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d-criss-news · 2 years
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clheekz: Be sure to tune in tomorrow night to the 75th Tony Awards on @ paramountplus to see all these beautiful faces!!! 🤗🤩
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Huge thank you to the dream team- @sarahogleby, @baldy_michael & @robinmasella and to @juleshough & @ darrencriss for being freakin awesome! 🏆
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📸: @krystamhibbard [👈🏼 for also being super awesome!!]
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@thetonyawards #openingnumber #75thanniversary
#tonyawards #dancers #dance #radiocitymusichall #musical #broadway #musicaltheater #awardsshow
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bestmusicalworldcup · 4 months
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Manhattan Concert Productions is producing a concert edition of Stephen Schwartz and John Caird's Children of Eden directed by Tony Yazbeck.
The cast includes Auli'i Cravalho as Yonah, Nikki Renée Daniels as Eve and Mama Noah, Norm Lewis as Father, David Phelps as Adam and Noah, Donald Webber, Jr. as Cain and Japeth, and Lucas Pastrana as Abel and Ham, along with Jennifer McGill, Jesse Nager, Marcus Paul James, Rema Webb, Runako Campbell, Dylis Croman, Karli Dinardo, Tyler Hanes, Jakob Karr, and Zelig Williams.
The concert will happen at David Geffen Hall in Lincoln Center on February 18, 2024.
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lightleckrereins · 2 years
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The Moulin Rouge heels/skirts/female ensemble
Paloma Garcia Lee (Original Broadway cast), Khori Michelle Petinaud (Original Broadway cast), Bahiyah Hibah (Original Broadway cast), Ericka Hunter (Original Broadway cast), Jodi McFadden (Original Broadway cast), Morgan Marcel (Original Broadway cast)
Karli Dinardo (swing, Original Broadway cast/swing, Australia), Amber Ardolino (swing, Original Broadway cast), Kaitlin Mesh (swing, Original Broadway cast/ensemble Broadway), Tilly Evans-Krueger (swing, Broadway), Keely Byrne (Broadway), Maya Bowles (Broadway)
Kara Menendez (swing, Broadway), Mia DeWeese (swing, Broadway), Lauren J. Hamilton (Broadway), Kelsey Orem (swing, Broadway), Ariana Rosario (Broadway), Adéa Michelle Sessoms (first US tour)
Adrienne Balducci (first US tour), Alexis Hasbrouck (first US tour), Jenn Stafford (first US tour/Broadway), Jennifer Wolfe (first US tour), Tanisha Moore (first US tour), Amy Quanbeck (swing, first US tour/swing, Broadway)
Tamrin Goldberg (swing, first US tour), Alexa De Barr (swing, first US tour/swing Broadway), Ayden Pratt (swing, first US tour), Emma Russel (Australia), Chaska Halliday (Australia), Anica Calida (Australia)
Kara Sims (Australia), Amy Berrisford (Australia), Scout Hook (Australia), Bree Tipoki (swing, Australia), Brittany Ford (swing, Australia), Kahlia Davis (swing, Australia)
Giuliana Carniato (swing, Australia), Katie Ella Dunsden (West End), Tinovimbanashe Sibanda (West End), Melissa Nettleford (West End), Lily Wang (West End), Katie Singh (West End)
AmyThorton (West End), Alicia Mencía (swing, West End), Georgia Morgan (swing, West End/swing, Australia), Misty May Tindall (swing, West End/ensemble Germany), Elly Shay (swing, West End), Tamsin January (swing, West End)
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tenaciouspostfun · 1 year
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Dancin'. Theater Review
Dancin"Not The Same Zeal as Original.Robert Massimi. When I originally saw "Dancin' back in 1980, it had Bob Fosse's signature on it. The show would play over four years on Broadway in two different theaters. In the recent revival, "Dancin'' is good, but not great. Under the choreography of Christine Colby Jacques (she was in the original cast of Dancin'), it lacks the pizzaz and direction to take it to a great level.  The show's first number "prologue" was encouraging in that it moved fast, was snappy and upbeat. The evening's second number "Mr. Bojangles" was stale and flat.It seemed that the whole evening went this way; one good number followed by a dull one. The only time the show had two consistent numbers was at the close of the first act with "Dancin' Man" and at the start of the second act with "Sing, Sing, Sing". Under Wayne Cilento's direction/musical staging, the cast was out of sync at times; dancers made mistakes in the ensemble dancing. The dialogue was never moving and the acting was average at best.Under Fosse, the show popped and was tight and vibrant. With the exception of a few standouts (Peter John Chursin, Karli Dinardo, Mattie Love, Tony d'Alelio and Neka Zang) the dancers were uninspiring; some do not even belong on a Broadway stage and as such, they brought down the show to average. Some of the strong points to the performance were the costume design by Reid Bartelme and Harriet Jung, and the lighting design by David Grill. The costumes were deft and some of the best I have seen this theater season. In the lighting we had a range that supported the show nicely, as it was crisp and on point. "Dancin '' ' will appeal to the modern dance lover. It will even appeal to an audience that loves dance in all forms. It just wasn't up to the standards of the great Bob Fosse. For those who revelled in its originality, today's "Dancin' " just can't cut the muster of yesteryear. -- Robert Massimi.CEO., Gimme Shelter Productions,LLCwww.gimmeshelterproductionsllc.com|NY, Jesse Ferguson, Sweeney todd, Hamilton, Funny Girl, Nathan Lane, CNN, www.nypost.com; swmnimbus.org, Lion King, Wabc Radio, Dramatists Guild, Dancin, Bob Fosse.
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heyscroller · 1 year
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Forget jazz hands, this Fosse show is all about dancing
Karli Dinardo never thought that at 1.70 meters she would be tall enough to be a Fosse dancer. Broadway veteran Dylis Croman was introduced to the Fosse style by Ann Reinking, one of his most influential dancers, when she was just 14 at a summer dance program in Florida; She thought, “Where has this been all my life?” Originally trained in ballet, Kolton Krouse left Juilliard before graduating to…
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bareilles-tveit · 3 years
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Official shots of Moulin Rouges Tony Party
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stylishtveit · 2 years
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📸 : Avery Brunkus
♥️♥️♥️
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Karli Dinardo
Peggy/Maria - Original Angelica Tour (SW3, u/s Peggy/Maria)
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schuylerpics · 3 years
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•All you need to know about Moulin Rouge next weekend at BroadwayCon ⬆️⬆️⬆️ Check it out! Comment below if you’ll be there & what you’re looking forward to! •
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badmoulin · 5 years
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welcome to the moulin rouge ✨ (x)
instagram | twitter
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johncardozas · 5 years
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Karli Dinardo’s Instagram story, 5/15/19
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hark, the herald angelica tour sings
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whatwouldbeenough · 6 years
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gigi-van-damn · 6 years
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Hamilton 1NT 17/8/17 Los Angeles
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anais-mitchell · 6 years
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Hamilton Angelica Tour in Atlanta, 6/2/18 Evening
So, this was my first time EVER seeing Hamilton and being the extra person I am I had to document all my thoughts so I could remember everything I loved and share it with others! The cast was the full Angelica cast with Edred Utomi as Hamilton and Karli Dinardo as Peggy/Maria. Putting this review under a read more because it is LONG. If anyone has any specific questions about cast members or songs feel free to ask!
We were seated in left orchestra, and while there was no obstructed view there were moments where characters (often Eliza for some reason) were either blocked by someone else or had their back to us.
(I also credit the structure of these rambles to @fourteenacross whose Hamilton reviews are always so well thought out and insightful 💙)
Alexander Hamilton: I nearly passed out when I heard that first note. But this is just such a good introductory number, everyone played their parts very well. The staging is unique and beautiful and when the ensemble all sang together towards the end I felt it in my soul. The “me? I....” part was as striking as expected.
Aaron Burr, Sir: I could tell from the get-go Edred and Nicholas had awesome chemistry as Hamilton and Burr. The bursar lines were really funny. Edred seemed very deflated in his little “ha” after Burr’s advice. The squad introductions were predictably fun and Chris Lee’s dancing is a godsend.
My Shot: I lovedddd Edred in this song. He had so much energy with the squad and was very determined as Hamiton should be!!! Chris’s delivery of “anarchy” will never fail to crack me up, and Chaundre’s coat flip was awesome. Ruben got the crowd so pumped on the “rise up” bit which is one of my FAVORITE parts of the show. But my favorite part of this song was definitely Edred. He had a great little nervous “oh am I talking too loud?” and his “I imagine death” was so vulnerable and convincing. I loved seeing the sisters in the wings, I’m not sure if this was intentional but I almost saw Julia kinda staring longingly at Ham? Foreshadowing? Or me looking too much into things? Who knows?
The Story of Tonight: Edred and Ruben both have lovely singing voices which made this a 10/10 number. The camaraderie felt so real and it’s just such a sweet little number that I adore.
The Schuyler Sisters: All around so much fun. Karli’s Peggy wasn’t as pouty as some of my favorites but she was still very cute and got some laughs. Nicholas had a very funny delivery of “your daddy’s got money.” They all sounded amazing and had awesome energy!! But one of my favorite dumb details in this show is Eliza’s facial expressions during Angelica’s roast and downsides of being pretty far left, Burr was completely blocking Eliza from my frame of vision :(( still, overall great number and Sabrina especially slayed!
Farmer Refuted: Really funny. Edred’s Ham was so frustrated with this tiny guy because “he’s WRONG and I’m RIGHT and I need to SHOW HIM.” Lafayette distracting Burr in the back was a great detail as well.
You’ll Be Back: I thought this was done well, but honestly it might have been my least favorite king song of the show because he didn’t have many funny moments until the back half of the song. He did this growl on “and ever” that was hilarious, but to me the funniest part was the ensemble scurrying out SO QUICKLY when he called them and following his dance moves. 
Redcoat transition got some audible gasps.
Right Hand Man: The beginning of this song where the Schuyler sisters and ensemble sing at the front of the stage then quickly run away is just one of my favorite little details of the show. Such captivating and almost haunting choreography. Carvens has AMAZING stage presence and such a powerful voice!! His Washington was so frustrated with everything and very authoritative. The cannon “BOOM”s were so loud in the theater and really brought you into the scene. Nicholas had a very funny delivery of “from a distance.” I loved loved loved the Schuyler sisters harmonizing in the wings as well.
A Winter’s Ball: This was the first of many moments where Nicholas used obviously fake cheeriness to cover up how annoyed Burr was with Hamilton to AMAZING effect. Chris looked so put out when Hamilton pushed him aside lmao. And I totally missed the faces of the guys towards the end bc I was watching Angelica and Eliza like YES THOSE ARE MY GIRLS. Whoops.
Helpless: Ahhh this was just so CUTE. You could actually hear Julia smiling through some lines, her Eliza was so smitten and pleading w Angelica. Edred and Julia had fantastic chemistry and you could so feel the love between them. Julia had a wonderfully “wtf” reaction to “Angelica tried to take a bite of me.” Also, I owe my life to all her riffs. She has such a lovely vibrant voice that reverberated through the theater so well.
Satisfied: This is my favorite song in the whole show and Sabrina did not disappoint. First of all, seeing the “rewind” bit live is SO COOL. I loved that Sabrina genuinely played it as feeling a real emotional and romantic connection to Hamilton but also was so protective of Eliza and knew she couldn’t have him. She was the perfect blend of Angelica’s stoicism and emotion. And oh god THE BRIDGE. That scene where it’s just Angelica, Eliza, and Hamilton on stage and Angelica looks absolutely gutted as she delivers the “at least...” part and Eliza has this huge smile.... ugh just rip my heart out. No fancy riffs in the end but she did it well. Sabrina’s ending was heartbreaking and the staging w Angelica totally alone on stage was :((( I want to hug her. Fun tidbit: when Eliza and Burr are dancing, Burr was doing this SUPER dorky dance I can’t even explain and Eliza had the funniest look on her face.
The Story of Tonight (Reprise): They were all v drunk and silly and I loved it. Literally any scene Lafayette was in, Chris Lee was doing all kinds of weird dance moves that cracked me up. When Laurens was teasing Burr about Theodosia, Mulligan came up behind Burr and did this huge exaggerated thrusting motion that had me DYING. Edred’s “oh shit” was everything. In the final few lines after Hamilton said “what are you waiting for?”, Nicholas did this little almost resentful laugh that was like, “you could never understand.” Such a great dichotomy between these two characters and the actors did it so well.
Wait For It: First of all, Nicholas has an incredible voice and great stage presence and he rocked this number. I was fully captivated. Also, he got some laughs on “I’m keeping the bed warm while her husband is away” and “Theodosia she’s mine” which I’ve never heard laughs on? However, he had a REALLY BAD line flub that made me cringe but he recovered well. In the bridge part, he lowkey started singing the lyrics to The Word Was Wide Enough and then had like 5 seconds of silence before catching it again YIKES. But he made up for it doubly by going SO HARD on the final chorus w amazing emotion and intensity. You so felt Burr’s philosophy and wanted to root for him so badly. Loved it.
Stay Alive: I absolutely loved the little bit with the Bullet just skirting over Hamilton at the beginning. Robbie Nicholson’s Charles Lee was SO ANNOYING. It was perfect. The instrumentals of this number are superb as well. I really enjoyed Eliza and Angelica's presence in the balcony as well, Julia riffed a little bit on the “stay alive”s and it sounded very good. The Lams moment at the end was subtle but definitely there.
Ten Duel Commandments: I just really enjoy the staging of this song and the use of the turntable. I know I keep talking about the minute deliveries of Nicholas’s Burr, but THEY WERE SO GOOD. His “can we agree that duels are dumb and immature?” and “okay so we’re doing this” were just comic gold.
Meet Me Inside: INTENSE. Carvens basically bellowed his first “meet me inside.” Edred was super argumentative and pissed up until “call me son one more time” where he realized he messed up. Carvens “go home” was very firm but not yelled or whispered.
That Would Be Enough: Julia is a star. This number was just all kinds of cute, she was super touchy and physically affectionate with him and they really tugged on my heartstrings. Also she had one of my favorite touches that Solea did where she holds her belly on “and we could be enough” and her final “enoughhhh” had such a nice vibrato. The ending pose warmed my heart. Such a touching little song.
Guns and Ships: I LOVE CHRIS LEE!!!! His rapping was very crisp even with the accent and he had hella energy. His Lafayette was so eager and energetic. Something you don’t see in bootlegs is how COOL the choreography of passing Washington’s letter to Hamilton is. The Hamliza goodbye was very sweet, Edred touched her belly and she looked very sad.
History Has Its Eyes On You: Carvens has such a captivating and strong singing voice. All the harmonies of the ensemble and the ensemble singing together were transcendent.
Yorktown: Hi again I still love Chris Lee. It felt really good to clap for “immigrants, we get the job done.” You could really feel Edred’s emotion on the part about Eliza and his energy throughout the number was amazing. Jennifer Geller was mesmerizing as the bullet and I adored her part with Ruben. Mulligan’s rap WENT HARD Chaundre really brought it. Also I would like to reiterate my love for Carvens his “not yet” was so powerful!!! That emphasis!! I have never felt more alive than when the entire ensemble was singing at the end and all the chants. Another hidden gem of this number: on the second “the world turned upside down,” I could CLEARLY hear Raven Thomas doing a lil riff and it was much appreciated I was kinda sad to not see her as a sister.
What Comes Next?: This was funny. 
Dear Theodosia: Nicholas and Edred had gorgeous harmonies together. A lovely and simple number that worked so well with the two of them.
Laurens Interlude: OUCH. Between Hamilton, Laurens, Lafayette, and Mulligan I didn’t even know who to look at. Hamilton looked so gutted, he was gripping the chair and just seemed devastated. Laf and Herc were in the balcony reading the letters and Lafayette gave a little salute and Mulligan just took a drink. Ruben had a very mournful and sad delivery and the stare between him and Edred towards the end was just heart wrenching. They definitely played up Lams in this scene.
Non Stop: I seriously love this number. Edred and Nicholas play so well off of each other. Edred had awesome energy and totally internalized the whole persistence and blind determination of Hamilton in this number. I completely missed his little flourish on “I practically perfected it” tho FOR VALID REASON and that reason was Nicholas delivering the line “he’s just non stop” with the ensemble through gritted teeth and a fake ass smile which was PRICELESS. Nicholas’s “okay” after “you’re a better lawyer than me” was really high pitched and funny. After Hamilton left, Burr like chased him down during “I’ll keep all my plans close to my chest” and it seemed like Burr was just desperately trying to prove to Hamilton that MY WAY OF DOING THINGS IS JUST AS GOOD AS YOURS, one of many excellent little character moments Nicholas threw in bless him. Edred and Sabrina had excellent chemistry in that tiny bit, his long stare at her was painful. “The other 51!!!” was just as emphatic as I could have hoped for. Julia’s “Alexander... AlexANDER” was pissed and I loved it, the final 30 seconds were beautiful. Julia has amazing riffs that sound so clear even when the whole ensemble is singing. Edred’s last “I am not throwing away my shot!!” was so LOUD lmao what an amazing number though it was a perfect Act 1 closer.
What’d I Miss?: After seeing Act 1, I knew Chris’s Jefferson would just be above and beyond, and I was so not disappointed. @ontheupandupagain said something in her tags the other day that he has such a good singing voice in this song AND HE REALLY DOES, his voice is like silk. But the acting was just invariably hilarious. His best scenes as Jefferson were playing off of Chaundre’s Madison though. Chaundre coughed into his hand and then shook Chris’s hand with it and his face was just like, “what the fuck dude?” and I thought it was SO FUNNY. He also did so much crazy stuff with his extra af coat which I loved.
Cabinet Battle #1: This was highkey the funniest number in the show. Chris and Chaundre had so many tiny little flourishes that had me in stitches. Ex. Chris getting ALLL in Edred’s face, Chris dropping the mic and Chaundre trying to pick it up but fanning it like it was too hot, Chaundre being so offended by “getting high with the French” that he literally shoved an ensemble member out of their chair and had to fan himself, them delivering “you don’t have the votes” with dance moves in PERFECT synchronization. Ugh so good. Edred was really good in this too, his mimicking of Jefferson’s dance moves was hilarious and he went v hard in his bit. After Jefferson and Madison left, he was very indignant w Washington like “I’m right!!! Listen to me!!!”
Take a Break: Julia and Ruben were very cute. Philip was tapping his legs like a little kid while playing the piano which was very in character. I thought Ruben’s Philip rap was very good! He was nervous until like the last two lines and then had such a funny victorious run up the stairs. But again, left orchestra probs, Edred was totally blocking my view of Julia beatboxing :( And god bless Edred for having equal amounts of chemistry with both Sabrina and Julia. The “my dearest Angelica” hits you right in the heart and Sabrina was almost fearfully hopeful but then dismissed it right away. Julia and Sabrina had awesome harmonies, and the bit where Angelica tried to go after him and Eliza stops her will never not hurt me.
Say No To This: Edred was very actively narrating to the audience in the beginning so you could definitely tell everything Maria did was through his retelling. His first “show me how to say no to this” got laughs which was kinda weird. One part of his performance that was so unique was that his “fuuuuu-” was very exasperated and funny more than downright shocked and horrified. Karli definitely played Maria as more of a victim too, she looked so panicked during the middle bit. Her “stay” note was AWESOME. One bit that tugged at the heartstrings was after James Reynolds clipped his whip thing, she stared at Hamilton very longingly and it almost seemed like a cry for help. I really liked the way all of them did this number.
The Room Where It Happens: Okay so this was definitely the best performance of the whole show. Hands down. Nicholas ran the gamut of Burr’s emotions from frustration to anger to horror to unbridled ambition. I can’t even really comment on Chris, Chaundre, or Edred because of how captivating Nicholas was. One touch I really liked was when Jefferson and Madison were planning for the meeting, Burr was aggressively pointing at them to the audience like “look at them!!! look how corrupt they are!!!” But yeah he tore that ending up on Leslie and Josh levels. There was huge applause MIDWAY THROUGH THE ENDING. He went so so so hard, literally slamming on the floor in just an unhinged state of finally letting go of his calculated demeanor. Such a huge shift for Burr and a showstopper in every sense of the word. Ugh I have chills just remembering it.
Schuyler Defeated: “They don’t like you” was delivered to great effect. Burr was almost nagging Hamilton towards the end as Hamilton walked away. These two just really had endlessly great chemistry.
Cabinet Battle #2: Very good all around. They were both super frustrated, and all the typical funny lines were very funny. I think Edred could have gone a just a little bit harder on “you must be out of your goDDAMN MIND” but hey that’s a very minute complaint. Chris got all up in his face for “Daddy’s calling.”
Washington On Your Side: Jefferson’s “wtf” face when Burr shows up will never not amuse me. And Chaundre’s “which I wrote!” was so indignant. They were all very calculating through the whole number and the crescendo of the song pumped me up so hard. 11/10 guys.
One Last Time: This was my favorite number Carvens did by far. His Washington was very desperate to have let a good impact on his country but in a very different way than Hamilton is. Edred’s reactions to all the different bits, especially “Jefferson started it,” were great. And I’d be lying if I said the ending didn’t draw some tears to my eyes, Carvens has such a powerful voice and this song is so cathartic.
I Know Him: I enjoyed it. The lines that are usually funny were funny.
The Adams Administration: Nicholas almost broke because of the king bouncing, but he kept it together. The “sit down” bit was predictably very funny. i loved how conniving Jefferson, Burr, and Madison were at the end, especially how Chris said “let’s let him know, what we know.”
We Know: Hamilton was kinda dismissive when he first said “Secretary Jefferson” but slowly realized something was up by “what is this?” He was very frantic to discredit their accusations. Chris’s “my God” was so disgusted and he was on such a high horse it was HILARIOUS. It totally reminded me of Gina Linetti high horsing Amy in the Season 1 B99 Thanksgiving episode, it was that good. Also, Eliza and Philip in the balcony was a subtle but heartbreaking touch.
Hurricane: I would literally die for the staging, lighting, and choreography of this song. Some of the light changes just hit you straight in the heart and all the choreography with the ensemble holding the chairs is so good. As for the actual performance, I think Edred was the perfect balance between Lin’s quieter emotions and Michael’s almost rage like intense emotions. He got kinda choked up at the part about his mother which ouch. Edred just had a lovely voice too which really shone through in this song.
The Reynolds Pamphlet: This song is EXPLOSIVE live. Chris was so thrilled and Edred was so defensive. Philip was so upset seeing the pamphlet. And oh god, when Angelica showed up Hamilton was so relieved but she yanked away so quickly and she genuinely seemed pained to do so. She was so so hurt and angry, she almost looked on the verge of tears because she had sacrificed so much for him and Eliza and he just threw it away. She almost spit out “god I hope you’re satisfied” into his face and raised a finger in his face, it looked like she could hit him. Rather than staying in his face like Renee did, Sabrina was so angry she left right away. And the dancing in the middle of the stage was definitely the funniest thing the king did.
Burn: UGHHHHH MY HEART. First of all, Julia’s voice is just beautiful on its own. But she really brought the emotion in this. She was so devastated and betrayed, and the fact that she played Eliza as so utterly in love with Hamilton before just really fucked me up. She barely choked out the “I’m” after the long pause. Her ending was super angry though but it was all anger coming from real sadness and hurt. After her final line, she did this little choked sob that just put the nail in my coffin of love for Eliza. This whole song I was just fully engrossed and probably had my mouth just hanging wide open.
Blow Us All Away: I whispered “oh no” to my dad at the beginning of this. Ruben’s Philip was so confident and idealistic and the father/son scene just made you want to scream at Hamilton. Little observation, Eacker’s cape is so swooshy and the actor was playing around with it so much. But yeah this Eacker seemed so much older than Ruben’s Philip and there was a definite power imbalance. Ruben seemed really nervous right before :( and oh god, when he shot on seven my heart just dropped to my stomach because WHY IS THIS HAPPENING. The whole theater gasped.
Stay Alive (Reprise): :(((( Edred’s Hamilton was so panicked and desperate. You could tell he really internalized it when Philip said “I did exactly what you said Pop” and was horrified that this was partially his fault. And Julia just ran out with tears already in her eyes and it was just over for me. She was so motherly and you could tell this was just her worst fear of something bad happening to her son. Ruben didn’t expressly play it like he was dying but he definitely seemed terrified and in pain and didn’t have the Musical Theatre Death Smile which thank god. You could hear a pin drop when the heartbeat stopped, and Julia did a version of the scream that was more like a sob but wow I was in pain. And she yanked that hand away from Hamilton so quickly. It was like she felt he didn’t deserve to mourn with her.
It’s Quiet Uptown: My god, what an intimate and beautiful piece of theatre. I cried which was a given. But really, between Hamilton, Angelica, Eliza, and the ensemble, the grief is so raw and powerful. There are some staging bits I never noticed before, like the ensemble kneeling and doing the sign of the cross during the lines about church. Edred was SO CHOKED UP during some lines. You could just feel how much regret he felt and how he realized how much he’s messed up everything. His delivery of “and you would smile, and that would be enough” was particularly gut wrenching. Sabrina’s voice was beautiful and so sympathetic in this song too which just added to all the poignancy. And then UGH. When Julia’s Eliza took his hand she was just so tired and relieved and devastated. Edred was audibly sobbing (so was I.) This scene is just the perfect encapsulation of the unconditional love Hamilton and Eliza had for each other and Edred and Julia’s performance was just so :(((
The Election of 1800: Chris Lee dramatically saying “Can we get back to politics?” and Chaundre Hall-Broomfield saying “Please?” through tears is really just the best way to get an audience full of crying people to laugh. Burr was SO FAKE during this song I loved it. His reactions to the voters was priceless, and when he greeted Hamilton with “Alexander!” he had such a fake ass smile and exclamation with his arms spread out for a hug; it was GOLDEN. Edred was so emphatic when he said “Burr has none” and Nicholas seemed so personally betrayed. And of course, the ending was flawless. Burr was trying so hard to go back into his cheery public persona but Jefferson just wanted nothing to do with him.
Your Obedient Servant: Burr was LIVID at the beginning of this song. Nicholas had such a great buildup to his anger. The back and forth between the two was just so good through the whole song and they hit the comedic bits right on. But the actual challenge part was very “shit’s about to go down.” 
Best of Wives, Best of Women: They were such a good Hamliza pair :( so soft, so in love, so pure. 
The World Was Wide Enough: Both Nicholas and Edred were just on their A-game for this song. It seemed like Nicholas, for the first half, was really trying to justify to the audience that he was doing the right thing and that Hamilton was a bad person who deserved this. His “this man will not make an orphan of my daughter” was heart wrenching. And props to Jennifer Geller for being a fantastic Bullet, especially in this song. Edred’s monologue was so mesmerizing; every word was delivered with purpose and you really got the vibe that he just wanted more time. And I truly think that “rise up, Eliza!” and then “my love, take your time; I’ll see you on the other side” is one of the most emotionally impactful moments in the whole show. My heart just stopped. My heart also stopped on the shot because woww ouch. You could instantly feel Burr’s regret and just overall thought of “what did I just do?” Angelica and Eliza looked so sad when they came out. The final bit, with Burr alone in the middle of the stage and Hamilton looking down on him from the balcony, and then the light going out on Hamilton is just genius direction. Nicholas had a really dramatic pause on “for Hamilton and.... me.”
Who Lives, Who Dies, Who Tells Your Story: The instrumentals of this song alone make me tear up. Sabrina was so fierce coming out for her part and I loved it. And then was Julia came out as Eliza I was just a mess. “I live another 50 years” was delivered particularly well. She was so frantic trying to ensure she had done everything, and then there was that moment of beautiful clarity with the orphanage. God bless Julia K. Harriman and God bless Eliza Hamilton. The ending with Hamilton and Eliza was absolutely breathtaking and the perfect final moment of their love, and Julia’s gasp was everything.
Edred Utomi as Hamilton: I will admit, I was a little bummed to be missing Austin Scott as I’ve heard great things about him. But I was so impressed by Edred! He had killer chemistry with Julia, Sabrina, Nicholas, Ruben, Chris, Carvens, Karli and basically everyone with whom he interacted. His singing and rapping voices were both equally good. I did prefer his Act 2 to his Act 1 though as I think he was more comfortable and really thrived in some of the more emotional numbers i.e. It’s Quiet Uptown in which he absolutely destroyed me. I really have no complaints, he did everything a great Hamilton needs to do and was such a nice guy at stage door. I hope he gets a lot more opportunities to go on in the future and maybe even a principal role in a company.
Julia K. Harriman as Eliza: I was so excited to see Julia as she was amazing in First Burn and the audios I’ve heard of her. Her journey as Eliza was so heartbreaking because she was genuinely so in love with Hamilton and was so betrayed and sad by the events of Act 2 :( she was a very good mix of an angry Eliza and a sad Eliza but she conveyed her  inner strength so well. I can’t even pick a favorite number for her because she wowed me in every song she sang. Plus, her voice is just out of this world and I would love to hear her do some recording in the future.
Nicholas Christopher as Burr: If you couldn’t tell from my review, his Burr was one of the best parts of the show. This role suits him perfectly and he was able really make you sympathize with Burr. It’s such a complex role to play and he did it with aplomb; he had a very distinct difference between Burr’s almost corny fake public persona and his inner ambition and drive. His final verse of Wait for It and his entire Room were religious experiences, plus he was so emotionally impactful in The World Was Wide Enough. I also loved that his Burr was so funny! Burr is usually not a comedic role but he had a much more subtle humor than the characters who are explicitly played for laughs and he had me cracking up. He had so many little moments of characterization that made the payoff in the end that much more worth it. He is now right up there with my all time favorite Burrs and I would kill to see him again.
Sabrina Sloan as Angelica: I knew of Sabrina before she was cast because of her run as Vanessa in ITH, and I was super excited as she was a Vanessa I really enjoyed. She so did not disappoint. I feel like the role of Angelica is being turned into a mostly “sassy” role and sassy can sometimes cross into bitchy or straight up unlikable, but Sabrina really made you feel all of Angelica’s emotions and that is exactly the kind of actress that my favorite character deserves. I obviously loved her in Satisfied because that song is the very thesis of Angelica as a character, but she was also so good in Reynolds Pamphlet and Take a Break. In the gran scheme of the play, Angelica does not get that much to do despite being one of the most well written and complex characters imo, but Sabrina forced you to be so invested in Angelica and feel her every feeling. I adored her.
Carvens Lissaint as Washington: Superb. For those of you who don’t know, Carvens used to tour as a poet before musical theatre and that honestly helped his performance so much. He knew exactly what words to emphasize to punch you right in the gut; his “not yet” was seriously so good how does one make two words so powerful. He has all the gravitas of CJack and has a very gospel-esque voice that he put to WORK in One Last Time. I was so thrilled to see him in this role and I can only wonder what his Burr and Laf/Jeff were like on Broadway.
Chris Lee as Lafayette/Jefferson: THE ACTUAL STAR OF THE SHOW. Listen I am a person who gets very annoyed by the emphasis of Jefferson as a character over the females and Burr in the fandom but god Chris Lee is a revelation I am so sad he is leaving but infinitely glad I was able to see him. Everything he did was so funny. In Act 1, if you looked in the background of any scene he was doing these little body roll dance moves and in Act 2 he just had this super jazzy and unbothered swagger when he walked which were both amazing. His singing is also super underrated as this is not a singing heavy part but he riffed all over the place in What’d I Miss and Story of Tonight. All of his little flourishes in the Cabinet Battles were just golden and he played so well off of Chaundre and Edred. Definitely my favorite Laf/Jeff so far.
Rubén J. Carbajal as Laurens/Philip: He has a man bun now! I enjoyed him more than I thought I would. I wasn’t particularly wowed by him in the bootleg but seeing him live was different. This role is really small but I think it can be one of the best parts of the show when really done well, and while I don’t think Ruben reached that level, he definitely didn’t fall into some of the tropes I really dislike for that character like the smiley death scene or the complete lack of chemistry between Laurens and Hamilton. (Seriously, the boy is 19 and dying I will never understand why some performers insist on making it seem like he’s all mature about it Philip should be TERRIFIED it irks me.)
Chaundre Hall-Broomfield as Mulligan/Madison: I thought he was awesome. His Mulligan was very brash and booming like Oak’s which I liked, and he went really hard during the Yorktown rap. His Madison was FANTASTIC against Chris’s Jefferson. He was such a sweet guy at the stage door too.
Karli Dinardo as Peggy/Maria: She was announced as an understudy right before the show started and she was good! She didn’t really wow me but it’s such a small part I was satisfied with what she did. I preferred her Maria to her Peggy because she was able to add some emotional nuance to the character. She has a really nice voice so that helped. It would have been cool to see Isa but I’m not disappointed, I thought Karli’s performance was super well done.
Peter Matthew Smith as King George III: Good! All King George’s blend together for me honestly but he was funny.
Ensemble: Every moment where the entire company sang together was heavenly and filled the theater so perfectly. The choreography of this whole show is just so great and they were all amazing dancers and added so much to every scene they were in. Appreciate ensemble 2kforever. Jennifer Geller was an excellent bullet and really drew your eye in every scene. Like I said before, Raven’s voice really stood out in some parts which I loved.
Stagedoor: It was kinda awkward because nobody really cheered or anything when the cast came out? But everyone was really nice. Julia, Chaundre, Karli, Edred, and Robbie Nicholson all came out and were super nice and took pictures. I was next to a little girl and they were all so sweet to her. Chaundre passed out flyers for their BCEFA event on Monday too which was cool. When Edred came out someone next to me said they cried and Edred was like “me too!” lol. But there was one girl next to me who was pushing and kept calling the male cast members “dad” and asking when Chris would come out which ugh. We left after Edred bc our ride was there and I think Chris came out after him bc I could hear cheering down the street rip.
If you’ve made it this far thanks for reading my rambles, I enjoyed it so much and couldn’t ask for a better first Hamilton cast! It went above my sky-high expectations and I cannot wait until I get another chance to see it, whenever in the future that may be.
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