#minsoo lockscreens

[soulmateszedits]

Sparkling - Diamond ; era

Imitation

-Rocky

[eclipseedits]

◦ ᵘᵖ¹⁰ᵗᶤᵒᶰ ˡᵒᶜᵏˢᶜʳᵉᵉᶰˢ ⁽ˢᶤᵐᵖˡᵉ⁾  

◦ ˡᶤᵏᵉ ᵒʳ ʳᵉᵇˡᵒᵍ ᶤᶠ ˢᵃᵛᵉ

[kiwibomb]

kogyeol lockscreens!!! please like or reblog if you save it!!! 🐏

[gotlocks]

» teen top like or reblog if you save please don't repost c @justrzght

[kpop-locks]

kogyeol; with hearts

like/reblog if you save | @wonhoxs

[aes10tics]

| happy minsoo day! ♡

[svt10tion]

Kogyeol Lockscreen💕 Please LIKE and REBLOG if you save/use.

[thearcherwords]

I have read Cheese in the trap webtoon ... again haha

I just can't find another story that gives me all the feels that citt makes me feel each time that i read it, its such a beautiful and mature story. I can see traces of myself in a lot of characters, in Seol, Jung, Inha, even a lot in Minsoo. It makes you think a lot about yourself and your relationship with others, and that everyone has their motives to act the way they do. The characters development is huge and beautiful. If you have not read it, what are you waiting for! haha

I made a few lockscreens if someone ones to use it, i would be really happy. Im not a graphic designer so they are really really amateur haha.

[kaoru-takaida]

Lost In Translation Fanfiction

Disclaimer:

I DO NOT OWN ANY OF THESE CHARACTERS. THESE CHARACTERS BELONG TO THE WEBTOON COMIC CREATED BY JJOLEE.

The official art below is hers as well and I highly recommend that if you read this fanfiction you are up to date with the webtoon. It's my nice way of saying there will be spoilers further on from here.

Prologue: The Wyld Truth...

"Fame changes people." "He's only desperate." "He doesn't care about is fellow members." "He's a player and a user."

"He's a womanizer!"

"He should just die."

Jaewon's finger stops short at the comment. His dark eyes stare at the letters, his heart sinking in his chest. He could understand the other comments... He was used to those. But he'll never get used to these ones. Were they genuinely wanting him to die? Then again, he can understand why someone would want that. After all...

Daehyun looks over at him and lifts his brows. "Hey. What are you doing?" He asks.

Wyld, Jaewon's stage name, puts his phone down, shaking his head and smiling nervously. "I'm sorry. It's nothing." Daehyun opens his mouth to respond when Minsoo hops over the arm of the sofa and plops next to Daehyun, wrapping right arm around the back if his shoulders.

"Are you guys excited for this concert?!" Minsoo asks. Daehyun fusses with his blond hair and readjusts his glasses, still seeming a bit concerned at the dark look he saw on Wyld's face.

Wyld smiles now at Minsoo. "Yeah." He says. "I hope our stage today impresses the fans."

D.Min crosses his arms. "I hope you remember our discussion about the choreography from yesterday, Minsoo." He says.

Minsoo grimaces a bit. Looking nervous. "I do... but remind me anyway?"

D.min growls a bit. "Really? Aren't you the leader? How could you have forgotten so quickly?"

Wyld feels his cellphone vibrate. He looks down at it. The preview notification on the lockscreen caught his attention. An unknown number. And a photo message attached. He swipes his phone open, and taps on the message. His eyes widen now and his jaw drops. The photo... it was...

He hurriedly closes the text and stands up, making the table he was seated at clatter.

Daehyun looks up at him. "Something wrong, Wyld?" Now the other members face him and Minsoo and D.min stop their little spat to look at him.

"You look kind of pale. Are you sick?" Minsoo asks. Wyld thinks fast, holding his mouth now.

"Um, yeah. Give me a few minutes. I have to go to the bathroom." Wyld says. With that he dashes out the door of the waiting room and into the hallway. He rushes to the private dressing rooms and into the private bathroom in the back corner. Once inside, he locks the door and leans against the door, opening the picture message again.

He gulps, reading the message. "Please, don't share this with anyone. Especially your president. I have more like this." Above it was a grainy picture. But in it he could clearly see and remember.

The day the president forced Jaewon to beg on the floor of his office, groveling on Mayhem's behalf. The day he made Jaewon kiss the linoleum floor beneath his expensive leather shoe, humiliating him. The day he felt his spirit broke. And above the grainy photo was what made him on edge.

"I know the truth about you, Jaewon."

Someone did know the truth... And that was dangerous... not for him, he could care less about what happens to him. But the truth was dangerous for Mayhem...

*-*-*-*-*-*-*-

This fanfiction will be taking place behind the scenes and along with the story in Lost In Translation. For those who want to know more about the series it's based on read the Webtoon "Lost In Translation" and/or follow Jjolee on Twitter here: https://twitter.com/_jjolee?s=09

Meet Mayhem:

There will be a mystery character. My own original character. Info on them will be slowly given throughout the story.

Thank you for reading. Please read the Webtoon and support Jjolee. 🌸🌸🌸🌸🌸🌸🌸🌸🌸💗💗💗💗

[thesinglesjukebox]

LOUIS TOMLINSON - MISS YOU [5.45] 3rd try is the... charm?

Maxwell Cavaseno: While foolish critics fondled the prattishness of current day Liam Gallagher and Primal Scream pastiche as some kind of return to form just because he had a good year on Twitter, leave it to the prophet of the zen-sunni anarchist of laddishment defined as "The Tommo Way", one Maestro Louis Tomlinson, to actually bother with coming up with a song that channels the Oasian spirit. The rock bits are all corrosive grafts to the point of Frankenstein artificiality, but whereas prime Oasis sounded like the pieces of Lynyrd Skynyrd's plane's torched remains superimposed over Paul Weller statuettes at times, "Miss You" is the false memories of those Good Time Gents xeroxed and 3D-printed out, Trevor Horn style, into blasts of anxiety disguised as escapist hoots. Louis feels attached to violent bungee cords outside of his control from the demands of the present, desire to "move on" into the future and the regrets of the past, and for all the easy charm of the sneery "Shit" reflex, you get the sense he would really like to keep up those swells of abandon for more than a few moments. [8]

Joshua Minsoo Kim: A post-breakup celebration complete with concomitant feelings of bitterness and regret. Louis Tomlinson channels 2000s pop rock and Oasis to forge a song well-suited for a bygone era's Teen Movie and obligatory soundtrack tie-in. The strings are hokey but self-aware: a cartoon rain cloud that follows Louis as he attempts to drink away conflicted feelings. The whole situation may be trope after trope, but it can feel less lonely and disheartening when you align your experiences with familiar, well-trod territory. [7]

Scott Mildenhall: It's great to have to Freefaller/The Noise Next Door/Son of Dork back, it really is, but what on earth is going with Louis Tomlinson's accent? Perhaps he just has to do what he can to get his voice through a song unscathed, but here it flits between classic, Robbiesque mid-atlanticism ("all of these thoughts", "tune"), an approximation of "standard" southern ("dancing" is halfway to Bextor), and a weirdly exaggerated version of his own northern speech (witness the same vowel in "worry", "love" and "coming" in the bridge, which does not sound quite like how he says it when talking). In the final case, it's almost as if they wrote in that particular vocalic thread in an attempt to accentuate his tediously misguided #toplad persona. Better yet, it might all be a purposeful display of linguistic performance made to explode the myth of singular authenticity. So let's just pretend that it is. [4]

Alex Clifton: Louis Tomlinson is such an enigma; I could never quite figure out his place in 1D, and I'm not sure anyone else did, either. Zayn was the hot one, Niall the songwriter, Harry the wild card, and Liam was... well, whatever Liam is. But Louis? Who knows, other than the first one to become a dad. Fittingly, this is the most generic 1D solo debut. Even "Strip That Down," a real corker, could've only come from someone as self-important and un-self-aware as Liam. Louis ticks all the post-boy band boxes here--he swears! he drinks!--and doesn't actually sound bad, but I still can't tell you anything about Louis-the-person. In other words, it's exactly what I expected from him. [4]

Isabel Cole: In the absence of any ability to even pretend to be a little bit objective about my fave Direction/fellow Capricorn sun Gemini rising with Mars in Sg/iPhone background and lockscreen since 2013/biological son whom I, personally, raised to semi-manhood with my blood sweat and tears, how about full transparency instead? Three points off the bat for the sheer base pleasure of hearing Louis Tomlinson sing with false brightness "everything is fucking great" with that accent, happier to be swearing on his song than anyone in pop since Avril snarled her exhaustion with all the ssshit that you do; one point for the #mood of spending the entirety of an ostensibly fun night out glued to your phone, two points for the #big mood of "just one more pint or five / does it even matter anyway"; one for the knowledge that he is finally making the loud dumb guitar-punching fake pop punk of his beautiful idiot heart; two for finding myself genuinely affected by the bridge - I remember that, too, when I was his age, marveling over how suddenly the rules can change, how you have to unlearn the entire way your life has oriented itself around the person you can't even be with alone now; docked two points for not living up to the promise of "No Control"; bonus point for "lads." [8]

Joshua Copperman: "Miss You" is a bizarre listen from the top -- a dry guitar VST shares space with real-life violins, martial drum loops, gang vocals, and a glossy, compressed acoustic strum. Also, auto-tuned ad-libs. That's all before the lyrics, which sound like "Not Over You" was combined with the sappiest parts of Divide, then sprinkled with curse words, and then sent through Botnik. I'm assuming Julian Bunetta didn't know how to work with Louis after crafting successes for Niall, so Bunetta just decided to do everything at once. Therefore, we get an album's worth of misguided ideas in one song, but by some miracle, it's just WTF enough to work. To paraphrase another Directioner, it's absolutely ridiculous, but I'm into it. [7]

Katherine St Asaph: How is Louis from One Direction making better Pink songs than Pink? [7]

Austin Brown: Oh, so he's decided to be the pop-punk one? That's...a choice. Somehow this makes me appreciate the fluidity of post-reunion Fall Out Boy's EDM integrations far more though--the genre gestures scattered throughout (strings, auto-tuned adlibs, background choral vocals, etc) feel more like badly disguised bids to expand Louis's market share, and who needs any of this when Hey Violet is around? [4]

Anthony Easton: Bratty vocals, but not in ways that I haven't heard a million times before, made even more obvious by the terribly reductive guitar playing. [2]

Alfred Soto: While his 1D mates have gotten undue credit for using power chords and arena-ready drum patterns, Louis Tomlinson aims for spice: he adds violins and some rubbish about dancing on tables. As if. [3]

Ashley John: Louis is earnest in the only scrubby, scuffed up, anthemic way he knows how to be. "Miss You" steals just the right amount of pop punk sandpaper grit to toughen up an otherwise precise pop song into something else. He's genuine and apocalyptic in the same lines, barely delineating a Tuesday night from the vast, hopeless forever. This song sounds like the stride he's been waiting to hit. [6]

[Read, comment and vote on The Singles Jukebox ]

[editbeans]

Mayhem lockscreens (characters are from Jjolee’s webtoon “Lost in Translation”)

[Please like/reblog if you use <3]

[yeppeunttalgi-blog]

TEEN TOP as OT6

Link for difficulties in downloading. Share and reblog. Thankyou.

[kawaiiscreen]

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[kpop-locks]

kogyeol ; bf material 💐

like/reblog | @chitaphwn