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#manual camera
liverpoollomo · 1 year
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Bold Street Coffee. Smena 8M. Ilford FP4.
I seldom write this blog at home. Most of the time I am in a coffee shop or somewhere public. Whilst sitting in Bold Street Coffee on such an occasion I had my Smena 8M with me and decided to see how well a roll of Ilford FP4 could handle the natural light.
With the aid of a free iPhone light meter app I snapped these whilst sipping on one of their rather nice single origin pour overs.
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dancuny · 1 month
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Minolta Six Camera
It seems like I purchase items from camera auctions in "lots," and there is always a treasure hidden in the background that you either didn't notice at first, is hidden within all the photos of the items, or, in this case, the camera wasn't taken out of the case, and the case was obscured, so there was no visual evidence that the camera was.
 As I unwrapped the cameras won from the auction, one brown case caught my eye. It bore a striking resemblance to the Mamiya Six in my collection. But upon closer inspection, the name 'Minolta Six' was revealed. I initially thought it might be similar to the Mamiya Six, but the truth was far more exciting, as I'll reveal when I introduce the camera.
History:
In an earlier post, I did on the Minoltaflex CDS, I did a brief history of the company, which read, 
Kazuo Tashima founded Minolta in Osaka, Japan, in 1928 as Nichi-Doku Shashinki Shōten, which means Japanese-German Camera Shop. In 1931, the company updated its name to Minolta, which stands for Mechanism, Instruments, Optics, and Lenses by Tashima. In 1937, the company was reorganized as Chiyoda Kogaku Seikō, K.K. They are now introducing their first Twin Lens Reflex (TLR) camera, the MinoltaFlex, based on the German Rolleiflex cameras. The MinoltaFlex was only the second TLR introduced from Japan after the Prince Flex by Neumann & Heilemann. In 1947, Minolta introduced rangefinder cameras like the Minolta-35, and in 1959, the Single Lens Reflex (SLR) SR-1 camera. In later years, they signed agreements with Leica and came out with the first autofocus SLR, The Minolta Maxxum 7000, which carried on to several in their autofocus system.
 To expand slightly from the above text, in the early years, there was a big German influence on the Minolta company, which was known as Nichidoku Shashinki Shōten, which means Japanese, German camera shop. In the early years, the company received help from camera technicians Billy Neumann and Willy Heilemann, and the shutters and lenses were supplied from Germany. Their first camera was the Nicarette, which was released in 1929.
In 1931, the company was transformed into a stock corporation named Molta Gōshi-gaisha. Molta is an abbreviation of Mechanism, Optics, and Lenses by Tashima. Neumann and Heilemann left the company in 1932, returning to Germany to start their own company, and the German influence left with them. In 1933, the name Minolta was adopted. In 1937, the company became Chiyoda Kōgaku Seikō K.K and expanded the production of cameras into TLR and press cameras similar to the Plaubel Makina. 
 In 1940, the famous Minolta Rokkor lens was produced, but it was only used for the military. Consumer camera production ended in 1943 to concentrate on the war effort. Three of its four plants were destroyed by Allied forces during WWII. Soon after the war, Minolta released the Semi Minolta III, and throughout the 1950s, Minolta expanded its line of cameras to include folding cameras, TLRs, SLRs, and rangefinder cameras.
 In 1958, the SR-2 was released, and it was Minolta's first system camera. This reign of SLR system cameras included partnerships with Leitz in the 1970s, which helped produce CLE cameras. Minolta had a full line of autofocus cameras, the Maxxum line of bodies and lenses, and Minoltas final SLR camera ended in 1995 with their X-370.
 Minolta produced many different 35mm, APS, and DISC cameras and partnered with Konica in 2003, but by 2006, the camera company had discontinued camera production and relied heavily on the copier business.
My Camera:
Opening the case and looking at the camera for the first time, I was surprised by the Minolta logo and text on top. Since it was made in 1936, it has a genuine Art Deco design in the look and feel of the camera. My biggest surprise was when I initially pulled the lens out from the body and found the camera didn't have a cloth bellows. Instead, it has a series of stacking cubes that pull away from the camera body, AND these boxes are reinforced with another Art Deco element, metal brackets that resemble an "M" when the camera is laid on its back with the lens pointing up. WOW, Just a fantastic design.
The Minolta Six camera measures 6 inches in width, 4.75 inches in height with the finder up, 3.75 inches with the finder closed, and 4 inches in depth with the lens out, or 2.25 inches with the lens closed. It weighs 1 lb. 5.7oz. without the case or loaded with film. The camera's body is made from a bakelite or plastic material, covered in a high-quality leatherette.
 To pull the lens out to take photos, there are two grips, one on either side of the lens, that you grab onto to pull the lens out and away from the body. You need to expose three stacking cubes before the camera is ready to take the photos. Under the lens are two curved chrome bars you can slide down to prop the camera up so that when the lens is out, it doesn't tip forward and keeps the lens level.
Around the top of the lens is Patents-Nippon, and below is Crown, which is the shutter on the camera. The actual lens is an 80mm f5.6 Coronar Anastigmat Nippon lens. Around the lens is a manual focus ring that focuses from under 1 meter to infinity. The focus line to judge distance is a protruding tab with a line at approximately 10 O'Clock on the lens face. The lens also has a stopping screw that prevents the lens from rotating past the infinity mark on the tab.
 My camera has only four shutter speeds: 1/150, 1/100, 1/50, and 1/25, along with "b" and "T" for timed exposures. On the top of the camera is a pop-up viewfinder with etched or lined crosshairs to line up horizontal or vertical subjects as needed. The back of my camera sports three red windows with different numbers, which are used to line up with the number on the paper backing to get to the proper frame number. In later cameras, they went to a single window system, which is more common with current 6x6 format cameras using 120 film.
 To open the back of the camera, there is a latch behind the strap on the left side with an arrow pointing down. Slide the button down, and the camera's back opens. The chrome winding lever was used on the older models. Later they went to a plastic or bakelite knob in the later models. My first thought when I looked at the back of the camera was that it was not a full-frame 6x6 camera, but that was because I was looking at the retracted plastic cubes from the bellows. It is indeed a full 6x6 format camera. Load the film on the right side and bring the leader to the left to take up the spool. The knobs on the bottom of the camera pull out so you can put in the film and take up the reel easily.
 The case for my camera is in great condition. There's a pretty cool instruction tab on the inside of the case, which was made for the three window cameras.
 The crown shutter doesn't have a cocking mechanism. There's just the shutter release to take the photos. I loaded the film. I pulled out the cube below and started to take pictures of the neighborhood with my trusty light meter. Once I reached the end, I unloaded the film and processed the negatives.
My Results:
Here are some of the photos taken with the Minolta Six camera. The photos were a bit flat in exposure and contrast.
Conclusion:
I enjoyed shooting with the camera, but I am still primarily impressed with the innovative and beautiful bellows system in the camera. Not only is it functional, but it is very light and tight and only wears out slowly compared to the style bellows. The flip side is, if something happens to this bellows, the replacement is hard to replace due to the material. I wished there were faster shutter speeds, but I was using 125 iso film, and with the aperture range of the lens, I didn't have an issue.
 I have a great and fun camera for next week's blog post, so I hope you'll stick around to read that one, too. Thank you for your time, and please be safe until then.
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birds--daily · 3 months
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sorry no bird today i was BIRDING‼️
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free brownie points if you can name all the species ;0)
i'll reveal the answers sometime soon :0D
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umblrspectrum · 1 year
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for how much i love to drag pngs around, it turns out that i actually don't know how to animate all too well
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searchsystem · 6 months
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Acasso / Manual / MNL MK-I / Camera (Concept) / 2021
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Agust D 'Amygdala' MV & Jacket Shoot Sketch
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front-facing-pokemon · 8 months
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#something is very obviously different about these two compared to my normal images on this blog. i acknowledge this#also the sv model is Really good. and since they always stare straight at the camera anyway… and no one pays attention to the background…#and the only high-quality phantump model i could find was so horribly shiny that its eyes were just white voids#in my defense‚ phantump always just stare straight at you in game#the lighting is different‚ yeah. that's probably the dead giveaway. beyond the background. but like. i'm the only being on the planet who#really likes phantump anyway. i feel like it's a generally forgettable pokémon to most folks#phantump#HELLO this one is a weird one. i have some explaining to do. so when i did this one i didn't know how to edit models really at all#and when i got the models for these‚ the xy models were super shiny. shiny to the point that it made their eyes fuckin invisible#and i decided that since you could barely tell it was phantump‚ i needed a different way to get these images#i remembered that in the SV dlc‚ every time you find a wild phantump‚ it just fucking. stares. at you. and i was like. aha#i kinda remembered because of the test stream that i did. tumblr user alligayytorr (am i getting the right amount of Ys) said#“haha i am getting a sneak peek” when i zoomed the camera in on a phantump. and i remembered that. and i was like. i can utilize this#and ended up using just an in-game screenshot of SV in replacement of the regular content. later on‚ after that#once we got into gen 7 and it became less and less reliable to find models‚ i had to learn how to edit them manually to remove the shine#i am a software dev. not a 3d modeler. this ended up coming down to editing the code of the models directly (which i ended up writing a#script to automate). now‚ today‚ january 22nd (the day of me writing these tags and updating this post)‚ i remembered this post was in the#queue and was not normal. so i went back‚ ran the script on the phantump and trevenant models‚ and unshinified them#then edited these two posts to be normal. i have left the original pictures i took under the cut for reference and as bonuses#because i really enjoy phantump. so that's why those images are there‚ and that's why these tags are here#just for posterity's sake‚ the folks who come here mostly for my commentary‚ i've left the ORIGINAL tags of the post when i initially#made it with the SV pictures up at the top (i wanted to rearrange them‚ but tumblr makes that Very difficult‚ so i left them as-is)#so if these tags are confusing to read i Apologize. but i hope now that you're at the bottom you understand what happened#i'm gonna go edit the trevenant post now
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causenessus · 1 month
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EVERYONE SAY HELLO TO MITCH <33 NAMED AFTER THE GREAT @sandwhitches !!!!!! HE IS A WHITE PENGUIN - DUCK HYBRID BC HE CAN BE WHATEVER HE WANTS TO BE!! HE WARDS OFF SCARY OLD MEN AND DEAD CAR BATTERIES <33
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kat-and-their-cats · 6 months
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Reblog for a larger sample size, apologies if your favourite cursed book isn't on the list, comment it for it to be put on the next poll.
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articskele · 3 months
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“...Wrong? Why would anything go wrong?”
Without further ado, a stimboard for @ask-the-biggering-onceler!
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#TADAAAA :D#ohh there's SO much going on here#the first one is interesting bc i tried to avoid gifs of the outside#but this one strikes me as a moment from before the blog started#a brief moment of introspection and dwelling on the past as he looks out at the dwindling remains of the forest#though to him i’m sure any second thought about what could’ve been is a second wasted and he snaps himself out of it shortly after#THE BEAR THE TEDDY BEAR#it's a foreboding reference to the barbaloots it's a representation of the past it's everything to me :D#the spotlight for being the center of attention and scrutiny alike; loud and flashy juxtaposed with the softer candles on the other side#the gears are for the factory but note how clean it looks#showing his desperate attempts to keep his reputation intact and insist that absolutely nobody has died within the walls of this place#the velvety red fabric resembles both theater curtains (performance and the blog) and the curtains in his office#and they’re positioned opposite to the one glimpse we see of the outside world calling back to that one scene in the 1972 version#a camera for both his surveillance over thneedville and the press plus a reference to that old photo of him before his business days#the entire middle column is a brief glimpse into all the good intent that got soured along the way#while the right column represents his success and splendor#alternatively the bear and the camera could reference that one scene in hbcib with pipsqueak!#and that last one is for the extravagance of the ball!#you could say it being next to the camera means he’ll be keeping a close eye on partygoers >:3#i actually steered clear of stuff like sewing and other such manual work to show how he stands at the very top#arghh i could go on about every little part of the layout and how the different themes connect and oppose each other it's so fun!!!!! :D#anyways i hope ya like it ouo!!!#biggerler#ask the biggering onceler#stimboard#my nonsense
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liverpoollomo · 1 year
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The Duckeries, St Helens. Smena 8M. Ilford FP4.
The Duckeries is a a public open space in Parr, St Helens. It stands on the former site of Ashtons Green Colliery. The name came from a "flash" (a lake or pond caused by mining subsidence) that was formed when the colliery was decommissioned which attracted much wildlife. This was filled in when the site was renovated due to safety concerns by local residents.
Sadly The Duckeries attracts more than it's fair share of antisocial behaviour. Luckily I did not encounter any such activity when i visited the site with my Smena 8M.
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paintedscales · 6 months
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Thing that I spent entirely too much time on.
Song -> Snowflakes by Shihoko Hirata (NARASAKI remix) from Persona 4: Dancing All Night
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gaytobymeres · 2 months
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snapshots from a summer’s evening
pentax 17, kodak ultramax 400
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inniave · 2 months
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backyard summer dreamin'
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amygdalae · 1 year
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I was messing around in Nokron and I saw this bigass chandelier and thought it was one of those bloodborne spiders
oh I like that chandelier :^) there are so many intricate and beautifully constructed objects in the game's areas that might entirely slip past the player's notice
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contac · 1 year
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From the Olympus XA2 user manual.
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