#minimonitor

[adafruit]

HSTX DVI output on Fruit Jam! 🎨🖥️🎶🚀🔌

Woo! This xscreensaver-like demo shows random lines and colors displaying on a mini 7-inch HDMI monitor

it's a 320x240 'pixel doubled' display that is running from the Fruit Jam, an RP2350-based mini computer board

But what's cool is that we're now using the HSTX interface rather than PIO+core bit-banging. That means we now have plenty of extra resources for running the USB host… which is still being worked on.

[maximuswolf]

Vendo pjoner dj

Vendo pjoner dj Vendo PIONEER DJ-CONT. DDJ-FLX4CONTROLLER 2CAN. EJBL CASSE CONTROL 1X2 CP MINIMONITOR V_BK/SProdotti perfettamente nuovi e ancora incartati, le casse sono contente nella confenzione incelofanata perché mediaworld non le vende inscatolate e con le casse ci sono anche un paio di cuffie da di da collegare alla console nuove di pacca incartate anche quelle mai usate.Il set è perfetto per chiunque voglia cimentarsi nel mondo del dj e della musica.Vendibili anche a pezzi singolarmente anche se più conveniente acquistare tutto il kit.Tutto quanto è in garanzia per due anni completi a partire da 21/03/2025. Prezzo trattabile, contattatemi in chat. Ritiro in loco a Lucca. Submitted March 24, 2025 at 01:10PM by michelepuccini https://ift.tt/lMRpUN5 via /r/Music

[imperyummstore]

The most crucial aspect of any gaming setup is the screen. What's better in 2023: a gaming monitor or a gaming TV? In the past, gaming monitors had a distinct edge in speed, accuracy, and reaction time, but in recent years, gaming TVs have caught up. There are important distinctions between a gaming monitor and a TV, particularly if you spend a lot of time staring at your screen.

[megatronswaifu]

Nightlight defected from the Bots?! I must know MORE! :0

yes she did!!! it’s a long story BUT I’M SO HAPPY U WANNA KNOW MORE so i will try to do my best to relay it briefly…my writing is very abridged but it still does the job. this is the TFP version of her defection.

basically, nightlight came to earth on a stolen ship with her friends (other ocs who i haven’t really finalized – here are some doodles i did around a year ago), seiner, wheelhop (used to be named “popcorn” as a placeholder), and phase (used to be named rook before somebody pointed out that there’s already somebody named that). a gang of girls!

they are all a very silly and flawed bunch but they get along.

nightlight does not often go on missions because she is a scaredy cat and honestly isn’t very skilled at fighting, and she kind of just stays back. if she does go on missions, she usually ends up getting protected or rescued, so she tries to help in other ways.

one day, the gang of girls decides to go out on a stroll in an uninhabited (by humans) place on earth since they felt cooped up in the autobot base. there is literally no reason for cons to be around so they just decide to have fun.

sadly and very annoyingly, decepticons DO appear and they have to sprint their fucking afts off running and shooting back and hiding, until they can finally sit still enough for the biggest bot, seiner, to comm ratchet,

“ratchet!! ratchet we need a ground bridge! the decepticons found us!”

(rest of story and another doodle under cut)

ratchet pulls up a groundbridge and informs them that the bridge is on the right, on the other side of the mountain they’re currently hiding behind. they make a break for it, and sprint to the bridge. they hop right through, and to their horror and surprise, the room they hop into is purple. it’s dark. it’s got decepticons.

the ground bridge behind them closes, and the girls scatter around and run out the door. they get chased and are forced to run about what is presumably The Nemesis. they finally find a room in which nobody has followed them into or figured out they’re hiding in.

the girls begin to talk.

wheelhop: “WHAT THE SHIT WAS THAT I THOUGHT RATCHET GOT US A GROUND BRIDGE????”

seiner: “well uhh fuck obviously we didn’t go through it, what went wrong?”

phase (in cybertronian sign language, she is mute): “maybe we went through the wrong one.”

wheelhop: “you mean there was a decepticon bridge open at the same time?”

phase nods.

seiner (looking over at phase, with a considering expression): “seems like it.”

nightlight: “but, but ratchet said it was on the right…right?”

…on the “other right” of the mountain, a completely separate ground bridge sits. on that bridge’s other side, ratchet attempts to comm them, to no avail. the girls have accidentally run through another ground bridge that the decepticons were using to mobilize their own forces into the area, and had completely missed their own ground bridge because they went to the wrong “right”. they must come up with a plan to escape. seiner, being a leader-type, looks around the room. it looks like they found themselves in an unused monitor room.

seiner eyes one wall of monitors and says, “we might be able to access some sort of map from this computer. we can find our way out that way.”

nightlight: “we can’t call someone for help?”

phase: “decepticon technology blocks our signals.” she has stood up and is at the monitor, but she hesitates. phase turns to the group.

“if we access this computer, we will most likely notify the cons that we are in this room,” she signs. “as soon as i turn this monitor on, we are on a timetable. the nanosecond i get the map, we must go.”

all of them, very tense, sit in anticipation as phase accesses the monitor. lo and behold, the decepticons are notified, and a team of vehicons rushes towards the abandoned section of the ship. however, when they arrive, the door is open, and the girls have escaped the room.

meanwhile, in the airducts of the nemesis, the four of them crawl, squished, with a map of the ducts on phase’s arm-minimonitor. they traverse the map, having found a suitable way out, for several hours, trying not to get spotted, waiting for the longest periods of time for vehicons to leave areas so they can pass, and being incredibly stressed.

at one point, they must cross from a room and into a hallway to get to their last path. the hallway isn’t very populated, and only at the far end are some vehicons stationed, where nobody will see them, so although obviously very tense, they are not as afraid as they have been a few other times on this “adventure”.

first, phase, the navigator, and an expert at agility, jumps quietly out of the duct, into the room, and opens the door to the hallway. she peeks out. there is no-one. she swiftly emerges from the door and sprints to the other side, opening the other door on the opposite side they must enter.

second, wheelhop follows, a terrified but determined look on her face.

third, seiner, the big bot she is, tries her best to run across quietly.

fourth, nightlight crouches down outside the threshold of the door, propping her foot in a “ready, set, go” position, getting up the courage to run to the other side. her expression is nervous and she is shaking.

just as she is about to hop up, the voices of the vehicons down the hall they had previously not given a care to suddenly stop dead. nightlight’s helm shoots towards their position, to see soundwave, the decepticon third in command, walking down the hallway.

her helm whips again back to her friends, on the other side of the hallway, who all have their mouths open and optics wide as dinner plates. after taking a few seconds to be terrified, they all motion frantically for their friend to run to the other side as quickly as possible. but nightlight hesitates, and shakes her head frantically back. soundwave is too close! she’ll be seen! she doesn’t want to go. nightlight, with fluid pricking her optics, attempts to re-open the door they came from, but it seems it locked when she exited. she takes another look at her friends, and scared out of her spark, she curls into a ball, her helm between her legs, her arms around her kneejoints. if she stays small, he won’t see. if she stays in the crook between the door and the wall, she’ll be okay. he won’t see.

nightlight watches from between her legs as her friends sink into the room, and the third in command approaches from down the hallway, his shadow dangerously puddling closer. it passes over the floor and between her legs, and so do his pedesteps. nightlight, assuming her hiding technique has worked, lifts her helm. she is greeted with soundwave’s expressionless, petrifying helm, and one of the spymaster’s tentacles grappling her arm and yanking her harshly into the air. she shrieks, and is wordlessly taken off to some random place in the nemesis. as she is dragged off, she yelps and cries the names of her teammates in fear, but she cannot see them any longer.

wheelhop, seiner, and phase sit deathly silent in the vent they were forced to escape into. they eventually discuss; they are almost out. finding nightlight would take hours, possibly days if they were going to check literally the entire ship, because they had no clue where the interrogation rooms were (nothing much was labelled on the map). and they weren’t even sure she would be there. they could be killed, or worse, interrogated for information and then killed. it would be better to return to base and come back with a bigger rescue team. they were exhausted. after much deliberation, and despite it basically emotionally killing them do make this decision, they decide to continue on their path and escape the ship, without nightlight.

meanwhile, nightlight shivers in an interrogation room with knock out overlooking her, doing something on the monitor next to the table. she is not strapped to the table, as she is too small to reach the straps, so she is simply cuffed to one of said straps, with additional cuffs on her ankles and wrists. nightlight holds back desperately on tears. surely she will be tortured.

the little moped waits for something to happen. she expects to be killed or interrogated. there’s a bunch of surgical instruments (or, other things, nightlight can’t really tell what they are if she’s honest) on a table a few meters away and she’s about to cry. knock out is scary as the pits. she is helpless. suddenly, the cherry-red doctor is talking to someone on his comm.

and the door fucking opens. and megatron walks in.

and all her sense of decorum and self-regulation and “i should be a good bot and stay still” is thrown out the window in an instant, and she tries to jump up from the table, wailing and sure of her demise. she is going to die or be tortured and THEN die, and now, by the hands of megatron at that? she is faced with an autobot’s worst and scariest nightmare. why her?!

knock out has to yoink her back and hold one of her legs to the table, and really she’s not strong compared to him so it doesn’t take much effort. she is very small on main so you can understandably imagine how scary this looks like to the poor thing: a gigantic shadowy figure that frankly just looks like a dark tower, with searing red eyes, radiating with millennia of hatred for her kind, moving towards her. this is made even worse when she realizes the tower has walked very close, closer when she had last peeked through her servos, and is now reaching for her. she hyperventilates and cries out and kicks (or really, attempts to) when two humongous servos grab her legs, and all the minicon can do is babble pleas.  

to her surprise she feels the stasis cuffs unlock on her ankles and wrists, and she is slowly let go of to scramble away and curl up on the table, taking a second to sooth herself. nightlight eventually sneaks a look from behind her fingers to see megatron just standing there with a patient expression.

weirdly, knock out next to him with a “?????????what” look, completely baffled as to why megatron just uncuffed a prisoner. it seems he did not expect this either.

and megatron puts on his best Do Not Worry I Am Very Friendly face and says, “hello nightlight”. nightlight doesn’t respond, but still glances at him with a look of profound confusion.

and megatron sweet talks her for a while. asking her questions, talking as nicely as he can. and even though, to any sane bot viewing the scene, one would see megatron’s clear intentions of evil, our poor nightlight is immune to social cues. so, she’s thinking, “what’s happening?“ and all of this is…a lot.

eventually, megatron says, “nightlight, i’d like you to join our side.” the periwinkle bot thinks, “well this isn’t torture or death, but….” and megatron can tell she’s baffled, so he keeps talking.

“your friends left you,” he says firmly. nightlight’s face sours pitifully, and megatron continues, “they’ve already left the ship. i’m sure you heard the overhead comm announce we were no longer on lockdown.”

nightlight looks away, feelings clearly hurt, and he continues still, “they didn’t stay to rescue you. they escaped without even an attempt to come for you. they don’t see you as a valuable part of their team.”

and this very much hurts nightlight. this is exactly what she worries about, in her endeavors as a friend and as an autobot; that she is not a good and contributing team member. is she really that small, that bad at fighting, that dumb? megatron continues by saying, “but the decepticon army has a place for you.” she looks up for a second in hope, but not any longer, and megatron can tell she is very conflicted, so he changes the subject.

(and ok side note i have this idea that before tfp megatron went gladiator he was a miner. and he was marx on main in the mines and had already developed kind of a following, and the governmence was like 

“oh god oh fuck we can’t kill him he’s got too big of a following he might be seen as a martyr if WE kill him”

“well alright then government man #1 how about we put him in the gladiatorial pits. then we won’t be the ones to kill him. he’ll be taken care of and we won’t be blamed for it”

“very sexy idea government man #2!”

and they did it but megatron was tough as shit in the end and y’all all know what happened)

but anyways,megatron leans in closer as if sharing some sort of nice, secret moment with her, “i know you used to work in the mines, nightlight.” and this is true. nightlight used to work as an autonomous flashlight to give easier lighting to miners and contractors and such, in her life back on cybertron. “o-oh yeah i did that…” she replies sheepishly.

megatron: “did you know i used to work in the mines too?”

and nightlight immediately forgets she’s sitting in front of the warlord who obliterated most of their race, who destroyed their planet, and is responsible for the death of many of her friends and comrades, “you did?!” she perks up and moves slightly closer, naturally friendly. the fact that megatron was a miner is kind of common knowledge, but nightlight doesn’t know shit fuck about cybertron’s history or important figures and she just thought megatron was a gladiator before this and that’s it. 

nightlight hasn’t met another ex-miner for a while and she’s visibly excited. most of the other autobots, including her teammates, had other occupations on cybertron, and sometimes she found it hard to relate in certain situations. megatron and nightlight chat nicely for a while, but eventually megatron says something maybe a little too violent that reminds her “ah…i am talking to THE megatron”.

the moped looks down. the warlord questions her expression. “um. well. y'know,” she fidgets, “you guys…i can’t join the decepticons. you guys kinda…you guys do…bad things. sometimes. a lot of bad things.” she is not unsure of this fact, but she does not want the confrontation, so she lightens her choice of words as best she can. megatron leans down again, soft-yelling at her in his typical overly-intense way, “you don’t think the autobots have committed JUST as many grievances as us?”

and the answer is obviously NO, they have NOT committed as many war crimes as you, but nightlight falls for his manipulation and backs off, looking guilty. she’s so awfully gullible. and megatron happily grabs onto this fact and runs with it, naming off bad shit that the autobots have (allegedly) done, and nightlight is successfully freaked out.

the gigantic mech sees he’s scared her and can tell he’s convinced her, so he leans back and ends the interaction, “i’ll give you some time to think, nightlight. we will talk later. tell me your decision then.” and with that, placing his servo once on the table as if to say goodbye like a friend but not quite touch her personal bubble, he walks out. and poor nightlight is left to think, alone, about what she is supposed to do.

megatron exits out of the doors and starscream is there, and they walk off all evil-like and start talking. 

starscream begins their conversation,“well how did it go?”

megatron: “swimmingly.”

starscream: “is she convinced?”

megatron, especially evilly, grinning that nasty shark-smile: “i have left her no other option.”

and DUN DUN DUNNNN it’s somehow revealed that starscream and megatron decided to form a plan to lower autobot morale by stealing away nightlight to become a decepticon. they didn’t come up with it before this, it was impromptu when they got the alert that the girls had entered the ship. not many people defect over, and nightlight, from what they have seen, is a dumbass and is very convincible, so she was the perfect target. her friends, who were admirable fighters and were admittedly putting a dent in their forces, would be especially broken by their friend leaving them for the decepticons, moreso than if they had just killed her. so, they decided to convince her to defect so their morale goes to shit. how satisfying would it be for nightlight not to look at her friends in longing and love, but disdain and hatred when they next meet? she is weak, so if the plan doesn’t work out like they’d hoped, they can just kill her.

eventually, of course, whether she is fully aware she had no other choice or not, she says yes, and she gets her new paint job, her new symbol, her new optic color, and is successfully brainwashed. megatron and co continue their skilled manipulation, and nightlight is forced to make a new life as a decepticon, without her friends. yippee!!

anyways, if you made it here, here’s a little doodle. it’s the differences between her autobot and decepticon look! sorry it’s messy.

thank you for viewing.

EDIT: popcorn is now named “wheelhop”! so i changed all instances of her name.

EDIT2: same with rook phase!

[xenarc-technologies]

Xenarc Technologies - Small Form Factor 7″ to 18″ Industrial Grade and Automotive Grade LCD Touchscreen Display Monitors Manufacturer

https://www.xenarc.com

Address:24 Hammond, Unit F Irvine, CA 92618, U.S.A. Telephone:(949) 380-8898 Toll Free:(888) 656-6536 Fax:(888) 823-9305 E-mail:xenarc@xenarc.com

Support Us with Your Reviews and Photos of Xenarc Products online and your Photos can be featured on our Social Web Channels.

g.page/xenarctech/review

#XenarcTechnologies #Xenarc #SmallFormFactor #LCDs #LEDs#Industrial #Portable #Mini #Touchscreen #Displays #Montitors#miniMonitors #Rugged #TrulyRugged #Automotive

[phgq]

Tagalog News: Lima na health workers kabilang sa 14 kaso ng COVID-19 sa Cagayan Valley

#PHinfo: Tagalog News: Lima na health workers kabilang sa 14 kaso ng COVID-19 sa Cagayan Valley

Sa programang 'PIA Region 2 COVID-19 Special Coverage' ngayong araw, kinumpirma ni Dr. Leticia Cabrera, oic director iii ng Department of Health dito na 14 na ang kaso ng COVID-19 sa buong rehiyon.

TUGUEGARAO CITY, Marso 29 (PIA) - - -Umabot na sa labing apat ang kumpirmadong kaso ng Corona Virus Disease o COVID-19 sa Lambak Cagayan.

Sa bilang na ito isa na ang namatay, labing isa ang naka-admit sa ospital at dalawa ang naka strict home quarantine.

Kabilang sa nasabing mga positibong kaso ang limang health workers na nahawa dahil sa pag-asikaso sa mga pasyenteng nagpositibo sa virus, apat mula sa Cagayan Valley Medical Center (CVMC) at isa mula sa Region 2 Trauma Medical Center.

“Patuloy tayong nagsasagawa ng contact tracing at minimonitor din natin ang mga kalagayan ng mga pasyenteng nagpopioitibo sa COVID-19 sa ating rehiyon,” ani Dr. Leticia Cabrera, oic director iii ng Department of Health dito.

Sa ngayon meron nang 250 na kabuuang bilang ng mga Person-Under-Investigation (PUIs) at mahigit 47,000 ang Person-Under-Monitoring (PUMs) sa buong rehiyon simula noong Enero.

Umabot na rin sa 141 ang nag-negatibo na sa COVID-19 base sa mga resultang inilabas ng Research Institute for Tropical Medicine (RITM).

Samantala, inihayag naman ni Dr. Glenn Mathew Baggao, medical center chief ii ng CVMC, na nasa maayos na kundisyon ang lahat ng mga naka-admit ngayon.

“Nakita ko ang dedikasyon ng ating mga health worker at nakakalungkot na sila ay nahawa rin sa nasabing sakit. Sa ngayon ay sinisiguro rin natin na nasa maayos na kalagayan ang mga ito,” pahayag ni Baggao.

Siniguro rin nito ang kapakanan ng mga frontline service provider na nasa nasabing ospital, lalo na ang mga umaasikaso sa mga nagpositibong pasyente at mga PUI.

Dahil din sa mahigpit na pagpapatupad ng enhanced community quarantine sa buong rehiyon, walang gaanong lumalabas sa mga tahanan, tulad sa sitwasyon ngayon sa Tuguegarao City.

Wala na ring pinapayagang mga pampasaherong sasakyan na namamasada kung kaya’t ang mga pumupunta sa mga grocery store at palengke ay naglalakad na lamang kahit malayo ang kanilang mga tahanan para lamang makabili ng kanilang mga pagkain at iba pang gastusin. Ang lokal na pamahalaan, nagsimula nang mamahagi ng ayuda.

Patuloy ang panawagan ng lokal na pamahalaan na manatili na lamang muna sa bawat tahanan para mailigtas ang buhay laban sa COVID-19. (MDCT/OTB/PIA 2-Cagayan)

***

References:

* Philippine Information Agency. "Tagalog News: Lima na health workers kabilang sa 14 kaso ng COVID-19 sa Cagayan Valley." Philippine Information Agency. https://pia.gov.ph/news/articles/1037492 (accessed March 29, 2020 at 02:17PM UTC+08).

* Philippine Infornation Agency. "Tagalog News: Lima na health workers kabilang sa 14 kaso ng COVID-19 sa Cagayan Valley." Archive Today. https://archive.ph/?run=1&url=https://pia.gov.ph/news/articles/1037492 (archived).

[afhill]

Wilson Audio Specialties Alexia Series 2 review

One of the benefits of being a reviewer is that, of the large number of products that pass through my listening room, occasionally there are those that I really would like to see take up more permanent residence. One of these was Wilson Audio Specialties’ Alexia loudspeaker, which I reviewed in December 2013.1 “Its clarity, its uncolored, full-range balance, its flexibility in setup and optimization, and most of all its sheer musicality, are, if not unrivaled, rare,” I wrote, and concluded: “If I were to retire tomorrow, the Wilson Alexia would be the speaker I would buy to provide the musical accompaniment to that retirement.” Nothing I subsequently heard disabused me of that dream, though a couple of other speakers, in particular Vivid Audio’s Giya G3 and KEF’s Blade Two,2 joined the Alexia on my bucket list.

Then, in spring 2017, Wilson announced a Series 2 Alexia. On the surface, the new speaker looks identical to the old, with its 8" and 10" paper-cone woofers loaded with a 3"-diameter port on the large cabinet’s rear, and a 7" midrange driver and 1" silk-dome tweeter, each in its own adjustable module atop the woofer enclosure. (See my December 2013 review for a detailed description of the original Alexia.) However, the price has risen from $48,500/pair in 2013 to $57,900/pair for the Series 2, and there are many improvements. The original Alexia was designed by David Wilson working with Vern Credille, Wilson’s lead acoustic and electrical engineer, and mechanical engineer Blake Schmutz; the Series 2 is the result of much development by Dave’s son Daryl, who is now the Utah company’s CEO. In particular, some of the technology developed for Wilson’s limited edition magnum opus, the WAMM Master Chronosonic,3 has found its way into the Alexia Series 2. Because of all this, I felt that a full review would be more appropriate than a Follow-Up.

Last February, Wilson’s Peter McGrath visited to set up the Alexia 2s in my listening room. Such service is not re-ally a reviewer’s perk—when anyone buys a pair of Wilson Audio speakers, the retailer will install them and do the sort of fine-tuning McGrath performed in my room.

The Series 2

I asked Peter McGrath precisely what changes had been made in the Alexia to create the Series 2. “The two bass drivers remain the same, but the port has been moved to the center of the enclosure so that both speakers launch the back wave in exactly the same way,” he explained. “Although the bass enclosure’s footprint is only about 1" different, the increase in the internal volume is significant, at around 11%. Also, while the front baffle of the ‘Series 1’ was vertical, it’s now angled back about 3–4°, and that gives better time alignment between the upper woofer and the midrange driver. The internal bracing of the lowfrequency enclosure is also improved. “The midrange driver is the same in both speakers, but the midrange enclosure has a full 26% increase in internal volume, because of the way we reworked the venting system. The tweeter is now the same Convergent Synergy Mk.5 tweeter we used for the backload of the WAMM Master Chronosonic. The crossover points are very similar, but there have been some modifications, the result of which is that the low impedance dip is nowhere near as severe in the Series 2 as it was in the ‘Series 1.’ The efficiency of the two remains within a dB. “There are a number of other things. Access to the resistors is totally different: you can just pull a plate off and make changes without having to get out the tools. The Aspherical Group Delay time-domain adjustment of the tweeter now has a far greater level of resolution—you can move the tweeter in 1⁄32" increments, twice the number of adjustments as before.

“The spikes and diodes are more substantial than they had been on the first Alexia. And then, on the top plate of the woofer enclosure, the block where all the resonant components of the upper modules couple via the spikes is made out of a material called ‘W Material.’ This is a [mineralimpregnated resin] that we developed for the WAMM. . . . [I]t is far more absorptive of resonant behavior. However, we can’t paint it, which is why it is not colored the way the rest of the speaker is.”

Setup

Peter McGrath followed much the same setup procedure described in my review of the original Alexia.4 Having adjusted the position and tilt of the tweeter and midrange modules for the height of my ears in my listening chair and their distance from the speakers—the exact settings are detailed in the manual’s “Propagation Delay Correction” table—he rolled each speaker back and forth and from side to side on its wheels until he was confident they were close to their optimal positions. Then, using “So Do I,” from singer-songwriter Christy Moore’s This Is the Day (CD, Sony 5032552), and listening to each speaker in turn, he moved the enclosures in 1⁄2" steps in both planes, and adjusted their toe-in until the sound of each Alexia 2 was to his satisfaction. It was time for some critical listening.

Listening

With the Alexia 2s driven by Lamm Industries M1.2 Reference monoblocks, the 1⁄3-octave bass-warble tones on Editor’s Choice (CD, Stereophile STPH016-2) sounded powerful down to the 25Hz band, with the 63, 50, and 40Hz warbles a little higher in level than the bands above them, the 32 and 25Hz warbles exaggerated by the lowest mode in my room, and the 20Hz warble only faintly audible. The half-step–spaced tonebursts on Editor’s Choice spoke cleanly and evenly throughout the bass and midrange regions.

When I listened to the woofer enclosure of an Alexia 2 with a stethoscope, all surfaces were relatively inert. The midrange enclosure, too, was well damped, though on the sidewalls and rear panel I found some low-level modes between 600 and 900Hz, these an octave higher than the modes I’d found on the Alexia “1”—which suggests improved bracing. The dual-mono pink-noise track from Editor’s Choice sounded smooth and evenly balanced, though with some exaggeration of the very lowest frequencies. With the earlier Alexias I’d found that if I moved my head slightly above or below the axis where the sound was best, I became aware of a narrow band of brightness. This didn’t happen with the Series 2s, and it wasn’t until I stood up that the pink noise began to sound colored, acquiring a hollow quality. The central image of the noise signal wasn’t quite as narrow as I hear with top-ranked minimonitors like the BBC LS3/5a or KEF LS50, but it was stable, neither wobbling nor splashing to the sides at any frequency.

You may also be interested in: apple iphone buyers guide

[cheesycam]

With the #BlackmagicDesign #UltraStudio #MiniMonitor adapter, I can… https://t.co/fxgbuUGFNR

With the #BlackmagicDesign #UltraStudio #MiniMonitor adapter, I can… https://t.co/fxgbuUGFNR

— CheesyCam (@cheesycam) May 8, 2018

from Twitter https://twitter.com/cheesycam

[etronicsexpress]

Pyle Home PDMN38 3.5-Inch 2-Way Bass Reflex Mini-Monitor System (Pair)

Pyle Home PDMN38 3.5-Inch 2-Way Bass Reflex Mini-Monitor System (Pair)

The mountable PDMN38 is ideal for surround sound or sound monitor applications. Place it on a wall or ceiling to optimize your listening experience. It features a 3. 5-inch long throw woofer and a one-inch high compliance tweeter in a rugged ABS cabinet.

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[kuivala-blog]

2-way speaker system ideal for monitor or surround sound applicationsHeavy duty ABS construction cabinet with rubber edges6.

[xenarc-technologies]

Support Us with Your Reviews and Photos of Xenarc Products online and your Photos can be featured on our Social Web Channels.

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