#moe zart

[cathalbravecog]

thx 4 the nitro have a moe zart @15laff

[uglygrievous]

heres my fanart of sticky lou dying in a glue trap

[tulipterrance]

i like this brush

[gorgugplushie]

Moe zart from melody!

Been meaning to draw out my design for him since i finished his quest n ttcc.. which was a long while ago now

[vamp1r1cjuggalo]

Update about the downfall AU?? I love it already, so I must ask.😭

Hi hi! Yes yes! I’m really glad you like it!

So we do actually a lot of updates! I’ll start off with our status list and then dive into characters!

Status list

Toons:

Flippy: dead rip L

Lord Lowden Clear: Alive, the new mayor

Mata Hairy: Alive, doing well

Good Ol’ Gil Giggles: Alive

Bumpy Bumblebehr: Alive

Rain: Alive and well, chilling with William

Reid Stock: Alive

River: Alive

Barnacle Bessie: Alive

The elders: Alive, old as shit

Timmy: Alive

Rocky: Might be dead, possibly due to an encounter with an odd red cat lawbot

Vinny: Alive but injured, not critically however

Rhapsody: Alive

Moe Zart: Alive, heavily disgruntled

Rose: Alive

Reed: Alive

Coach Zucchini: Dead

Lil Oldman: Alive

Ridge: Alive

Mac Opsys: Alive

Winn Dos: Alive

Elvis Purrsly: Questionable

Ok yeah most of the toons R alive

Cogs:

William: Alive, but fired, bad condition

Buck R.: Alive-ish, stuck in a permafusion w/Dave

Brian: Alive, fired, with Mac and Winn

Alton: Alive

Mary: Alive, on the search for misty, left the company

Misty: Alive but missing

Winston: Alive, very bad condition but alive

Holly: Alive, trying to help finding misty

Prester: questionable

Ben: Alive, forced to stay in the company

Cathal: Alive, the current VP

Allan: Dead, they killed my wife

Belle: Alive

Dave: Alive-ish, stuck in a permafusion w/ Buck

Chris: Alive

Flint: Alive, in the mafia

Cosmo and the inventors: Alive, buisness is kinda going to shit, hence them trying to get more people into the family

The Litigation team: Chimeraed

CLO; Critical condition but alive

Spruce: Alive

Chip: Alive, stuck in override

Craig: Alive

Desmond: A lot better than William that’s for true, Alive

Buck Wilde: Alive

Dana: A bit fucked up mentally but she’s doing ok, propaganda machine

Tawney: Alive

Graham: Alive but kinda starting to not be great mentally and physically L

Thomas: Alive but doin shit mentally

Robert: Alive, doin shit mentally, desperately trying to stand ground

Now for character updates:

Rain and William

William and Rain end up partnering up, the two coming together to survive after William left the company, having to leave for his safety as his age and outdated shell and software led to him beginning to fall apart, not able to withstand battle.

Rain has taken on engineering, to keep him together as best as she can.

Flint Bonpyre

They join Pluto’s crew officially, mostly out of desperation for a bit more money since repairs and stuff have been more expensive as of late due to the rise in them as well as lack of resources

Elvis Purrsly

Looking a little more robotic then usual, but it was found out he is alive. Sort of.

Misty Monsoon

While alive she may be, no one can find them, they’ve gone missing. Though reports have shown heavy and rapid weather changes in certain areas around toontown.

Mary Anna

Mary quit COGS inc, due to both her heavy concerns for the pollution, how awful everything has been, and to make more time to search for Misty. She has been leading the search for a few months now, but no one has been able to find Misty.

And that’s all for now folks!

We do have high roller lore but I still need to draw her ack

But yeah! Here are some updates! Thank you for reading!

[mad-doodle-disease]

mezzo melodyland safehouse (0 months, 10 days into infection)

location: tenor terrace previously known as: the musical master of melody attitude: both cog and toon friendly mood: lively and hopeful

company

safehouse leader(s): dave brubot (cog, suit name: major player) guards: various executive cogs (mainly cashbots due to close proximity to cashbot hq), rhapsody (toon, resistance ranger) refugees: tumbles (toon, not a citizen of mezzo), kazoo kid (toon), moe zart (toon), barbara seville (toon), nurse marie (toon, administers medical aid when needed), belle dama (cog, suit name: mouthpiece, cook), more miscellaneous cogs and toons (you'd be surprised how many people a single theater can hold).

strengths/weaknesses

pros...

access to multiple (makeshift) weapons (instruments)

relatively positive interactions between the toons and the cogs

high morale

cons...

INCREDIBLY loud

prioritizes overall happiness over overall safety (very quickly burns through food rations)

too many reminders of the life they used to have, will eventually become sad and bittersweet if left unchecked

Just a Quick "Note" from MEZZO MELODYLAND!

NEXT

[john-smells-well]

rip moe zart, u woulda loved 100 gecs

[vancus-chilly-pepper-stash]

When Moe Zart Misses 😱😱😱

[ikimono-clips]

by Moe Zart

[mrmichaelchadler]

Cold Pursuit

"Cold Pursuit" is the 2019 version of a recently minted tradition, the late winter Liam Neeson revenge flick. It's one of the strangest, least predictable movies he's made in years, which isn't the same thing as saying it's consistently good. Based on the Norwegian movie "In Order of Disappearance," and directed by the same filmmaker, Hans Petter Moland, it's a fragmented, meandering tale in which Neeson's character, a Kehoe, Colorado snowplow driver named Nels Coxman, gets a taste of vengeance and becomes a glutton. At times it plays less like a self-contained movie than a couple of episodes of a TV series that don't quite add up the way you wanted them to. It's a shame that it isn't better. At its best, it plays like a wry critique of this unexpectedly lucrative period of Neeson's career, and a borderline-spoof of the genre as a whole.

"Cold Pursuit" kicks off with Nels accepting an award as Kehoe Citizen of the Year, then jumps ahead to the murder of his' only son Kyle (Michael Richardson, Neeson's real-life son with the late Natasha Richardson), an airport baggage handler kidnapped and killed by members of a local drug cartel over a mishandled cocaine shipment. The killers made Kyle's death look like a heroin overdose even though the young man didn't do drugs, a touch that adds insult to injury. Nels swiftly dispatches the men directly responsible for his boy's murder, wraps their corpses in chicken wire, and dumps them off a waterfall so that they'll settle on the bottom of the Colorado River and be stripped clean by fish, an evidence-disposal technique that he later says that he learned by reading crime fiction. Unsatisfied by the deaths that he metes out early on, Nels resolves to work his way up the underworld's ladder until he slays the boss of bosses, Trevor "Viking" Calcote (Tom Bateman).  

Complications ensue, and not necessarily the ones you'd expect from having watched other Liam Neeson revenge movies. Moland and his American screenwriter, Frank Baldwin, play around with Western movie motifs, photographing the snow-packed mountains, valleys and roads like panoramas in a John Ford cavalry picture, and envisioning a Cowboys-and-Indians-type rivalry between the white-run drug cartel that's responsible for Kyle's murder and a Southern Ute Indian gang that mistakenly gets blamed for Nels' retaliatory spree. There's also commentary on how outlaws lust after cliched signifiers of respectability. This is conveyed mostly through Viking, a divorced yuppie clotheshorse and preening psychopath who treats his own young son, Ryan (Nicholas Holmes), like a pet, or some kind of experiment in conditioning, micromanaging his diet and recommending "Lord of the Flies" as a self-help manual.

Like its source, this American remake is comparatively light on graphic violence (the beatings tend to be uglier than the shootings), and it has the confidence to handle quite a bit of that business offscreen, staging significant killings behind drawn curtains, or in the cut between one scene from the next. It also detours from the main story to spend quality time with Viking's drug gang, his henchmen (including Domenick Lombardozzi as the aforementioned fantasy football sentimentalist, who refers to Mozart as "Moe-zart"); Nels' ex-criminal brother Brock "Wingman" Coxman (William Forsyth), who got his nickname from "Top Gun"; a couple of Kehoe cops (Emily Rossum and John Doman) trying to make sense of the mayhem, and assorted mates and exes. Laura Dern has a few scenes as Nels' grieving wife Grace, who leaves Nels almost instantly, perhaps sensing that her presence would be wasted in a movie filled with sad, violent, self-involved men. 

"Cold Pursuit" is at least four-fifths a dark comedy, filled with eccentric, often introverted and sad American archetypes. Most would be mesmerizing and/or hilarious if they had been fully fleshed out as characters, and if the film surrounding them were more elegantly structured and paced. The project suffers from a certain flatness in the characterizations, as well as from an inability to introduce new faces, or arrange meetings between established characters, right when the plot needs them, as opposed to much later, when the audience is ready for the story to tend and tends to view such moments as narrative speed bumps. But even at its most navel-gazing and disorganized, "Cold Pursuit" still showcases elements you haven't seen before, like the tight-lipped hero asking how many words he's required to speak at an awards dinner, the henchman who keeps losing at fantasy football because he's too loyal to his favorite childhood teams and players, and the Ute crime boss who's saddened by the appropriation of his people's clothes and jewelry by white designers, more so when he turns over a label and sees the words "Made in China."

The film might have been doomed to historical footnote status regardless, because it opened mere days after its star made one of the weirdest, most clueless unforced errors in the history of movie promotion. In an interview, Neeson tried to connect this film, and the futility of revenge in general, to an anecdote drawn from his twenties, when he responded to a white female friend's rape by a black assailant by wandering town around with a crowbar, hoping to get in a fight with another "black bastard" and kill him. Although Neeson didn't kill anyone back then, or even fight them, he flunked the present-day personal disclosure-as-advertising test by failing to realize that the racism part of his story—which he did not apologize for, or even note and explain—was as disturbing as the revenge part, which he condemned on the spot.

Ironically, it's precisely this kind of person who might've ended up as a supporting player in "Cold Pursuit," had the filmmakers been able to justify clearing out space in an already-crowded ensemble. Throughout the movie, revenge is treated not just as a disturbing and self-negating activity but sad and bleakly comical as well. This is surely the only revenge picture that starts with a printed quote from Oscar Wilde ("Some cause happiness wherever they go, others whenever they go") that sounds like a condemnation of people you haven't met yet. Several of the main characters are obsessed with vengeance. Even more are casually, even murderously racist. It's clear not only that revenge can never satisfy them but that they are incapable of seeing their own flaws, and that their tribal myopia and obsessions with honor and vengeance are ways of distracting themselves from the bone-deep knowledge that they failed the same people whose bodies, or memories, they're hell-bent on defending. 

from All Content http://bit.ly/2SiUcpw

[nuttybrainstheduck]

5/28 

Just finished another wonderful VP with some great people! We rescued Moe Zart SOS Card.

[official-german-puns]

Die Simpsons - Fakt

Wenn Lisa auf ihrem Saxophon spielt, freut das nicht nur Jazzliebhaber, sondern es wird auch Moe zart.

[cadence-acres]

30 Day Toontown Challenge: Day 15

favorite SOS toon

favorite sos to have: professor pete

favorite to use: moe zart

favorite to save: flippy

okay so prof. pete is so useful. out of gags? prof. pete will restore everything

moe zart. oh youre alone in a building and need to use sound to take these cogs out but dont have an opera or dont want to use it? moe zart

flippy.. the feeling of accomplishment after saving flippy is the greatest feeling ever. its like ‘hey i just saved the freaking mayor of toontown. i saved my leader when even he couldn’t save himself. bam’