#look castor doesn't always think things through how else would he have ended up a warlock

[typingtess]

NCIS: Los Angeles Season 14 Rewatch:  “In the Name of Honor”

The basics:  The team searches for a missing Navy lieutenant.

Written by:   Matt Klafter co-wrote “Smokescreen Part II”, "A Fait Accompli" and “Hard for the Money” and was the sole writer for “Where Loyalties Lie”.

Directed by:  Dan Liu directed “Watch Over Me”, “If the Fates Allow” and “Love Kills”.

Guest stars of note:  Ashwin Gore returns from season 13’s “Genesis” as ONI Inspector General Akhil Ali; Gregory D. Gadson returns as Col. Jackson Ladd from “Of Value”; Duncan Campbell is back from “Best Seller” as Agent Castor; NFL star Tony Gonzales as Capt. Alonzo; Soraya Kelley as Zahra Mahmad; Marco Khan as Ahmad Mahmad; Asher Deva as Muhammad Hasan; Toktam Aboozary as Mina Mahmad; Eric Satterberg as Roger and Joshua Thomson as Jeremy.

Our heroes:  Think a Navy Lieutenant is missing for a military reason but find out there is more to her disappearance.

What important things did we learn about: Callen:  Can fix his jammed weapon in a hurry. Sam:  Looks at the water to find some peace. Kensi:  Thinks she can get her shot off before being surrounded. Deeks:  Won’t get to Kensi in time. Fatima:  Woman, life, freedom Rountree:  Working to make sure Kilbride’s ass is not being chewed. Kilbride:  Asked Col. Ladd for a favor.

What not so important things did we learn about: Callen:  Thinks Sam is becoming Raymond. Sam:   Not turning into Raymond. Kensi:   Not getting the “Pretty Woman” references. Deeks:  Fan of the kebobs. Fatima:  Training with Akhil. Rountree:   Working inside today. Kilbride:   Brought Col. Ladd to the super-secret office.

Where in the world is Henrietta Lange?  Not helping the Admiral today though Kensi thinks she might be.

Who's down with OTP:  Deeks was more under control than usual when Kensi was in danger.  Was happy as always to see her safe back in the office.  Fatima is working through any feelings she may have for Akhil.

Who's down with BrOTP:  Callen and Sam were perfectly Callen and Sam in the episode.  Sam was a good friend/teammate/mentor to Fatima at the end of the episode.  Kilbride and Col. Ladd are besties.

Fashion review:  Callen wore a white and blue plaid button down shirt.  Long sleeve tees for Sam (black) and Deeks (darker blue).  Kensi wears a great long-sleeve pull-over sweater.  She and Deeks wear dark rain jackets at the crime scene.  Fatima starts the episode in workout gear – oversized light grey sweatshirt.  Wears a spiffy brown leather jacket with a white turtleneck for the rest of the episode.  Rountree had a green jacket with black pockets over a black tee.  Kilbride was in his Kilbride uniform – medium blue three-piece suit, light blue dress shirt, red and blue tie.  He donned a trench coat when visiting Col. Ladd.

Music:   “Messenger” by Mamak Khadem plays at the end as Fatima is taking in her day.

Any notable cut scene:  No.

Quote:  Sam:  “I’ve spent a lot of time staring out at this water, searching for answers.” Fatima:  “Any tips?  I'm coming up empty.” Sam:  “You doing okay?” Fatima:  “Physically? Yeah.  Emotionally, mentally and spiritually?  I don't know how to answer that.” Sam:  “Well, you don't need to have the answers.  Not right now.” Fatima:  “I just...I keep thinking about all the women out there...not allowed to make their own life choices.  What to wear.  Who to marry.  What they can and can't do with their own bodies.  Freedom of thought, freedom of choice. Sam:  “It's terrifying to some people.” Fatima:  “It's not fair.” Sam:  “The world will never be fair.  But it could be better.  Good things are happening.  Even though it doesn't  always feel like it.” Fatima:  “I just wish they would happen faster.”

Anything else:  The previously-s include a greatest hits package for Akhil Ali and Col. Ladd.  Fatima wakes up in a car on fire, tied to the head rest.  In the driver’s seat is in unconscious Kensi. 

Eight hours earlier, Fatima is working out with Akhil with a trainer named Jeremy who is part of Herbie’s military training company.  As Fatima walks away, Akhil asks how his training was going.  Jeremy was impressed that Akhil stopped making squeaking sounds whenever he was grabbed.

Fatima tells Akhil that for his first self-defense class, he did better than expected.  Fatima thinks he will be bringing down a suspected without breaking his nose no in time.  Akhil is happy to spend this time with Fatima but maybe in the future they’d spend time together by taking a nice walk.  The two make dinner plans.

Callen and Sam are in the armory discussing the use of armrests on a plane.  Three seats, four armrests according to Sam.  One passenger – in this case Sam – get the second  armrest.  “Simple math,” according to Sam.  Callen thinks Sam bullies his way to that second seat rest.  He also notices that Sam is worried.  And Sam is.  He’s going on a trip and leaving Raymond with his caretaker Constance.  Callen notes that even Sam thinks things have never been better with Raymond now that Constance in the picture.  Sam is going across the country to see Aiden.  Callen suggests taking Raymond across the country – it would be a great trip for the Hanna men.  Besides, if Sam is worried about Raymond he’s going to make everyone around him crazy and that’s the moment Sam becomes Raymond.  Everyone is going to Ops – they have a case.

Fatima and Rountree start the debrief in Ops, Lt. Zahra Mahmad is a Navy submariner.  For the last two years, she was working with a defense contractor in El Segundo.  Her team was working on an anti-detection program for nuclear subs.  Callen notes that sort of program could make her a target for any country interested in hiding their nuclear subs or finding America’s subs.  According to Zahra’s CO, she left work early the day before for personal reason.   She’s not answering calls or texts.  It isn’t like her.

Sam points out that Zahra isn’t missing for even 24-hours yet.  Maybe she’s off doing something and hasn’t had time to respond.  Fatima agrees but with Zahra’s knowledge and security clearances, ONI wants her found.  LAPD checked her home but nobody was there.  Her parents live in Northridge, they own an Afghani restaurant.  Fatima sees the menu is in Dari.   Callen says he’s going to see Zahra’s CO when Rountree tells Callen that Kilbride as the CO going to the boat shed.  Kilbride will do the interview.  Callen and Sam instead will go to Zahra’s home.  Fatima will go with Kensi and Deeks to the family’s restaurant.  With Fatima speaking Dari, she could help.  The parents could as well – they may know something that could lead to Zahra’s location.

At the boat shed, Kilbride dismisses Castor and speaks with Zahra’s CO, Captain Alonzo.  Kilbride tells Alonzo that Vice Admiral Hunt thinks the world of him and Alonzo is properly humble.  Kilbride know Alonzo’s background and thinks he’d work well at NCIS.  The Office of Military Support has an opening and Alonzo would be perfect.  Alonzo would consider the position. 

Turning to Zahra, Alonzo said that he’s never worked with anyone at her level.  One of the hardest workers he’s been around.  And suddenly she’s missing, the Admiral notes, what is really going on.  Zahra was part of a top secret mission, Alonzo’s hands are tied when it comes to discussing her work assignment.  Kilbride is having none of that.  The NCIS agents would be flying blind in their search for Zahra – “that’s how mistakes get made.”  The Navy has a mission that they are going through no matter what happened to Zahra.  Reading between the lines, the Navy has a secret mission using nuclear subs that if it is compromised, SEAL Team 2 will be going in instead – a suicide mission.  NCIS has 12-hours to find Zahra or the SEALs are going in.

In Zahra’s home, the place is as neat as a pin.  Callen finds a safe but their warrant won’t allow them to open the safe.  Sam gets a text from Rountree.  There was a suspicious activity report on Zahra’s bank account.  She cashed out $20,000.  Callen asked when was the last time Sam made a large cash transaction.  He hasn’t – checks, bank wires, credit cards.  More secure but much easier to trace.  Callen thinks Zahra wanted to disappear – and maybe sell some secrets.  Sam is going to get Rountree to expand the warrant to include the safe.

At the Mahmad’s restaurant, Deeks loves the smell of the place.  Fatima pulls out a menu and starts making recommendations.   Kensi sees Zahra’s mom.  Walking up, Kensi pulls out her badge and starts asking questions.  Zahra’s dad stops the one-way conversation.  His wife’s cooking is a literal chef’s kiss but her English is not very good.  Deeks explains he has the exact opposite problem.  That earns him a chuckle from Zahra’s dad, Ahmad, and a glare from Kensi. 

Kensi restarts her explanation, saying that Zahra is missing.  Ahmad is stunned.  The family last got together the previous Saturday.  Zahra was her normal, happy self.  Zahra’s mom, Mina, walks away crying.  Kensi asks if Zahra seemed like she was in trouble but Ahmad says no.  Mina is openly weeping.  Deeks asks about Zahra’s brother.  Ahmad says he is studying in London, working on his master’s degree.  Fatima asks if the siblings are close.  Ahmad says they are all close – family means everything to them.  Mina asks Ahmad why are they asking questions about their son Omar. 

Kensi asks if they know anyone who would know about Zahra.  Ahmad says no, explaining that 30-years ago, their families left Afghanistan.  Almost everyone went to Pakistan but Ahmad and Mina went to America to chase their dream – opening a restaurant, raising their children where they would be safe from violence.  Fatima is getting weepy.  Ahmad asks Kensi to find Zahra and bring her home to her family.  Ahmad comforts his wife.

Leaving the restaurant, Fatima is sure that the brother is suspicious.  Mina spoke to Ahmad about Omar when they were questioning Ahmad.  Mina may not speak English but she understood what Kensi, Deeks and Fatima were saying.  Deeks can’t understand why Mina would pretend she didn’t understand – her daughter is missing, NCIS is trying to find her.  Fatima thinks as immigrants, the Mahmads may not trust law enforcement.  Her parents had issues before Fatima joined NCIS, “and they live in Beverly Hills.”  Kilbride wants them all back in Ops, Kensi is going to look into Omar.

While Callen is trying to crack Zahra’s safe, Sam is being cranky.  Callen notes Raymond would be cranky too.  Sam finds Zahra’s license, car registration and EZ-Pass in a jar on a book shelf.  Zahra is traveling and doesn’t want to be found.  Sam has Rountree check Kaleidoscope for Zahra’s car.  Callen finally gets into the safe and finds some jewelry and family items.  Also her passport.  If Zahra was looking to get out of town, she’d take those things.  Sam thinks maybe Zahra really was kidnapped.  “Or she wants us to thinks she was,” Sam adds. 

Rountree calls.  Looking through Zahra’s phone, she mostly speaks to her parents but has had daily calls for the last seven months with a Ted Brown.  Sam wonders if he’s a boyfriend but Zahra’s parents never mentioned a boyfriend, unless she was keeping things quiet until they got more serious.  Rountree finds that Brown has a sealed juvie record and a lot of debt – credit cards and high interest college loans.  The $20,000 could be for Brown or Brown could be extorting her.

An unhappy Kilbride walks into Ops.  He just got his “ass chewed” by an under-secretary in the Navy.  “I don’t like getting my ass chewed, makes it uncomfortable to sit.”  He wants a sit-rep on Zahra.  Rountree found her car – it has been in the shop since the weekend.  She’s been using a loaner.  That car is parked in a lot downtown.  Kensi and Deeks are going to talk to Ted Brown.  Kilbride wants answers before he has nothing left to sit on.

Walking to Ted Brown’s home, Deeks is stunned that Fatima’s parents were suspicious of the police and “they live in one of the wealthiest zip codes in America.”  He’s worried about what Rosa will be dealing with.  Kensi reminds him that while they won’t be there all the time for Rosa, they will be there and will help her.  Ted Brown’s door is opened, obviously forced entry.  Inside, Deeks finds a tortured but still alive Ted Brown.

In the garage, Sam finds a note in Zahra’s loaner that says “Roger 8 Broad”.  Callen thinks 8 Broad could be 8th and Broadway, which is just a few blocks from the garage.  There is a currency exchange on 8th and Broadway with some criminal times.  With $20,000, Zahra could be in trouble.  Sam thinks if a Roger works there, Roger has some explaining to do.

Walking up to Col. Ladd at an outdoor park’s lunch tables, Kilbride makes fun of the Colonel’s kombucha drink.  Ladd is drinking it because it clears up the bad bacteria in his gut.  The Admiral mentions prune juice doing the same job.  Speaking of jobs, Kilbride asks how Ladd is doing with the Space Force.  Ladd has no complaints except his title – “Director of Warfare Integration at the Space System Command” is a mouthful.  Ladd is thrilled his new employer sees his head and his heart, not his right and left legs.  The Admiral asks a favor – with Ladd getting his security clearance back, could he do some digging about the Navy’s secret mission.  “I know you don’t owe me or your country any debt…”  Ladd cuts Kilbride off – “what the hell do you need me to do?”

A crime scene tech gives Kensi Ted’s smashed cellphone.  Ted is alive but in a coma.  After dealing with a woman who wanted to braid Deeks’s hair, Deeks tells Kensi the woman saw an unfamiliar SUV in Ted’s driveway the prior day.  Rountree is looking for security camera footage of the vehicle.  Reviewing the case, Zahra could have been swept up by people who wanted their money back from debt-ridden Ted.  Or someone was looking for Zahra and beat Ted up to try to get to her.  There are photos in Ted’s home – Zahra and Ted are obviously in love.

At the currency exchange, Roger is working the desk.  Callen and Sam show him a photo of Zahra, who he claims he’s never seen before.  Sam asks to see the security cameras but Roger doesn’t have any.  Callen points out a fake plant that has a camera, Sam a clock radio and an owl figurine that are likely cameras.  Roger finds plants calming, even fakes ones.  The clock radio and owl figurine are just décor.  Callen explains that Zahra’s car is in the parking lot nearby where they found the address of  the currency exchange’s location and Roger’s name written on a note.  He's the last one to see her alive and the could be an accomplice to the kidnapping of a Naval Officer.  Roger becomes a bit more helpful.  Zahra was in about a week ago.  He is a hawala broker on the side – someone who send money overseas without getting the government involved.  This is illegal if he’s not registered (he’s not) and if he’s not telling the government about the exchanges (he’s not).  Zahra was supposed to send some money to an account in Pakistan but never showed up.

Rountree found the SUV outside of Brown’s house – it was a rental from a small rental company that accepts cash and a now known fake ID.  The bad guys picked up the SUV at the rental location so Rountree is checking Ubers and taxis dropping people off.  Fatima found footage of Zahra being grabbed at the parking lot.  It is the same SUV as the one parked outside of Brown’s house.  She tells Callen and Sam the kidnappers wore masks and were well-armed.  Zahra never had a chance.

In the gadget area, which has been woefully underused since Eric and Nell left for Japan, Kensi is trying to open Brown’s phone with no luck.  Deeks stops by as she nearly drops it, calling the phone a “slippery little sucker”.  Fatima joins in, recognizing the “Pretty Woman” reference.  Kensi thinks she’s working with Siskel and Ebert and passes the phone to Deeks.  Fatima found Zahra’s brother Omar, who is living in San Francisco, not London.  And Omar hasn’t spoken to his parents in years.  This contradicts Ahmad’s statement that the family is very close.  Omar wasn’t really open about what was going on but Fatima tells them Ahmad and Mina believe in a strict adherence to the Koran.  Omar said he was beaten as a child for being too Western.  Kensi and Fatima decide to see Ahmad and Mina again, Deeks is going to try to get the sim card out of Brown’s phone.

In Ops, Rountree tells Deeks he’s found the SUV driver – Muhammad Hasan.  Looking at his social media and online postings in the last year, Hasan has become a member of an Islamic military sect.  Hasan has a flight out of LA today – whatever he’s in Los Angeles to do, it finishes today.

Rountree calls Callen and Sam to update them on Hasan.  This may have nothing to do with her work in the Navy.  Kilbride calls – it certainly has nothing to do with the secret Navy mission.  The Navy is going to track Russian military activity in the Arctic – staging nuclear weapons.  Zahra was part of the team making the US subs untraceable.  She knew nothing about the mission in the Artic.  Kilbride wants Zahra found now.

In the office, Deeks found that Ahmad his a hotel suite booked in Pakistan later this year for a wedding.  A man named Bashir Khan is getting married and he’s getting married to Zahra.  Khan is a wealthy man – could he be behind this?  Sam doesn’t think so, Zahra’s parents wouldn’t allow her to marry a non-Muslim man.  Instead, they put together an arranged marriage.  Zahra’s $20,000 withdrawal may have been an attempt to buy her freedom.  Refusing the marriage would dishonor the family.  Deeks wonders if this was an honor killing.  Callen says they have no proof that Zahra is dead yet.  But suddenly Kensi and Fatima’s trip to the restaurant is a bit more worrisome.

Kensi and Fatima walk into the restaurant.  The place has been trashed.

Callen and Sam are on their way to the restaurant, Deeks is going too until Kilbride pops up on the plasma behind Deeks’s desk.  Deeks is ordered to stay in the office.

Mina Ahmad is speaking from the back of the restaurant.  Fatima replies in Dari.  Mina is tending to her husband, who looks like he’s been beaten.  On comms, Deeks warns them that the parents may be involved in Zahra’s kidnapping.  Hasan comes out from the kitchen.  He’s going to shoot Mina if Kensi and Fatima don’t drop their weapons.

Rountree tells Callen and Sam that Hasan is Zahra’s cousin.  There are two more cousins in Los Angeles.

Kensi and Fatima are surrounded by the Hasan brothers.  Mina asks Hasan not to go through with the plan.  Hasan explains that Mina failed to raise Zahra properly. 

Callen and Sam are 10-minutes out.  Deeks is not happy.  Kensi agrees to dropping the weapons.  She puts her gun on the ground but pulls out a baton. She and Fatima try to fight but eventually both women are knocked out.  Deeks is really not doing well. 

Kensi and Fatima’s trackers are offline.  The Audi is still outside of the restaurant but Kensi and Fatima are likely on the move.  Callen calms Deeks down and gets Rountree in the mix.  Deeks finds another Hasan family member, who owns a warehouse in Long Beach.  Callen and Sam are on their way.

And we’re back in the beginning with Fatima struggling to get Kensi to wake up and to get out of the car where they are trapped.  The area outside of the vehicle is ablaze.  Callen and Sam arrive but are taking fire from the Hasan brothers. 

Deeks runs out of Ops, only to be met by Kilbride.  Deeks is told he won’t get out to Long Beach in time to save Kensi but he could work to put out the fire from Ops.  In Ops, Deeks gets a visual of a fire extinguisher near the warehouse door. 

Callen and Sam make their way to the warehouse but Callen’s gun jams.  The Hasans are still firing away and the flames are all around the car with Kensi and Fatima.   

Fatima gets free and starts untying Kensi.  Kensi is finally awake. 

Callen gets his gun unjammed just in time to see the vehicle where Kensi and Fatima were blow up to a million pieces.

Deeks is very quiet until Sam says he can see Kensi and Fatima.  Deeks offers a “thank God” but the Admiral warns him not to offer thanks just yet. 

Kensi and Fatima hear Zahra screaming.  She’s being pulled to a different SUV by Hasan.  When Zahra tries to pull away, she knocked to the ground and kicked.  Kensi pops up and threatens to kick Hasan’s ass.  As Kensi pushes a dumpster toward Hasan, Hasan opens fire on the dumpster.  This gives Fatima time to find a pipe and knock Hasan out from behind.  She says “bye bitch” in Dari – which is a great call back.

Callen and Sam make quick work of the rest of the Hasan brothers.  Kensi and Fatima comfort a beaten Zahra.

In the Admiral’s office, he’s sharing stories with Col. Ladd.  Kilbride thanks Ladd for taking a big risk to help him.  Ladd replies that the only reason he has something to risk is because of the Admiral.  Ladd is calling it a day because if they hang around anymore, they’d probably wind up in a bar.  Those days are over for Ladd.  The two men hug – Ladd has the Admiral’s back - “Always.”

Rountree explains to Deeks as they go down the stairs from Ops that Zahra’s uncle was in touch with the Hasans.  The uncle was pulling the strings, the parents were not involved.  Kensi arrives with Callen.  Deeks gives Kensi a big hug and asks they never do this again.  Zahra is bruised but otherwise alright.  She’s with Ted in the hospital.  Ted’s awake and expected to make a full recovery.  As Rountree leaves, Deeks is stunned that Zahra’s family would do this to her.  Kensi brings up that it was all done in the name of honor.  Callen disagrees – it isn’t honor, it is fear. 

Kilbride arrives – the artic recon mission was a success.  Callen asks how the Admiral found out about the recon mission.  Kilbride said he turned to an  old friend.  “Hetty?” Kensi asks.  “I said friend,” Kilbride replies as he leaves.  Callen, Kensi and Deeks are packing up.  Callen asks about Ted’s phone that is on Deeks’s desk.  Kensi starts to laugh – he couldn’t get the SIM card out, could he.  He did.  But the SIM card was so damaged it only had the last sent text message on it.  Ted told Zahra he loved her.  Kensi’s not laughing now.  She’s hungry.  The three decide to go out for Afghani food.

In the boat shed on the back deck, Sam talks about the hours he spent looking for answers in the water.  He asks Fatima if she is OK.  Physically, she’s fine.  She doesn’t know about emotionally, spiritually and mentally.  She is worried about all the women who can’t make their own choices – what to wear, what to do with their lives, who to love.  Sam says the thoughts of choice terrify some people.  Fatima talks about things being fair but Sam says the world is never fair.  But they are getting better.  Fatima wants things to move faster. 

Akhil arrives but seeing Sam with Fatima says he can leave.  Sam says he has a flight and needs to leave.  Before he does, he tells Fatima the answers she is looking for will come.  After Sam leaves, Akhil asks about Fatima’s day but doesn’t push it.  He also asks about dinner – again not pushing it – but Fatima would like something to eat.  She just needs a second to compose herself.  Akhil gives her “as long as you need.”

As Fatima gives the water one last look, she says “Woman, life, freedom” in Farsi.

What head canon can be formed from here:    A really generic episode.  You could have replaced Rountree with Eric and not change a single line of dialogue.  Actually, wanna bet Hetty knows Col. Ladd as well.  And she certainly had her hand-picked allies in different agencies when she needed help.  Kilbride’s lines could be Hetty’s in season three.

The main storyline had an interesting aspect with Fatima looking at people who were corrupting her beliefs but mostly it was a generic NCIS/Law & Order/CSI the missing person isn’t missing for the reason you think episode.  Totally forgotten was Zahra’s brother who wasn’t getting his master’s degree and claimed his parents beat him.  We’re just going to forget about lying to federal agents and child abuse.

Nice callbacks to Jocko Willink’s season 13 Herbie character with the trainer in the gym and Akhil’s broken nose in season 13’s “Genesis”. 

Episode number:   314 overall, the 12th episode of season 14.

[whimperwoods]

titles are hard. it’s d&d-based fantasy whump tho. Arms of the Enemy? somebody give me a better title challenge.

I saw a post about being rescued and carried bridal-style by an enemy and it was great but now I don’t know where it is? If you have it, please shoot it my way and I’ll link it, ‘cause whoever thought of it first was a genius. ^_^

Anyway this got quite long so I’m stopping here and hopefully gonna write more at some point?

Castor is a warlock, in service to the Great Old One and the Dark Emperor, in that order. Ed is a fighter, a knight and battle master in the service of the True King of Lumenea. They have always been enemies. In the space between the Old One and the Emperor, they might be able to become something else.

Also Ed is hurt real bad and Castor is carrying him out of the dungeon because sometimes he acts on impulse.

tw: blood, tw: coughing up blood, tw: descriptions of deaths in battle

***************

Castor stepped into the cell and found himself frozen, his feet unmoving on the floor. It was one thing to see Sir Edmond like this in his scrying orb and another entirely to see it in person.

The limp, battered form of his enemy didn’t move at the sound of the door creaking open, and Castor felt a cold weight settling in the pit of his stomach. He’d left his room in the tower knowing the knight couldn’t be left in the dungeon, but Sir Edmond had still been awake then, struggling to keep his head up even as the rest of his body lay unmoving where it had been thrown.

His footsteps didn’t rouse the man, either, and the relief he would have expected turned to a sick horror twisting around the weight in his gut. He hurried forward, moving before he could second guess himself, and scooped Sir Edmond into his arms.

His hand shook as he held it out toward the point where the chain around the knight’s ankle was attached to the wall. He had to be careful, had to cast the spell far enough on the other side of the wall that he wouldn’t catch the two of them in it, but he couldn’t afford too long aiming or he’d drop the dead weight in his arms.

He released the magic, and a concussive wave sped forward with a loud crack, breaking open the end of the chain and sending a ripple of cracks outward through the stone, stopping just short of his feet.

Sir Edmond started shifting in his grip, moving weakly, and Castor felt his face begin to burn, unsure how to explain himself. But what was done was done, and he needed to hurry out of the cell before someone could find him in the middle of things.

He’d meant to wrap the end of the chain around Sir Edmond before he left the cell, but up close, there was nowhere to wrap them that wasn’t already bloody, the knight’s body ripped open in so many places that even where he was whole, Castor couldn’t see it through the blood crusted over his skin.

He scooped up the end of the chain, gathering it up and draping it over his own arms before he hurried out of the room, his greatest enemy cradled safely against his chest.

*****

As Ed came to consciousness, everything hurt. His breath stuttered and faltered in his chest, and his eyes teared up in silence as the movements of his own lungs sparked waves of agony that rolled through him like fire.

Something was different. He wasn’t on the ground. He was in the air, held up by - something. Something warm. There was something against his side, against his cheek, that was warm and solid and gave like the floor didn’t.

He needed to know what it was. It was new. He forced his eyes open, desperation and despair settling against his breastbone as even that required two flickering tries to accomplish.

He was being held. Carried. He could feel the motion, now, could identify the additional waves of pain that didn’t match his breathing. The arms around him were strong, but the chest was clothed in a thick sweater he didn’t recognize. The face was blurred with the tears he hadn’t been able to hold back, and he couldn’t identify the man.

He leaned into the man’s chest as best he could, grasping the front of the sweater and holding on, hoping it would help him steady himself at least long enough to blink his eyes clear.

*****

Sir Edmond’s breaths came in shallow, broken gasps that shook his whole body, and Castor was relieved when the man grabbed ahold of his sweater, because it meant that he at least wasn’t trying to get away.

His own heart was racing and not only with the exertion of climbing stairs while carrying a man nearly his own size. Before, he never would have managed. Before, Sir Edmond had been a looming figure, terrifying, his eyes full of fire as he crossed battlefields, kept away from Castor and the other mages only by the strength of Zhok’s rage kept defensively between them. He still had nightmares, sometimes, of Sir Edmond’s sword tearing through an assassin’s chest, the light dying from her eyes before she even realized she hadn’t evaded his notice.

Sir Edmond’s grip on his sweater tightened and Castor instinctively pulled him in closer as they reached the top of the dungeon stairs, his heart racing and his throat filling with an old lump.

He knew where he’d meant to go, but it meant so much extra distance, before the night was out, and Sir Edmond was so weak, so much weaker than he’d realized, through the tiny image of the crystal.

Sir Edmond’s breaths were loud, choking things, and Castor’s feet turned toward the outside, where he’d planned to go, and tried not to worry too much about the rest. It would be extra distance, but the sound of the knight’s breathing wouldn’t echo, wouldn’t be so deafening without the walls to bounce it back to him, hollow and damning.

He just had to get outside. Get to the stables. Not look back, or second-guess himself. He pulled Sir Edmond closer again, hoping he wasn’t making a terrible mistake. Things had seemed so clear through the crystal, so obvious when Sir Edmond was lying, ruined, at his feet, and now - now the only thing he could make sense of was that he’d at one point had a plan.

*****

Ed blinked. Blinked. Forced his eyes to open, to close, to open, to clear.

The face above him was familiar, but it took a moment to place, even knowing where he was imprisoned. Castor the Black, Herald of Night, Battle Mage of the Dark Emperor. One of many men who had killed Ed’s soldiers. The man who had blasted common soldiers backward like he had a cannon at the end of his am, who had sucked the life from their battle cleric with one hand and run away so fast even horses couldn’t keep up with him. One of the emperor’s finest.

He sucked in a sharp, deep breath that made him dizzy with pain. His body spasmed around it, his tensed muscles pulling open his injuries as they tried to protect the aching lungs that half-collapsed in his chest. As he gasped to refill his lungs, his whole body convulsed with a violent, racking cough that brought up some of his own blood.

“Shit!” the mage said, stopping in his tracks and pulling Ed closer to him, holding tighter as Ed’s coughing shook them both. “Shit! It’s ok! I’ve got you!”

Ed choked and gagged, every inch of him screaming in agony around the rough jerk of his coughs, and his eyes filled with tears again, obscuring the mage’s face.

He was pressed tightly to the mage’s chest, and the hand he’d balled up in the man’s sweater had instinctively clenched tighter against the danger of falling, his own body betraying him as it fought to live through the coughing fit.

His head grew lighter, and then lighter again, bright sparks lighting up the inside of his eyelids with every sharp, shallow hack his cramping lungs could manage.

His breath only slowed itself after his consciousness slipped away again.

*****

Castor felt Sir Edmond’s grasp tightening in the front of his sweater, but the man’s panicked choking still threatened to wrench him out of Castor’s arms. He slid to his knees, trying to shorten the distance to the ground, and ended up half curled around the man, as if that would protect him from what had already been done.

Sir Edmond’s fingers loosened when he fell unconscious, and Castor took a deep breath, his head sagging forward toward the knight’s bloodied face as he held the man in his lap.

“Fuck,” he whispered to himself. When it didn’t satisfy him, he whispered it again, more vehemently. “Fuck!”

He sat up.

This was stupid. A mistake. This had always been a mistake. And yet - he looked down at the unconscious body in his arms, the man he had watched through his scry crystal for all those years and hated, watched again for all those months of unbrokenness and scorned, watched in these last days once he was broken and pitied - no. No, he’d made his choice.

He rearranged his grip on the knight and clambered shakily to his feet, hoping to get to the stables before the man woke up again.

*****

Ed hurt. He hurt. He fought through the pain, trying to find a sense of himself, and realized only after a dozen ragged breaths that he wasn’t in his cell. He was warm, floating, held by something, and the surface against his face was - was - things slid into place and he cried out weakly, shoving away from the mage’s chest and going nowhere, his arms too weak to free him.

“Hey,” the man answered, his voice rumbling through his chest so that Ed could feel it in his hands, a pleasant hum in a pleasant warmth, and everything in him hated that Castor the Black was the only pleasant thing in his world, now.

It was a trick. It had to be a trick. A new torment, cleverer than the old pain, like this enemy was cleverer than the ones who had beaten him in the cell, long after he’d given them what they wanted.

“No,” he rasped, his voice more groan than speech, “No.”

A ‘please’ hovered at the tip of his tongue, right there, before he snatched it back. No. No. He wasn’t begging. He had begged before, just once before, and look what it had gotten him.

He shoved against the mage’s chest only to find the man’s grip tightening instead of loosening, humiliation on top of humiliation. His throat tightened, and his breath came harder, made him fight harder for it, made his whole body shudder and quake and threaten to rattle itself into broken, bloody pieces. He was dying. He was dying. Why was he not just allowed to die?

The arms tightened around him, the pressure agonizing against his wounds, but the tightness in his throat was something else, something else, and it was getting worse, and he would not cry in front of Castor the Black unless he was made to.

“It’s alright,” the mage said, the rumble in his chest back, his voice gentle, gentle, a trick. “It’s alright, we’re almost there. I’ve got you.”

“No,” he managed again, barely a whisper, his hands sliding uselessly down the front of the mage’s soft sweater as he tried to push away and found himself falling closer instead, his arms giving out before he could even begin.

Castor the Black had armor, gleaming leather as dark as he could get, almost not brown at all, but in spite of the blood Ed had gotten on it, the fabric under his cheek and hands was soft, warm and comforting, something that belonged somewhere safe, somewhere far from here. His fingers closed around it, and he couldn’t stop them.

*****

Sir Edmond stilled in Castor’s arms, going quiet and unresisting, his fingers locking back into the front of his sweater, and Castor didn’t know if that was better or worse than the knight trying to push away. It was at least easier, which was something, and Castor forced himself to concentrate on that part, on the practicalities of putting one foot after the other and getting to the stables.

His arms ached from carrying the man’s weight, almost as dead and leaden now as it had been when the knight was unconscious.

He wasn’t built for this. He wasn’t trained for it. He’d fooled himself, thinking himself so different from the wizards that made up most of the emperor’s forces. If their positions were reversed, Sir Edmond could carry him with ease. If their positions were reversed, Sir Edmond would have put a sword through his heart long ago.

When he reached the well beside the stables, he set the knight down beside it and collapsed onto the ground next to him, his arms strangely weightless and aching softly.

He knew better than to speak directly into the man’s mind, knew he shouldn’t open up that kind of link, knew it would only frighten someone who had been an enemy for so long. He caught his breath instead, watching the knight pull himself together, curl in on himself in tiny, weak, desperate motions, and split open some of his wounds, barely scabbed over.

“Don’t,” Castor said, as gently as he could manage, his hand hovering over Sir Edmond’s shoulder as he realized he couldn’t find a place to touch him that wouldn’t be worse. “Don’t. You’ll only open up more of your wounds.”

*****

Ed’s face burned. Castor the Black pitied him. Had he really fallen so far? He moved in tiny, tiny jerks, motions of less than an inch that took all of his strength and sent dizzying waves of pain through him as surely as the mage’s steps had.

It didn’t matter. Breathing hurt, too. Everything hurt. He’d never hurt, like this. Not even with lightning coursing through him in the middle of a fight. A wretched, pained noise fell from his throat unbidden, and he turned it into a growl as best he could, baring his remaining teeth at the enemy mage.

The mage sighed heavily, tipping his head back and leaning it against - something. Ed forced his head up, trying to get a better look, only to find that he didn’t have the strength to keep it there. Fuck. He turned his face away from his enemy as much as he could without grinding it into the dirt, embarrassed and focusing the last dregs of his strength on keeping himself from crying.

“I don’t think I can get you back to the castle tonight,” the mage said eventually, his voice calm and soft. “So we’ll have to make the best of it.”

The mage moved, a rustling sound accompanied by a soft half-grunt, and then footsteps. Ed twitched, an instinctive flinch he only half managed to stop, and another pathetic high-pitched noise wheezed out his throat. He breathed again, his closed eyes tightening against the shame and the motion of his lungs hurting, hurting, hurting.

Make the best of it. Gods, what did that mean? The words thumped dully against his brain, but he was too dazed and overwhelmed to know anything more than that they sounded like the important part.

He breathed, and breathed, and did not cry, even as reopened wounds oozed blood down his back and thighs.

The mage walked away from him, the man’s footsteps becoming fainter and fainter, and Ed lay there, too weak to run, too weak to move, too weak to fight for anything but a last shred of dignity. His throat was thick and his sinuses pressed at the back of his nose. It wasn’t enough. He wasn’t enough.

The breeze blew over him, gentle, and he waited, and feared, and hurt, and did not cry.

[celticcrossanon]

BRF Reading - 1st of July 2021

This is speculation only

Cards drawn 1st of July 2021

Question: What do we (those of us who follow and love the BRF) need to know right now?

With this reading, I took one look at the underlying energy and I was all unsettled and twitchy. My analysis isn't as detailed as usual for that reason - it was hard enough to sit still and focus and type this up as it was. That is Uranus energy and it is coming through this reading (and me!) very, very strongly. Expect the unexpected with this one.

Interpretation: Something shocking and unexpected is coming.

Card One: The Five of Wands. This is a card of conflict. It is usually Meghan and Harry stirring up conflict with the BRF via PR, but this feels more personal. I keep seeing William and Harry fighting (not just verbally, but physically fighting as well). I drew two clarifiers:

Clarifier One: The Hanged Man. Normally I would read this as a card of waiting, but in this reading its alternate meaning is coming through strongly: sacrifice. Someone or someones feel that they have sacrificed enough, and they are saying no more - this ends now - no more sacrifices, now is the time to plan to take action (if I had to put a name on the person saying this, I would say William, and he is angry about something).

Clarifier Two: This was from the bottom of the deck, and is the same card I had for two readings yesterday. The Ten of Swords. It is coming across very strongly as a card of betrayal. Someone feels betrayed, or more than one person feels betrayed, and they feel betrayed by different people in different ways, and this is at the bottom of the conflict.

Card Two: The Fool. This is the card of sun sign Uranus, and Uranus as a planet acts exactly like the Tower card - it brings change through sudden, shocking events. The Fool can also be a card about a child, or children; it can be someone acting in a foolish way, it can be someone having a childlike naivety or innocence. It can also be a card of new beginnings, of taking a leap of faith, and that is partly how it is coming across here - something new is starting, and it will involve trusting in the unknown future and taking a risk to manifest its potential into the world. The main energy is Uranus energy - sudden, unpredictable, electrifying. This is very strong. Whatever it happening, it is something unpredictable.

Card Three: The Knight of Swords. This is coming across as a situation, not a person (which is how I would usually read it). The Knight of Swords is someone who is quick witted, quick to jump into action, who prefers not to plan ahead but to see what happens, and who doesn't always think things through and see the consequences of their actions. They are also driven and ambitious. The card shows the two brothers, the Dioscuri twins, mortal castor and immortal Pollux. I think that whatever is going to happen will happen between Harry and William or it will cause strife (the Five of Wands) between Harry and William, moreso than has happened in the past. Someone is going to do something recklessly/ jump into something without thought and it will set the other one off. I'm not getting anything else, just a separation of two people who were once very close.

Underlying Energy: The Tower. This is an unexpected and shocking event that destroys part of your world and leaves you to rebuild it from the rubble. Something has happened or is going to happen that will rock the BRF. I don't know if this will be made public or if it will be kept quiet, but something shocking and unexpected is going to happen. My stomach is clenching in anticipation as I write this. This may be because I don't like Tower events, or it may be because the event will happen soon or is happening right now.

Conclusion: We start with conflict, a conflict caused by feelings of betrayal and sacrifice - a person/people feel betrayed by one or more persons, and there have been too many sacrifices demanded from someone in the past. Then there is the Fool and the Tower - a burst of Uranus energy, a sudden, shocking event. This will result in new beginnings that will require a step into the unknown, a leap of faith. Finally we have two brothers who once were close but who now are separated. The shocking event may bring them closer together, or it may drive them further apart, and I think it will be the latter.

[survivor-algonquin-blog]

IMMUNITY RESULTS #1

Hope everyone got their groove on!!! Let's get to the results,,,

But first let's meet our lovely JUDGES!!!!

Zach!!

Hey! Zach here. A couple of main seasons under my belt and lucky enough to have played with all of the hosts. I've done this challenge and work in entertainment, so I'll be bringing a critical eye to the table and have no reservations about not holding back. Good luck!

Sarah!!

Hi my name is Sarah. Ive played 7 main ts seasons so I am officially qualified to judge now. I cant wait to see what yall did.

Vilma!!

Hi I'm Vilma and all you need to know about me is that I have a burning love for music videos so I hope y'all put in your best effort tonight <3

Now let's get to some music videos!

Castor's Music Video & Explanation

This is the official submission for the Castor Tribe. We choose to do the music video “Bring me to Life” by Evanescence. This song has a strong theme of Duality throughout the lyrics, and we chose to represent that by only using two tribemates for the lip-syncing portion of this challenge. The video focuses on Bobby, crying out for help, but being shut down by his inner thoughts, portrayed by Bryan. At the beginning of the video, you can clearly see the inner turmoil going on, shown through the colour colour changes and spinning screen. Throughout this portion, it is clear he is listening to Bryan, and letting it hold him back, keeping all these negative emotions inside. About half way through the video, there is a clear tone change, with the scarf starting to come off, signifying an opening up, of Bobby starting to let his thoughts out in a healthy way, and his inner voice becoming quieter and less relevant as time goes on. The video ends on a dark room, lit by a single light, showing that as dark as things may seem, there will always be light at the end of the tunnel, you just must keep moving forward. We felt that this was a good representation for survivor for several reasons. Firstly, in order to progress far in the game, you must be able to rely on other people to keep you sane. One of the Key elements of survivor is the ability to outlast the other players, and that requires you to mentally outlast them as well. You can clearly see that on the Edge of Extinction season, where it is only the mental fortitude of these voted off contestants giving them a chance now. Secondly, there have been several survivor Contestants that have struggled with the ideas of self-doubt, and depression both during and after the show, most notably, Sugar, after Survivor Heroes Vs Villains, as well as Spencer Bledsoe, after Game Changers. Finally, no matter how dark you may think your prospects in survivor are, if you believe there is a light at the end of the tunnel, and keep pushing through, you will always be able to make an impact. We chose to make the video focus on only two of our tribemates because most submissions for these types of challenges tend to include almost all the tribe members, and we wanted to create something that stands out. All of us contributed to the final product in several different ways. Firstly, we had Lilly, who was the Creative Director, and Task Manager. She came up with the narrative and focused on creating a realistic schedule in order to get everything done on time, and to a good quality. Bobby and Bryan, you saw in the music video, as our lead lip-syncers. Aaliyah was the editor of this video, putting to use her skill in a way much better than anyone else on our tribe could have accomplished. Finally, Michael and Jack created the write up, in order to communicate our thoughts to the judges, to show the amount of effort we put into this project.

Zach:

Creativity:6

The explanation for idea of the music video was strong and well intentioned, if not wholly originally, but I’m not sure it is entirely reflected in what got with the video. I appreciate the deliberate choice to use only two members of the cast to support that idea, so I can’t ding for points there, but I don’t think what we got was what we were promised in the explanation.

Effort: 7

Going off of the intro text, I’ll take it in good faith that everyone contributed as much as was mentioned, and despite execution, I cannot fault their efforts if they all tried.

Composition: 5

Any time there’s a vertical video, it’s going to hurt a little, but I won’t dwell on that too much. I will say that the video ending before the song ends does not help its case. Also, the idea behind the colors and the black and white to show emotional change was a good thought, but did not have the payoff that it should have had. The rationale behind it feels more film school interpretation of something after the fact than intended execution.

Theme: 7

The theme as explained was a solid one, and definitely can see tones of it in the performances and set dress of the actors. Nice job. Bryan will haunt my dreams.

All-in-all, I think this was a good effort and it’s obvious that this team works together well and has lofty ideas. I think the technical skill might be lacking, and it seems like everyone here is very structured in their thinking. I prefer that way of thought so I’m with them, but they needed a little more creative flair here to pull it off.

Sarah:Creativity: 5/10

Effort: 5/10

Composition (editing): 7/10

Theme: 8/10

I wish I saw everyone from the tribe in this but I get your reasoning behind it. It was still just overall ok

Vilma:

Creativity: 4/10

You made a creative decision to include only two people of your tribe in the lip sync and while I appreciate the ballsy move I can’t help but feel I would’ve enjoyed the video more if more people were included in it.

Effort: 5/10

Bobby was the king of the show and really put his soul into it.

Composition: 4/10

Rule number one in music videos: film horizontally! Overall I wasn’t a huge fan of the constant use of cheap looking effects but otherwise the editing was fine.

Theme: 6/10

I think the duality theme in your video was nice an well thought-out but it would be a bit hard to understand without your thorough explanation of it.

Castor Total: 69/120

Elan's Music Video & Explanation

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She walks! She talks! She twerks! She's BARBIE! Jump, dance, and sing with your very own customizable doll! Dress her up and take her out. Barbie is your BEST FRIEND! You can be a Barbie Girl too! SHE'S BARBIE! (batteries not included)

Zach:

Creativity: 7

The idea of using Barbie girl for the song was a strong and out of the blue choice, making it look like a commercial really took it over the top. I can’t go higher than 8 because they used a lot of the original music video to cover gaps, but overall, more creative an idea than I’ve seen in a while, and the execution was beautiful which leads me to:

Effort: 8

To put what they put together as quickly as they did takes a lot of coordination from whomever was putting it together, but the fact that most people went so far as to dress as “Barbies” shows that almost everyone was committed to the gag. There were a couple of people who obviously didn’t have as much time to give to this, but substituting them as the Ken was a nice save.

Composition: 9

Obviously when working with iPhones and computer cameras, the visual leaves something to be lacking, but that is more than made up for here with the various superpositions, graphics, texts, crawls, and cuts. It felt like I was watching a bizarro QVC commercial that was as fun to watch as Barbies are to play with, keeping them right on mark for their:

Theme: 9

The fact that this is basically a weird commercial for Barbies is as fantastic as they are plastic. Every inch of it was filled with something to reinforce the theme, whether it was ordering details, people playing with the toys, warnings, calls to actions, or disclaimers (the bottom Mattel crawl was a brilliant example of all three categories of judgement coalescing to reinforce the them.

I wasn’t planning on rating anyone high, but this was weird, original, well done, and fun. Nice job. It was visual candy, high energy, and all surface, which I wouldn’t typically go for, but that’s what Barbie is about.

Sarah:Creativity: 9/10

Effort: 10/10

Composition (editing): 10/10

Theme: 8/10

You guys impressed the fuck out of me and made me literally LOL.

Vilma:

Creativity: 8/10

Cute outfits, cute barbie nicknames, cute editing, cute CuTe CUTE I want these slutty barbies to myself

Effort: 9/10

The barbie QUEENS and the editor guy did a phenomenal job. It looks like most of your tribe participated, although the Barbies outshined the Ken’s a bit. But overall you guys really put yourself out there and put in the most effort.

Composition: 10/10

The editing was ON POINT. Great job ten out of ten.

Theme: 8/10.

I stan the barbie theme and song choice btw Aqua is a Danish band so I love me some nordic representation <3 My only complaint is I wish you introduced us to the handsome Kens too.

Elan Total: 105/120

Hibou's Music Video & Explanation

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We lip synced Survivor by Destiny's Child. Due to time constraints Gavin couldn't be in the video, but it doesn't matter since Sammy stole the show. :) The editing got a little weird at the end. Some of the file types were different and that causes playback issues. Also the deadline was fast approaching so the sequences towards the end are a little longer. :p

Zach:

Creativity: 2

Hate to be harsh, but going for Survivor for Survivor is a little too on the nose. Listen, it’s a great song, and some people have some great energy, but creatively, this was low hanging fruit. On top of that, the video is literally just lip-syncing, which is basically like playing a Borneo Game in 2019. Given that they’d be given plenty of examples of other ways this can be done well, I can’t rate this high. To paraphrase the song “you’re better than that.”

Effort: 4

To the people that contributed to this, I appreciate your attempt. The one guy who really embraced the challenge, got a mic, light-up glasses, the hat, et al, if this was based on just your effort, I could go much higher. It’s as high as it is because of you. Unfortunately, it’s a team challenge, and for the brief moments that we saw most of the other players, you can see them reading the words on the screen as they capture their performance. I hope everyone enjoyed it more than it shows, but again, to the point of the song “you’ve gotta work harder.”

Composition: 2

Vertical videos really just need to be turned 90 degrees and it would feel like we’re watching a movie. Or if you’re given vertical videos, copy the layer, move it to the back, enlarge, and blur. It will make it instantly more watchable. This grade isn’t solely because of that though (3 vertical videos don’t help though). The titles screen is cute, but assembled poorly. Some of the text is covered some of the pictures. There’s no real pace to guide us through the song. The cuts seem arbitrary. Editing is very hard and never appreciated, so to whomever put this together, if you did your best, nice job and I encourage to stick with it, but kinda feels like “I’m not gonna give up” was something you were saying to yourself over and over again when trying to make this work.

Theme: 2

Picking this song was a bold choice since it’s so obvious, but you can’t lose points in this category based on choice alone. But given that choice, you have to really knock it out of the park, and I don’t think the bat even touched the ball with this one. There’s nothing here that screams either Survivor nor what Destiny Child was singing about, I don’t know if we’d be weaker without this song in our life.

Look, I hate to be critical, especially since it’s obvious some people put it in a lot more work with this than others, but to be honest, this wasn’t a shining example of what you’re all capable of. It’s hard putting these together, and maybe it just wasn’t worth it this time. Making music videos can be fun or terrible depending on with whom you work. I wish you the best, but I feel like because of this, for one of you “I’m gonna make it, here on Survivor” just isn’t true.

Sarah: Creativity: 4/10

Effort: 3/10

Composition (editing): 6/10

Theme: 4/10

You tried.

Vilma:

Creativity: 4/10

I feel like you guys could’ve been more creative with your Survivor theme. I like that you introduced everyone in the beginning but other than that the video was very simple.

Effort: 6/10

Most of your tribe seemed to participate and that’s always nice to see. Some of you guys were really feeling it too so big props to that!

Composition: 3/10

Again, gotta deduct some points for not filming horizontally. Plus the lip syncing was VERY off most of the time, such a simple thing to fix and the video would’ve seemed much more professional!

Theme: 5/10

Your song choice is literally perfect, you GUYS are survivors and you know it but I wish you would’ve included little skits or something to emphasize the theme.

Hibou Total: 45/120

Congratulations to Castor and Elan for winning immunity!! which unfortunately means Hibou you will be heading to tribal council, where you will be voting off the first person in Tumblr Survivor Algonquin. Tribal will be live over Google Hangouts, and we plan to start at 9:00 EST. please let the hosts know beforehand if you will be able to attend tribal council or not.