#mischabarton

[rrainbowwarriorr]

[thefuckinheaven]

[fabioemme78]

[benjaminkanarekblog]

Actress #MischaBarton @mischabarton photo @benjaminkanarek video @frederiquerenaut makeup @carolelasnier (at Paris, France) https://www.instagram.com/p/Ck3-91aL-9D/?igshid=NGJjMDIxMWI=

[mumbojumbo84317]

Mischa Barton

(Photo by Mark Liddell/Contour by Getty Images)

#beautifulactresses #mischabarton #beautifulwomen #theoc

[beadsofparadisenyc]

Why bring bagels, Marissa, when you can bring BEADS! Or…. hmm, why not both? How about a beading brunch this weekend, or any weekend?! Swing by Beads of Paradise to stock up on beads and supplies, and then have a nosh, a drink, catch-up chatting, beading brunch session with your besties, buddies, and bae! #theoc #theocedit #oc #marissacooper #marissacooperedit #mischabarton #mischabartonedit #ibroughtbagels #ibroughtbeads #beads #brunch #beading #y2k #y2kfashion #early2000s #diyjewelry #diyjewelrymaking #customjewelry #gemstonebeads #vintagebeads #beadshop #beadstore #bestiebonding #weekendactivity #brunchnyc #brunchvibes #shop #nyc #unionsquare #beadsofparadise

[itslayspodcast]

In case you missed the big announcement yesterday—we've relaunched our PATREON! In 2023, we're going to be focusing much more on offering exclusive content for our loyal listeners. Some of the perks so far include getting to pick a movie for us to review, exclusive stickers, getting the main show 48 hours early, and access to the monthly Patreon exclusive show, STREAM SCREAMS! A show where Gill & Rowan plunge the depths of Tubi to discuss Horror movies that no one else dares to watch. The first episode of STREAM SCREAMS discussing THE TOYBOX (2018) is on us and already available in your podcast feeds, but if you want access to next month's episode as soon as it drops, as well as any of the aforementioned Patreon goodies, be sure to visit our page and pledge to whatever tier works for you! Link in bio! . . . #itslays #itslayspodcast #horrorgram #horrorpodcast #horrorfamily #horrorlover #horrorfan #horrorfanatic #horrorcommunity #horrorhound #horrormovies #horrormoviereviews #moviereviews #podcast #smallpodcast #newfoundland #novascotia #streamscreams #tubi #thetoybox #mischabarton #patreon #newpatreon #smallpatreon #indiecreator #patreonexclusive #anniversary #fouryears https://www.instagram.com/p/Co4wamNMypP/?igshid=NGJjMDIxMWI=

[gettingscrazy]

Mischa Barton - Childrens Cancer Charity's in London - March 23, 2007

[virgochalet]

[unblogparaloschicos]

Cine: Lost and Delirious (2001)

Aún buscando recuperarse de la reciente muerte de su madre, Mary Bedford (Mischa Barton), inicialmente apodada “Mouse” (Ratón) y luego “Brave” (Valiente), ingresa a un colegio privado de exclusividad femenina. Ella es la narradora de la historia, más las verdaderas protagonistas son sus compañeras de cuarto: Pauline "Paulie" Oster (Piper Perabo) y  Victoria "Tori" Moller (Jessica Paré). 

Mary, que no tardará en descubrir a Paulie metiéndose en la cama de Tori y disfrutando de una sesión apasionada, también será testigo de la repentina afición de Paulie con un águila herida y de cómo la relación entre sus compañeras alcanza un rumbo dramático cuando son halladas “con las manos en la masa” por Allison, la hermana de Tori (Emily VanCamp, en su debut cinematográfico). El temor a que tal suceso revele a sus padres religiosos la homosexualidad de Moller lleva a la joven a buscar en Jake (Luke Kirby), alumno de otro colegio, al novio ideal para matar todas las habladurías. Y a Paulie, incapaz de aceptar que su chica no la ama, a abrazar la desesperación y la locura.

La guionista Judith Thompson y la directora Léa Pool adaptaron la novela “The Wives of Bath”, de Susan Swan y la convirtieron en un relato doloroso sobre la magnitud de la pasión adolescente y la intensa aflicción del amor que debe mantenerse escondido por un supuesto bien mayor.

[mujdatdemir2014]

Mischa Barton

[doomonfilm]

Thoughts : Spree (2020)

Social media has 100% changed the way that we view and interact with the world, but surprisingly, film has been a bit slow in regard to reflecting these changes.  Right around 2010, however, The Social Network came out, and once we received our brief history of how the most important social media tool came to be, the floodgates opened with the release of films like You, Unfriended, Ingrid Goes West, Searching, Guns Akimbo, Nerve and more.  With sociopathy and mental health finding a renewed interest within the public sphere, the inevitable mixture of the two was bound to happen, and while Spree isn’t necessarily the first of that batch, it’s one that has been on my watch queue for longer than I intended.

Spree hits a specific tone and presentation that instantly brings to mind a handful of films about the disjointed that step outside the standard film format, specifically the likes of Searching, Henry: Portrait of a Serial Killer, Man Bites Dog and more.  Most of us take in our media via formats like YouTube, Instagram, Facebook and so on, and Spree finds a harmonic resonance that provides an experience somewhere between the aforementioned Searching and Nerve, with a much more layered experience provided to those who revisit the film and read the comments flowing on the livestreams.  We are given a set of expectations that do pay off in their own way, but in the immediate hangover of these actions, we get a coda that forces us to sit in the uncomfortable wake of these actions, with a nice little button on the end that not only puts a neat bow on the filmmaker’s intentions, but leaves us as viewers fulfilled.

The film really hums by letting the handful of characters interact in a Royal Rumble of deplorable personality aspects.  If there were ever such a thing as an anti-protagonist, Kurt Kunkle would make the shortlist based solely on his self-centered point of view, his complete lack of regard and awareness for others, and the fact that he is a legit menace to society.  With such a dark character as our main focus, you’d think those that surround him would have redeeming qualities, but in an unexpected twist, we are given a parade of social media tropes that get under all of our collective skins : Bobby Basecamp is only honest when it is to his advantage, Kris is an absent and unfocused father, Frederick is racist, Mario is an alpha male to a dangerously aggressive degree, Jessie Adams uses those around her as fodder for fame, and uNo uses her fame to bully others, not to mention the pure vapidness of Richard, Kendra and London.  What makes the entire experience really weigh the viewer down is how everyone involved is fueled by the validation they receive from social media, which ultimately stands out as the thread that connects everyone we see.

Using mostly in-world cameras to present our story dials the levels of immersion up to dizzying heights, and the way that the editing splits screen time between multiple feeds puts the immersion into overdrive.  As mentioned before, the attention to detail in the social media presentations really drives things home, with the nonstop comment threads giving a plethora of real-time commentary not often seen in film.  Juxtaposing the traditional fame of a comedian or musician against the information age fame that comes with being a social media influencer works surprisingly well as dramatic and suspense fodder, especially when the fixation that comes with the drive for both can be turned into a manic journey into the depths and horrors of sociopathy and psychopathy.  One factor that is easy to overlook is the score, which is plated and presented as music created by Kurt, which not only gives the uneasy subtext of a self-aggrandizing God complex, but further wraps us up in the already deeply immersive world, to the point it feels like we’re drowning in the same sorrows that Kurt is.

Joe Keery taps into some uncomfortable energy similar to that of a Jake Paul or Elliot Rodgers as he plays wholly to the camera with a dedication that is scary in its lack of basic human empathy searching to be replaced and filled by online validation.  Sasheer Zamata steps into her role as unaware and unwilling foil with a sly, revealing and unconventional version of a hero’s journey, going from reluctant social media darling to final girl in the blink of an eye.  Josh Ovalle locks in as a cold and emotionless influencer with a severe lack of empathy as he firmly stands his ground of being totally unwilling to lend even the slightest of a helping hand to a young man literally screaming for someone to listen to him.  David Arquette stands as a warning sign for those unwilling to put away their personal needs for the sake of their family, with his disability to provide proper guidance to his son spiraling wholly out of control.  Appearances by Kyle Mooney, Mischa Barton, Frankie Grande, Lala Kent, Sunny Kim, John DeLuca and more fill out the crazy world of Spree.

Spree feels to the Elliot Rodgers situation what Elephant does to Columbine… while not a one to one retelling of events, it captures the energy and tragedy of these sadly all too familiar situations.  Focus is not only given on the perpetrators of the horrible acts within the narratives, but on the immediate victims as well as those on the fringes of the perpetrator’s life.  If you find yourself fascinated by dark minds, fixated on how the information age is reshaping our world, or possibly even both things, then Spree is more than worth your time.

[thefuckinheaven]

[adamwatchesmovies]

Lost and Delirious (2001)

I'll admit Lost and Delirious has moments of obvious symbolism and the drama can be a bit much. Considering the film is about teenagers and their bursting emotions, it doesn't seem that big an issue. It's a drama filled with excellent performances and big emotions.

Mary (Mischa Barton) is sent to an all-girls boarding school by her widowed father who has recently remarried. Awkward, shy, and inexperienced, Mary now shares a dorm room with two older girls, Paulie (Piper Perabo) and Victoria “Tori” (Jessica Paré). Mary observes her roommates' evolving lesbian relationship as the three young women hit rocky episodes throughout the school year.

The characters within this story feel real. Everyone has little quirks, hobbies, faults, and moments that allow you to get to know them. I know more about teaching Spanish than I do about what high school would be like as a young lesbian. After this movie, I feel like I understand things better. It helps that there aren’t really any heroes or villains here. There are only people in a world that occasionally forces against each other. Sometimes teenage girls tease and spread rumors whose consequences they couldn't possibly know. Sometimes teachers can help students when they need them most. Sometimes they can’t. I recognized an element of nearly every single scene in my high-school experience.

The numerous clichéd and overly dramatic moments are there. It's fair to critique the movie for them. You'll wonder why Tori, after getting her heart broken is so inconsolable, why she seems to become obsessed with Shakespeare. The answer is that she’s a teenager. Teenagers are melodramatic, they get obsessed over trivial things because they can’t control their emotions. They’re quick to label their first significant other as the love of their life and equally eager to dismiss something that previously meant the world to them. Do the characters in this picture over-react? Yes. Take the circumstances into consideration, however. Being a teenager is hard. Think of how much more uncomfortable it would be if you suspected (within reason) that your family sent you off to a school so they could get rid of you. Unfortunately, much like Mary, all you can do is watch.

The performances are terrific. Everybody looks the part, they carry their weight in the emotional sequences. The scenes that would feel sleazy and exploitative elsewhere are simply natural thanks to some good direction by Léa Pool. The weeping and sulking perhaps less so the nth time around. It does get a little frustrating, particularly since we've seen this kind of thing in several other stories and when paired with the heavy-handed towards the end. Basically, it’s a sub-plot with Tori that symbolizes her wanting to escape and be free that involves an injured bird. You already know the whole arc from those two words.

Adults whose formative years are far behind them might need to dig a bit to really “get” the emotion and drama of Lost and Delirious. It'll come if you have patience. Adolescents will be impacted immediately. The nudity will prevent it from being shown in classrooms but if you’re a parent and you want to teach your kids about the different viewpoints they'll encounter in life, watch it with your kids. It’s good conversation material, that’s for sure. (On DVD, June 28, 2015)

[kanalattaque]

Des bannières, en veux-tu en voilà !

Plein de bannières !

[camillacinematica]

#theoc #sethcohen #marissacooper #ryanatwood #adambrody #mischabarton #benjaminmckenzie #series #seriestv #quotes #seriesquotes #quotesseries #seriestvquotes #quotesseriestv #teendrama #2000s #america https://www.instagram.com/p/CGx-P6hhTyA/?igshid=1o9n8ucpqeyk2