#mentioned: the-composer

[catncore]

AS YOU WISH (feat. @the-composer )

[strawberry-barista]

"What, me? Pfft... All right. I'll tell you a little. The name's Sanae Hanekoma. Born March 4, blood type A. I'm a Pisces, and one hip café barista, mista. I'm a big gambler. My favorite word: "windfall." "Natto" gets my tummy rumbling. As for my physical dimensions. . ."

★ Disclaimer: Unlike many, I do not assign specific years to TWEWY or to my own Hanekoma and his universe. Personally I feel each game is simply a representation of the time in which it was created and do not attempt to use technology or similar context clues to determine the year. Therefore, such elements are based on whatever reads best at the time, and Hanekoma's zodiac is based on his personality. ★

⚅ — TLDR — ⚅

Sanae Hanekoma is an angel that watches over Shibuya as its acting Producer. He’s laid back and doesn’t often lose his cool, but he takes his job very seriously.

⚅ — Table of Contents — ⚅

Use this to skip ahead to information you want to read.

⚀ General Information

Name

Nicknames

Age

Date of birth

Zodiac

Gender/Pronouns

Orientation

Race/Species

Hair/Eye Color

Height

Weight

Scars

Body Modification

Style

⚀ Personality

Positive Traits

Negative Traits

General Mood

Greatest Joy

Greatest Fear

Motto

General Description

⚀ Habits and Hobbies

Likes

Dislikes

Favorites

Spending Habits

Tics

Hobbies

⚀ Background

Childhood

Adolescence

Young Adulthood

Adulthood

Death and Afterlife

⚀ Abilities

Angel

Noise

Human

⚀ Relationships

Overview

Romance

Family

Important individuals

⚀ Canon Events

No subcategories

⚀ Links

Headcanons

Musings

Desires

Aesthetics

— ★ ⚄ ★ —

⚅ — General — ⚅

⚀ Name: Sanae Hanekoma

⚀ Nicknames: Mr. H, H-Man, Fuzzface, Coffee Man, Pops, Tito

⚀ Age: 152 (physically 36)

⚀ Date of Birth: March 4

⚀ Zodiac Signs: Pisces, Wood Horse

⚀ Gender/Pronouns: Male, He/him

⚀ Orientation: Panromantic Demisexual

⚀ Race/Species: Japanese Human-ascended Angel

⚀Hair/Eye Color: Black/Black

⚀ Height: 175 cm (5'9")

⚀ Weight: 120 lbs.

⚀ Scars/Marks/Etc: Hanekoma has very small, mostly unnoticeable scars over the majority of his body from regular bumps, scrapes, and accidents that occurred during his life. One feather on his wings is smaller than the others from where it had been pulled out many times over. He has a sizable scar on his leg from being shot by Apichisi.

⚀ Body Modifications: Hanekoma has a blue and red tribal tattoo wrapping around his upper left arm resembling his noise form. He also has regular ear piercings.

⚀ Style: Hanekoma visited a casino once and was so enamored by the uniforms there he decided to just start emulating the dress. But doing so properly was still a little too restrictive, so now he wears oversized shirts and doesn't button anything all the way. For shoes, he always wears sandals for maximum comfort. He's always got an expensive watch on his wrist, but these days he's taken to wearing earrings as well.

⚅ — Personality — ⚅

⚀ Positive Traits: Compassionate, loyal, creative, affectionate, brave, intelligent, open-minded

⚀ Negative Traits: Selfish, impulsive, impatient, stubborn, obsessive, greedy

⚀ General Mood: Relaxed, content

⚀ Greatest Joy: Creation, meeting people

⚀ Greatest Fear: Losing the city/his loved ones

⚀ Motto: "Enjoy every moment." and "The world ends with you."

⚀ General Description: Hanekoma has an easy-going personality and a generally happy disposition. It’s incredibly difficult to rile him up in any regard, and he will often simply let insulting or hurtful comments roll off of his back. He may come off as if he doesn’t take anything seriously, but in fact he is incredibly perceptive and analyzing. He has a tendency to take people under his wing, especially if he can see in them the potential for a lot of personal growth. This most often comes in the form of protecting players from shady dealings during the Reaper’s Game. He can sometimes have a parental attitude towards others, but he has no trouble at all with pushing people to their limits if it means they might reach a breakthrough in their character.

⚅ — Habits and Hobbies — ⚅

⚀ Likes: Coffee, gambling, new experiences, meeting new people, long conversations, Shibuya, art in all forms

⚀ Dislikes: Close-mindedness, extended isolation, threats to the city, a lack of personal growth

⚀ Favorites: The colors red and black, jazz and hip hop music, Haruto Abe's house blend coffee, the word windfall, natto, money, poetry

⚀ Spending habits: Excessive spender, but very careful with his money. Gambling can sometimes be the exception, but these days he leaves his cards at home to limit his gambling.

⚀ Tics: Rubbing/holding the back of his neck, rolling a pair of dice in his hand, running his fingers through his hair, tugging his chin

⚀ Hobbies: Hanekoma seems to run a café as a primary business, but in fact this is a hobby of his. He also works as a multi-talented artist that dips his hands in almost every form of art from graffiti to music to fashion design. Hanekoma takes a deep pleasure from being an active source of growth and change in his city and does so primarily through his work as CAT. More recently, Hanekoma had learned how to tattoo, and had a tattoo parlor that he runs as a hobby as well. Appointments can be made by anyone, but the business is not advertised at all.

⚅ — Background — ⚅

⚀ Childhood: Hanekoma was born and raised in Shibuya by two loving and supportive parents. His family was always lower income, though, so they never had a glamorous or fruitful existence. During summers Hanekoma would go into the country where his grandparents lived. Death was introduced early in life with the passing of his grandfather, and he was taught to accept the natural course of life. As a student, he was charismatic and did well on his work, but he would skip out unnoticed when he thought he could get away with it. He never caused a lot of trouble, but he always bent the rules as much as possible.

⚀ Adolescence: Hanekoma was a stressed teenager, but he never showed it to those around him. He began to live to please his parents and teachers, but he yearned to experience life his own way as well. Both of his grandparents now passed, he no longer took summers in the country and instead spent his free time exploring and learning Shibuya in and out. He fell in love with the city, but he also instilled in himself a wanderlust.

⚀ Young Adulthood: As a young adult, Hanekoma began to fear the retaliation from his parents for not going into a university, and so he quickly moved away from home as soon as he could. He lived by himself and spent his days living a fairly closed in life until the day his mother called him to inform him his father was dying. He rushed home immediately, and finally he made amends with them just a few days before his father's passing, learning that he'd never had any reason to fear in the first place. He lived with his mother afterwards, but she passed mere months after his father. After this he began traveling with a gaggle of friends he'd made over the years, eager to fill the void his parents left behind. It was through this venue that he was introduced to casinos, and he became addicted to gambling. He visited a casino wherever he went and lost more and more money, until he couldn't afford to travel anymore. Still obsessed with gambling, he began spending his money in pachinko parlors and illegal gambling dens.

⚀ Adulthood: Hanekoma wasted away all of his money until he could no longer support himself, and he found himself on the streets and struggling just to exist. He spent many days in alleyways and abandoned buildings. Having worked up quite a debt, he often found himself being attacked and was always on the alert, though any time he could get money he usually found himself playing street craps with it or in some other gambling den. This carried on until one particular winter he nearly died from the elements alone and was approached by an old man offering shelter. As much as he wanted to refuse, he knew he didn't have that luxury and finally gave in. The man, named Haruto Abe, took him into his home and got Hanekoma back on his feet. Therapy, a job at his own café, training in learning how to support himself, and the love and support he hadn't seen since his parents. Hanekoma did pick himself back up and went on to open his own café, Wildkat, and slowly healed into a person that loved Shibuya once again.

⚀ Death and Afterlife: Hanekoma met his end at the hands of a man he used to borrow money from. In the end his old gambling habits caught up to him anyway. Hanekoma fought to the end, but his opponent was in possession of an illicit firearm and determined not to let him get away with his life this time. Hanekoma entered his Game a little bleary, but not without help. Abe, much to Hanekoma's surprise, was able to find him right after his registration into the Game and give him pointers, with the explanation that he had a sixth sense which allowed him to see into the UG. Hanekoma followed Abe's instructions expressly and was able to win his Game, allowing him to become a reaper (per Abe's suggestion). From there Hanekoma quickly rose in rank, casually raking in more and more souls. All the while Abe kept feeding him secrets about Composerhood and the Higher Plane and angels, priming him for the position of Producer. Once Hanekoma finally reached his ascension, he was offered the position of Producer in lieu of Composer and he took it. Abe disappeared directly after this and wouldn't be seen again for many years.

⚅ — Abilities — ⚅

⚀ Angel: As an angel, Hanekoma has the ability to see and interact with the RG, UG, and HP at any given time. He also has the ability to scan living humans, players in the Reaper’s Game, and reapers. He can jump from one universe to another. Hanekoma has knowledge of taboo noise and refinery. He will not use these abilities unless pushed to extremes, however. And finally, Hanekoma has the ability to imprint on both people and players. The most common way for him to do so is through his art and tattoo work.

⚀ Noise: Hanekoma has a noise in the form of Panthera Cantus, which act as two entities with separate abilities. Leo Cantus is fast and teleports away when hit directly. Tigris Cantus can create clones of herself and can only be hit through her shadow, not her actual body.

⚀ Human: Just through his physical body, Hanekoma has considerable skill in street fighting, and he often chooses to do most of his fighting through this method (genuine quarrels, as opposed to testing an individual, in which he would use his noise form).

⚅ — Relationships — ⚅

⚀ Overview: Hanekoma makes friends easily. That being said, he also tends to keep people at arm’s length without them really realizing it. He says very little about himself while working to get to know others on a deeply personal level, earning the trust of many despite keeping himself a secret. He enjoys being social and making new friends, and he understands the power personal bonds can have on society as a whole. He actively encourages friendship, but he will never seek to deepen a bond any further than that.

⚀ Romance: Romantic relationships are, for the foreseeable future, strictly non-canon for this blog. Hanekoma is in a romantic relationship with himself, literally, as far as his canon is concerned. However, non-canon ships are available to plot and write.

⚀ Family: Hanekoma has no biological children, but he has a few canon familial ships. The first is his Composer, Joshua (@kingsmedley), whom he treats like his son. The second is a young reaper named Joel (@mundanemiseries), whom teeters back and forth from being like a nephew to being like another son. There is also Sho Minamimoto (@the-grim-heaper), whom Hanekoma considers a child of his even if he has no solid, concrete evidence that Sho feels the same way.

⚀ Important Individuals: Haruto Abe (@falseapostle) is the man that took Hanekoma in and is an angel. Hanekoma treated him as a parent in his living life and as a mentor, but after his return they grew a closer, more romantic relationship. Now that they are separated, both physically and emotionally, Hanekoma has forgiven him but doesn't interact with him at all. Raizen (@fangedstories) is Hanekoma's warden angel, an angel that checks up on him and makes sure he isn't breaking angel law. Apichisi (@catncore) and Eanas (@dandybarista) are older angel counterparts from another universe. While interactions are largely non-canon, these two have played roles in significant canon events. Similarly, their Joshua (@the-composer) has also participated in some of these events. Hope (@hopeful-hugz) is a character that is entirely non-canon for Hanekoma, however is still important to some canon events. When speaking with other characters that have non-canon relationships and interactions with Hope, they may come up in conversation. Otherwise, Hanekoma's secondary therapy works much differently.

⚅ — Canon Events — ⚅

⚀ Hanekoma and Joshua have had multiple falling outs, the last of which resulted in Joshua going to therapy and learning how their codependency was making them both unhealthy. As a result, Joshua and Hanekoma almost never come into contact anymore, for the sake of earning independence from one another. To this day, however, Hanekoma has never been so close or so attached to any other person, and even now he will put Joshua over any other person in his life.

⚀ Hanekoma met Apichisi and Eanas while traveling and refused to take no for an answer when he tried getting in their business. The intention was to help, but the push resulted in an altercation with the universe's Joshua, which then resulted in a deeply traumatizing battle with Apichisi. Shortly after this he also exchanged words with Eanas which led to his being banned from the universe altogether. Over the time of his absence he healed, and he made amends with the universe, but he still occasionally has nightmares related to the fight with Apichisi. In this altercation Hanekoma was shot with an angelic bullet that disabled his ability to heal. This is where he received the scar on his leg, a mark where the bullet once was.

⚀ Hanekoma received an arm tattoo from Apichisi during one of his visits. He imprinted on the tattoo so Hanekoma now feels his presence at all times. Apichisi then taught him how to tattoo on others as well, effectively allowing him to take up the occupation in his own universe.

⚀ Apichisi taught Hanekoma how to preen his own feathers and preen the feathers of others. Before this point Hanekoma didn't touch them at all. To this day his wings are extremely sensitive because of this, but he does preen himself regularly now.

⚀ Hanekoma developed a crush on Eanas, and it helped to cause the events of the banning situation. Canonically, he has moved past this and now remains romantically involved with himself, but non-canon threads playing on this may still occasionally pop up.

⚀ Haruto Abe reappeared in Hanekoma's life, making the excuse that he'd been unable to visit beforehand. He began manipulating Hanekoma, making him believe that he was harmless and merely misinterpreted while threatening and mistreating everyone in Hanekoma's life. Abe continued this farce with the intention of isolating Hanekoma to the point of him returning to the Higher Plane for reconditioning. But the longer he stayed in Shibuya the more attached he became to Hanekoma's loved ones. In the end, he could no longer continue the ruse and chose to end it. Hoping to make Hanekoma hate him and earn his own exorcism, Abe ripped a feather from Hanekoma's wing. Joshua attempted to exorcise him, but only succeeded in cutting him off from the Higher Plane. Abe was transferred to Shinjuku of Apichisi and Eanas's universe. For a time after this, Hanekoma attempted to pull the feather any time it tried to come in, but eventually he allowed it to heal. Ever since this, this particular feather has always grown in shorter than the others of its like.

⚀ Hanekoma began going to therapy. ★ In compatible threads, Hanekoma attends therapy at Hope's medical facility STM, where therapists have multiversal licenses that allow them to work with angels. ★ In all other threads, Hanekoma attends therapy at a regular office, and he simply avoids talking about forbidden subjects, choosing to translate them into situations he can talk about legally (e.g. explaining the feather incident as pulling out a good chunk of his hair instead of a feather).

⚅ — Links — ⚅

⚀ Headcanons

⚀ Musings

⚀ Desires

⚀ Aesthetics

[deacomposer]

[falseapostle]

✥ @catncore​ asked: ✥

✥ ❝  how are things going with your composer?   ❞ ✥

♝ ✺ ♝

He was almost surprised to see the neighboring Producer, even if he had come into Shibuya. He sat at a bench in Miyashita Park, just enjoying the scenery, when Api had happened upon him. He remembered still the words of his Composer, so he sat steady without shying away, but there was no hint of aggression or apprehension.

“Producer,�� he greeted him, and then he turned his eyes back to the whole of the park. “I do not see him often, but I am diligently completing the work he set for me to do, so I suppose that’s good enough. Composer Mikagi finds himself far more interested in his neighbor than myself. I have no place to question this, so I do not. I should think you understand this sentiment.”

He paused to take a moment to allow Api to get settled, and he considered his next words. He hadn’t been specifically asked, so perhaps giving a rundown might be too much. He wondered if it would be considered inappropriate or even a betrayal. But that just didn’t seem to be enough, what he’d given. Besides, nothing he told Api now would be something he could no determine on his own with a trip into Shinjuku.

“I have opened a cafe and a temple for the purpose of entwining myself with the city, of connecting to it’s people. I come to know them through it, and I do what I can to spread the influence of my Composer. Why do you ask?”

[kingsmedley]

@strawberry-barista said: "Boss, if you had to pick between me or him, which would you pick for her?"

Oh, god. That was the question, wasn't it? Who would he pick?

He knew it wasn't his choice. And he didn't want to to be. So--who would he be happier if she picked? The person he didn't trust, who bombarded her with love and affection that seemed insincere, that may prove to be fickle and fleeting? Or the person whose mere existence put all his faults on display, who had the potential to completely replace him?

(Would that be better for her? Was that what she had wanted all along?)

"... Him," he said eventually. "I'd pick him."

[abstractreign]

❝ ... hey, are you free to talk?  ❞ ( → @catncore )

"That I am."

And even if he weren't, given this Producer's aversion to avoidance of him — Joshua can tell when the guy leaves nearly every single time he comes in — he figures that, if said guy's requesting that they talk, then whatever he has to say should be important enough for Joshua to free himself up.

The first subject that comes to Joshua's mind are their mutual relations—

"Is there a CAT that needs sitting? Or drinks that need tasting?"

[baphometed]

❝    oh. you still live here? i thought you were in shinjuku or whatever.     ❞     he had been working so much for joshua that he hadn’t even noticed the redhead was in the area. he’d honestly forgotten all about here. right now he was in the middle of doing upscale ward updates to the major points of the city for joshua given the recent events with the angel twins and the gate that he had to hold open against the higher plane. 

@simiasung​

[justanotherwriter140]

Kung Fu Panda 4 - The Movie

The last really, really long discussion post (for now).

Major spoilers ahead!

This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.

Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.

I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.

I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.

With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.

I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.

Here are my main points:

The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.

Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.

Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.

The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.

The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.

I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.

The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.

With my main points established, I do believe it's ranting time. Strap in, folks.

Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.

The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.

The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.

Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.

I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.

For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.

That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.

Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!

The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.

As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.

Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.

I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.

As I stated in my first discussion post:

Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.

While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.

We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.

A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.

The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.

Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.

The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.

Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.

Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.

Now, onto the Chameleon!

The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.

Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.

Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.

An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:

I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.

The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.

It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.

Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.

I have to talk about the pacing. I have to. I'm sorry, bear with me.

To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.

KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.

A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.

As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.

In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.

"If you only do what you can do, you will never be more than you are now."

"I don't want to be anything more, I like who I am!"

In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.

Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.

With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.

Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.

In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.

I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.

The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.

Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.

Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.

I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.

As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).

Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.

Until next time!

[shiii-is-tired]

pianist vs his gf’s puppy

[catncore]

🌕 ( feat. @the-composer 's joshua)

[strawberry-barista]

“One’a these days you clowns are gonna have to realize he’s just tryin’a stir the pot and learn not to give ‘im the time’a day. You’re all free entertainment for ‘im. Couldn’t be me.”

[opera-ghost]

[falseapostle]

That's another relationship he will never get behind, but he's not about to say anything to his master. He just hopes Joshua doesn't hurt him...

[kingsmedley]

@hopeful-hugz asked: Hope's showing up to pull her brother into a hug. She can tell something is up. "...Talk to me, hon. What's on your mind?"

"Hm?"

For a moment, he considered deflecting. Pulling out some innocuous trivia, or inventing some work-related stressor. But after all the honesty of the other night, would it even be fair to do that to her anymore?

Still, he was silent for a long moment, building up the bravery to speak.

"... Why me?" he asked eventually. "Of all the Kiryus you've met, why am I the one you keep coming back up, who you consider your brother? Is it just because I was the first one you met? Or because I'm gay, and there's no chance of romance, or me rejecting you on a personal level? Or did you not know that at first, so you settled for what I could give you and went to Queenie to try for what you really wanted?"

He swallowed thickly.

"All that stuff you said about me being your other half… Mr. H said that, too. And all I can think is surely, that's all the bad shit, right? There's nothing good you could get from me that you couldn't get from one of my counterparts instead, without all the… the difficulties attached."

[abstractreign]

"Oh?" Perhaps this isn't a fake after all?

He swiftly subscribes to take a look at that video— to verify the account, of course.

[baphometed]

                                abel is someone who by all accounts SHOULD be in the UG but is illegally still alive via the pact with the pact with the creature inside of him. everytime joshua drags him into the UG manually, he feels miserably sick and feels like he’s moving through water; slowing his reaction times down. 

he can see the players, the reapers, the noise. he can see all of it, but most the time he chalks it up to either them being spirits and demons, or he’s seeing things because of his own psychosis or heaven forbid, he’s taken  amphetamines because he was bored. the downside is, he is always prone to relapsing back on them, but he has been working to gradually get off them. 

when he does eventually get freed of his pact and offically joins the game, because of his in with the composer, he does not qualify to play as a player. instead he’d be a special unit reaper who is sent out to work on the halloween night game. otherwise, his job is to keep the hauntings of actual issues in the city down lower and to handle legitimate supernatural issues. no things related to the reapers game. but this won’t be for a nice long while..... the pups still got a lot of growin to do before then.