#kizuna positivity | Explore Tumblr Posts and Blogs

ribbongram · 2 months

Text

Voice Drama:

Kizuna

???: Oh! You’re awake!

???: mmmn…? Who…?

???: Look at the screen! The screen!!

???: Ah…

???: There you go! I was wondering when you would be waking up, Kizuna!

Kizuna: That voice… you sound familiar…

???: Well then, allow me to introduce myself to jog your memory! My name is Jax, and I’ll be assisting you in your new job as the Warden of Ribbongram!

Kizuna: Warden… That’s right, I’m the Warden…

Jax: Correct!!

Kizuna: But, wait. I’m the Warden of Ribbongram, and…

Jax: and?

Kizuna: ….

Kizuna: That’s… all I remember…

Jax: Ahhh, that’s completely normal. Memory is a fickle thing here in Ribbongram. You’ll get used to it.

Kizuna: Telling me to get used to not knowing who I am outside of my job… What a scary idea.

Jax: Aww, come on!! You’ll remember in no time, I’m sure!! For now, how about you get up and meet me outside?

Kizuna: Where outside?

Jax: You’ll see. I’m hard to miss, Y’know.

Kizuna: Whatever you say…

Jax: Ah, so fast! Glad to see you have a sense of urgency!

Kizuna: I mean, yeah… I hope I wasn’t asleep for too long, especially if I was already on the clock.

Jax: Don’t sweat it!! You woke up at the perfect time. This gives me plenty of time to show you around and explain things to you.

Jax: The prison is quite small, so I’m not too worried about showing you around. The most important thing right now is introducing you to the prisoners.

Kizuna: The prisoners… how many are there?

Jax: Only six. That should be manageable for you, right?

Kizuna: Six… I guess?? Unless one of them is really bad…

Jax: Well then let me assure you, none of them should be that difficult to deal with!

Jax: Let’s go in order. First up, we have Prisoner 01, Nuimura Ena. I have the prisoner files here so that you can see for yourself what they look like.

Jax: The prisoner files contain basic information, but that’s it. If you want to know more about the individual prisoners, you’ll have to learn through interrogations.

Kizuna: Mm… They’re pretty.

Jax: Agreed! Though, judging by their expression, they seem quite mischievous, possibly even smug. They might give you a hard time.

Kizuna: So much for “manageable.”

Jax: As a warden, it can’t be helped that you’ll have to deal with some annoyances here and there!! Don’t let that discourage you!!

Kizuna: I’ll certainly do my best…

Jax: That’s the spirit!! Now, let’s move on.

Jax: Prisoner 02, Tomaya Mai. Isn’t he cute? Unlike 01, I think he’ll be quite easy to get along with!

Kizuna: Hm…

Jax: Eh? What’s wrong?

Kizuna: Nothing, just… A weird coincidence. Anyways, he’s only 16, so he should be relatively easy to take care of…

Jax: It should be like dealing with a younger brother! Next!

Jax: Prisoner 03, Kuroda Ayase. He’s not much older than 02, but he does seem to have more of an edge to him as a result. Shouldn’t be anything more than annoying, though.

Kizuna: Another one…?

Jax: Kizuna?

Kizuna: Nothing… I’m positive it’s just a coincidence. Nothing more than annoying, got it.

Jax: Right… Let’s keep moving.

Jax: Prisoner 04, Asano Eita. He’s the youngest prisoner, but he seems to be decently mature despite his age, so he shouldn’t be that hard to deal with!

Kizuna: Phew… It really was just a coincidence… Ah, well, his eyes…

Jax: What are you mumbling about? Kizuna? Kizuna!!

Kizuna: Ah, sorry, I swear I’m listening. I’m just… noticing a pattern is all.

Jax: Pattern? Well, then I guess you’re doing your job of observing them quite well…

Jax: Still, make sure you’re listening!! Don’t get lost in your thoughts!!

Kizuna: Yes, Mr. Jax.

Jax: Hey-! Oooo, actually, I kinda like that… refer to me as Mr. Jax from now on!

Kizuna: Won’t do.

Jax: So mean! Let’s just move on.

Jax: Prisoner 05, Geki Mashiro. She’s a university student, but… there isn’t much you can gather from her expression. She seems easy going though, so she shouldn’t cause any trouble at least.

Kizuna: Her too…? Hey, is this some kind of variety show or something?

Jax: What? I can assure you that this is not a variety show!!

Kizuna: Do you really think saying that will alleviate my suspicions?

Jax: Oh! What a big word you used! You sounded really cool just now, Kizuna!

Kizuna: It seems my wariness of the prisoners was misplaced. The only thing I should truly dread interacting with is you.

Jax: Haha, I’m just teasing you! Let’s finish the introductions now.

Jax: Prisoner 06, Kouma Aimi. A relatively young prisoner, and a pretty one at that! She seems to be the confident type, but also approachable. Kinda like a cool older sister; you know?

Kizuna: Alright, I can’t ignore it any longer.

Jax: Kizuna?

Kizuna: Surely you’ve noticed it too. What color is your fur?

Jax: Well… It’s kind of a pastel pink, right?

Kizuna: Right. What about my hair color?

Jax: It’s… also a pastel pink, but a little more red than mine-

Kizuna: Look at all the prisoners. What are their hair colors?

Jax: Um? Well, most of them are also pink, with the exception of 04, his is more-

Kizuna: Why is everyone in Ribbongram pink, Jax?

Jax: Ah, well-

Kizuna: Is this some kind of joke?

Jax: I can assure you, it’s not supposed to be-

Kizuna: Do you see some inherent evil in the color pink? Did your cat brothers bully you for having a different color of fur and locking up everyone with pink hair is your revenge? You should be the one behind bars, Jax.

Jax: What?? No!? Kizuna I assure you that is not the case-!!

Kizuna: I can’t believe I’ve been tricked so easily...! I trusted you, Jax…

Jax: Alright, that’s enough!! I need to explain what the voting means before we run out of time!! The prisoners are going to wake up at any moment, and if I don’t tell you what your options mean, then-!

[A Bell Rings.]

Jax: Ah…

Kizuna: Ah…?

Jax: Well… this is unfortunate.

Kizuna: What was that bell just now?

Jax: That was the prisoners wake up call… I fear my time to explain things has been cut short.

Kizuna: !? Wait, but-!

Jax: Oh what a shame! If only I had had enough time to explain everything that needed to be explained!

Jax: Oh wait, I did!! I did have enough time!! But I kept getting interrupted, and now the prisoners will be coming out of their cells any minute!! I hope you’re happy with your consequences!!

Kizuna: Ahhh… Whatever, I’m sure I’ll be fine… Voting can’t be that hard. Guilty or Innocent, right? I’ll learn about their crimes from the interrogations and decide what their punishment should be. Can’t be that hard.

[Footsteps echo as Kizuna begins to walk away]

Jax: You naive little-! Will you take this more seriously?? You don’t want to At least know what your voting options are??

Jax: Ahhh, why do I even bother? What an arrogant guard! You’ll have nobody but yourself to blame when things get complicated!!

Kizuna: Lala… I can’t hear you.

Jax: Honestly…! I hope they mature a little on the job… [Sigh] Well, I suppose there’s nothing I can do at this point but watch… Good luck, Kizuna.

#౨ৎ - ribbongram #౨ৎ - kizuna #౨ৎ - voice drama

12 notes · View notes

seventeenlovesthree · 3 months

Note

so, apparently there's plenty of death symbolism/metaphors surrounding, are you interested in elaborating that? including "indirect" death like spiritual death, character assassination or death of identity, somethjng along those lines?

- death symbolism surrounding Taichi, sorry, somehow I pressed ask , sorry for my blunder

It's fine, no worries, I already assumed that it was referring to Taichi! If you think about it, several characters in Digimon Adventure have been dealing with the subject of "death" one way or another, most in direct association with someone (human or Digimon) close to them.

Now, if we look at our favourite main character, riddled with traumatic childhood experiences and questionable coping mechanisms, there is a bunch of instances where he had to deal with the potential of death happening in front of him or CAUSING death himself - either to others or himself -, so it should not be surprising that, at some point, he may have dissociated himself (mostly subconsciously, I'd say) from being a Chosen Child. Whiiiich may or may not have led to Kizuna's events, but yeah, it's count the instances first, shall we. TW: death, mental health.

The whole Hikarigaoka incident: While Hikari was scared too, she was still much younger than him and couldn't grasp the implications of what was happening there, while Taichi did EVERYTHING in his power to protect her and himself from not getting crushed by the two Kaijus in front of them.

Him almost causing Hikari to die due to his (still existing) sense of childlike innocence: Yes, she was sick, but he thought she was already on the way to recovery and only took her to play football to cheer her up. That's where he first had to face that good intentions don't always lead to positive outcomes...

The SkullGreymon fiasco: Again, he intended to do good for the sake of the group, but overlooked the bigger picture and became reckless, thus causing his partner to evolve into a literal symbol of death and decay in the process. Something that may have happened to the ENTIRE group if the Digimon hadn't run out of energy...

The electrical fence and its aftermath: This one has several follow-up points, but I still think it's suitable to summarize them all here - first of all, there is him being confronted with the idea of actually dying by getting electrocuted after he was 100% convinced that nothing they did mattered, since they were "just data in a computer". Once again, he was being reckless and careless - not only did it lead to almost killing himself, but in extension, also dooming Sora, whom he failed to save. Overcoming his cowardice, finding his own sense of courage eventually led to victory - but also led to him disappearing and roughly 50% of the remaining group ended up thinking that he had actually died in the process. Meanwhile, he was back in the real world and had to choose between saving only himself, or everyone else as well... And we all know how the answer to this turned out to be.

Him almost causing Hikari to die AGAIN: Of course there have been several instances of death before and after they re-entered the Digital World again, leading to the eventual "fallout" between Taichi and Yamato in regards to how they should deal with the immediate danger at hand... But the most devastating instance here was Taichi reliving his early childhood trauma, fearing that, by taking Hikari with them, he made the same mistakes again, acting thoughtlessly, not considering the circumstances... He has been acting self-sacrificial for the sake of the group before, but it's this arc that shows that he is actually ready to die if he can at least manage to save everyone else in the process (hence why he ended up fighting with Koushirou as well, because Taichi forbade him from taking on any pain himself and Koushirou was having none of it).

Let's not forget that, during the events of Our War Game - and all the follow-up movies, especially Diablomon Strikes Back -, he was also under immense pressure: To save the entirety of Tokyo from getting blown up by a missile and every other side-effect that Diablomon may have caused in traffic or elsewhere... And once again, his own hotheadedness may almost have caused his partner to get killed, to the sense of guilt plays a huge role in here as well...

02 portrays Taichi as matured, it showed that, while he still occasionally needs to get reminded of it, he KNEW that he has to make uncomfortable decisions sometimes; of course he almost despaired when his partner was being captured and corrupted, but he also realized that he may have had to sacrifice him for the greater good; he needed to remind Hikari that the new kids never had to deal with the same kind of death exposure before, but warned her - with quite a grim, but serious expression - that they would have to face it eventually. He grew aware of their duty throughout all this time, through all these experiences, and it's not pretty, but at this point, he was still ready to act.

Tri picks that point of the story back up again by mirroring Meiko's fate with his own - at least to some degree. Once more, they had to face the possibility of having to kill a beloved partner Digimon and at this point, Taichi was questioning whether or not recklessly sacrificing infrastructure and lives for the sake of fighting was the "right way" to deal with everything. It may have felt a bit like recycled conflict at this point, but it's been several years by now, and Taichi is, overall, contemplating his life choices, contemplating his diplomatic future, the status quo AND his "duty" as Chosen Child.

It's through the course of Tri that he: Watched parts of the city get destroyed ONCE AGAIN, almost died through the course of several fights and an earthquake-like blow, had to witness his teacher - whom he greatly looked up to - sacrifice himself, covered in wounds and blood, to save him AND their missing friends... And all that after Daigo told him that they lied to protect them and that he should move on and create a better future... Thus, Taichi decided to go for the kill again. Again, he didn't like it, again, he got reminded by Hikari of all people how terrible it all is, but he knew that he had to.

Kizuna chose a similar premise to Meiko's once again - first of all, if we look at everything above, is it really a wonder that Taichi probably developed some fatigue? We all know, see, can tell how much he loves Agumon - hence why he did end up horrified by the prospect of losing him. And as I pointed out before, he did use the fighting for the sake of having a purpose, because... Who else was he if he couldn't "lead" anyone anymore?

And since the rest of his young adult life was pretty directionless... Can you really blame him for it? The amount of nightmares, the tiredness, the PTSD the previous experiences may have caused in him could never be treated by a "normal" therapist - who could ever relate to all of these things that sound incredibly supernatural and like nothing an adolescent should have shouldered all by himself? Heck, he isn't even able to talk to his friends about it at all (even if stageplay!Agumon told him to!), just swallowing it all by himself, dealing with the thought spiraling in his head on his own.

Hearing Menoa tell him that she lost her partner, making it all sound like a huge punishment for making the wrong choices... It may have rang several alarm bells in Taichi. How often must he have dreaded making the wrong choices? How much guilt must he have felt for the sake of Hikari, Meiko, Daigo, everyone he temporarily let down by hesitating or acting out in the wrong moment, let it be Yamato, Sora, Koushirou, Daisuke... Now there's this young woman who asked him to figure out a way to fix a problem she couldn't herself, a problem that may separate him from his soulmate forever and for what? Because he grew unsure of himself, because he faltered, because looking at all his friends, who found their paths, had become painful and tiring. Because, even after coming to temporary answers, he didn't know who he was and who he wanted to be anymore.

He had to choose to fight so many times, he sacrificed himself as much as he could. Then there was the prospect of fighting Menoa with two possible outcomes: losing would lead to his own death (or "loss of self" since he would have his consciousness be trapped forever in a neverending dream of his childhood), winning would lead to the death of his partner anyway... It must have been dreadful.

When it comes to the different kinds of "deaths" you mentioned, I will try to summarize this quite shortly, even though they're definitely interesting angles.

I believe that a "death of identity" is basically what I have outlined above - while it mainly focused on Taichi's (decline of) mental health, which may also have resulted in a tendency to isolate himself, Taichi's journey is basically some kind of Lion King analogy, where he starts as your typical head-through-wall protagonist, but has to deal with the aftermath of cowardice and the consequences of his choices - and does so by running away from the pain FIRST. From himself and his responsibilities. He also could have chosen to let Menoa win and let his consciousness be turned back into that of a carefree child... But he chose not to let that happen.

Because deep down inside, there IS his path. There are his values, his persistence, his belief system. He's been on the brink of a breakdown, but it's all there. Hence why I really, really, REALLY want to WATCH him getting to his "Simba strikes back" phase at some point, since we only ever saw it implied by the end of each, Tri, the stageplay and Kizuna. We KNOW he will push back, but we have yet to see in what way, if he ever got therapy and how he's actually doing - mentally, physically, spiritually.

Speaking of which, "spiritual death" is a bit harder for me to grasp in his context, but considering how his sense of guilt and fear of cowardice have led him to (temporarily) turn away more and more from his true self, his natural sense of courage and more positive, outgoing attitude... It all leads me back to him having lost his sense of self. I will never forget the feeling of how my stomach dropped during the "depressed adult" scenes in Kizuna. Again, I want to give this movie props for depicting adulthood like that, but it really hurt and felt way too relatable.

And I guess in this sense, we can also talk about "character assassination", because... As you may have noticed, I have linked quite a few analysis posts in this answer, because I have been trying to analyze and understand Taichi for MONTHS now. And sometimes, I feel like I may be trying too hard - who knows me also knows that, while Taichi is one of my favourite characters, I also have my fair share of problems with the AMOUNT of Taichi suffer p*rn in the OG timeline (and I still maintain they only made Taichi as generic as he was in the reboot to avoid these allegations). Some may argue that it's all over the top and that they keep recycling the same conflict (for him and in general) over and over again for the sake of even HAVING a plot to revolve around (which also wouldn't contradict the epilogue too much and actually leading towards it eventually).

For me, it has been interesting to look at all of this in context, as heartbreaking as it is sometimes. Mental health is a serious issue and watching a character like Taichi experiencing at least some form of implied depression after everything he went through tells you that everyone can get affected by this. Even if your experiences won't involve several instances of near-death-situations, even if you are resilient and have a lot of social, mental and physical resources to deal with set-backs or intense, difficult situations... It may still happen. And it's important to show that there are ways to deal with it as well as you can. That there is hope, even if things are not 100% alright.

#taichi yagami #my two cents #meta #tai kamiya #digimon #digimon adventure #long post

17 notes · View notes

ninjagirlstar5 · 26 days

Text

I was in the mood to draw Minako Tomori, and so I did. I put her in this melancholic pose while dressed in casual clothes, like she's hanging out in public, but she started getting distracted by past regrets...

Her casual clothes are based off of this sprite edit I made of her for my fanfic:

There's no tattoo-covering-a-scar on her shoulder in this sprite cause I literally just came up with that headcanon yesterday and this sprite edit is almost a year old (I just never posted it until now). Not that you would've seen it that well from this angle anyways.

Her tattoo is based off of the flower, Sakurasou or the Japanese Primrose, btw. Kinda proud on how it turned out, ngl, as I'm not really that good in designing tattoos for characters. ^^;

Anyways, I made an off-the-cuff Minako Tomori analysis under the read more, oops:

I've been seeing a lot of Tomori family talk lately and that made me start thinking of Minako again as she's, well, kindof my favorite out of the 6.5 crew next to Dr. Ando (which led to me making this drawing of her). Now, I'm not defending her in how she raised Kizuna or her horrible attitude or anything like that. She's pretty horrible in DRA 6.5 and she gets called out on multiple times by Ryutaro and even Dr. Ando, and rightfully so. But man, from what I can understand in DRA 6.5, she's clearly a goddamn mess. From all the smoking she does to (badly) cope with the stress of dealing with her failure of a marriage to a shitty husband who is also a shitty dad, to constantly cheating on him cause she'd rather be anywhere but with him and can't divorce him due to collateral so she's just legally stuck with him so she goes off to find other men (usually younger but at least they're of age) to ignore her problems at home, puts importance on money because she's the only one trying make sure they have a fuckin' roof over their heads cause her husband is too busy gambling and drinking all their money away, and probably put importance on her appearance more than anything else cause it's one of the few things she can control about herself and feel confident in (and even then, she can't stop the passage of time that is old age). And all of this, plus how she interacts with Ryutaro in her Talk sections (a.k.a. her FTEs) by constantly calling him brat and trying to get him to go away, and no wonder Kizuna turned out the way she did. She had a dad that was never there for her or his wife, refusing to take responsibility for anything and just focuses on himself, and her mom is dealing with SO many things that she's constantly stressed about money and her appearance to the point that she's unable to be emotionally supportive to her daughter in any healthy manner that her flaws, her own attitude about men, and her beliefs in money and appearance is all that matters just ended up trickling down to her daughter and influencing her in a way that it turned her into the messed up girl she is in the short time we got to know her in DRA. Like, holy shit, Minako. You're an asshole of a parent, but when you really think about it, the poor woman got the short end of the stick in life and that really affected how she acted in raising her daughter. Again, not defending her as she's still a bad influence but it's hard not to pity her when she's left to do all the work herself, from parenting, to working, to just trying to take care of herself (by coping in very bad ways)...It's not an enviable position, that's for sure. But honestly, that's what makes Minako so interesting to me. She's not a good person, far from it, nor is she the "better" parent in this scenario. But she still cared enough about Kizuna to follow a suspicious note and getting kidnapped in the process, even when it had the underlying motivation of deciding that she had enough of her shitty husband and took the opportunity to run away from him. And whenever the other characters, particularly Dr. Ando, call her out on her nonsense, I think she gets struck silent in response. Like their words are genuinely getting to her and making her question the way she acts.

And you know what fucks me up the most?

The implication that, between finding out what happened to Kizuna and the rest of the class in DRA post 6.5 upon getting rescued and before the events of SDRA2, she actually changed and improved as a person. Minako, while she is gossiping in the epilogue, is a lot more nicer and friendlier here, is giving us a rundown of what happened after the Utsuroshima Killing Game and the rumors surrounding it to Midori, and making light-hearted jokes in an attempt to cheer Midori up by making fun of herself. And when Midori starts to cry over Teruya's death, Minako's sprite goes sympathetic and concerned and it fades to black for awhile and we come back to Midori reassuring Minako that she's feeling better now with the implication that Minako was trying to comfort her through her mourning. And then she gives out some pretty sound advice, even when dropping this bit in the process:

(The translation is an unofficial version and this bit of dialogue appears at the 3:55 mark.)

"...Go ahead and cry your heart out. You're still young, so you don't have to pretend you're strong."

"With age, the tears won't come even if you want to cry, so when you feel the need to cry, cry."

Which, OW to that last one.

Like, imagine going through so much shit through your life as an adult that you can't even bring yourself to cry about it. You just go, "Yep, this might as well happen," with all the apathy and frustration you can muster in your body.

And when Midori goes to leave to talk to the criminals, Minako has the sense to go "That's a bad and dangerous idea, Midori, don't go alone!" and points out that she JUST got out of the hospital and hasn't fully recovered yet. She even tries to convince her to stay by asking her to continue talking with her cause she's bored. (And, well, I can believe that, even when she's speaking some common sense.) But it clearly rubbed Midori the wrong way as she seems to want to be useful in any way she can, regardless of whether or not her life gets put in danger, so she goes anyway. Aaand Minako complains about Midori's parents not teaching her to treat her adults with "respect," and has brought up "worrying over Keisuke getting a scratch on his pretty face" earlier in conversation, which shows that she's still a flawed person. But I consider that good writing as just because she's a better person now, that doesn't mean her flaws are just going to go away or disappear suddenly. Taking away a character's flaws in order to make them a "good" person will only make them bland, boring, and flat as a paper. Flaws are meant to help characters be more nuanced in personality, and Minako still being abrasive is good as it's a flaw that is a part of her to be aware of and keeps her character recognizable despite the implication that she's trying to do better now. And when Midori gets kidnapped, she immediately runs over to Ryutaro and Keisuke to tell them what happened, calling Ryutaro "kid" in the process, and showing fear for Midori's safety. I don't know if the translation between Kid and Brat is any different, but it's a step up from brat, at least. (And honestly, I can see Minako using "kid" and "brat" as a more affectionate nickname to Ryutaro over time since she comes off as the type to show affection through teasing.) And to top it all off, the cigarettes from her DRA sprites have been replaced with lollipops in her SDRA2 sprites, and candy is a common way of trying to combat addiction to nicotine.

In other words, the way Minako acts in SDRA2 shows that she's trying to be a better person, even if that development happened between games. (And frankly, we shouldn't just stop everything in the epilogue just to have a flashback of "here's why so-and-so acts like this now!" Like, that would just kill the pacing of the epilogue and defeats the whole purpose of a time-skip between games.) It's just a shame that Kizuna's death was the wake-up call that put her on that track to growth in the first place (alongside the call-outs). It's through the death of her own daughter and what led up to it and why she acted the way she did in that moment that made her stop, take in the call outs she's been dealt with throughout the 6.5 chapter, and go, "Oh. I've been a shitty mom and that played a part in how Kizuna acted and led to her death." Cause think about it: if Kizuna was never concerned about her appearance, if she never had this belief that she had to extort others in order to benefit herself, whether it's men for money, affection, popularity, attention or anyone else for anything else, DRA's Chapter 2 probably wouldn't have happened the way that it did. It may not have prevented Kizuna from dying at some point during the killing game, but her behavior was something that she learned and inherited from Minako. And that realization had to sting for her as she not only lost her daughter but had to come to terms with the revelation that it was indirectly her fault for influencing Kizuna in a way that made her a terrible person that decided her only option to survive was to try and kill (which backfired on her hard). But unlike some people, who would double-down on their behavior or just grow worse through their grief, Minako seemed to have reflected on everything up to that point and decided to grow as a person instead. But even though Minako is trying to be a better person now, she can never make it up to her own daughter that she messed up the most. Because that chance is forever lost thanks to death itself.

Reflection is important, because if you don't do that much, you'll never realize what you've done wrong until it's too late and the chance to make it up to your loved one is forever stripped from you.

...At least, that's how I've interpreted Minako Tomori.

#DRA #SDRA2 #Minako Tomori #Danganronpa Another #Super Danganronpa Another 2 #DRA Spoilers #SDRA2 Spoilers #Star's Art #My Art #Fanart #sprite edit #I hope this comes across as me rambling about Minako being a complicated and flawed character #rather than “justifying her actions” or anything like that #Like no #DRA Minako is *awful*#like congratulations you've passed down your issues onto your daughter #but there's something about SDRA2 Minako being kinder than her DRA self that just...scratches that itch in my brain you know?#like how she acts now VS then is basically almost night and day #while still making her character recognizable in a way that doesn't alienate her from returning players #and I *really* like that #there's just something about terrible older adults going:#“You know what? I don't want to be like this anymore.”#and choosing to change for the better even if they can't make it up to those they've wronged #And I like that it's *Minako* that shows this capacity to change and grow as a person #even if it's implied and requires reading between the lines in her appearance in the SDRA2 epilogue

13 notes · View notes

kazarinn · 20 days

Note

Any chance for translation of Digimon Seekers since that done and it clear Bandai isn't going back to fix it?

I was real excited in checking it out but the MTL seriously turns me off.

The best way I can put it is that I'm "keeping an eye on the situation". The fact it's MTL offends me on a theoretical level for sure.

But the part I want to keep an eye on is the question of "how much damage will there be if it's not retranslated?", because regardless of how much something annoys me in principle, going as far as retranslating something with an official translation means doing it to counter practical consequences. So for instance, I will do this for things like Megumi Tachikawa manga because no matter how conscientiously or not the official translation was done, the fact is, the final product is misleading to dangerous levels that misrepresent the source material. Likewise, my problem with Digimon Adventure LAST EVOLUTION Kizuna's official translation is not about whatever process they used for the translation as much as the fact that all of the mistakes and shaky wording had to impact the parts where the movie's themes are most important. Same goes for The Beginning (to a lesser degree, but it's still a problem). All of these are human-translated, but all of them have problems in a way that I felt were dangerous when left unaddressed.

So what I want to look out for is exactly how damaging this translation is going to be to the final product, and how people are reading it (especially since I know I'm not the only person keeping tabs on this). Of course, there's going to be some damage; there's no way of avoiding the fact that a lot of the character personality doesn't feel right by vibe. Ideally speaking, this should have been properly translated from day one. But in regards to the issue of whether it's worth actually getting the team together for this and setting up a workflow to keep up with the entire thing...that's not something I can decide until I get a better pulse on how necessary I would be.

I'm sorry I can't give a more positive answer than this! If I had all the time and energy in the world, I would gladly do it anyway, but since I don't, I have to make sure it actually is more necessary than other priority projects first.

#Anonymous #Digimon #Digimon Seekers

7 notes · View notes

izzyizumi · 1 year

Text

Me: *TAKES DEEP BrEATH* M E: I LO- anyone who has spent five seconds around me ever: yes, you love MEIKO MOCHIZUKI, we get it okay, you love MEIKO, /MEIKO/ IS ALSO A Brightest F*CKING Starshine in your life, you f*cking ADORE THEM, yes okay YES, you love MEIKO MOCHIZUKI, HOW many times are we gonna go thrOUGH this, yOU F*CKING LOVE MEIKO MOCHIZUKI AND IT'S OK FOR YOU TO LOVE MEIKO *INCLUDING* AND *ESPECIALLY* EXACTLY AS MEIKO EXISTED IN ALL OF MEIKO'S CANON!!!!!

#mochizuki meiko #meiko mochizuki #digimon adventure tri #digimon girls #digigirls #meiko positivity #tri positivity #tri meiko #kizuna meiko #digiadvs brightest starshine #izzyizumi posts #izzyizumi brighteststarshine #digigirls international womens day 2k23 #meiko is fine #(Its A Bit Late bUT)#this blog supports digigirls #(This is s M E M E POST OK)#(If You Don't Care To See This Please Just Dont Interact)

9 notes · View notes

shihalyfie · 9 months

Note

From my understanding the new voices for the four 02 characters in Kizuna ended up very well received - especially Daisuke. Do you happen to know how the Tri voice cast was received in Japan?

From what I remember, it was about as good as you can expect. Voice actor changes done when the original voice actor is still accessible tend to be inherently controversial (even with the 02 quartet, they still were), and at the time, it wasn't formally revealed that Fujita Toshiko had actually been approached and declined due to poor health (it had to be kept a secret at the time on her request, which, according to Seki, put the tri. producers in a really awkward position). But most people were able to figure out what happened just by logical inference: some of the voice actors had retired, and the rest were swapped out for "consistency", especially since the Digimon voice actors were retained while the kids' were the only ones changed out. Some people did argue that "you could have at least gotten the ones that weren't retired!", but I think most people got it.

So, putting aside the people who were trying to stage a boycott over it or something:

I know Tamura Mutsumi's performance as Koushirou was particularly well-praised (this was before she ended up becoming super famous in the industry, since she's now really popular), and because of that quite a few Digimon fans were thrilled to hear her as Hiro in Ghost Game. It's probably the tri. performance I've consistently heard the most praise about, including even rave reviews from people who otherwise disliked the series itself.

There were people who said that Hanae Natsuki's timbre for Taichi was too distracting (on top of him not sounding much like Fujita at all, he was already a really famous voice actor by that point, so everyone recognized him as "Hanae Natsuki" too easily), but even those people all said that his actual acting ability as Taichi nailed his personality very well.

Hosoya's Yamato also got good reviews, which is interesting because he was also already a famous voice actor by this point, but I think it's because his timbre already enough in common with Kazama's that it didn't feel too weird.

Ones people were kind of iffy on were Mimi (although this also had a relationship with the way she was written in tri., I noticed people had fewer issues with her in Kizuna), Takeru, and Hikari (this one may be partially because both voice actors ended up breaking out into the industry shortly after in very different kinds of roles). Although this one I admit there might be some bias; I personally also think these were the ones that feel closest to miscasted to me, so maybe there was some confirmation bias from me noticing when others talked about it...

While we're here, in regards to the 02 quartet, Daisuke (especially Daisuke, dear goodness) and Miyako are generally well-received, but people tend to be more iffy on Ken and Iori. In the case of Ken, though, when you have the incredibly legendary Park Romi as his original voice actress, and when his new voice actor is Lounsbery Arthur who has his own distinctive voice, reputation, and fanbase, I think you were inevitably going to get some kind of complaint of uncanniness in some direction somewhere...

#theworstotter #tri negativity #(it's not really but again just to be safe)

26 notes · View notes

koushirouizumi · 2 months

Text

DigiTwit: "Oh, by the way, here's another interview mention where Kakudou again confirmed Koushiro and Taichi were meant to be seen as the '{best} friends'"--- M E: COOL now can people LEAVE ME + KOUxTAI FAN SIDE ALONE ABOUT IT?????

#koushirouizumi posts #koushirouizumi dgmn #koushirouizumi advs #koushirouizumi 02 #koutai #just koutai things #dir: hiroyuki kakudou #im rapidly losing my patience here lmao #i cant even look at one promo post about koushiro without finding stuff like this brought up....#people will act repeatedly genuinely surprised about it and meanwhile KxT fan base over here for YEARS like #('YEAH THEY SAID THE SAME THING ELSEWHERE *BEFORE*')#(like i dont mind seeing other people comment about them POSITIVELY but....)#(weve always been a RARE PAIR fan base even IF it has somewhat more 'attention' nowadays)#(our tag on A03 hasnt even passed 200 works yet were at 194 and part of those are MINE)#(people will try their damn hardest to claim these two were ~~~never friends~~~ due to Kizunas sh*t)#({and there were things I liked from Kizuna too EXCEPT THAT PERCEPTION BEING TAKEN SERIOUSLY} AND YET)#(and im just TIRED of it)#(im reallyreallyREALLY TIRED)

1 note · View note

supahstarrr · 3 months

Text

Tier List ☆ DRA edition! WARNING, long reasons below + borderline analysis of characters; and these are just my opinions! If you'd like to talk to me about these opinions, discuss stuff, and/or how I interpret a character (positive or negative ways) then going to my askbox is an option.

Rei Mekaru (Favorite) ― I was shocked she managed to be extremely likeable despite her heavy inspiration being my least favorite DR antagonist (*ahem* Byakuya). One of the noticeable and favorite things about her is how she is such a clever example of the "uptight smart supportive character who doesn't tell you answers right away" because it works so well with her ultimate title! She's an ultimate professor—commonly professors & teachers purposely guide you towards the answers as you'll be more able to comprehend it when you take the steps towards understanding the answer, it's a teaching method. On the surface it's more of a small yet clever detail, although it really helps you understand one of the big parts of her character, give weight to her actions, and keep her grounded to some extend.. which is why I'm so damn infatuated with this detail. To get deeper with it, her background also explains why she is attracted to teaching as a profession and her guidance; for a big section of her life as a child, she had to guide herself, which helped her understand the need and how to guide others.

Her obsession with competence is interesting in this case. While Byakuya's stemmed heavily from privilege, hers doesn't. It is particularly based off of her the skills that she had to develop on her own, which is her version of "competence." She analyze her background, thought her family didn't have the skills she developed on her own, and almost completely discredited them as an actual family. It's interesting and tragic to me; her obsession with competence is such a huge habit stemming from her looking at her background with child-like eyes. She appear obsessive and stuck because I mean, she's attached to this "competence" concept she built up from the lack of skills needed to comprehend a situation (since she was a child) and trauma, and used as a tool for survival (to shield her mental state, to be more clear) and as her power. It's just a really huge reminder that she's just, you know, young and lack some experience.

Everything just make so sense with her, she is so good written goddammit!!! Also, an underappreciated skill of hers is her creative skills! I mean this is an underappreciated skill when it comes to a variety of The Smart characters, but anyways— her intelligence also connects to creative skills, which is what she uses in the trials! It's a typical thing for creativity to interconnect with analytical skills, adding onto how smart a character is. A huge example of this creativity of her (or as what people describe, "thinking out of the box") is when she guessed the casts' memories were altered quite early! I love her analytical skills in general, though I love it even more when it connects to creativity :).

Although she's my favorite, I can't deny that sometimes I did want to smack her, and I do believe the way she spoke to others is something to dislike or criticize (even if "that's the point"). What particularly should be criticized is she spoke to Kizuna was... odd to say and was leaning to very internalized misogyny territory. The slut shaming when it came to Kizuna was just so wrong. I'm alright with "bitch" being said sometimes, but it feels more wrong when it's paired up with slut shaming. I definitely doubt that most fangan developers have misogyny in mind when it comes to developing how women in their art view the world, although it would make sense if misogyny also contributed to her obsession with competence! Which is something I find quite interesting.

Too many paragraphs I'm sorry, but I'll say this one thing. I also like how she appears more grounded than Byakuya. I have to say... although I'm saying this more loosely since I haven't watched DR1 in a while... I DEFINITELY prefer Rei over Byakuya...

Kanata Inori (Favorite) ― Not every character I like or my favorites has to be very good written. Love her lots, although I admit that she doesn't have that much depth & traits to her and that's alright honestly! She has a background which is fine with me, and it's just. What I love about her is how she suffered through a tragic event, someone in her life expressed kindness, and now she just has genuine love for caring about others. It's simple really, and I think that it's an admirable thing when it comes to characters and people in general. The quirks is what really make her more likeable to me; sometimes she's appears cryptic (especially in FTEs) and and it's quite amusing— it's interesting how far she's overly obsessed with germs to the point of walking around with socks and slippers. She's a character that sure can give comfort in a world where many doctors & surgeons mainly care more about money more than other people's safety

Teruya Otori (Like) ― Let me say, I didn't expect there to be two "Funny coward" characters and I expected this one to die the MOST.

I regret what I said... am so sorry Teru... Although, I am definitely fine with him not dying!!! He is kind of an interesting eccentric, weird, kind of funny guy with some charm to him. It's interesting that he's The Funny one while also being the realist at the same time, plus him becoming more hypocritical and selfish the more the game goes on it makes him appear more grounded. I do like that he has the guts to display his interest in fashion even if the fashion is "questionable." Though I feel like this desire to express himself knowing it's "questionable" and unique is used to his advantage to stand out. So if anything, it almost appears as if he has this constant need to stand out more than it being an example of confidence. Why to do this— why do he prioritize standing out? Most likely because he's conditioned to most of his life revolving about selling something— he travels for something to be sold, his father (a figure he's dependent on) sells, and he's been taught for something to sell you need to stand out (his father even suggested the hairstyle, because he claims standing out leads to more money). In fact, most of his memory involve something to be sold (he want to be memorized to sell goods, and he mainly memorize when goods are involved).

It's interesting too since most of his identity is dependent on him standing out because his identity is dependent on selling something and being useful. It's kind of sadder when I think about it more- he reduces himself to being a "resource" and something useful to an extent, rejecting his humanity to an extent. Other than being in a life or death situation, him not being useful and a "resource" would heavily to tie him breaking, because of his identity literally depending on those things. This ties to what I like about how he's portrayed in the game; which is how even when he wants to be remembered to sell something, to be useful, and to be a resource, it's not what he's remembered by. He's remembered by his personality, all what makes him charming and all the flaws to him. I think for his character it's... good for him to have his dumb moments and not always be useful, because it's good that he's allowed to have his identity to not be dependent on something he's conditioned by, which is a harmful thing.

Other than that, what's one of the most odd thing to me is his relationship with his father. I mean like, this guy sleeps in bed with his father, typically unusual for a teen/young adult who values privacy (which is very important at that age range), it's definitely not just a "close relationship with his father" as what some people frame it as, its more like dependence. His mother's fate is unknown, but it could be a good assumption that he's dependent on his father because he doesn't want to lose him too? This could also connect to why he ties himself to goods and further support his identity revolving around things being sold since while losing something, you gain something. As a bonus thing, he won't have to worry about goods (objects) being sold, because he'll have less of an attachment to losing them since he's conditioned to it just being business after all.

He's been caught in the capitalism beams.

Akane Taira (Like) ― Right off the bat, I can say didn't expect her to be more expressive with her concerns and disagreements, more blunt, more expressive with her negative emotions, more open with interrupting the trials, and more open with the idea of smacking people. Those are interesting traits of her that you wouldn't really expect in a maid, but when you know the extra lore of the game and that she's surrounded by others who will allow her to express herself more, it makes sense. Although stuck in a passive role, she's actually pretty good at bringing guidance to others, which is probably one of the best traits of hers. She's such a warm character that turns out to be tragic, obsessive, more stoic, colder, and numb as a defense from all she's been through. I'd say this behavior is more presented when we get flashbacks of her, and it's only not too presented in the main game because of some memories she's lost.

The twist of her being an ultimate despair was wayyy more unexpecting than Yuki being one. Yet it's a twist that is completely understandable- with this despair, she attempts to romanticize the role of being a dehumanized specimen than being human, in order to cope with hiding the many parts of her, the horrid treatment she goes through, being used, and with life in general. Almost, she twists dehumanization as her "freedom" because she "reclaims" it as her own. This despair fails at giving her true happiness in the end, as her being dehumanized contributes to her trauma and she still needs to hide parts of her self to navigate the despair world; and the attempts at feeling more "alive" through putting others in danger and/or mimicking others (to an extent; like mimicking Junko & Monokuma's mannerisms + energy) doesn't help the issue of not being able to reclaim her own livelihood and happiness.

Mikako Kurokawa (Slightly Like) ― Though we didn't see too much of her traits and her full extent of self expression because it's canonically limited (which is well, okay I guess...), she is shown to be empathetic and analytical—which is one of my favorite parts about her character. Her determination is admirable, even when she feels so much pain she has shown that she is willing to go out to help others, act as a contributor, and tries to tell more about the lore of the game. She's a fighter at heart, and I feel like it's an underappreciated part of her. I do like how her talent is more of a metaphor than a profession itself, as she analyzes the truth of people's character or their "inner demons" (as the wiki puts it). Her talkative side was very revealing of her and give you more insight to her other than that she's talkative. With her background full of trauma and abandonment, yet full of characters who adopt her into a family, we can see this influencing her friendly & talkative behavior in the flashbacks. It's a beautiful thing that she was influenced so positively and decided to give that positivity to others :)

Kinji Uehara (Slightly Like) ― I was really pleased that there's a religious character that doesn't force their beliefs onto others, and is more open-minded about other people's religions or the lack of beliefs. He faced abandonment as a child then was adopted, most definitely influencing his love for giving to others (especially children) and that's such a great part of him. It's genuinely such a difficult thing that he felt like he had no other options to kill just to free children who were probably dead. It's an interesting thing, with him acting out in interest of freeing others while also with some selfishness as well, although he has kind intentions he's definitely not the most innocent (although yeah, I can understand his selfishness since he felt like he hardly had any other choice). He's a reserved, king of awkward guy and that's something quite endearing to me and at times funny. It seems as if he's always been put into adult-like roles throughout his life, by constantly watching and caring for the children. Other than appearing "more mature" than most of the cast, he does seem to have more experience comparing to the most of the cast, as he travels and tend to many personalities (because he cares for many children. Which means he is open to more experience and lessons than the rest of the cast, and can also explain why he's open-minded. Yeah, I think he's pretty decent.

Kizuna Tomori (Almost Neutral) ― She's an interesting character, not only she's very self aware of all her wrongdoings, but she observes what the world value about women & girls to use it to her advantage. She gains power and attempts to fulfill her psychological needs by "reclaiming" the perspectives forced onto her—the perspectives that only value and acknowledge her conventional attractiveness over intelligence. Now, as much as its portrayed as if she's irredeemable and to an extent "faking" her loneliness, the FTEs shows her loneliness. I do think she has the potential to redeem herself, it's just that the killing game wasn't a good place for her to do that.

Ayame Hatano (Almost Neutral) ― I gotta be honest, she was one of those almost-forgettable characters to me. Though I really do love that there was an emotional connection so impactful to her, that it heavily influenced the her killing someone- and to mention, some selfishness also influenced her. She's definitely not a saint. She's also more stoic, awkward and blunt at times, yet in the end of the day, she does have some kind intentions and those are all the things cool about her.

Satsuki Iranami (Almost Neutral) ― Her appearing so detached about the killing game was one of the worst and best traits of her, though yeah I get it, her funny detachment moments was a coping mechanism and an attempt at making others cope with the situation all at once. Although not the most remarkable character to me (and is more closer to being mediocre) she's another who is considerate of others. She's one of the characters with the most purest intentions out of anyone else. I also do enjoy her unpredictability, and I have to say, I do wish that she was more expanded on. She had her wise moment in Chapter 4, yet this "wisdom" trait is never expanded on, like ever, and it appears that it's intentionally said by her in order for her death to have more impact... so it feels more "random" than a trait of her, which is a little disappointing to me.

Kakeru Yamaguchi (Almost Neutral) ― Good god his character is just so disappointing, and it's all thanks to the developer limiting themself because he thought 4 "smart supportive characters" would be too much... despite the fact being a lawyer can be many things. I do like that he shows his confidence in the trials (even in a way that's more obnoxious), because lawyers depend on how they appear and say stuff than actually depending on the truth, which is what some people just don't get. Wolfgang is a better executed example of a lawyer not being stuck in the "smart supportive character" role. Although he's nice, willing to sacrifice himself for the sake of others, and that's sweet.

Kiyoka Maki (Almost Neutral) ― I'm sorry man but like she's one of the top characters that were very forgettable to me. She's sweet, supportive, wishes to be a normal girl, and that's really all say that I can say about her. I like that she's the more sweet & sociable type, and I have to say it's interesting that she attempts at getting others to cope with the situation they're in while also appearing ignorant of the situation in the process.

Yuki Maeda/Utsuro (Almost Neutral) ― He's okay I guess. I do like that the game shows him slowly and slowly building up the constant despair he's feeling to the point he chooses the "despair route" in canon, which was almost an expecting choice while managing to be impactful in a bitter way. He's (for the most part) an average guy and other than his whole lore—which I guess you can argue its Utsuro's lore since Yuki and Utsuro are considered seperate identities—Yuki is kind of good when it comes to supporting other's emotions, which isn't the most "average guy" thing ever. Even when Yuki chooses despair, Yuki also chooses hope, which is an interesting thing showing how strong-willed he can be. Also, him considering Mitch a "friend" was pretty annoying of him, even knowing what Mitch did... *eye roll*.

I find Utsuro interesting and his background neat. The way he was dehumanized in life also lead him to the person he is now. Despite all the selfishness and cruelty and dehumanizing others, he does slightly care about others. I like that the "bigger" mastermind ended up with some depth to him, and he wasn't painted as completely evil. I do want to say that prefer the "luck" thing being more ambiguous than an actual thing that exists in canon.

Yamato Kisaragi (Neutral) ― Good god this man is so fucking plain. He was the important character I guess. Which I mean, I'd prefer Mikako having more importance over him, but it's cool I guess. I wish his character would've been... expanded more. He doesn't give as much impact as the story wants me to.

Haruhiko Kobashikawa (Dislike) ― Him invading a space for women solely to sexualize them and then bringing up a DEAD woman's name when talking about peeking on the girls having a bath together killed him for me. People like to downplay this stuff, but I really don't think people should be desensitized to that kind of stuff. He appears aware that he shouldn't really be doing this shit, which makes it worse to me. Other than that, I did find him funny at times. It also was almost ridiculous how he was so quick to decide that Satsuki was his lover and stuff, I'm just going to think that he had a small crush on her and them the memories made it even bigger, I guess. Mans risked it all and that's okay I guess. Also, the way he wanted to suggest doing some creep type shit while he had a girlfriend in the flashbacks. while you had a GIRLFRIEND??? Good god...

Tsurugi Kinjo (Dislike) ― As much as he's a decent antagonist... his character in general... he just seems normal? Which isn't a bad thing that he reflects what's "normal", but I kind of get annoyed with people comparing him to Nagito, because he's kind of a normal cop. Dragging and adding to his words to feel important while expressing that he don't want to improve the system and he'll use his authority to make no actual good progress... manipulating people by using his authority (his "duty to protect everyone", his judgement as a cop) to cause more division while also causing distrust in the process because he claims "if you don't believe in him you're a criminal.........." Then he use people's need to to not be divided as an advantage to trap people in his clutches even if the people technically don't fully believe him. Cop stuff. Of course he'd fall into his mindset at the end because he was never fully out of it in the first place and he's been conditioned at a young age... and I mean, let's be honest, a lot of people in real life will tolerate the things he does as a cop (ex: manipulation) and his mindset. Thus it'll encourage him to continue... being him. I don't hate him but I sure do like to tease him. Decent written character though, I'll say that. I just don't like his character that much.

Mitsuhiro Higa (Dislike) ― There's not much to him. I mean he's a cocky ass and I'm definitely sure that he feels supported by the power he has due to fame to act terrible. He had his nice moments in the flashbacks but I mean. Terrible people can still be nice sometimes. I don't hate him though, and even I dislike him while not giving much that much thought.

THATS IT. I'M FINALLY FUCKING DONE!!! goddamn this took long.

#sunny's thoughts #sunny talks about dra #dra thoughts

10 notes · View notes