly struggling to answer this question for myself!

to answer the specific questions first: there are websites that post jobs for writing gigs - fiction, essays, etc. the one I'm most familiar with is upwork, though I've never gotten a job myself through there so can't speak to the experience. I will say that writing jobs tend to be in high demand and writing in general can be quite competitive, so working on your resume and improving your craft is an important thing to do whether you're just starting out or have been writing professionally for years.

self-publishing is absolutely an option! if you do, I would recommend getting a beta reader (or just a few friends) to read through your manuscript before you publish - it's always good to get feedback and to get other eyes on your work, no matter how complete or polished, for typos/grammar/formatting/etc. I'd also recommend reading about the best ways to self-publish - again, I can't personally speak to this as my three novels were traditionally published, but I know that folks publish through Amazon a lot and there certainly have been successfully novels (and especially graphic novels!) that have started out as blog posts/blogs. I don't recommend publishing an original story to ao3 or Wattpad if you're hoping to make money (if you're publishing for fun, go for it!) - ao3, my beloved, is an archive and therefore does not allow you to link to any kind of patreon/kofi/etc., so can be difficult to monetize. I'm less familiar with Wattpad, but I do know that they are actively trying to get into the publishing game themselves and sometimes pluck stories from their site to bring up to trad publishing, which I've heard can be....a mixed bag.

but there are a lot of authors on here and on their personal websites writing about self-publishing, so there's definitely better info out there about how to do it and how lucrative it can be!

a very good rule for self-publishing imo - whether that's through a site like amazon, your own blog, a podcast, a webcomic, whatever - is always give people the option to pay you. so, yes, put that donation button up. it doesn't matter if no one has read or listened to your thing yet, just making sure the option is there from the start is a good thing!

that's about the extent of the straightforward answer I can give you. if I were to give you a step-by-step guide of how I got to a place where most of my income comes from fiction writing, it would look like this:

write your own fiction podcast, get some actors from acting class to come over to your apartment and record for free, and produce the whole thing yourself

publish said podcast and then spend the next 2 years spending as much time on social media, at conventions, conferences - anywhere there are fiction podcast fans and creators - as you can talking about your show, all while writing and producing the show for free

get lucky and have the show take off. start to get some ad money that allows you to pay your collaborators. watch the show get better as a result. see the show take off even more. keep grinding away at social media

get a cold email from a book agent who wants to talk to you. convince that book agent to represent the YA novel you want to write in the world of your podcast

expend whatever leftover energy you have on ensuring that when people think of fiction podcasting, they think of you, even if other names are coming first. be everywhere. talk to everyone. keep grinding away at social media.

get a cold email from a fiction producer in England who wants you to write on his show. convince him to let you co-showrun it with him.

use your growing network of audio friends to get an agent and manager. use those people to get a pitch to marvel. convince marvel to let you write a podcast for them.

finally quit your day job, after doing 4 seasons of a successful podcast and selling spin-offs to a tech company, getting a 3-book deal with a major publisher, being hired to co-showrun a big budget mystery, and selling a show idea to marvel. then make all of those shows.

finish the podcast you started with, now seven seasons long. try to pitch out other ideas to all the people who wanted to buy that podcast off of you. watch them say no to anything new.

get lucky and sit next to a netflix exec at a dinner. convince her to let you write a stranger things show.

keep pitching. use the money from your other jobs to fund your indie shows. sell one show. lose another halfway through development. have your ideas optioned for television over and over and get used to hearing no's when you go out to pitch. produce and direct as much as you can to pay the bills. keep grinding away at social media.

????????

profit

that's obviously a simplification of my journey but I'm currently in that ???? stage. I don't say all of this to freak you - or anyone else - out. being a creative is hard. it gets easier in some ways and stays just as hard in others. I'm better at my job than I used to, so making shows is easier, but getting jobs and getting audience feels as hard as ever, even if I am several steps ahead than where I started. I thought I could build off the success of @thebrightsessions to make my other originals instant successes and that's just not how it works at all. you're building from the next step up after every success, not the top of the staircase.

but, like I said, I'm not trying to scare you - the thing that's positive in my weird crazy journey is the reality that there is no one right way to do something. there's a million different ways to make a creative career, especially in the age of the internet. which means that my advice to anyone who asks me how to start a career in audio fiction specifically is: just do it. don't wait for someone to give you a budget, don't try to cater to what you think the AD audience wants, just tell your story as you want to and get it out there. the best job application is being able to point to your own original work that's already garnered an audience.

I have no idea if that could as readily apply to prose writing/publishing. that is definitely beyond my knowledge base, but I'd say if you want to get a taste for what it's like to be a freelance creative, apply to jobs on upwork or similar sites, work on your original work, and find a platform that works for you on which you could potentially build an audience. and then get to know as many people as you can in your given field - I would not be where I am at all without folks like Gabriel Urbina, or Jeffrey Cranor, or Jenny Turner Hall. making friends in audio drama from the start who could recommend me for jobs - and being sure that I do the same now that I have more power - is vital. make friends with your peers (also bc they're great and you'll learn so much from them).

finally, I want to pass on advice that my uncles gave me when I was a teenager wanting to go to broadway--both of them work in musical theater (one conductor, one musical director, they are quite the power couple and my heroes) and when I was growing up, they told me "if you can think of anything else that will make you just as happy, do that instead". it sounds like harsh advice, but it's good advice. people don't pick creative careers because it's easy and stable--if there's anything else you're equally passionate about that could make you money and be more stable, there is absolutely nothing wrong in pursuing that and then writing for the love and joy of it, without the pressure of making a living. and that doesn't mean that that won't eventually lead to you being a successful full-time writer! but choosing to pursue writing full-time because it's what you want to do with your life is a very particular kind of path.

anyway, I've gone on way too long. I hope some of this was helpful - the last-last thing I'll say is that a) I obviously have a very limited perspective so nothing I say here is the be-all-end-all way of viewing things b) I had a very stable data entry job while I was making my first show that was very flexible and work-from-home (oh, to be able to get that job back now...since the pandemic, those types of jobs are obviously in high demand) and c) I got lucky. luck and timing are, unfortunately, a huge part of success in creative careers. if anyone tries to sell you on the idea that there's a guaranteed path to success that you can control if you work hard enough, they are lying to you and probably want you to buy something.

finally-finally, a vampire gamer story sounds so fun!! I love that idea!