The Met Used AI For Their New Costume Institute Exhibition And I'm Not Sure How I Feel About It.
breakdown:
How did they use AI? Was it in a capacity where they could have used human digital artists? The wording on the website makes it sound like they used both- whether anyone was put out of a potential job by it has a huge impact on how I feel about it. But that's not disclosed online
"We used AI and CGI to demonstrate how these fragile garments would move on a body!" you all will do ANYTHING but talk to real people who have lived experience of wearing similar clothing- many of whom are also museum professionals and historians! Historical Costumer and History Worker are not mutually exclusive! friendly reminder that Abby Cox and Nicole Rudolph and Cheyney McKnight and many others all work or have worked in this field professionally beyond the YouTube space, to say nothing of people like Ruth Goodman who do experiential archaeology fully outside of social media! -won't you
like geez. I'd rather have a video of Nicole Rudolph spinning in a Worth replica you paid her to make and demonstrate than an AI holograph, personally
Any incursion of AI into the museum-space worries me deeply even though AI can't do my jobs within the field...for now. If we don't stand up for those first affected, we will all fall eventually, I feel. Even nonprofits aren't immune to cost-cutting measures, especially those that run on a shoestring budget as most of our orgs do.
Taylor Russel in Loewe' s 2023 anthurium flower tops. Gosh...it's so pretty and the colours are stunning. The look is also conserved in the Met's "Sleeping Beauties: Reawakening Fashion" exhibit.
Zendaya's second look for the 2024 Met gala is a vintage Givenchy dress from the Spring 1996 collection by John Galliano. The headpiece is Philip Treacy for Alexander Mcqueen Spring 2007.
Robe à la Française • French • c. 1770 • Metropolitan Museum of Art
Rococo style embraced foreign styles with an inclusive, even rapacious eclecticism, but also with its own propensity to moderation and the small scale. During the period, Ikat, or warp-printed fabric, was modified to meet European taste. Saturated Eastern colors and bold geometrics became muted pastels in smaller floral and striped patterns characterizing many of the designs. – Metropolitan Museum of Art
Panniers or side hoops are women's undergarments worn in the 17th and 18th centuries to extend the width of the skirts at the side while leaving the front and back relatively flat. This provided a panel where woven patterns, elaborate decorations and rich embroidery could be displayed and fully appreciated. – Wikipedia
Jean Honoré Fragonard • The Swing • 1767 • The Wallace Collection, London