#m lucille jones

[unravellingsilencehq]

“Oh, Merlin, tell me, does THE CHARIOT get what he deserves?” He is NEUTRAL & OPEN to finding out.“

— he walks through the world as ;

name → harrison bagnold pronouns → he/him identification → cis-male year of birth → september 1956 - september 1955 face claim → daryl mccormack blood status → pure-blood sexual orientation → sexually fluid occupation → ambassador to the united states for the international confederation of wizards in the department of international magical co-operation at the ministry of magic

future information → n/a

— he is best described as ;

CONSIDERED ELEGANCE. He is a GLEAMING PAIR OF CUFFLINKS, pressed into a BRILLIANT CRISP SHIRT, and a WINNING SMILE that would charm even the most determined folk to part ways with a VOTE. He is the SMOOTH and CALMING voice at the table, the FIRM HANDSHAKE guiding you down his path and handing you a pen to sign.

— his story starts with ;

tw: death

The only surviving child of Minister for Magic MILLICENT BAGNOLD [mother], Harrison is the most beloved kind of celebrity. Good looking, intelligent and a heartbreaking backstory to boot. Millicent explained to him young, that the key to high society was networking. With his mother high in the political world, Harrison saw himself as the equal to children like LUCIUS MALFOY [close friend] despite missing out on a spot in The Sacred Twenty-Eight. It was only when he began attending events as he got older he could see the difference. The Bagnolds weren’t as rich, not as much land or staff - and that was where the lying began. Harrison would lie about his family’s wealth for years to come. “Fake it till you make it.” He told himself in the mirror and his parents tried hard to buy him all that was necessary to keep up with the charade. Harrison wondered if his demanding behaviour in childhood led to his parents preferring his younger brother’s company to his, though as an adult he wouldn’t exactly blame them for it. BOOKER BAGNOLD [sibling] was nothing like Harrison, content to play in the dirt and study insects rather than help his parents work a room. 

The way his mother and father split their time and attention between the boys had always been a source of pain to Harrison. Harrison and his brother were the heir and the spare and everyone in their family knew it too. Arriving at Hogwarts, Harrison was sorted into Gryffindor and quickly established himself as the true lion amongst the pussycats, buddying up quickly with fellow alpha KALEB JOHNSON [best friend] who quickly became his best friend. Harrison and Kaleb ruled Gryffindor, but on the Quidditch pitch they had some competition. ELEZAR SMITH [best friend], MICHAEL THOMAS [best friend] and CRISTIANO PARKINSON [best friend], made up the strongest Ravenclaw team for quite some time. What began as a fact finding mission for the boys, ending up in them meeting their best friends and from there on the group were inseparable. They surrounded themselves with just as popular witches, revolving in the same circle as Cristiano’s twin sister ANDRESSA PARKINSON [close friend], ISOLDE CROUCH [close friend], LUCILLE JONES [best friend], her twin sister FLORENCE JONES [close friend] and BERTHA JORKINS [close friend]. 

Undoubtedly the most popular boys in their year, they were untouchable and enjoyed watching the witches in their year battle for power and fight over them as they did. For Harrison there was only one woman for him. The only person who thought of herself as highly as he did, Lucille was his love, but a chip on his shoulder and a wandering eye would be their downfall. Harrison began seeing CORNELIUS CRABBE [former romantic liaison] in their final year. Like Harrison, Lucille longed to be a member of The Twenty-Eight, but even the beauty of a veela and her impressive political connections couldn’t buy her that. He had no idea how to even explain his on-and-off feelings to her because he didn’t even understand them himself. He found himself approaching a close friend, ANASTASIA SIMINOVA [close friend] about it first. She had been there for him a lot, after her best friend GENEVIEVE AVERY [close friend] began dating Cristiano and the two found common ground in their love for secrecy. His friends all found out when they caught him kissing a member of the Hufflepuff team at a party. Him and Lucille broke up not long afterwards.

Harrison had proven he was not just good at making friends, but adversaries as well. EDRICK SELWYN [rival] was an overly competitive Slytherin he enjoyed challenging, though he would later find such connections would follow him into adulthood. Harrison had been given the position as an Ambassador for the International Confederation of Wizards at quite a young age, many thought because of his mother. Whilst it allowed him to travel, he reported directly to Edrick’s father HARRELSON SELWYN [boss], who had an intense dislike of him, ensuring he had to always be on his game. When his mother became Minister for Magic, a sense of relief washed over Harrison. He had been lying for so long it felt good to be true at last. ROSALINE DAVIS [partner], came along at the right time. A pure-blood from a good name, although a purist one, she had designs on being the future wife of a Minister and escaping her family. His life seemed perfect, except for one thing. His brother. Whilst Harrison worked hard to maintain their image, Booker seemed intent on destroying it, going as far as to critique their own mother’s policy on creatures and accusing the Ministry of foul play.

Halloween night in 1982, a heated argument began between the brothers over a petition that Booker had started to rally for creature rights. It got heated and Harrison disarmed Booker before disappearing into the party with Rosaline. An hour later he was floating in the fountain. It was an unlikely friend who helped him with his grief. LILIAS ROSMERTA [close friend] an old Gryffindor drinking buddy she wanted to carry on Booker’s legacy by furthering his petition. The pieces didn’t add up that Booker was killed by a wolf, he believed someone on the other side of the bench was to blame. Harrison attended The Yule Ball with the intention of networking with suspicious characters and keep an eye out for who might have wanted his brother dead. One moment Harrison was speaking to Lucius and BILLIUS WEASLEY [close friend] then he was watching himself behave in a way much unlike himself. Under the imperius curse he listened helplessly as a voice whispered over and over in his mind that no thoughts of his own could form. Harrison followed JONATHAN REEVES [person of interest] and his girlfriend ROSALIE FLINT [person of interest] into a private room. 

He watched as his own hand pointed his wand at Jonathan and cast a killing curse at the man. Rosalie valiantly dived in front of the curse, killing her instantly. Internally Harrison screamed, horrified at the scene he had unwillingly created, the everything went black. When he awoke it was in a strange place with Lilias and her sisters by his side, all staring at him with their wide blue eyes. Harrison had been asleep for quite some time, presumed missing with no memory past the moment he drank his champagne with Lucius and Billius. Harrison has been trying hard to remember what has transpired but no matter how much he works with Lilias his brain has fogged over. Determined to get to the bottom of Booker’s death, Harrison has vowed to try and remember the evening and get back to his life as though nothing has happened in order to slip under the radar and find Booker’s killer. Harrison is convinced his brother’s death is part of a plot to overthrow his mother, though if he just pulled a little bit harder on such a thread he would find a whole world unravel he didn’t even know existed. 

— he is a LEVEL 6 WIZARD & readied for war ;

[grellsutcliffsworld]

British victorian era generator ! :D

Your month of birth:

January: Prince/Princess

February: Baron/Baroness

March: Marquis/Marquise

April: Earl/Countess

May: Butler/Maid

June: Duke/Duchess

July: Homless boy/girl

August: Salesman/woman

September: King/Queen

October: Joker

November: Prostitute

December: Farmer/worker

First letter of your first name:

A: Arthur/Alice

B: Benedict/Beatrice

C: Charles/Cordelia

D: David/Dorothea

E: Elijah/Evelyn

F: Francis/Fiona

G: George/Gwen

H: Humphrey/Helena

I: Isaiah/Iris

J: John/Juliette

K: Kyrie/Kelvin

L: Luther/Lucille

M: Marcus/Muriel

N: Neville/Novalynn

O: Oscar/Ophelia

P: Pascal/Penelope

Q: Qasim/Quintessa

R: Randall/Rosemary

S: Samuel/Sophia

T: Theodore/Theodosia

U: Uriah/Urith

V: Vincent/Victoria

W: William/Willow

X: Xerxes/Xenia

Y: Yoel/Yolanda

Z: Zander/Zipporah

Last letter of your last name:

A: Addams

B: Berrycloth

C: Chapman

D: Dankworth

E: Edwards

F: Featherswallow

G: Graham

H: Hughes

I: Insworthy

J: Jones

K: Knight

L: Lawrence

M: Matthews

N: Naiswell

O: Osborne

P: Palmer

Q: Quintrell

R: Ratcliff

S: Stewart

T: Taylor

U: Underhill

V: Villin

W: White

X: Xavier

Y: Yates

Z: Zachary

Your favorite color:

White: Death by suicide

Yellow: Poisoned by an secret admirer

Orange: Burned alive as a witch

Brown: Stumbled into horseshit face first, while being drunk and suffocated

Red: Killed by Jack the Ripper

Purple: Ran over by a carriage

Blue: Fell of a great height

Green: Ripped apart by a grizzly bear

Grey: Died peacefully in their sleep

Black: Killed by the pest

Comment bellow what you got and tag at least three people >:D

@ctitan98

@lacelynpage

@we-r-loonies

[madsmilfelsen]

would love to know your all time/general fav book recs if you have the time!

Hi! Some are repeats but that’s out of love

Mongrels by Stephen Graham Jones

Never Whistle at Night: an Indigenous anthology of dark fiction

Latitudes by Natasha Rao

How to Carry Water by Lucille Clifton

Conflict Resolution for Holy Beings by Joy Harjo

Striptastic: a celebration of dope-ass cunts who like money by Jacqueline Frances (comic anthology)

The Vandal by Hamish Linklater (listen LISTEN, I cry every damn time)

Dogsong and The Haymeadow by Gary Paulsen

To Kill a Mockingbird by Harper Lee

The Color Purple by Alice Walker

The Night Circus by Erin Morgenstern

We Have Always Lived in a Castle by Shirley Jackson

The Wolf Road by Beth Lewis

The Bone Season by Samantha Shannon (first gifted to me by my dad and inspired me to be a writer)

Barkskins by Annie Proulx

Without Remorse by Tom Clancy

Confessions by Saint Augustine

A Swim in a Pond in the Rain by George Saunders

South to America: a journey below the Mason-Dixon Line to understand a soul of a nation by Imani Perry

The Civilization of Charlemagne by Jacques Boussard

No Turning Back: a Hopi woman’s struggle to live in two worlds by Polingaysi Qoyawayma

Enemy at the Gates by William Craig

An Underground Education by Richard Zacks (decidedly not something I should have read cover to cover at the tender age of 9)

Stony the Road: Reconstruction, White Supremacy, and the rise of Jim Crow by Henry Louis Gates, Jr.

An Indigenous People’s History of the United States by Roxanne Dunbar

Bloodstoppers and Bloodwalkers: folk tales of Canadians, lumberjacks, and Indians by Richard M. Dorson

Archaeology of the Night: life after dark in the ancient world (anthology)

Igaruacirpet: our way of making designs edited by Amy F. Steffian

What the Elders have Taught Us: Alaskan Native Ways (anthology)

[leonardcohenofficial]

i watched 120 new-to-me films this year; here are the posters from a few of my favorites in no particular order!!

faults (riley stearns, 2014) out of the blue (dennis hopper, 1980) wake in fright (ted kotcheff, 1971) entergalactic (fletcher moules, 2022) histoires d'amérique: food, family and philosophy (chantal akerman, 1989) the woman king (gina prince-bythewood, 2022) waking life (richard linklater, 2001) on the count of three (jerrod carmichael, 2021)  thank you and good night (jan oxenberg, 1991)

i’ll tag @lesbiancolumbo / @draftdodgerag / @localpubliclibrary / @calicoskiesacoustic / @jerrylandis / @columbosunday / @harrierdoobie  / @sightofsea and anyone else who’d like to do this!! 🌟

entire watchlist from 2022 is below the cut:

the world to come (mona fastvold, 2020)

nancy (christina choe, 2018)

la bouche de jean-pierre (lucile hadžihalilović, 1996)

run (aneesh chaganty, 2020)

the mosquito coast (peter weir, 1986)

mass (fran kanz, 2021) 

a field in england (ben wheatley, 2014) 

angels wear white (vivian qu, 2017)

a cape cod christmas (john stimpson, 2021) 

shook (jennifer harrington, 2021)

outing riley (pete jones, 2004)

love & mercy (bill pohlad, 2014) 

small engine repair (john pollono, 2021) 

the fallout (megan park, 2021) 

clemency (chinonye chukwu, 2019)

red elvis (thomas latter, 2022) 

calendar girls (nigel cole, 2003) 

the little hours (jeff baena, 2017)

out of the blue (dennis hopper, 1980) 

aya of yop city (marguerite abouet and clement oubrerie, 2013) 

fresh (mimi cave, 2022)

jesus camp (rachel grady, 2006) 

bamboozled (spike lee, 2000)

master (mariama diallo, 2022)

the world of us (yoon ga-eun, 2016) 

jezebel (numa perrier, 2019)

the cat, the reverend and the slave (alain della negra and kaori kinoshita, 2009)

cohabitation (lauren barker, 2022)

the queen of versailles (lauren greenfield, 2012)

secret ceremony (joseph losey, 1968)

the northman (robert eggers, 2022)

the silent partner (daryl duke, 1978)

in secret (charlie stratton, 2013)

the ground beneath my feet (marie kreutzer, 2019)

the man who haunted himself (basil dearden, 1970)

woodlands dark and days bewitched: a history of folk horror (kier-la janisse, 2021)

the miseducation of cameron post (desiree akhavan, 2018)

roadrunner: a film about anthony bourdain (morgan neville, 2021) 

karen dalton: in my own time (richard peete and robert yapkowitz, 2020) 

fire music (tom surgal, 2018)

histoires d'amérique: food, family and philosophy (chantal akerman, 1989)

fruit of paradise (věra chytilová, 1969)

a different image (alile sharon larkin, 1982)

preparations to be together for an unknown period of time (lili horvát, 2020) 

candyman (nia dacosta, 2021)

fan girl (antoinette jadaone, 2020)

chicago 10 (brett morgen, 2007)

pray away (kristine stolakis, 2021)

mavis! (jessica edwards, 2015)

M (yolande zauberman, 2018)

wake in fright (ted kotcheff, 1971)

thomasine & bushrod (gordon parks, 1974)

desire me (released uncredited; jack conway, george cukor, mervyn le roy, and victor saville, 1947)

faults (riley stearns, 2014)

premature (rashaad ernesto green, 2019) 

mother joan of the angels (jerzy kawalerowicz, 1961) 

the loft (erik van looy, 2014)

the black phone (scott derrickson, 2022) 

no exit (damien power, 2022)

nope (jordan peele, 2022)

paprika (satoshi kon, 2006)

our eternal summer (émilie aussel, 2021)

playground (laura wandel, 2021) 

not okay (quinn shephard, 2022) 

everything everywhere all at once (daniel kwan and daniel scheinert, 2022)

pressure point (hubert cornfield, 1962)

sharp stick (lena dunham, 2022) 

on the count of three (jerrod carmichael, 2021) 

martha marcy may marlene (sean durkin, 2011)

waking life (richard linklater, 2001)

sicaro (denis villeneuve, 2015)

arrival (denis villeneuve, 2016)

this magnificent cake! (emma de swaef and marc james roels, 2018) 

chevalier (athina rachel tsangari, 2015)

young and wild (marialy rivas, 2012)

alice (krystin ver linden, 2022)

shame (steve mcqueen, 2011)

good madam (jenna cato bass, 2022) 

black bear (lawrence michael levine, 2020)

speak no evil (christian tafdrup, 2022)

wet sand (elene naveriani, 2021)

the catholic school (stefano mordini, 2021)

poly styrene: i am a cliché (celeste bell and paul sng, 2021)

the violators (helen walsh, 2015)

the woman king (gina prince-bythewood, 2022)

the killing kind (curtis harrington, 1973)

oleanna (david mamet, 1994)

entergalactic (fletcher moules, 2022)

the more the merrier (george stevens, 1943)

primrose path (gregory la cava, 1940)

watcher (chloe okuno, 2022)

enemy (dennis villenueve, 2013)

darlin' (pollyanna mcintosh, 2019)

sissy (kane senes and hannah barlow, 2022)

till (chinonye chukwu, 2022)

black panther: wakanda forever (ryan coogler, 2022)

the hunt (thomas vinterberg, 2012)

the other side of the underneath (jane arden, 1972)

barbarian (zach cregger, 2022) 

the intervention (clea duvall, 2016)

sorry to bother you (boots riley, 2018)

the silent twins (agnieszka smoczyńska, 2022)

tahara (olivia peace, 2020)

arranged (diane crespo and stefan schaefer, 2007)

swimming (luzie loose, 2018)

#like (sarah pirozek, 2019)

babysitter (monia chokri, 2022)

chico and rita (tono errando, fernando trueba, and javier mariscal, 2010)

pleasure (ninja thyberg, 2021)

john the violent (tonia marketaki, 1967)

fat girl (catherine breillat, 2001)

lemon (janicza bravo, 2017)

thank you and good night (jan oxenberg, 1991)

what about me (rachel amodeo, 1993)

the KKK boutique ain’t just rednecks (camille billops and james hatch, 1994)

sun don’t shine (amy seimetz, 2012)

zero fucks given (emmanuel marre and julie lecoustre, 2021)

piggy (carlota pereda, 2022)

ladyworld (amanda kramer, 2018)

wolf's hole (věra chytilová, 1987)

[hits1000]

100 Songs in English from the 70s

100 Songs in English from the 70s 100 Songs in English from the 70s, including: Black Sabbath – Paranoid, Christie - Yellow River, Creedence Clearwater Revival - Lookin' Out My Back Door, George Harrison - My Sweet Lord, James Brown - Sex Machine, Lee Marvin - Wand'rin Star, Simon & Garfunkel - Bridge Over Troubled Water and many more!!! Subscribe to our channel to see more of our content! 1. 1970 Black Sabbath - Paranoid 2. 1970 Christie - Yellow River 3. 1970 Creedence Clearwater Revival - Lookin' Out My Back Door 4. 1970 George Harrison - My Sweet Lord 5. 1970 James Brown - Sex Machine 6. 1970 Lee Marvin - Wand'rin Star 7. 1970 Simon & Garfunkel - Bridge Over Troubled Water 8. 1970 The Beatles - Let It Be 9. 1970 The Guess Who - American Woman 10. 1970 The Jackson 5 - I Want You Back 11. 1971 Creedence Clearwater Revival - Have You Ever Seen The Rain 12. 1971 Don McLean - American Pie 13. 1971 Joan Baez - The Night They Drove Old Dixie Down 14. 1971 John Denver - Take Me Home, Country Roads 15. 1971 John Lennon - Imagine 16. 1971 Led Zeppelin – Stairway To Heaven 17. 1971 Middle Of The Road - Chirpy Chirpy Cheep Cheep 18. 1971 Rod Stewart - Maggie May 19. 1971 T. Rex - Get It On 20. 1971 Tom Jones - She's A Lady 21. 1972 Alice Cooper - School's Out 22. 1972 Chicago - Saturday In The Park 23. 1972 Chicory Tip - Son Of My Father 24. 1972 Deep Purple - Smoke On The Water 25. 1972 Elton John - Crocodile Rock 26. 1972 Gilbert O'Sullivan - Alone Again (Naturally) 27. 1972 Harry Nilsson - Without You 28. 1972 Neil Diamond - Song Sung Blue 29. 1972 T. Rex - Telegram Sam 30. 1972 The Osmonds - Crazy Horses 31. 1973 Billy Joel - Piano Man 32. 1973 Demis Roussos - Goodbye My Love Goodbye 33. 1973 Grand Funk Railroad - We're An American Band 34. 1973 Paul McCartney & Wings - Hi Hi Hi 35. 1973 Roberta Flack - Killing Me Softly With His Song 36. 1973 Slade - Cum On Feel The Noize 37. 1973 Suzi Quatro - Can The Can 38. 1973 Sweet - The Ballroom Blitz 39. 1973 The Rolling Stones - Angie 40. 1973 Tony Orlando & Dawn - Tie A Yellow Ribbon Round The Old Oak Tree 41. 1974 ABBA - Waterloo 42. 1974 Blue Swede - Hooked on a Feeling (Uga Chaka Uga) 43. 1974 Bob Marley & The Wailers - No Woman, No Cry 44. 1974 Gloria Gaynor - Never Can Say Goodbye 45. 1974 Lynyrd Skynyrd - Sweet Home Alabama 46. 1974 Morris Albert - Feelings 47. 1974 Nazareth - Love Hurts 48. 1974 Redbone - Come And Get Your Love 49. 1974 Slade - Far Far Away 50. 1974 The Rubettes - Sugar Baby Love 51. 1975 Aerosmith - Walk This Way 52. 1975 America - Sister Golden Hair 53. 1975 Bruce Springsteen - Born to Run 54. 1975 David Bowie - Fame 55. 1975 KC & The Sunshine Band - That's The Way (I Like It) 56. 1975 Pink Floyd - Wish You Were Here 57. 1975 Queen - Bohemian Rhapsody 58. 1975 Rod Stewart - Sailing 59. 1975 Sweet - Fox On The Run 60. 1975 The Carpenters - Please Mr. Postman 61. 1976 ABBA - Dancing Queen 62. 1976 Bay City Rollers - I Only Wanna Be With You 63. 1976 Boston - More Than A Feeling 64. 1976 Elton John & Kiki Dee - Don't Go Breaking My Heart 65. 1976 Kc & The Sunshine Band - Shake Your Booty 66. 1976 Paul McCartney & Wings - Silly Love Songs 67. 1976 Queen - Somebody To Love 68. 1976 Smokie - Living Next Door to Alice 69. 1976 Steve Miller Band - Rock'n Me 70. 1976 Tina Charles - I Love To Love 71. 1977 Bee Gees - Night Fever 72. 1977 Bee Gees - Stayin' Alive 73. 1977 Bonnie Tyler - It's A Heartache 74. 1977 Eagles - Hotel California 75. 1977 Kansas - Dust In The Wind 76. 1977 Kenny Rogers - Lucille 77. 1977 Paul McCartney & Wings - Mull Of Kintyre 78. 1977 Queen - We Are The Champions 79. 1977 Queen - We Will Rock You 80. 1977 Status Quo - Rockin' All Over The World 81. 1978 Blondie - Heart Of Glass 82. 1978 Bob Seger - Old Time Rock And Roll 83. 1978 Boney M. - Rivers of Babylon 84. 1978 Dire Straits - Sultans Of Swing 85. 1978 Gloria Gaynor - I Will Survive 86. 1978 John Travolta & Olivia Newton-John - You're The One That I Want 87. 1978 Rod Stewart - Da Ya Think I'm Sexy? 88. 1978 The Jacksons - Blame It On the Boogie 89. 1978 Van Halen - You Really Got Me 90. 1978 Village People - YMCA 91. 1979 AC/DC - Highway To Hell 92. 1979 Donna Summer - On The Radio 93. 1979 Electric Light Orchestra - Don't Bring Me Down 94. 1979 Kiss - I Was Made For Lovin' You 95. 1979 Pink Floyd - Another Brick In The Wall 96. 1979 Supertramp - The Logical Song 97. 1979 The Buggles - Video Killed The Radio Star 98. 1979 The Clash - London Calling 99. 1979 The Knack - My Sharona 100. 1979 The Police - Message In A Bottle Related Hashtags #hitsof1970 #hitsof1970to1971 #hitsof1970s #hitsof1970songs #hitsof1970uk #hitsof1970australia #hitsofthe1970sand1970s #kannadahitsof1970 #bollywoodhitsof1970 #hitsof1969and1970 #tophitsofthe1970sbillboard #pophitsofthe1970s #hitsof1970sinmusic https://www.youtube.com/watch?v=MPNehxTU2Ys

[papermoonloveslucy]

LUCY’S THIN BLUE LINE

Lucy and Law Enforcement ~ Part 1

For a simple housewife and a bandleader, Lucy and Ricky got involved with the police on a surprising number of occasions. Here’s a line-up of Lucy’s encounters with the men in blue. 

“Liz Learns To Drive” (1948) ~ Liz (Lucille Ball) goes to the police station to get her driver’s license. The officer is played by Frank Nelson.

NELSON: “Name?” LIZ: “Elizabeth Cugat.” NELSON: “Address?” LIZ: “321 Bundy.” NELSON: “Race?” LIZ: “Of course not!  I don’t even have a driver’s license!”

After much rhetorical to-ing and fro-ing, he takes her fingerprints and gives her the eye test:

NELSON: “Read the letters on the wall over there.” LIZ: “M-E-N.”

Later in the complicated plot, Liz finds herself back at the police station, this time being questioned by Sergeant Lewis (Herb Vigran). She’s a suspect in a murder case!

“Safe Driving Week” (1950) ~ Liz is pulled over by a motorcycle cop (Sheldon Leonard), although she’s unclear why. He says that Liz made the wrong arm signal when turning left. When Liz asks what he is writing, he facetiously calls it a story for Reader’s Digest about ‘The Most Unforgettable Person I’ve Ever Met’! ��Naturally, it is a traffic ticket. Later, Liz passes a car on the wrong side of the road because she’s three feet from the left curb!  A policeman pulls them over - the same officer who issued Liz the ticket. To explain her driving on the left, Liz decides to adopt a British accent. 

LIZ: “Pip-pip, cheerio, hallo there, Bobbie!”

The Officer tests her by asking her to sing the British Anthem. Liz sings “London Bridge is Falling Down.” The policeman insists on driving the car away from the curb, but runs over his own motorcycle in the process!  Liz drives away, leaving the motorcycle cop in tears, clutching only his handlebars. 

“New Neighbors” (1952) ~ Believing their new neighbors are dangerous spies, Lucy forms a militia and calls the police. Sergeant Morton (Allen Jenkins) is nearly killed when they open fire at the sound of the doorbell!

LUCY: “These people are agents of some foreign government!”  SERGEANT MORTON: “What’s their name?”  LUCY: “O’Brien!”

Morton apathetically ask if she's been nipping at the cooking sherry.

David Allen Curtis Jenkins (Sergeant Morton) made a career out of playing policemen and tough guys in films throughout the '30s and '40s including Five Came Back (1939) with Lucille Ball. This was the first of his three appearances as a policeman on “I Love Lucy.”  From 1961-62, Jenkins voice Officer Dribble on the animated series “Top Cat”. 

“The Courtoom” (1952) ~ Robert B. Williams played the Bailiff. Williams was a busy Hollywood day player who had recurring roles on "Dennis the Menace" and "Hazel." His last role was as Garth Gimble Sr. (Martin Mull's father) on "Fernwood Tonight" in 1977.

“Lucy Goes to the Hospital” (1953) ~ Ricky creates pandemonium at the hospital by showing up for the birth of his son in full Voodoo make-up!  Ralph Montgomery plays the policeman called to the scene. He had appeared with Lucille Ball in the 1949 film Sorrowful Jones.

“Ricky and Fred are TV Fans” (1953) ~ When they are caught stealing from a diner cash register and trying to cut the wires to their apartment building, Lucy and Ethel are hauled down to the station (Precinct 31) by Officer Jenkins (Allen Jenkins) where they encounter Desk Sergeant Nelson (Frank Nelson). This is not the first time these actors have worn blue for Desilu - nor the last. 

“The Girls Go Into Business” (1953) ~ Emory Parnell plays the cop on the beat. Although this is his only series appearance, the veteran character actor was in three films with Lucille Ball and seven with William Frawley.  

“Equal Rights” (1953) ~ The arresting officers are played by Fred Aldrich (left), who appeared in four other episodes, and Louis Nicoletti, who was a veteran of 15 episodes. 

When Ricky and Fred are jailed, the police officer in the final scene is Richard Reeves, who played Bill Foster for two episodes, but was also seen as the tall Indian in “The Indian Show” (1953).

“Too Many Crooks” (1953) ~ When the building is in an uproar over the identity of Madam X, a policeman arrives to sort things out. Once again, the officer on the scene is played by Allen Jenkins. 

“Tennessee Bound” (1955) ~ While driving too quickly through Tennessee, the gang is arrested by the Sheriff of Bent Fork, played by Will Wright. He previously played Mr. Walters, the locksmith from Yonkers in “The Handcuffs” (1953). In 1949, he appeared with Lucille Ball in the film Miss Grant Takes Richmond.

“Lucy Visits Graumans” (1955) ~ While trying to steal John Wayne’s footprints, Lucy and Ethel are interupted by two cops on the beat, who indulge themselves trying to fit their feet into the cement shoe prints of celebrities. Clarence Straight and Ben Neims play the policemen. This is just one of many law enforcement officials Straight played throughout his career. Neims also played an officer (of another sort) on the S.S. Consitution in “Bon Voyage” (1956). His final role was as a Police Chief in the 1974 film Dirty Mary Crazy Larry. 

“The Great Train Robbery” (1956) ~ The plainclothes Police Detective is played by Joseph Crehan, who had previously appeared with Lucille Ball in There Goes My Girl (1937), Ziegfeld Follies (1947), and The Fuller Brush Girl (1950). Throughout his fifty year screen career he played Ulysses S. Grant nine times!

“Paris at Last” (1956) ~ Lucy is implicated in a conterfeiting scheme and arrested. Trevor Ward plays the gendarme who arrests Lucy for passing the fake Francs. He had just appeared as the Cockney groom at the English country estate in “The Fox Hunt” (1956) two episodes earlier. In real life Ward was not French, American, or English – he was Welsh!  

At the police station, two more gendarmes are introduced. Ramsay Hill plays the police desk sergeant who only speaks French. This is his one and only role on the series, but he served as technical adviser on the 1947 film Lured starring Lucille Ball..Johnny Mylong plays the gendarme who speaks both French and German. He soon returns to the series as the Casino Manager in “Lucy Goes To Monte Carlo” (1956).

“Lucy’s Bicycle Trip” (1956) ~ Biking along the Med, Lucy encounters Border Control Officers for Italy and France. Henry Dar Boggia (left) plays the Italian Border Guard. Francis Ravel (in the booth) plays the French Border Guard.  Felix Romano plays the Italian Border Guard who comes on duty in the episode’s final moments.  For the record, Border Guards are considered Law Enforcement Officials in both France and Italy. 

“Return Home from Europe” (1956) ~ Frank Nelson plays the Customs Officer who tries to solve the mystery of the cheese / baby. Nelson will soon take on his second recurring role on the series as Ralph Ramsey. A Customs Officer is considered a  federal law enforcement officer.

“Visitor from Italy” (1956) ~ James Flavin plays the Immigration Officer searghing for Mario (Jay Novello). Flavin also appeared with Novello in “Lucy and the Safe Cracker” (1962) where he played a cop named Sergeant Wilcox. He returned two episodes later to play Sergeant Wilcox again in another bank-themed episode, “Lucy and the Bank Scandal” (1963). Flavin appeared in four films with Lucille Ball, including playing a police sergeant in Without Love (1945). During his long career he played so many officers of the law that his IMDB photo is of him in a police uniform!  

“Lucy Hunts Uranium” (1958) ~ Racing through the Nevada desert the Ricardos and Fred MacMurray are pulled over by a motorcyle cop in this press photo for the episode. 

“Lucy Goes to Mexico” (1958) ~ Returning to San Diego, Lucy and Ethel get stopped by a Border Guard played by Charles Lane, who suspects they may be smugglers. 

In the opening scene, a Tijuana traffic cop tries to keep order when a donkey painted like a zebra rests in the middle of a busy street!  The actor appears uncredited. 

“Lucy Upsets the Williams Household” (1959) ~ Lucy and Desi play the Ricardos on “Make Room for Daddy” aka “The Danny Thomas Show”.  Lucy gets in trouble with the law when out on a shopping spree. The policeman is played by an uncredited performer. 

[stlhandyman]

Supreme Court, U.S FILED In The OCT 2 2022 Supreme Court ofthe United States  RALAND J BRUNSON, Petitioner,

Named persons in their capacities as United States House Representatives: ALMA S. ADAMS; PETE AGUILAR; COLIN Z. ALLRED; MARK E. AMODEI; KELLY ARMSTRONG; JAKE AUCHINCLOSS; CYNTHIA AXNE; DON BACON; TROY BALDERSON; ANDY BARR; NANETTE DIAZ BARRAGAN; KAREN BASS; JOYCE BEATTY; AMI BERA; DONALD S. BEYER JR.; GUS M. ILIRAKIS; SANFORD D. BISHOP JR.; EARL BLUMENAUER; LISA BLUNT ROCHESTER; SUZANNE BONAMICI; CAROLYN BOURDEAUX; JAMAAL BOWMAN; BRENDAN F. BOYLE; KEVIN BRADY; ANTHONY G. BROWN; JULIA BROWNLEY; VERN BUCHANAN; KEN BUCK; LARRY BUCSHON; CORI BUSH; CHERI BUSTOS; G. K. BUTTERFIELD; SALUD 0. CARBAJAL; TONY CARDENAS; ANDRE CARSON; MATT CARTWRIGHT; ED CASE; SEAN CASTEN; KATHY CASTOR; JOAQUIN CASTRO; LIZ CHENEY; JUDY CHU; DAVID N. CICILLINE; KATHERINE M. CLARK; YVETTE D. CLARKE; EMANUEL CLEAVER; JAMES E. CLYBURN; STEVE COHEN; JAMES COMER; GERALD E. CONNOLLY; JIM COOPER; J. LUIS CORREA; JIM COSTA; JOE COURTNEY; ANGIE CRAIG; DAN CRENSHAW; CHARLIE CRIST; JASON CROW; HENRY CUELLAR; JOHN R. CURTIS; SHARICE DAVIDS; DANNY K. DAVIS; RODNEY DAVIS; MADELEINE DEAN; PETER A. DEFAZIO; DIANA DEGETTE; ROSAL DELAURO; SUZAN K. DELBENE; Ill ANTONIO DELGADO; VAL BUTLER DEMINGS; MARK DESAULNIER; THEODORE E. DEUTCH; DEBBIE DINGELL; LLOYD DOGGETT; MICHAEL F. DOYLE; TOM EMMER; VERONICA ESCOBAR; ANNA G. ESHOO; ADRIANO ESPAILLAT; DWIGHT EVANS; RANDY FEENSTRA; A. DREW FERGUSON IV; BRIAN K. FITZPATRICK; LIZZIE LETCHER; JEFF FORTENBERRY; BILL FOSTER; LOIS FRANKEL; MARCIA L. FUDGE; MIKE GALLAGHER; RUBEN GALLEGO; JOHN GARAMENDI; ANDREW R. GARBARINO; SYLVIA R. GARCIA; JESUS G. GARCIA; JARED F. GOLDEN; JIMMY GOMEZ; TONY GONZALES; ANTHONY GONZALEZ; VICENTE GONZALEZ; JOSH GOTTHEIMER; KAY GRANGER; AL GREEN; RAUL M. GRIJALVA; GLENN GROTHMAN; BRETT GUTHRIE; DEBRA A. HAALAND; JOSH HARDER; ALCEE L. HASTINGS; JAHANA HAYES; JAIME HERRERA BEUTLER; BRIAN HIGGINS; J. FRENCH HILL; JAMES A. HIMES; ASHLEY HINSON; TREY HOLLINGSWORTH; STEVEN HORSFORD; CHRISSY HOULAHAN; STENY H. HOYER; JARED HUFFMAN; BILL HUIZENGA; SHEILA JACKSON LEE; SARA JACOBS; PRAMILA JAYAPAL; HAKEEM S. JEFFRIES; DUSTY JOHNSON; EDDIE BERNICE JOHNSON; HENRY C. JOHNSON JR.; MONDAIRE JONES; DAVID P. JOYCE; KAIALPI KAHELE; MARCY KAPTUR; JOHN KATKO; WILLIAM R. KEATING; RO KHANNA; DANIEL T. KILDEE; DEREK KILMER; ANDY KIM; YOUNG KIM; RON KIND; ADAM KINZINGER; ANN KIRKPATRICK; RAJA KRISHNAMOORTHI; ANN M. KUSTER; DARIN LAHOOD; CONOR LAMB; JAMES R. LANGEVIN; RICK LARSEN; JOHN B. LARSON; ROBERT E. LATTA; JAKE LATURNER; BRENDA L. LAWRENCE; AL LAWSON JR.; BARBARA LEE; SUSIE LEE; TERESA LEGER FERNANDEZ; ANDY LEVIN; MIKE LEVIN; TED LIEU; IV ZOE LOFGREN; ALAN S.LOWENTHAL; ELAINE G. LURIA; STEPHEN F. LYNCH; NANCY MACE; TOM MALINOWSKI; CAROLYN B. MALONEY; SEAN PATRICK MALONEY; KATHY E. MANNING; THOMAS MASSIE; DORIS 0. MATSUI; LUCY MCBATH; MICHAEL T. MCCAUL; TOM MCCLINTOCK; BETTY MCCOLLUM; A. ADONALD MCEACHIN; JAMES P. MCGOVERN; PATRICK T. MCHENRY; DAVID B. MCKINLEY; JERRY MCNERNEY; GREGORY W. MEEKS; PETER MEIJER; GRACE MENG; KWEISI MFUME; MARIANNETTE MILLER-MEEKS; JOHN R. MOOLENAAR; BLAKE D. MOORE; GWEN MOORE; JOSEPH D. MORELLE; SETH MOULTON; FRANK J. MRVAN; STEPHANIE N. MURPHY; JERROLD NADLER; GRACE F. NAPOLITANO; RICHARD E. NEAL; JOE NEGUSE; DAN NEWHOUSE; MARIE NEWMAN; DONALD NORCROSS; ALEXANDRIA OCASIO-CORTEZ; TOM O'HALLERAN; ILHAN OMAR; FRANK PALLONE JR.; JIMMY PANETTA; CHRIS PAPPAS; BILL PASCRELL JR.; DONALD M. PAYNE JR.; NANCY PELOSI; ED PERLMUTTER; SCOTT H. PETERS; DEAN PHILLIPS; CHELLIE PINGREE; MARK POCAN; KATIE PORTER; AYANNA PRESSLEY; DAVID E. PRICE; MIKE QUIGLEY; JAMIE RASKIN; TOM REED; KATHLEEN M. RICE; CATHY MCMORRIS RODGERS; DEBORAH K. ROSS; CHIP ROY; LUCILLE ROYBAL-ALLARD; RAUL RUIZ; C. A. DUTCH RUPPERSBERGER; BOBBY L. RUSH; TIM RYAN; LINDA T. SANCHEZ; JOHN P. SARBANES; MARY GAY SCANLON; JANICE D. SCHAKOWSKY; ADAM B. SCHIFF; BRADLEY SCOTT SCHNEIDER; KURT SCHRADER; KIM SCHRIER; AUSTIN SCOTT; DAVID SCOTT; ROBERT C. SCOTT; TERRI A. SEWELL; BRAD SHERMAN; MIKIE SHERRILL; MICHAEL K. SIMPSON; ALBIO SIRES; ELISSA SLOTKIN; ADAM SMITH; CHRISTOPHER H. V SMITH; DARREN SOTO; ABIGAIL DAVIS SPANBERGER; VICTORIA SPARTZ; JACKIE SPEIER; GREG STANTON; PETE STAUBER; MICHELLE STEEL; BRYAN STEIL; HALEY M. STEVENS; STEVE STIVERS; MARILYN STRICKLAND; THOMAS R. SUOZZI; ERIC SWALWELL; MARK TAKANO; VAN TAYLOR; BENNIE G. THOMPSON; MIKE THOMPSON; DINA TITUS; RASHIDA TLAIB; PAUL TONKO; NORMA J. TORRES; RITCHIE TORRES; LORI TRAHAN; DAVID J. TRONE; MICHAEL R. TURNER; LAUREN UNDERWOOD; FRED UPTON; JUAN VARGAS; MARC A. VEASEY; FILEMON VELA; NYDIA M. VELAZQUEZ; ANN WAGNER; MICHAEL WALTZ; DEBBIE WASSERMAN SCHULTZ; MAXINE WATERS; BONNIE WATSON COLEMAN; PETER WELCH; BRAD R. WENSTRUP; BRUCE WESTERMAN; JENNIFER WEXTON; SUSAN WILD; NIKEMA WILLIAMS; FREDERICA S. WILSON; STEVE WOMACK; JOHN A. YARMUTH; DON YOUNG; the following persons named are for their capacities as U.S. Senators; TAMMY BALDWIN; JOHN BARRASSO; MICHAEL F. BENNET; MARSHA BLACKBURN; RICHARD BLUMENTHAL; ROY BLUNT; CORY A. BOOKER; JOHN BOOZMAN; MIKE BRAUN; SHERROD BROWN; RICHARD BURR; MARIA CANTWELL; SHELLEY CAPITO; BENJAMIN L. CARDIN; THOMAS R. CARPER; ROBERT P. CASEY JR.; BILL CASSIDY; SUSAN M. COLLINS; CHRISTOPHER A. COONS; JOHN CORNYN; CATHERINE CORTEZ MASTO; TOM COTTON; KEVIN CRAMER; MIKE CRAPO; STEVE DAINES; TAMMY DUCKWORTH; RICHARD J. DURBIN; JONI ERNST; DIANNE FEINSTEIN; DEB FISCHER; KIRSTEN E. GILLIBRAND; LINDSEY GRAHAM; CHUCK GRASSLEY; BILL HAGERTY; MAGGIE HASSAN; MARTIN HEINRICH; JOHN HICKENLOOPER; MAZIE HIRONO; JOHN HOEVEN; JAMES INHOFE; RON VI JOHNSON; TIM KAINE; MARK KELLY; ANGUS S. KING, JR.; AMY KLOBUCHAR; JAMES LANKFORD; PATRICK LEAHY; MIKE LEE; BEN LUJAN; CYNTHIA M. LUMMIS; JOE MANCHIN III; EDWARD J. MARKEY; MITCH MCCONNELL; ROBERT MENENDEZ; JEFF MERKLEY; JERRY MORAN; LISA MURKOWSKI; CHRISTOPHER MURPHY; PATTY MURRAY; JON OSSOFF; ALEX PADILLA; RAND PAUL; GARY C. PETERS; ROB PORTMAN; JACK REED; JAMES E. RISCH; MITT ROMNEY; JACKY ROSEN; MIKE ROUNDS; MARCO RUBIO; BERNARD SANDERS; BEN SASSE; BRIAN SCHATZ; CHARLES E. SCHUMER; RICK SCOTT; TIM SCOTT; JEANNE SHAHEEN; RICHARD C. SHELBY; KYRSTEN SINEMA; TINA SMITH; DEBBIE STABENOW; DAN SULLIVAN; JON TESTER; JOHN THUNE; THOM TILLIS; PATRICK J. TOOMEY; HOLLEN VAN; MARK R. WARNER; RAPHAEL G. WARNOCK; ELIZABETH WARREN; SHELDON WHITEHOUSE; ROGER F. WICKER; RON WYDEN; TODD YOUNG; JOSEPH ROBINETTE BIDEN JR in his capacity of President of the United States; MICHAEL RICHARD PENCE in his capacity as former Vice President of the United States, and KAMALA HARRIS in her capacity as Vice President of the United States and JOHN and JANE DOES 1-100.  

https://www.supremecourt.gov/DocketPDF/22/22-380/243739/20221027152243533_20221027-152110-95757954-00007015.pdf

[ulkaralakbarova]

A somewhat daffy book editor on a rail trip from Los Angeles to Chicago thinks that he sees a murdered man thrown from the train. When he can find no one who will believe him, he starts doing some investigating of his own. But all that accomplishes is to get the killer after him. Credits: TheMovieDb. Film Cast: George Caldwell: Gene Wilder Hildegard ‘Hilly’ Burns: Jill Clayburgh Grover Muldoon: Richard Pryor Roger Devereau: Patrick McGoohan Bob Sweet: Ned Beatty Sheriff Chauncey: Clifton James Mr. Edgar Whiney: Ray Walston Professor Schreiner & Johnson: Stefan Gierasch Chief: Len Birman Plain Jane: Valerie Curtin Rita Babtree: Lucille Benson Ralston: Scatman Crothers Reace: Richard Kiel Jerry Jarvis: Fred Willard Burt: Delos V. Smith Jr. Blue-Haired Lady: Mathilda Calnan Mexican Mama-San: Margarita García Conventioneer: Henry Beckman Conventioneer: Harvey Atkin Porter: Lloyd White Benny: Ed McNamara Night Watchman: Raymond Guth Engineer #2: John Daheim Fat Man #1: Jack O’Leary Fat Man #2: Lee McLaughlin Red Cap: Bill Henderson Cab Driver: Tom Erhart Moose: Gordon Hurst Waiter (uncredited): J.A. Preston Shoeshiner: Nick Stewart Conventioneer: Steve Weston Film Crew: Casting: Lynn Stalmaster Original Music Composer: Henry Mancini Executive Producer: Martin Ransohoff Writer: Colin Higgins Set Decoration: Marvin March Hairstylist: Joan Phillips Director of Photography: David M. Walsh Editor: David Bretherton Makeup Artist: William Tuttle Stunts: Alan Oliney Producer: Edward K. Milkis Producer: Thomas L. Miller Executive Producer: Frank Yablans Stunt Double: Jeannie Epper Stunts: John Daheim Stunts: Nick Dimitri Stunts: Bob Herron Director: Arthur Hiller Production Design: Alfred Sweeney Stunt Coordinator: Mickey Gilbert Production Manager: Peter V. Herald Production Manager: Jack B. Bernstein Stunts: Janet Brady Sound: Harold M. Etherington Movie Reviews: Wuchak: **_Drama, romance, crime, mystery, comedy, adventure, suspense and action on a train_** A book editor traveling from Los Angeles to Chicago by rail (Gene Wilder) supposedly witnesses a crime while partying with a secretary (Jill Clayburgh). He suddenly finds himself embroiled in a dangerous conspiracy. Richard Pryor plays a helpful thief, Ned Beatty a passenger, Patrick McGoohan a smooth art expert, Richard Kiel a heavy and Len Birman a cop. “Silver Streak” (1976) meshes Hitchcockian murder thriller with the amusing antics of Wilder and Pryor for an entertaining train flick. As my title blurb states, it expertly mixes genres into a fun and compelling rail ride. If you like train flicks like “Runaway Train” (1985), “Transiberian” (2008), “Train” (2008), “Night Train” (2009), “Beyond the Door III” (1989), “The Cassandra Crossing” (1976), “Breakheart Pass” (1975) and “Horror Express” (1972) you’ll also enjoy this one. It’s as good or better than most of ’em. It just includes amusement along with the life-or-death thrills à la the 80’s Indiana Jones adventures. The film runs 1 hour, 54 minutes, and was shot in SoCal, including Century City (studio), Union Station in Los Angeles, South Pasadena (New Mexico train stop), the Mojave Desert (the ranch with the plane) and Brea (the redneck sheriff’s office), as well as Alberta (the prairie scenes), Locust Hill in Ontario, Union Station in Toronto and Northwestern Station in Chicago. GRADE: A-/B+

[sharkbait77]

The Sun Sets With You

Chapter Four: The Foundation of Growth

Summary: A simple yet despondent farm life suddenly sparks with new hope when an unusual traveler makes your town his latest stop and brings with him intriguing and promising viewpoints and no one to share them with. Until he meets you.

Pairing: Ezra Prospect x f!Reader

Rating: M

Warnings: Silas is officially his own warning! Death of a parent, depressive undertones, grief, food, pls lmk if I missed any!

W/C: 3.3k

A/N: This one is loaded with feelings guys, I didn't mean for it to be so heavy handed in the grief area, but I hope the conversation Ezra has with Reader offsets that. I definitely got into my own feelings about loss with this one, so I'm really sorry in advance if it's too much to handle. Read at your own risk, I've said it before, this story is not for everyone, always take care of yourself first & foremost lovelies. I've got some fluff coming up to make up for this one! I'm still building the plot you guys, I hope you're still with me!

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Chapter Three || Chapter Five

~MAY THIRD OF EIGHTEEN SIXTY-SEVEN~

Two weeks have since passed; Pa and Ezra had tediously worked the fields, sowed the seeds with care, and the fruition of all their work thus far has resulted in the small sprouts now growing from the Earth. ‘One of Mother Nature’s greatest gifts’, Ezra had said once while you gazed upon the rows of leaflets. Rebirth, growth, new beginnings. You find yourself envying the fresh buds, wishing to crawl into the dirt and begin again as well.

The shop is quiet today. Since you chased away the older women looking to learn more about Ezra Prospect, you haven’t heard a peep since. Quite surprising, though you count your blessings and hope the silence will hold, if only for a moment longer. The children play in the road with the stray town dog and you catch yourself giggling as you watch them. Such innocence in their youth. You only hope life treats them kinder than it had to you.

The shop bell dinging pulls you out of your thoughts and you stand straighter to greet the customer. Lucille Jones enters, without the overbearing presence of her mother – a shock in and of itself. She walks with her hands entwined in front of her, her head lowered some, and blonde ringlets of hair fall forward to frame her face, but she still carries a gentle smile on her face as she looks up at you.

As much as you pitied the outcome of your own life, you could not help but pity Lucille’s tenfold. Her father had fought and perished in the war, the only person to have shown her love and caring, and she was now left with her mother, who was ready to practically pawn her off to the next richest man to come through town.

Were it not for her mother’s meddling, you know the two of you would be great friends. She may be the only other person in this town who can empathize with your despondency; her dreams, likely, have been ripped from her as well. Though, it makes the curiosity spark within you as you wonder why exactly she has shown up in the shop so suddenly and without her mother.

“Hello, Lucille. It’s nice to see you,” you say politely. She nods in return. Timid girl. “May I interest you in anything? I’ve concocted a new healing agent to help with the pesky bug bites during the summer,” you offer gently.

“I-I’ve…” She squeaks. You cock your head slightly at her.

“Lucille, what has your nerves so rattled?”

“I’ve come as a favor to my mother. And Mrs. Foster and Mrs. McKenna.”

She faces you head on now, her soft voice filled with determination to complete her mission, yet her eyes, filled with regret, betray her. You raise your eyebrows in contempt and sigh deeply, and upon seeing your reaction, Lucille’s desire to help her mother gossip dissipates. She quickly steps forward, the heels of her white boots clacking against the wooden floors and the skirts of her pink dress flowing behind her.

“I’m so sorry, I did not wish to come and gossip. It is not my desire. My mother… She would not rest until I agreed to come here,” she laments, the quiver in her voice proving to you that she truly meant no harm. “I will pass on the news that you will speak to no one. Forgive me,” she says, her head hanging lower now than at the start of this conversation as she turns to walk away.

“Wait,” you call out. She stops in her tracks, but does not turn to face you again. You walk around the counter to her position. “Lucille… Why do you follow what your mother commands of you?” You ask softly.

“I…” She looks up in your eyes, tears forming in her own and you swear you feel a string in your heart snap at the sight. “I have no choice.”

“Yes, you do. You can choose to leave all this behind, leave this town and its capability to drain the life from you. You do have a choice for how you desire to live your life.”

You hold her by her shoulders as you speak and you realize you are sharing advice with her that could very well be said to your own face. You know it is not a possibility for you, but if you were able to help Lucille leave town and save her from feeling the same hopelessness as you, a part of you would be freed as well, knowing she will have been able to move on to better things.

She stares at you, the tears in her eyes now dried up and you see a small spark of hope in them, but before you can speak more to nurture that spark into a larger flame, the shop bell dings again. Based on the dark figure in your peripheral, the stomp of large, gaudy boots walking in, the heady scent of cheap cologne filling your nostrils, you know exactly who it is.

Lucille looks at the man first and you remove your hands from her shoulders, taking a step back and inhaling a deep breath, nearly choking on the fragrance now overpowering the shop.

“Hello, Mr. Taylor,” Lucille greets, bowing her head slightly.

“Hiya sweetheart,” he responds in a predatory voice and you snap your head in his direction.

“How can I help you, Silas?” You ask quickly before he can intimidate poor Lucille.

“I heard you’ve got some queer working on the farm now,” he chuckles.

“Do not call him that,” you bite and Silas immediately stops laughing.

“Darlin’,” he takes a step toward you and Lucille backs away against the shop wall. “Don’t tell me you have befriended him. You’re too good for the likes of a freak.”

“You don’t know him,” you reply, keeping your head held high with determination, but you instinctually flinch when Silas barks out a laugh.

“And you do?!” He says, grinning wickedly. “For your sake, honey, I truly hope not.”

“What is your meaning, Silas? He works on my farm, it is only natural that I will, and have, come to know him.”

“Perhaps,” he says, his voice dropping to a lower, more aggressive, octave. “Just be aware of the consequences if you come to know him as more than the simple farmhand he is.”

You wish to spit in his face, to continue defending Ezra, yet the instincts within you beg for you to stop. Though you’ve never been one to cower at Silas and his schemes, you’ve also never seen him as he is before you. Crazed, animalistic, frightening. You’re unsure of what he truly is capable of and you would hate for now to be the time to learn.

Despite the resolute expression you attempt to hold, your eyes must shine with the light fear he managed to instill in you with his threat because he flashes a satisfied smirk, a laugh escaping his flared nostrils as he backs away from you. He turns on his heels and faces Lucille again, huffing a goodbye to her and glancing over his shoulder at you before walking out.

“Are you all right?” Lucille asks softly. You only nod in return. “That man is…” She scoffs, understanding how loathsome he is.

“Not a man. A beast.”

~MAY FIFTH OF EIGHTEEN SIXTY-SEVEN~

As you exit the house, ready to meet Ezra at the place you now share together, you reach up to grab an apple from the tree for yourself and throw it in your bag along with your book. You take a step away then halt just as quickly. You consider Ezra, and smile to yourself as you reach up again to grab another apple from the branch, setting it gently inside your bag.

As you approach the oak, you see Ezra standing near the edge of the river, his hands clasped behind his back and head held high. He seems to be enjoying the scenery and you try to lighten your steps so as to not draw him from his serene moment, but the grass crunches under your boots as you walk, regardless of how careful you are, and Ezra turns his head in the direction of the noise, smiling brightly once he sees you.

“Dear Sunflower, I was afraid you would not show today,” he says as he turns his whole body to face you.

“My apologies,” you catch your lip in between your teeth, hiding the amused grin forming on your face, your heart skipping a beat at the knowledge that he had been waiting for your arrival. You dig in your bag in search of the apple you plucked specially for him. “A gift for keeping you waiting,” you say and hold the bright, red fruit out to him.

“Sunflower,” he gasps softly, as though you had just handed him a precious gem. “Thank you. A sweet and kind gesture from someone as equally generous; it will not be forgotten.”

You nod once while you bite the inside of your cheeks. What has gotten you so giddy? He merely gave his thanks for your offering, but the smile on his face, his eyes searching yours to clue him in on what has you so affected, makes a schoolgirl-ish giggle escaping your throat.

You reach for your own apple and drop your bag down in the grass, closer to the tree, and you step closer to the river, kneeling down and carefully dipping the apple into the cool stream to wash the skin. Ezra kneels down beside you and follows your lead.

“These are from the tree by the house. The last tree I was able to plant with my mother before she-”

You pause, immediately feeling your throat constrict and halting any further words from falling from your lips. You’ve not spoken so carefree of your mother to anyone, and the suddenness of your desire to do so catches you off guard. Though you have gotten to know Ezra as more than an acquaintance, the truth of the matter was he is still a stranger to you.

You sense the energy shift around you, and you bite your tongue in penance for turning such a peaceful time into an unpleasant one. Ezra stops washing his apple and leans up straight again while you keep your hands under the cold water, scared to look into his eyes and see judgement.

“Sunflower,” he calls and you startle slightly. After a moment of silence, he speaks again. “If you were to wash that fruit any longer, I’m afraid it may lose its red complexion and turn into a shade of white.”

You cannot help the awkward chuckle that falls from your mouth and you lean up straight as well, still avoiding his gaze as you dry the apple with your apron. Aside from the running water next to you, the air is silent, neither of you speaking a word.

You continue drying the apple, turning it over and over in the cloth around your waist, even though you’re sure there are no water droplets remaining. Suddenly, a loud chomp is heard and your eyes snap up to the offending noise to see Ezra bringing the apple away from his lips, and the two of you break out into gentle laughter.

“Sunflower,” he begins after swallowing the piece of fruit in his mouth. “This is truly the sweetest apple I’ve ever bitten into, and I wholeheartedly believe it is because you and your dear mother were the ones to nurture the tree that grew it.”

The smile that remained on your face from your laughter slowly falls as you remember the day your mother suggested you plant the tree from a seed she accidentally bit into. You can recall her giggles as she grabbed you by the hand and pulled you outside, instructing you to grab the small shovel that was laid by the house while she held the seed in her closed fist.

Pa had said it would not take, chuckling and shaking his head as your mother shooed him away, reprimanding him for cursing the seedling before it had a chance to grow. And, with much love and dedication that your mother insisted on carrying out together, the small tree grew, and soon after, sprouted the shiny, red globes.

“I… I apologize for the sudden change of atmosphere, Ezra,” you say quietly, glancing up at him sheepishly and, to your surprise, are met with a gentle smile of understanding across his face.

“Please do not apologize for reminiscing upon your loved one. It is a hobby I frequently partake in. The memories… They are what keep them alive. No longer with us in the physical sense, yet they live in the grass, in the rivers. In the trees.”

“Like the Green?” You ask shyly as you pick at the stem of your apple.

“Yes. They are born again, just in a different form, but always here to remind you of life. Much like the apple tree is a reminder of your mother.”

You wonder to yourself if Ezra has been a victim of loss as well. The way he speaks of it seems as though he talks from experience, but you do not dare ask. As uncomfortable as it can be for you to speak about your mother, you’d hate to bring that discomfort to him as well. Yet… He speaks so openly, so calmly, that you feel yourself longing to open up.

“Perhaps if I dream of the Green, I would see my mother again,” you say under your breath, feeling the tears that have so long desired to flow build in your eyes with an unbearable pressure.

“You do not need to wait until your dreams, dear Sunflower. You only need to look around at the life surrounding you to know she is here. Close your eyes and she will appear.”

You only have the strength to nod, the lump stuck in your throat as thick as Pa’s dreadful grits he so enjoys making during the winter. A small laugh bubbles over as you remember the way your mother put up the facade of enjoying his grits only to empty them in a bucket to be fed to the cows at a later time.

You look back up at Ezra and he smiles, his eyes shining with compassion, no hint of judgement or scrutiny to be found, and the lump in your throat vanishes, comfort radiating from his person onto you like a warm, wool blanket.

“Would…” You hesitate, but an overwhelming urge to share with Ezra commands you to continue. “Would you like to see her?”

“I would love to,” he nods gently.

You smile softly, leaving your apple to rest in your lap while you carefully pull at the chain around your neck until the small locket emerges from underneath your blouse. You scoot closer to Ezra and he mimics your movement, leaning closer to you as well and you recognize that this is the first time he has been in such close proximity to you.

You shove the tip of your fingernail between the crevice of the locket until it pops open, revealing the black and white photograph of your mother that you yourself have not taken the opportunity to look at in far too long. The length of the chain is still too short for Ezra to get a proper look, so he leans in closer, your heads mere inches apart.

You feel your pulse thumping against your chest, the vein in your neck throbbing as you feel the heat emanating from him. He smells of cedarwood and the hay bed he sleeps on, a light scent of sweat from working the fields, and something almost sweet, a unique aroma to be found only on his person and no one else.

“She is very beautiful, Sunflower. It is as plain as the nose on my face that you are her daughter,” he compliments, backing away from you slowly and you giggle softly as you place the locket back into your blouse. “What is her name?”

“Emma,” you smile genuinely, for once feeling not one ounce of sadness as you say her name aloud.

“Emma. She is now the sun, moon, and stars that shine down on you, Sunflower.”

You smile once again and nod as you place your hand on your chest, feeling the cool metal press against the warm skin covering your sternum. You close your eyes and let the sun’s rays warm your cheeks as you take a deep breath, heeding Ezra’s thoughtful words and imagining that your mother is, indeed, the sun kissing your face.

“Thank you for allowing me to share my thoughts, Ezra,” you say after a beat of prolonged silence. As you look over at him, you see his head lowering, too, as if he had mimicked your action and let the warmth of the sun fall on his face as well.

“You have no need to thank me, dear one. I am elated you deemed me worthy to share your thoughts with. If you ever desire to share again, please know I am here,” he says softly as he smiles.

“You are a very good friend, Ezra. I am happy to know you.”

“And I, you.”

You look down at your lap to your forgotten apple, raising it to your mouth to take a bite and Ezra resumes eating his as well. Once you’ve both bitten down to the core, you both toss them into the river and you stand up, allowing the blood to circulate through your legs again before heading over to the tree.

You bend over to collect your bag along the way and your book falls from the opening as you stand straight. Before you are able to bend down to grab it, Ezra is already there, lifting it in his hands while he reads the cover.

“‘Alice’s Adventures In Wonderland’?” He smiles quizzically.

“I understand it is for children, but I quite enjoy the adventure and wonder of it,” you say, smiling from embarrassment.

“I do not judge what a young lady chooses to read in her spare time, Sunflower,” he grins as he hands the book to you. “I have yet to read this one. Will you read it aloud for me?”

“Yes,” you nod. “If you’d like.”

You both sit down in the grass, leaning your backs against the trunk of the oak tree as you find the page you last left off. The scene of Alice’s trial has Ezra suddenly captivated as to what caused Alice to be put on trial, unfairly it seemed. You do your best to explain, which only produces more questions from Ezra.

You giggle at his frustration over the treatment of this poor girl and decide to start the book over for Ezra to follow along, a genuine happiness washing over you at the thought of reading this story to Ezra for the weeks to come. He leans in closer, as though the distance you had between you previously was too far for him to hear you and you stumble over your words slightly.

You still do not understand this feeling overcoming you; the only thing you do understand is that you do not feel the need to place a guard around yourself as you do with the others in town. You want to share with Ezra, you feel comfortable enough with him already, though he has only been here for two weeks.

Yet, you feel as though you know him better than most around you and you feel that he understands you better than even your Pa. It frightens you, yet you have no desire to run from it, but rather towards it. A new path you find yourself carving into your mind.

Chapter Three || Chapter Five

Series Masterlist || Main Masterlist || Taglist Form

Tags: @the-ginger-hedge-witch @asta-lily @honeymandos @pascalpanic @aliwritesfic @mandocrasis @hnt-escape @winter-fox-queen @barbossa2319 @sarahjkl82-blog @day-off-inkyoto @pedrocentric @astoryisaloveaffair @ezrasbirdie @danniburgh @foli-vora @lucrezia-thoughts @djarinsbeskar @chasingdreamer @quica-quica-quica @meesterblack @amandalovess @hunterofartem1s @pedro4ever @mishasminion360 @wardenparker @librariantothejedi @fan-of-encouragement @javierpinme @writeforfandoms @ew-erin @you-got-me-starry-eyed @quietpainter @beskarboobs @andiesturgss @maryfanson @princessxkenobi

[rpgkroywen]

Face-Claim Master List w/BlogURLS

           F

Abigail Cowen - Daphne Blackwell ()

Alexa Demie - Ira Magdalene  (https://iramagdalene.tumblr.com)

Alycia Debnam-Carey - Feyre Archeron  ()

Annalisa Cochrane - Fischl von Luftschloss Narfidort  (https://fischltheprincess.tumblr.com/)

Anya Taylor Joy - Isabella Krul Constantin  ()

Astrid Berges Frisbey - Maruine Lynx  ()

Benedetta Porcaroli - Yisie Tudor  (https://yisietudor.tumblr.com/)

Casimere Jollette - Tsaritsa  (https://frostbitef.tumblr.com/)

Cheng Xiao - Hu Tao  ()

Daisy Ridley - Rey Organa Skywalker  (https://reyorgnaskywlkr.tumblr.com/)

Danielle Rose Russell - Brannagh  ()

Eiza Gonzalez - Helena Heydrich  (https://queenofthedmnd.tumblr.com/)

Elizabeth Olsen - Waleraine Carmilla Bloodbringer  (https://thoushaltnotsufferawitchtolive.tumblr.com/)

Elle Fanning - Ilyanna Ivanov  ()

Ennik Somi Douma - Sandorone  (https://sandronethemarionette.tumblr.com)

Fernanda Ly - ZeroTwoB  ()

Jang Ye-eun - Kujou Sara  (https://kujoufsara.tumblr.com/)

Jennie Kim - Geto Suguru  ()

Jessica Alexander - Felicia Sarah Hardy  ()

Josephine Langford - Evaluna Jora Black  (https://evalunablack.tumblr.com/)

Katherine McNamara - Minerva Freya Johnson  ()

Katheryn Newton - Celenia  ()

Katheryn Winnick - Athena Yaxley  ()

Kennedy McMann - Charlotte Loise Faraday  (https://charlotteeloisefaraday.tumblr.com)

Kim Do-yeon - Nivrele Clair de Luna  (https://nivrele.tumblr.com/)

Liz Gillies - Andrew Raven Tepes  ()

Madelyn Cline - Lumine  (https://luminetheviatrix.tumblr.com/)

Mae Van Der Weide - Elvira Maeve Rosier  (https://elviramaeverosier.tumblr.com/)

Margot Robbie - Eve Mary Jordan  ()

Meg Donnelly - Anastasia Saint-Petersburg  (https://anastasiarstpetersburg.tumblr.com/)

Momo Hirai - Raiden Ei  ()

Natalie Alyn Lind - Kara Kent  (https://reddaughterofrao.tumblr.com/)

Natalie Dormer - Lilith  ()

Ning Yi Zhuo - Ganyu Latifi  ()

Olivia Holt - Yoimiya Naganohara  (https://yoimiyaqnaganohara.tumblr.com/)

Phoebe Dynevor - Proserpina Aidoneus  (https://paidoneus.tumblr.com)

Roseanne Park - Ayaka Kamisato  ()

Sadie Sink - Corvina Selwyn  ()

Sadie Soverall - Mary Jane Walsdorf  ()

Samantha Cormier - America Kennedy Singer  ()

Samara Weaving - Anthea Lucille Shephard  ()

Samara Weaving - Gabriel  ()

Sana Minatozaki - Yae Miko  (https://guujivioleteverbloom.tumblr.com/)

Sasha Kichigina - Heather Juliette Gashler  (https://heatherjulietteg.tumblr.com/)

Sasha Luss - Manon Blackheart  ()

Soo-young Park - Columbina aka Damselette  ()

Summer Fontana - Vrethera Blackwell  ()

Tiffany Young - Ningguang  ()

Victoria Pedretti - Nesta Archeron  (https://nestarcheronc.tumblr.com/)

Wonyoung Jong - Mona Megistus  () M

Aaron Taylor Johnson – Peter Sigmund Saintville  ()

Adam Huber - Satan  ()

Alex Fitzalan - Asmodeus  ()

Alex Saxon – Connor Cloudstrider  ()

Andrew Garfield - Benjamin P. Rolf  ()

Ben Affleck - Capitano  ()

Charlie Cox - Leonel Demarcus  ()

Charlie Hunnam - Kieran Knight  ()

Christian Yu – Geto Suguru  ()

Cody Fern - Lucifer Morningstar  ()

Danny Griffin - Fred Jones  ()

Drew Starkey – Childe/Tartaglia   ()

Dylan O’Brien - Aidan Blackwell  ()

Evan Peters - Dorian  ()

Evan Roderick - Waldemar Desmond Cloudstrider  ()

Evans Nikopoulos - Rhysand Darkbloom  ()

Freddie Thorp – Harry Osborn  ()

Freddy Fox - Draco Malfoy  ()

Henry Cavill - Pierro  ()

Hwang Min-hyun - Scaramouche  ()

Jacob Elordi – Cassian Faladel  ()

John Bubniak - Peter De Luc  ()

Leo Howard – Kazuha Kaedehara  ()

Logan Lerman - Percy Thaert  ()

Lorenzo Zurzolo - Henry Silverhood  ()

Lucas Bravo - Sebastian De Medici  ()

Lucas Lynggaard Tønnesen – Mikaela Morningstar  ()

Luo Yunxi - Pantalone  () 

Matthew Daddario - Leonard Blackwell  ()

Maxence Danet-Fauvel - Dominic Crouch  ()

Michael Provost - Maxon Schreave  ()

Michael Rosenbaum - Lex Luthor  ()

Oh Se-Hun - Kamisato Ayato  ()

Regé-Jean Page – Mansel Rudyard  ()

Rudy Pankow – Aether Viatrix  ()

Sam Claffin- Vernes Thaert  ()

Sam Corlett – Tamlin Glittersteam  ()

Song Jiyang - Xiao Latifi  ()

Theo James - Aurelian Edouard  ()

Timothee Chamalet - Yuichiro Amane  ()

Toby Regbo - Theseus De Medici  ()

Tom Hiddleston - Adam Shephard  ()

Tom Holland - Fenris Rolf  ()

Zane Holtz – Victor Sage  ()

Christian Bale - Hybern Kralı  

Thomas Doherty - Dagdan

[unravellingsilencehq]

“Oh, Merlin, tell me, does THE CELEBRITY get what she deserves?” She is NEUTRAL & OPEN to finding out.“

— she walks through the world as ;

name → andressa parkinson pronouns → she/her identification → cis-female year of birth → september 1955 - september 1956 face claim → camilla mendez blood status → pure-blood sexual orientation → up to applicant occupation → owner of the grave affair in knockturn alley, model for witch weekly future information → aunt of pansy parkinson

— she is best described as ;

The textbook definition of GLAMOUR & INTELLIGENCE, she is the pale FEATHER DRESS or the GLITTERING SEQUIN GOWN that passes you at a PARTY, with a GRACIOUS SMILE and POLITE GLOVED HAND. She is the scent of SPARKLING CHAMPAGNE & and the JOYOUS LAUGH echoed when the bottle is popped. She is sheer CELEBRITY, UNASSUMING, POLISHED & WATCHING those who WATCH her CLOSELY.

— her story starts with ;

tw: death

Raised in the knowledge the best people in life may be for free but everything else is paid for in cold hard galleons, Andressa Parkinson is rich beyond all belief and it’s hard not to notice. The eldest of twins, Andressa and her brother CRISTIANO PARKINSON [sibling] are always the first to make a best dressed list and at any party or trip to the bar it’s clear that when it comes to them money is no object. Andressa assumed creative control of her relationship with her brother at an early age, politely instructing him he must learn to lead her in a waltz and always be impeccably dressed for unsuspecting callers. The two had always felt much older than children their age, an inseparable pair of adults already readied for society before they’d even began at Hogwarts. The Parkinson family prided themselves on their clean and traceable bloodline which was detailed on the walls of their private family room, privy only to members of the Parkinson bloodline and those who were lucky enough to marry into it. Despite not being the oldest family in WIzarding Britain, they prided themselves on being the most culturally educated as well as the wealthiest and were known for their impeccable balls that risked scandal and ruin if you were not provided with an invitation. 

Her parents provided an interesting model for herself and her brother. Though from the old world they were decidedly modern in their approach to being a leading societal family Antonia Parkinson was careful to invite those outside of her select social circle to her gatherings, including up and coming pure-blood families like the Siminovas to her balls, which raised eyebrows from the likes of DRUELLA BLACK [acquaintance]. Antonia knew that in a circle as small as The Sacred Twenty-Eight fresh blood was the best way to survive and that above all else there was nothing worse than irrelevancy and inviting outsiders to worship you was the best way of ensuring that. As such Andressa knew not to focus on befriending simply the Black sisters but those who also had political reach and cultural pull in their society. Sorted into Slytherin she was in the prime position to make such friends and quickly established a friendship with ISOLDE CROUCH [close friend] whose family had great political influence on her father’s side and half-blood witch LUCILLE JONES [best friend] who also came from an impressive family within the political sphere. 

Andressa was determined to craft the perfect group of friends to surround herself with. Lucille’s twin sister FLORENCE JONES [close friend] was swiftly collected and BERTHA JORKINS [close friend] was added due to her fondness for rumours that kept Andressa informed. A member of Slug Club and head girl, Andressa had established herself as the reigning queen of Hogwarts, not just in Slytherin and felt decidedly unshakable until NARCISSA BLACK [rival] came calling for her crown. A slightly younger student, Andressa was fond of her older sister ANDROMEDA BLACK [friend], but found Narcissa to be nothing like her. Cold, unpredictable and calculated Andressa found it a full time occupation trying to manage her moves as well as those made by yet another rival GENEVIEVE AVERY [rival] who desperately vied for her attention. Even Andressa’s brother was not off limits and when Cristanio began dating Genevieve just to make her nervous for her poor brother’s heart and ensure Genevieve’s jealousy, Andressa realised she had her work cut out for her in commanding the social scene but was firm it would not drive a wedge between her and Cristiano. 

Careful not to be outdone, Andressa knew that there was one real prize both Narcissa and Genevieve wanted above all. The prince of The Sacred Twenty-Eight, LUCIUS MALFOY [partner]. Knowing she was far more age appropriate and in a much better position to gain his favour, Andressa carefully befriended CORDELIA DAVIS [former close friend] and NATALIA SIMINOVA [close friend] in order to get closer to him. But then fate threw Andressa a curve ball. The passing of Andressa’s mother was both the making and breaking of the young witch. Though Antonia had been unwell a long time before she passed, it had still come as a shock to Andressa and Cristanio. Suddenly the social scene, her rivalry, they meant nothing to her and Andressa retreated from society to take care of her father and brother who head dealt with her passing harshly. Cristiano had always been emotionally dependent on their mother and when she died he crumbled into a shell of himself. Taking charge of her family, Andressa took it upon herself to quickly cut the marriage off between her brother and Genevieve. Her family was ruined and couldn’t pay for the contract luckily enough for Andressa, solving a problem of getting a self-serving leech out of their house.

Narcissa Black’s best friend KLAUDIE BURKE [rival] quickly arrived to pick up the pieces of her brother’s heartbreak, weaseling her way into their family home, no doubt to gain information. Andressa did not trust Klaudie, citing her as a spy in her house, no doubt spilling gossip about the fall of their great family.  Andressa was forced to get chatter back on why the Parkinsons would always remain at the top. Carefully she aligned herself with the fashion industry, giving money to young and up and coming designer ZAINA PRYITES [close friend/business partner] and offering to host her debut show at Parkinson manor in place of her mother’s famed ball. Inviting everyone who was relevant from the fashion industry and the social world, to packed ballroom Andressa opened the show in a glittering white ballgown sending shockwaves amongst the audience. It was unheard of for a member of the Twenty Eight to act like such a celebrity, but Andressa remembered what her mother had said. In this new world, The Twenty-Eight were dying and she would not see herself or her family lie lifeless amongst them. Afterwards Andressa enjoyed a successful career as a fashion model and gained herself a fan she had not expected to ask for her gloved hand. Lucius Malfoy pursued Andressa ruthlessly until they were the front page of every publication in London. 

Andressa was delighted. She was established in her own right, with a man she truly loved who boosted her image and was awaiting a marriage proposal any day. But not all was perfect in her world. Even with Klaudie by his side, Cristiano spent most evenings drinking and dancing till he dropped. On a whim, Andressa bought a failing bar in Knockturn Alley, opening up The Grave Affair as the newest up and coming spot for socialites, with her brother as her bar manager at the helm. Though it was arguably not the best idea to go into the bar business with someone who likes to drink a lot, Andressa knew she needed to keep her brother occupied and was firm in her decision despite the pushback from Lucius. With her brother starting to steadily improve, Andressa is the happiest she has been in a long time, though a little voice in the back of her head is telling her not everything is as it should be. Often she catches her brother in dark corners whispering to her staff ALECTO CARROW [employee] and her brother AMYCUS CARROW [employee] and has noticed that BELLATRIX BLACK [person of interest] has become a regular visitor to Andressa’s little patch of London. With the mysterious disappearance of her star singer ROSALIE FLINT [employee] fresh on her mind, Andressa is certain something is going awry and is determined to get to the bottom of it.

— she is a LEVEL 5 WITCH & readied for war ;

[aphrodisians]

﹟hestia   jones﹕    ꒰     task   one﹗    ꒱

catherynne   m.   valente,   from   deathless  ╱  anne   carson,   excerpt   of   to   compostela  ╱  titian,  diana   and   actaeon   ╱  anne   carson,   plainwater:   essays   and   poetry  ╱  ada   limón,   bright   dead   things;   “home   fires”  ╱  henry   fuseli,   the   nightmare  ╱  louise   glück,   from   vita   nova;   “aubade”  ╱  lucille   clifton,   from   the   book   of   light;   “climbing”  ╱  luke   fildes,   the   doctor

[itcertainlyisl-n-h]

Happy Birthday, Oliver Norvell “Babe”  Hardy - January 18, 1892

Oliver Norvell Hardy was an American comic actor and one half of Laurel and Hardy, the double act that began in the era of silent films and lasted from 1927 to 1955. He appeared with his comedy partner Stan Laurel in 107 short films, feature films, and cameo roles.

Born: January 18, 1892, Harlem, GA

Died: August 7, 1957, North Hollywood, CA

Full name: Oliver Norvell Hardy

Place of burial: Pierce Brothers Valhalla Memorial Park and Mortuary, Los Angeles, CA

Spouse: Virginia Lucille Jones (m. 1940–1957), Myrtle Reeves (m. 1921–1937), Madelyn Saloshin (m. 1913–1921)

More to come throughout the day!  What is your FAVORITE Babe Hardy short/feature?

[unbreakabletrust]

Men of a Certain Age: 50 States of Denial

https://www.mixcloud.com/epicharmus/men-of-a-certain-age-50-states-of-denial/

1971 Astor Piazzolla (born in 1921) y Su Quinteto “Primavera porteña (nueva versión)” From Concierto para quinteto (RCA Victor) Released in 1971

1972 Ravi Shankar and Ali Akbar Khan (born in 1922) "Raga Sindhi Bhairavi" (excerpt) From In Concert 1972 (Apple) Recorded live in 1972; released in 1973

1973 The Modern Jazz Quartet (feat. Milt Jackson, born in 1923) "Regret?" From Blues on Bach (Atlantic) Recorded in 1973; released in 1974

1974 Chet Atkins (born in 1924) and Merle Travis "Boogie for Cecil" From The Atkins-Travis Traveling Show (RCA Victor) Recorded and released in 1974

1975 B. B. King (born in 1925) "Lucille Talks Back (Copulation)" From Lucille Talks Back (ABC) Released in 1975

1976 Tony Bennett (born in 1926) and Bill Evans "A Child is Born" From Together Again (Improv) Recorded in 1976; released in 1977

1977 Ralph Stanley (born in 1927) and the Clinch Mountain Boys "Oh Death" From Clinch Mountain Gospel (Rebel) Recorded and released in 1977

1978 Serge Gainsbourg (born in 1928) "Sea, Sex, and Sun" 7" single A side (Philips) Released in 1978

1979 Chet Baker (born in 1929) and Wolfgang Lackerschmid "Five Years Ago" From Ballads for Two (Sandra Music Productions) Recorded and released in 1979

1980 Ray Charles (born in 1930) “Compared To What” From Brother Ray Is at It Again (Atlantic) Released in 1980

1981 George Jones (born in 1931) "You Can't Get The Hell Out Of Texas" From Still the Same Ole Me (Epic) Released in 1981

1982 Johnny Cash (born in 1932) "We Must Believe in Magic" From The Adventures of Johnny Cash (Columbia) Album recorded in 1981-1982; released in 1982

1983 James Brown (born in 1933) "Bring It On...Bring It On" From Bring It On! (Augusta Sound) Recorded and released in 1983

1984 Charley Pride (born in 1934) "Stagger Lee" From Power of Love (RCA Victor) Released in 1984

1985 Jerry Lee Lewis (born in 1935) "Keep My Motor Running" From Class of '55: Memphis Rock & Roll Homecoming (America) Recorded in 1985; released in 1986

1986 Kris Kristofferson (born in 1936) and the Borderlords "They Killed Him" From Repossessed (Mercury) Released in 1986

1987 Merle Haggard (born in 1937) "Twinkle, Twinkle Lucky Star" From Chill Factor (Epic) Released in 1987

1988 Fela Kuti (born in 1938) and Egypt 80 "O.D.O.O. (Overtake Don Overtake Overtake)" (excerpt) Recorded live at Lagos Sunsplash in 1988; never officially released

1989 Dion (born in 1939) "Written On The Subway Wall / Little Star" From Yo Frankie (Arista) Released in 1989

1990 The Pharaoh Sanders Quartet (feat. Pharaoh Sanders, born in 1940) "Polka Dots and Moonbeams" From Welcome to Love (Timeless) Recorded in 1990; released in 1991

1991 Harry Nilsson (born in 1941) "How About You" From The Fisher King Original Motion Picture Soundtrack (MCA) Released in 1991

1992 Lou Reed (born in 1942) "What's Good (The Thesis)" From Magic and Loss (Sire) Recorded in 1991; released in 1992

1993 Lucio Dalla (born in 1943) and Tosca "Rispondimi" From Henna (Pressing) Released in 1993

1994 Barry White (born in 1944) "Come On" From The Icon Is Love (A&M) Album recorded in 1993–1994; released in 1994

1995 Neil Young (born in 1945) Untitled Track #9 From the Dead Man soundtrack (Vapor) Recorded and released on movie soundtrack in 1995; officially released on record in 1996

1996 Donovan (born in 1946) "Deep Peace" From Sutras (American Recordings) Album recorded 1995-1996; released in 1996

1997 Buckwheat Zydeco (born in 1947) "Allons a Boucherie" From Trouble (Mesa) Released in 1997

1998 Jimmy Page and Robert Plant (born in 1948) "Most High" From Walking into Clarksdale (Atlantic) Released in 1998

1999 Papa Wemba (born in 1949) "O'Koningana" From M’Zée Fula-Ngenge (Suave) Released in 1999

2000 David Johansen (born in 1950) and the Harry Smiths "Delia" From David Johansen and the Harry Smiths (Chesky) Recorded in 1999; released in 2000

2001 Keb' Mo' (born in 1951) "America the Beautiful" From Big Wide Grin (Sony Wonder) Released in 2001

2002 Alva Noto and Ryuichi Sakamoto (born in 1952) "Duoon" From Vrioon (Raster-Noton) Released in 2002

2003 Robert Cray (born in 1953) "Time Makes Two" From Time Will Tell (Sanctuary) Released in 2003

2004 Elvis Costello (born in 1954) and The Imposters "Button My Lip" From The Delivery Man (Lost Highway) Released in 2004

2005 Gang Of Four (feat. Jon King, born in 1955) "Ether" From Return the Gift (V2) Released in 2005

2006 Easy Star All-Stars feat. Sugar Minott (born in 1956) "Exit Music (For a Film)" From Radiodread (Easy Star) Released in 2006

2007 Robert Pollard (born in 1957) "Rud Fins" From Coast to Coast Carpet of Love (Merge) Released in 2007

2008 Grandmaster Flash (born in 1958) "Good Times (playing around at home) 2008" Recorded in 2008; released on YouTube in 2021

2009 Youssou N'Dour (born in 1959) and Le Super Etoile "Ndakarou" From Spécial Fin D'Année 2009 (Xippi) Released in 2009

2010 Public Enemy (feat. Chuck D, born in 1960) "Say It Like It Really Is" From Bring The Noise (The Hits, Vids And Doc Box - Greatest Sites And Sounds (Chapter 2 1999-2009)) (Slam Jamz) Released in 2010

2011 Toby Keith (born in 1961) "Made in America" From Clancy's Tavern (Show Dog-Universal) Recorded in 2011; released in 2011

2012 Bill Orcutt (born in 1962) "The Star Spangled Banner I" 7" single A side (Palilalia) Released in 2012

2013 My Bloody Valentine (feat. Kevin Shields, born in 1963) "Wonder 2" From m b v (m b v) Album recorded in 1996–1997 and 2006–2012; released in 2013

2014 Koshi Inaba (born in 1964) "念書" ["Written Pledge"] From Singing Bird (Vermillion) Released in 2014

2015 Dr. Dre (born in 1965) feat. Kendrick Lamar, Marsha Ambrosius, and Candice Pillay "Genocide" From Compton (Aftermath) Released in 2015

2016 Anthony Joseph (born in 1966) "Caribbean Roots" From Caribbean Roots (Heavenly Sweetness) Recorded and released in 2016

2017 The Mountain Goats (feat. John Darnielle, born in 1967) "Wear Black" From Goths (Merge) Recorded and released in 2017

2018 Kenny Chesney (born in 1968) feat. Mindy Smith "Better Boat" From Songs for the Saints (Blue Chair) Released in 2018

2019 Beyoncé, Jay-Z (born in 1969), and Childish Gambino feat. Oumou Sangaré "Mood 4 Eva" From The Lion King: The Gift (Parkwood) Recorded and released in 2019

2020 Brad Mehldau (born in 1970) "Suite: April 2020: XII. lullaby" From Suite: April 2020 (Nonesuch) Recorded and released in 2020

2021 Snoop Dogg (born in 1971) feat. Mozzy "Gang Signs" From From tha Streets 2 tha Suites (Doggy Style) Album recorded in 2020–21; released in 2021

[papermoonloveslucy]

MEET THE PRESS

August 3, 1969

You are clued into the frank and tough talk to come by the way Lucille Ball swipes away with her handkerchief at the flies threatening the hors d’oeuvres The kerchief almost snaps like a wet towel. 

The scene is the pool patio of her home on Beverly Hills’ Roxbury Drive and a cocktail party is in progress for visiting television editors. 

Lucy has just emerged from the main house. She wears a powder blue double-breasted slack suit and saucer-sized sun glasses. In the blazing sun her orange hair has the color intensity of hot coals. 

She has counted heads. Husband-producer Gary Morton is there. So are Desi Arnaz IV her son, and Lucy her daughter. And her TV side-kick Gale Gordon with his wife. Plus a half-dozen of her staff and CBS emissaries. There have been introductions all round to the newspaper types. It is time, she announces, to talk and she waves everybody into the big and comfortable pool house. A table has been positioned so that she can sit there presiding as she used to do at the stockholders’ meetings of the old Desilu Studios. 

Almost immediately some wag fields her the question: “Lucy do you run the show?” She flashes him that big innocent TV look of hers. A staff member jumps up “Let’s all answer that one for her” There is a resounding “YES” from family-and-cast. Everybody laughs uproariously.

Very few questions are required to prime the pump. Lucy, it seems, has some matters of personal irritation on her mind and as far as she is concerned they come tumbling out without any prodding from her would-be interrogators. 

First of all, she asks rhetorically, what’s all this business about whether she would retire? “I never said I wanted to quit or retire. There was a time when I was willing to quit but nobody asked me. Now I’ve set a date when I’ll retire” 

A lot of ears perk up Somebody asks slyly — when? She’s waiting for that. Her answer is smilingly emphatic: “When I drop dead in my tracks.” 

She turns then without anybody’s questioning to the matter of her longevity in television. This is her 18th year on the tube and it used to be talked about that she traded her popularity to CBS in return for its buying other shows produced by her company. This evokes an almost visible jet of steam out of the top of her carrot locks. “I never at any time sold any of the 20 shows our company produced on the basis of my returning each season. I’ve said that literally hundreds of times and nobody believed it.” 

She went on to make it clear that she also dislikes the “big business” image which has adhered to her over the years. “I never like to talk about big money. I make my deal and that’s all. It’s been mostly a matter of legal procedures.” 

As the star wades into these fiscal subjects your eye roams over the assemblage. Young Desi in tennis togs impassively studies the smoke curling up from a cigarette. Young Lucy clutches her hands around her knees and stares intently at her mother. Husband Gary sitting on a ledge at the back of the room swings his legs and smiles. 

There has been no mention of Desi the elder the former husband Lucy’s co-performer and co-founder of Desilu Studios (now sold). Earlier this writer had chatted briefly with young Desi. He said he saw his father off and on and spends his summers as a rule at the father’s beach home at Delmar, south of Los Angeles. 

The youngster asked if I knew his grandfather Dr. Desiderio Arnaz who lives in Coral Gables.  (1)

But back to Lucy She’s telling us how many years it took to realize that as Lucille Ball she had attained V.I.P. status.

She reviews the years she spent trying to make it in show business, first on the stage, then as a model, and finally in the movies. Much of the time she says she stagnated. Until television came along. 

“I never had any sense of importance. I was very pliable always willing to do what I was told It wasn’t until one day I saw in print somewhere some actress described as a ‘Lucille Ball type’ that I knew suddenly I was somebody and a part of the business.” 

From there on the interview jumps from subject to subject. 

I ask her whatever happened to the project Dean Martin’s producer Greg Garrison had for starring Martin, her, and Jackie Gleason in a revival of the musical “Guys and Dolls.”  (2)

“I never said I would do it. Garrison kept publicizing it, but he never cleared it with me. I do still want to do ‘Diamond Jim’ with Jackie It’s just a matter of finding the time.” (3)

A lady editor wants to know how Lucy keeps her sinuous figure. 

“I don’t particularly like food. I’m not very fond of meat, for example, except in the morning.” 

Which brings a snort of disgust from her husband. “Can you imagine what it’s like to have to watch her eating corned beef or hamburger at 6 o’clock in the morning?” 

The questions now go to the children. What are Desi’s plans? Does he want to make acting his future? “I want to be an actor for awhile but I don’t think I ever want to be one certain thing.” 

Young Lucy, who, at 18, is two years older than her brother, is more sure of her future “I’ll go to college for awhile but I like acting. I’ll stay at it if I can.” 

Would she somebody asks join the campus protest and carry a sign? Only if it says ‘wet paint’ quips she. 

Lucy now introduces her cast veteran, Gale Gordon. He pays her extravagant compliments and talks a bit about his radio and early television days. 

The interview’s late arrival is venerable George Marshall, who is now the show’s director. Lucy introduces him as “our sexy senior citizen.” Marshall goes back to the dawn of movies and is filled with fascinating anecdotes about his years in the business. (4)

The conversation turns to TV’s talk shows. Somebody suggests to Lucy that she would be a highly likely guest for Merv Griffin’s new show starting on CBS Aug 18. (5)

Lucy's answer comes lancing back “That’s what you think. I don’t like him.” Which rocks everybody back. Why not? “Because he doesn’t know how to interview. He’s rude to his guests and he monopolizes the conversation.” 

She doesn’t wait for the next question. “I’m wild about Dick Cavett (on ABC) I think he’s great And I told Bill Paley (board chairman of CBS) he should have him on our network. But Bill said ABC got him first and we’re out of luck.” (6)

Everybody is suddenly distracted by three teen-age girl fans leaning over a fence way up front. They’re begging to be allowed on the grounds. Morton jogs forward to shoo them away. 

“This happens all the time,” says Lucy. “My God they used to picnic right in front of the house until our police department stopped them. Jimmy Stewart, who lives up the street, finally told me how to keep them away. Turn on the lawn sprinklers.” 

Morton returns and takes everybody for a tour of their luxurious but very lived-in home. Lucy tells us a funny story about how Jack and Mary Benny had once been their next door neighbors sold their home then asked her to try to mediate a re-sale of the place back to them. Then we take our leave.

#    #    # FOOTNOTES FROM THE FUTURE

(1) Dr. Desiderio Alberto Arnaz y Alberni II (1894-1973) was a Cuban politician and the father of Desi Arnaz. He graduated from the Southern College of Pharmacy in 1913 in Atlanta, Georgia. Desiderio Arnaz II was the youngest mayor of Santiago de Cuba (1923–32). When president Machado was overthrown in August 1933, Arnaz was arrested and jailed. Six months later, he was allowed to go into exile. He married Dolores "Lolita" de Acha y de Socias in 1916 and had one son, Desiderio "Desi" Arnaz III. He later had a daughter, Connie Arnaz (1932), with Anne M. Wilson, whom he married in 1941.

(2) Guys & Dolls was a 1950 stage musical by Frank Loesser, based on the stories by Damon Runyon starring Robert Alda, who appeared on several episodes of “The Lucy Show” and “Here’s Lucy”.  It was filmed by MGM in 1955. During that time, Lucy and Desi were also under contract to MGM, so they prevailed upon “I Love Lucy” to insert a clip from the film into “Lucy and the Dummy” (ILL S5;E3). After its initial airing on October 17, 1955, the clip was removed from the film print, and for legal reasons, has never been restored. It is unclear whether Garrison’s project with Martin, Ball, and Gleason would have been a film revival, or a stage production. Whatever it was to be, Lucy wanted to have no part of it, perhaps remembering the rigors of performing on stage in Wildcat (1960). During her film career, Ball was in two films based on Damon Runyon material, The Big Street (1942), a film she claimed as her favorite, and Sorrowful Jones (1949). She also did a radio version of Runyon’s “Tight Shoes” in 1942. Ball and Gleason would have been cast as Miss Adelaide and Nathan Detroit, while Dean Martin would have played Sky Masterson, the romantic lead. Those roles were played by Vivian Blaine, Frank Sinatra, and Marlon Brando in the film. Obviously, the project never came to be. 

(3) “Diamond Jim” was a project that Lucy dearly wanted to make with Gleason. He would play Diamond Jim Brady (1856-1917) to her Lillian Russell. Ball even went so far as to have a script written to further grab Gleason’s attention. Despite their best intentions, Gleason and Ball’s schedules never allowed for enough time to make the film. 

(4) George Marshall (1891-1975) had directed Lucille Ball in Valley of the Sun (1942) and Fancy Pants (1950).  He was considered an expert at location shooting, so when “Here’s Lucy” wanted to spend the first four episodes of Season 2 on location, Marshall was hired as director. He stayed on for seven more episodes of the sitcom before bowing out. 

(5) Despite Lucille Ball’s rather harsh public assessment of Merv Griffin (1925-2007) at this August 1969 press party, Ball appeared on “The Merv Griffin Show” four times between 1971 and 1980! During her first appearance, the aforementioned George Marshall was also a guest! 

(6) Lucille did seem to enjoy doing the talking to Dick Cavett, although she only got to do his chat show once, on March 7, 1974, in conjunction with her press tour for Mame. 

[blackkudos]

W. C. Handy

William Christopher Handy (November 16, 1873 – March 28, 1958) was a composer and musician who referred to himself as the Father of the Blues. Handy was one of the most influential songwriters in the United States. One of many musicians who played the distinctively American blues music, Handy did not create the blues genre but was the first to publish music in the blues form, thereby taking the blues from a regional music style (Delta blues) with a limited audience to a new level of popularity.

Handy was an educated musician who used elements of folk music in his compositions. He was scrupulous in documenting the sources of his works, which frequently combined stylistic influences from various performers.

Early life

Handy was born in Florence, Alabama, the son of Elizabeth Brewer and Charles Barnard Handy. His father was the pastor of a small church in Guntersville, a small town in northeast central Alabama. Handy wrote in his 1941 autobiography, Father of the Blues, that he was born in a log cabin built by his grandfather William Wise Handy, who became an African Methodist Episcopal minister after the Emancipation Proclamation. The log cabin of Handy's birth has been preserved near downtown Florence.

Handy's father believed that musical instruments were tools of the devil. Without his parents' permission, Handy bought his first guitar, which he had seen in a local shop window and secretly saved for by picking berries and nuts and making lye soap. Upon seeing the guitar, his father asked him, "What possessed you to bring a sinful thing like that into our Christian home?" and ordered him to "take it back where it came from", but he also arranged for his son to take organ lessons. The organ lessons did not last long, but Handy moved on to learn to play the cornet. He joined a local band as a teenager, but he kept this fact a secret from his parents. He purchased a cornet from a fellow band member and spent every free minute practicing it.

While growing up, he apprenticed in carpentry, shoemaking, and plastering. He was deeply religious. His musical style was influenced by the church music he sang and played in his youth and by the sounds of nature. He cited as inspiration the "whippoorwills, bats and hoot owls and their outlandish noises", Cypress Creek washing on the fringes of the woodland, and "the music of every songbird and all the symphonies of their unpremeditated art".

He worked on a "shovel brigade" at the McNabb furnace and described the music made by the workers as they beat shovels, altering the tone while thrusting and withdrawing the metal part against the iron buggies to pass the time while waiting for the overfilled furnace to digest its ore. He called the sound "better to us than the music of a martial drum corps, and our rhythms were far more complicated." He wrote, "Southern Negroes sang about everything...They accompany themselves on anything from which they can extract a musical sound or rhythmical effect." He would later reflect, "In this way, and from these materials, they set the mood for what we now call blues".

Career

In September 1892, Handy travelled to Birmingham, Alabama, to take a teaching exam. He passed it easily and gained a teaching job at the Teachers Agriculture and Mechanical College (the current-day Alabama A&M University) in Normal, then an independent community near Huntsville. Learning that it paid poorly, he quit the position and found employment at a pipe works plant in nearby Bessemer.

In his time off from his job, he organized a small string orchestra and taught musicians how to read music. He later organized the Lauzetta Quartet. When the group read about the upcoming World's Fair in Chicago, they decided to attend. To pay their way, they performed odd jobs along the way. They arrived in Chicago only to learn that the World's Fair had been postponed for a year. Next they headed to St. Louis, Missouri, but found no work.

After the quartet disbanded, Handy went to Evansville, Indiana. He played the cornet in the Chicago World's Fair in 1893. In Evansville, he joined a successful band that performed throughout neighboring cities and states. His musical endeavors were varied: he sang first tenor in a minstrel show, worked as a band director, choral director, cornetist, and trumpeter. At the age of 23, he became the bandmaster of Mahara's Colored Minstrels.

In a three-year tour they traveled to Chicago, throughout Texas and Oklahoma to Tennessee, Georgia, and Florida, and on to Cuba, Mexico and Canada. Handy was paid a salary of $6 per week. Returning from Cuba the band traveled north through Alabama, where they stopped to perform in Huntsville. Weary of life on the road, he and his wife, Elizabeth, stayed with relatives in his nearby hometown of Florence.

In 1896, while performing at a barbecue in Henderson, Kentucky, Handy met Elizabeth Price. They married on July 19, 1896. She gave birth to Lucille, the first of their six children, on June 29, 1900, after they had settled in Florence.

Around that time, William Hooper Councill, the president of what had become the Alabama Agricultural and Mechanical College for Negroes (the same college Handy had refused to teach at in 1892 due to low pay), hired Handy to teach music. He became a faculty member in September 1900 and taught through much of 1902. He was disheartened to discover that the college emphasized teaching European music considered to be "classical". He felt he was underpaid and could make more money touring with a minstrel group.

In 1902 Handy traveled throughout Mississippi, listening to various styles of popular black music. The state was mostly rural and music was part of the culture, especially in cotton plantations in the Mississippi Delta. Musicians usually played guitar or banjo or, to a much lesser extent, piano. Handy's remarkable memory enabled him to recall and transcribe the music he heard in his travels.

After a dispute with AAMC President Councill, Handy resigned his teaching position to return to the Mahara Minstrels and tour the Midwest and Pacific Northwest. In 1903 he became the director of a black band organized by the Knights of Pythias in Clarksdale, Mississippi. Handy and his family lived there for six years. In 1903, while waiting for a train in Tutwiler, in the Mississippi Delta, Handy had the following experience:

A lean loose-jointed Negro had commenced plunking a guitar beside me while I slept...As he played, he pressed a knife on the strings of the guitar in a manner popularized by Hawaiian guitarists who used steel bars...The singer repeated the line three times, accompanying himself on the guitar with the weirdest music I had ever heard.

About 1905, while playing a dance in Cleveland, Mississippi, Handy was given a note asking for "our native music". He played an old-time Southern melody but was asked if a local colored band could play a few numbers. Three young men with a battered guitar, mandolin, and a worn-out bass walked onto the stage. Research by Elliott Hurwitt for the Mississippi Blues Trail identified the leader of the band in Cleveland as Prince McCoy.

They struck up one of those over and over strains that seem to have no beginning and certainly no ending at all. The strumming attained a disturbing monotony, but on and on it went, a kind of stuff associated with [sugar] cane rows and levee camps. Thump-thump-thump went their feet on the floor. It was not really annoying or unpleasant. Perhaps "haunting" is the better word.

Handy noted square dancing by Mississippi blacks with "one of their own calling the figures, and crooning all of his calls in the key of G." He remembered this when deciding on the key of "Saint Louis Blues". "It was the memory of that old gent who called figures for the Kentucky breakdown—the one who everlastingly pitched his tones in the key of G and moaned the calls like a presiding elder preaching at a revival meeting. Ah, there was my key—I'd do the song in G. In describing "blind singers and footloose bards" around Clarksdale, Handy wrote, "surrounded by crowds of country folks, they would pour their hearts out in song...They earned their living by selling their own songs — "ballets," as they called them — and I'm ready to say in their behalf that seldom did their creations lack imagination.

In 1909 Handy and his band moved to Memphis, Tennessee, where they played in clubs on Beale Street. "The Memphis Blues" was a campaign song written for Edward Crump, a Democrat Memphis mayoral candidate in the 1909 election and political boss. The other candidates also employed Black musicians for their campaigns. Handy later rewrote the tune and changed its name from "Mr. Crump" to "Memphis Blues." The 1912 publication of the sheet music of "The Memphis Blues" introduced his style of 12-bar blues; it was credited as the inspiration for the foxtrot by Vernon and Irene Castle, a New York dance team. Handy sold the rights to the song for $100. By 1914, when he was 40, he had established his musical style, his popularity had greatly increased, and he was a prolific composer. Handy wrote about using folk songs:

The primitive southern Negro, as he sang, was sure to bear down on the third and seventh tone of the scale, slurring between major and minor. Whether in the cotton field of the Delta or on the Levee up St. Louis way, it was always the same. Till then, however, I had never heard this slur used by a more sophisticated Negro, or by any white man. I tried to convey this effect...by introducing flat thirds and sevenths (now called blue notes) into my song, although its prevailing key was major...and I carried this device into my melody as well...This was a distinct departure, but as it turned out, it touched the spot.

The three-line structure I employed in my lyric was suggested by a song I heard Phil Jones sing in Evansville ... While I took the three-line stanza as a model for my lyric, I found its repetition too monotonous...Consequently I adopted the style of making a statement, repeating the statement in the second line, and then telling in the third line why the statement was made.

Regarding the "three-chord basic harmonic structure" of the blues, Handy wrote that the "(tonic, subdominant, dominant seventh) was that already used by Negro roustabouts, honky-tonk piano players, wanderers and others of the underprivileged but undaunted class from Missouri to the Gulf, and had become a common medium through which any such individual might express his personal feeling in a sort of musical soliloquy." He noted, "In the folk blues the singer fills up occasional gaps with words like 'Oh, lawdy' or 'Oh, baby' and the like. This meant that in writing a melody to be sung in the blues manner one would have to provide gaps or waits."

Writing about the first time "Saint Louis Blues" was played, in 1914, Handy said,

The one-step and other dances had been done to the tempo of Memphis Blues. ... When St Louis Blues was written the tango was in vogue. I tricked the dancers by arranging a tango introduction, breaking abruptly into a low-down blues. My eyes swept the floor anxiously, then suddenly I saw lightning strike. The dancers seemed electrified. Something within them came suddenly to life. An instinct that wanted so much to live, to fling its arms to spread joy, took them by the heels.

His published musical works were groundbreaking because of his ethnicity. In 1912, he met Harry Pace at the Solvent Savings Bank in Memphis. Pace was the valedictorian of his graduating class at Atlanta University and a student of W. E. B. Du Bois. By the time of their meeting, Pace had already demonstrated a strong understanding of business. He earned his reputation by saving failing businesses. Handy liked him, and Pace later became the manager of Pace and Handy Sheet Music.

While in New York City, Handy wrote:

I was under the impression that these Negro musicians would jump at the chance to patronize one of their own publishers. They didn't...The Negro musicians simply played the hits of the day...They followed the parade. Many white bands and orchestra leaders, on the other hand, were on the alert for novelties. They were therefore the ones most ready to introduce our numbers. Negro vaudeville artists...wanted songs that would not conflict with white acts on the bill. The result was that these performers became our most effective pluggers.

In 1917, he and his publishing business moved to New York City, where he had offices in the Gaiety Theatre office building in Times Square. By the end of that year, his most successful songs had been published: "Memphis Blues", "Beale Street Blues", and "Saint Louis Blues". That year the Original Dixieland Jazz Band, a white New Orleans jazz ensemble, had recorded the first jazz record, introducing the style to a wide segment of the American public. Handy had little fondness for jazz, but bands dove into his repertoire with enthusiasm, making many of them jazz standards.

Handy encouraged performers such as Al Bernard, "a young white man" with a "soft Southern accent" who "could sing all my Blues". He sent Bernard to Thomas Edison to be recorded, which resulted in "an impressive series of successes for the young artist, successes in which we proudly shared." Handy also published "Shake Rattle and Roll" and "Saxophone Blues", both written by Bernard. "Two young white ladies from Selma, Alabama (Madelyn Sheppard and Annelu Burns) contributed the songs "Pickaninny Rose" and "O Saroo", with the music published by Handy's company. These numbers, plus our blues, gave us a reputation as publishers of Negro music."

Expecting to make only "another hundred or so" of "Yellow Dog Blues" (originally entitled "Yellow Dog Rag"), Handy signed a deal with the Victor company. The Joe Smith recording of this song in 1919 became the best-selling recording of Handy's music to date.

Handy tried to interest black women singers in his music but was unsuccessful. In 1920 Perry Bradford persuaded Mamie Smith to record two of his non-blues songs ("That Thing Called Love" and "You Can't Keep a Good Man Down") that were published by Handy and accompanied by a white band. When Bradford's "Crazy Blues" became a hit as recorded by Smith, black blues singers became popular. Handy's business began to decrease because of the competition.

In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. In the 1920s, he founded the Handy Record Company in New York City; while this label released no records, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932.

In 1926 Handy wrote Blues: An Anthology—Complete Words and Music of 53 Great Songs. It is an early attempt to record, analyze, and describe the blues as an integral part of the South and the history of the United States. To celebrate the publication of the book and to honor Handy, Small's Paradise in Harlem hosted a party, "Handy Night", on Tuesday October 5, which contained the best of jazz and blues selections provided by Adelaide Hall, Lottie Gee, Maude White, and Chic Collins.

In a 1938 radio episode of Ripley's Believe it or not! Handy was described as "the father of jazz as well as the blues." Fellow blues performer Jelly Roll Morton wrote an open letter to Downbeat magazine fuming that he had actually invented jazz.

After the publication of his autobiography, Handy published a book on African-American musicians, Unsung Americans Sung (1944). He wrote three other books: Blues: An Anthology: Complete Words and Music of 53 Great Songs, Book of Negro Spirituals, and Negro Authors and Composers of the United States. He lived on Strivers' Row in Harlem. He became blind after an accidental fall from a subway platform in 1943. After the death of his first wife, he remarried in 1954 when he was 80. His bride was his secretary, Irma Louise Logan, who he frequently said had become his eyes. In 1955, he suffered a stroke, after which he began to use a wheelchair. More than eight hundred attended his 84th birthday party at the Waldorf-Astoria Hotel.

On March 28, 1958, Handy died of bronchial pneumonia at Sydenham Hospital in New York City Over 25,000 people attended his funeral in Harlem's Abyssinian Baptist Church. Over 150,000 people gathered in the streets near the church to pay their respects. He was buried in Woodlawn Cemetery in the Bronx.

Compositions

Handy's music does not always follow the classic 12-bar pattern, often having 8- or 16-bar bridges between 12-bar verses.

"Memphis Blues", written 1909, published 1912. Although usually subtitled "Boss Crump", it is a distinct song from Handy's campaign satire, "Boss Crump don't 'low no easy riders around here", which was based on the good-time song "Mamma Don't Allow It."

"Yellow Dog Blues" (1912), "Your easy rider's gone where the Southern cross the Yellow Dog." The reference is to the crossing at Moorhead, Mississippi, of the Southern Railway and the local Yazoo and Mississippi Valley Railroad, called the Yellow Dog. By Handy's telling locals assigned the words "Yellow Dog" to the letters Y.D. (for Yazoo Delta) on the freight trains that they saw.

"Saint Louis Blues" (1914), "the jazzman's Hamlet."

"Loveless Love", based in part on the classic "Careless Love". Possibly the first song to complain of modern synthetics, "with milkless milk and silkless silk, we're growing used to soulless soul."

"Aunt Hagar's Blues", the biblical Hagar, handmaiden to Abraham and Sarah, was considered the "mother" of African Americans

"Beale Street Blues" (1916), written as a farewell to Beale Street of Memphis, which was named Beale Avenue until the song's popularity caused it to be changed

"Long Gone John (from Bowling Green)", about a famous bank robber

"Chantez-Les-Bas (Sing 'Em Low)", a tribute to the Creole culture of New Orleans

"Atlanta Blues", which includes the song "Make Me a Pallet on your Floor" as its chorus.

"Ole Miss Rag" (1917), a ragtime composition, recorded by Handy's Orchestra of Memphis

Awards and honors

On May 17, 1969, the United States Postal Service issued a commemorative stamp in his honor.

Handy was inducted in the National Academy of Popular Music Songwriters Hall of Fame in 1970.

He was inducted into the Nashville Songwriters Hall of Fame in 1983.

He was inducted into the Alabama Jazz Hall of Fame in 1985, and was a 1993 Inductee into the Alabama Music Hall of Fame, with the Lifework Award for Performing Achievement.

He received a Grammy Trustees Award for lifetime achievement in 1993.

Citing 2003 as "the centennial anniversary of when W.C. Handy composed the first blues music" the United States Senate in 2002 passed a resolution declaring the year beginning February 1, 2003 as the "Year of the Blues".

Handy was honored with two markers on the Mississippi Blues Trail, the "Enlightenment of W.C. Handy" in Clarksdale, Mississippi and a marker at his birthplace in Florence, Alabama.

Blues Music Award was known as the W. C. Handy Award until the name change in 2006.

W. C. Handy Music Festival is held annually in Florence, Alabama.

In 2017, his autobiography Father of the Blues was inducted in to the Blues Hall of Fame in the category of Classics of Blues Literature.

Discography

Handy's Orchestra of Memphis

The Old Town Pump/Sweet Child Introducing Pallet on the Floor (Columbia #2417) (1917)

A Bunch of Blues/Moonlight Blues (Columbia #2418) (1917)

Livery Stable Blues/That Jazz Dance Everyone Is Crazy About (Columbia #2419) (1917)

The Hooking Cow Blues/Ole Miss Rag (Columbia #2420) (1917)

The Snaky Blues/Fuzzy Wuzzy Rag (Columbia #2421) (1917)

Preparedness Blues (Columbia) (unreleased) (recorded 9/21/1917)

The Coburn Blues (Columbia) (unreleased) (recorded 9/24/1917)

Those Draftin' Blues (Columbia) (unreleased) (recorded 9/24/1917)

The Storybook Ball (Columbia) (unreleased) (recorded 9/25/1917)

Sweet Cookie Mine (Columbia) (unreleased) (recorded 9/25/1917)

Handy's Memphis Blues Band

Beale Street Blues/Joe Turner Blues (Lyric #4211) (9/1919) (never released)

Hesitating Blues/Yellow Dog Blues (Lyric #4212) (9/1919) (never released)

Early Every Morn/Loveless Love (Paramount #12011) (1922)

St. Louis Blues/Yellow Dog Blues (Paramount #20098) (1922)

St. Louis Blues/Beale Street Blues (Banner #1036) (1922)

She's No Mean Job/Muscle Shoals Blues (Banner #1053) (1922)

She's A Mean Job/Muscle Shoals Blues (Puritan #11112) (1922)

Muscle Shoals Blues/She's a Mean Job (Regal #9313) (1922)

St. Louis Blues/Yellow Dog Blues (Black Swan #2053) (1922)

Muscle Shoals Blues/She's a Mean Job (Black Swan #2054) (1922)

Handy’s Orchestra

Yellow Dog Blues/St. Louis Blues (Puritan #11098) (1922)

Louisville Blues/Aunt Hagar's Blues (Okeh #8046) (1923)

Panama/Down Hearted Blues (Okeh #8059) (1923)

Mama's Got the Blues/My Pillow and Me (Okeh #8066) (1923)

Gulf Coast Blues/Farewell Blues (Okeh #4880) (1923)

Sundown Blues/Florida Blues (Okeh #4886) (1923)

Darktown Reveille/Ole Miss Blues (Okeh #8110) (1923)

I Walked All the Way From East St. Louis (Library of Congress) (1938)

Your Clothes Look Lonesome Hanging on the Line (Library of Congress) (1938)

Got No More Home Than a Dog (Library of Congress) (1938)

Joe Turner (Library of Congress) (1938)

Careless Love (Library of Congress) (1938)

Getting' Up Holler (Library of Congress) (1938)

Oh De Kate's Up De River, Stackerlee's in de Ben (Library of Congress) (1938)

Roll On, Buddy (Library of Congress) (1938)

Olius Brown (Library of Congress) (1938)

Sounding the Lead on the Ohio River (Library of Congress) (1938)

Handy's Sacred Singers

Aframerican Hymn/Let's Cheer the Weary Traveler (Paramount #12719) (1929)

W. C. Handy's Orchestra

Loveless Love/Way Down South Where the Blues Begin (Varsity #8162) (1939)

St. Louis Blues/Beale Street Blues (Varsity #8163) (1939)