#micro korg

[zegalba]

special edition microKORG crystal is a crystal-clear testament to the iconic style of the 2000s.

[blkmyth]

Ain’t she pretty <3

[daniela-heredia]

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A post shared by Daniela Heredia (@danielaheredia.m)

[derarumnihilnatura]

Playing around, getting used to the software & workflow & composing all sections.. & composing in the first place itself is the ether speaking so that can be distracting by itself, it has so much to say :) it has so much to sing to you.

Finally finished De Rarum Natura for the first time yesterday… I appreciate those who are not afraid of mixing their poetic brain with their rational one. These are the most secure in their connection to Truth, which nature allows each of us separately but objectively. When people beep at you like you’ve heard it in a machine before, know that they might be more machine than free-thinking so take precautions and know we can all be reached through our need for womb.. in trance states of calm we find the feeling of being one. Sometimes we have no calm to find in which case we must exorcise that energy, which I do via dance. Sometimes target practice, but dance really is something else, and when it can be with others… and ways to be with others without talking or fucking something,.. a diversity of tactics for exorcising the demons.

Anyone recommend next readings particularly on pleasure and how it is a distraction vs how we need it? Who in history finds the balance? How do pleasure granters (Lucretius, Epicurius, Bataille) answer to the excesses of itself? I’m thinking of how schizophrenia is excesses of dopamine, drive, motivation,.. a pleasure in which we must peddle, ultimately making our own systems for it. The amount & diversified variety of drugging civ engages us in.

No gods. No devils. No masters. Just earth.

*I love my brothers*

[rabidhiss]

Super happy to FINALLY have received my midi breakout cables in the post! This is a quick beat I made simply to test out how well my ES2 and MicroKorg have fuck time together. Pattern switching is no problem, the sync is tight (hehe). I’m using a midi thru box that features a ton of dip sticks on the rear to block out program change messages and the like. Recorded (badly) on my phone, sorry about the audio quality.

[escintilarkangela]

[vampryn]

i cant decide if i want to buy a micro korg or a strat..

[ichinichi-okure]

2023.10.31tue_canada

朝８時に起きて、コーヒーを飲み、朝ご飯を食べる。今日は、LAのハーピストMary Lattimoreの北米ツアーのトロント公演にオープニングアクトとして出演する。サクソフォニストのBrodie Westにサポートメンバーで参加してもらう予定だったが、体調不良のため、急遽ソロセットになり、午前中はアレンジをやり直した。アレンジをまとめた後、気分転換に散歩。家はトロントの端の方で、歩いて１０分くらいで東京ドーム３５個分の公園High Park、同じく５分くらいで五大湖の１つ、オンタリオ湖にいける。カナダはスケールがでかい。

オンタリオ湖　

ハイパーク　

帰宅し、準備。奥さんのユニスの両親がドイツから来ていたので、挨拶をして家を出る。個人配車サービスのLyftを使い、午後5:30に会場入り。会場のLongboat Hallにはスピーカーが１２個から１５個くらい、ステージと客席を包むこむように配置されていて面白い。

Great hall

サウンドチェックを済ませ、散歩にいく。トロントはもう４度で冬みたいに寒い。ハロウィンの光景を目にする。そういえば今日は１０月３１日だった。子供たちのグループが、近隣の家をノックし、お菓子をもらいにいく。トリックオアトリートというやつだ。ハロウィンを見ると北米にいるんだな、という気分になる。

ハロウィン

戻ってからすぐに自分の出番になり、ライブを始めた。箱自体のホールリバーブが大きいので、スペースに気をつけながら、ゆっくりループを作り、ミキシングしながら、自分の曲を空間にアジャストする気分でやってみた。スピーカーが多い場所は楽しい。

Masa

二番手はStefana Fratila。今年５月の彼女のリリースパーティーでも共演した。Not Not Funのレーベルメイトでもある。自分で開発したプラグインで曲を作る。今日はMoogとラップトップのセットで、音が太くて、気持ちいい、パワフルなノイズだった。

Stefana　

お腹が空いたので、Maryのライブの前にユニスとピザを食べる。キングスライスピザは美味しい。

ヘッドライナーのMary Lattimoreが始まった。めちゃくちゃいい。ハープとルーパー、ペダル、Micro korgのシンプルなセット。ハープでループを足していく。ミニマルでタイト。いい音、いいメロディ、いいリズム。芦川聡＋Vashti Bunyanのような。天国にいる気分だった。楽器の演奏も一流で、機材の使い方もうまく、LAシーンの良いところを味わうことができた。もっと真面目に楽器をやらないと、と思った。

Mary　

終演後、よくライブに来てくれる、Emi、Nam、Ericと話す。毎回しっかり聴いてくれていて、具体的なフィードバックをくれるので、とてもありがたい。帰り際にMaryと話す。ライブを楽しんでもらえたようで嬉しい。LPをトレードして、また一緒にやろうと話して、会場を出た。Lyftで家に帰る。お風呂に入って日記をかく。今から寝て、朝起きたら洗濯、掃除、帰国の準備をして、そのまま明後日の朝６時の飛行機で日本に帰る。飛行機で爆睡するのだろうか。

Toronto night

ープロフィールー 高橋政宏 トロント 音楽家、翻訳者 masahirotakahashi.bandcamp.com instagram　＠ttmasa

[singlesablog]

The New Wave

“Messages” (1980) Orchestral Manoeuvres in the Dark Dindisc Records (Written by Paul Humphreys/Andy McCluskey) Highest U.S. Billboard Chart Position – None

This one is a bit of a cheat because it involves some explicit time travel.  In 1980 the duo known as Orchestral Manoeuvres in the Dark (Paul Humphreys and Andy McCluskey) were both still living at their respective parent’s houses in Wirral, Merseyside, a section bordering Manchester in the North of England.  They had formed in 1978, were on the “dole” (public relief) and bought their first instruments in thrift shops, not including their first synthesizer (a Korg M-500 Micro Preset) purchased via a catalogue provided by McCluskey’s mother on a payment plan of “£7.76 a week, paid over 36 weeks”*.  I, however, was in 9th grade living in Lakeside apartments off of Abercorn Expressway in Savannah, Ga, mostly listening to much more mainstream, shinier fare, and wouldn’t know this song until the late 80s.

Through a series of events that included gigging around town and opening for Joy Division at Eric’s Club in Liverpool (a club which was members-only at a very discounted rate and featured so many punk and new wave bands it is hard to overplay it’s importance), they recorded a one-off single, “Electricity”, for the then unknown Factory records, with a slip cover designed by Peter Saville, and the rest is very fast history. OMD were a true new wave, synth pop band, with a tension between the ethereal and brainy (Humphreys) and the more rock and punk (McClusky).  One of their other extreme bolts of great luck was having a fan in Gary Numan (see previous post), who was very popular at the time, and then being invited to open for him in arenas in 1979.  It should be clarified that Eric’s Club was a tiny room in Liverpool, as indy as it gets.  I am sure the leap was tremendous, especially considering they both still lived at home.

After “Electricity” was released (to fanfare if not actual pop success), the boys signed a 7-album record deal with Dindisc, with an advance of £250,000.  With the advance they built a studio to record their first, eponymous album, reasoning that when the label dropped them, they would at least have a studio.  It was here they recorded “Messages” in a much sparer, punkier version.  Dindisc asked for something slicker to release as a single, and it was this version I first heard at some point in art school in the later 80s—one of the most woeful and deliciously ethereal of pop songs, fully danceable, but almost more in one’s head, an inner sensation not unlike the zombie wiggle I felt come over me in 1980 with Numan’s “Cars”. It is a single that never ages, never grows tired, and always releases the inner goth teenager inside of me.  When those first electronic notes appear, and then the tidal wave of faux organ sounds that rush in to McCluskey singing “it worries me this kind of thing” I can feeling my swing bang growing and I am off to another world, that teenage one, one with tons of ambition, cool sad feels, a place I can return to again and again, where in opposition of the stated lyrics, memories are not such uncertain friends.  They are crystalized time.

OMD are still recording in that very same studio, as thrifty as ever.

* Wikipedia

[ttiikkuu]

Vongon Replay

Vongon Replay - это полифонический синтезатор с многорежимным арпеджиатором, вдохновленный Roland Juno и Korg Polysix начала 1980-х годов. Разработанный для воплощения винтажного характера, он в то же время использует современность и универсальность форм. Vongon Replay Replay имеет шестиголосный виртуальный аналоговый звуковой движок, который эмулирует органичный отклик аналоговой схемы, позволяя вам создавать разнообразные звуки - от насыщенных пэдов и ярких лидов до отрывистых арпеджио и глубоких суббасовых тонов. Vongon Replay Баланс между масштабом, стилем и функциональностью - Replay имеет компактные размеры, 22 выделенных элемента управления звуком и 2½-октавную клавиатуру из натуральных клавиш Cherry MX. Интуитивно понятный формат и элегантный дизайн способствуют погружению в процесс создания звуковой палитры. Электронная схема Replay легко интегрируется в вашу индивидуальную настройку благодаря полному MIDI-входу/выходу через 3,5-мм разъемы и USB-подключению. Совместимый со стандартным блоком питания педали эффектов, Replay легко подключается к вашему педальному пульту, упрощая рабочий процесс во время живых выступлений, студийных сессий и т. д. Веб-интерфейс синтезатора Кроме того, Replay предлагает удобный веб-интерфейс. Это ваш командный центр для управления пресетами, доступа к расширенным параметрам и загрузки последних обновлений прошивки. Особенности Vongon Replay - 6-голосный полифонический синтезатор субтрактивного стиля; - Монохромный алюминиевый корпус с ручками Rogan; - Многорежимный арпеджиатор с синхронизацией MIDI-ритмов; - 32-битная обработка звука; - 22 специальных регулятора звука; - 4 формы волны осциллятора и 7 форм волны низкочастотного осциллятора; - 2,5 октавы фирменных клавиш Cherry MX. Установлен с гнездами для горячей замен��, что позволяет заменить переключатель на альтернативные действия; - Веб-интерфейс для управления пресетами, доступа к расширенным параметрам и загрузки последних обновлений прошивки. Фотографии Vongon Replay Технические характеристики - 405 мм x 160 мм x 50 мм; - Сбалансированные линейные аудиовход и выход 1/4»; - 3,5 мм и USB MIDI вход/выход (кабель micro USB входит в комплект поставки); - Питание от источника постоянного тока 9 В, 200 мА (адаптер питания входит в комплект поставки). Официальный сайт производителя Посмотрите больше постов про синтезаторы в моём блоге. Read the full article

[cokaliku4d]

コカリクー４D NEW MV配信しました！

2023年10月リリース予定の新曲『会話しよう』MV

出演

古瀬智志/鈴木ヒロシ/よしだえりか

はちすか夫妻/青柳舞/うそ/コカリクー４D

『会話しよう』

作詞/作曲　イツロモリ

演奏　　　 コカリクー４D

　　　　　　piano&Vo     イツロモリ

　　　　　　bass              タカシンイチ

　　　　　　drums           あべこ

　　　　　　micro Korg    渡邉トモヒロ

録音　　　　佐藤　亙

監督/編集　　イツロモリ

撮影　　　　  イツロモリ

　　　　　　 小田凪徹平

絵　　　　　うそ

ヘアメイク　　さとう夏海

[dwn024]

Micro korg

TWINS!!!! wow we really do have the same model!!!! THANK YOU FOR SHOWING ME!!!!>v<

[escintilarkangela]

my new baby

[versetip0]

Indicators on HP 2000 You Should Know

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[risgk]

シンセ開発ログ 2022-11-06: Hamamatsu Micro Maker Faire 2022にVRA8-U v1.3を出展しました

Hamamatsu Micro Maker Faire 2022にArduino Uno用シンセVRA8-U v1.3を出展しました

https://makezine.jp/event/makerfaire/hmmf2022/#maker_4

多くの方にISGK Instrumentsブースにお越しいただき、ありがとうございました。準備時間には、他の出展作品に触れることもできました。これまでも感じていましたが、浜松市・静岡県には多くのMakerがいらっしゃいますね！

昨年のHamamatsu Micro Maker Faireは開催中止になった（出展者ミートアップのみ開催）ので、今年が実質初回でした。ISGK Instrumentsの拠点でもある地元の浜松でMaker Faireが開催されて、本当に嬉しいです。来年以降も、出展者または来場者として参加していきたいです。

当日の機材リスト

ISGK Instruments VRA8-U v1.3.0

MiDiPLUS X2 mini（MIDIキーボード）

BOSE SoundLink Mini II（スピーカー）

Roland J-6（MIDIシーケンサー）

Dell Inspiron 14

ちなみに、Maker Faire Tokyo 2022では、KORG nanoKEY Studioも併用しました。

Ogaki Mini Maker Faire 2022にもVRA8-Uを出展します

https://www.iamas.ac.jp/ommf2022/maker/isgk-instruments/

よろしくお願いします。

VRA8-U v1.3.0をリリースしました

https://github.com/risgk/digital-synth-vra8-u/releases/tag/v1.3.0

v1.3.0での変更点

パラメータ “Osc 1 Shape II” を “Osc 1 Morph” にリネーム。

Osc 1 WaveからSS (変形ノコギリ波) を削除し、Pls (パルス波) のOsc 1 Morphの動作を変更。

テキスト “EG Osc Dst [P|P2|S1]” と “LFO Osc Dst [P|P2|S1]” を “EG Osc Dst [P|2P|1S]” と “LFO Osc Dst [P|2P|1S]” に変更。

Filter Cutoffパラメータをスムーズに反映させるように変更。

安定性の改善 (パラフォニックモードでの、ノートON受信時のCPUビジー時間の短縮)。

LFO Osc Dstが1S（Osc 1 Shape）の場合に、LFO Osc Amtの効果が反転していたバグを修正。

VRA8-U CTRLでMIDI In *を変更しても、変更前の設定が無効にならなかったバグを修正。

Arduino AVR Boards version 1.8.5 (または1.8.3) 推奨に変更。

Arduino Nano (ATmega328) を制限付きでサポート。

推奨回路図 (Recommended Circuit Diagram) と実体配線図 (Actual Wiring Diagram) を追加。

“Parameter List” を “Parameter Guide” にリネーム。ドキュメントの改善。その他の変更

VRA8-U v1.3.0で採用しなかったネタ

EG Amp Mod [Off|On]： Ampも汎用EGでコントロールする機能。保留。

LFO (Rate) Key Track：オシレーターのPWMで効果的かと思ったのですが、あまり良い感じにならなかったので不採用。CPUパワー制約も理由です。

16ビット精度でのPWM出力：CPUパワーとRAMの制約のため。あまり実験できず。他の機会に使えるネタかも知れません。

フィルタ計算の高精度化：あまり実験できず。音質を変えないためにも、保留にしました。

英語版の作り方説明（Instructables）：どこかで作成したいです。

2023年の制作予定

色々と考え中です。