#luke camilleri

[fuckyeahtomblyth]

Tom Blyth + Billy the Kid castmates

Alberta, 2023 before the SAG-AFTRA strike

via x x x x

& the 6th one is from an IG story posted by Mark Krysko.

[movienized-com]

Boy in the Walls

Boy in the Walls (2023) #ConstanceZimmer #RyanMichelleBathe #LukeCamilleri #CassandraSawtell #JonathanWhitesell #MikkalKarimFidler Mehr auf:

Jahr: 2023 Genre: Drama / Mystery / Thriller Regie: Constance Zimmer Hauptrollen: Ryan Michelle Bathe, Luke Camilleri, Cassandra Sawtell, Jonathan Whitesell, Mikkal Karim Fidler, Donna Benedicto, Jace Fleming, Bebeyana Aweit, April Telek, Requell Jodeah … Filmbeschreibung: Alisa Jensen, die kürzlich geheiratet hat, hat ihr hektisches Leben in Manhattan gegen ein ruhiges Leben auf dem Land in…

[lifetimemoviereview]

Boy In The Walls (2023 Lifetime)

Boy In The Walls (2023 Lifetime) #LifetimeMovies #Lifetime #BoyInTheWalls

Boy In The Walls (2023 Lifetime) 📺.  Stream/Watch the Movie (Ad): Subscribe to the Lifetime Movie Club Cast: Ryan Michelle Bathe, April Telek, Luke Camilleri, Jonathan Whitesell Director: Constance Zimmer Writer: Katrina Onstad, David Weaver ➡️    Check out our Youtube Channel: Lifetime Uncorked: Lifetime Movie Reviews 🎧   Listen to the Lifetime Uncorked Podcast: Listen Now 🍷  Support the…

[clemsfilmdiary]

Garage Sale Mysteries: Searched & Seized (2020, Neill Fearnley)

Garage Sale Mystery #16

3/29/23

[themovieblogonline]

Boy in the Walls Review: A Haunting Premise Hindered by Execution

Director Constance Zimmer's Boy in the Walls attempts to blend psychological horror with domestic drama, presenting a story that promises chills and tension. The film revolves around Alisa Jensen, portrayed by Ryan Michelle Bathe, a newlywed who trades the hustle and bustle of Manhattan for the tranquility of rural Connecticut. However, what initially appears to be a fresh start gradually evolves into a nerve-wracking ordeal as Alisa becomes convinced that she is not alone in her new home. While the film's premise holds potential, its execution leaves much to be desired, resulting in a production that struggles to effectively captivate and terrify its audience. https://www.youtube.com/watch?v=mmm0gK0dFdE The movie begins with Alisa and her husband, portrayed by Jonathan Whitesell, embarking on their new life together in a picturesque countryside home. The scenic backdrop sets the stage for a contrasting sense of isolation that Alisa starts experiencing. The initial establishment of the 'atmosphere' is one of the film's strong points, as the serene landscapes are effectively juxtaposed with Alisa's growing unease. The Good: Ryan Michelle Bathe delivers a commendable performance as Alisa, portraying the character's emotional turmoil with sincerity. Bathe's portrayal lends authenticity to Alisa's mounting anxiety, successfully making the audience empathize with her increasingly precarious situation. The chemistry between Bathe and Whitesell is palpable, effectively conveying the couple's genuine affection for each other, which in turn amplifies the stakes as Alisa's mental state deteriorates. As Alisa's apprehension intensifies, she begins hearing strange noises emanating from within the walls of her new home. Here, the film struggles to strike a balance between suggestive subtlety and overt horror. Instead of allowing the tension to build organically, the auditory cues are often jarring and exaggerated, detracting from the overall sense of suspense. The film's score, while initially promising, often overcompensates, manipulating the viewer's emotions rather than letting the unease develop naturally. April Telek's portrayal of Chief Watkins, a local law enforcement officer, adds depth to the narrative as she tries to assist Alisa in uncovering the truth behind her distress. Telek's performance injects a dose of realism into the otherwise surreal scenario, grounding the film in the realm of plausibility. However, the script occasionally falters in providing Chief Watkins with meaningful dialogue and substantial interactions, leaving her potential underexplored. The Bad: The film's pivotal themes center around isolation, mental instability, and the harrowing idea of being constantly surveilled. These elements hold promise in terms of delving into Alisa's psyche and creating a truly immersive psychological horror experience. Regrettably, the screenplay often opts for surface-level exploration, neglecting the opportunity to delve deeper into Alisa's unraveling mental state. The themes feel underdeveloped, causing the potential impact to be lost amidst a sea of missed opportunities. Boy in the Walls introduces several supporting characters, including Luke Camilleri's Chris and Cassandra Sawtell's Maya. However, their roles remain largely peripheral, failing to contribute substantially to the narrative progression or Alisa's character development. While their inclusion attempts to provide a well-rounded ensemble, the lack of meaningful interactions diminishes their overall significance, leaving the audience wanting for more connection and relevance. Jonathan Whitesell's portrayal of Joe, Alisa's husband, is characterized by genuine concern and frustration as he grapples with Alisa's deteriorating mental state. However, the character's depth is compromised by sporadic character development and an underexplored backstory. This lack of substantial background information inhibits the audience's ability to fully invest in Joe's perspective, reducing the emotional impact of his plight. In terms of directorial choices, Constance Zimmer succeeds in creating a visually striking experience, particularly in capturing the contrast between Alisa's internal turmoil and the idyllic surroundings. However, the film's pacing often falters, with scenes feeling either rushed or excessively prolonged. This inconsistency impedes the narrative's flow, preventing the film from fully engaging its audience. Overall: Boy in the Walls presents an intriguing premise that, unfortunately, fails to translate into a gripping and haunting cinematic experience. While the performances, particularly Ryan Michelle Bathe's portrayal of Alisa, exhibit genuine commitment, the film's execution falls short in terms of maintaining tension, exploring its themes, and developing secondary characters. Director Constance Zimmer's efforts to fuse psychological horror with domestic drama yield mixed results, leaving audiences with a sense of unfulfilled potential. Despite the commendable attempts at atmosphere and character empathy, Boy in the Walls ultimately struggles to rise above its flaws, resulting in a movie that falls squarely in the middle of the spectrum. Read the full article

[tonin-terets]

o2 - The Snowgran from Joseph Mann on Vimeo.

Director: Joseph Mann Producer: Rebecca Little Head of Production : Alex Halley Executive Producer : Josef Byrne Production Manager : Sandy Liddle

Agency: VCCP ECD : Jonny Parker ECD: Chris Birch Senior Creative: Simon Conner Senior Creative: Steve Cross Business Director: Alex Gluck Account Director: Tom Prideaux Senior Account Manager: Ella Gurdon Producer: Frankie Burwell

Director of Photography: Matthew Day 1st Assistant Director: Sam Le Page Runner: Tatiana Moody Runner: Khuê Tran Runner: Sidney Kwok Focus Puller: Toby Goodyear Video Playback Operator: Karl Taggart DIT: Jayson Hunte MoCo Operator: Dan Murphy MoCo Assistant: Max Halstead Gaffer: Aldo Camilleri Spark: Tim O'Connell

Production Designer: Gordon Allen Assistant Art Director: Ben Cote Model Maker: Areeya Bass Model Maker: Connor Chung Model Maker: Rosie Tonkin Model Maker: Beth Slater Model Maker: Beattie Hartley Art Assistant: Victoria Itibere Art Assistant: Jonny Harker Puppeteer: Jonny Sabbagh Puppeteer: Will Harper Assistant Puppeteer: Ashleigh Cheadle Puppet Costume: Rose Popham

3D Animation and compositing: Saurus Animation Saurus Animation director: Lars Ellingbø Lead CG artist: Sondre Nymoen Lead Compositor: Alex Wolf CG: Kasper Christensen Modeling/ CG: Marius Hatlelid Modeling/ CG: Lars-Ivar Stranden Modeling: Kjetil Birtles Modeling: Jimmy Levinsky Modeling: Joanna Szczepanska CG: Henrik Dahl Groom Artist: Thomas Rønning Rig/ Animation: Dino Figuera Animation: Anna Nowakowska Animation: Anders Brogaard Compositing: Jan Ivar Solås Compositing: Jóhannus Elias Johansen Compositing: Chris Hagfors Dahlmo Additional compositing: Otomat Compositor: Emre Aypar Compositor: Ayberk Ünlü Compositor: Sinan Güneşgörmez Compositor: Metin Sıralı Compositor: Sezin Kavasoğlu Compositor: Erkin Öztürk Compositor: Oğuzhan Özçelik Fx / CG: Ozan Doğan Clean Up / Grade / Online: ETC Producer: Oscar Wendt @ ETC Colourist: Luke Morrison @ ETC Edit House: Ten Three Editor: Nick Armstrong Edit producer: Rachel Goodger & Eppie Bowler

VFX Supervisor: Lars Ellingbø

VFX Supervisor: Sondre Nymoen Behind the Scenes: Joseph Eckworth Nurse: Nicola Gibbs Caterers: Salt & Pepper Clapham Road Studio Manager: Daisy Garside Assistant Studio Manager: Evie Shisler Character Design: Dan Lambert Character Design: Tom van Rheenen Concept Art: Clement Danveau 2D Art Director: (Lead): Olga Sokal Concept Art: Ewa Luczkow Concept Art: Robert Hunter Concept Art: Henry St Leger Animatic: Andrew Khosravani Storyboards: Oscar Wright, Mysie Pereira Clay sculptors: Nathan Flynn & Tom Astley Post Production Manager: Molly Turner Post Production Assistant: Charlotte Herbett

[grande-caps]

Supernatural 15.05 - “Proverbs 17:3”

size: 1920x1080                         2,549 screencaps

[tiiohornfan]

Gypsies 

[sofiaherzen]

A Series of Unfortunate Events Season 2 | Exclusive VFD Clip | Netflix

[talknerdywithus]

'Arrow' 7x11 recap: Oliver and Laurel redeem past mistakes for a fresh start

‘Arrow’ 7×11 recap: Oliver and Laurel redeem past mistakes for a fresh start

WARNING: The following article contains spoilers from episode 11 of Arrow Season 7 titled “Past Sins.” Do not read if you have not seen the episode or read on at your own risk of being spoiled.

The seventh season of Arrowis one of the best in a very, very long time. In fact, it might be the best since its sophomore season back in 2013. The theme of the current season is all about redemption and…

[presleysmooth]

Me, seeing through Count Olaf’s bullshit :

[baudeicons]

gustav

like or (c) @lavignelesba

[milliondollarbaby87]

Swan Song (2021) Review

Swan Song (2021) Review

In the near future when Cameron Turner finds out he has a terminal illness he is offered an alternate option from his Doctor to save any grief from his family. ⭐️⭐️⭐️ (more…)

[shamurph]

   LUKE CAMILLERI IN A SERIES OF UNFORTUNATE EVENTS

60 icons

like/reblog if you use

edit as you see fit

[thedumpofrps]

in the download link there are #120 rp icons of Luke Camilleri as Gustav in A Series of Unfortunate Events. all of the screencaps and icons are mine, so please don’t claim them as your own. feel free to edit these! please like and/or reblog these if they help at all! tw: scissors, darts, 

DOWNLOAD

[fan-burnnotice]

Shut Eye - 1x07 - Two of Swords

Charlie Haverford (Jeffrey Donovan), Fonso (Angus Sampson) & Terry (Luke Camilleri)