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#Tyrion Lannister
lemoncakz · 2 days
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Ashford Tourney Theory
It’s a strange coincidence that the champions of the Ashford Tourney, from the Dunk and Egg stories, seem to follow the pattern of Sansa’s suitors in the series.
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feyhunter78 · 3 days
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Chapter Three - Your father has taken notice of your blossoming interest in a certain dark-haired northerner.
Ch 4
“The boy is looking at you again.” Your father drawls, moving his elephant across the cyvasse board with disinterest.
You take a sip of your wine and hum in response, moving one of your trebuchets forward.
He clicks his tongue. “Bad move, little lion, that leaves me free to attack your king.”
You glance at the board and curse internally; you have been far too distracted by Jon’s barely subtle stares to properly play the game. “Perhaps I am simply letting you win, you are getting older, Father, it is only the kind thing to do.”
Your father raises an eyebrow and delivers his final move. “Ah yes, it is kindness that distracts you, not the strapping lad who seems he will burst into flames if he does not look at you every three seconds.”
You glance over at Jon, who swiftly turns his attention back to Arya, correcting her stance out in the training yard, the ground freshly cleared of snow.
You and your father have taken a seat on one of the benches within one of the entrances to the guest chambers that spills out into the yard. It’s the perfect mixture between the warmth inside and the crisp morning air outside.
“I have not the faintest idea what you speak of.” You say, popping a grape into your mouth and chewing slowly, trying to hide your smile from your father.
He sighs and shakes his head. “All those years spent teaching you to mask your emotions, to have the perfect expression that never reveals anything, gone with the simple presence of a dark-haired northern boy who does naught by train and brood.”
“He reads as well.” You say, unable to stop yourself from defending Jon.
“Oh, does he now? Someone send word to the Grand Maester, we have found his newest acolyte.” He snorts, taking a drink from his glass.
You wrinkle your nose in response. “You are quite humorous, Father, truly you could put the court fool out of a job.”
He sets his wine down and heaves a heavy sigh. “You know I only ever wish for your happiness.”
“Yes, it is why you are my favorite father in the whole continent.” You smile teasingly, pulling your cloak closer around you as the wind picks up.
“But he is a bastard—”
“You said all dwarves are bastards in their father’s eyes, and yet you are still a man worth respect and titles.” You cut in, surprising even yourself with your outburst.
“Y/N.” Your father says sternly, laying his hands flat on the table.
You duck your head. “Sorry, Father.”
“He is a bastard, he cannot be your husband, a lover, or a guard, yes, but not a husband. If we were not Lannisters, if our house was not as it was, then perhaps it would be allowed. Gods know I do not wish to force you into a marriage you despise, but you are still a lady, still have the potential to win over great victories for our family.”
You bite the inside of your cheek, turning his words over in your mind. “Are you suggesting I proposition him, like Queen Rhaenyra did Ser Criston Cole?”
“I am not suggesting anything, I do not wish to think of my only daughter as a lady grown, but if you must follow Queen Rhaenyra’s footsteps…perhaps it is a Lord Harwin Strong you should seek instead.” His tone is careful, teetering the line between fatherly advice and the words of a Lannister.
You toy with the edges of your cloak. “Jon cares much for his honor, it would be shameful to even ask him such a thing.”
Your father’s hand covers your own. “That bleeding heart of yours, it comes straight from your mother.”
You smile. “And you, as well, do not downplay your kindness. An unkind father would have shipped me off to the richest man who asked for my hand the moment I first bled.”
He shivers in disgust at the thought.
Your eyes drift over to Jon and Arya, the latter who has been distracted by the appearance of Sansa and Joffrey.
“Perhaps a guard then, you could do worse than a guard you have grown alongside, it breeds loyalty.” Your father muses, watching how Jon shifts to put himself between Arya and Joffrey.
You cringe when Joffrey challenges Jon to a playful duel, ignoring your father’s words. “This will not go well.”
“Perhaps it will be good for your cousin’s ego to be beaten into the ground by someone he deems below him.”
You meet your father’s eyes and you both burst into laughter.
“Y/N, Uncle, stop laughing and come, all must witness this display of skill.” Joffrey calls, beckoning you both over.
“I cannot, Nephew, I must meet with your Uncle Jaime.” Your father calls back, hopping down from the bench.
“Father.” You hiss, silently begging him not to leave you with Joffrey.
He pats your hand. “You will be fine, stiff upper lip, little lion, remember?”
You groan and pout at him, but he shoos you forward.
Sansa crushes your hand as you watch Jon and Jeffrey spar, it’s clear Jon is holding back, you’ve seen him training, he puts more effort into hitting the dummies than he does attempt to hit Joffrey.
“Should you not cheer for your cousin?” Sansa asks.
The thought has never crossed your mind, and now it makes your stomach turn. “I would not want to break his concentration.” You say gracefully, trying to keep your eyes on the clashing swords and not Jon.
“Who cares?” Arya cheers, “Go Jon, knock him flat.”
Jon flashes her a smile, one born of confidence and the rush of near victory, and your heart skips a beat. For a moment, you can imagine him competing in a tourney. His polished armor flashing in the sun, ripping his helmet off and letting it fall to the ground, his curls set free as he directs that smile towards you, the crown of roses in his hand naming you his Queen of Love and Beauty.
“Good work, My Prince, hit him hard.” Sansa cheers in direct opposition of her sister.
Joffrey turns towards Sansa, basking in her praise. A fatal mistake, his distraction allows Jon to knock him to the ground.
The action rips a gasp from you, not many aside from your Uncle Jaime would dare to knock Joffrey off his feet.
Your cousin lies there stunned, then he darts up, sputtering, his face turning red as he hurls insults at Jon, before storming off, Sansa jumping up to follow after him.
You catch her arm. “Lady Sansa, I would leave him to his solitude, my cousin is not fond of sharing in his embarrassment.”
Sansa looks as if she wishes to argue, but relents and turns to scold Arya for her cheering.
Jon’s gaze falls upon you, he hasn’t even broken a sweat, his eyes the color of a winter storm in the sunlight.
Perhaps a guard then. Your father’s words echo in your mind. You didn’t need to follow in Queen Rhaenyra’s footsteps, you could follow in Queen Alicent’s. Your maester had spoken of the pure and courtly bond between her and Ser Criston Cole when you were young, and you had been enraptured by the devotion Ser Cole had to his queen.
“Well done, Lord Jon.” You say, giving him a smile and a slight nod of your head as you take a step forward, then another until you are standing before him. Then you lean in, “though I would not have protested if you bruised his jaw when you knocked him flat.”
A slight smile tugs at Jon’s lips, and your eyes dart down to them.
He sucks in a breath, then takes a step back, putting more space between you, an overly appropriate amount of space. “Thank you, Lady Lannister.”
“Y/N, or if we must use titles, Lady y/n.”
Jon swallows hard, his Adam’s apple bobbing in his pale throat. He has a nice throat, well-formed, pale with a smattering of dark stubble where it meets his chin. He must be freshly shaved, there’s a slight nick near his right ear.
You must get a hold of yourself, a nice throat? Y/N, you are shameful. You chastise yourself internally, tearing your eyes from him.
“As you wish, Lady y/n.” He whispers, his voice nearly stolen by the wind.
Jon TL: @mostclevermiss
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sanrionsource · 11 hours
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If you are raised with an angry man in your house, there will always be an angry man in your house.
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georgescitadel · 13 hours
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George R.R. Martin on the process of creating A Game Of Thrones (1/3)
You hold in your hands the second volume of A Song of Ice and Fire… but not the second volume as originally intended. Although I wrote the opening of A Game of Thrones back in the summer of 1991, as related in my introduction to the Meisha Merlin edition of that volume, it was not until October of 1993 that I drew up a proposal for my agents to take to publishers. There is no mention of any book titled A Clash of Kings in that proposal. In 1993, I was under the impression that I was writing a trilogy.
Trilogies had been the dominant form in epic fantasy ever since J.R.R. Tolkien’s The Lord of the Rings had been broken apart by publishers and released in three volumes. And the story that I wanted to tell divided quite naturally into three parts; much more so, in fact, than The Lord of the Rings, which is actually one fairly seamless narrative, and not a trilogy at all. I planned to title the books A Game of Thrones, A Dance with Dragons, and The Winds of Winter. I knew right from the start that they would all be large books. Huge books, even. But there were to be only three of them, and…and none were to be called A Clash of Kings. Sometimes the author is the last to know.
As I write this, I am halfway through the writing of A Feast for Crows, the fourth volume of my ‘trilogy.’ There is no mention of that title in my 1993 proposal either. These days, when pressed, I confidently assert that A Song of Ice and Fire will ultimately run to six books… but behind my back I know my lady Parris is smiling knowingly and holding up seven fingers. She may be right. Though I may dream of six books, plan for six books, work toward six books, the only thing that truly matters is the story. And the story needs to be as long as the story needs to be.
In Hollywood, the suits will tell you how long that is. A television show has to fit within its allotted time slot, of course, and you cannot beg, borrow, or steal an extra minute, no matter how much the story needs it. Running times are somewhat more flexible for films, though not as much as one might think. For the most part, the studios still want movies to run about two hours, so they look for screenplays of 120 pages or less, and demand cuts in any scripts that come in longer. My own screenplays and teleplays were almost always too long and too expensive in first draft, so in my later drafts, along with addressing the inevitable notes from studio, network, and producers, I was constantly trimming. In the end, I would deliver a shooting script that was the right length and under budget, but it was never a happy process… and I often went away feeling that the earlier drafts were the better ones.
The size of A Song of Ice and Fire was in no small part a reaction to ten years of trimming. I wanted to do something epic in scale, something at once grand and sprawling and complex and subtle, with a cast of thousands, huge battles, mighty castles, gorgeous costume, lavish feast, great rivers, towering mountains, vast fields… all the things I could not do in television. In short. I wanted to make a world. And for that you need a bit of room.
In my original proposal, I estimated that each volume of the trilogy might run as long as 800 pages in manuscript. The novels that I had written during the 70's and 80's, before Hollywood, had generally come in at 400 or 500 pages or thereabouts, so an 800 pages book seemed very lengthy indeed. The three books of the trilogy would be structured around the long, slow seasons of Westeros. A Game of Thrones would be summer’s book, A Dance with Dragons would take us through autumn, and The Winds of Winter… well, the title says it all. Even in the Seven Kingdoms, where a season can last for years, 800 pages ought to give me enough room to reach the end of summer and conclude the part of my tale, I reasoned.
‘Twas a lovely plan of battle… but no plan of battle ever survives contact with the enemy, it has been said. Writers know the truth of that as well as any general, though our wars are fought on blank white sheets of paper and empty computer screens. For the map is not the territory, the blueprint is not the house, the recipe is not the dinner… and the outline is never ever the book.
- George R.R. Martin, A Clash of Kings Limited Edition Introduction (2002)
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groundrunner100 · 6 hours
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Upon seeing this poll & voting, reblogs are sincerely appreciated. Let as many people as you possible see this poll.
The 5 year anniversary of one of the BIGGEST tragedies in entertainment history deserves more recognition this time around.
Lastly, go in detail in reblogs as to why you voted for a certain character.
(This is the last time I ever do a poll on this subject.)
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kudriaken · 5 months
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House Lannister. My fanart series for the Great Houses from the ASOIAF. I wanted to make this for the longest time.
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thehopefulquotes · 29 days
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Once you’ve accepted your flaws, no one can use them against you.
Tyrion Lannister
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maculategiraffe · 2 months
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one of the realest things in the song of ice and fire books is when this bard comes to tyrion and is like "I wrote a song about how you have a secret mistress and if you don't pay me off I'm going to sing it in front of the whole court. here's the first verse and the refrain" and tyrion immediately has him killed and then for the next three books he's like "actually that was kind of a bop. wish I'd let him sing me the rest"
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selwynsel · 4 months
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sansa and tyrion's marriage is interesting from tyrion's perspective. he is canny enough to understand that she is only saying things to please and mollify him, but he also genuinely thinks that she is "so dutiful" that she would tell him what she prays for in her frequent visits to the sept (and he thinks she's excessively pious). as the reader we know she's praying for lannister annihilation and would never admit this out loud, but tyrion doesn't seem to really... get that sansa hates him and his family. even after everything, the multiple beatings, being terrorized by joffrey, the entire forced marriage, THE MURDER OF HER DEAR BELOVED DAD - he has a perception of her as a simple dutiful girl whose inner world consists of piety and supplication. that her prayers are a form of resistance and escape doesn't occur to him. he also exercises a very similar lack of understanding with shae - he thinks she's angry with him bc she lost her jewels and silks, not bc she is scared of her unstable position.
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ilynpilled · 9 months
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lannister sibs
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gobackbodies · 5 months
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started the asoiaf series. why were jon and tyrion literally in the trauma olympics
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knightsickness · 5 months
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‘if joanna had lived the lannisters would have been normal/nicer’ WRONG i think she would have married cersei off as geographically far away as possible and then started doing some the lion in winter shit with jaime. she refuses to acknowledge tyrion because in surviving his birth she’s gone from a victim of tywin’s imp to his mother an accomplice there must have been something wrong with her to birth him like that. do not fall into the all dead mothers were really soft and niceys fallacy
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francy-sketches · 11 days
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cringe ass family ❤
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can't believe it's canon that in the last season Jaime was chilling with his brother then Brienne entered and Jaime jumped on his feet murmuring my lady like a Jane Austen's hero and Tyrion was like damn bro, someone is smitten, isn't it?
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duckytree · 7 months
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a lot of problems would’ve been avoided if cps existed in the got verse
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stormborns · 1 month
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GAME OF THRONES 2.09, Blackwater
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