Do you think any Lorre characters have any sort of special objects (maybe something from their past, likely of sentimental value) that they keep with them for good luck? I could see at least one of them (maybe polo or louie) having an old, severely careworn toy from their childhood as a comforting keepsake or lucky charm.
Awww, how sweet. ^-^ I believe some of his characters are certainly more sentimental than others, and would likely hang onto keepsakes. For some reason I thought of Cornelius Leyden. Surely he has picked up several prized souvenirs from past journeys around the world. I like to imagine his writing/study room is stuffed with an assortment of collectibles, old maps, reference books, and handmade trinkets he paid too much money for at some open-air market. It inspires him.
And while Peter didn't exactly play this role, I created one such character with him in mind! My OC Leo Becker has just one object of sentimental value, an engraved gold watch that was given to him by his Geology department when he earned his PhD. He has never given it up, not even when he was forced to flee Germany and really could have used the money from selling it. It reminds him of simpler, more innocent times. He always planned to give it to his eldest son one day. Only trouble is, his eldest boys are twins, and he's still trying to figure out which one to pass it down to. Or both, or neither. :P
The Unforeseen was a anthology mystery series which aired from 1958 to 1960 and was seen in the UK on Granada television. Each episode was a short play covering the inexplicable, the supernatural, the occult or science fiction. Each episode had it’s own writer, director, and actors. It ran for two seasons (58 episodes). Across its run the likes of Barry Morse, Gillie Fenwick, Ivor Barry, George…
Portrait of a Young Man with a Skull, Lucas van Leyden, c. 1519, Harvard Art Museums: Prints
Harvard Art Museums/Fogg Museum, Purchase through the generosity of the Fanny and Leo Koerner Charitable Trust and the Susan and Richard Bennett Fund
Size: 19.6 x 15.5 cm (7 11/16 x 6 1/8 in.)
Lugh (pronounced LOO) was known to the Celts as a god of craftsmanship and skill — in fact, he was known as the Many-Skilled God, because he was good at so many different things. In one legend, Lugh arrives at Tara, and is denied entrance. He enumerates all the great things he can do, and each time the guard says, “Sorry, we’ve already got someone here who can do that.” Finally Lugh asks, “Ah, but do you have anyone here who can do them ALL?”
Origin: Celtic
Attributes: Magical spear, harp
Bird: Raven
Animal: Lion, horse
Planet: Sun
Plant: Red corn cockles
Lugh, Lord of Craftsmanship, Light, Victory and War, is a master builder, harpist, poet, warrior, sorcerer, metalworker, cupbearer and physician. It’s hard to envision anything at which Lugh does not excel.
Also known as:
Lug, Luc, Lugos, Lleu Llaw Gyffes, Bright One of the Skilful Hand
Manifestation:
Shining, handsome, charming and witty. He has a silver tongue to match his skilful hands.
Consorts:
Lugh has different consorts in different locations but he was frequently linked to Rosemerta.
Spirit Allies:
Lugh shared the city of Lyon with Kybele and Paris with Isis. In battle, Lugh used his own weapons but also those belonging to Manannan.
Lugh was venerated throughout the ancient Celtic world. Modern scholars perceive him as especially significant because his veneration indicates the existence of pan-Celtic spiritual traditions. (Celts once ruled a huge swathe of continental Europe before being forced to the very edges of the continent.)
At least fourteen European cities are named for Lugh including Laon, Leyden, Loudon and Lyon. Lyon’s old name was Lugduhum, meaning “Lugh’s Fort.” Tat city is believed to have been his cult centre. Its coins bore the images of ravens which may be a reference to Lugh. Carlisle in England, the former Lugubalium, is also named in Lugh’s honor. Some theorize that Lugh’s name is reflected in an older name for paris: Lutetia.
The Romans identified Lugh with Mercury. Many European churches dedicated to Michael the Archangel are believed to have been built over sites once dedicated to Lugh. Post-Christianity many of Lugh’s sacred functions were reassigned to saints like Patrick and Luke.
Lugh apparently travelled westward through Europe. Irish and Welsh myths describe his first appearance in their pantheon. He is greeted with resistance from women in Wales. His first public act in Ireland is to join battle with the Tuatha De Danaan (his father’s people) against the Fomorian, his mother’s people. Lugh chooses allegiance with the paternal line; the myth may be interpreted as indicating the beginnings of patriarchy in Ireland.
Feast: August 1st
August 1st is the festival of Lughnasadh. Lughnasadh (sometimes spelled Lughnasa) means “the marriage of Lugh.” Lugh the sun and the Earth Mother renew their wedding vows annually during the full moon in August and invite all to gather and revel with them. Lughnasadh celebrates the consummation of their sacred relationship.
Once upon a time, Lughnasadh was a four week festival.: the last two weeks of July and the first two weeks of August, roughly corresponding to when the sun is in Leo, the astrological sign that belongs to the sun and epitomizes its power. In modern Irish Gaelic, the month of August is Lunasa. However the modern Wiccan sabbat of Lughnasadh is almost always devoted solely to the eve of July 31 leading into Lughnasadh Day on August 1st.
Celebrating Lugh Today:
Lughnasadh is a pagan holiday is dedicated to this capable God, and is celebrated every year on August 1st.
Take the opportunity this day to celebrate your own skills and abilities, and make an offering to Lugh to honour him, the god of craftsmanship.
Here’s How:
Before you begin, take a personal inventory. What are your strong points? Everyone has a talent — some have many, some have one that they’re really good at. Are you a poet or writer? Do you sing? How about needlecraft, woodworking, or beading? Can you tap dance? Do you cook? How about painting? Think about all the things you can do — and all of the things you’d like to learn to do, and the things you’d like to get better at. Once you sit down and think about it, you might be surprised to realise how accomplished you really are.
Decorate your altar with items related to your skill or talent. If your skill relates to something tangible, like sewing or jewellery-making, put some of your craft supplies on the altar. If it’s an ability to DO, rather than MAKE, such as dancing or singing, put some symbol of your ability on your altar. Do you have a favorite outfit you wear when you dance? A particular song lyric that you know you’re fabulous with? Add as many items as you like to your altar.
You’ll need a candle to symbolise Lugh, the god. Any harvest colour is good, because he came up with the idea of a grain festival to honour his foster mother, Tailtiu. Place the candle on your altar in the centre. Feel free to add some stalks of grain if you like — you can combine this rite with one honouring the harvest, if you choose.
Light the candle, and take a moment to think about all the things you are good at. What are they? Are you proud of your accomplishments? Now’s your chance to boast a little, and take some pride in what you’ve learned to do.
Announce your own talents in the following incantation. Say:
Mighty Lugh, the many-skilled god,
he who is a patron of the arts,
a master of trades, and a silver-tongued bard.
Today I honour you, for I am skilled as well.
I am deft with a needle,
strong of voice,
and paint beauty with my brush strokes.*
*Obviously, you would insert your pride in your own skills here.
Now, consider what you wish to improve upon. Is your tennis-playing out of whack? Do you feel inadequate at bungee jumping, yodelling, or drawing?
Now’s the time to ask Lugh for his blessing. Say:
Lugh, many-skilled one,
I ask you to shine upon me.
Share your gifts with me,
and make me strong in skill.
At this time, you should make an offering of some sort. The ancients made offerings in exchange for the blessings of their gods — quite simply, petitioning a god was a reciprocal act, a system of exchange. Your offering can a tangible one: grain, fruit, wine, or even a sample of your own talents and skills — imagine dedicating a song or painting to Lugh. It can also be an offering of time or loyalty. Whatever it is, it should come from the heart.
Say:
I thank you, mighty Lugh, for hearing my words tonight.
I thank you for blessing me with the skills I have.
I make this offering of (whatever it is you are offering) to you
as a small token of honour.
Take a few more moments and reflect on your own abilities. Do you have faith in your skills, or do you deflect compliments from others? Are you insecure about your abilities, or do you feel a surge of pride when you sew/dance/sing/hula hoop? Meditate on your offering to Lugh for a few moments, and when you are ready, end the ritual.
Tips:
If you are performing this rite as part of a group, family or coven setting, go around in a circle and have each person take their turn to express their pride in their work, and to make their offerings to Lugh.
Born in: 1892 - Rotterdam (the Netherlands) Died in: 1969 - Versailles (France)
Ernst van Leyden was an extremely productive and versatile artist, hugely inspired by his numerous travels: his use of warm colours, striking compositions, and strong rendition – whether figurative or abstract – of people, animals, objects and landscapes made him a thoroughly appreciated artist within a circle of peers and friends to which Picasso, Salvador Dali and Willem
de Kooning belonged as well
1892-1919
Oscar Moritz Ernst Leyden was born on 16 May 1892 in Rotterdam. In 1916 Ernst established his first studio in Amsterdam and exhibited with the St Lucas group and at the Stedelijk Museum in Amsterdam. He joined Dr Schoenmakers group in Laren where he met Mondrian, Rietvelt, van Doesberg and Van der Lek. Whilst his friends, Mondrian, Jan Sluyters, Charles Toorop, Leo Gestel, Van de Vegte and Wim Hussem were going to Vollendam Ernst set up a studio on the island of Urk.
1919-1926
At this time Ernst began travelling to and painting in exotic places bringing back his work to exhibit and sell in Holland. He built a remarkable artist’s studio on a peninsula in the Loosdrecht lakes on stilts over the water and called it “De Hooge Wilgen”. In 1923 he received the Queen Wilhelmina Grant which allowed him to establish a studio in Paris.
1926-1939
During a trip to Ascona in 1927 Ernst met Karin Kluth. It was love at first sight. From that moment they were inseparable although it wasn’t until 1932 that they married, shortly before the birth of their son Ragnar. After 1935 the family spent its time between Loosdrecht and Hatherop Castle in England where Karin painted murals. In 1937 Ernst exhibited with Jan Sluyters, his mentor and friend, at the Stedelijk Museum (Holland). On 31st November 1939 the family caught the last boat for New York.
1939-1957|
Established artists in Europe, they now had to start anew in the United States. At this time the Leydens became the van Leydens. On a zigzagging discovery trip across the States to Mexico to renew their tourist visas in 1941 Ernst and Karin were so enchanted by Southern California that they decided to stay. Portraitists of the rich and famous such as Basil Rathbone, Thomas Mann and Gloria Vanderbilt they also make glass tile murals for luxurious homes, restaurants and hotels.
1957-1969
Ernst exhibited his abstract work for the first time, leaving California in 1957. A 1959 trip to Vallauris inspires his ceramic work. Ernst turned to collage as a medium. He made frequent trips to the U.S. and Venice throughout his extremely active last decade including a trip around the world in 1965. Ernst collapsed in the summer of 1969. During his convalescence he reverted briefly to figurative work before his death at the end of the year.
Around the world
Holland
1892 Born Rotterdam
1916 Studio on Spuistraat, Amsterdam
1919 Studio at Geelvink, Amsterdam
1916-1919 Studio at Urk
1919-1939 Studio at “De Hooge Wilgen”, Loosdrecht
USA
1940-41 360E 55th St, New York then Sneden’s Landing.
1941-42 Santa Monica Canyon
1942-57 Brentwood, Los Angeles.
1942-57 Several extended trips to Mexico
France
1926-32 Cité des Arts, Paris
1949-51 Rue des Martyrs, Paris
1957-59 Rue de Seine, Paris
1963-69 L’Enclos sur Lieutel, les Yvelinesa 17th century farm building near Paris
Mediterranean
1919-39 Syria, Morocco, Spain, Sicily, Turkey, Dubrovnic, Egypt, Aswan, Taormina, Positano, Capri, Rome, Venice
1930-35 Ernst and Karin lease a quinta in Rio de Milho in Portugal returning to Loosdrecht and Paris for exhibitions and social contacts.
1957-63 Fondamenta Bonlini, Venice
World trip
In 1965 Ernst undertook a long trip around the world, this exposure to Buddhist and Zen culture influenced much of his later work.
Teheran
Kaboul
Phnom Penh
Bombay
Tokyo
Hawaii
Los Angeles
Paris
Friends and Acquaintances
Frank Lloyd Wright, Charles Chaplin, Vincent Price, Charles Laughton, Man Ray, Igor Stravinsky, Christopher Isherwood, Aldous Huxley, Joep Nicolas, Tyrone Power, Noel Coward, Peggy Guggenheim, George Cukor, Serge Lifar, Octavio Paz, Prevert, Gloria Vanderbilt, Tamara de Lempicka, Louise de Vilmorin, Zadkine, Baron James Ensor, Willem de Koning, Ruffino Tamayo, Yanko Varda, Edgar Tytgat, Jean Cocteau, Jan Sluyters, Marc Chagall, Salvador Dali, Piet Mondrian, Leonor Fini, Van Dongen, Karel Appel, Michel Tapié, Fernand Crommelynck, Jany Roland-Holst, Picasso, Berthold Brecht, Bertrand Russell, Henry Miller, Diego Rivera
Toronto, ON – The Ontario Hockey League today announced the finalists for seven of the league’s major awards for the 2018-19 regular season.
2018-19 OHL Awards Finalists:
Rookie of the Year / Emms Family Award Finalists:
Quinton Byfield (Sudbury Wolves)
Jamie Drysdale (Erie Otters)
Cole Perfetti (Saginaw Spirit)
Jacob Perreault (Sarnia Sting)
Marco Rossi (Ottawa 67’s)
Tyler Tullio (Oshawa Generals)
Overage Player of the Year / Leo Lalonde Memorial Trophy Finalists:
Justin Brazeau (North Bay Battalion)
Sean Durzi (Guelph Storm)
Tye Felhaber (Ottawa 67’s)
Kevin Hancock (London Knights)
Mac Hollowell (Sault Ste. Marie Greyhounds)
Brandon Saigeon (Oshawa Generals)
Most Sportsmanlike Player of the Year / William Hanley Trophy Finalists:
Cole Carter (Mississauga Steelheads)
Joseph Garreffa (Kitchener Rangers)
Ryan McGregor (Sarnia Sting)
Allan McShane (Oshawa Generals)
Nick Suzuki (Guelph Storm)
Ryan Suzuki (Barrie Colts)
Coach of the Year / Matt Leyden Trophy Finalists:
John Dean (Sault Ste. Marie Greyhounds)
Dale Hunter (London Knights)
Chris Lazary (Saginaw Spirit)
Cory Stillman (Sudbury Wolves)
Andre Tourigny (Ottawa 67’s)
Greg Walters (Oshawa Generals)
Goaltender of the Year Award Finalists:
Cedrick Andree (Ottawa 67’s)
Kyle Keyser (Oshawa Generals)
Ukko-Pekka Luukkonen (Sudbury Wolves)
Ivan Prosvetov (Saginaw Spirit)
Joseph Raaymakers (London Knights)
Matthew Villalta (Sault Ste. Marie Greyhounds)
Defenceman of the Year / Max Kaminsky Trophy Finalists:
Evan Bouchard (London Knights)
Declan Chisholm (Peterborough Petes)
Thomas Harley (Mississauga Steelheads)
Noel Hoefenmayer (Ottawa 67’s)
Mac Hollowell (Sault Ste. Marie Greyhounds)
Bode Wilde (Saginaw Spirit)
Most Outstanding Player of the Year / Red Tilson Trophy Finalists:
Barrie – Tyler Tucker
Erie – Chad Yetman
Flint – Ty Dellandrea
Guelph – Nate Schnarr
Hamilton – Arthur Kaliyev
Kingston – Ryan Cranford
Kitchener – Riley Damiani
London – Kevin Hancock
Mississauga – Cole Carter
Niagara – Jason Robertson
North Bay – Justin Brazeau
Oshawa – Kyle Keyser
Ottawa – Tye Felhaber
Owen Sound – Trent Bourque
Peterborough – Hunter Jones
Saginaw – Owen Tippett
Sarnia – Ryan McGregor
Sault Ste. Marie – Morgan Frost
Sudbury – Ukko-Pekka Luukkonen
Windsor – Tyler Angle
The 2019 OHL Awards Ceremony takes place on Wednesday June 5 at the Hockey Hall of Fame in Toronto, however award recipients will be announced periodically throughout the remainder of the 2019 OHL Playoffs. Additional player awards to be announced include Humanitarian of the Year, Academic Players of the Year, and the 2018-19 Mickey Renaud Captain’s Trophy recipient.
Lugh (pronounced LOO) was known to the Celts as a god of craftsmanship and skill — in fact, he was known as the Many-Skilled God, because he was good at so many different things. In one legend, Lugh arrives at Tara, and is denied entrance. He enumerates all the great things he can do, and each time the guard says, “Sorry, we’ve already got someone here who can do that.” Finally Lugh asks, “Ah, but do you have anyone here who can do them ALL?”
Origin: Celtic
Attributes: Magical spear, harp
Bird: Raven
Animal: Lion, horse
Planet: Sun
Plant: Red corn cockles
Lugh, Lord of Craftsmanship, Light, Victory and War, is a master builder, harpist, poet, warrior, sorcerer, metalworker, cupbearer and physician. It’s hard to envision anything at which Lugh does not excel.
Also known as:
Lug, Luc, Lugos, Lleu Llaw Gyffes, Bright One of the Skilful Hand
Manifestation:
Shining, handsome, charming and witty. He has a silver tongue to match his skilful hands.
Consorts:
Lugh has different consorts in different locations but he was frequently linked to Rosemerta.
Spirit Allies:
Lugh shared the city of Lyon with Kybele and Paris with Isis. In battle, Lugh used his own weapons but also those belonging to Manannan.
Lugh was venerated throughout the ancient Celtic world. Modern scholars perceive him as especially significant because his veneration indicates the existence of pan-Celtic spiritual traditions. (Celts once ruled a huge swathe of continental Europe before being forced to the very edges of the continent.)
At least fourteen European cities are named for Lugh including Laon, Leyden, Loudon and Lyon. Lyon’s old name was Lugduhum, meaning “Lugh’s Fort.” Tat city is believed to have been his cult centre. Its coins bore the images of ravens which may be a reference to Lugh. Carlisle in England, the former Lugubalium, is also named in Lugh’s honour. Some theorise that Lugh’s name is reflected in an older name for paris: Lutetia.
The Romans identified Lugh with Mercury. Many European churches dedicated to Michael the Archangel are believed to have been built over sites once dedicated to Lugh. Post-Christianity many of Lugh’s sacred functions were reassigned to saints like Patrick and Luke.
Lugh apparently travelled westward through Europe. Irish and Welsh myths describe his first appearance in their pantheon. He is greeted with resistance from women in Wales. His first public act in Ireland is to join battle with the Tuatha De Danaan (his father’s people) against the Fomorian, his mother’s people. Lugh chooses allegiance with the paternal line; the myth may be interpreted as indicating the beginnings of patriarchy in Ireland.
Feast: August 1st
August 1st is the festival of Lughnasadh. Lughnasadh (sometimes spelled Lughnasa) means “the marriage of Lugh.” Lugh the sun and the Earth Mother renew their wedding vows annually during the full moon in August and invite all to gather and revel with them. Lughnasadh celebrates the consummation of their sacred relationship.
Once upon a time, Lughnasadh was a four week festival.: the last two weeks of July and the first two weeks of August, roughly corresponding to when the sun is in Leo, the astrological sign that belongs to the sun and epitomises its power. In modern Irish Gaelic, the month of August is Lunasa. However the modern Wiccan sabbat of Lughnasadh is almost always devoted solely to the eve of July 31 leading into Lughnasadh Day on August 1st.
Celebrating Lugh Today:
Lughnasadh is a pagan holiday is dedicated to this capable God, and is celebrated every year on August 1st.
Take the opportunity this day to celebrate your own skills and abilities, and make an offering to Lugh to honour him, the god of craftsmanship.
Here’s How:
Before you begin, take a personal inventory. What are your strong points? Everyone has a talent — some have many, some have one that they’re really good at. Are you a poet or writer? Do you sing? How about needlecraft, woodworking, or beading? Can you tap dance? Do you cook? How about painting? Think about all the things you can do — and all of the things you’d like to learn to do, and the things you’d like to get better at. Once you sit down and think about it, you might be surprised to realise how accomplished you really are.
Decorate your altar with items related to your skill or talent. If your skill relates to something tangible, like sewing or jewellery-making, put some of your craft supplies on the altar. If it’s an ability to DO, rather than MAKE, such as dancing or singing, put some symbol of your ability on your altar. Do you have a favorite outfit you wear when you dance? A particular song lyric that you know you’re fabulous with? Add as many items as you like to your altar.
You’ll need a candle to symbolise Lugh, the god. Any harvest colour is good, because he came up with the idea of a grain festival to honour his foster mother, Tailtiu. Place the candle on your altar in the centre. Feel free to add some stalks of grain if you like — you can combine this rite with one honouring the harvest, if you choose.
Light the candle, and take a moment to think about all the things you are good at. What are they? Are you proud of your accomplishments? Now’s your chance to boast a little, and take some pride in what you’ve learned to do.
Announce your own talents in the following incantation. Say:
Mighty Lugh, the many-skilled god,
he who is a patron of the arts,
a master of trades, and a silver-tongued bard.
Today I honour you, for I am skilled as well.
I am deft with a needle,
strong of voice,
and paint beauty with my brush strokes.*
*Obviously, you would insert your pride in your own skills here.
Now, consider what you wish to improve upon. Is your tennis-playing out of whack? Do you feel inadequate at bungee jumping, yodelling, or drawing?
Now’s the time to ask Lugh for his blessing. Say:
Lugh, many-skilled one,
I ask you to shine upon me.
Share your gifts with me,
and make me strong in skill.
At this time, you should make an offering of some sort. The ancients made offerings in exchange for the blessings of their gods — quite simply, petitioning a god was a reciprocal act, a system of exchange. Your offering can a tangible one: grain, fruit, wine, or even a sample of your own talents and skills — imagine dedicating a song or painting to Lugh. It can also be an offering of time or loyalty. Whatever it is, it should come from the heart.
Say:
I thank you, mighty Lugh, for hearing my words tonight.
I thank you for blessing me with the skills I have.
I make this offering of (whatever it is you are offering) to you
as a small token of honour.
Take a few more moments and reflect on your own abilities. Do you have faith in your skills, or do you deflect compliments from others? Are you insecure about your abilities, or do you feel a surge of pride when you sew/dance/sing/hula hoop? Meditate on your offering to Lugh for a few moments, and when you are ready, end the ritual.
Tips:
If you are performing this rite as part of a group, family or coven setting, go around in a circle and have each person take their turn to express their pride in their work, and to make their offerings to Lugh.
Jim Moran
Paul Stevens
Leo Leyden
Martin Lavut
Anne Collings
Bill Walker
Claudette Nevins
Bill Bryden
Norman Ettlinger
Download The Mask (1961)
The Mask (1961 film) - Wikipedia, the free encyclopedia The Mask (also known as Eyes of Hell) is a 1961 Canadian horror film produced in 3-D by Warner Bros. The Mask: Information from Answers.com - Answers.com: Wiki Q&A. Eyes Of Hell aka The Mask (1961, Theatrical Trailer. Anticipating. It was directed by Julian Roffman, and stars Paul Stevens, Claudette Nevins. BLACK HOLE REVIEWS: THE MASK (1961) - vintage 3D horror finally on DVD Definitely a cult movie, early Canadian horror The Mask is finally out on DVD. In 3D! I was going to include this in the Not On DVD movies. A young archaeologist believes he is cursed by a mask that causes him to have weird nightmares and possibly to murder... The Mask (1961) - Overview - MSN Movies - MSN Movies: Movie. A young archaeologist believes he is cursed by a mask that causes him to have weird nightmares and. Plot Also known as Eyes of Hell, The Mask, is an inexpensive Canadian horror film is distinguished by a gimmick which relies upon full-audience cooperation. Also known as Eyes of Hell , The Mask , is an inexpensive Canadian horror film is distinguished by a gimmick which relies upon full-audience cooperation. Directed by Julian Roffman Rhino VHS THE FILM Forget about Mick Jagger and his 19 nervous breakdowns. Canada's very own hallucinogenic sensation. THE MASK (1961) - BLEEDING SKULL THE MASK (1961) aka EYES OF HELL. . But after another