#listen I think they should get to dress up and give Chuck an appropriately themed weapon

[blackfire5561]

Shark Week 🦈

[curioussubjects]

So I did a season 15 rewatch and wanted to do a thought experiment

I know I often mention that the meta the corner of fandom I’m in has multiple points of entry, but I don’t think I ever just dumped plain text as a thought experiment before. Obviously, the parts of the text I decided to dump here are picked through a specific meta lens as well as being only a facet of the SPN text itself, since I only have the words and none of the complex visual language the show employs from set dressing to editing to acting -- and that’s a ton of info I’m omitting, I know, but generally speaking all text gets reduced to the writing even in the mytharc of the show itself, so it feels appropriate to use words on a page to do this. That said, this is just a start, and any analysis of SPN needs to take into account the full scope of the text beyond the words (with the one exception of a soundtrack pick in 15.10 because it’s too good to pass up).

Anyway, I started writing this as a simple “here look at this selection of very cursed quotations let’s cry” sort of self-indulgent thing, but then I thought, well, what if we could all take a pause from fandom stuff and finale anxiety in order to sit a little with one of the textual building block? What if we could even put a pin, for just a second, to the greater nuances and more involved abstraction about the text and think in bare bone terms? 

Of course, I have a reading here, but through the quotations I picked notice the repetition of themes, of words themselves. What is there? What is it telling us? Regardless of our personal wants and wishlists, whatever our feelings about what is and what should or shouldn’t be. And if we pluck these words and put them back in their context, what is the story trying to tell us? On its face, without any editorializing about what we think could happen maybe because we’ve all been burned by tv shows before. Or even do we really think the text seems so clumsy and lost and incompetent as some seem to think it is? 

Again, this collection is just on facet of the text. Think of it as a spring board, rock number 1. 

15.01

We were just rats in a maze. Sure, we could go left. Sure, we could go right. But we were still in the damn maze. Just makes you think, if all of it... you know, everything that we've done... What did it even mean?

It meant a lot. We still saved people.

When we win this, God's gone. Hm. There's no one to screw with us. There's no more maze. It's just us. And we're free.

We got work to do.

15.02

Chuck is all-knowing. He knew the truth, he... he just kept it to himself.

Even if we didn't know that all of the challenges that we face were born of Chuck's machinations, how would we describe it all? We'd call it "life". Because that's precisely what life is. It's an obstacle course, and maybe Chuck designed the obstacles, but we ran our own race. We made our own moves.

I'll tell you what we do know. Nothing about our lives is real. Everything that we've lost, everything that we are is because of Chuck.

You asked, "What about all of this is real?" We are.

I'm done, Chuck. I've changed. I've adapted. I've... I've become the better me. And you? You are still the same... petulant, narcissistic. So... I'm leaving you here.

15.03

No, we’re gonna end this, Sam. Like you said. We’re gonna be free.

And I'm here, and you're here, and everything we need to end this right is in our hands.

But will you let the world die, let your brother die, just so I can live?

I've tried to talk to you, over and over, and you just don't want to hear it.  

Jack's dead. Chuck's gone. You and Sam have each other. I think it's time for me to move on.

15.04

Wow. So you’re still, um… [...]  Uh, obsessed with my work.

You mean my work.

So instead of reading your stories, I kept writing my own. [...]  Where the guys didn’t have to hunt monsters all the time. They just sit around and do laundry and talk, you know? I mean, that’s what people like the most, anyway.

… this is just an ending.

I can do anything. I’m a writer.

We are finally free to… move on, you know?

I don’t know. Uh… I-I don’t know if I can move on. You know, I-I-I… I can’t forget about any of them. Dean, I still think about Jessica. I… I can’t just let that go.

15.06

Yeah. If I stay, nothing changes. It's time for me to get back in the game.

15.07

What would I do without you? Hmm? What would I do without my best friend?!

Angela was raptured, and I was left behind.

but... but best friends don't just up and leave without saying goodbye.

Listen to yourself. "We're owed." "We deserve." Come on, man. You're not God. Hell, God's not even God.

Then you fix it. You don't walk away. You fight for it.

15.08

No one hands you anything, darlin'. I took it.

Then one day, you die, you go to hell, they make you queen, and you can't make it right. So fix it!

Doing what we do, we've had to get used to losing people. Probably too used to it. With Adam, we said goodbye because we thought we had to. We were wrong.

Since when do we get what we deserve?

15.09

You just refused to hear it.

Maybe if you didn't just up and leave us.

I left, but you didn't stop me.

No, the Dean I know... the Dean who raised me -- he'd never give up, no matter how bad things got.

Well, he does. He will. This is the truth, Sam. This is what comes next. 

I hope you can hear me... that wherever you are, it's not too late. I should've stopped you. You're my best friend, but I just let you go.

Okay, Cas, I need to say something.

You don't have to say it. I heard your prayer.

When we beat you, I will make it better!

But there's still so much about the fabric of the universe that you don't know... that you can't know. 'Cause you're only humans. But I'm God.

I wish you'd stay.

I wish I could. After what happened, I don't know what's real anymore.

I know that was real.

If we can't kill him or trap him...

... Well, then we find another way.

15.10

You know, go out young and pretty. But now I've got a great wife, great kids. I guess...sometimes things work out.

Yeah, sometimes. Good, man. You deserve it.

~Let's be outrageous  /  Let's misbehave~  

You know, I always thought I could be a good dancer if I wanted to be.

15.11

Beach read? Lady, I’m Tolstoy.

God created the world, but you know who created us gods? You did. You humans. Sort of.

How dare you not recognize his beneficence?

Our bad. Not his

I learned from my brother.

What is with you and these losers? They’re nothing! They don’t matter.

They matter to us.

Heroes. Like the old days. And, uh, she gave me a message. She said, “Don’t play his game. Make him play yours.”

Every day I wanted to come home, but… I couldn’t.

Billie kept him hidden in the Empty until Chuck went off world.

15.12

In the beginning, it was just me and sis. And it was fine. But I wasn’t satisfied. So I made more. I created the world.

So, I… I kept creating. I made… other worlds.

Those other toys, they don’t… they don’t… spark joy. But Sam and Dean… the real Sam and Dean… they do. They challenge me… they disappoint me… they surprise me. 

They’re… the ones.

You know, Kelly just had faith that Jack would be good for the world, and I felt it, too. I knew it. And then, when everything went wrong, and God took him from us… I was lost in a way I’ve never been before. Because I knew the story wasn’t over. I knew Jack wasn’t done. And I was right.

What sounds good to me is Jack fulfilling his destiny.

I thought I could leave her behind, but… she haunts me.

Her world looked peaceful. This place is… cold. I don’t understand it. I don’t know how to move through it. So, I just find empty spaces, and I hide. This world doesn’t want me. And I’m done with it.

We can fix this. You can help us. Please? Please.

Feels good. Disobeying cosmic entities, doing the, uh… dumb, right thing? Feels like we’re back.

I don’t belong in your world. You do. Go.

When I was a reaper, I believed in the rules. But then you killed me. And when I became Death, I inherited Death’s knowledge… and Death’s library. And in Death’s library, everyone has a book. Even God.

After God made the world, he couldn’t stop. He wanted more. But he needed to create a perfect harmony… a Swiss watch, so this world could keep tick, tick, ticking in his absence. He had no choice but to build himself into the framework. It’s his only weakness.

You and your brother have work to do. This is your destiny. You are the messengers of God’s destruction. 

15.13

Then there's no God, there's no Darkness. Nothing out of balance. World saved.

Okay, yeah, but then who takes over? Uh, Jack?

Probably not.

I used to feel things. In my bones. It was glorious, and sometimes unbearable. But I felt them. Now, I understand joy or sadness, but... I know those things aren't in me.

So it's possible he could work through this. One day, he may explode and let it all out and breathe deeply and move on.

A place... a thing... Whatever you want to call it, it's powerful.

Why do they call this place the Empty? This place is full. It's full of sorrow and despair playing over and over again, of angels and demons dreaming about their regrets. Forever.

Funny thing about her plan, though... she didn't say anything about needing you.

Maybe it's a key. It's a passage in Enochian. It says, um, loosely translated, "In order to be in the Occultum, the Occultum must be in you."

This is the Garden. Man's beginning.

His prize creations, until he banished them and all of mankind from the perfection of the Garden. And he hid it away.

Who are you, really? Who are you meant to be?

That's the crossroads of divinity and humanity.

Please. Just please forgive me.

[douxreviews]

Game of Thrones - ‘The Iron Throne’ Review

And now their watch has ended.

In what was supposed to be Supernatural's final episode – but turned out to be a full ten years too early – writer Chuck bemoaned the fact that 'endings are hard'. And they really, really are. I can think of so many finales that have disappointed me in various ways over the years. And just this week, I've watched two endings that have been a long time in the making (the other one was the end of twelve years of The Big Bang Theory, which I quite liked, for the record).

And in the end, I think I'd put this in a fairly favourable spot in my all time Worst - Greatest Finales ranking list. It wasn't perfect (only Sex and the City has managed to stick a perfect ending, and they wrecked that with the movies). But it was pretty good, generally speaking, and there were moments of true greatness.

Daenerys and Jon

So, I didn't hate last week's episode for its developments in Daenerys' storyline. I haven't exactly loved her descent into the Mad Queen, for all the same reasons as everyone else – the show is dangerously close to implying all female rulers are lunatics, Dany's descent into madness and tyranny has been rushed and doesn't quite feel earned, and it's a bit saddening to watch a character we've loved so much for so long become a villain instead of the powerful, wise ruler we all hoped she would be.

Having said that, I do think the seeds for this have been planted since the beginning – it may be rushed, but it hasn't come out of nowhere. Daenerys has been promising the Dothraki that they will pillage the Seven Kingdoms, raping, burning and killing (which we have been told numerous times is what they do) ever since Season One. We all loved Khal Drogo because he was cool, but he was not a fluffy bunny and nor is Dany. She crucified the Masters in Meereen, and while her execution of Sam's father and brother could be justified on the grounds that they refused to bend the knee, it wasn't her only option, nor did she have to do it immediately, on the battlefield, by dragon fire. So while it makes me a little sad – and makes my "I'm not a Princess, I'm a Khaleesi" shirt a bit dubious – I can see that this has been where Dany's story has been heading all along, and I can understand it, and I'm OK with it.

I was a bit disappointed that Jon ended up killing Daenerys though. I was sure Arya was going to do that – it almost feels like their big kills ended up the wrong way around, with Jon the soldier denied the chance to kill the Night King and Arya the ninja assassin denied the chance to kill the dangerous tyrant. But Jon is truly a son of Ned Stark (by adoption) and if he has decided someone has to die he will swing the sword himself – though perhaps it's the tricksy Targaryen side, or the trained undercover agent of the Night's Watch, who does it by taking advantage of her (and Drogon's) trust.

Drogon's reaction was interesting. It felt like perhaps even Drogon thought what he had done with Dany went too far, and that his mother had been corrupted by her desire for this hunk of metal. (When she touched it, I said out loud I thought she should sit in it quickly if she wanted to - we were denied a shot of her actually on the throne, after all that!). Presumably that's also why Drogon let Jon live. Of all the individual character endings we saw in this episode, I think Drogon and Grey Worm's were the saddest - they've both been through so much, and they're both totally alone.

Tyrion and King Bran

I don't like the 'Bran the Broken' title, as appropriate as it might be for a pseudo-medieval society, so I'm just gonna call him Bran.

I have to confess, I really didn't see this one coming. Since he became the Three-Eyed Raven, Bran has been emotionless and rather difficult for either audience or in-universe characters to connect with. His warging ability hasn't really come into play since the death of Hodor, so the power he has doesn't seem to have played much of a role in the last stages of the wars, and the implication that he has some knowledge of the future makes him kind of a dick for letting the entire population of King's Landing get torched (was this a Dr Strange-style one chance in 14 million situation? If so, we haven't been told that).

From a books-reading point of view there's a certain sense to this. The first book in the series, A Game of Thrones, opens (as they all do) with a Prologue from the point of view of a character who immediately dies, then shifts to the first main character point of view chapter – Bran's. Bran, like Jon, is such a traditional fantasy character it almost hurts – a noble but disabled boy who suffers and undergoes lots of hardship, but discovers he has magical abilities which give him an advantage over his enemies and eventually allow him to triumph.

But the television show – oddly, considering Benioff and Weiss have known the ending all along - has never really focused on Bran's story in that way. He's an important character, sure, but not all that significant - he disappears for an entire season! And whatever happened to "I can never be Lord of anything, I'm the Three-Eyed Raven", Bran's statement to Sansa in Season Seven? Now he's King of all the remaining kingdoms? Really? I will defend their attempts to sow the seeds of Daenerys' madness throughout, however clumsily, but the television series really hasn't prepared us for this one, and it really doesn't feel earned.

The most satisfying aspect of the resolution to the leader of the Now-Six Kingdoms, though, is the new Small Council, which is a thing of beauty. The new political set-up – essentially an oligarchy with a lifelong selected leader – is Tyrion's creation, finally fulfilling the political and diplomatic promise he showed way back in Season Two. Tyrion is Hand of the King once again, but this time without dragons or his psychotic family around him, and that gives us hope that he will do a good job. Brienne as head of the Kingsguard makes me very, very happy, almost as much as Bronn, Lord of Highgarden and Master of Coin. Davos as Master of Ships makes perfect sense and it's great to see him survive too, while the only possible objection to Sam as new Archmaester is that Maesters are supposed to be celibate and Sam has a partner and nearly two children to support - but perhaps, as Archmaester, he can change that rule.

The only sad part about this scene is the huge space where Varys ought to be. There is no Master of Whispers for the moment, and his absence is really felt. Plus it would have been awesome to see Varys serving under yet another King as the eternal survivor. Of all the deaths this season, Varys is the one I would change if I had the power. He deserved better, Tyrion.

The Starks

The most satisfying moment of this episode by far for me was seeing Sansa, looking like Elizabeth I (long red hair, white dress), crowned Queen in the North. For one thing, this was absolutely essential to avoid the implication that women with power are all utter lunatics who need to be assassinated. But it was also a truly fitting and satisfying end to not just her character arc, but that of the Stark siblings in general. The Starks belong in the North and Robb's crowning as King in the North was one of the great punch-the-air moments of Season One. Jon kinda made a mess of the job, but to see Sansa take up the reigns was a great moment. And whereas a war with Daenerys would likely have ended in disaster, with her brother on the throne in the South, we can hope the two kingdoms will work closely together from now on.

Arya's ending was probably the least satisfying of the three (Bran is barely human any more, never mind a Stark). There was nothing wrong with it, exactly - she's gone off to discover America, we guess. (Let's hope this universe *has* an America and she's not just going to keep sailing until she starves to death!). It just came a bit out of nowhere, and seemed rather a shame after she went to so much trouble to recover her identity as Arya Stark. Jon's was the most predictable, but no less satisfying for that. He belongs in the true North, with Tormund. I think it's safe to say, from the look on his face as they rode away, that Jon won't be returning to Castle Black (and I don't think he ever intended to stay there – that's why he told Tyrion he would never see him again). He and Ghost will run wild in a land without kings or titles and be much happier for it.

And so there we have it – it's been a wild ride, but now it's all over. Some endings were great (Sansa, the Small Council), some were fine (Jon, Arya) some were baffling (Bran) and some frustrating (Drogon, Grey Worm) but while the series may not have entirely stuck the landing, for me, it hasn't crashed and burned either.

Coming up with an ending everyone was going to be happy with was always going to be completely impossible, so while I may not agree with all their decisions, I want to give a shout out and all our thanks to Benioff and Weiss. They've created a phenomenal series with a great cast, fantastic production values and absolutely amazing music. (Seriously, go back and listen to both the musical score and the sound design on this season. It is phenomenal. Ramin Djiwadi's music is as beautiful and astonishing as ever and the eerie, disconcerting sounds that play as Daenerys attacks King's Landing are incredible. The use of the series' themes has been great too, from playing out Cersei's downfall with 'The Rains of Castamere', to the theme tune playing as Daenerys approaches the Iron Throne in this episode).

Bringing these sprawling books to the screen has been a huge achievement, and carrying on when the books ran out to give us a conclusion to this story is no less an achievement for the fact that it hasn't entirely satisfied everybody. Perhaps it's unfortunate that this aired within a month of Avengers: Endgame, which managed the end of a saga a little better - but Endgame has its detractors too. I'm not sure any of us will really know how we feel about this ending until we've had time to let it sink in, but for now, I say thank you Benioff, Weiss and Martin - thank you for the ride, and thank you for all the gory, sexy fun we've had along the way. More than anything, thank you for making an epic fantasy show one of the biggest on television! For someone who still remembers when reading The Lord of the Rings in school made you a social outcast, that means a lot.

Grumpkins and Snarks:

- RIP: Daenerys Targaryen, Stormborn, Queen of the Seven Kingdoms, of the Andals, the Rhoynar and the First Men, Protector of the Realm, Lady of Dragonstone, Mother of Dragons. Sniff.

- I didn't expect the scene where Tyrion finds Jaime and Cersei's bodies – that was truly heart-breaking (and kudos to Peter Dinklage, as ever). Oh Jaime, my love, I so wanted you to die a hero. At least you didn't die a villain, which is something.

- Grey Worm was really under-served by this finale, and this whole season. At least he lived, I guess?

- The final straw that really drove Jon to kill Dany was his desire to protect his sisters, both of whom would have been dragon meat in the long run because he had told them about his parentage. Just how much of what happens on this show has been caused by attempts to protect Arya and/or Sansa? And sometimes Bran. Which worked out, I guess?

- The two noblest, most honour-obsessed characters (Jon and Brienne) both became Kingslayers (Daenerys and Stannis). Which, unlike rain on your wedding day, is truly ironic.

- I'm so happy that Brienne didn't turn out to be pregnant. If the most awesome female character on the show ended up reduced to Lannister baby mama in the finale, I'd have been really pissed off.

- Look how much Robyn Arryn has grown up! I'm absolutley amazed his character made it to the finale, and seeing the kid who first appeared on screen being breastfed as an adult is definitely disconcerting!

- I was disappointed by the lack of Hot Pie, but choose to assume that means he's still alive and happily cooking pies in the busiest inn in Westeros.

Final analysis: Hey, it's still less divisive than How I Met Your Mother's ending! Three out of four dragons.

Thanks to all who've read our Game of Thrones reviews and articles and joined in the endless conversation and speculation over the years. It's been epic!

Juliette Harrisson is a freelance writer, classicist and ancient historian