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bucketsofmonsters · 1 year

Text

On The Altar

cw: kidnapping, size difference, attempted human sacrifice, indoctrination, culty vibes, blood, hunting animals for food, self-loathing, allusions to drowning, heights, non-human genitalia, voyeurism, oral sex, threesome, unprotected sex, everyone in this is having a rough time

male dragon x male knight x fem reader

word count: 12k

Your breath caught as you stared at yourself in the mirror and a sort of disappointment washed over you. The white ceremonial dress draped across your form, fitted perfectly to you.

You were supposed to look better than you ever had. Your heart sank a little when realized you didn’t think you did.

Your birthday a few months ago. You thought you looked better then.

You should have toned it down, not given yourself such a high bar to clear. It was your own fault, really.

It had just been your last one. You'd wanted to make it count

Your head felt heavy with the ceremonial braids in your hair and the golden crown atop your head. It matched the rest of your accessories. Golden bracelets and necklaces and cuffs that circled your biceps.

You wondered if it was real gold. Of course, everyone said it was but it seemed like a difficult thing to manage, a whole set of new golden adornments made every year just for it to be lost. A Sisyphean task.

You didn’t have to worry about that. Your responsibility was far from that of the clothing and jewelry makers. You didn’t have to do any work at all, a crowd of women ensuring you didn’t so much as lift a finger on your day, bathing you and dressing you in unfamiliar clothes.

You’d spent the whole day preparing. This was the first time you’d had a chance to breathe.

Excitement and nerves all swelled inside of you, neither able to snuff the other out.

Time was flying by and you weren’t sure whether you wanted it to slow or speed up. Part of you wanted to cherish these last few moments but it was almost here. It was almost your time.

They tied you up. Not that they had to. You weren’t going anywhere. It was just tradition.

You forgot to treasure your last moments of sight before someone behind you pulled a blindfold over your eyes.

All you were left to do was imagine it. Being pulled from where you stood on the shore, being dragged under the water, the air leaving you as you fulfilled your duty.

And the town saved.

They’d do it again next year and again the next, just like they had for decades. But this year was yours. You would save them.

What a privilege it was to die for them.

You wondered if the ropes ruined the lines of your dress. You supposed you’d never find out.

Something hooked around your shoulders and you couldn’t help but flinch. You took in a big gulp of air instinctually, knowing what was coming.

You braced yourself to be dragged forwards and instead slipped backward as you were lifted in the wrong direction. The ground disappeared from under you before you could fall.

Your legs kicked, searching for anything below you, but you found nothing. The wind rushed up around you and despite your lack of vision, you could feel that you were rising up and up and up.

You were meant to be dragged down to the depths and yet here you were, being hoisted into the sky. Claws dug into your skin and you were still blind and disoriented. Fear overtook you.

You reached up and felt at whatever was carrying you, finding scaly skin connected to the strong talons digging into your shoulders.

And then, as quickly as you’d been scooped up, you were being dropped. Rocks scraped your skin as you tumbled onto a hard stone floor. The bindings had come undone during the fall and you scrambled for your blindfold, squinting when the harsh light reached your eyes.

As your vision began to adjust, you saw an enormous figure in front of you. At first, all you could see was a silhouette. Massive wings curled into the figure and the dragon that was slowly coming into focus in front of you stared right back at you.

It was retreating into mounds of shiny things, gold and silver, old pieces of armour and crowns and candelabras piled into the cave you’d been thrown into.

It stood out amongst the collection, a hulking creature with scales that shone a dark bronze that matched little of his horde. It was probably 20 feet long, its head cocked to the side as it watched you.

Your instincts screamed at you to run, to get as far away from the creature as possible.

You took a deep breath and tried to steady yourself. If you tried to run it could just scoop you up again. Besides, the last thing you wanted to do was activate a hunting instinct. Maybe right now, covered in gold jewelry, he saw you as something for his horde. It was certainly preferable to the alternative.

He didn’t seem to be eating you, which you took as a good sign. Maybe if you removed the gold from yourself, it would lose interest in you and you could sneak out. If you rushed and were lucky, maybe you could even make it back in time. A sacrifice without the ceremonial adornments wasn’t ideal but it would certainly be better than nothing.

You slowly lifted your hand to the golden cuff on your bicep, praying it wouldn’t think you were trying to take it. You tried to rip it from the white fabric of your dress, wanting to return home with at least some of your dignity, and your clothes, intact.

Its head tilted further to the side and then a voice sounded, echoing off the walls. “What are you doing? Why would you ruin such a lovely dress?”

You froze at the noise, looking up wide-eyed at the creature. It couldn’t have. That wasn’t possible. Dragons were forces of chaos. Mindless beasts, nothing more.

You blinked slowly, wondering if maybe you hadn’t woken up this morning quite yet. Or perhaps you’d been pulled underwater too quickly to notice and this was the oxygen deprivation messing with your mind.

“Hello,” you responded.

Its jaw opened to reveal layers of teeth in a ghoulish imitation of a smile. “Hello!”

You felt your heart stutter in your chest. “What… why did you take me?” You tried your best to keep your voice steady. The last thing you wanted was to upset the creature.

“You were out there to be taken, yes?”

Oh. You supposed you were. Perhaps you’d been sending mixed messages to the monsters of the world.

You wondered if maybe some town made sacrifices just like you to dragons.

“I was,” you said cautiously. “But not for you. For the creatures of the deep. Fishing is our life, it’s how we survive. We need the waters to be safe.”

“Not… what? You’re… but I thought. So you weren’t out there for me?” He sounded heartbroken.

“It’s fine,” you said, keeping your voice level. “Misunderstandings happen. Just take me back and everything will be fine.”

“No, it doesn’t make sense. You’re covered in gold. You can’t just cover someone in gold and not expect a dragon to come snatch them up. You must have known. You must be for me.”

“Well, I’m not. And I would love to go home now.”

“What do they even want with you?” it asked, avoiding any discussion of bringing you back. “I don’t know much about humans but I know you aren’t water creatures. They couldn’t even take you anywhere, they’d have to come all the way up to visit you every day.”

Now it was your turn to be confused. “What?”

You’d assumed he’d taken you for the same reasons as the creatures you sacrificed maidens to every year. To take and consume, to feel worshiped. But it sounded like this dragon had entirely different ideas as to why a monster would want a sacrifice.

“I wouldn’t have to just visit you,” he said. “I could be with you all the time. Take good care of you. No water involved. I’d keep you warm and fed and completely dry.”

“I’m not given to be a pet,” you snapped.

The creature reeled back and began backpedaling instantly. “I didn’t mean you’re like a pet, I just meant…”

“They were going to kill me,” you said. “I’m a sacrifice. They need to kill me. It’s the only way.”

It took him a minute to understand what you could possibly mean by that. You could practically see the wheels turning in his head as he tried to understand.

You didn’t have time for this. “Just take me back,” you pleaded with him.

He paused. “They’re going to kill you?”

“It’s none of your concern what they’re going to do.”

He dropped his head low, resting it on his tail with a huff. “Then I’m not taking you anywhere.”

Your heart sank. “I can’t believe this is happening.”

“I can’t let them hurt you.”

You let out an exasperated groan, burying your head in your hands. “It has to happen, without it so many more will perish.

“What if I start terrorizing your village!” the dragon said, with the intonation of someone who’d just had a great idea but none of the content. “Or say I would if I didn’t have you. Then your sacrifice won’t have been for nothing.”

Reasoning with him was starting to seem pointless. “Please don’t.”

“Well, either way, I’m not letting you go back. If I let you go, it would be like I hurt you. No, you can stay here.”

You could not do this, couldn’t argue with this strange creature who was incapable of understanding how vital it was that you returned so your town had its proper sacrifice.

You stormed over to the corner of the cave, leaning against the cold stone wall with a huff.

He just stared at you, neverendingly, undeterred by your attitude.

“It can’t be comfortable over there,” he called out to you.

“Leave me alone!” you shouted back, curling in further on yourself.

He wanted to approach you, you could tell that much. His hesitation was evident and he took small steps forwards before pulling himself back, repeating the gesture over and over until he seemed to come to a conclusion.

“Alright. I can go for a while. Don’t hurt yourself.”

With that, he gave you a final once-over and flew out of the cave.

He was hard to read. The way a dragon worked was unfamiliar to you. The most you could do was take guesses and try your best. Hopefully, you wouldn’t be around long enough to figure out the intricacies of dragon body language.

You should run. If you were going to have a chance to escape, this would be it.

As you edged out of the cave, your dreams of making it down the mountain were crushed. There was, technically, a sort of path down the mountain. It was barely a few feet wide with a sheer cliff at the edge of it.

You hadn’t eaten since this morning. You were scared and exhausted and there was a slight tremor in your hands you couldn’t quite seem to rid yourself of. There was no way you could safely traverse that path.

You went back into the cave with a huff, waiting for your captor to return.

Eventually, he did, blood dripping down his face as he dropped an animal in front of you. It was hard to tell what it was with the way it was mangled. It was clearly a fresh kill.

You stared blankly at him, edging further away and into the cave wall.

At your lack of reaction, he nudged the creature towards you. “You should eat,” he said.

“I can’t eat that.”

You prayed he wouldn’t try and force you.

“Why don’t you just eat me?” you spat at him. “At least it would be better than this.”

At least then you wouldn’t have to live with the knowledge that you’d failed, and your village would pay the price.

He tilted his head once more. “Why would I do that? I’ve wanted to meet a human for a very very long time. I’ve got another friend too, come look.”

He started to wander back into the cave, behind piles of gold and you hesitantly followed him on shaky legs.

When you reached the back of the dark cave, you found a single, frightened sheep sitting atop a massive patch of grass that seemed to have been uprooted from the ground.

“I took him from a field. I couldn’t eat him, he had sad eyes.”

“Do I have sad eyes?” you asked. Maybe that was why he insisted on keeping you, refusing to let you go back home.

He looked at you and as hard as it was to read the facial expressions of a dragon, you knew exactly what he was thinking.

“Is it that bad?” you asked as you looked away.

“Not bad. You just look like you're hurting.”

If you were it was because of him. This was supposed to be the best day of your life, the only day that mattered. And instead, you were here, looking at a poor terrorized sheep who was in the same position you were in.

“So, what can you eat?” the dragon asked. Before you could give an answer, it said, “Nevermind, I’ve got an idea.”

You didn’t get the chance to ask him what it was. He was off again, moving through the cave until you heard the telltale flapping noise that meant you were alone once more.

You looked down at the sheep again.

Maybe not entirely alone.

He returned swiftly with a whole market cart in tow. It had piles of bread in it, although they were a little worse for wear from the flight. You had no doubt that some unsuspecting farmers had found it raining loaves of bread as he made his way back.

You were too hungry to worry about scolding him for the thievery. You grabbed the first piece you could get your hands on and took the biggest bite you were capable of.

Your dragon watched, seemingly entranced by the sight.

As you chewed your first bite of freshly baked bread he asked, “I did alright this time?”

You nodded, unable to speak through the mouthful of food.

As you finished scarfing down your bread, you sat in the grass with your new sheep companion and asked your captor, “Do you have a name?”

The dragon considered this for a moment. “No. No one has ever needed to call me anything.”

“Oh. I thought dragons would have names.”

“They do. Just not me.”

You looked up at him, brow furrowed. “What, just you?”

He hummed in acknowledgment, the vibrations from the noise cascading through the stone under you. “Didn’t bother to give me one. I was the runt so you know how it is. Or maybe you don’t. I don’t really know how people work. With dragons, the littlest one always has to go. That’s the way it is.”

“Oh. I’m sorry.”

“It’s fine. I get a little lonely but now you’re here!”

You rolled your eyes, collapsing back into the grass. If you closed your eyes you could pretend you were outside your village lying in a field instead of trapped in a dark cave on a cold mountain. “Yeah, now I’m here.”

The moment couldn’t last. It was too cold, there was no wind. The air smelled different.

“You know,” you said. “We had stories about dragons. Big terrifying ones that wanted to hurt people. My mother used to tell me stories of Pytho. I was so scared of him when I was little.”

“Oh.” You heard his wings rustle and opened one of your eyes to peek over at him, shuffling uncomfortably in place.

“I could call you Pytho,” you added. “It’s the only dragon name I know.”

“If you think it fits, I suppose. I thought you said he was big and scary?”

You laughed. “Well, from my perspective, you’re pretty big and scary.”

Instead of being pleased at your words, he reeled back. “Are you scared of me?”

You shrugged. “I was. Not so much anymore. Honestly, I think on any other day, I would’ve liked you”

“But not today?”

You shook your head. “Not today.”

“Well then,” he said as he began to curl up into a ball, “Maybe tomorrow.”

You backed up, leaning against the cold wall, and tried to suppress your tears at the thought that there would be a tomorrow for you at all.

When you woke up, it was all still real. A dragon snored beside you as a sheep stared at you with the saddest gaze you’d ever seen.

Maybe, as you looked at it, it thought the same thing about you.

Pytho stirred from his slumber, immediately turning to check on you.

When you felt his warm breath directed at you, you realized just how cold you were. Not that you were going to do anything about it. Your only source of warmth was the dragon in front of you and you were going to go nowhere near him.

You clench your fists, doing your best to stop the shivering.

He didn’t seem to notice. With the warmth that he radiated, you were sure that the concept of being cold was something that was foreign to him.

You turned away from the creature. If he wouldn’t take you back, the least you could do was deprive him of your attention.

It wasn’t much but it was all you had.

The day passed slowly but still, it passed. You spent it wallowing in the corner.

Pytho left you alone after the first few outbursts. He seemed to understand that you needed your space. You could appreciate him for at least that much.

As the sun began to set once more, you began to realize just how much warmth and light the day had brought to this miserable cave.

You curled in on yourself, not far from how Pytho slept.

You watched him begin to settle in for the night and saw a moment of hope where he tried to move closer to you. You glared at him and he stopped in his tracks.

“You’re still upset with me,” he noted.

“Of course I am. There’s nothing for me now. It was supposed to be over and now it’s not. You took that from me.”

“I took your ending,” he said, and you knew he understood.

“You did.”

“You’ll find a new ending someday.”

“But that one was mine. It mattered,” you said, frustrated that he couldn’t seem to get it.

“You matter.”

You scoffed. “I did.”

“You do.”

You turned away from him with a huff. “You don’t understand. You can’t.”

“Goodnight, little human.”

You fell into a fitful sleep against the cold stone of the cave. When you woke, however, you felt warm and safe.

You opened your eyes to find Pytho standing over you, his body heat covering you in waves of warmth, even when he wasn’t touching you.

“You were shivering,” he said, like it was that simple. You were cold, he was warm. There wasn’t anything else to be done. You hadn’t even known he understood what shivering was.

You slid away from him, back into the cold.

He watched you. That’s all he ever seemed to do. Watch you. “You’re mad at me but you’re punishing yourself.”

You didn’t dignify that with a response. “Let me go back.”

“I will not.”

You tried to sleep again but the cold felt harsher now, crueler. It was your turn to watch him, remember the waves of heat across your skin.

You waited until his breathing leveled out, the rise and fall of his chest becoming uniform. You couldn’t handle a smug look or excitement. You just needed to sleep.

You took the few steps between you slowly and gently leaned against his side.

Almost instantly, without thinking, he curled around you, bundling you up in a nest of warm scales. His breathing was steady against your side.

You’d never slept better.

You woke to find his head a few inches from yours, propped up on his tail and staring at you with a soft gaze.

“Good morning,” he said.

You gave him a hum of acknowledgment back.

You were wracked with guilt. How could you be enjoying this, allowing yourself even these minor comforts? It wasn’t right. None of this was right.

You pulled away from him, feeling sick.

Traitor. You’d betrayed them after they’d put so much trust in you. Who knew what was happening to them now, while you slept feeling warm and comfortable.

“You still want to go?” he asked in hushed tones as you backed away, clearly afraid of the answer.

You nodded. “I’m always going to want to go. I have to make this right.”

He let out a pained whine and moved towards you slowly, giving you the chance to stop him.

You didn’t.

“You could be happy here,” he insisted. “Why won’t you just be happy here?”

“It just wasn’t meant to be."

“Don’t want you to get hurt,” he whined out.

You pressed your forehead to his. “Does it not matter what I want?”

He let out a huff and hot air cascaded over your face. He was always so warm.

You pressed a kiss to his scaly nose. “I know you want to help, but I have to do this. Please let me do this.”

And he stared. Just stared at you, like he was drinking it in, trying to memorize you.

Finally, his face fell and you knew exactly what it meant.

“If you change your mind…” he said. “If you ever get the chance, come back to me. You’ll always have a safe place here.”

You nodded, still holding his head in your hands. You knew you never would, but it was nice to imagine returning someday.

You looked down at your dress, dirty and torn, and you finished ripping off the golden cuff you’d started to tear days ago.

“You can have this if you want. For what could have been.”

His eyes were glassy. You didn’t know dragons could cry. He grasped the golden cuff in his talons, tucking it away far from the rest of the gold, instead next to his beloved sheep. “For what could have been.”

A forlorn laugh escaped you as you looked at him. All three of you had sad eyes now.

Before either of you had the chance to rethink it, he moved towards the mouth of the cave and you followed.

Familiar talons grasped your shoulders and you were off again.

This time, there was no blindfold. An entire landscape unfolded below you and you watched towns and rivers and forests pass you by at incredible speeds.

Your hands reached up to grab Pytho’s legs, the seer distance to the ground making you dizzy.

The flight was shorter than you remembered. You wished it wasn’t but as your feet touched grass, real grass rooted in the real ground, you knew there was nothing to be done.

He dropped you off near the village but still outside of it. It was for the best, you couldn’t imagine anyone inside the town would be particularly pleased to see him. Worst case scenario, they might even try and hurt him.

As soon as you’d properly landed he flew off, leaving you behind. No parting words, no last look. Before you knew it he was gone, a distant silhouette on a blue sky.

Good. You didn’t want him to see what might happen here anyways.

The walk back was too quiet. You could hear the birds and the wind but none of it was enough to drown out the blood rushing in your ears.

You didn’t know why your heart was pounding so loudly. This was what you wanted. You were back, ready to repent for the crime of being stolen.

The first person who saw you was a boy. He couldn’t have been more than ten. He wandered on the outskirts of the village but as soon as he saw you he turned and ran back into the town, probably telling tales of your miraculous homecoming.

You’d been so caught up in your return you had managed to think of little else but now, as you neared society once more, you realized what a mess you’d become. Your sacrificial dress was brown with now much dirt it had collected, ripped and shredded and hanging off of you in tatters. You were sure your face and hair were just as dirty.

You walked further and further into town, unsure of what to do with yourself. You’d assumed someone else would tell you what to do but instead, they grouped together and stared, whispering and pointing as you trudged your way through the village.

As you reached the center of town, you found a gathering waiting for you.

You stopped in front of them, waiting as they inspected you. The same people who’d helped ready you and told you how vital you were to the town now looked down at you with thinly veiled disdain plastered across their faces.

“I came back as soon as I could,” you said, your voice sounding small and weak.

The man at the front of the group, the one who chose the sacrifices, made speeches about its vitalness every year, spoke. His voice boomed across the gathering. It didn’t feel fair. He was accustomed to speaking to crowds like this. You weren’t meant for this, of course you sounded small. “We chose another,” he said, and his words echoed in your ears.

Your heart sank in your chest. Of course they did. What else would they have done? At least it meant the town was safe. So why did it sting so badly?

“I can do it next year,” you said. “Please, let me do it next year. I’m here now.”

The man turned up his nose at you. “You abandoned your post.”

You could feel yourself getting more and more frantic as he spoke. “No, I was taken. I came back as soon as I could, I promise! Please.”

“An example must be made.”

You nodded, searching for a way out, any way you could still be useful. “Anything. I’ll do anything.”

The women who’d helped you bathe and get dressed a few days prior surged forwards, grasping at your arms. They held you in place as you refused to struggle.

“This is what happens to deserters,” he called out over the crowd.

You could barely think, barely hear his words.

The fact that you’d been replaced kept running through your mind. You’d been raised for this. It was all you’d ever wanted. You’d dreamed of it.

You weren’t so sure you wanted it anymore.

It didn’t matter anyways. It was too late. You’d left.

The man chanting to the crowd pulled out a knife.

It felt like what you deserved. Your chest tightened with guilt and fear. Now it wouldn’t even be for anything. Just an example, nothing more.

Maybe it was saving them, in a way. Saving them from an epidemic of girls who thought they could escape it and damn the town in the meantime. Maybe you still could die for something.

A thudding sound echoes in your ears, slightly out of time with your heartbeat. It felt almost grounding, helped you ignore the chants of deserter and heathen. You didn’t have the strength to try and defend yourself, to insist that no, you’d fought to come back. You weren’t even sure you believed that anymore. You latched onto the thudding, anything to get those words out of your head.

And then the arms that had held you down were being ripped away and instead you found yourself being lifted. This was not the endless upwards motion of your dragon. Instead, you found yourself hoisted onto the back of a horse.

Hard metal dug into your side and you looked up to see a knight in full armour, his face hidden by his helm and his arm hooked around your waist.

You pounded your fists against him, fighting to be let go. “No!” you shouted. “I need to do this. I need to be forgiven.”

The knight's grip on you tightened and the horse you were both on sped up. Neither seemed to find your fighting anything more than mildly inconvenient.

Before long, your struggle slowed. You were becoming very used to the intense frustration that accompanied being trapped, being taken away with no regard for what you wanted.

You lost track of time as you rode. You’d just been trying to make things right, even if you couldn’t do what you were meant to do. The universe seemed intent on stopping you.

Maybe you’d done something wrong, offended the cosmos so severely you were no longer permitted to do what you were meant for.

As the horse slowed, the knight's grip on you loosened.

He set you gently on the ground in the midst of this unfamiliar forest and you glared up at him.

“Can I go now?” you hissed. “Or am I still being kidnapped?”

“There were going to kill you,” he said as he dismounted his horse.

“You don’t know what was going on,” you insisted. “Maybe I deserved it.”

He rummaged around in his saddlebag. “Maybe.”

You reeled back a little, not expecting him to agree with you. “Oh. Can I go back then?”

“No. Here, eat this.” He held out some dried meat in your direction.

You refused it. It would be a waste anyways.

“Why can’t I go?” you asked. If he didn’t even know if you were in the right, what reason could he possibly have for taking you?

“I’ve heard about your village, you know. I was worried I was too late. They’ve messed with your mind. It’s not your fault but you’re not making good choices right now.”

“My choices are fine,” you shouted. “Who are you to decide that? You don’t even know what I did.”

“What did you do?”

“I shirked my duty. I should have been there.”

“For what?”

“To be their sacrifice.”

“You didn’t deserve that.”

You did, but he couldn’t know that. It was beyond him.

It was hard to remember where you were. It didn’t make sense. Why weren’t you home? Or were you? You knew that you should be. Why wouldn’t you be?

You saw your dress, dirty and crumpled and ripped. You’d ruined it. How would you go through with the ritual now?

Something in you always knew you’d ruin it somehow. And now things were all wrong. Who else’s fault could it be?

The knight pushed some food at you and once again you were in a forest far from home.

You threw it back at him. “I said I don’t want it. Aren’t you going to eat?”

That damn helmet stared back at you for a moment before he said, “Maybe later.”

“Do you have a name?” you asked, desperate to get anything from him.

“Phillip.”

You missed your dragon. At least you could see his face and try to figure out what he was thinking.

He got up without warning, and you jumped a little at the sudden movement.

He froze for a second as you did, staring down at you before continuing on, trudging through the nearby bushes.

He returned in a few moments.

“There’s a pond back there,” he said, gesturing towards the foliage. “It’s not too cold, you should be fine.” He started to move back towards his horse before pausing for a moment and adding, “It might make you feel better.”

You went to inspect this pond as he tended to his horse.

It was a small pond, the trees around it curling over the top of it, mostly blocking out the sun. You dipped your foot into the water and found that the knight was technically right, it wasn’t cold enough to hurt you. It still wasn’t a pleasant temperature but right now it was the best you were going to get.

As you tested out the water, you watched from behind the bushes as he mounted his horse and started to ride away.

It made sense. You wouldn’t want to keep you around either. At this point, you were just ungrateful dead weight.

You considered taking off your dress and attempting to keep it dry but at this point, it consisted more of rips and dirt than anything. Dousing it in water might do it some good.

You sunk into the cold water, doing your best to get the dirt out of your hair. As long as you were in here, you might as well attempt to get clean.

You wondered if you could find your way back to Pytho’s cave. If you could manage to get close you were sure he’d be able to find you. At least you hoped he would. It was the only place you had left to go.

You had no real desire to prolong the bath in the cold water. You just didn’t know what came next. After this, where could you even go?

Your fingers began to prune and you know you couldn’t do this forever.

As you exited the pool in your sopping wet, muddy, ripped ceremonial dress, you decided you needed to go. You weren’t sure if you were trying to find your village or Pytho but it didn’t really matter, you had no sense of what direction either was in. You just needed to be headed somewhere.

You made it half a dozen steps before you collapsed.

You didn’t even notice he’d returned until he was right in front of you, staring down at you collapsed in the dirt in your soaking-wet dress.

You watched his helmet as he looks you up and down, lingering a second too long on your chest before snapping his head back up towards your face.

He cleared his throat and you would have bet money that his face was bright red beneath his helm.

“Apologies, my lady. I thought you might want some fresh clothes.”

He held out some folded clothes with a pair of leather boots balanced atop them.

No. It wasn’t right. This was supposed to be the last outfit you ever wore. It felt like a betrayal to take it off.

“No thank you,” you said from your spot on the ground. “I’ll stick with what I have.”

“I know they’re not much but they’ll fit.”

You shook your head again.

You heard a quiet, muffled sigh escape him. “The sun is setting, you’ll freeze to death if you wear those. You can change back in the morning if you really want to.”

You eyed him suspiciously. “Promise?”

He nodded. “Promise.”

You took the clothes with a sigh. “Fine. Turn around.”

You’d never seen him move so fast. It was like he was afraid you’d start stripping the second you decided to change.

A giggle escaped you and you watched his shoulders tense up at the noise. It seemed like the two of you were having entirely different kinds of crises.

You got dressed as quickly as you could, a chill starting to set deep in your bones. He’d found you a faded red tunic that hung midway down your thighs and some pants that miraculously fit pretty well.

The boots had thick woolen socks inside and putting them on felt like heaven. You swore you’d never wear pretty shoes again as long as these were an option.

You didn’t bother telling Phillip he could turn around. He’d figure it out in his own time. Or he wouldn’t. It wasn’t really your problem.

As you got ready to sleep, you watched him, keeping track of time as best you could. It took him about twenty minutes before he finally peeked over his shoulder, finding you sitting with your back against a tree.

You gave him a halfhearted smile and he cleared his throat. “You should rest now,” he said. “We have to leave at dawn.”

“And when are you going to stop dragging me around with you?”

“Whenever you’d like. I can drop you off at a town tomorrow. I just have something I need to attend to first”

You knew by now not to get hopeful. “Can you drop me off at my town?” You kept asking but you didn’t know what the point of it was. There was nothing for you there anymore. The most you could do was repent. Pay for what you’d done. But for what?

“I can drop you off at any other town.”

You slid down the tree, basically lying on the ground. “Alright.

He spent the rest of the night in full armour and you wondered if maybe part of him thought you might attack him. Either that or these woods were more dangerous than you knew.

He awoke you the second the sun began to peek over the horizon and you groaned, trying to kick him away from you.

He would not be deterred, coaxing you up and onto the back of his horse. You got on behind him and wrapped your arms around him for stability with minimal protest. You didn’t have the energy to fight him on it.

It took you too long to realize you'd left your dress behind, discarded in the mud.

The ride was much more comfortable when you weren’t being held captive.

Forests and plains and mountains passed, all foreign and strange. You’d never left your town before, never seen anything like this. Even in your bad mood, it was hard not to admire it.

Your heart stopped as you noticed one of the mountains that the two of you were fast approaching seemed familiar.

It had taken you too long to recognize it but in your defense, you were used to seeing it from a cave right at the peak.

You shut your eyes and prayed to anyone that might be listening that you’d ride right by it.

If the gods were listening, they had a special hatred for you. You weren’t sure you could blame them.

Phillip lead the horse along the precarious path you’d deemed too dangerous only days ago.

You needed to figure out a plan but you had nothing.

With only a few minutes left before you reached the peak, Phillip dismounted, holding out his hand to help you down. You half considered trying to take his horse to go warn Pytho but you had no real idea how to ride one on your own and you couldn’t shake the feeling you’d ride the pair of you right off the cliff edge. The poor creature didn’t deserve that.

You dismounted and Phillip nodded, getting right back on the horse. “You stay here, I won’t be long.”

“No,” you yelled, a little louder than was necessary. Phillip flinched, probably worried it had echoed up the mountain and warned the dragon at the top of his presence. You hoped it had. “I want to come.”

“These are dangerous lands, m’lady. I will not let you get hurt.”

You scowled at him. “You know, people won’t stop saying that to me.”

The helm stared down at you, unwavering, before he gave his horse a swift kick in the side and it rode up the narrow path.

You took off in a dead sprint after him.

You neared the top of the path, panting, just in time to see Phillip creeping into the cave, sword drawn and at the ready.

You had no idea what to do. You couldn’t just stand here and do nothing but you felt frozen in place.

The problem was, you’d rather neither of them were hurt. It felt like an impossible situation.

Pytho needed to be warned but as gentle as he’d been with you, he could decimate Phillip in a second. That much you were certain of, no matter how competent of a knight Phillip might be.

You finally willed yourself to move, darting into the cave to see Pytho standing over Phillip, who had his sword positioned right at the dragon’s neck.

Before you could even think, you shouted, “Don’t hurt him!”

You had no real idea which of them you were talking to but both stopped in their tracks, heads spinning towards you.

For one moment you were terrified one would take advantage of the distraction to harm the other and then their blood would be on your hands. Before the worry had time to settle, Pytho swung his tail around, hitting Phillip over the head with it.

He instantly collapsed to the ground, going limp.

You rummaged around in the saddlebag as Pytho stared at you. When you finally found rope you raised it triumphantly.

Pytho’s gaze followed it up. “What is that?” he asked as you rushed towards the knight.

“It’s rope,” you informed him as you tried and failed to drag him across the floor. As soon as Pytho realized what you were doing, he swept him effortlessly into the corner for you.

You bound his hands behind his back, tethering him to some heavy golden chair that would at least slow any escape he tried to make.

“You’re back,” Pytho said behind you, his voice airy and incredulous and so very grateful.

You turned from binding the knight with a big smile. “I am. I was afraid I wouldn’t be able to make it back but this guy led me right here,” he said, nudging at him with your foot.

He didn’t seem to hear any of it. “I can’t believe you’re back.” His eyes were wide, refusing to leave you.

You nodded, grabbing Phillip’s abandoned sword and throwing it right off the mountain, listening to the clanging noises as it bounced all the way down. You glanced nervously at Phillip as you returned, leading his horse over by the sheep. “I am. This is so rude but can you please go for a couple minutes? If you’re still here when he wakes I’m afraid he might perish from fright.”

He nodded. “If that’s what you want. I will be back.”

He bumped his head lightly into you before heading out, flying off somewhere.

And not a moment too soon.

The knight stirred from his slumber. The only way you could tell was by how his helm slowly moved up, rising to meet your gaze.

The second he did he tried to move before realizing he was bound. “Why?” he asked you. “I don’t understand, you… Was this all a trap?” His voice cracked and he sounded genuinely hurt by the betrayal.

You felt a pang of sympathy in your chest as he struggled against his bindings. Quiet fearful noises escaped him as he glanced between you and Pytho’s horde.

You shushed him, your hands up in a quiet surrender. “We’re not going to hurt you. You’ll be just fine.”

“We? You’re in cahoots with this monster?”

You bristled at the harsh langue but did your best to be forgiving to the frightened man.

“He’s not a monster. He helped me. Why are you even here? He hasn’t hurt anyone.”

“That’s not what I heard. From what I’ve heard he’s been snatching up women.”

You groaned, rubbing at your temples. As you did, the knight leaned forward as much as he could and even through the stoic armour, you could tell exactly when he realized.

“No. But… but you….”

“I just wanted to help my people. I don’t know why every creature within a thousand miles is trying to stop me.”

“If he took you, how did you escape?”

“I didn’t. I asked him to let me go, to be able to make my own choices, and he did. Because he respects me and didn’t kidnap me on the back of a horse!” You tactfully decided to omit the original kidnapping. At least for now. You had a feeling it wouldn’t help your case.

“Please, it’s a dragon, it…”

“He! He’s a dragon! And at least he’s allowed me to make decisions.”

He reeled back. “I… you were going to get yourself killed. I couldn’t just let you get yourself killed. It isn’t right.”

“And it’s not your choice to make.”

He hung his head, helmet clanging against his chest plate.

Pytho chose then to return, his tail swishing happily as he walked. He rubbed up against your side, letting out a happy rumble as he did.

“So they let you go?” Pytho asked, ignoring the man on the floor.

“Not exactly. They were going to kill me. They wanted to make an example of me.” You couldn’t help but smile. “I can’t imagine that the example they wanted to set was getting rescued by a knight but I suppose that’s the hand they were dealt.

Pytho turned his gaze to Phillip. “You saved her?”

He nodded hesitantly.

Another pleased noise escaped Pytho. “He’s a good one. I’m glad you didn’t let me kill him.”

“About that,” you said and you watched Phillip freeze up, all of his limbs locking. You glanced at him, adding, “I said we weren’t going to hurt you, calm down. I was just going to say, Pytho, you should let him go.”

The dragon tilted his head. “Why? I like him, he’s shiny.”

You suppressed a laugh. “He’s not shiny, his armour is. It’s like clothing.”

“Oh. Why do you creatures insist on that stuff? Seems awfully restrictive.”

Phillip cut into your conversation, saying, “I can’t leave.”

You looked over at him, a wave of irritation rushing through you. “Why not?”

“I can’t leave you here with this beast.”

You had half a mind to throw something at him. “Get this through your head, I don’t need you to save me.”

“It wouldn’t be right,” he continued, undeterred.

“Fine. But I’m not untying you and risking you hurting him.”

“Fine.”

Pytho’s head swiveled between the two of you as you bickered. As the argument finally finished, he asked in a hushed tone, although still lough enough that Phillip could hear, “Does that mean we get to keep him.”

You snorted. “Guess so. It’s your lucky day.”

“It really is,” he said, voice as genuine as it could be.

The sunlight was fast fading and you knew how cold it could get in here. You had no intention of sleeping alone but you glanced at your mostly willing captive.

“Pytho?” you called out.

He turned to you immediately. “Yes? Do you need something?”

“Could you go get some wood?”

“Of course I can,” he said, already speeding off.

When he returned, he had a whole tree in his mouth and another in his talons, dirt still clinging to their roots.

You bent over laughing as he dropped them both in front of you, tail swishing behind him. They’d barely fit through the mouth of the cave, filling up a significant amount of the room and knocking over at least one pile of gold in the meantime.

You got to work snapping off some of the more reasonably sized branches, having Pytho move the trees back outside as you finished.

You set them up a few feet away from Phillip, far enough away that he’d be safe but could still feel the warmth.

“You can breathe fire right?” you called back to Pytho. It would be unfortunate if he couldn’t because you did not have the proper tools to start one here.

He nodded, visibly eager. “Do you need one?”

“Just on the sticks here. Make sure not to burn anyone,” you said, nearing Phillip to ensure that he didn’t forget there was a person inside of the shiny armour and cook him.

With a quick and surprisingly controlled burst of flame, the pile of sticks turned into a quaint little fire.

You gave Phillip a pat on the shoulder as you headed over to Pytho. “Goodnight. Have fun sleeping in full armour.”

He didn’t respond.

You left the fire behind to go curl up with Pytho. No fire could compare to his warm scales, of that you were certain.

A happy rumble escaped him and ran through you as you leaned against him.

He spoke in hushed tones, face right in front of yours as his tail curled around you. “I can’t believe you came back.”

“I shouldn’t have,” you said, giving him a quick kiss on his snout. “But I think I realized I didn’t really want to be anywhere else.”

His head leaned into your touch immediately, a wistful look in his eyes.

“I wish I could do that.”

“What, kiss me?” you asked with a laugh. “Well, how do dragons kiss?”

Without another word he licked a long stripe up the side of your face, leaving a sticky residue behind.

You giggled as you felt his spit on your cheek. “Well, my way is definitely less messy.”

He let out a noise that sounded almost like a purr, resting his head in your lap. “I like it your way.”

You hummed quietly and you wished he could feel it reverberating through his body the way you did for him. You curled happily into warm scales, surrounded by an overwhelming sense of safety, and fell asleep in your new home.

The next morning, you realized you had no idea how to tell if Phillip was awake or not. He could have escaped and left only his empty armour behind and it would be impossible to tell.

What you did know was that he hadn’t eaten.

Pytho still had some slightly stale bread from your last stay here and you’d brought in all of Phillip’s supplies. You grabbed some dried meat and the freshest of the bread that you could find, heading over to him.

“Good morning,” you said, hoping he could hear you.

He shifted, just barely, to turn to you. It seemed like the most positive reaction you could hope for.

“Okay, you need to eat. Here, just let me.” You went to lift his helm but paused as he flinched away from your hand.

“Please don’t.” His voice was low and shaky.

You backed off, keeping your hands up and away from him. “Okay,” you said, “But you do need to eat.”

There wasn’t any other way to do it. You reached behind him, pressed close to him as you untied his hands. As you struggled with the knots, you felt his breath hitch in his chest.

After a few moments, you pulled away from the newly freed knight, rope in hand. “Tada.”

He froze once more, something you were getting used to, and just stared down at the rope for a minute, flexing his hands by his sides.

With no warning, he grabbed the food you’d gathered for him and stood on shaky legs, giving you a small nod before he headed out toward the mouth of the cave. It was near where the animals were being kept, tied up to some golden pillar near the front. If he wanted to, he could leave here and now.

You waited patiently for him, avoiding looking in his direction, even if you were sure he’d gone far enough that you wouldn’t be able to see him.

He quickly returned, fast enough that he must have scarfed down his food.

He presented his hands to you and it took a second to realize he was waiting to be tied up again.

You scoffed, looking at him dubiously. “Is that really necessary?” It seemed silly to tie him up again after that.

His hands stayed out and you rolled your eyes as you grabbed the rope.

You tied them in front of him this time, taking much less care with the knots as you did.

“Where are you a knight of?” you asked as you pulled the knot taut. “I see no insignias anywhere on you. That doesn’t seem normal.”

“My kingdom is long gone, m’lady.”

“Still so respectful, even after everything I’ve put you through. Well, sir knight, how can you be a knight with no kingdom to serve?”

His head cocked to the side as if baffled by the question. “I know nothing else.”

You paused a moment before asking. “How long have you been doing this?”

He remained ever impossible to read, although that never stopped you from trying. After a long, stoic pause, he simply shrugged and said, “I’ve lost track of the years.”

“And so what? No kingdom to speak of, you just keep fighting?”

“I do what I’ve always done.” Like it was as simple as that.

“Don’t you get tired?”

“I never have the time.”

“Well, sir knight, I think you were just about due for some rest anyways.”

He didn’t respond, the helmet following you as you left him.

He was so stoic. You weren’t sure how it was easier to get a read on a dragon than a man but somehow he’d managed it.

Anything other than silent staring began to feel out of place.

“M’lady,” Phillip called out. You turned, confused. It wasn’t like him to start a conversation.

“Yeah?”

“Where is my sword?” he asked.

You’d forgotten he was unconscious for that. “Oh. I threw it off the mountain.”

“You what? Why?”

Pytho chimed in immediately. “I can get it.”

You shifted between him and the entrance to the cave as quickly as you could. “No, you will not.”

“Why?” asked Phillip.

“What do you mean why? You tried to kill him.”

“I won’t attack him unprovoked.”

“You already did attack him unprovoked.”

“I didn’t have all the information. For that, I am truly sorry, sir.”

Pytho’s chest puffed up at the title. “You are forgiven. And I am sorry that I almost destroyed you.”

That caused Phillip to reel back a little. “You did not. I can best a dragon easily, I almost slit your throat.”

Pytho huffed and you smelled a bit of smoke on his breath. “You did not.”

“Okay,” you said, cutting in. “You’re both very dangerous. I’d still love it if we could keep the sword where it is.”

Phillip nodded. “I understand your hesitancy.”

He said it tied up on the floor. Despite not having a weapon, despite his promise not to try and hurt Pytho, despite the fact that you'd already untied him so he could eat.

“This is stupid,” you said, pacing up to him and immediately setting to work on the knots and ignoring his quiet noises in protest.

It didn’t take long to undo them, you’d put barely any effort into tying them in the first place.

“We have to free you so you can eat anyway, I don’t understand your obsession with this little performance.”

Phillip froze, still holding his hands together despite the lack of rope.

“What should I do?” he asked you quietly.

You threw the rope to the side. “That’s up to you.”

It took him hours before he was even willing to stand from his spot on the floor.

His movements were all colored by hesitation. You understood. The freedom made staying a choice. And even when he managed to stand, to move from his corner, he stayed.

He stuck to his corner as often as he could, but nonetheless, he stayed. Watching him sleep alone in the cold, you were certain that this was how Pytho had felt every night when you froze your ass off far away from him.

You both lit the fire for him every night. Pytho has started running off to get wood without you even asking, even if the trees that remained outside left you with enough wood to last years.

His armour got lighter as time passed, forgoing pieces from time to time. No matter what, the helmet stayed. It felt like a part of him, like you could imagine there possibly being a man under there.

He was adjusting to the newfound freedom about as well as you’d expected.

With every small sign of growing comfort, something else went wrong.

A few days after his freeing, while Pytho was out gathering more food for the two of you to eat, you heard him muttering in the corner.

You drifted closer and he paid you no mind. You couldn’t make out any words but you could tell it was frantic.

“Phillip,” you said softly, doing your best not to startle him. “Are you alright?”

You had no idea if you’d frightened him, he remained entirely unreadable. All except for his hands. He had foregone his gloves and much of the armour on his arms and you watched as he nervously fidgeted, threatening his fingers together, cracking his knuckles absentmindedly, his hands never staying still for more than a moment.

“I’m wasting time here,” he said. “I have things to do. I have a duty to this land.”

You knew it was near impossible to get through to him but you couldn’t help the urge to try. “It’s a waste to rest?”

“It is. I need to go, need to continue on.”

You sat beside him, as close as you could get without touching. “You should take me back home on your way. I’ve got a duty too, you know.”

His head fell back. Metal against stone sent a clanging noise echoing across the walls. “That’s different. You were brainwashed.”

“I wasn’t. The monsters are real you know. I’ve seen them. We all do, every year. I really would have been saving them. Whatever girl they chose instead of me really did save them. Maybe you don’t think it’s right. That’s fine. It’s an important duty nonetheless.”

“It’s not the same. I’m not being marched to my death.”

“People will still need saving in a week, in a year, in a century. There’s no real, final end to it. There has to be ends to it for you. Little ones. There just has to be.”

His head was turned towards you and you squirmed, feeling like you were being studied.

Finally, he said, “It upsets you.”

“What?”

“That I never stop. That upsets you?”

You nodded. “It does.”

“I can stand tiny ends to it. To ease your mind.”

A sad laugh escaped you. “I’d rather you did it for you.”

“That’s the best I can do right now. You’re the same, aren’t you?”

And you supposed you were. “I can’t go back. I can’t do that to him. Or to you, I guess.”

A small laugh escaped him, a noise you weren’t sure you’d ever heard from him before. “You guess. I’ll take it.”

Pytho returned, entering the cave a little too quickly and knocking one of his piles of treasure over. He dropped a cart in front of you, this one with boxes of pastries covering it.

“The humans seemed to love this one,” he said with his disarming, open-mouthed grin.

“Who are you taking those from?” Phillip asked incredulously, and you were almost certain you could hear a smile in his voice.

You grabbed something that looked chocolatey and when you felt that it was still warm you almost sobbed. “I don’t care who he’s taking it from,” you said, taking a massive bite of it. “This is the best thing I’ve ever eaten.”

You scarfed down three pastries, offering a small piece to Pytho, just so he could taste it. He spat it back out, questioning how you could ever eat something like that.

And then you remembered your stoic knight, still sitting beside you, just watching you eat, and a sense of guilt overtook you.

“I’m sorry,” you said and he perked up as you addressed him. “You know, I could turn around or we could close our eyes. We wouldn’t have to see anything. So we could eat together.”

You didn’t wait for an answer, didn’t wait for him to politely refuse, instead turning around and signaling for Pytho to do the same. You shut your eyes, just for good measure, as you leaned against the dragon.

The quiet thud of the helmet being set on the floor made your heart swell.

As you took another bite of a pastry, this one filled with a beautiful lemon cream, he slid his hand into your open one and ate behind you, slower than he’d ever eaten before.

Even if it was for you, you hoped he enjoyed it.

And still, no matter how much progress you made, every night he still slept in that goddamn corner.

You were glad Pytho curled up around you at night because then at least you couldn't see him, sad and alone next to his fire, away from the two of you.

You knew Pytho could tell it bothered you. He always did his best to distract you, pull all of your attention to him. He’d gotten pretty good at it.

He was nuzzling into your side, pulling giggles from you as he gave you a big, slobbery kiss on your face.

“What are dragon kisses for?” you asked.

“What?”

“I’m just curious. Humans kiss their kids, their partners, their parents, all sorts of people they love. Dragon kisses don’t feel like something you can do as casually as a kiss on the cheek.”

Pytho perked up immediately. “You love me?”

You pressed a kiss into his cheek. “Of course I do.”

He purred at you as he answered your question. “Well, dragon kisses are just for mates. We aren’t an overly affectionate species.”

“Could’ve fooled me. You know, maybe you can’t kiss like a human but I could kiss like a dragon.”

He tilted his head and you decided to take the gesture as a challenge.

You opened your mouth and licked a broad stripe up the side of his face. His scales tasted ashy and were incredibly smooth against your tongue.

A wave of heat passed through him as you did, a deep guttural sound escaping him.

You pulled back, trying to get a better look at him.

“What was that?” you asked quietly.

He ducked his head down in a poor attempt to hide from you. “Nothing. It was nothing.”

Something clicked in your head. “Hold on. You said dragons only kiss their mates.”

He nodded hesitantly.

“You kiss me all the time though.”

He whined again, his tail moving away from you and curling in front of him. “I’m sorry. I know it’s strange, I know you’re human, I can't help it. You're so soft and nice and I love you so much…”

As his words got more frantic you kissed his snout again, shushing him. “You should’ve told me. If I’d known my big, strong dragon wanted me maybe I could’ve done something about it sooner.”

You practically watched his eyes glaze over, head tucking into your chest as he purred more.

You gave him all the kisses you could, peppering them along his head wherever you could reach. After about a dozen, you decided to try another dragon one, licking along his jaw.

You were flipped and pinned under him in a second, looking up at a ravenous face. His wings were folded over the two of you, blocking you from the outside world. In here, it was just the two of you.

You couldn’t be happier.

“Please, let me see you,” he hissed and you struggled to get your clothes off as quickly as you could. You kicked your pants off and they got caught on your ankles, spurring on a minor giggling fit, feeling absolutely giddy.

And he just watched, perfectly content to stare down at you as you waged a minor battle against your clothes, desperate to get your bare skin against his.

As you lay below him, finally fully naked, you didn’t feel shy or self-conscious. It felt right, the two of you, like this.

“I will never understand clothes,” he informed you. “Why would you ever cover this up?”

His head shifted around, looking at every part of you he’d never gotten to see before.

As his head moved downwards, you could tell exactly when he noticed how wet you were. He stopped moving entirely, nostrils flaring and eyes locked on you.

He nosed at you and you opened your legs for him, spreading them as wide as they could go.

His tongue snaked out instantly, licking a hot stripe through your folds. Whatever he found there seemed to interest him because the next thing you knew his thick tongue was snaking deep inside of you, your walls stretching around him.

You let out a strangled cry, fighting to not snap your legs closed at how overwhelming the sensation was.

His content vibrations ran through you, causing a spark of pleasure to run up your spine.

His tongue found a spot deep inside of you that’d didn’t quite feel like the rest, rubbing against it experimentally and you slapped your hand over your mouth, trying not to scream.

It was too much. You’d never felt anything like this before.

His jaw was cracked open over your stomach, his impossibly long tongue reaching as far into you as it could go.

His tongue slowly withdrew from you and you didn’t know whether to beg for him to keep going or take your reprieve from the overwhelming sensation while you could.

You noticed his hips shifting and glanced down. Your heart skipped a beat.

He was massive, probably a foot long.

“That’s not going to fit,” you whispered.

The dragon shook his head. “No, I would never try. You’re too small, it would break you. I wouldn’t hurt you.”

“What about you?” you asked, feeling bad you couldn’t reciprocate.

“I have everything I need,” he said, nuzzling into your chest once more. “But if you want someone your size, we could always ask for help.”

Your face heated as you realized what he was implying. To be honest, you’d entirely forgotten Phillip was there, too caught up in what you were doing. Oh god, he’d probably heard everything.

Pytho lifted his wings as you looked at Phillip, who had turned to face the wall.

“I am so sorry,” you called out, embarrassment washing over you.

He turned to you slowly and you prepared to get yelled at.

Instead, his voice came out breathy and strained. “Do you want me to help?”

Your heart skipped a beat as you stared back at him. “I do.

He moved towards the pair of you. “I live to serve”

You wanted to kiss him. You wanted so badly to kiss him and you just couldn’t.

So instead you made do, grabbing his hand and pulling him towards you. He fell next to you, both of you leaning against Pytho.

He froze a little as your hands neared his helmet and you whispered, “Trust me.”

He untensed, although you could sense his anxiety.

You grasped the side of his helmet slowly, tilting it gently to the side to reveal a sliver of his neck. You moved towards it, taking all the self-control you had to go slowly.

He shivered as you neared him, your breath ghosting over his skin.

You started gently, pressing soft kisses into his skin.

Before long you wanted more, nipping at his neck and sucking marks into it as he let out little whines. You could feel his throat move as he swallowed, could feel his muscles tense as you moved.

Eventually, he pulled you away from him and you looked up at him, wide-eyed.

“Um…” he said, his voice shaky and high. “If you do want me to… to help. You need to stop doing that.

You smiled, resting your forehead on his helm. “If you insist.”

The way you’d pulled at his clothes, shifting his shirt out of the way, meant you could see as he gulped.

His hand hovered inches over your hip, as if afraid to touch you. You covered it with your own, pressing it onto bare skin.

You didn’t mind his staring so much now. You could feel the waves of awe coming off of him as his hands gently slid up and down your sides.

You hooked your fingers into the front of his pants and pulled him closer to you.

“Please,” you asked.

He didn’t bother taking his pants off, instead pulling them down just enough to get his dick out, already painfully hard.

Pytho’s tongue had more than prepared you and Phillip seemed like if someone breathed on him wrong he might come so you wasted no time, pulling him over to you.

Pytho sat there, watching as Phillip pushed inside of you. He was painfully slow, groaning with every inch.

Your walls fluttered as his hand pressed tentatively down on your clit and he had to stop entirely, breathing slowly.

“Do you know how hard it was,” he gasped out as he buried himself fully inside of you, unmoving. “Hearing all that and not touching myself. It felt like torture.

You could feel Pytho shifting behind you, molding himself against your back as you saw his hips twitch, grinding against nothing.

You opened your mouth to speak when your words were cut off with a sharp thrust.

Phillip gripped your hips so hard you were worried it might bruise in the morning. You couldn’t bring yourself to care.

He slowly found his rhythm, desperately trying to pull you impossibly closer as he thrusted inside of you.

You felt something hard against your back, moving as Phillip slammed inside of you again. And then, as if sharing one mind, you felt a sticky substance coat your back just as Phillip gave you one final, hard thrust, groaning as he came inside of you.

As soon as Phillip pulled out, Pytho rushed to snake his tongue back inside of you. It was so dexterous, pressing up perfectly inside of you as he tasted both you and Phillip.

Phillips fingers intertwined with yours as your back arched and you felt waves of pleasure run through you. Pytho seemed intent on working you through it, his tongue moving steadily until you could take it anymore.

You pushed at his head and he lifted it, mouth slick and eyes looking just as dazed as you felt.

You were all gross and sticky and you’d never been happier in your life.

Phillip snorted. “I was supposed to kill you.”

“Plans change,” you said.

“You never could have killed me,” Pytho declared and you couldn’t help but smile as their argument began again.

You woke up in a tangle of limbs. Your head was tucked into Phillip's chest, his arms wrapped around you with just the tip of Pytho’s tail betwixt you. You were both entirely surrounded by him, curled up protectively around you.

Pytho had to take both of you down to the nearest lake to get clean the next morning. He sat patiently at the edge of the pond as both of you washed off the mess from the night before.

Phillip helped you clean, scrubbing your back and running his fingers gently through your hair as you both stood in the waist-deep water.

You’d had the good sense to remove your clothes but Phillip had to clean his along with himself, standing in the water in his pants, shirt, and that helmet.

It seemed a little silly but you wouldn’t bother him over it. It would come in due time. Or maybe it wouldn’t and honestly, you didn’t think you would mind.

Pytho was content watching the two of you, occasionally shifting his tail to splash water at you, a favor you returned to him readily.

As the cleaning finished and the three of you sat on the shore, drying off, Phillip braided your hair as you both leaned against your warm dragon.

You were curious where he’d learned it but scared to ask, to remind him of anything other than this perfect moment.

He did not seem to understand how precious and fragile this moment was, breaking the silence by saying, “I can’t stay here,” and shattering everything.

You looked at him with panicked eyes and Pytho hid his head under his wing.

“What?”

His next words came slower, more gently. “I think we’ve made a little home here. I do. But I can’t just stay.”

You nodded. You understood. “Neither can I. You’re going off adventuring again, right?”

He nodded and you immediately added, before you could lose your nerve. “I want to come.”

“It’s going to be dangerous,” he said, his voice not commanding but instead cautious and worried.

“Please. I need to do something, to help someone. I feel like I’ve got a debt on my back. I can’t let it hang over me like this forever.”

He went to protest but you stopped him. “I don’t care what you think, I can’t live with it. Please.”

He nodded. “First, we’re going to need to find my sword.”

You gave him an apologetic smile. “I’m sure it won’t be too hard.”

“And we can’t come back every night,” he continued. “You’re going to have to spend days on the road. You sure that’s what you want?”

You rolled your eyes. “I think I can manage for a few days.”

Pytho lifted his head from where he was hiding it. “Come back? You said you can’t stay?”

It took a second to understand what he could possibly be asking. The idea of leaving him forever was so inconceivable to you that you hadn’t realized what this must have looked like.

You rushed over to him, kissing his forehead. “No, I’m not leaving you. Neither of us are. We just…I just can’t stay in a cave for the rest of my life.”

“People will still need helping,” Phillip chimed in, standing behind you. “I won’t ever stop doing this. It’s what I was made to do. But it's been too long. I think it was about time I found a home to come back to.”

You smiled at him as you leaned into your dragon’s side. “I think it was.”

#terato #terato writing #monster x reader #monster x human #monster boyfriend #monster bf #dragon x reader #dragon boyfriend #dragon #dragon bf #The cws on this are wild #Phillip’s armour set up is a little wonky compared to most real armour #I attribute this to his accursed knight status #Definitely not just for narrative ease #I would never #also I came up with this idea and then wrote the whole thing in like 6 days #Everyone say thank you ducky #lol

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lucabyte · 1 month

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i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"

#oh my god this is like 6k words what happened. well you can't say my claims are unsubstantiated i guess.#lucabytetalks #fuck dude i sure do !!!!#i have to assume a lot of other people picked up on exactly what i did too but i dont read other peoples meta very often so !!#i am simply shaking hands with anyone else who came to this conclusion. hi. sometimes its just fun to construct a small essay i guess #i have like no goal putting this out here other than like. For The Sport of Writing Out Media Analysis. so if it makes anything click #in peoples minds or actually sells them on this reading then that's just a bonus i suppose #in stars and time #isat analysis #isat meta #isat siffrin #isat loop #isat spoilers #2hats spoilers #lucabytewrites #welp. no idea what else to tag this. be free and into the wild my gigantic ass post.#is some of this redundant? probably! but cmon man its a tumblr essay i can't format it perfectly. sometimes points get repeated #anyway this post is lagging out my tumblr drafts now i have to post it oh god oh christ i hope nothing goes wrong #edit: i forgot i made the lucabytewrites tag a while back for purrgatorio this can go in there too

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