iconsintexindiapvtltd-blog

[snoopysfriendwoodstock]

i stopped caring as much abt taylor swift being a homo when my brain fully developed but TRUST if you’re in my mentions saying “g*ylor” i think you are a loser. oh nooo are taylor swift girl kisser allegations going to ruin your life. should we call karlie kloss?

[vadapavani-13]

see this is the kind of shit that i absolutely hate, because her love life (or lack of it) is absolutely none of our fucking business. y'all really think that taylor needs to be in a relationship to be successful?? it's like the minute there's breakup rumours (which still haven't been confirmed btw and we all know what happened in 2016 when people believed rumours about her) people are jumping and falling over themselves to pair her up with someone. like just leave. her. alone. she's on a really successful tour rn and all that i see in the news section on taylor is "rumours about joe cheating on taylor" "lead singer of the 1975 reportedly in a relationship with taylor swift" "breakup was announced on april this and this date, was this a gift for so and so person?" like these articles are trying SO HARD to make blank space a reality and it shows😭😭

like i'm just sick and tired of people trying to pry into her personal life, which she has REPEATEDLY said she doesn't want to talk about. taylor has made it very clear SEVERAL TIMES that she's a private person (as she should) and we should be celebrating the massive fucking succes that the eras tour is instead of believing in rumours, regardless of whether or not they might eventually turn out to be true. if she even is in a relationship, she'll tell us on her own time.

[discoidal]

on chapter 1 of unauthorized fan treatise and if i were in this fandom i would so be on gottie's side idc abt all yall she is RIGHT!! cockles and petekey and gaylor nations have done way more with way less

[a-swift-folklore]

Watching the TikTokers and Redditors discover that Taylor has had alleged wlw relationships before Karlie will never not be amusing.

[batmanisagatewaydrug]

Feel absolutely free to ignore this if you don’t want to dive deeper into the gaylorism topic but I‘m wondering what you think about T. Swift and queerflagging? Hear me out, I kind of submerged myself into gaylor tiktok a while ago bc I thought it was such a hilarious and ridiculous conspiracy that I wanted to know what those people were smoking and while a lot of their „evidence“ is incredibly far fetched, there are some things that genuinely baffle me like Swift mashing up two songs (it‘s nice to have a friend x dorothy) to sing „It‘s nice to have a dorothea“ (friend of dorothy = saying you‘re gay without explicitly saying it), Swift climbing up a ladder during the lavender haze performance on the eras tour + the lyrics being „staring at the ceiling with you“ (lavender ceiling = „glass ceiling imposed on lgbtq people: an unofficial upper limit to their professional advancement“ according to dictionary.com), Swift making herself the mayor of gay town in the MV of You Need to Calm Down and dyeing her hair the color of the Bi flag, mashing up another two songs to sing „do you wish you could still touch her? they see right through me (…) can you see right through me“ (the archer x question), having lyrics like „haven’t decided yet (…) whether I‘m gonna flip you off or pull you into the closet“ (imgonnagetyouback) and „I swear you could hear a hair pin drop“ (right where you left me) and „your finger on my hair pin trigger“ (the great war) = hairpin drop is another way of saying you’re gay without explicitly saying it — STUFF LIKE THIS!!! A part of me refuses to believe that a rich woman and HUGE celebrity in her mid thirties would be afraid to come out if she was actually queer but if she is straight, why…. why does she keep making these queer references 😭 like I don’t think she‘s just stupid and oblivious, I‘m pretty sure she has a team of people who would kindly inform her that the things she says and does and puts into her music are appropriating queer culture and history? I could write off one or two of such things as a coincidence but this is only the stuff I could remember without looking up…. I have never been more confused like am I just crazy for seeing queer symbolism in her music 😭 is this her version of allyship or corporate pride or

[chosetherose]

"The Alchemy" = Karlie's POV of how she's going to take Taylor from Travis?

"I haven't come around in so long

But I'm making a comeback to where I belong"

Karlie showing up at the Eras Tour! Taylor didn't spend long enough with either of the beards for "so long" to make any sense as being about them. How do you make a comeback when you're barely a thing to begin with? Karlie's comeback was headline news though.

"So when I touch down

Call the amateurs and cut 'em from the team

Ditch the clowns, get the crown"

Her football fan baby ("fly like a jet stream") is touching down and coming to sweep away the understudies, users, narcissists and clowns. King of my Heart coming to reclaim her crown! We can only hope 🙏

"Cause the sign on your heart says it's still reserved for me"

Taylor can rewrite history all she wants, but Tratty was never a thing and no-one with a brain can buy the idea that he was the love of her life ten years ago, while Kissgate was happening right in front of him. Peak Kaylor era. When we all saw with our own eyes how she looked at Karlie! But, no, it was Matty all along! Sure, Jan.

Meanwhile, even the "anyone but Karlie" Gaylors who hate her can't deny Taylor has been writing songs about Karlie for a decade now. Even they think she's not over her. So who "still" has Taylor's heart and could make a comeback? Mmhmm.

"I circled you on a map"

Flashback to Taylor highlighting Kaylor-related towns on the weather map in the Lavender Haze music video. Uh-huh.

"Who are we to fight the alchemy?"

Alchemy is the process of turning things into gold. Are we really going to sit here and pretend this isn't Ms Gold Rush, Ms "it's like your eyes are liquor, it's like your body is gold"? Are we really going to pretend Karlie hasn't been gold coded since the beginning? But no! This is about Travis! Totally! Does your blindfold fit snugly enough, babe, or do you want me to tighten it some more for you? 🙄

"Hey, what if I told you we're cool

That child's play back in school

Is forgiven under my rule?"

The child's play is the bearding. Play stupid games, win stupid prizes. It's getting so old to never grow up. Karlie is saying it all means nothing.

"These blokes warm the benches

We've been on a winning streak"

Her British beards have just been keeping Karlie's seat warm. While she and Taylor have privately been on a winning streak.

(Seriously, the construction of this song makes no sense if you believe it's about Travis. How could she have been "on a winning streak" with him, while "these blokes" were present-tense warming the benches? Or are we supposed to believe they're just waiting on the sidelines for Taylor to get back with one of them? Even though things are so great with 🚜 and she's said multiple times she doesn't want that? So . . . how is any of this working, exactly? What benches are they warming? Are we SURE the "we" is Travis? Hmm?)

"He jokes it's heroin but this time with an e"

People are so distracted by this "dig at Matty" they can't see what's right in front of their faces. Heroin with an e = heroine. As in, the female hero of a story. The joke is that the one to "save" Taylor won't be any of these jokers dressing up as kings. It's a woman. A HEROINE. Not a hero.

And then we get a football metaphor everyone will assume is about Travis, even though Karlie's love of football is well-documented. Do we really think Travis cares more about the beard he's made his meal ticket than he does about winning a trophy? Yeah, right. The days of wasted celebration with no Taylor in sight really give that impression. The thirst traps he was liking on Instagram while "dating" Taylor really show he only has eyes for her. Totally.

Meanwhile we have a million songs where Taylor tells us all her obviously-Karlie lover ever wanted was her.

I can't see The Alchemy any other way than as a Karlie comeback song. Bring it home, Karlie! We're all rooting for you! Go! Fight! Win! 🏆

Wow, Anon! I love this take! Lots of food for thought.

[longstoryshort22]

Peter is brand Taylor talking to real Taylor, I Look in People’s Windows is real Taylor talking to brand Taylor (the two were supposed to become one, but the more famous she gets the harder it is)😭😭

The whole theme of the album is Taylor herself and her career and how the industry has affected her, joe/matty/travis/kim are just red herrings bye im gonna go cry listening to Peter

(more details⬇️)

I’m not saying that some songs aren’t about those specific people, I’m just saying they’re only PART OF the theme, I believe her father (and other big heads in the industry) had a big influence on her career and forced her to stay in the closet from the very beginning, that messed her up, she had to hide her true self and keep bearding, and in 2019 she planned to come out but didn’t because of the masters heist, now it’s because she’s gotten more famous than ever that she has too much to lose. So maybe these men he dated, she did like them and she had multiple feelings when these relationships ended, but it’s all part of who the industry had made her into; she had one true love (maybe Karlie) but she couldn’t be with that person that’s why some songs are about a true deep love lost, but that’s still part of the “her career” theme, because of her career, she can’t be with that person. (more details⬇️)

What’s really interesting in this theme is that she’s calling out her father in multiple songs because he really made her life harder…

In Cassandra, (the obvious theory is that Cassandra representing gaylors bc we’ve been saying the truth but never believed. And the first verse is about her getting the news of her masters heist just before her coming out plan, and then “stone’s thrown” is referencing Stonewall.) And in the bridge “They knew the whole time that I was onto something. The family, the pure greed, the Christian chorus line. They all said nothing. Blood's thick but nothing like a payroll. Bet they never spared a prayer for my soul” she’s saying her family knew something but said nothing because greed and money, we saw the leaked emails of her father and how he cares more about making money out of Taylor’s career than caring about her as his daughter, so I think this bridge is about her father, also about religious trauma may or may not due to him.

In The Bolter, “A curious child, ever reviled by everyone except her own father. With a quite bewitching face, splendidly selfish, charmingly helpless, excellent fun 'til you get to know her, then she runs like it's a race” she’s talking about herself being a precocious uniquely intelligent ambitious child, which everyone reviled except her father. why? because he wanted to invest money on her, he controlled how she conducted her career from the beginning.

What’s crazier is that Robin may be about her father too. That song sounds like a sweet song but she’s faking it like “all this showmanship to keep it for you in sweetness”. If she’s referring to her father (only wanting to make money out of her career) in this song then “you’re an animal, you are bloodthirsty” makes so much more sense. And the “buried down deep and out of your reach, the secret we all vowed to keep it from you in sweetness” her father probably knows about her queerness but wants her and everyone to keep it quiet.

In But Daddy I Love Him, “people only raise you to cage you” is pretty obvious about her father forcing her to stay in the closet, and “people try and save you cause they hate you” is literally about homophobes. “Dutiful daughter, all my plans were laid” is about her father laying all the plans for her, which isn’t always what she wants. “I'd rather burn my whole life down, than listen to one more second of all this bitching and moaning. I'll tell you something about my good name, it's mine alone to disgrace” reminds me of that scene in Miss Americana where her father was lecturing why she couldn’t public her opinions. “Thinking it can change the beat of my heart when he touches me. And counteract the chemistry, and undo the destiny” is so queer coded. “Sanctimoniously performing soliloquies I'll never see / You ain't gotta pray for me” another reference to religious trauma.

So all of this, about her father, about her lover and other men, it’s all connected to her career and she’s looking back at it, thinking and reflecting on it, that’s it that’s the blog

[dandelionjack]

i lied. anyway i think now i’ve cracked the code. taylor, despite making incredibly mediocre music and generally not being an interesting artist, as well as a billionaire (inherently evil), is actively practicing some kind of sympathetic magic and imbuing her music with it, like she said on the album, puttng narcotics in her songs. but this witchcraft is very specifically tailored to charm every listener into identifying her generic lyrics with their specific situation/identity/interest, moreso than most other pop artists. that’s where gaylors and ‘autismlors’ (neurodivergent girls who armchair-diagnose taylor with autism, you’d be surprised how many there are) etc come from. they genuinely see themselves and their niche experiences in her lyrics and grow to believe that she is part of their community.

that’s why they start noticing cryptic symbolism as evidence of their theories (‘lavender haze’ signifying that she’s queer comes to mind) — her iconography and lore is so expansive that there is something for a person of virtually any demographic to latch on to and demonstrate as ‘proof’ that she is [insert label here]. this works wonders for marketability and popularity — every one of these demographics flock to purchase her albums and buy tickets to her shows because that’s not Pop Star Taylor Swift, that’s their icon. your own personal jesus, like depeche mode said? no, your own personal taylor.

how did i come to this conclusion? well, i have the misfortune of being a big fan of the 60-year-old sci-fi shitshow Doctor Who (it’s been my autistic special interest for 5 months now). and listening to TTPD, i found myself believing that taylor is also a fan and the relationship between a companion and the doctor is what the lyrics of Down Bad are based on (won’t go into detail, for more info literally just scroll down to my previous post). of course i didn’t really believe that, but the seed of “what if?” was already planted in my mind. and that’s when it clicked. this is the interest i’m most focused on right now, so i see it in taylor’s lyrics. a young queer girl from middle america who’s just come out will be heavily focused on her newfound identity, so of course she’ll see it in taylor’s lyrics.

this theory is semi-serious. i don’t actually believe in things like this. but if she had entered into a soul contract with some strange deity of musical correspondence. would you really be surprised?

[the-cards-she-wont-show]

TTPD Twin Storylines weaved together & double meanings throughout! ✌️👯‍♀️💕

Attention ALL Swifties (particularly Gaylors) and associates of the Tortured Poets department

PLEASE READ!! (and read with an open mind!!)🤍

Listening to the amazing TTPD on repeat this past week, I am certain that I have made an important discovery that I haven't seen talked about anywhere else yet and would like to get the coversation going, in hopes that Taylor will see that we are all finally listening to her! I'm still piecing everything together, as there is so much to unravel and am far from calling myself an expert on her exact timelines and dates, so am looking forward to hearing thoughts from others that are more knowledgable in her history.

I have been of the belief for a while now that Mastermind and Dear Reader were foretelling of her future, and also that the album title had a double meaning (evidenced by the lack of apostrophe in 'poets'). That the tortured poet would be departing. Note that I am also a believer that she has been closeted by those closest to her and is preparing to ruin her name and perceived reputation, give up the false public version of herself and come into her own true self. Everything as we know it will be destroyed and it is all playing out now, coming together as part of her plan.

Falling in line with all of the two's - the double album, the double meaning in the album name, the two sides of taylor etc, I have found that there are two intertwining stories told throughout her tracklist, AND that all songs also have a double meaning!! None of which are about the perceived muses of Travis, Matty or Joe. The 'evidence' for those relationships are all red herrings (for example 'putting narcotics into all of my songs' - but only in the songs with obvious reference to her beards), to make it seem ambiguous and open to interpretation of who the songs may be about, which is seen often throughout her discography. She uses an incredible amount of metaphors and we must look beyond those to decipher her lyrics - do not take anything at face level with Taylor. Most should realise that she is so much smarter than making obvious songs about whichever male muse she is 'dating' at the time. She has always played into that public view to cover her true self. Many songs have themes of secret and hidden love, which juxtaposes with the public 'relationships' she is seen as having.

She tells us in 'The Manuscript' that "lookin' backwards might be the only way to move forward". Therefore we must listen to TTPD in reverse, from track 31 (13 reversed!) to track 1. I believe The Manuscript also acts as a bookend for both of her stories and should be listened to as a closer after the last song of the story 'Fortnight' ends, to get a complete picture. Once we have listened to the album in reverse order, can we see so plainly that each song tells a different story of a period/situation/muse/love/heartbreak in her life - beginning at her parents meeting in The Manuscript, to current day. I think the songs may also actually have a sister song from the corresponding album/period in time, with similar sound, lyrics or theme that connects them. I believe that each song also has a double meaning and can be interpreted as messages to her fans about things that have happened to her over the years or that are about to happen, and she is trying to communicate her feelings of being trapped, which is honestly so heartbreaking. Many relate to her being caged and forced to hide her true self, in particular by one person closest to her - her father. It is devastating to listen to.

The really brilliant part I discovered next, is that The Anthology tracks also have another hidden storyline being told which intertwines and intersects in the exact right place to fit in with her life story. It includes all of the "THE" songs and is in reverse order from the parallel life story and vinyl variants order of issue (but chronological track list order).

The Tortured Poets Department

The Smallest Man Who Ever Lived

The Alchemy

The Black Dog

The Albatross

The Prophecy

The Bolter

The Manuscript

Rather than presenting my interpretation of the timeline and each story told in every song, I urge everyone to listen to both stories, in these exact orders, with an open mind as to what she could possibly be describing! My mind was completely blown when I figured this out!! Her mind is incredible, there is no other way to describe the album, other than a masterpiece! I feel so much for the pain she has gone through. This album explains her feelings and reasons for hiding her true self over the years for any fans that will inevitably be feeling upset and deceived. We all need to show compassion for everything Taylor has sacrificed and give her what she needs. She truly deserves love, honesty, happiness and peace. ✌️💜

I'm in the process of creating a document trying to piece all of the hidden connections together just to wrap my head around this amazing body of work, so may possibly link this when I have it completed, otherwise I will add it to this post for anyone that might be interested.

I have a couple of extra personal thoughts, theories and hopes for anyone still reading…

The manuscript of her life story may possibly be the manuscript for a future book/film.

I think one meaning of "Fortnight" is a foretelling message to the fans that havent been noticing any of her many hair pin drops - she has been trying to get the message across but they aren't listening. For the fans she loses when she comes out - she touched them with this album for only a fortnight, before she lost them. She loves the fans but staying in the closet is ruining her life. I think something big could be happening a fortnight after release? Friday 3rd May is International Sun Day. ☀️ Karlie Kloss was always 'sunshine' to Taylor. According to Karlie, their first meeting was at the 2011 Met Gala on May 2, however, there is a possibility that they could have met at the afterparty - after midnight, making the anniversary May 3! 2024 Met Gala is a few days later, could they both make an appearance? If nothing big occurs, perhaps some seeds of doubt will be planted on the 3rd? Or.. It could also be a surprise rep TV (with or without Karma and Debut - surprise triple drop?) with wlw vault tracks?! Who really knows.. I honestly have no idea, but whatever happens, I know Taylor has it all meticulously planned out and everything will happen when it is supposed to.

Taylor is chairman of the Tortured Poets department - the leader of the mass coming out we are about to see. As Chely Wright put - 'we need someone at the top' to come out and pave the way for others to do the same, and to stop the forced closeting in the celebrity world. I think Travis and the majority of her former beards are also queer and there will be many more 'tortured poets' that will join 'the department'.

Karma will be album 1 (TS12) in the 3,2,1 countdown, TS13 is 0 - the album in which she gets all of her full colour back, reclaims her glitter gel pens and finally can sing her truth proudly! She has destroyed her own name and reputation, burnt down the lover house and all her former selves.

Last of all, PLEASE BE KIND! If anyone has made it to the end of this and doesnt agree, I'd love for you to have a listen to the songs in the orders above before commenting. If not, lets just agree to disagree! We all have our own personal takes on Taylor's lyricism and I would never dream of being unkind to another just for having a difference of opinion. 🫶

For Taylor - if you somehow happen to see this - please know you are truly a mastermind, you are loved and we've got you!

🌈💛💛💛💛💛💛💛💛💛💛💛💛💛🌈

❤️ gerimegs

[throwbackgaylor]

june 2, 2024 — lyon, france

this is too meta for me, but it’s long-awaited i suppose! im not sure how to do this honestly, nor do i have the words for what happened. even still, none of it feels real and its all something im not sure i will ever fully process, but we’ll try this together

as most of you know, roughly an hour before my first show started, i tweeted a picture of my location on the floor with the caption, “they don’t know i’m gaylor throwbacks”! what most of you don’t know though is that one lurker on twitter, the biggest gaylor of us all, took that statement and made it her personal mission. standing within feet of the stage as one of the only people in the stadium wearing daisies and being with someone in a KWK cap, i stood out very distinctly, and the very moment she was able to, taylor began searching my section. after spotting my friend and i, taylor then took genuinely every opportunity she could throughout the night to interact with and sing to us. we weren’t able to find everything, but i fear the video several kind friends of mine have put together will have to speak for itself (although i will add commentary for a few things). side note: i’m so beyond thankful for them, the making of this video, and all of the livestreams/recordings in general as i did not have my phone out for most of the concert

after spotting us on the highest platform during the man, my friend held up their kode with klossy hat during fearless to which taylor mouthed, “AW,” before giving us the widest smile and scrunching her nose up at us. and once the song ended, she rushed back over to our side to toss me the lover guitar pick she had been using

enchanted is when the rain truly started and after pointing at us while singing the line, “walls of insincerity, shifting eyes and vacancy / vanished when i saw your face,” she excitedly turned back to us to comment on it

cardigan…? i can’t talk about it.

throughout the entirety of champagne problems (and a lot of the night, really), my friend and i held up heart hands (🫶) to taylor as a means of encouragement and way to send our love. most of the times she looked up while playing the song was to look directly at us. after she finished performing, taylor walked over to where we were standing, made eye contact with me, and mouthed, “i love you”

by the 1989 set, my disability had me feeling faint and thankfully, my friend got me to the front to sit against the barricade with security before i lost consciousness. i spent the rest of the show there, alternating between passing out, singing along from the floor, and forcing myself to stand once taylor was near. and that is where the anti-hero serenade took place: standing at the very front of the barricade

after the show, friends of mine also let me know what was being said during the livestream chats: swifties believed that travis must have been at the show due to the overwhelming amount of times she looked at one specific location. that location being mine.

my final, scattered thoughts: let this be a reminder that as much as we see taylor, she sees us as well. be kind, spread love. and taylor, if you’re seeing this, thank you endlessly for the night(s) of my life; i’ll never forget it. as a fan of ~15 years getting to see you for the first time, never in my wildest dreams could i have imagined the experience i would have. love you more than words. thank you for everything, and most importantly, for just being you

[keepingsecretstokeepyoutk]

So Long London - Full Lyric Analysis

My Gaylor/Kaylor interpretation at a glance: Taylor uses the bearding narrative of her breakup with Joe as an allegory to talk about her reluctant decision to “break up” with her fans/kill off her public persona in the process of coming out. 

The Joe bearding narrative was likely created for this very purpose - an "ex" who didn't allow her to "bejeweled" (be her whole self), who she tried to make it work with, tried to change herself for, before realizing she couldn't keep sacrificing her wellbeing, mental and otherwise. Read through this lens, this song is devastating, so prepare yourselves emotionally, maybe have tissues on hand.

I interpret a number of the "break up" songs on this album (almost all of them) as being about her reaching the end of her rope with being in the closet and trying to slowly change her fan's attitude towards her queerness. So many of these songs imply that she has hit her breaking point, and the metaphor of a failing romantic relationship is the perfect vehicle to express this shift.

I believe this precedent exists in her work, and for this particular chapter, was established with "You're losing me".

This is also one of a few songs on the album that conceptualize her fame (as obtained with her public, hetero persona) as a place. In this song, that place is represented by London (hence, "so long, London"). In Florida!!! she may be running away to Florida from this place, (after she comes out and needs to escape the backlash). In "I hate it here", she dreams of escaping this place, and imagines two other locales within the lore of her songs - "secret gardens", a probable parallel to Betty's garden and the "garden gates" in Cruel Summer, as well as the "lunar valleys" referencing the galactic landscape established in Down Bad.

Lets get into it!

Verse 1

“Saw in my mind fairy lights in the mist/kept calm and carried the weight of the rift/pulled him in tighter each time he was drifting away/my spine split from carrying us up the hill/wet through my clothes, wary bones caught the chill/stopped trying to make him laugh/stopped trying to drill the safe”

In this first verse, Taylor introduces the idea of her fans being like a partner who isn’t present in the relationship, and more importantly, a partner that is ultimately rejecting her true self. 

“Fairy lights in the mist” - Taylor has used daylight/light images to represent the end of her closeting/her coming out for at least 5 years. Here she sees small pinpricks of light amongst darkness and the classic metaphor for hiding/confusion, etc - mist. She is saying that in the past she had hope, she saw a possible path forward to coming out while also keeping all of her fans.

“Kept calm and carried the weight of rift/pulled him in tighter each time he was drifting away” - Taylor reflects on her years of hoping that she could slowly introduce her fans the idea that she is not straight, then come out with minimal rupture in her relationship with her fans. She tried to keep the faith and looked past a lot of bad behavior on the part of some of her fans, convinced that she could make them see her and that their love for her would extend past their need for her being the persona they have grown attached to.

“Stopped trying to make him laugh/stopped trying to drill the safe” - ultimately, she gave up, having been rejected too many times - ignored when she clearly signaled her gayness and the masses of her fans just refused to acknowledge it. Beyond refusing to acknowledge it, they bullied those that did see it, demonstrating to her how reviling they found the idea that she might be queer. “Drill the safe” is a metaphor for trying to force something that will never happen, she is realizing she needs to let go of something that isn’t for her.

Chorus

“How much sad did you think I had/did you think I had in me/oh the tragedy/so long London/ you’ll find someone” 

Taylor now must ask her fans, how long did you expect me to sacrifice my own happiness while you continue to ignore my pleas for you to see me? 

“You’ll find someone” = you’ll find another idol/para social relationship to obsess over, identify with, etc. This is a reference to Dear Reader, when she sang “you should find another guiding light.” In that song, Taylor warned fans that she is not who they think she is ("you wouldn't take my word for it if you knew who was talking"), that the idea they have of her life is constructed, and strongly lamented her life choices, essentially telling fans they shouldn't look to her for life advice, because she is lonely and miserable. Here, the reference not only underscores the idea that they don't know her, but also that she is making the choice for them to "find someone" else, because she is choosing to come out of hiding, and in so doing, is also choosing to leave behind the misery that made her write Dear Reader in the first place.

Verse 2

“Didn’t opt in to be your odd man out/I founded the club she’s heard great things about/ I left all I knew/you left me in the house by the heath/I stopped cpr after all it’s no use/the spirit was gone, we would never come to/ and I’m pissed off you let me give you all that youth for free.”

I made a post about the "Heath" reference that you can read here. Please note the reblog of it that I added an addendum to about the Heath being a park in London. Heath was a doctor that practiced conversion therapy, meaning that her fans "left her at home" with someone trying to change her. By ignoring her signaling, they told her they didn't want the real her, which kept her in the closet, and I fear kept her more vulnerable to those who may have tried to manipulate her into trying to change herself, or deny her true self even behind closed doors.

"I stopped cpr after all its no use/the spirit was gone we would never come to" - again Taylor is using the of a failed romantic relationship to express her lost hope in salvaging the corners of her kingdom that ultimately won't accept her when she comes out. This is also an example of the frequent gothic/death related imagery Taylor uses on this album, a theme consistent with the idea that something is ending, that she is killing off her public persona.

"and I'm pissed off that you let me give you all that youth for free" Taylor has spent so many years choosing her fans and her current carrer path over the full expression of her life and happiness. Again, she had hope that the people who have given her endless validation and effusive praise for years would accept her for who she is. She is realizing that the love between her and at least some of her fans was conditional, and given what we know of how much her fans have meant to her over the course of her career, this was likely a devastating wake up call that took years for her to accept - undoubtedly a huge factor in her seemingly delaying her coming out so many times.

"So long London/Stitches undone/two graves, one gun/I’ll find someone”

Taylor has said her fans are her longest relationship; the imagery in this song reflects the idea that this is a break up with someone she has tried with over and over again. So she undoes the “stitches” that link her to them. This line references her song Glitch on Midnights, “fasten myself to you with a stitch” symbolizing being bonded with a romantic partner (which represent a portion of her fans in this song).

"Two graves one gun" is likely a reference to burying her public persona self, and the second grave could represent her fans (a parallel to the "cheating husband" in "Florida!!!"?) or it could be a shrouded suicidal thought - the second grave being her private persona - both selves being killed off. This lyric is one of my favorites in this song but I don't have a strong conviction on who the second grave is, I'm very open to others' thoughts...

Bridge

“And you say I abandoned the ship/but I was going down with it/my white knuckle dying grip/holding tight to your quiet resentment/and my friends said it isn't right to be scared/every day of a love affair/every breath feels like rarest air/ when you're not sure if he wants to be there/So how much sad did you think I had, did you think I had in me/How much tragedy/Just how low did you think I'd go/Before I'd self implode/before I had to go be free"

"And you say I abandoned the ship...white knuckle dying grip" Taylor emphasizes her wish for things to be different with this lyric, clinging to her ship as it sinks. We all saw her try to right the ship, she's finally choosing to let go and swim to safety (a nautical parrallel to the manuscript's "my trip to your shores"?).

“My friends said it isn’t right to be scared everyday of a love affair…if you’re not sure he wants to be there”

Similar to when someone is in a bad romantic relationship, i imagine her friends expressed their concern that her relationship with her fans is unhealthy. Although many of her friends are high achievers themselves, Taylor’s success is in another league (monster on the hill) and they would likely have expressed their hope that she can slow down and accept a slightly less monumental career in the interest of her mental health. 

“How much sad did you think I had/did you think I had in me/Just how low did you think I’d go?” “before I self implode/before I have yo go be free”

Taylor imagines arguing with her fans in the throes of the break up, and in this passage it becomes clear that she is convinced they know the truth but are refusing to acknowledge it. That they allowed her to keep faking her straight persona for their sake. That she was a woman pushed to her limits by a partner (fans) who knew they were running her ragged, a partner that didn’t in fact love her, but loved what she could do for them.

 So she asks them, how long did you think I could keep doing this before it broke me? How long did you think I would go along with this, be willing to sacrifice for you? how much would she fake/take the money to keep up the straight persona?

“You swore that you loved me but where were the clues?/I died on the altar waiting for the proof/ you sacrificed us to the gods of your bluest days”

The para social relationship is again a perfect match for the metaphor of a partner that uses you but doesn’t meet you in relationship as a full person. The praise puts you on an altar, but their actions don’t reflect the effusive words. “Bluest days” is a red herring to match the bearding narrative/fan rumor that Joe’s mental health affected their relationship, but also could be interpreted as the fans overlooking her truth in the interest of relying on the idea that their favorite pop star has the same boy problems that they do, their "bluest days" were the days they were torn up over a relationship or an unrequited love and needed her break up anthems, and they wouldn't have the same effect if they knew (and weren't in denial) that the songs are about women (or now about them, ironically).

Last Verse/Outro

“I’m just getting color back into my face/im just mad as hell cause I loved this place/for so long London/had a good run/moment of war son/but I’m not the one”

The first line here parallels the language in “you’re losing me”, which uses the metaphor of a relationship literally dying (“i can’t find a pulse”, etc). In this song she is leaving the relationship to save herself, and in leaving she is recovering her health, hence getting the color back in her face after being pale when sick and near death.

“This place” or London, is a stand in for the world, the Swiftverse that she created for and with her fans. It had been her life’s work, her source of pride, self worth, her legacy, but now she must leave, because it was built in large part around a self she created to make herself palatable to the fans she amassed. She can’t be that person anymore, and maybe in some ways “this place” doesn’t even really feel like hers. This parallels Florida!!!, "your home's really a town you're just a guest in/so you work your life away/just to pay for a timeshare down in Destin". She is just a guest in the musical world of the brand of Taylor Swift that she spent her whole life building ("the story isn't mine anymore")

To close, she repeats the main lines of the chorus,

“So long London/Stitches undone/two graves, one gun/you’ll find someone” 

This repetition drives home the finality of this decision - her exit, her killing her public persona, her detaching herself from those that don't see and support her, and her reassuring herself that those people will find someone else to worship, and someone else to see themselves in, and her realization and relief that they aren't her responsibility anymore.

[cabeswaterdrowned]

The only trcverse characters who could be swifties are Mathew and Henry, and only Mathew would whole heartedly love her Henry would have like a complicated Thing about her like he’d find her fascinating partially as a Product of Systems and also love some of her music but be a huge cunt about the rest and also her as a person, but also would defend her from people he finds guilty of hating her for the wrong reasons and to him it’s very complex. None of the Gangsey would like her or her music in the current timeline there’s a chance Gansey could get into her in folkmore era like I think he could hear mirrorball or evermore and start crying over them and things could escalate from there, but definitely not the current trc timeline, Blue Ronan and Adam are all haters about her to various degrees with Ronan it’s less about her specifically and more that he dislikes pop music (with the exception of some pop punk, like he obviously likes Paramore), with Blue and Adam it’s about her as a person combined with the fact Adam barely likes music and doesn’t understand people paying so much for her concerts, and Blue likes weirdo freak music and also Paramore. Kavinsky does not like her but he Is a gaylor in that he genuinely believes she’s gay and is homophobic about her. These are my takes.

[spade-riddles]

I’m going to be so real with you, I’m not a gaylor and at a point in time you could’ve even said i was anti-gaylor — but I am so fed up with this ogre Travis, his entire shitty inner circle and all of the people that have come into the swiftie universe and Taylor’s personal life, PLUS what seems to be a horrid shift in her own attitudes (seeing all criticism as hate, being too above it all to care about morals, a satisfaction that she’s gotten enough of the fandom to call anyone who dares to critique her a viper, etc) that I’m about to join yall because I HONESTLY cannot believe that half of this is real or that this is truly the same person she was even two years ago. Mind you I have been a stan for nine years with active accounts for nearly 7, I love TTPD as an album in terms of the music and love Taylor with my whole heart. But this entire era (+ the year preceding it) have been sooo hard to stomach and feels like such a detachment from the person I “knew” and look up to. I just wanted you guys to know- people are emphasizing with you. Other people feel the negative energy, other people are seeing the changes. Even if it’s not based on the same reason, though tbh at this point I’m going to look into it. She should realize that more and more of her fandom are noticing cracks in what she thinks is an indestructible empire and it will come crumbling down soon enough, which makes me feel so sad and like a traitor to say. But oh well

Oh my gosh ... I love this message!

First, thank you for reaching out and being so transparent.

Second, it was so cute how you wrote this. These two parts are so significant:

I’m about to join yall because I HONESTLY cannot believe that half of this is real or that this is truly the same person she was even two years ago. ...I just wanted you guys to know- people are emphasizing with you. Other people feel the negative energy, other people are seeing the changes. Even if it’s not based on the same reason, though tbh at this point I’m going to look into it. She should realize that more and more of her fandom are noticing cracks in what she thinks is an indestructible empire and it will come crumbling down soon enough, which makes me feel so sad and like a traitor to say. But oh well

Third, it makes me wonder if this revelation is what she is going for with this stunt. 🤔

[aintgottaprayforme]

taylor has ALWAYS been a confessional songwriter. she used to put secret messages in her lyric booklets so that we could know even more of her story! she wants us to know her! to understand her! but the thing is, we only have her permission to talk about what she/her friends/her team put out there. and sometimes that means reading between the lines and analyzing and making connections! she’s an artist! that’s what you do with art!

what deuxmoi does violates that bond. they talk about things they have no business speculating about. they post for followers, clicks, and attention. and, in the process, they hurt taylor and the people in her life bc there are many who believe what deuxmoi says is fact. gaylors are the same! matty theorists are the same!! this kind of baseless speculation is cruel and invasive.

taylor just wants us to believe her and get info from her IF and when she’s ready to share it.

[taytaay131313]

DEBUNKING THE “KARLIE BETRAYED TAYLOR BELIEF”

Disclaimer: this post is taken from Reddit and it was put together and posted by this user : OddDragonfruit6179 I just made it into Tumblr post.

This is for people who might be new to Gaylor side of the fandom and to those questioning the “betrayal” surrounding Taylor Swift and her masters and Karlie Kloss. This is also an answer to anonymus messages about the line in the song It’s time to go believed to be about Karlie Kloss / When the words of a sister come back in whispers that prove she was not in fact what she seemed not a twin from your dreams she's a crook who was caught.

PSA - Personally, I exist as a Gaylor because I love interpreting Taylor's Queer themes that don't specifically revolve around certain muses & the beautiful way they can exist on their own. I am also not 'Late-Stage'-Anything, haha. But, saying that, it's amost impossible to ignore the elephant (or Giraffe) in the room when it comes to Karlie & Taylor's storytelling since Reputation. It seems there are some very firmly-held beliefs about 'what happened' (including Gaylors), and a lot of them revolve around the idea that Karlie 'betrayed' Taylor during the Master's Heist era of June/July 2019, 'feeding information to & siding with Scooter Braun' - which are often used to debunk Gaylor interpretations as a blanket shut-down. Given the latest drama with Selena & how she recently spoke up about slandering Taylor on TikTok, it reminded me of how we have a lot of evidence from both Taylor & Taylor's inner circle that this was probably not actually the case, and how quickly rumours & interpretations get adopted as 'fact' without any proof - something I think Taylor's also tried to get across with her music, too. I wanted to do a little deep-dive into this side of things to remind us all that we simply cannot believe everything we hear - there's always a lot more to celebrity stories than the loosly-held general beliefs :)

What was the big 'betrayal' in 2019?

If you're new here, welcome! The supposed 'betrayal' revolves around Taylor's Master's Heist in summer 2019, when Scooter Braun (millionaire celebrity manager) bought Taylor's entire back catalogue of music, leaving her without ownership of all her previous music. Taylor was at a turning point in her career, having just ended the 13 year contract that she'd been tied into since she was 15, and was just about to release her first fully-owned album 'Lover' She wanted to buy all her past music, allowing her to have full freedom & ownership going forward - yet it was allegedly sold to Scooter from underneath her, meaning he would be the one profiting from all of her life's work from Debut to Reputation & leaving her without any ownership rights of all her past work. (This is now why she's re-recording her 'Taylor's Versions' of her past albums.) How does Karlie tie into this? Karlie had been a huge part of Taylor's life since 2013. As Gaylors, most of us believe they were much more than friends & Karlie was the main muse for Reputation (2017) & multiple songs on Lover (2019). Karlie had signed with Scooter Braun in 2015. In 2016, Scooter was involved in the Kimye 'Taylor Swift is over controversy', being included in a photo Justin Bieber posted online to taunt Taylor (which Justin later said Scooter had nothing to do with). As she was Scooter's client, Karlie was immedietly caught up between Scooter Vs Taylor rumours, leading her to tweet this:

In early 2017, as the Kimye drama grew, Taylor stopped sharing her private life on social media. From 2017-2018 she releases Rep, goes on tour, ends her contract with Big Machine & begins working towards releasing Lover. All the while, rumours are consistently following both Taylor & Karlie about 'whether or not they're still friends' because they'd not been seen together. A lot of people believe they were still in each other's lives (there are multiple masterposts going into the possible romantic side of things), but the narrative is all over the place: In March 2018, Karlie tells the NY Times: 'don't believe everything you read' & that she and Taylor as still 'very close'. In July 2018, Karlie announces that she's engaged to Josh Kushner and Taylor doesn't publicly comment. In August 2018, Karlie attends the Rep Tour & is brought to the front pit when Taylor sings 'Dress'. In October 2018, Karlie has her first 'wedding' with Josh (up for personal interpretation if this is Lavender or not) - Taylor doesn't publicly comment. The same month, Karlie's YouTube shows her apartment is still full of photos of Taylor & her family/friends (not Josh):

In the first half of 2019 Taylor is finishing writing Lover, which include themes indicative that she is extremely up/down, full of anxiety & has push a 'lover' away: "I'm terrified if you ever walk away" (Cornelia Street), "We were crazy to think this could work, but we might just get away with it" (False God), don't wanna keep secrets just to keep you" (Cruel Summer), " jump from the train, I ride off alone" (The Archer), " blew things out of proportion, why'd I have to break what I love so much? I need to say hey, it's all in my head, I'm the one who burned us down, sorry that I hurt you, I don't do this to you, I don't wanna loose this with you" (Afterglow), "Saying goodbye is death by a thousand cuts, I look through the windows of this love, even though we boarded them up, chandalier's still flickering here" (DBTC)

What actually happened in Summer 2019?

Taylor begins promoting the release of Lover. In April 2019 she unveils a butterfly wing mural which looks extremely similar to Karlie's butterfly wings from the VS Show where they met & then continues to be ridiculously gay-on-main. She releases You Need To Calm Down, where she's the Sherriff of the Gay trailor park with Bi hair, and ME! on Lesbian Visibility Day... there's endless flagging in clothing/theming. She was getting very 'loud'. Many people believe she may have been leading up to 'coming out' officially, either with the album and/or the Miss Americana documentary that was in the process of being filmed. On 23rd/24th June, Karlie has her second 'wedding' (a big party). Taylor doesn't attend. Scooter does (he's close friends with Josh).

Within a week after he's at this party with Josh & Karlie, Scooter then flies to Nashville and completes the sale of Taylor's masters. The sale is partially funded by the Carlyle Group, who is in business with Kushner Companies (Josh's family's business).

On 30th June (the following weekend), Taylor announces that the Master's Heist has happened & how distraught she is. Lots of celebrities speak up against Scooter & many of his clients (Demi Lovato, Justin Bieber etc) speak up in defence of him. Karlie remains silent & doesn't make a statement either way.

On 3rd July, Perez Hilton starts stirring shit by saying that 'Taylor is no longer close to Karlie because she found out Karlie was telling things about her & her career to Scooter! It began circulating that 2 of Taylor's close friends, Ashley Avignone & Claire Winter had liked the tweet, 'confirming' that this was the case to those that follow gossip sites. Karlie is then photographed at events/lunches/trips with Scooter multiple times throughout the rest of 2019 - further ‘cementing' this idea for fans.

The final blow for this theory came when Taylor released Folkmore (2020): in the song 'Time to Go' she sings "When the words of a sister come back in whispers, that prove she was not in fact what she seemed, not a twin from your dream she's a crook who was caught", which many fans immedietly assumed was about Karlie.

Where are the cracks in all this?

Taylor's other friends: Obviously, social media is only a partial glimpse of a story, but it is very suggestive of behind the scenes information. The reaction to the current Selena controversy was what reminded me of her friendship with Taylor, after she stuck up for Taylor on a video of Hailey Bieber. Selena's been very close to Taylor since they were teenagers. In October 2019, shortly after the Master's Heist, she did an interview where she was in tears talking about how important her friendship with Taylor was, and how much she loved her & her family:

...so she would've been very much on Taylor's 'side' if Taylor has had an awful betrayal from Karlie, right? Yet in November 2019, just 5 months after the Masters Heist , she's very publicly supporting Karlie, too:

..and they have both consistently continued to support eachother ever since, right up to Selena's latest birthday:

In terms of social media, many of Taylor's current close friends & people she's worked closely with continue to follow Karlie (despite following a very limited number of people). This includes Taylor's oldest childhood friend, Abigail (who only follows 285 people - Karlie still follows her back), Haim The Band, as well as Danielle & Alana Haim on thier individual accounts, and Sadie Sink:

Karlie also continues to follow Taylor herself and Taylor's brother, Austin:

We also have two more of Taylor's very close circle, Ryan Reynolds & Gigi Hadid, liking posts about Karlie's 30th birthday in 2022:

What about Perez Hilton's claims? Baring in mind this is the ONLY 'evidence' that exists to support this story, I tried to find the original tweets about 'Karlie telling things about Taylor to Scooter', and low & behold: they're ALL gone. That includes Perez's & the 'Taylor Swift Updates' tweet that was supposedly liked by Taylor's friends. Gone, deleted, non-existent. Why would they have been deleted if they were true & Taylor wanted that story out there? Who made sure they were, from all accounts involved, and only those? Interesting.

What I did find, however, was some tweets and likes from the same friend, Ashley Avignone, discussing how none of Scooter's clients have been able to speak out against him or leave him because of their contracts (this would include Karlie):

What about Karlie 'siding' with Scooter & continuing to work/hang out with him? There were definitely pictures of Karlie continuing to spend time with Scooter after the Masters Heist. However, she was under contract. She never defended him or tried to reason about what he'd done. In fact, she left Scooter as soon as she possibly could. She hasn't been seen with Scooter since 2019 & she signed a new contract with a different manager in 2021. It's also relevant to note that Taylor's other close friend, Ed Sheeran, was also managed by Scooter at the time & didn't speak up publicly either. Taylor reportedly attended Ed's wedding in September 2019, yet Ed continued to stay with Scooter & publicly party with him well into 2021 (so, clearly, if there is an issue with Karlie it wasn't just because she continued to work with Scooter in 2019).

Last but not least, the music:

Throughout her albums since the Masters Heist, Taylor has consistently written about heartbreak & betrayal in different ways. Although 'It's time to go' has been grabbed by many fans as 'proof' that Karlie betrayed her, but most stories just aren't that simple. Taylor is a storyteller. One song doesn't equate to every emotion/situation that Taylor was feeling. As many of us do, I believe there's a clear arc of Taylor painting a picture throughout multiple songs, of how she thought she had been 'betrayed' & the pain of that, but later realising she was just blaming the person she had loved in order to get through it all. Others have done amazing, full analysis of these songs, but in terms of 'betrayal' specifically: In Hoax we see the raw pain of feeling hurt by the one she loved alongside what happened with the Masters Heist (this song is full of Karlie references & Taylor very clearly says she was writing about both love & the Masters Heist in the LPSS): "My eclipsed sun, this has frozen my ground / You know I left a part of me back in NY / You know it still hurts underneath my scars from when they pulled me apart, but what you did was just as dark, darling this is just as hard."

In Closure, we see that she's harbouring a lot of anger & isn't ready to move forward or past her pride: "Yes I got your letter, it wasn't right the way it all went down, looks like you know that now / I know that it's over, I don't need your closure / I'm fine with my spite / Guilty, guilty, reaching out across the sea that you put between you & me"

In Coney Island, we begin to see her taking accountability for her own role in the relationship breaking down in the first place (which ties in with Afterglow): "Sorry for not making you my centerfold / It gets colder & colder as the sun goes down / What's a lifetime of acheivement if I pushed you to the edge / Did I leave you hanging every single day / Did I paint your bluest skies the darkest gray?"

In Happiness, we see this accountability clashing with the hurt she still feels about the way it all ended, but ultimately acknowledging she can't make Karlie the villain (suggesting she never actually was one) & wants to forgive her whatever role she did play (when she's ready). Hope she'll be a beautiful fool who takes my spot next to you, no sorry, I don't mean that, I can't see facts through all of my fury / I can't make it go away by making you the villain, guess that's the price I pay for 7 years in heaven / All you want from me is the green light of forgiveness, You haven't met the new me yet, but I think she'll give you that"

Later, in The Great War, we see a continuation of reflecting back on the same themes - telling the story of feeling hurt & betrayed, shutting the other person out, but realising the other person was also being equally hurt by it all / was never the person she should've been blaming: "Cursed you as I sleep-talked, tore your banners down, took the battle underground / I drew curtains closed, drank my poison all alone" (processing her pain through putting an end to the loudness of Lover & writing Folkmore). "Somewhere in the haze got a sense I'd been betrayed/ telling me to punish you for things you never did, so I justified it" (Taylor's acknowledging once again that the other person hadn't actually done what she thought they had) "You drew up some good faith treaties / Tears on the letter / My hand was the one you reached for" (could be a callback to the letter' in closure & suggests the person was trying to make peace). "Your finger on my hairpin triggers, soldier down on that icy ground, looked up at me with honour & truth, broken & blue, so I called off the troops" (icy ground could be a callback to 'you have frozen my ground' back Hoax).

So where does that leave us?

Who the hell knows? No one does, but I love reading all the theories when the rest of the music is tied into it all! But in regard to there being a 'betrayal', given how there was never any concrete evidence that Karlie did anything wrong in the first place (& how the only tweets alluding to it have mysteriously dissapeared), the continual association with Karlie from some of the closest people in Taylor's life, Karlie leaving Scooter at the first chance she got & the arc of the 'thought i was betrayed but I was really just heartbroken & being dramatic' story from Taylor, I am now a firm believer that there wasn't a 'big betrayal' from Karlie in regard to the Master's Heist.

The rest of it is all up for guesswork. Taylor definitely felt betrayed by something at first. We know there were already break-up songs on Lover written before the Master's Hiest which suggest Taylor was the one to push her lover away, yet they were still dappled with hope that she'd get them back. Potentially, Karlie had already been pushed away & had sought security in her long-term partnership with Josh/decided to marry him. After the engagement & 1st wedding, this is when we see Taylor's very 'loud' Lover Era - could this have been an attempt to 'prove herself' to Karlie & make a statement about what she was willing to do? However, Karlie was already comitted to Josh & had gone through with the 1st wedding. Within a 1 week period of June 2019, Karlie doubled down on going through with her 2nd wedding to Josh & her manager bought Taylor's Masters, making it extremely risky for Taylor to continue to make a career-changing choice of 'coming out' (if that's what she'd been intending to do). Could it have been orchestrated by Scooter (& Josh?) in order to keep Taylor closeted? Could Josh have been involved financially in order to put a stop to the rumours about Karlie after they'd already comitted to marriage & keep his business deals/ family connections safe from speculation? Could Karlie simply have been trapped in the middle of all of it & torn between her loyalty to both Taylor & Josh, causing an already heartbroken Taylor to 'kick the cat' and initially put the blame on Karlie for the way it all happened? (If you factor in the possibility that both Karlie & Josh might be closeted & had eventually comitted to a consentual Lavender Marriage, it makes the risk of Taylor exposing them even bigger. Josh was tied up in Billionaire conservative circles & relied heavily on his business partnerships in the Middle East & Asia, as well as pressure from the Trump side of the family. We have no idea what kind of pressure he & Karlie may have been under behind the scenes).

Who the hell knows - but if Karlie had directly, intentionally been involved in such a big betrayal to Taylor, I HIGHLY doubt her best friends/family would be having anything to do with her.

Folkmore shows a clear theme of working through different, conflicting emotions, & then in Midnights we're back to seeing the Karlie-coded songs being portrayed as a big, authentic love (not one that was hate-filled or hurtful)...so at the very least, I'm definitley on the team of believing they have worked through whatever they needed to & have drawn a line under it all :) + a little update since the Eras tour started we have seen some of Karlies friends attend the show such as Derek Blasberg (her long time best friend), Cara Delevingne…Gigi Hadid revealed she will attend the Eras tour and go to as many shows as she can and she was just recently seen with Karlie in Mumbai. I hope this post made some things more clear for everyone not knowing this side of the story.

[batmanisagatewaydrug]

God that whole "all conspiracy theories go back to antisemitism" even hits gaylors wtf...

genuinely in all seriousness one of the biggest reasons I'm so opposed to Gaylors as a whole doesn't have anything to do with Taylor Swift or gay rep or anything else, it's because it's an insidiously harmless-looking thing to believe on the surface that is, nonetheless, still teaching people to engage in conspiracy thought. once you're primed to accept one conspiracy, no matter how benign, it becomes much easier to swallow other, much more harmful ones. so "I think Taylor Swift is secretly queer" turns into "and I think rich Jews are manipulating her into staying in the closet," a theory that very few Gaylors seem to want to interrogate the implications of despite many of them leaning generally to the left and being opposed to bigotry on paper.