April 28, 1977
Love Gun Photo Sessions
Barry Levine’s Studio - Los Angeles, California
📸 Barry Levine
"We experimented a lot with everything. That’s how the series with the wildly multicolored, shimmering mylar background happened. It was 1977 and we had to do a Love Gun promotional shoot. I set it up in my studio and I wanted to get a series with different colors in the background because we had been using a lot of blacks and greys up to that point. I got these colored mylar sheets and reflected some plain white light from them, sometimes adding just a little bit of blue gel to the mix. I pulled the light a little out of focus because the patterns on the sheets were very odd, and I wanted to get really vibrant colors and images from the mylar. These shots appeared on magazines and newspapers all over the place. Some mylar shots, as well as other images I photographed, were included on the cover of KIϟϟ’ World Tour 77-78 program. If you look really carefully, you can tell that those same shots were the photo models for the gatefold etchings inside Double Platinum, as well as the solo album covers, although we didn’t have either of those projects in mind when we decided to shoot that day
Although I had shot many bands before KIϟϟ, I knew the second they stepped into my studio, they were in a class by themselves. Techniques that worked with other bands, didn’t fly with KISS. And the difference in style between individual members was vast. I quickly became familiar with their distinct personalities and became adept at pulling certain traits out of each of them as needed. When they’re onstage, they simply metamorphosize into their unique band personas, but in the studio, it was up to me to pull a Demon, a Spaceman, a Lover and a Cat out of the four guys who showed up. They all knew how to capture their onstage personas, but sometimes I had to go the extra mile to get just the right facial expression or stance.” - Barry Levine
KIϟϟ’ new costumes (Love Gun) were constructed by Maria Contessa and Laurie Greenan, and the band traveled with three of each of the outfits while on tour. Gene and Ace used slightly altered versions of the original design for touring purposes. The total cost for the new production, including the new stage, costumes and instruments, was $194,910, although the show was hyped as a million-dollar production in most markets.
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I need to feel this man’s love gun
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Ace's Solos Vol. 4 - X-Ray Eyes
X-Ray Eyes actually does little other than pick up where Almost Human left off on Love Gun, which is even more true of Ace's wonderfully noisy solo. So kudos to Vini Poncia for recognizing this conciseness as a necessity for the Kiss identity and elevating it on Dynasty to a tradition. And what awaits us this time is nothing less than the acoustic equivalent of the presumably entire fulfilled life of a passionate and devoted steel locksmith, which runs through his mind in just a few seconds before he passes on to the next world with a satisfied smile in his face.
Ace can sometimes be so sensitive and compassionate that it almost brings tears to my eyes. That, dear people, is true poetry.
X-Ray Eyes (1979)
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George Michael and KISS - "Never Without Your Love Gun"
I found this on youtube music video, and oh my i don't regret wacthing this.. Its a godDame MASTERPIECE!✨
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1977. Destroyer and Love Gun cover Artist Ken Kelly and Wife, Rose- pose for the Love Gun Painting. Who knew the L.G. Girls ..was actually the Love Gun GIRL. Did u know.. K. Kelly was the nephew of acclaimed fantasy artist Frank Frazetta
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REVIEW: Gene Simmons - The Vault - Disk 4 (2018)
Previous Reading:
Record Store Tales #600: The Vault
Disk 1 Review
Disk 2 Review
Disk 3 Review
For those keeping score at home, this CD contains tracks 46-60 in the Vault box set.
GENE SIMMONS – The Vault – Disk 4 (2018 Rhino)
“Plaster Caster” is one of the most memorable songs from Love Gun. This Simmons demo features the Demon on all instruments, including drums! Since he’s not…
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Call me the Plaster Caster Blaster the way I'm probably annoying my neighbors with that song
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