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Kajol-Indian Actress

Kajol, whose full name is Kajol Mukherjee Devgan, is an Indian actress who primarily works in Hindi cinema. She was born on August 5, 1974, in Mumbai, Maharashtra, India. Kajol comes from a family with a strong film background. Her mother, Tanuja, is an actress, and her late father, Shomu Mukherjee, was a film director and producer. Kajol made her acting debut in 1992 with the film “Bekhudi” but…

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Alaukik - The Missing Goncharov Adaptation

Martin Scorsese, creator of Goncharov (1973), greatly appreciated Indian cinema. Thus, it is of no surprise that over a decade later, he decided to bring his best film to an industry that had influenced him so greatly.

In 1990, Scorsese made the journey to Mumbai (then Bombay) to meet with renowned director, Yash Chopra, of Yash Raj Films. He had plans to adapt Goncharov for an Indian audience. It was initally planned to be made years earlier, with Amitabh Bachchan and Anupam Kher leading the film.

Though, with the 1990 version, Scorsese allowed Chopra to take great artistic liberty. Chopra cast two unknowns, Shahrukh Khan and Kajol Mukherjee, in the equivalent roles of Goncharov and Katya. The roles were renamed to Rahul Alaukik and Pooja Khanna. The roles of Sofia and Andrey, now named Nisha Prasad and Rancho Singh, respectively, went to Madhuri Dixit and Aamir Khan who would go on to star in Dil that same year.

Unlike the original, Alaukik really leans into the bisexual polycule subtext, which was near unheard of for Indian cinema at the time and even today. Sadly, the film harbored hard feelings for two of the male leads, seeding the feud between Khan and Khan that would come to an end with 2022's Laal Singh Chaddha. Nonetheless, the movie was extremely popular with both audiences and critics. It established many tropes present in Hindi cinema today, such one lover running towards the other who is on a moving train. This scene, between Khan's Alaukik and Khan's Singh later inspired a very similar scene between Khan and Mukherjee in 1995's Dilwale Dulhaniya Le Jayenge. Instead of the bathhouse scene, Alaukik and Singh sit in a communal bathroom dancing in chairs that look like butts.

In a revision of Goncharov's death scene, Alaukik falls down a set of stairs, with no one around to save him. A small white dog named Buffy passes by and howls.

It shot Mukherjee and Khan to stardom and they would go onto star in many more movies together, all thanks to Scorsese's love of Indian cinema.

Alaukik changed the landscape of Hindi cinema and its legacy is seen throughout films of the time period and of the modern era.

Interestingly, one day on a visit to set, Scorsese noted that Shahrukh had a particularly good banter with an American extra, Leonardo DiCaprio. Years later, Scorsese would try to reunite the two with a movie called Xtreme City, but it never got made.

Alaukik would go onto inspire a number of Hindi adaptations of American films such as Dil Bole Hadippa!, Maqbool, Omkara, and Haider.

Sadly, Alaukik was never issued an international release despite Scorsese's involvement. The only reason anyone today knows about it is because a partial reel of film was found in the Maratha Mandir cinema when they were about to premiere Dilwale Dulhania Le Jayenge.

I hope that one day we have more to show for this piece of work that launched the careers of some of India's most well known actors.

[anantradingpvtltd]

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] Romance: Ten Romantic Movies is a movie collection of 10 Bollywood-superhit romantic movies. Each of these movies has been box-office hits. Popular actors were cast in these movies and each of them had a sound directorial backing. Jab We Met stars Shahid Kapoor and Kareena Kapoor in the lead roles. Post the death of his father, Aditya, a Mumbai based businessman boards a train. He meets Geet Kaur Dhillon who is on her way home to Bhatinda. What romantic drama happens between these two is shown in a humorous way. Kaho Na Pyaar Hai is the story of a poor guy falling in love with a rich girl. The movie stars Hrithik Roshan and Ameesha Patel. It has Hrithik playing dual role. Hum Aapke Hain Kaun is a family drama depicting various emotions. The star cast includes Salman Khan and Madhuri Dixit. Nisha's sister Pooja marries Prem's brother Rajesh. Nisha and Prem soon fall in love but the families don't about their affair. This is a family drama with love as the central theme. Rehena Hai Tere Dil Mein is the story of how Maddy impersonates to claim his lady love. The movie stars Saif Ali Khan, Madhavan and Diya Mirza. Jab Pyar Kisise Hota Hai stars Salman Khan, Anupam Kher and Twinkle Khanna. Suraj loves Komal but she refutes his advances. Suraj impersonates a childhood friend of Komal and succeeds in winning her love. The rest of the story shows what happens when the real person arrives. Pyar To Hona Hi Tha stars Kajol and Ajay Devgan. Sanjana who lives in Paris is engaged to Rahul. Rahul decides to settle down with Nisha whom he meets during his business trip to India. When Sanjana discovers Rahuls' intentions, she flies to India. What twists happens in India is shown in the rest of the movie. In Dhadkan, a rich girl ends up in an unhappy marriage. Though her husband is loving, she is unable to forget her old flame. How her marriage ends up is the theme of the story. Ishq stars Aamir Khan , Ajay Devgan and Kajol. The storyline delves around 2 couples, a rich- guy poor-girl and a poor-guy rich-girl. The trouble in their relationships is the crux of the story. Maine Pyar Kiya stars Salman Khan and Bhagyashree. Prem and Suman's fathers are childhood friends. While one tastes success and becomes a businessman, the other is contended to be a mechanic. The love between Suman and Prem is the central theme of the movie. Deewana stars Shah Rukh Khan, Divya Bharti and Rishi Kapoor. Ravi is a singer and a heir to a wealthy family. He falls in love with Kajal but his scheming uncle eliminates him in a bid to usurp the property. Comes in Raja, a spoilt scion who loves Kajal. Kajal resists but as she is drawn towards Raja, her first husband comes back alive. Kajal is in a dilemma and does not know whether to be happy or sad. Romance: Ten Romantic Movies was released by Moserbaer. The movies are in Hindi language and are available in DVD format and carry U/A rating. Rated ‏ : ‎ U/A (Parental Guidance) Language ‏ : ‎ Hindi Package Dimensions ‏ : ‎ 18.03 x 13.76 x 1.48 cm; 0.28 Grams Studio ‏ : ‎ Moserbaer ASIN ‏ : ‎ B003ZAODF0 Country of Origin ‏ : ‎ India

Manufacturer ‏ : ‎ Moserbaer Item Weight ‏ : ‎ 0.28 g [ad_2]

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Anjali from kuch kuch hota hai

So there is always this going discussion on KKHH that whether Anjali should have chosen Aman over. Recently, was in the news when she spoke up about Alok Nath in sight of the #MeToo movement.ĪWESOME NEWS! POPxo SHOP is now Open! Get 25% off on all the super fun mugs, phone covers, cushions, laptop sleeves, and more! Use coupon code POPXOFIRST. Kuch Kuch Hota Hai: Did Rahul ever love Anjali Discuss. Himani, on the other hand, has taken over all the mother-ly roles on Indian soap operas. Rifat Bi was so cool! She ran a girls’ hostel and was down with the young crowd. Nowadays, she spends her time on Comedy Circus as a judge and gets paid to laugh at hilarious jokes. She was also a badass teacher who gave the college’s dress code a big F-you. The laughing queen, Archana Puran Singh was the original Ms Braganza who made Mr Malhotra’s heart go kaboom.

Parzan Dastur is 26 years old now and has acted in movies like Break Ke Baad, Sikandar and can be seen in various television advertisements. The perpetually confused sardar child was the best character in the movie and nobody can prove otherwise. She was last seen in Batti Gul Meter Chalu, where she played Shraddha Kapoor’s grandmom. Farida Jalal’s cute and bubbly personality makes her a delight to watch on the big screen. She might have been the dadi in this film but I think her most iconic role was playing the magical nani in Shararat. Manmohan Singh in the movie, The Accidental Prime Minister. Anupam KherĪnupam Kher played Anjali’s granddad and Tina’s father, but my favourite scenes were when he bonded with the ‘older’ Anjali. You can now catch the 30-year-old on Comedy Circus with her Kuch Kuch Hota Hai co-star, Archana Puran Singh. Sana SaeedĪn incredibly successful child actor, Sana made her comeback with Student Of The Year and was even seen in Munna Michael. Right now, Salman Khan is hosting Bigg Boss and it seems like he’s finally found his true calling. At least I was oblivious to his real-life personality back then. On the other hand, Rani Mukherji continues to prove what a great actress she is! 4. Tina was just the third wheel who wasn’t meant to last this long. Let’s be honest, nobody liked this character. Well, until she grew up and realised she was perfect the way she was. Her character as Anjali gave every underdog a second chance in her head. Kajol was off the big screen for a while but Dilwale proved that this actress is still a superstar at heart. He was the Badshah of Bollywood then and is still the legend that makes our hearts swoon. Not much has changed with the lead of this film. Shah Rukh Khanįrom being a heartthrob, Shah Rukh Khan went to become a… heartthrob.

Here is what the cast of Kuch Kuch Hota Hai looks like, 20 years later.

From the cute Sardar to our bubbly and overly enthusiastic, Anjali. But that’s already been written about.Ģ0 years later, we’ve all moved on and so have the actors who played the iconic cast in this movie. Not only did the film give us some cult dialogues like, ‘Rahul is a cheater’ and ‘Pyar dosti hai.’ Neither of which made my life easier BTW, this film also showed me what a real-life fuckboy looks like – Rahul. Kuch Kuch Hota Hai just completed 20 years and that’s almost my entire life (I’m 23)… which would explain why this movie defines almost everything I do.

[bollywoodpapa]

DDLJ Turns 25: Karan Johar Shares bunch of Pics with late Amrish Puri, SRK as he remember legendary love story

New Post has been published on https://www.bollywoodpapa.com/283216/ddlj-turns-25/

DDLJ Turns 25: Karan Johar Shares bunch of Pics with late Amrish Puri, SRK as he remember legendary love story

After Kajol, Shahrukh Khan, Anupam Kher, Now Karan Johar took to his social media platform to share the most special moments for the iconic movie and love story Dil Wale Dulhaniya le Jayenge. The producer and filmmaker played the role of Raj Malhotra’s friend Rocky in the movie and shared some amazing pictures from the movie. While one photo shows Karan in conversation with the late actor Amrish Puri who played Kajol’s onscreen father. Whereas another still shows the group of three friends on the train in Europe.

DDLJ Turns 25: Karan Johar Shares bunch of Pics

DDLJ Turns 25: Karan Johar Shares bunch of Pics with late Amrish Puri, SRK as he remember legendary love story

While sharing the photos he remarked about “how it was learning ground for him.” He added, “DDLJ is so so special to me and will always be….it was my training ground ….I have indelible memories of our times on set….the film has achieved the status of being a legendary love story and I am so proud that I was a tiny part of this beautiful film!”

DDLJ Turns 25: Karan Johar Shares bunch of Pics

Karan then also Thanked Aditya Chopda for teaching him while he was on the sets of DDLJ and wrote:”Thank you Adi for all my learning’s and all the memories ..#DDLJ25 @yrf,”.

lets check out the photos and videos:

View this post on Instagram

DDLJ is so so special to me and will always be….it was my training ground ….I have indelible memories of our times on set….the film has achieved the status of being a legendary love story and I am so proud that I was a tiny part of this beautiful film! Thank you Adi for all my learning’s and all the memories … #DDLJ25 @yrf

A post shared by Karan Johar (@karanjohar) on Oct 19, 2020 at 10:49pm PDT

Also, Read; Karan Johar is constantly crying after receiving hatred over Sushant Singh Rajput’s death

[esytes69]

Deepika Padukone pens note in praise of Ayushmann Khurrana, Anand Ahuja shares first...

Deepika Padukone pens note in praise of Ayushmann Khurrana, Anand Ahuja shares first... Here are top 5 entertainment news stories of the day:Ayushmann Khurrana only Indian actor on Time’s 100 most influential list, Deepika Padukone praises actorAyushmann Khurrana has been named among world’s 100 most influential people by the Time Magazine. The actor took to Instagram to share how “honoured” he was to be a part of the group. He shares the honour with Prime Minister Narendra Modi, who, too, has been named in the list.(Read full story here)Taapsee Pannu says she will ‘break all ties’ with Anurag Kashyap if he is found guilty of sexual harassmentActor Taapsee Pannu is standing by filmmaker Anurag Kashyap, who has been accused of sexual harassment by actor Payal Ghosh. She, however, says that if he is found guilty, she will be the ‘first person to break ties with him’.(Read full story here)Enola Holmes movie review: Forget Superman, Henry Cavill is Sher-locked into a new Netflix franchise nowProviding children with a heroine that they can look up to, and their parents with enough thematic meat to chew on, Netflix’s Enola Holmes is an energetic and empowering update of Arthur Conan Doyle’s iconic stories, for Gen Z.(Read full story here)When Kajol revealed that daughter Nysa convinced her to do Dilwale: ‘I wanted to cry, I wanted to laugh’Kajol, in an appearance on Anupam Kher’s chat show in 2015, revealed that her daughter Nysa convinced her to do Dilwale, which was her seventh film with Shah Rukh Khan. It marked Kajol’s return to acting after a five-year gap. #EntertainmentNews #entertainmentnewsacqro #entertainmentnewsacqroupdates #entertainmentnewsonacqro #entertainmentnewsupdates #updatesonentertainmentnewsonacqro Read the full article

[liveindiatimes]

Happy birthday Karan Johar: Did you know he made his acting debut with a Doordarshan show? Watch video - bollywood

https://liveindiatimes.com/happy-birthday-karan-johar-did-you-know-he-made-his-acting-debut-with-a-doordarshan-show-watch-video-bollywood/

From filmmaker to producer to actor to reality show judge, Karan Johar wears many hats. On his 48th birthday, did you know he started his career in the entertainment industry as a child artiste in a 1989 Doordarshan series titled Indradhanush?

Contrary to popular belief, Karan did not make his acting debut with a supporting role in Shah Rukh Khan and Kajol-starrer Dilwale Dulhania Le Jayenge. He spoke about working in the show on Sajid Khan and Riteish Deshmukh’s chat show Yaaron Ki Baaraat.

Karan said that though he shot for Indradhanush when he was around 14 or 15 years old, it came out a few years later, due to a delay in the production. By this time, he was already in his second year of college. “I was ragged when I was 18 about something I did when I was 15. It was not fair,” he said, adding that he felt embarrassed when he watched it now.

Directed and produced by Anand Mahendroo, Indradhanush was a children’s series which dealt with themes of outer space and time travel. Karan played a young boy named Shrikant.

    Also see: Kuch Kuch Hota Hai fans can’t keep calm as Archana Puran Singh aka Miss Braganza shares message for Anupam Kher’s Malhotra

After a supporting role in Dilwale Dulhania Le Jayenge and special appearances in a few films, Karan made his full-fledged acting in the box office disaster Bombay Velvet, directed by Anurag Kashyap. He also starred in Chakri Toleti’s Welcome To New York.

Recently, Karan shared a picture of himself on Instagram, flaunting his grey hair, and joked that he was ready to do father roles in films. “I know my acting stint was scarier than the current virus but there is no harm in hoping for a second chance! So to all enterprising casting directors ,to all risk taking filmmakers , to critics with a high threshold of pain and to easy to please audiences I have an announcement to make!!!! I AM AVAILABLE FOR FATHER ROLES! ( at 48 with a poor track record I promise i can’t afford to be choosy),” he wrote.

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Yash Raj Films turns 50: Actors who began their film career with the production house, from Anushka Sharma to Ranveer Singh

Yash Raj Films, founded by late filmmaker Yash Chopra, is currently in its 50th year. The production house, popularly known for its romantic dramas and colourful palette, has experimented with its offerings over the years, particularly when Aditya Chopra took over. From stylised action dramas to films set in small-town India, YRF has brought many a flavour to the big screen. Through a series of throwbacks, we will celebrate the legacy of the production house across the year. Before the coronavirus outbreak shook the world, YRF was scheduled to launch three new faces in their 50th year in 2020. These includes Sharvari, who was seen in Kabir Khan's Amazon Prime Video India Original show The Forgotten Army opposite Sunny Kaushal. She will make her Hindi film debut with Bunty Aur Babli 2, opposite Siddhant Chaturvedi.

Sharvari, Shalini Pandey, and Manushi Chhillar Similarly, Shalini Pandey, who was noticed in Sandeep Vanga Reddy's 2017 romantic drama Arjun Reddy opposite Vijay Devarakonda, will make her Hindi film debut opposite yet another YRF find, Ranveer Singh, in the comedy Jayeshbhai Jordaar. And Manushi Chhillar, Miss World 2017, will make her long-awaited screen debut opposite Akshay Kumar in Chandraprakash Dwiwedi's historical drama Prithviraj. Now, a major chunk of the credit must go to the recurring casting director of the production house, Shanoo Sharma. She joined YRF in 2011, that coincided with an infusion of fresh blood into the studio. While introducing new directors was a norm since 2000s, the 2010s saw a surge in new faces, some of whom subsequently became A-list stars. The A-list wagon Anushka Sharma YRF had introduced new faces since 1970 but those were few and far between. None of them, despite making promising debuts, went on to register themselves as A-list stars. Yash Chopra can be credited with his share of finds like Poonam Dhillon and Saif Ali Khan but their debut films Trishul and Parampara were produced by Gulshan Rai and Firoz A Nadiadwala respectively, not YRF. The first major star to debut in a YRF film turned out to be the game-changer Anushka Sharma, who was cast opposite Shah Rukh Khan in Aditya Chopra's 2008 directorial Rab Ne Bana Di Jodi. She played the role of Taani, a submissive homemaker who finds herself in a marriage without will and finds an unlikely partner in a dance class.

Anushka maintains the film changed her life as she went on to become an A-list star and a producer herself, under the banner of Clean Slate Filmz. "Adi (Aditya Chopra) used to say that we have taken you because you can stand on your own against anyone. Yash ji had also said the same. For a young person like me to hear that was a huge confidence booster. The only reason I was so confident when I did the film is because I was so prepared. Confidence comes because you work so hard," she said to Press Trust of India. Anushka's three-film deal with YRF (a banner ritual since then) included Parmeet Sethi's 2010 directorial debut Badmaash Company and Maneesh Sharma's cult romantic comedy Band Baaja Baaraat. She was later seen in YRF films like Sharma's 2011 heist drama Ladies Vs Ricky Bahl, Yash Chopra's 2012 romantic drama Jab Tak Hai Jaan, Ali Abbas Zafar's 2016 sports drama Sultan, and Sharat Kataria's 2018 film Sui Dhaaga: Made in India. Ranveer Singh Ranveer made his debut in the lead role opposite Anushka in Band Baaja Baaraat. The film catapulted Ranveer into the A-league, inviting comparison with the flavour of the season, Ranbir Kapoor, who was interestingly the first choice for the role. Ranveer played Bittoo, a brash Dilli ka launda, who collaborates with Anushka's character to start a wedding planning business, but ends up falling for her. He made the body language and accent of Bittoo so memorable that it took a while to let it sink in that Ranveer was actually a born and raised in Mumbai.

It is common knowledge that Karan Johar was doubtful about Anushka's prospects before the release of her debut film, but Aditya Chopra kept a check on Ranveer's expectation as well. He told the actor, "You’re not the most good looking guy. You have to do some good acting if you want people to like you." Of course, Ranveer then went on to feature in YRF films like Ladies Vs Ricky Bahl, Ali Abbas Zafar's 2004 buddy crime drama Gunday, Shaad Ali's 2014 action comedy Kill Dil, and Aditya Chopra's 2016 romantic comedy Befikre. Parineeti Chopra Interestingly, Parineeti was a public relations consultant in YRF before she was spotted by Shanoo for one of the four love interests of Ranveer's character in Ladies Vs Ricky Bahl. She stood out for her spoilt Delhi girl portrayal, and went on to do Habib Faisal's 2014 action romance Ishaqzaade as the female lead.

Parineeti, who was already shooting for Ishaqzaade when her debut film released, was called by Yash Chopra, who thanked her for being part of his film. Parineeti was later seen in several YRF films like Maneesh's 2013 romantic drama Shuddh Desi Romance, Habib's 2014 food film Daawat-e-Ishq, Kill Dill, Akshoy Roy's 2017 directorial debut Meri Pyaari Bindu, and the upcoming Dibakar Banerjee film Sandeep Aur Pinky Faraar. Arjun Kapoor

Arjun was supposed to make his debut in a film produced under Y Films, a subsidiary of YRF. But Aditya Chopra then cast him instead as Parma, the male lead in Ishaqzaade, an adaptation of William Shakespeare's iconic play Romeo & Juliet. Arjun was subsequently seen in YRF films like the 2013 crime drama Aurangzeb, Gunday, and will appear in Sandeep Aur Pinky Faraar. Vaani Kapoor

Vaani's performance in her debut film, a supporting character in Shudh Desi Romance, remains her best till date. Later, she was seen as the female lead in films like 2014 Tamil flick Aaha Kalyanam, Befikre, and most recently Siddharth Anand's 2019 espionage thriller War. She will next be seen opposite Ranbir in Karan Malhotra's dacoit drama Shamshera. Bhumi Pednekar Bhumi, a former assistant to Shanoo, auditioned for Sharat's 2015 romantic drama Dum Laga Ke Haisha. She was asked to gain weight tremendously to play Sandhya, a plus-sized wife to Ayushmann Khurrana's character.

The film not only solidified Bhumi-Ayushmann as a dependable onscreen pair but also established Bhumi as an A-league actress. She has not been seen in a YRF film since her debut but has chosen to mix it up with a wide range of banners, directors, and roles. However, she continues to be represented by YRF. Other noticeable debuts Farah, actress Tabu's sister, got her big break in Hindi cinema through Yash Chopra's 1985 directorial Faasle. She later appeared in several films till 2005 but could never break the glass ceiling like her younger sister did. Mandira Bedi and Parmeet Sethi were introduced as supporting actors in Aditya Chopra's iconic 1995 romantic drama Dilwale Dulhania Le Jayenge. They played siblings and the quintessential third vertex in the love triangles involving the protagonists Simran (Kajol) and Raj (Shah Rukh Khan). While they continue to act in films, they have not really made it big in the industry. Parmeet was last seen in Ruchi Narain's Disney+ Hotstar show Hundred, and Mandira appeared in Sujeeth's 2019 multilingual action entertainer Saaho. The Mohabbatien brigade in 2000 saw Aditya Chopra introduce as many as four newcomers, including his younger brother Uday Chopra, Shamita Shetty, Kim Sharma, and Preeti Jhangiani. All of them formed a stellar ensemble, along with Jugal Hansraj, Jimmy Sheirgill, SRK, Aishwarya Rai Bachchan, Archana Puran Singh, Anupam Kher, and Helen. None of the newcomers are active actors today. Uday works in the backend of YRF, and was last noticeably seen in the Dhoom franchise. Shamita last appeared as a finalist in Fear Factor: Khatron Ke Khiladi Season 10. In 2002, Tulip Joshi made her debut with Sanjay Gadhvi's romantic comedy Mere Yaar Ki Shaadi Hai. However, she went into oblivion after Anant Mahadevan's 2004 film Dil Maange More, opposite Shahid Kapoor. The same year, Sandhya Mridul graduated from television to films with a supporting role in Shaad Ali's Saathiya. She has appeared sporadically on screen since then, and last appeared in Ajay Bahl's 2019 courtroom drama Section 375 in films and ALTBalaji and ZEE5 show Mentalhood. Sagarika Ghatge was lauded for her portrayal of Preeti Sabarwal, an ambitious Indian hockey player in Shimit Amin's 2006 sports drama Chak De! India, alongside SRK, who played the coach. She has appeared in a few films since then, and is now married to Indian cricketer Zaheer Khan. Gauhar Khan and Shazahn Padamsee made their debut together in Amin's 2009 film Rocket Singh: Salesman of the Year, alongside Ranbir. Gauhar was last seen, in yet another corporate comedy, in the Hindi adaptation of The Office last year on Hotstar. Shazahn, however, was last seen way back in Sajid Khan's 2012 ensemble comedy Housefull 2. Meiyang Chang, who rose to fame with reality shows like Indian Idol and Jhalak Dikhla Jaa, appeared in a few YRF films but was the most noticed in Badmaash Company. Saqib Saleem was introduced in Nupur Asthana's 2010 film Mujhse Fraaandship Karoge, produced under Y Films. He has since then appeared in several noteworthy films like Karan Johar's short film in Bombay Talkies, Rohit Dhawan's 2016 film Dishoom, Remo D'Souza's 2018 action drama Race 3, and will be seen in Kabir Khan's sports drama 83 later this year. Shashank Arora and Shivani Raghuvanshi got a break in Kanu Behl's 2014 directorial debut Titli. They later reunited for Amazon Prime Video India Original show Made in Heaven last year. He last appeared in Geethu Mohandas' critically acclaimed gangster drama Moothon in 2019, and she was noticed in short film Devi earlier this year. The bad guys from the Mardaani franchise, Tahir Raj Bhasin and Vishal Jethwa, made remarkable debuts when they locked horns with Rani Mukerji's lead character. Both won awards for their breakthroughs, and Tahir later appeared in Nandita Das' 2018 critically acclaimed period drama Manto and Nitesh Tiwari's 2019 blockbuster Chhichhore. Unlikely acting turns Filmmaker Karan Johar and costume designer-cum-stylist Anaita Shroff Adajania made unexpected acting debuts as Raj and Simran's friends in Dilwale Dulhania Le Jayenge. This was three years before Johar made his directorial debut with Kuch Kuch Hota Hai. He, of course, later appeared in a few acting roles, most notably as the antagonist in Anurag Kashyap's Bombay Velvet. Anaita continues to be an ace stylist, and made only one fleeting appearance as Saif Ali Khan's love interest Geeta in Nikkhil Advani's 2003 film Kal Ho Naa Ho. Stand-up comedian Abish Mathew played Ayushmann Khurrana's friend in Meri Pyaari Bindu. His role mostly seemed like an extension of his persona off-screen. He has not appeared in any film yet, and continues to be busy with his gigs and show Son of Abish. Read the full article

[fromhollywoodtobollywood]

Alright, people my first Bollywood movie is...

Kuch Kuch Hota Hai (1998) dir. Karan Johar

This movie is...a lot of things. It is three hours long so lots of shit goes down. I struggle trying to fit this in to a typical 3-Act Hollywood screenplay structure  because it feels like two movies in one. If it were released in the US, the second half would be released a year later as a sequel to the first. But I digress...Let’s begin.

The story opens with Rahul (Shah Rukh Khan) and his wife, Tina (Rani Mukerji). They are in love! They are married! They are having a baby! It’s a girl! But tragedy strikes. Shortly after Tina gives birth, a doctor informs Rahul that she is suffering from severe internal bleeding. Internal bleeding that she somehow knew was going to happen? I’m pretty sure that’s not how internal bleeding works. Anyway, even though this woman is “profusely bleeding” (doctor’s words) on the inside, she still has the composure and stamina to say proper goodbyes to her husband and write a series of letters to her baby daughter (to be given to her each year on her birthday). I realize if I don’t suspend my disbelief, I may not get though the first 20 minutes of this movie. But seriously, they can’t find a medical consultant in India? I’m Indian, and I can name five MDs in my family. Back to the story: Tina makes her husband promise two things: One, that he will never cry because he looks ugly when he does. That’s going to be fantastic for his toxic sense of masculinity. And two: That they name their baby daughter Anjali. It’s a perfectly normal promise and a cute name. Anyway, she dies, he ugly-cries and we are transported to...

MUMBAI, 8 Years Later (I’m assuming this is 1998 based on the year the film was released)

Anjali (Sana Saeed) is now a super-cute kid on the eve of her 8th birthday. While it’s never established what Rahul does for a living, he’s pretty loaded by any standard. 8-year-old Anjali has a camcorder in her room and her own TV with MTV India. In her spare time, she pretends to be an MTV VJ like Neelam. Anjali speaks a charming mixture of Hindi and English that she clearly learned from MTV. She says things like “I’ll be back next week: Same time, same place.” Anjali loves chocolates and wants to be a VJ when she grows up. The character of Anjali is approximately my age so by the time she’s old enough, MTV won’t have VJs, it’ll just be Teen Moms. BUT ANYWAY, she leaves the house to meet her dad on a bridge and this is where things get a little...freudian. Her father is two hours late to meet her (so this little kid has been standing alone in the middle of Mumbai for two hours). When he sees her, he tries to win back her good graces with flowers, chocolates, and a teddy bear like a fuckboy who forgot it was Valentine’s Day and ran to CVS. In this moment, his daughter says she is “tired” of having to be his daughter and his wife (because she picks out his clothes). He responds with “Well, if I have to be your mom AND dad, then you can...” He doesn’t finish the thought because it’s creepy as fuck. But they quickly apologize, do a cute handshake thing, and head home. At home they run in to Grandma (Farida Jalal) who is leading a Hindu Bahjan group of older ladies. She is very pious and has the same shruti machine as my grandmother. Anjali runs in and greets her Grandmother with a TOTALLY APPROPRIATE “Hi, sexy!” greeting. If I had done this to my grandmother (during bhajans, no less) she would have smacked me. Seriously, why is this kid allowed to have MTV in her room?

We then see a speech competition at Anjali’s school where kids are given a random word and have to speak extemporaneously on that subject for one minute. It’s weird but at this point, not the strangest thing that’s happened in this movie. Anjali is pitted against a girl named Jasminder (like ‘Bend it Like Beckham”!) and of COURSE the word Anjali gets is “Mother.” She begins to cry on stage when her dad steps on stage and basically does her speech for her because she is sad. The audience thinks this is adorable and he gets a standing ovation. We return to Rahul’s mansion where he plays basketball inside near one of those Beyoncé hair fans. This house is off the chain. His mother implores him to get re-married for the sake of his happiness and Anjali’s. Rahul insists that love and marriage are something that only happen once in a lifetime. He also says Anjali is alright because she has the letters from her mother.  Sure. Because a birthday letter totally makes up for not having a mom.

The next morning, Anjali awakes on her birthday in her truly spectacular bedroom (seriously, what does Rahul do for a living?) and runs down stairs to a stack of presents that would make Dudley Dursley jealous. She pushes all the presents aside to find the letter from her mother. In a voice over, her mother says that this year’s letter will be different from the past. This year, her mother is going to tell her a story about Rahul, Tina, and someone named Anjali. Hashtag, intrigue. 

FLASHBACK to Xavier College in the late 1980s

Rahul (still Shah Rukh Khan…they didn’t pull a Chandler Bing/Zac Efron thing here) is playing basketball flirtatiously with a young woman named…Anjali (Kajol.) OG Anjali is smart, funny, and a fantastic athlete (although nothing they do resembles real basketball). However, we KNOW she can’t be taken seriously as a love interest for Rahul because she has short hair and dresses like a combination of Sporty Spice and Dennis the Menace.

A few words about the fashion choices in this film: Although this is supposed to be the 1980s, everyone is dressed like it’s the late 90s. Rahul runs around campus in that GAP sweatshirt and Ralph Lauren rugby shirts that were ubiquitous in the late 1990s. OG Anjali wears a lot of cute but anachronistic, DKNY, Adidas, and Nike separates. No one wears a mullet, no one has feathered/permed hair, nobody’s jeans are acid washed. I have no problem with flashbacks in movies but the fashion and hairstyling make it seem like this is still 1998. Also, does Bollywood have a pass when it comes to showing licensed products and characters? So far I’ve seen a Tweety Bird, a Coke logo, a Pepsi machine, and a background character carrying a Mickey Mouse binder. It doesn’t feel like intentional product placement and I wonder how they got away with this.

Back to OG Anjali and Rahul. While they play “basketball” one accuses the other of cheating and they get in a fight. This brings us to our first SONG AND DANCE BREAK. Honestly, this is why I signed up for watching Bollywood movies. Unfortunately, there are no subtitles for the songs so I can only guess what they are about based on context clues. This one appears to be about Rahul and Anjali’s basketball fight which happened in private but is discussed on the campus radio station. So Anjali dances with her friends, Rahul dances with his and by the end of the song, they are friends again. The song has a fun beat and the choreography is pretty on point. This is probably the second most musically talented school after East High (What team? WILDCATS!). This song would have worked really well as a stand-alone music video and single but of course, this is Bollywood/India so a song can't just be a song.

We return to campus as usual where the principal (Anupam Kher) is waging a war on short skirts. Meanwhile, he ogles a particularly attractive member of the faculty (and so do the male students). I want to take this moment to say that while Hollywood films aren’t always *great* in regards to how they treat the female body, there is something particularly noxious about the male gaze in this film. Sexually objectifying a student or a teacher is just a fun, quirky thing the men in this movie do. It’s especially troubling to think about how Bollywood portrayals of this type of harassment influence Indian gender politics. If anyone has a suggestion for a Bollywood movie where women are visually treated with respect, please let me know. BUT ANYWAY, the actor who plays the principal is actually someone I recognized from playing the dad in “Bend it Like Beckham” and the dad in “Bride and Prejudice.” When I looked him up on IMDB, I learned he is probably the most prolific working actor in the world. Dude has THREE HUNDRED AND NINETY ONE acting credits to his name. Congrats on the career, man. He is happily talking to OG Anjali, a good student and a “good girl” who doesn’t wear short skirts like “other girls” (kill me, please). Principal Malhotra mentions that his daughter (who lives in London but somehow goes to Oxford) is going to do her final year of college at Xavier.

When we meet Principal Malhotra’s daughter she is none other than Tina, (Rani Mukerji) Little Anjali’s mom. We can tell Rahul is into her because there is music and he stops flirting with another woman when she walks in the room. We all know he eventually marries her and fathers her child so this meet-cute is a little anti-climactic. The real magic happens when OG Anjali meets Tina. Seriously, these two share some LOOKS and have some palpable sexual chemistry. If homosexuality weren’t literally a crime in India, I’d like to see these two in a rom com about how they fall in love and scam Shah Rukh Khan for his sperm so they can raise their daughter away from the ever-present male gaze. They have more chemistry with each other than either of them has with Rahul. I’m shipping this so hard and it’s not going to happen.

On campus, Tina faces a very specific form of harassment. Since she dresses modestly, is conventionally attractive, and the principal’s daughter, she is not openly catcalled the way other female students are but Rahul and his bros (in a pretty shitty flirting attempt) ask her to “prove” she’s “Indian enough” by singing in Hindi. Apparently, because she lives in the UK, that means she’s westernized and no longer “Indian.” There is so much wrong with this that I simply cannot. Sorry, that’s the westernized white girl in me talking. In all seriousness, Rahul is supposed to be the campus Cassanova and his idea of flirting is making a woman publicly “prove” her cultural identity. It is hella problematic #notwoke. Tina slays her rendition her rendition of “Om Jai Jagdish Hare.” This is a song sung during Aarti at Hindu prayers. Even I, a culturally beige-washed American, know the chorus and a few verses of this song because if I didn’t sing a long and stay for Aarti, I didn’t get ladoo and ladoo is delicious.

Now we get to the structural problems with this script. A half an hour passes with that is pertinent to the plot of the film. There is a student talent show that is completely irrelevant to the overall plot of the film and simply another excuse for a song and dance. It’s a great song. If they played this at a party, I would not be mad. Tina, Rahul, and OG Anjali essentially improv a full performance and it goes over like gangbusters. It also seems to be an excuse to dress Tina and OG Anjali like 2/5ths of The Spice Girls. Tina is Posh. OG Anjali is a strange mixture of Sporty and Baby. Again, a fun song but would work better as a single. The title song of this film is set among the ruins of a Scottish castle (seriously). For all the shit Rahul gave Tina for going to school in the UK, he seems super content wearing his GAP sweatshirt while singing and dancing in the land of his colonialist oppressor. Sadly, the title song is the least catchy of the film and doesn’t seem to make much sense. Are they all having the same dream about Scotland? Is it a paid advertisement for popular athletic brands of the 1990s? Is it a political statement about India, Scotland, and British colonialism? Who the fuck knows.

We finally come to an important plot point. In an English class taught by the sexually subversive faculty member who wears miniskirts, the students are reading Romeo and Juliet. TANGENT: The professor’s notes on Romeo and Juliet are covered in pictures of Leonardo DiCaprio and Claire Danes. These are licensed images from the 1996 film. How did this get past Baz Luhrmann’s lawyers? Tangent aside, instead of asking the students specific questions about the text (or movie), she poses the super deep question: What is love? *insert “A Night at The Roxbury” reference here* Really? What is love? Poor Tina. She left Oxford for this? Rahul answers the question with the level of intellect and sophistication we come to expect from him. He says “love is friendship” causing both Tina and OG Anjali to believe that he is in love with his best friend, OG Anjali. We know this is not true because Tina and OG Anjali are the real love story of this movie. WHY ELSE WOULD SHE NAME HER DAUGHTER AFTER HER?

At this point, OG Anjali believes she has feelings for Rahul and becomes weepy-eyed. When she goes to him to confess her feelings in a wheat field (as one does), he greets her with a confession of love. He then retracts it without giving her a chance to respond and says he was just practicing for when he plans to tell Tina. This guy is the goddamned worst. Why are we supposed to like him, again? OG Anjali responds to this the way any intelligent, self-possessed woman would: By dropping out of college. Rahul and Tina are upset and try to get her to get off the train. She does not. Cool. Way to make a great life decision. Which brings us back to…

LITTLE ANJALI CRYING WHILE READING THIS IN A LETTER. Remember Little Anjali? It’s her birthday? She somehow managed to be a sweet kid despite being raised by MTV and a borderline negligent father. This is the halfway point in the film. Seriously, this shit is only half over. 

It’s now up to Little Anjali to reunite her father and her namesake. She decides to play a word-association game she learned by watching MTV-India to get more background information on OG Anjali. This misguided little girl starts the game by jumping on her father’s back and asking him what word he thinks of when he thinks of the word “sexy”. She says this while on his back. The visual isn’t great. Rahul responds to the “sexy” prompt with the name of HIS MOTHER. This family needs some serious therapy or they are tip-toeing treacherously close to Greek Tragedy territory. Anyway, when she says “Anjali”, he responds with “Sharma” (OG Anajli’s last name). While this seems farfetched that he’d say her last name when his own daughter Anjali is being carried on his back, it’s is not even the most bizarre thing to happen in the last five minutes of this movie.

Little Anjali and the grandmother ask more questions about Anjali Sharma. Rahul says she was his best friend in college. He explains that OG Anjali “wasn’t like other girls” because she enjoyed sports and didn’t “wear make up or short skirts.” “She was one of the guys,” he explains with a smile. I’m starting to think that OG Anjali is just the Bollywood iteration of the Hollywood “cool girl.” I want to take this moment to say that not all American exports are good. Sure, we may have given the world Diet Coke and “Hamilton” but this concept of the female lead who is “not like other girls” is hashtag problematic as hell. “Not like other girls” implies that it is somehow better to be in the company of men and masculinity than it is to be among things and people deemed “feminine.” While it’s on the surface empowering, it’s underlying message is steeped in outdated and patriarchy perpetuating myths about gender. Additionally, no girl is like all “other girls” because women and girls make up 3.5 billion people worldwide. Each girl and woman has her own interests, passions, and opinions that make her unique. It makes me truly sad to see other cultures adopt this “not like other girls concept” and use it to propagate problematic gender norms in their own societies.

That last paragraph was brought to you by my Seven Sisters education. Back to Kuch Kuch Hota Hai- Rahul, his mother, and Little Anjali head back to Xavier College to see Tina’s father on the anniversary of her death. While there, they decide to look up Anjali Sharma. Principal Malhotra says that he knows someone who might be able to help. Rifat Bi, the housemother of the girls dormitory remembers every student and as it turns out is still in touch with Anjali.

A note about Rifat Bi: She is a devout Muslim woman and when she is introduced, the Muslim call to prayer is used as background music. I am ashamed to say that as an Indian-American raised in an increasingly Islamophobic society, I heard that music and got scared-like white lady walking through Compton scared. I thought some “Homeland” shit was about to go down. And I’m a liberal! I voted and volunteered for Hillary! But as ashamed as it made me feel to feel fear upon hearing “Allah u Akbar,” I used this as an opportunity to challenge my Islamophobic assumptions. Rifat is a helpful and kind woman who does what she can to help the Khanna family find OG Anjali. When she gets a phone call that OG Anjali is engaged, she tearfully tells the family the news. At this point, Little Anjali (instead of crying) puts on a hijab and sits on a prayer mat. Although this plot point is Kellyanne Conway level ridiculous, it’s actually a very earnest expression of interfaith prayer and a rare positive portrayal of Islam. While little Anjali prays, Rifat gets another phone call to say Anjali’s wedding has been postponed until December because of astrology.

So what has become of OG Anjali? Well, she’s engaged to an NRI (that’s Non-Resident Indian) who lives/works in London. Her fiancé is a man and I was a little bummed by that (sigh, India). OG Anjali now presents herself in a more traditionally feminine way. Now when we see her, her hair is long, her eyebrows threaded, and she is wearing…makeup. Granted, it is her engagement party but she doesn’t go back to wearing track pants or jeans for the rest of the film. I guess now that she has feminized herself in a traditionally Indian way, she’s the focal point of this second-half love triangle. Her fiancé, Aman Mehra (Salman Khan) seems like a cool dude and he and his bros have some sick dance moves. If Pinterest existed in India in 1998, pictures and video of this scene would have been a bigger wedding trend than mason jars. Aman is also infinitely more watchable, charismatic, and attractive than Shah Rukh Khan. He is not quite the match for OG Anjali that Tina was but she’s dead and nobody’s perfect.

OG Anjali wants to take some time while Aman goes back to London to teach singing/dancing to kids at a summer camp. Little Anjali finds out about this by calling the engagement venue and eavesdropping on the conversation OG Anjali and Aman have about the camp. With new knowledge about the summer camp, Anjali begs her dad to go. He says absolutely not because she has never shown any interest in singing or dancing. Really? This kid watches MTV all day Does Rahul know nothing about his kid? God, he’s the worst. Rahul leaves on an “Exporter’s Trip” (so he’s an “exporter”...is that a job? whatever) to London leaving Little Anjali in the care of her grandmother. While he is at the conference he runs in to Aman and there is a bit of confusion with the phones when both Anjalis call at the same time. The men share a laugh before telling the other “best of luck with your Anjali.” Get it? Because women are property!

Little Anjali and her grandmother use this opportunity to escape to OG Anjali’s summer camp. Gotta hand it to Little Anjali for enlisting adult help. If this were a Hollywood film, she would have stolen her dad’s credit card number (I’m looking at you, “Sleepless in Seattle”). Anjali and her grandmother head to the camp and it’s actually pretty cute. Mrs. Khanna schools the Anglophile camp director on colonialism and goes as far as to dismantle his portrait of Elizabeth I. Honestly, I’d like to watch a movie about an Indian grandmother dismantling colonialist symbols and taking back her power but alas, this is as fruitless as wishing for a queer romance in a Bollywood film. Meanwhile, Little Anjali meets her name sake while dressed like a “Dora the Explorer” cosplayer. Rahul (Parent of the Fucking Century) decides to use MTV to reach out to his daughter and says “Anjali, I miss you, please come home.” OG Anjali hears this and briefly thinks Rahul is talking about her. In that moment, she realizes Little Anjali is Tina and Rahul’s daughter. OG Anjali cries dramatically upon seeing the picture of Tina that Little Anjali sleeps with. Shortly after the identities are revealed, Little Anjali leaves a message for her father with the sound of her sneezing and he runs dramatically to the camp. Remember, this is the same man who left his child to wander the streets of Mumbai for two hours.

Rahul arrives at the camp while the children are singing “Ragupati Raghava Rajaram”-a song I sang every morning as a child. Unlike my childhood prayer, this song has a dance floor beat. I think you could probably play this at The Abbey in West Hollywood and it would be a hit. If I heard this version while sipping a G&T and talking to my new best friend about the red carpet at Cannes, I’d be weirded out in the best possible way. Rahul walks in just in time for ladoo (sweet timing, dude) and calls for Anjali. Both his daughter and his love interest respond-that’s not a Freudian nightmare at all. OG Anjali and share a cinematic moment. Rahul decides to just stay at the camp with his daughter and mother while they sing dance out some feelings of unrequited love and play “basketball.” Little Anjali is finally able to show off her singing and dancing skills. Girl has some skills. All that MTV has really paid off. All these background kids are seriously talented dancers. I can only imagine how good Disney Channel India is.

This is where things get *dramatic* again. OG Anjali remembers she is still engaged to Aman and leaves the camp in tears. A little boy in a turban who hasn’t talked before, cries and tells her not to leave. When Rahul sees OG Anjali leaving he hands her the scarf she was wearing the day she left college. Has he really had it this whole time? Also there are a ton of continuity errors with OG Anjali’s engagement ring-sometimes it’s garnet and others times it’s diamond. Is there no one whose job it is to check for these things? There are so many poor, unemployed people in India. Bollywood could solve a lot of problems if they hired some people to spot and avoid blatant continuity errors. Economics lecture aside, it starts to rain and who shows up but Aman saying he loves OG Anjali and is ready to get married because fuck astrology. Little Anjali and Rahul look distressed.

Little Anjali decides to try a little reverse psychology with Aman. She tells him that he is a very handsome man and could have any woman he would want. Why would he want to marry OG Anjali? God, she’s going to be a monstrous teenager. Aman (jokingly) goes along with what Little Anjali is saying. He says he is handsome and doesn’t have to settle for someone “dark and fat.” Way to reenforce colorism and body shaming, Bollywood. It’s not enough that this movie takes place in India and no one has a “dusky” complexion but let’s throw a little fat shaming in there as well. Nonetheless, Fair and Lovely ™ Aman says that he loves OG Anjali and is ready to get married.

At the wedding, OG Anjali can’t stop crying/thinking about Rahul and Little Anjali. When she comes down the stairs, Aman sees the distress in her face and lets her go. He tells her that he wants her to be happy even if it’s not with him. Besides, he says someone told him “he could have any woman he wants” and shoots Little Anjali a smile. This guy seems genuinely jazzed to be not getting married despite declaring his love in the rain just before this. Rahul and OG Anjali tearfully embrace and it’s assumed they end up together. Little Anjali cries tears of joy while wearing casual western wear. There is no way in hell I could have worn anything other than Indian clothes to someone’s fancy wedding. Little Anjali and Aman lead a pretty solid dance at the not wedding. A farfetched idea but hey, the choreography is on point-a pretty accurate description of the film as a whole.

[celebritylive]

Diwali is a festival of lights and is something that is celebrated in every corner of India. The festival also helps Bollywood in a major way as films released during the festive season get maximum audience footfall since families and friends want to go out and have a good time. History supports this claim as well since films releasing on the festival of Diwali generally have gone on to make the big bucks. Since the 90s, we have seen the Diwali slot mostly occupied by Shah Rukh Khan, Rohit Shetty or Ajay Devgn with Salman Khan also making an appearance in 2015.  So, we decided to take a little trip down the memory lane and bring you some of our favourite Bollywood films that released during the festive season of Diwali. 

Andaaz Apna Apna (1994)

Director: Rajkumar Santoshi 

Cast: Aamir Khan, Salman Khan, Karisma Kapoor, Raveena Tandon, Paresh Rawal and Shakti Kapoor

  Andaaz Apna Apna is a cult classic comedy featuring Salman Khan, Aamir Khan, Paresh Rawal, Karisma Kapoor and Raveena Tandon. The film revolved around two men named Amar (Aamir Khan) and Prem (Salman Khan), who believe that marrying a rich heiress will put all their problems to an end and help them live the “good life”. What follows is a chain of events that will have you falling off your seat with laughter. Even though the film didn’t manage to impress the audience at the time, it has gone on to earn the status of a cult classic which fans love to this date. Also a good comedy is probably perfect for a family and friends get together isn’t it?

Dilwale Dulhania Le Jayenge (1995)

Director: Aditya Chopra 

Cast: Shah Rukh Khan, Kajol, Amrish Puri, Anupam Kher and Farida Jalal

  Dilwale Dulhania Le Jayenge is not only one of the biggest Diwali releases from Bollywood but also is one of the biggest films in the history of Indian cinema. On paper, the film doesn’t sound anything extraordinary. Boy meets girl. The two don’t get along too well in the start but later on, realise that they deeply feel for each other. And then, we set off on a journey to see how they overcome the obstacles that stand between them. Yes, the film was indeed simple but it was nothing short of special. Dilwale Dulhania Le Jayenge was also the directorial debut for Aditya Chopra and right with this film he proved that he’s a suitable successor to carry forward the rich legacy of the prestigious production house. The leading stars of the film Shah Rukh Khan and Kajol have had plenty of hits together (Baazigar, Karan Arjun, Kuch Kuch Hota Hai, Kabhi Khushi Kabhie Gham) but this one surely ranks as their best. Strong performances from the supporting cast including the likes of Amrish Puri, Farida Jalal, Anupam Kher and Satish Shah and a bunch of brilliantly written songs helped Dilwale Dulhania Le Jayenge into a timeless classic. 

Veer Zara (2004) 

Director: Yash Chopra 

Cast: Shah Rukh Khan and Preity Zinta 

  Veer Zara told us a tale of love that goes beyond borders. Like every Yash Chopra film, Veer Zara was visually on point along with some unrestrained emotion and some overdone sentimentality. Although we have seen stories like this before, Yash Chopra creates an entirely different film with the way he’s able to portray the love these two leads have for each other, the honour they pay to parents and elders and their genuine willingness to sacrifice themselves for each other. Despite limited screen time, Rani Mukerji makes a strong impact with her performance as a Pakistani lawyer. The lead pair's chemistry from their younger days all the way to the days of their fifties is absolutely spot on. The supporting cast comprising of Divya Dutta, Kirron Kher, Boman Irani, and Manoj Bajpai make full use of their well-defined characters and are able to deliver spectacular performances.

Garam Masala (2005)

Director: Priyadarshan

Cast: Akshay Kumar, John Abraham, Paresh Rawal and Rajpal Yadav 

Can any festive watchlist be complete without an Akshay Kumar comedy? We don’t think so. Garam Masala was another Diwali release that might not have had a storyline that will make you put your thinking hat on but it sure entertains you. The film revolves around two photographers Mac (Akshay Kumar) and Shawm (John Abraham). The two work for the same company and always are battling it our whether it is to get in the good books of the boss or for a girl they’re trying to impress. To get back at Shyam for getting a promotion, Mac begins to woo three air hostesses and also gets possession of a big house. Garam Masala is a classic Priyadarshan flick in which the audience is constantly served doses of comedy. Along with the Akshay and John, the film also stars Paresh Rawal, Rajpal Yadav, Rimi Sen and Asrani in supporting roles. 

Don (2006)

Director: Farhan Akhtar 

Cast: Shah Rukh Khan, Priyanka Chopra, Arjun Rampal, Kareena Kapoor (Cameo), Boman Irani, Isha Koppikar, and Om Puri 

  Don was a remake of Amitabh Bachchan’s film with the same name. Shah Rukh Khan stepped in the shoes of Big B and did complete justice to the role. While the storyline of the film was more or less the same as the original, Farhan Akhtar did have a trick up his sleeve by changing the climax of the film which also paved way for the sequel. Along with Shah Rukh Khan, the film also starred Priyanka Chopra, Boman Irani, Isha Koppikar and Arjun Rampal in lead. We also saw a brief appearance from Kareena Kapoor Khan in the film as she flaunted her sizzling moves in the song Yeh Mera Dil. The film, however, was a Shah Rukh Khan show all the way as he was able to seamlessly switch between the roles of Don and Vijay. 

Om Shanti Om (2007) Director: Farah Khan 

Cast: Shah Rukh Khan, Deepika Padukone, Kiron Kher, Shreyas Talpade and Arjun Rampal 

  Another Shah Rukh Khan release, another blockbuster. Om Shanti Om was Shah Rukh Khan and Farah Khan’s second collaboration after Main Hoon Na, which also went on to be a massive success. Om Shanti Om also marked the debut of Deepika Padukone. The film revolved around the subject of reincarnation. In the first half of the film, Shah Rukh Khan played the character of Om, a struggling artist in Bollywood who dreams to make it big. Om is hopelessly in love with Shanti Priya (Deepika Padukone), one of the biggest stars around at the time. Om happens to witness Shanti’s death through the hands of Mukesh Mehra (Arjun Rampal). Even though he tries his best to save her, he fails and ends up passing away in the process. But, as Om says, “Picture Abhi baaki hai mere dost”. Om takes birth again as OK aka Om Kapoor, a son of an established star in the industry. And as fate has it, he happens to cross paths with Mukesh in his second life which ends up with him remembering of his wrong deeds. The with the help of Sandy (Also Deepika Padukone) he formulates a plan to avenge his love Shanti’s death. While reincarnation isn’t a new concept in Bollywood, Om Shanti Om proved to be a thoroughly entertaining film which was loved by the audience. 

All The Best (2009)

Director: Rohit Shetty 

Cast: Ajay Devgn, Sanjay Dutt, Fardeen Khan, Bipasha Basu, Johny Lever, Sanjay Mishra and Mugdha Godse

  Another comedy film that you must watch with your close ones this Diwali is Rohit Shetty’s All The Best. The film almost has a David Dhawan vibe to it. Veer (Fardeen Khan) and Prem (Ajay Devgn) are two friends who end up loosing money in a car race. The problems for the two increase further when Veer’s elder brother Dharam (Sanjay Dutt) makes his entry into the picture and they have to find a way to pay up the cash they lost while not letting Dharam figure what is going on. While the humour is mainly brought by the situation, Rohit Shetty also makes good use of his cast by presenting them to the audience with funny characters.  While it obviously is not a Hera Pheri,  the film does give you a fair share of laughs making it definitely worth checking out if you haven’t already. 

Ae Dil Hai Mushkil (2016)

Director: Karan Johar 

Cast: Ranbir Kapoor, Anushka Sharma and Aishwarya Rai and Fawad Khan

  The Ranbir Kapoor, Aishwarya Rai Bachchan and Anushka Sharma starrer Ae Dil Hai Mushkil was Karan Johar’s last project that hit the big screen. To sum it up, the film was a story about unrequited love -  the shapes it takes, the ways it changes us and the exhilarating and often terrifying ride it takes us on. And this story is told through the film’s two lead characters Ayan (Ranbir Kapoor) and Alizeh (Anushka Sharma). Karan Johar makes you feel exactly how it’s like when you love someone who doesn’t love you back. Although there are some elements borrowed from other films, the storytelling on its own is extraordinary. Ranbir delivers yet another exceptional performance with this one. He is able to express the pain of his character effortlessly and you can see the pain in his eyes which makes the story all the more relatable. Anushka and Aishwarya too play their roles to perfection. The chemistry that Ranbir shares with his two gorgeous co-stars helps the film a long way. 

Secret Superstar (2017)

Director: Advait Chandan 

Cast:Zaira Wasim, Meher Vij, Raj Arjun and Aamir Khan

  One common factor that you can observe in most Aamir Khan films is an inspiration. Through his movies, the actor makes you inspire, makes you believe and obviously makes you entertained. Secret Superstar was a story of one girl who inspired and believed. The supremely talented Zaira Wasim, who recently impressed everyone with her performance in Shonali Bose’s The Sky Is Pink, plays the character of Insia. Insia aspires to be a singer and believes she has what it takes to be the best but the big obstacle in the way of chasing her dream is her own father Farookh (Raj Arjun). Farookh was a man of orthodox thinking and felt hobbies like singing and dancing don’t get you anywhere in life. A heartbroken Insia achieves her dream with the help of the internet along with keeping her identity as a secret and thus the name Secret Superstar. Aamir Khan decided to take the backseat in this one and let Zaira Wasim take the spotlight. He plays the role of music director Shakti Kumar and gives the audience bursts of laughter in an otherwise serious drama. 

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[bharatiyamedia-blog]

Father's Day 2019: From Piku To Kuch Kuch Hota Hai

http://tinyurl.com/y2djwu8y “Papa” has been a synonym of power, happiness, love, self-discipline, and devotion. Your Father has been there for you in each stroll of your life. He provides you a shoulder to cry, is typically strict however in your personal good. He is aware of that Maa will at all times take the additional brownie level of being a bit favourite however his love is unconditional for you. On this Father’s Day, let’s take a look at some iconic father- son/daughter scenes which can make us imagine that Hindi cinema has proved us that the connection with Daddy might be the best. From Amrish Puri, Anupam Kher, Amitabh Bachchan, Shah Rukh Khan and Aamir Khan, Bollywood has some basic portrayal of the divine father-child. 1. Amitabh Bachchan as Dattatraya Rishi in 102 Not Out- “Yo”! 1. Amitabh Bachchan as Dattatraya Rishi in 102 Not Out- “Yo”! Amitabh is seen taking part in the chirpy, cool and full of life dad to Rishi Kapoor. As Dattatraya Rishi, he makes his grumpy and irritated 75-year-old widower son (Babulal Vakharia), stay his life to the fullest. He makes him write love letters and is decided to alter the temper of his cynical son. He threatens to pack him off to an previous age house if he doesn’t fulfill his many calls for. And so begins Babulal’s reawakening as he reluctantly dances to his daddy’s tunes and subsequently learns to like life once more. The daddy-sons’ love and hate relationship is superbly portrayed. 2) Amrish Puri as Chaudhary Baldev Singh in Dilwale Dulhaniya Le Jayenge 2) Amrish Puri as Chaudhary Baldev Singh in Dilwale Dulhaniya Le Jayenge Amrish Puri who essayed the position of Chaudhary Baldev Singh in Dilwale Dulhaniya Le Jayenge to Simran (Kajol) was proven to be a god-fearing, conservative form of a person. However when he utters “ ‘Ja Simran Ja, Jee Le Apni Zindagi’ we all know that he understood the happiness of his daughter and permits her to go along with the person she loves. Who wouldn’t need a dad like this whose anger melts away in seeing his “daughters khushi” trigger ‘beti ki khuhi mei Papa ki khushi hai”. 3) Amitabh Bachchan as Bhaskor Bannerjee in Piku Amitabh Bachchan as Bhaskor Bannerjee in Piku We agree that Bhaskor Bannerjee (Amitabh Bachchan) can be a father who simply spoke about *movement sei emotion tak*, however to Deepika Padukone (Piku), he’s a darling. Prefer it’s seen in Bengali family, Bhaskor provides his daughter all the freedom to stay her life to the fullest and doesn’t intrude in her love life. The right father-daughter relation was defined right here. He’s nagging however is pleased with his daughter’s achievements of being a robust headed unbiased lady. 4) Shah Rukh Khan as Rahul Khanna in Kuch Kuch Hota Hai Shah Rukh Khan as Rahul Khanna in Kuch Kuch Hota Hai Rahul (Shah Rukh Khan) was proven as an open flirtatious chicken in his school days, however when he modifies for his daughter publish his spouse’s dying. He portrayed the position of a darling father. After his spouse Tina (Rani Mukherji’s) dying, he raises his daughter single-handedly. He doesn’t get married regardless of his mom Farida Jalal’s advise. He by no means lets her daughter, Anjali, miss her mom and at all times tries his finest to offer her all of the happiness on this planet. 5) Aamir Khan as Mahavir Singh Phogat – Dangal Aamir Khan as Mahavir Singh Phogat- Dangal Mahavir Singh Phogat is one dad who conjures up our desires to show into actuality. Having didn’t get the gold medal for his nation, he lecturers his daughters the crux of wrestling. He breaks the parable {that a} lady’s position is simply within the kitchen, or to only be married. As an alternative, he thinks the other and helps gender equality by saying, “Hamari choriyan choro se kam hai ke? Different iconic stars like Anupam Kher in Dilwale Dulhania Le Jayenge, Farooque Sheikh in Yeh Jawaani Hai Deewani have additionally performed the position of a legendary dad. All of us must have such sort of dads as a result of it’s vital to have a divine and an open relation along with your wonderful Papa. Wishing all of the good dads a really Blissful Father’s Day! Maintain inspiring the children as position fashions. Android & IOS customers, obtain our cell app for quicker than ever Bollywood & Field Workplace updates! (function(d, s, id) { var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) return; js = d.createElement(s); js.id = id; js.src = "http://connect.facebook.net/en_US/sdk.js#xfbml=1&version=v2.8&appId=379203805755441"; fjs.parentNode.insertBefore(js, fjs); }(document, 'script', 'facebook-jssdk')); Source link

[wionews]

Life on a (Bollywood) film set

I arrived in Mumbai like legions of aspiring actors before me, and doubtless many more to come: with heady dreams of Bollywood stardom.

I have to admit that before moving to India, I had seen exactly one Bollywood film, and that was “Dhoom 1”, not exactly the height of cinematic achievement, I realise in retrospect, but I was hooked. I also (as mentioned in a previous post) had the dubious honour of singing “Tere Liye” from “Prince” at a Diwali Ball in graduate school. I didn’t have the faintest idea what the lyrics meant, and (having been trained in opera in my youth) I sang it like Brünnhilde. It was all very weird. When I learned that during my tenure in Mumbai, I’d be living mere blocks away from the legendary Shahrukh Khan, I believe my words were “Sharoo Who?” (Oh the heresy! The naiveté!)

I’ve been an avid thespian since I was 7 or so, chiefly acting in Shakespeare plays and musicals, so Bollywood – with its flair for melodrama, fondness for spectacle, and characters’ propensities for spontaneously bursting into elaborate song and dance routines – was a logical extension of my tastes. And once I got it into my head that I would portray the ingénue in Amir Khan’s next blockbuster (Dangal 2), I set about doing my homework.

I bought bootleg films in the local market and visited nearby movie stores to purchase boxed sets of Greatest Hits. I polled my coworkers for their all-time favourite Bollywood films and made a point of watching every movie they suggested [1]. A fellow Clinton fellow and Bollywood fanatic, the lovely Yasin Khan, and I teamed up to watch an Alia Bhatt flick “together” over Skype: her in Darjeeling, me in Chennai. Poor internet connections on both ends meant we had to re-sync our copies dozens of times, but we persevered.

One of my seminal experiences as a temporary Mumbaikar was patronising a matinee screening of Dilwale Dulhania Le Jayenge (DDLJ) [2] at the Maratha Mandir theatre. This particular venue has been showing DDLJ, perhaps the most iconic movie in Bollywood history, every. single. day. since its debut in 1995 [3]. When Katrina and I attended a showing one weekend morning in early February, I expected to find the theatre virtually empty – for who could possibly want to watch a film that’s been running for 22 years at 11:30 am on a Sunday? To my enormous surprise, the balcony was absolutely packed to the gills with raucous moviegoers. Thus began one of the most absurd and electrifying crowd spectacles I’ve ever experienced; indeed, it felt more reminiscent of a football game than a film screening.

When Kajol and SRK made their first appearances onscreen, the spectators erupted in cheers and wolf-whistles; they sang along with every song and recited large chunks of dialogue word-perfectly; at intermission they streamed out into the lobby for samosas and steaming cups of chai, chattering delightedly; and moments after the final epic train scene, when Kajol’s dad utters the now iconic lines “Ja Simran, ja, jee le apni zindagi!” (“Go Simran, go, live your life!”), the whooping and hollering crowd almost instantaneously dispersed, leaving an eerily quiet balcony littered with samosa wrappers and paper chai cups in their wake. It was an experience as bizarre as it was delightful, and it ranks among my warmest Mumbai memories.

Dilwale Dulhania Le Jayenge celebrates 900 weeks of continuous showings at the Maratha Mandir: “The One with Heart Will Win the Bride”. (Others)

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My first decisive step towards Inevitable Stardom was to enrol in Anupam Kher’s evening acting course, thinking it might be a good way to hone my technique and make contacts in the industry. Alas, I quit after the third session: the course was conducted entirely in Hindi, and my language skills weren’t nearly strong enough for me to grasp the finer aspects of the Stanislavski Method. I also didn’t particularly relish the thought of spending three hours every evening for the next month pretending to be a snowflake [4].

I set about creating half a dozen online audition profiles and cold-emailing scores of casting directors. In time, all manner of bizarre audition notices began trickling in. At one point it seemed likely that I would be the face of India’s leading deodorant brand (huzzah!), but sadly that particular career-making windfall never came to pass. There were several offers that offended my dignity: I turned down a chance to advertise razors since doing so required posing nearly nude. I was cast in a web-series as a stock western character with “loose morals” but I did not feel comfortable with the behaviors I would be required to portray, nor did I wish to perpetuate stereotypes about my race. My most persistent pursuer – who regaled me with dozens of emails and phone calls despite my repeated refusals – seemed quite desperate to find Western actresses willing to wear a revealing Mrs Claus costume at a gentleman’s club in Delhi.

A few of my attempts to break into the Indian acting world came tantalisingly close to fruition. I was cast as a British publisher in an independent film and met personally with the director to review the script and discuss scheduling, but the filming dates kept getting postponed until finally, it was time for me to leave India. I was asked to make an emergency appearance at a Bandra studio to play a bit part in a Marathi serial, but the director never followed up with a specific location. I gave a screen test at Yash Raj Studios, to no avail. I was also invited to audition for the lead in a Niraj Pandey film (my big break at last??); but once again, the agent never provided audition details. Quite near the end of the fellowship, I joined the cast of a Hindi-language production of Macbeth (a ludicrously improbable confluence of so many things I adore), but ultimately work and family obligations took precedence.

At around the halfway point of the fellowship, I resolved to take matters into my own hands. Mumbai guidebooks will tell you that a Westerner hoping to serve as an extra on a Bollywood film set can often get “scouted” in certain touristy areas of town. I sipped countless cold coffees at the Leopold Café on Colaba Causeway, with my hair coiffed and a neat stack of resumes resting coyly on the table beside me. I repeatedly visited a hostel where tourists can sign up for same-day gigs and was told (much to my bafflement!) that all the studios in the city were “shut for the season.” I religiously attended theatrical performances all over Mumbai – at the Prithvi Theater, St. Andrew’s Auditorium, the National Centre for the Performing Arts – in hopes of forging directorial contacts. I even tried to put up my own production of one of my favourite musicals, “The Last Five Years,” but was unable to cast a crucial role.

In the end – spoiler alert, dear friends! – I never “made it” in the way I had envisioned. I guess Bollywood stardom is just one of those bucket list items I’ll have to consign to the failure pile, along with becoming a guzheng (Chinese zither) virtuoso and successfully knitting socks. Perhaps I am doomed to spend the rest of my film-watching days bitterly coveting all of Kalki Koechlin’s roles. In the end, however, I have no regrets about my misadventurous foray into the Mumbai film world: after all, almost becoming a famous antiperspirant evangelist is something I can be proud of. And along the way, I gained firsthand insights into the sometimes frustrating, sometimes exhilarating and always the capricious world of Indian cinema.

But to end this post on a slightly more positive note: I haven’t entirely given hope. Somewhere in the bowels of the Yash Raj media archives is a 30-second clip of me speaking terrible Hindi; so perhaps one day, Amir Khan will come to his senses and FINALLY cast me as the lead in a remake of Rang de Basanti.

I’ll be keeping my Indian mobile phone charged just in case.

[1] Incidentally, the results of this informal survey constituted a fascinating study of my colleagues’ personalities and tastes: one co-worker suggested the delightfully goofy classics “Mr. India” and “Amar, Akhbar, Anthony;” another raved about “Mughal-e-Azam,” which is a cinematographic masterpiece but LONG and SLOW; while a few of my younger colleagues favored modern movies with political slants and social commentary, such as “PK” and “Pink.”

[2] I was also interested to note that many of the canonical Bollywood tropes – scenes shot in exotic locations, “bad boys” wooing “good girls,” unwelcome engagements and wedding mishaps, a final dramatic climax unfolding on a train – can trace their origins to the wildly popular DDLJ.

[3] At one point in the early 2000s (so the legend goes), the Maratha Mandir Theater decided it was time to end the daily showings of DDLJ; so the lead actor, Shahrukh Khan, simply purchased the establishment to keep his signature film running. This story is apocryphal, but fun to think about.

[4] As much as I adore and deeply respect the craft of acting, training in this field can sometimes be accurately characterised by my favourite Fry and Laurie sketch).

This article was originally published on 09/ 08/ 2017 on American India Foundation

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Dilwale Dulhania Le Jayenge: The Starcast Then & Now Film ‘Dilwale Dulhania Le Jayenge’ is one of those movies which never get bored you. The Love story of Raj and Simran quite liked by the audience. DDLJ is one of the memorable films of bollywood. Iit is still being shown at the Maratha Mandir theatre in Mumbai. Here is how the starcast of the movie has changed over the years. 1. Shah Rukh Khan Bollywood King Khan has changed in these 21 years. Shah Rukh Khan played the role of Raj Malhotra in the film. He earned his tag of being a romantic hero after this film. We will always love him as the effortless romantic hero, whether its as Rahul in Kuch Kuch Hota Hai, Aman in Kal Ho Na Ho or even the daring Samar in Jab Tak Hai Jaan. He was last seen in the flick Raees opposite Mahira Khan. 2. Kajol Kajol played the the sweet and playful Simran in the movie. Every time she acts, she leaves us awestruck. Today, she’s not only a doting wife and a mother of two, but she is also making waves on the fashion front. She was last seen romancing Shahrukh Khan in the movie Dilwale. 3. Amrish Puri Amrish Puri played the role of Simran’s father, Baldev Singh in the film. The actor went on to give a number of memorable performances in films like Koyla, Pardes, Chachi 420, Taal and Zubeidaa. Unfortunately, Amrish Puri died in 2005, but he left behind a legacy of cinema to be cherished and celebrated for many years to come. 4. Farida Jalal Farida Jalal played the role of Lajwanti, loving mother of Simran. She went on to do more such roles in films like Dil Toh Paagal Hai, Kuch Kuch Hota Hai and Kabhi Khushi Kabhie Gham.She was last seen in television serial, Satrangi Sasural. 5. Anupam Kher Anupam Kher played the role of Raj’s father, Dharamvir Malhotra. He is one of the versatile actor. He was recently awarded with Padma Bhushan by the Government of India for his contribution to the arts. 6. Pooja Ruparel Pooja Ruparel who played Chutki, Kajol’s goofy, bubbly, chashmish younger sister in the film. Well, the actress has grown up now. She has appeared in the film King Uncle and Anil Kapoor’s most popular TV show 24 aired on colors. 7. Karan Johar Karan Johar played the role of Raj’s friend Arjun Sablok in the movie. After appearing in this film, he gave many blockbuster movies to Indian cinema as a filmmaker. He is well known for his direction skills and has produced some of the highest grossing films of Bollywood in India and abroad too. 8. Parmeet Sethi Parmeet Sethi played the role of Kuljeet in the movie. He than became a director. In 2010, he tried his first directorial venture, Yash Raj’s Badmaash Company starring Shahid Kapoor and Anushka Sharma. 9. Mandira Bedi Mandira Bedi played Parmeet Sethi’s sister, Preeti, in this film. And since then, she’s donned a number of hats – from being on television with shows like Kyunki Saas Bhi Kabhi Bahu Thi to the recent, 24 and even being a host for the cricket World Cup in 2003 and 2007! Mandira is currently a very popular TV presenter and has launched her own range of saris. 10. Satish Shah Satish Shah played the role of Amrish Puri’s friend. Satish Shah’s brilliant comic timing and desi wisecracks have remained with us over the years. Music : Alan Walker - Fade [NCS Release] (4:20) NoCopyrightSounds YouTube Link : https://www.youtube.com/watch?v=bM7SZ5SBzyY Social Network Links : Follow Alan Walker : • https://www.facebook.com/alanwalkermusic/ • https://soundcloud.com/alanwalker • https://twitter.com/IAmAlanWalker • https://www.youtube.com/user/DjWalkzz • https://www.instagram.com/alanwalkermusic/ --------------Others Videos you Can Also Like-------------- 10 Bollywood Beauties Who Are Not Born In India! - https://www.youtube.com/watch?v=_uzEDZE4bvM Top 10 Bollywood Celebrities and Their Hollywood Crushes - https://www.youtube.com/watch?v=SkxTPn0F-iI Bollywood Celebrities who were Physically Abused in their Childhood - https://www.youtube.com/watch?v=kSmQswRfEkE Most Popular Actors On Zee TV Right Now - https://www.youtube.com/watch?v=SbVkJa301Dg Top 10 Most Handsome Pakistani Actors - https://www.youtube.com/watch?v=fNKEZY2Np_s Top 10 Richest Indian Drama Actresses Of All Time - https://www.youtube.com/watch?v=wZ63QoqI4fA Popular Bollywood Actresses Who Married for Money - https://www.youtube.com/watch?v=H7J3FDchOuo Hello, This is Moumita Pal Here. I declare that all slideshow belong me. Photos all are taken from Google Image search and using advanced image search option