#like 11 or 13 probably

[dykepaldi]

so twelveclara obviously didnt have sex but i think they probably did some weird shit a few times that was sex without having sex. and they were both like hmmmm lets never speak of this

[yesokayiknow]

human au. some of these guys spend too much time on here and it shows

[phantamic-moriori]

In my opinion, I see chase young as an adult and Jack Spicer as a 16 year old boy so I tend to block people who reblog ship art/make art of them

Just something I thought I'd say since I'm probably gonna post more about xiaolin showdown

[emilyjunk]

could we get a synopsis of what your ongoing fic is about?

To say that Regina is making an effort to be a better person would be, in her personal and superior opinion, an understatement. Just this morning in homeroom, for instance, after Kevin G. made a math pun that functioned as a raunchy innuendo truly so horrific that everyone in the vicinity lost several brain cells, Regina bit her lip so hard in an attempt to hold back her comment that she drew blood underneath her several layers of lip gloss. Growing pains.

Still, despite her efforts to change, she kind of thought senior year might not be that different. She thought everything would go back to normal, or at least some version of normal in which everything stayed the same except for her. Obviously not everything is about her, but, like, this is her moment of growth, hello? Can the universe not acknowledge that?

But it turns out that a semester of high school in which a math teacher is falsely accused of pushing drugs, a new girl with zero fashion sense wins Spring Fling Queen, and Regina gets hit by a bus is wont to transform the entire DNA of the senior class population. 

This is probably great news for everyone else. 

For Regina, well. Like a caterpillar in the chrysalis, she temporarily died. Only for 15 seconds, but still. Metamorphosis is a real bitch.

//

Anyway. Back to the point. 

So, Regina thought things might be the same this year, or at least similar enough that she could follow the initial blueprints of teenage socialization she’s been carefully crafting since 6th grade, barring a few modifications to fit her new and excruciating improved outlook on life. The world of course has other plans because it’s a cruel and unrelenting place (re: Regina got hit by a fucking bus). She’s attempting to adapt, but there are a few crucial changes to her life that are making it difficult, such as follows:

The Plastics become friends with the Art Freaks

Regina comes out 

Cady and Aaron break up

Regina joins the lacrosse team

Regina falls in love

[yunyin]

It looks like the ML movie is gonna be on Netflix instead of theaters here and I gotta admit I'm a little disappointed! I kinda wanted to hang out with other ml fans irl for a bit, all incognito but maybe wearing one of my pins to see if anyone recognized it.

I AM glad that this should mean I can watch it in French, though. And also that it will be easier/cheaper to watch.

[capybaraonabicycle]

Doctor: Huh, is that who I am now?

Donna: It was never that far from the surface, mate.

Doctor: frowns Yes, it was! You know I used to be a woman. And that made people... assume all sorts of stuff. And - and pretending to be Graham's wife for five minutes was bad enough but - Byron? That was torture. Does the man ever stop talking?

Donna: Takes one to know one

Doctor: Oi! I just mean, there were all these men people assumed I would be into and I - and I just - I just wanted -

Donna: I know, darling.

Doctor: softly I just wanted Yaz.

Donna: I know. - There was one man, though, remember?

Doctor: No, there wasn't! I don't fancy the Master!

Donna: ...

Doctor: Okay, fine. But the Master isn't a man. He's like me! Flexible - uh - timelord gender and stuff.

Donna: Sure.

Doctor: So, anyway, I have always been primarily into wom-

Donna: What about Jack Harkness?

Doctor: - Jack doesn't count, everyone fancies Jack.

Donna: ...fair enough.

[lonely-space-ace]

anytime I see one of those 'which Doctor would you rather travel with' polls I am thinking only of my Odds of Survival

like love you mr 12th doctor but your companions have a 100% mortality rate I will not be getting in your tardis today

[goombasinastack]

splatoon 3 hot take turned impromptu essay

was stuck offline in splatoon 3 because internet was actin up and i realized how pretty the photomode splatoon 3 filters are compared to the actual game

i was taking photos on brinewater and thought. damn. this game looks fine but i miss how VIBRANT splatoon 1 was! i wish i could play sploon 3 with this photomode filter on all the time. and brinewater is the best map for this because of the sunset lighting! so i went to one of the worst offenders mapwise for general color—undertow spillway. it is a warm gray mess:

for someplace underground, it’s WAY too warm of a tone—even if there are skylights, they aren’t very well defined, as they’re off in the background—they’d be better with some light shafts to pop out more, imo.

so here’s undertow with photomode filter #6 (this would’ve been a video but tumblr limits to 1 video per post):

and i think this looks a lot nicer, colorwise! the icky warm gray is shifted to a soft pink—and while that’s still not in keeping with the lack of obvious skylights, it works better than warm gray.

so then i opened ibis x paint and got to work on a filter that would hopefully help elevate the entire game’s look:

on top is photomode filter #6, in the middle is the original screenshot, and on the bottom is my proposed filter.

i upped the contrast, brightness, and saturation a bit, then added a 5% pure magenta (#FF00FF) overlay layer on top of that. then i added a slight gaussian blur to emulate antialiasing, which nintendo refuses to do for some reason!

and i wanna play splatoon like that! i miss the vibrancy and intricacy of splatoon 1…

incoming splatoon 1 essay‼️

not only were the colors eye-bleachingly bright, but the overall game feel was much more immersive—especially in ink physics. you could paint trees, and the ink would drip down through leaves as if it were rain… ink splatter would respond to the movements of platforms, keeping its intertia as it dripped! you could see the textures of surfaces through the ink, as if it were an actual liquid instead of a layer of thick oil. 3 doesn’t have any of those special touches.

there’s also the music… 1’s ost feels so much more WEIRD and experimental than the later games, and that really helps cement that this is not human society—this is a new thing—which tracks for splatoon 1, as it was so zany nobody had ever seen anything quite like it before! splatoon 2 follows this sheer melting-pot of brashness and creativity with evolving and varied styles—where once was punk and weird samples in Squid Squad is now groovy rock in Wet Floor, jazz in Ink Theory, and also whatever Sashi-Mori was. also i <3 chirpy chips. splatoon 3’s music goes back to that punk, but i feel that it loses some of the charm and creativity of the first two games. C-side is pure metal, and hardly uses any weird instruments. there have sparsely been other splatbands involved with regular battle music—Yoko&tgb call back to the jazz of Ink Theory which i love! Off the Hook’s new tracks delve into a new style in piano rock. but the main band kind of falls flat to me. :(

let’s talk stages. in splatoon 1, stages were wildly different from each other, including skateparks, construction sites, underpasses, malls, sewage plants, and other locals that are culturally underground. the rest of the trilogy moves away from this in a story standpoint, as ink battles evolve from punky, diy competitions into full-fledged championships in 2 and 3, with advancing battle infrastructure as time progresses. that’s fine, and honestly it’s cool to see that kind of worldbuilding! but in 1, each stage was designed about and influenced by the area it represented. Arowana Mall is a straight line with high vantage points on the second/third story because it’s a mall. Pirahna Pit features convenyor belts that shuffle refuse around because it’s a trash plant. Blackbelly Skatepark has so many hills and valleys because it’s a skatepark, for goodness sake. splatoon 3’s original stages have some of this charm, but it feels lost in ambiguity. why doesn’t Mincemeat Metalworks have small moving platforms on cranes or other heavy machinery? Idk, have some grates and one-way drops, and a car on a post. why isn’t there any water incorporated into the stage design of Brinewater Springs? Idk, have 2 paintable walls and a tetris piece. 3’s original stages have little to no connection between their locals and the geometry, which make it feel same-y compared to previous games.

maybe this is because of the inflexible philosophy of the designers—or their corporate oversight, maybe. for stages, you need to make a straight line or tetris piece with few routes to push, in an effort to promote the game’s main premise of Chaos. for music, you need to make punk songs that aren’t too weird so they don’t drive away the parents. maybe the little ink touches could have been missing because development was rushed?

i honestly dont know why it happened out this way—perhaps the splatoon team just needed more time to cook, in order to squeeze out that extra 20% of game feel? or maybe it was that speculated corporate oversight, i dunno. things WERE missing on launch—notable exceptions being X rank, online tableturf lobbies, and no more than three salmon run maps. i know we’ve yet to even get the DLC but for being about 75% of the way through the game’s content lifespan, but splatoon 3 feels incomplete. there have been improvements, yeah! i just wish there could’ve been more. i would rather have waited another year for splatoon 3 if it were polished that much better, y’know?

i honestly feel like splatoon 1 captured that creative, no-holds-barred mantle of Chaos better than 3 does. 3 feels… flanderized, in a way. the curse of trilogies, perhaps? writing about it more, it feels like not only have the in-game sports of turf war been ripped out of its seedy home and thrust into the spotlight, and gone “mainstream” (see: massive squidsport companies investing in multimillion battle lobbies with holograms and lockers [sunken scroll about that!], flying coffee machines that grant you brief invincibility, new rules and techniques that allow squid surges and rolls, etc.), but also the Real Life Physical Video Game Cartridge of Splatoon has been popularized massively with the sequels on the Switch. maybe i’m not missing the “vibrancy” of splatoon 1 when i look at the colors and photomode filters of splatoon 3, but instead the inherent punkiness and counterculture inspiration that i see in the original.

fuck capitalism, i guess!

[lemontarto]

[mossflower]

lets watch all 874 episodes of doctor who together <3

[icefang111]

Binged the dungeon meshi anime today and gotta say... was not nearly as fucked as everyone was implying???

Was really good, don't get me wrong but like, what's a little blood magic between friends ya know? It's chill, like bearly a 6 on the fucked scale. I was expecting more :/

[henrysglock]

S4 Victims: Story by Proxy?

Okay so. In spitballing with Em...something stuck in my head.

So we all know how serial killers leave crumbs because deep down they want to be caught/want the truth to be revealed? Well what if the Duffers, or even current Henry, are doing the same thing. That is, leaving breadcrumbs.

This mainly has to do with the S4 victims, their stories, and the order in which they're chosen.

So, it goes like this:

Chrissy: Abusive mother who resembles Virginia

Fred: Eaten alive by the guilt of being responsible for the accidental death of an innocent.

Max: Suicidal over guilt about Billy's death and her response to it. Billy, who died saving her/while she was saving herself from the Fleshflayer, a regenerated form of the Mindflayer.

Patrick: Abusive father, not much else told.

Max (again): Suicidal Ideation, dies, soul taken, but was revived by El. She's now in some limbo-state, where her body lives but her identity/mind is elsewhere. She will likely be brought back entirely by El in S5.

It almost feels like a story by proxy if we piece it together.

So, let's piece it together:

Person with an abusive mother...feels responsible for the death of an innocent...a sibling who was killed while this person was trying to save themselves from a monster which came from Hawkins lab, which leaves them suicidal...and this person lives in a situation with an abusive father figure. This person becomes suicidal, and their suicide attempt was not entirely successful. They were revived by El, and end up in a limbo state. They may or may not be brought back by El later.

Now, let's collect details about our serial killer:

Abusive mother? Check. (No matter how we frame it, Virginia was not a good mother.)

Innocent died? Check. (Henry has nothing bad to say about Alice, which we know he would if she were not innocent, since he does this with every other victim.)

Sibling died as a result of saving oneself? Check. (The Creel massacre was a situation where Henry was, with whatever intentions we may assign for the other family members' deaths, trying to save himself from Virginia and by extension the lab.)

Ended up with an abusive father figure? Check. (Well...an abusive Papa, one might say.)

Brought back by El multiple times? Check. (El was the one who took Soteria out and brought Henry back from being powerless. El was the one who put Henry in the UD/limbo state. El was the one who opened the gate for his return to the RSU.)

IT ALL ALIGNS. So let's put it together with all the feelings involved:

Citations (I guess? Explanations?) are in the tags listed by number!

Henry had an abusive mother who was at least trying to have him shipped off to the lab, if not actually trying to kill him outright. This situation builds and builds, him wanting to be left alone (1), putting out subconscious and conscious cries for help (2), and her targeting him about it, until March 25th, 1959.

Virginia starts it, attacks, and this time she's out for blood (3). Henry defends himself (4). Virginia, being the parent with powers (5), doesn't actually die (6). Victor, Alice, and Henry go for the door (7). Virginia's on the stairs (8). She's got to finish what she started, since her original plan was botched (9). Henry puts his energy into trancing Victor (10), protecting him from Virginia, since logically two people can't occupy one person's mind.

This leaves good, innocent Alice to fend for herself, standing directly in front of the staircase. She's a loose end (11). Virginia kills her, but can't kill Henry or Victor while the trance is occurring. She figures Henry's going to run himself into the ground (12). She figures she can call Brenner in to collect Henry, like they planned (13). If she disappears, she figures it'll go into the news something like this:

"World War II veteran kills entire family in deranged fit of insanity. Wife missing, presumed dead. Son dies in hospital."

And on both counts, she's essentially right. It does basically go into the papers that way. Victor is taken in for murder, and Henry is taken by Brenner, but not before he sees that Alice was caught in the crossfire (14).

Henry ends up with Brenner, the abusive Papa. He's got the guilt about Alice's death, something that makes him sad and angry. Brenner, maybe, decides to push this in order to increase Henry's powers, but it backfires. Henry's powers increase, but he does...something. He lashes out, he snaps, maybe he even tries to kill himself. He's Brenner's prized pet, though, so Brenner can't let that happen. He seals Henry's powers away with Soteria. It's a death for Henry's entire identity, so far as to have him under the name Peter Ballard. Then comes along 011. She removes Soteria from Peter Ballard...and revives Henry Creel. She then exiles him to the Upside Down in 1979, only to eventually bring him back in 1983 when she opens the Mothergate.

All this to say: It could be his own story, told through the stories of his victims.

Breadcrumbs, or maybe...obvious things, which nobody by any chance ever observes.

Below the cut is where I speculate into motivations for his actions after Soteria's removal, so...not required reading for this particular analysis.

Years of MKUltra torture warp Henry's guilt about the situation into a bastardized, violent, brutal, unethical savior complex based in the notion that he's a predator by nature, but a predator for good. He "saves" the lab kids from a future like his own, filled with nothing but torture. He "saves" El from her ignorance about the lab and intended to have her join him, thereby attempting to "save" her, technically his little sister, from the lab entirely.

He "saves" his s4 victims from their guilt and suffering, which so closely mirror his own, which no one saved him from. I could even go so far as to say he was "saving" Will, who is set up to be so much like him, from a world of horrible people who (from Henry's viewpoint based on his lived experiences) would only serve to abuse and betray him.

This of course isn't to say any of it is right. None of it is right or good...but it makes sense. It follows a pattern. It coheres. The math...maths.

[miraclemaya]

the thing is that the reason why narrachara is good is because of how well it gels with the themes of the game and it makes the narrative better imo. because otherwise we have a character that is just basically evil. sure there's like nuance there, chara is clearly a deeply troubled kid no matter what like not many 8-13 year olds are going to profess a hatred of humanity. but even still we get asriel going that chara was a bad person and then we get the ending of the no mercy route and a few other little bits to make sense of this character. and its like well i guess chara is just mostly a terrible person, perhaps because of their trauma, and there isn't anything else to say. sometimes they are in some part, involved in the genocide of all monsters (which seems deeply disconnected to their love of monsters and hatred of humanity) but whatever. and that's soooooo lame like fucking asgore is someone who cares and is kind-hearted at the end of the day and he's still a child murderer. like undyne goes to incredible lengths to murder you even on a completely pacifistic run right but we all see more sides to these characters that make them more complex than people who want to murder children hell wethe whole fucking point is to befriend them and feel for them so like there being a character in the game which whom that is just impossible with feels dumb.

[catchmewjsn]

my brain so dumb but like should I call dude or not lmao

[boatemboys]

in another universe we were kids together

[n8njago1fan]

my honest reaction to wylfyres new look