#more in this than i put in the last arc put together

[giildedgold]

can you yap about ro more pls i love him too :3333

anon i love you, I absolutely can omg

honestly I have so many thoughts on Ro but I will offer you a piece of my mind on him. specifically duality and how they've changed through season 4

duality duo both change in the story and it happens specifically during the castle arc. for ro, I just want to study him on why he changed and how it happened. I know it was during that time but I keep feeling like I miss a vod where it's shown. for mapicc it's a bit more obvious to me

during the confrontation of team awesome's disbanding as zam destroyed their god shulkers, it's roshambo who wants to keep zam around and he genuinely tries to have all three of them stay together.

( "We're a team, Zam. Team Awesome. You can trust us." | "What do you mean? He's part of the team. I'd trust Zam with my life." | "I still care about him." )

and here it is mapicc that quite literally responds with "he doesn't care about you." to the last one. mapicc mentions multiple times that he just wants to get it over with and get to the fight already. he clearly wants to get rid of zam

the part of mapicc wanting to get rid of zam kind of shows through the castle arc as well. we're constantly wondering when mapicc is going to kill zam, because we all know it is coming eventually. but it doesn't and it doesn't (excluding the accidental ban).

until princezam's final stand arrives. (iirc, oops?) and there he fights against duality. obviously, he loses. but that isn't exactly what interests me. what is interesting to me is the way ro reacts to zam's invitation:

"I'm not stopping until I'm banned, so you can come finish it at my castle if you want." / "I'm down."

here, in my eyes, we see the shift in duality. it is ro who is oh so willing to come and finish zam, to put him down once and for all. he almost does. he gets zam to two hearts while mapicc is telling him "ro, stop." and "leave him alone."

eventually, ro does stop. but i don't think it's because he wanted to spare zam. I think there's something about the sentence "we're Gods, not demons." that makes him change his mind. he says it like it's a reminder to himself before he leaves zam. like he needs to remember that to be god, he must be merciful. he's not going to be a demon like the rest are. he's better than them.

then there's this interesting part that still connects to their shift in dynamic. during the team awesome meeting, ro says that it's his duty to keep mapicc in check and to contain him. to make sure that mapicc doesn't destroy everything. he blames himself for the destruction that mapicc caused in his absence, as he wasn't there to keep him under watch.

and once again, during the castle arc, it is mapicc keeping ro back from banning zam. it is mapicc who managed to get through to ro and keeps him from killing him.

this is shown again when mapicc betrays ro during the utopia part. it's his way of keeping ro in control, to keep him from being destructive. and what better place to keep ro in than the dimension where there's no one but him?

because while mapicc destroys the world, ro destroys its people.

[my-mt-heart]

Idk how to say this but I am not as bothered about whatever is going to transpire between Daryl and Isabelle (bcoz for one thing - we know what is going to happen in the end- and for another - I honestly believe that the male execs are not at all confident abt their vision for these two as they would like to be and the whole thing would prolly boil down to ambiguity and ultimately- it will fall upon the viewers to dissect how Daryl feels - the Caryl fandom especially is really adept at reading into storylines - even stupid ones) None of this is good by any means. It cheapens the integrity of all the characters involved. It blatantly insults and reduces female characters - I believe that Isabelle deserves better. That a story should hold space for multiple female characters. Also - I am worried about putting the fate and the story of one the best female characters on TV (Carol) in the hands of someone who has proven that he can't be trusted to handle them with care. Reading S2 reviews - I am sort of reassured that Carol is treated well enough in the story - which I believe - has a LOT to do with Melissa McBride's input. Going forward - it is going to be more difficult bcoz once we have dealt with old traumas - we do need to evolve these characters and make sure they don't stay stagnant. I don't believe Zabel has the chops to do that.

sorry for that rant. I am just really frustrated.

What I worry about is the way all of this bts stuff amongst the male execs is going to impact the Caryl dynamic. Whatever the antis may think - and while McReedus has insane chemistry - I do believe that the romantic energy is generated between them by a lot of their acting choices (bcoz the underlying story is teasing a romance). What happens to all that when a romance is completely off the table? When AMC has been pushing this friendship narrative down our throats in a very evident bid to do damage control - the insecure/defensive promo that we have been getting last few weeks is proof enough that Caryl was always more than friends?

The problems were already glaringly obvious from the very beginning. the fact that Melissa isn't billed equally for a season where she is proclaimed to be the major focus? It is not even about Caryl going canon for me anymore. I love Melissa and Carol way too much for me to give up yet but I treasure the Caryl bond primarily bcoz they have always been each other's everything. it is truly a bond that evades definition. Both Carol and Daryl doesn't have what they have with each other with anyone. THAT IS A CANON FACT. I don't think I can watch that dynamic that I treasure so much being butchered - s11 was painful enough - I can't go through all of that and more again.

Going to watch s2 and then my further commitment will depend entirely upon how the characters are treated and their dynamic is portrayed?

It sucks that I am dreading watching Carol and Daryl back together on screen.

been here just for a few months but the way AMC has been fumbling with this promo - have you guys always experienced this whiplash or is it a new thing?

I’m going to include big spoilers in my response, so proceed with caution ⚠️

I respect your opinion, but I disagree with you on the point about Daryl’s and Isabelle’s arc. It seems like the male EPs (Zabel, Nicotero, Gimple) are overly confident that an explicit romance between their male hero and a younger blonde nun who accused Daryl of being like his abusive father just for trying to go home to his family will attract a larger male audience and they aren’t sparing any feelings with it because we aren’t their ideal audience anyway. To them, we’re just a bunch of “hysterical” shippers whose POV’s don’t matter and we can just take their crumbs. AMC is a bit more complicated, but I’ll get to them later.

Daryl and the nun kiss in 202, so there’s little to no room for us to dissect how Daryl is feeling. Isabelle’s death is the furthest thing from a relief because 1) it reduces her character down to man pain like you said and 2) from what I’m gathering, it completely overshadows Caryl’s reunion and then their entire arc. We get another hug that does absolutely nothing to elevate their relationship and then Carol has to face that Daryl didn’t need her to rescue him because he found a new family and become his emotionally supportive friend to help him through his grief of a lost love interest he’s known for a few months. It almost feels like it’s going to be a retread of Beth’s death, only worse. We know how Greg Nicotero views both of those relationships and to be blunt, the man needs to stop projecting his creepy fetishes onto Daryl and making it our problem 🤢

The way the story is framed, it’s not even about Caryl at all. They’re the relationship we’re the most invested in and yet all the emotional weight is given to a highly problematic relationship that developed over a dozen ish short episodes (compared to Caryl’s decade+ of emotional depth) and it’s all for nothing too. Zabel just resets Daryl like the hokey network procedural writer he is. And Caryl fans are rewarded for their years-long loyalty by getting more ambiguous subtext to analyze? Really?

I think you’re spot on about Melissa though. The reason she’s the bright spot of the season, the reason Carol’s individual arc feels true, and her spiritual connection to Daryl stays alive is because Melissa influenced all of that. She’s shown us time and time again that she understands her character so deeply and respects her fans. It really breaks my heart because I think she had a beautiful story in mind for Carol and she deserves all the support in the world, but as I’ve said many times, if damage is done to the character who has been written as her soulmate for over a decade, damage is also done to her. And I can’t watch that. I can’t watch the destruction of my favorite characters and my favorite relationship and put money in AMC’s pockets for gaslighting me. Retconning Caryl’s relationship into a platonic friendship is their way of protecting themselves from backlash. “Daryl isn’t emotionally cheating because he and Carol have always been besties?” “We didn’t mislead you. We told you they were friends, so you dumb shippers are doing this to yourselves. Please watch our slop anyways ✌️” They’re even trying to shift responsibility to Melissa by making her answer the shipping questions despite the fact that it’s Daryl’s arc throwing a wrench in everything and I expect that to continue at NYCC/Palyfest. It’s completely unethical and it’s backfiring.

Zabel cannot write for Daryl and Carol. He keeps showing us that he doesn’t understand their bond nor does he value it. A couple of the reviews mentioned it felt like Carol was shoehorned into certain aspects of the story, which tracks with what I already knew—that he and the other EPs think she’s hindering the story they want to tell about men doing manly things. That’s why they try so hard to challenge her significance to Daryl’s story and that is not going to change just because they’re moving to another location. Somebody like that should not have power to decide her trajectory. Fuck whatever he has planned for S3. I don’t want it. I still want Caryl and I still want to see them get the stories they deserve, but that’s only going to happen if we get a new showrunner who respects them and respects their fans. In case it needs to be said, Gimple is not that guy either (he can fake his enthusiasm on SM all he wants 🖕🖕🖕). A complete rebranding of the show to something that honors the characters and gives Melissa her dues (equal billing, title, etc) is the only way I’m tuning in now🤷🏻‍♀️ I don’t have the emotional capacity to sit through S2, but I will be here, speaking up, to make sure Melissa gets all the necessary praise and those assholes can’t blame her if the show tanks.

I’ve only been here a few years and there’s been a lot of turn over at AMC even just in that time (I kid you not, all of our problems can be traced back to Josh Sapan leaving. He loved Caryl and Melissa). That being said, I cannot for the life of me understand why any of the guys over there (even the misogynistic ones) would approve of the Daryl/Isabelle arc after the PR disaster that Leah caused not even that long ago and at least for that, the arc tied back to romantic Caryl and we weren’t subjected to any uncomfortable physical intimacy. Why the fuck would they make the same mistake? Why the fuck do they have to spend more time cleaning up messes than avoiding the mess altogether at every fucking opportunity they had (and they had a lot). I just don’t get it. And I’m so tired of taking the abuse.

[ghoul-haunted]

anyway, my annual 'wow I have conflicting feelings about rome,' doom spiral is done, I'm going to make coffee and finish writing up the pompey-caesar divorce arc

[walterdecourceys]

i think my Ideal Chess would be a primarily broadway based script but following the timeline of london. i'm aware this would make for an incredibly long act 2 but i don't care i would watch it

[hauntingblue]

Skypiea time

Robin saying that because I know she only got on a ship to then leave it...

Nami sees Conis and gets sanji out of there so SHE can talk to her akdhksajka not a single second lost

Hello my favourite panel of nami maybe ever

Sillies...

CHOPPER YOU ARE THE CUTEST

Robin throws this guy off a cliff and to make just to make sure she breaks his neck too akdjsksk who is doing it like her???

OMG ACE!!!! IT IS TIME!!!!

[yamujiburo]

Here's an arc I thought about doing but won't do because, it'd be a bit too sad and also it's too similar to the Turing Point Arc I already did and also it would be long. But I'll write it here for you angst enjoyers. This ended up being longer than I thought.

Despite getting the "okay" from Ash to date Jessie, Delia still worries that she's not doing the right thing or being a bad mom. Up until now she'd convinced herself that she had the right to be selfish for once after knowing only sacrifice and putting herself last.

Jessie and Ash, while not as antagonistic towards each other, still go at it. A Pikachu zap here, an angry "twerp" being uttered there. The guilt settles in for Delia and figures that it's best to just cut things off before things potentially get worse or before she gets too attached to Jessie. Her son comes first after all. That's what she signed up for when becoming a parent.

She sits Jessie down, eyes watery (it's the first time Jessie's ever seen Delia come close to crying). Delia says she thinks they should end things. Jessie is stunned but accepts it quickly. She sucks it up in the moment, puts a resigned smile on her face and tells Delia she'll leave immediately and not to worry about her. Delia's also broken up about it but promised herself she'd never cry over a goodbye and she wasn't gonna start now.

Jessie goes to James and Meowth's place greeted similarly to this, lightly teasing her about blowing it with Delia, and she breaks down sobbing. Oops it's real this time. James and Meowth do everything in their power to make her feel better. They let her know that things like this happen and they're ready to go wherever she wants to go (knowing that it'd likely be to painful for her to stay in Pallet). As much as she wants to leave, she doesn't want James and Meowth to lose the good thing they have going. She's not in the right headspace to make any decisions so she'll get to it later.

Ash returns home after doing a little training at Oak's lab. He notices Jessie's not around and asks his mom where she is. Delia is about to tell him but can't quite bring herself to say the truth out loud yet. She simply says "I don't know". Ash looks disappointed. "Aw man, I wanted to see if she wanted to battle. She makes a good battle buddy for all of my newer, baby Pokémon." Delia perks up that this. As quickly as he came, he leaves again to go train his Pokémon.

Later, Delia approaches Ash, asking him if he really meant that what he said about Jessie being a good battle partner. He gives her an enthusiastic "yeah!" and tells her that it's been nice having another battle ready trainer around since there's not many in Pallet. Delia starts to pry a little more. "I thought you and Jessie didn't get along?" Ash is confused, and tells Delia they get along great! "Jessie doesn't steal anymore! And she's getting better at battling which is cool." Delia brings up that she's head them argue before. "Oh... well I guess that's just how we are. I'd be weirded out if she was suddenly too nice to me all the time. Jessie's actually a lot like Misty. But taller!" This gives Delia a lot to think about but what's done is done and it's no use pressing on. It's easier this way.

The next morning Delia's getting ready for work. She must not have noticed that she was acting weird but Ash picks up on it. "What's wrong mom?" Delia's shocked he noticed (he's not usually this perceptive). She tells him it's nothing and that she just slept bad. "Hm. But Jessie says that when you're upset you get really quiet and intense." Delia notices that she was pretty intensely mixing the pancake batter. "Jessie told you that?" Ash nods. "Hey speaking of, where is Jessie? Haven't seen her since yesterday." Delia stops mixing and tells Ash that she and Jessie aren't together anymore. Ash is confused and upset at the idea of Jessie doing something that would hurt his mom enough for them to break up. Delia lets him know that Jessie didn't do anything like that and that them breaking up was just for the best. But Ash questions this, pointing out that he's never seen Delia as happy as she was when Jessie was there and also how Delia looks really sad now. Delia can't argue with that but then tells him that it's complicated. Ash, to Delia's surprise, looks a bit disappointed. He's bummed he wasn't able to say goodbye first and asks if she thinks Jessie would still be willing to come by and train with him sometimes. Delia asks him once more if he was really okay with her and Jessie dating. "Yeah I thought I said that already? Jessie's pretty cool when she's not being evil. And she really likes Pokémon which is a plus!" Such simple criteria. Delia's now worried that she might've made a mistake. She finishes making breakfast and heads to work.

At the restaurant she's met by James. She can feel an awkwardness hanging in the air. She knows that James knows. Before she can say anything James tells Delia thank you for employing him and helping him, Meowth and Jessie get back on their feet but that he's going to quit working at the restaurant and that they'll likely be leaving Pallet soon. Delia's heart sinks. There's now a ticking clock and she has to decide what she wants to do SOON. She asks James where Jessie is. James hesitantly tells her that she's at his and Meowth's place. Delia pleads with James to work the restaurant for one more day at least and to cover this shift. She has to go talk to Jessie. He agrees, hoping that this is a good thing.

Delia runs to James and Meowth's place. She knocks on the door upon arrival and waits. It takes a moment but she hears the door unlock. Jessie opens the door, disheveled, tears and snot all over her face, draped in a blanket. Jessie notices it's Delia and, frightened, slams the door. Delia's stunned for a moment and goes to knock on the door again but before she can the door opens. This time Jessie's tears are gone, her hair's fixed and she ditched the blanket. "Oh hey, Delia! What brings you here?" Delia can't help but be charmed. But this is serious. She shakes it off and asks if they could talk. Jessie invites her in. They get to the couch and Jessie starts frantically cleaning up all the crumpled tissues and dirty dishes off the ground. "Heh I caught a cold yesterday. A one day cold. I'm fine now." Delia doesn't call out the obvious lie and gets straight to the point.

She tells Jessie that she's worried she made a mistake. She made a panicked decision that she was hoping would protect Ash and her future self. But now realizes that she was afraid of the idea that she'd made a selfish decision by dating her. It was a selfish decision but that didn't mean it was a bad one. She was the happiest she'd been, Jessie and Ash were learning to get along and were getting along much better than she'd though. She acknowledges that Jessie has been there for Ash in a way that she can't quite be and is also grateful to her for managing to keep Ash home a little longer. She asks if Jessie would be willing to take her back (despite the distress she caused). Jessie starts sobbing with happy tears. She tearfully says she'll try even harder to get along with Ash and be a better person. Delia reassures her that she's doing just fine.

They kiss passionately but then realize it's weird that they're making out in James in Meowth's place and say they'll continue later. Delia tells Jessie to head back home and that Ash is looking forward to battling with her (and she also needs to let James and Meowth not to quit their jobs).

The end~

[hotvintagepoll]

LAST POLL OF ROUND 6

Propaganda

Ingrid Bergman (Gaslight, Casablanca, Notorious)—A lot of the time hotness in a movie is just about words and framing. "You're the most beautiful person here" [vaseline lens] well I sure hope so because that's who you cast. But when, in Casablanca, they call Ingrid Bergman the most beautiful woman in the world... they were not fucking lying. And such a dynamite actor too!! I'd only seen Casablanca up until last year, and there she's confined to love interest. But in Gaslight she was maybe one of the most incredible actors I've ever seen!!!! Goddddd shes so fucking hot and cool.

Lauren Bacall (To Have and Have Not, The Big Sleep, Key Largo)—"Just put your lips together...and blow" excuse me ma'am i'm briefly going to turn into a kettle. She's the quintessential Femme Fatale who may betray me in the end but I'd let her it'd be worth it

This is round 6 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Ingrid Bergman:

God, she's fantastic. She's both beautiful and a compelling actor who's more than capable of putting the whole movie on her shoulders if necessary. It's worth noting that while her beauty is conventional, she was seen as refreshingly "natural" with more eyebrows and less makeup than many other leading ladies of the time. She's well known for her role in Casablanca, but in Notorious, Spellbound, (both available on archive.org ) and Gaslight (1944) she shows how immensely capable she is.

I mean...she's Ingrid Bergman. I feel like that should be enough, you know? She's physically beautiful (her eyes!) but watching her is like a transcendent experience. Her voice, her expressions... beautiful woman, beautiful actor.

I'm a gay man but even I understand her appeal. I'll watch any movie she shows up in. Gorgeous woman.

Just try and watch her movies without sighing wistfully, then get back to me!

Choosing 1-3 movies where Bergman was at her hottest was agony because, of course, she was always at her hottest. Not just because she was beautiful but because she was absolutely willing to go up against the bs women in Hollywood were constantly dealing with. When exiled from Hollywood for having an affair with Roberto Rossellini, not only did she refuse to apologize at any point, but she went on to say that Hollywood's films had grown stagnant and boring to her. Though she said she appreciated her time working there, she wanted to try new, different techniques (hence starring in Italian neorealist films, working on stage, and acting under directors like Ingmar Bergman). She was not afraid to chase after her artistic ideals and go outside the box regardless of what society had to say about it. From her first movie to her last she killed it. There's so much more to say about Bergman's career and life, but I've already written five million words so I'll stop at that.

One of the most incredible actors I've ever seen on film. Her facial expressions are so intricate and poignant that I cannot look away. I'm either ace or straight, but damn she made me question that.

SEVEN TIME OSCAR NOMINEE QUEEN. Girl also PULLED, having affairs with famously hot men Gary Cooper and Gregory Peck IN ADDITION to her three marriages...sexy

She has a very natural beauty to her, and she's from Sweden!

She left Hollywood and only became more beautiful. You could drown in her eyes. She can look innocent AND like she's seen it all. She is effortlessly elegant. She's played Joan of Arc (automatically hot) AND was in the movie that coined gaslight as a term. And where would we be without that!

She was known for being a breath of fresh air on the movie scene at the time with her windswept hair, dreamy smile and soulful eyes. I have loved her in every movie I have seen her in - she was just magnetic!

Where do I even start. There's a neighborly quality to this beautiful, talented actress that makes her hotness one of a kind and her looks impossible to forget

With a career spanning five decades, Bergman is often regarded as one of the most influential screen figures in cinematic history. Known for her naturally luminous beauty, Bergman spoke five languages – Swedish, English, German, Italian and French – and acted in each.

She's hot, don't get me wrong, but I've always found her very approachable, like she could easily be a member of my friend group

Where do I even begin with Ingrid Bergman? I fell in love with her with her astounding performance in the 1956 version of Anastasia -- the best Anastasia movie in large part due to her wonderful and touching performance. She's got this amazing, fascinating intensity to her in whatever role she's in. She commits 100%, and she's got this light in whatever she's in that's stunning. She's utterly convincing no matter what she plays, from an amnesiac possible lost princess, from a nun, from a woman taking her revenge on the town that wronged her, to light romantic comedy. She's never missed in any role I've seen her in! Also she became quite the MILF.

Lauren Bacall:

"She is soooo neat. And hot. And everything. That one scene in To Have and Have Not where she says "you know how to whistle don't you? You just put your lips together and blow" altered my brain chemistry during media archaeology class and here we are."

"The VOICE, the SLINK, the EYES. Woof."

"Lauren Bacall was a major lesbian awakening for me. Every picture of her makes it look like she’s about to destroy you physically and emotionally (why is that so hot, I may need help). She had incredible long running chemistry with her husband, Humphrey Bogart, but was an absolute star in her own right. I’ll never be over my crush on her."

"She's got that confident, no-nonsense air about her. She's a boss babe who knows what she wants and gets it DONE. Staunch liberal Democrat her whole life. Campaigned for RFK. From Wikipedia: "In a 2005 interview with Larry King, Bacall described herself as "anti-Republican... A liberal. The L-word". She added that "being a liberal is the best thing on Earth you can be. You are welcoming to everyone when you're a liberal. You do not have a small mind."" Beautiful hair. Beautiful eyes. Beautiful lips. She's just beauty. LISTEN TO HER VOICE. TELL ME THAT'S NOT THE STUFF THAT DREAMS ARE MADE OF."

[ariaste]

Hello, published author here who just noticed a thing in the s3 teaser that may help us to determine the timeline:

This is not an ARC. ARCs, aka "Advance Review Copies" or "Advance Reader Copies" are sent out in advance of the publication of a book in order for magazines/newspapers/whoever (and these days, online book influencers) to review it, and for booksellers to have a chance to read it so they can order copies for their store and hand-sell it better on publication day. ARCs usually go out around 3-4 months before publication.

ARCs are also sometimes called "advance uncorrected proofs" because they usually haven't been through copyedits yet (aka typo-finding and punctuation-checking). ARCs are always clearly marked on the front cover as what they are, to make it harder for people to sell them online and so that bookstores don't accidentally put them out as merchandise.

We know that the IWTV team knows this becaaaaause, from the end of s2e8:

*THAT'S* an ARC. You can see how it says so all over, both "advance reader's copy" and "advance uncorrected proof". It's also a paperback (as ARCs usually are) rather than the hardback that Lestat is holding -- all very typical and correct.

And here is a finished copy. And we know exactly how far after publication it is, because:

Daniel also gives a shout out to a "book fair" and Atlanta, which I take to mean the Decatur Book Festival, which takes place in October. So that means the book would have been published in June -- nice timing! Get all that good Pride Month promo for this gay-ass vampire memoir. So far we are nailing the Expected Publishing Industry Timeline And Behaviors.

So the only thing I can tell you definitively about what this means is that Louis got that ARC probably in February, aka around eight fucking months ago at the end of s2, and still hasn't even skimmed it, and that is HILARIOUS of him. not a shred of guilt on him about it either. (if you get a print ARC (as opposed to an e-ARC) and you don't even read it, it is polite to be a little embarrassed about that. not my personal best friend Louis DPDL tho.)

As for whether Daniel is a vampire during the s3 trailer -- the thing we are all clamoring to know -- I have two possible ways the timeline could be working, given the publishing industry stuff:

OPTION 1: Louis leaves Dubai -> Goes to New Orleans for Depression Hovel reunion, refuses to get back together with Lestat -> Lestat "I will woo him back with a Song, just like last time. ok that didn't work I'LL GO BIGGER. that didn't work. BIGGER" Lioncourt starts his rockstar career as a Gotta Get My Man Back tantrum -> Daniel finishes the manuscript, delivers it to his publisher, and sends an ARC to Louis (February) -> Book is published, bestseller (June) -> Daniel (who was turned at some unknown point) goes on TV about it (October) -> famous currently-bestselling journalist gets in touch with up-and-coming rockstar to get his side of the story -> Lestat has a mental breakdown on camera about how Louis is not even paying attention to all the albums he is recording, hurtful, tragic, heartbreaking

or

OPTION 2: Daniel DEFINITELY got out of Dubai alive -> [all of the above up to "Daniel sends an ARC to Louis"] -> book is getting great reviews -> already-famous Pulitzer Prize-winning journalist gets in contact with up-and-coming rockstar to do the sequel even before the book is out (slightly odd publishing choice but when you have two Pulitzers, the rules are different, so it's not implausible) -> Daniel gets his finished copies of the book (which brings us to probably May at the earliest; you don't usually get your finished copies more than a month in advance) and has one on set for interviewing Lestat -> Lestat has his sexy little rockstar breakdown on camera -> Daniel is human for interviewing Lestat but gets turned by Armand somewhere in the five-month span between finished copies arriving in May and his TV interview in October.

Option 1 gives the show writers a little more timeline wiggle room, which can be useful, but Option 2 is more Dramatic and builds extra tension if Daniel is trying to do this interview while not having a good time with his Parkinson's. Either way Louis is just out here not answering anybody's phone calls or reading the lovely ARC he was so thoughtfully sent bc he's busy redecorating his house.

THAT SAID, please take all of this with a grain of salt, i have been losing my mind over the s3 trailer and i may have missed something

this has been your war correspondent a report from the publishing industry. thank you and goodnight

[yumeka-sxf]

In addition to Yor's epiphany scene, this scene was the other one I was most looking forward to in season 2 - a scene that, in my opinion, is one of the most Twiyor-ish scenes in the series so far 💖

Why is it so significant? Because there was no reason for Twilight to put on any Loid Forger acting in that moment. He wasn't conversing with nor being scrutinized by anyone. So why would he give that soft smile followed by such affectionate, comforting words as "お疲れ様/otsukaresama"? (this can be translated in many ways, but generally it's something you say to thank someone for their hard work).

The answer is because it's something he truly felt...he understood the sacrifice Yor made for Anya's happiness and genuinely appreciated it (if only he knew the sacrifice she made on the larger scale, lol). While he's a bit perturbed at first since some onlookers were snickering at him, it didn't take long for him to soften and then graciously carry his queen and princess the girls back to the ship 😭

But Twilight overall was really soft in this episode and I loved it~ From his blush upon seeing Yor to the several times he gave that same soft smile when talking with/looking at her...I think Anya was right when she called him out on the ship about missing his wife 😅

I liked how the anime conveyed his shock when noticing her bruised face...what must have been his thought at that moment? 👀

The scenes of the family activities translated better in animated form in my opinion. While they were each only a single panel in the manga, they lasted a few seconds each in the anime, plus the addition of the insert song helped the with the comfy, wholesome vibe~ Also the part where Yor inadvertently chucks Anya across the ocean is still hilarious.

Loid's dorky skip at the beginning of the episode translated very well in animated form too 😅

The ending of this chapter in the manga always felt a bit rushed to me...it quickly jumps from the aforementioned scene of them returning to the ship, to suddenly being home, reuniting with Bond and Franky, having a meal together, then Twilight meeting Sylvia, all within a few panels. Even though I wish the anime added more than just some additional scenes of the ship leaving the island, I felt it flowed much better in the anime since, just like the family activities, each scene in the ending lasted a second or two instead of being a single illustration.

But I love how this chapter/episode ends, with Yor, Anya, and Bond napping while Anya draws about her family vacation. This seems to take place the next day or maybe later the same day they got home, so makes sense they'd still be tired from the trip!

By the way, the manga has this additional scene showing that Olka and company are safe. Weird that the anime didn't stick it in at some point.

Also, the anime team didn't have to go so hard with this episode's key visual but they did...and I love it 😍 Might actually be my favorite of the key visuals so far!

I was very happy to see the "surrounded by liars" panel finally animated! This is such a funny scene and a great way to fully wrap up the cruise arc.

I also burst out laughing at Yuri's locker 🤣

Damian is surprisingly laid back in this episode. I think the reason is because Anya's antics aren't directly involving him. He tends to go total tsundere only when she's actually talking to him, lol.

The new scene of Yor getting the keychains for her coworkers was a nice addition! Guess it's canon that Yor and Anya didn't sleep for the entire trip back, lol. Glad they got to spend family time on the ship too! (though I wish we could have seen Yor's reaction waking up in Loid's bottom bunk bed, haha. He must have brought her to his room since he wouldn't know where her room is. Unless she woke up before he even put her in a bed, in which case she would have been super embarrassed knowing he was carrying her around in public 😆)

Looks like next week the anime will be changing the order of things a bit and giving us the Becky home-wrecking and Fiona chapters (the latter of which seems to have some anime original content?) The Becky chapter is one of my favorite stand-alone chapters...I'm already dying of laugher thinking about it 😂

[thefirstlioveyou]

i hate when mike's "romantic love" for el is adored and romanticized when it's really the most anxious and unhealthy form of attachment, but his healthy and secure love for will is just seen as platonic

mike with el:

"i'm scared one day you won't need me anymore."

"but what if she doesn't need me anymore?"

"i can't lose you."

"i can't lose you again."

"i don't know how to live without you." (this is devastating.)

given the circumstances mike was put with with el in s1, his statements of love is more of rooted from trauma rather than actual romantic love. he's constantly afraid of losing her the same way he did in the last episode of s1, especially since he blames himself for it for the way he treated her.

he also feels a sense of self worth from the concept of being with a girl - a girl as cool and superhero-like as el that.... but not because it's EL. that's the problem. this sense of worth comes from being NEEDED, and el NEEDED mike to protect her (at the time of s1). THAT'S what he takes interest about their relationship. mike can't even mention one thing he likes about her that isn't about her powers in his monologue. he can't even tell will one thing when he was venting.

even acknowledged by shawn levy, the duffers and finn, mike simply feels a sense of worth when he's helping/saving someone - that's not necessarily romantic because....

and then we have el's side of this. el had fallen into the same pattern as she did in the lab when it comes to needing someone to rely on. she loses her own self-worth when she's with mike, unable to really identify herself. her "romantic love" for mike roots in a very traumatic place. she didn't even consider him in that way before he kissed her. she saw him as a caregiver (and possible family) - this is why she clings so tightly to him, it's reminiscent of her trauma in that sense. but in s3 and s4, she realizes who she is without mike (or feeling controlled by a relationship)

el's whole arc is not needing to rely on someone anymore, which is contradictory to what mike wants. the puzzle pieces aren't fitting with them!!

mike with will:

"max, dustin, lucas - they're great but they're not you."

"i asked if you wanted to be my friends ... it was the best thing i ever did."

"if anyone knows how to defeat this thing, it's will." (mike trusts will even in a dangerous situation, whereas in s3 he's more anxious for el, despite losing them both before. why? because he felt a sense of responsibility for el, not will.)

"if we both go crazy, we'll go crazy together."

"i didn't say it." "you didn't have to."

what he tells will is often more positive, and never putting himself or others down in the process. there's more trust and security.

"but what about s2? wasn't he scared to lose him?" but he never felt loss of control that season. he never held him back from anything and even insisted on things that could've been dangerous, but there was trust. even comparing his monologue in s2 vs s4, there is a sense of calmness and confidence in his words. he doesn't blabber and just keeps his words short and to the point. there isn't dramatic music build up to intensify the scene. it's intimate and genuine, not a performance.

the whole "you didn't have to" part is SOO underrated. it just proves more of what i'm saying! mike is more secure with will and they simply just get one another, whereas mike and el do not!

he also still acknowledges his other friends and how valuable they are to him, while saying will is different to him. (AND this can be backed up, unlike the s4 monologue. we can see throughout the entire show that this is true, will stands out amongst the rest of his friends to him). one of the big problems mike had in s3 was forgetting friendships and his values for the sake of having a girlfriend.

it's also evidently clear how mike acts with el vs will is very different. mike never brings up his interests with el and instead tries to play cool, tries extra hard to be funny and impress her. (pizza box glasses, the horrendous airport fit, "i like- i like presents too," his weird talking/responding patterns with el at the airport/roller rink)

but the actual mike is nerdy. he's part of the av club. he's into science projects. he's into dnd. he's into figures. literally the moment mike tried showing her his figures she did NOT gaf LMAOO (i understand her priorities lied else where but still, it's a showcase of her lack of interest in mike's hobbies). but will knows these things and takes interest in all of them. will KNOWS mike more than el does.. of course he does, they've known each other since they were 5. you're lying to yourself if you believe mike and el know each other more - they don't even know themselves with each other.

and before i end this, i wanna add this one thing:

"but, if mike and el is platonic even if mike was protective, doesn't this mean that s2 byler was platonic too?" the act of caring for someone is what's platonic. there isn't anything necessarily romantic about it, that's true. but byler is more than just what happened in s1 or s2. byler's love doesn't root from their trauma with all that's going on. mike doesn't feel this connection to will because he went missing - it's love that's grown over time even before they encountered the upside down.

byler isn't real because mike cares about will's life. byler is real because mike separates his relationship with will from his friends, his intimate eye contact, his physical contact, his gentleness, his attentive behavior to will's own behavior/absence, him literally thinking meeting will was the best thing he's ever done.

and mike is still needed by someone the way he wants. will needs him, and not for any reasons related to trauma... simply because will sees the good in mike and who he really is as a person and as a whole. mike brings the best out of will and inspires him.

their love starts from simply knowing and getting each other, whereas mike and el's only begins from unhealthy attachment and trauma on either side. THAT'S the difference. it's nothing more than mike needing to save someone.

anyway i just wanted to point out what i noticed between his dialogue w each person! it's very tough seeing what he says to el viewed as peak romance by certain people, watching his trauma being overlooked for the sake another heterosexual romance. but when he showcases actual secure behavior with another person that happens to be a gay character, they're just friends... not gay at all.

[loving-family-poll]

Ultimate Incest Tournament - Semifinals

Propaganda under the cut:

Sam/Dean:

I'm sorry but they have it all. children of metaphorical incest just continuing the cycle in any way they can. they are brothers and mother + son and wives and each other's scorned lovers and life partners they've had multiple infidelity arcs they are sexually psychopathic together they have forsook life and morality and the earth itself for each other and just love each other so much . They are literally in a heaven of their own making together for eternity, incestuously. Come on!!! Blueprint!!!!! It's not gay if he's your brother!!!!!

dean did stuff to sam's dead body in ahbl. i just know it

Messed-up, isolated sibs with all the daddy and abandonment issues. Their lives are so claustrophobic with the brothers no more than five feet apart in the car, a motel room, or standing next to civilians (face it, they are frigging magnets). Can't leave out that they are always touching each other to check for wounds which is a huge PLUS for any shipper.

Sam and Dean ARE literally the blowjob brothers. They walk into a situation and everyone goes well well well if it isn't the blowjob brothers....... And they say. Yep. That's us. And then they fix the situation with their epic love story

THE classic, iconic, show shopping, never done before etc. etc. incest ship. It changed fandom and it changed the world

Dave/Rose:

Daverose blondetwin sweep because they were codependent without ever meeting from growing up seeing each other in their dreams

What does it mean to be an abused teenage boy growing up alone and seeing a girl in your dreams every night who is also your best friend. and when you finally meet her you go on a suicide mission together even though nobody was asking you to die with her. and then you are the only two human beings left in the recognizable universe on a cold meteor surrounded by aliens but you’re glad it’s with her. and when you finally touch the girl from your childhood dreams she looks exactly like you. because she’s your sister

I don't have words for how good these snarky assholes are together. DaveRose is brain chemistry changing. They both put up so many fronts, and engage in so much snarky wordplay, and are constantly trying to get under each other's facade. They play off each other so well, witty and sharp, I need them to be together always

We all die & we all die alone are the two cold truths of the universe but dave and rose broke both simultaneously by ascending to godhood together

Their twincest wins because it is just so confusingly tragic? profound? dave leaving rose behind in a doomed world, dave following her to the bomb. they are both so closed & cut off & curt its hard to imagine the depth of these things. but that is their love language: giving up their lives for each other over and over, in a confusing and fumbling and heartfelt love song. i can’t say i love you but i know we’ll die together anyway. because we’re made of the exact same stuff. i’ll find you again at the last moment. that’s love.

THEY DIED TOGETHER, YOUR HONOR

Confirmed canon by the author, (something happened) between them. Parallels of dying by each other's sides in EVERY timeline. They are THE womb-to-tomb. There is nothing platonic about winking at your brother while talking about crushes, that shit is incestuous. Seer/Knight archetype. They will die protecting each other.

do you realize love someone if you don’t follow them on a suicide mission into the gaping maw of a literal fucking sun after they knock you out and psychoanalyze you in your dreams? the blueprint of the “ethereal androgynous blonde boygirl twins” trope. witch/knight dynamics. they find each other to die together in every timeline no matter what (but they’re still emotionally constipated teenagers who bicker and make fun of each other in pesterchum). kids with grown-up powers. perfect little freaks of nature. what if we looked exactly like each other’s eyes

[deus-sema]

Natsu's emotional intelligence is greatly underestimated. He is anything but blissfully unaware; he is highly perceptive of how others feel and reacts accordingly. For instance, when Jellal was about to be arrested by the Magic Council towards the end of the Oracion Seis arc, he could sense Erza's turmoil and understood what the former meant to her which led to him taking a stand for Jellal. He reassured Juvia that they would get Gray back during the Avatar arc. He was mature enough to put up an innocent charade of incompetence to keep Asuka happy. He has lent emotional support to Lucy on several occasions and showcased utmost sensitivity.

That brings us to two questions: Why does he play the clueless fool and what will make him acknowledge his feelings and, eventually, act on them?

First, it is my interpretation that what terrifies Natsu more than anything else in the world is loss. He cannot so much as entertain the possibility of losing the people he loves. Let alone accept its inevitability. It is why he adheres to a maladaptive coping style where he simply avoids difficult situations and feelings. Instead of facing the reality of Igneel's death and allowing himself to be supported by his friends, he chose to isolate himself from everyone with only Happy for company. Natsu would sooner bear the burden of the entire world than share his own with his friends.

When the situation is under control and whatever crisis they're facing is averted, he wilfully regresses to his childish ways, content with the knowledge that he wouldn't have to face his feelings or address them. That everything will be how it always has been.

For Natsu to experience growth, he will have to experience a loss from which he can neither escape nor avoid. It shouldn't be a permanent one but it needs to last a while and end with the realisation that life is too short to not be savoured in its entirety. That he needs to break out of the shell he so stubbornly clings to and let people in.

Then there are his feelings for Lucy, who, I daresay, is in an entirely different category from the rest of his friends.

His words to Lucy at the end of the manga, that they will always be together, are not so much a statement, as they are a promise, both to her and to himself for when he believed that he had lost her forever, the outcome was frightening. Much like his brother Zeref, whose whole tragedy was triggered by his inability to come to terms with losing the one he loved most, Natsu's intense devotion for Lucy can bring out the worst in him.

For NaLu to unite for good, I need them to be apart for a while. When faced with the reality that Lucy might not be by his side forever or vice versa, Natsu will have no choice but to face his demons and get his act together. It will not be an easy process but a little angst has never harmed anyone.

[theminecraftbee]

you know it's INTERESTING to look back at the double life soulmate pairs and see how they're doing now, relationship-wise, because that experience shaped every soulmate pair differently, i think:

ren and bigb i'll put first on account of "we have no idea since ren hasn't been in the series since double life". when will our doggy come back from the war.......

grian and scar are... grian and scar, the soulbond alone is only part of everything going on there. i think being FORCED to team shaped them a bit into being a little/lot more stable in their relationship with each other in limited life and secret life, as well as maybe taught them a bit about each other's limits. i am... honestly not a desert duo guy there are people who can do the analysis of the soulmate bond's impact on them WAY better than me but. it's part of their overall arc, you know?

martyn and cleo are fun. they both are still clearly CLOSE but they are also both still clearly mistrustful and angry at each other! they have this whole "the only one who can kill you is me" dynamic going on between each other that's very fun. i think being soulmates... obviously they were one half of divorce quartet and the resentment of being forced together did some stuff to that relationship. but i think maybe it also sort of gave them something that they appreciate about each other as well? and they DO care, despite everything. (i could GO INTO THIS LET ME TELL YOU.) so like, they aren't close friends or anything, but they Know Each Other now. and that's a fun dynamic.

impulse and bdubs are funny because i think their bond both did and didn't shape them. the thing is, like desert duo, their soulbond is only one step in their journey, the one that ARGUABLY only settled out in limlife after impulse permakilled bdubs. (note that this is the first series where bdubs hasn't gotten a clock! he is FINALLY PAST that one relationship!) that said i think being each other's ridiculously happy married couple did something to impulse specifically, actually. i think it sort of confused and solidified the grudge and it also like, showed him the almost-happy-loyalty that he wanted in the world. i think these days impulse, at least, has a different idea of 'loyalty' and 'betrayal' thanks to that. and bdubs... i think it's relevant that despite bdubs intentionally CONSTANTLY THROWING UP BETRAYAL FLAGS, he never actually did it. and i don't think he ever actually would. but in terms of their relationship to EACH OTHER? the soulbond was, yeah, only one step in how that arc went.

scott and pearl are... interesting. it's funny; for one of the single most consequential soulbonds in double life, it like... mostly hasn't come up again in their relationship? part of this i think is that pearl's LONELINESS had more of an impact on her than anything scott specifically did, and scott choosing had more of an impact on him. so to each other they're mostly... normal? both a bit mistrustful but like... normal? it's in the ways they act with other people that this experience shaped them, i think; i could say something about scott's next major relationship being mean gills, and the way pearl is only now learning to be a part of a team that cares again. also, pearl's discovery of her bloodlust. that kind of happened in last life to be fair, but it's relevant,

jimmy and tango are surprisingly simple because they were one of the most stable and normal soulmate pairs, lol. they're each other's ranchers! they're still friendly to each other even when their teams are on opposite sides! i think having one relationship where he was the more self-assured one was nice for jimmy and tango having a guy who, rather like skizz, was never going to point out much when tango screwed up on account of Pot Meet Kettle was nice for him, and they both know it was nice. they both get more into the teasing now that they know each other better--a big part of the early ranchers dynamic is that they Did Not Know Each Other but now that they DO it's starting to settle into something shaped more like the kinds of relationships both tango and jimmy tend to have (and they are BOTH the kinds of people to have a lot of friendly mocking in their relationships i wouldn't be surprised if that gets Even More in the future)--but i think out of everyone they probably remember the soulmates thing the most fondly, given the degree to which they are still Buddies.

etho and joel are... good lord the boat boys. on the one hand: clearly they both still enjoy pointing out that the boat boys happened. joel gets... weirdly jealous of other people hanging out with etho? on the OTHER hand they seem determined to murder each other so so so bad. i like to think that their soulbond is a thing they look back on fondly from this but ALSO they both have such weird commitment hangups and bloodlust that maybe the fact they want to kill each other SO BADLY was inevitable. also interesting, though, is how much of this bloodlust comes from etho, given that normally you'd expect joel's relationships to go the other way. what i THINK is happening is that joel still feels a lot of loyalty towards the boat boys somewhere in his head (hence the jealousy and not typically being the one to lash out), whereas etho thinks of it as largely Done and Past, but thinks of it fondly--hence bringing it up every time he has to kill joel, and also the weird tendency to gravitate towards joel specifically. I DON'T KNOW MAN I WOULDN'T HAVE PREDICTED BEFORE LIMLIFE THAT BOAT BOYS WOULD BE THE SOULMATE PAIR THAT WERE WEIRDEST ABOUT EACH OTHER BUT HERE WE ARE,

anyway i just think it's funny to look back on the various soulbonds and realize which ones have had a big impact on sticking around and which ones haven't, you know?

[cherrychilli]

18+

Eddie Munson x flexible! reader, AFAB reader, allusions to PIV sex

Eddie finds out you're double jointed.

A/N: This one's super self indulgent because I'm very bendy and I felt like writing about it. Also they smoke weed but everything's consensual✌️

"C'mon, there's gotta be something about you I don't know already", he prompts after another smoky exhale, blunt pinched between his thumb and forefinger. It wisps out into the evening air beyond the back doors of his van, opened out to overlook a moon dappled lover's lake.

This is what the conversation had dwindled down to after having spent the whole day together, most other talking points already stretched thin by now.

Usually you would have considered the question more carefully but now that your intuition's been dulled by his stash, you search through the foggy corridors of your mind for an answer like you're feeling around for a light switch in the dark.

Eddie has been your closest friend for the better part of five years now and you weren't exactly a closed book by any means which made coming up with something all the more difficult.

Most of what comes to mind feels too mundane to mention so you pass them over in favor of searching for something that might pique his interest.

"Hmm, I'm kind of double jointed I guess", you slowly recalled, too mellowed out to realize the kind of implications something like that might carry to a man like Eddie.

But where there should have been raised eyebrows and a lascivious curve on his lips you find his eyes narrowing into a puzzled little squint instead as he looks at you from where he's leaned against the back of the driver's seat.

"But we've only had one", he turns the joint in his hand over to examine it closer as if a second one might be hidden somewhere underneath.

Maybe you'd given him too much credit.

You roll your eyes at him playfully, leaning closer on your hands and knees to pluck the joint out of his hand and take another puff. The weed might have made him a little slow and sluggish to fully comprehend your what you'd just shared with him but not enough to prevent him from sneaking a peek at your cleavage from this angle.

"No Eddie, it just means I'm flexible. Like, a little more than most people", you return to your side of the van, leaning back against the side door with your knees pulled up to your chest.

"So, like the splits?"

"More than that"

"More?", his eyes go wide and you can see a hint of redness bordering his sclera, certain the same tinge is present in own eyes too.

"Yeah, like check this out", you hand him back the last of the joint for him to finish off and put out. Holding up your left hand, you fold your thumb into your palm and gather the rest of your fingers with your right hand, slowly bending them back beyond what he thought to be your limit.

The unnatural arc might have unsettled anyone else but not Eddie and you begin to giggle when his face lights up instead of twisting into a wince.

"Shit, does that hurt?"

"Nope", you start to beam a little, letting him take your hand in his when he reaches for it eagerly.

Carefully, he manipulates them, making them bend in all kinds of ways; touching your thumb to your forearm, pushing the first joint of each finger back as far as possible.

"Oh that's fucked", he smiles big and wide as if he could gladly spend an entire day just messing around with your fingers.

"What else can you do?"

His impress fills you with a new kind of high, one much more heady than the weed and you fail to resist it now that you've gotten a taste.

"Mm, I can get my legs behind my head too", you shrug, this time much more aware of what you're divulging.

"Seriously? both of them?", he manages to ask calmly enough though you can almost feel him buzzing under his skin like a cicada about to take flight.

"Yeah, don't even really have to stretch to do it"

His jaw tenses, his normally expressive face unreadable before he quietly asks, "can I see?"

Oh this is dangerous. You feel like you're entering uncharted territory in your friendship but you like the look stirring in his eyes too much to deny him.

"Maybe just one", you offer, thankful that you're wearing your cotton shorts today instead of something denim.

Sitting criss cross on the old blanket he uses to carpet the back of his van for smoke sessions, you slip off your flip flops and place both hands on your right foot. With your left hand cradling the ball of your foot and your right hand gripping your heel, you begin to lift your leg up past your chest.

The underside of your thigh which he only gets to secretly ogle on days when you're dressed like this is bared to him as you get your calf over your shoulder, no trace of pain or discomfort on your face. Dropping your right hand, you duck your head slightly to maneuver your foot over it with your left hand then it's done. Your foot slips into place behind your head, heel nudging the nape of your neck. You're able to straighten up to look him in the eye, shooting him a wink while you wiggle your toes.

"There. Not so hard", you can't help but show off, drunk on the stunned look etched on Eddie's face.

And then his eyes trailed lower.

He does it quickly -- a mental snapshot that he'll file away for later. He memorizes the way your shorts have ridden up, so tight around your core he can make out the print of your underwear and the shape of your cunt beneath the stretched out fabric, wishing he could rip the stitches of the offending material apart and fit his tongue there instead.

Pleased with your display, you untangle yourself smoothly, limbs returning to their rightful alignments as Eddie takes a few seconds to blink himself out of his thoughts. His entirely non platonic, downright debaucherous thoughts.

"Woah that was...wow", he settles, pressing his lips together before his motormouth revs up and he lets out something he'll regret. 'You're like a sexy stretch Armstrong', nearly makes its way through but he's able to bite on to it and swallow it back down just in time.

"You're the first guy I've ever shown that to", you laugh but it comes out a little weak now that you're processing what you've just done.

"Seriously? what about Mark?", he asks, face scrunching up slightly like the name left a bad taste in Eddie's mouth.

The mention of your last ex sobers you up even more. "No, I never told him", you tell him simply, smothering down a laugh. The truth was Mark's idea of kinky was leaving the lights on so you never brought up your little contortionist act, afraid it would be too much for him to handle.

"Don't think he would have been into it", you tell Eddie instead and he looks back at you, deadpanned.

"What?"

"Sorry I just find that really hard to believe", he clears his throat, barely disguising his own interest.

The silence that follows has a certain weight to it. It's a familiar kind of weight that you've felt before on days when you're alone with Eddie and the line between friends and something more begins to blur. The weight of possibility.

"Always wanted to try it", you add, hoping like hell that you haven't misread that hungry look in his eyes.

"Yeah?"

"Yeah, I don't know just seems like it could be...fun?", you shrug, a not entirely successful attempt at appearing nonchalant because you've begun to sweat. The van feels far too small all of a sudden which doesn't make sense because you're nowhere near as close as you would like to be with the boy who's seems to be stuck on what to say next.

Call it a leap of faith or call it a huge fucking mistake but you decide to take the plunge and ask him the question that's been beating on the inside of your cranium like a hammer on a nail.

"Eddie, would it be weird if I ask you to-"

"Yes", he answers quickly. Resolutely.

The swiftness of it hurts like a guillotine coming down on your heart -- shot down before you'd even finished the question so you swallow down your regret like a throatful of gravel.

"R-right. Yeah I know it was stupid of me to even try to-"

He doesn't know where he went wrong until he sees your bottom lip tremble and the confidence you'd worn up until now completely strip away, realizing you've mistaken him eagerly jumping the gun for flat out rejection.

Eddie's hands come down on your shoulders as he bolts up to kneel in front of you, shaking you to shock the tears away before they have a chance rise and turn your eyes glassy.

"No! I mean yes, it's not not weird but I don't care because YES, I want to um, do that with you… is what I meant"

His grip eases up but his eyes stay wide to read your expression, chest no longer feeling like an anvil had been dropped on it when a smile breaks out on your face, the kind that feels like it could reach beyond his ribcage and touch his heart.

"Really?", you ask, somehow understanding him perfectly. If there was anyone who could make sense of Eddie's nonsense it was you.

"I mean, if you want to...", he leans closer when he catches you looking at his lips.

"I do want to", you lean in too, hands smoothing up his chest, bringing your lips closer to his.

For all the effort he put into keeping his unfiltered thoughts from spilling out it's just his luck that he stumbles over the very last hurdle before the finishing line.

"Oh my god I'm going to fold you like a pretzel"

It's so abrupt and silly and just so Eddie that you can't help but laugh, dropping your head. His lips skim your forehead and he laughs too, both of you holding each other, locked in a giggle fit until it tapers and subsides.

When you do look back up the heat that had been there before his gaffe returns tenfold. "Maybe leave the dirty talk to me", you place a hand on the back of his neck, pulling him in for a proper kiss.

[forpiratereasons]

ok so here's the thing about izzy imo. narratively speaking, izzy's adoption into the crew in eps four and five is more about the crew than it is about izzy.

the crew is at each other's throats, suspicious, angry, ready to snap. conflicted. they only come together and work through their trauma by coming together and doing a craft project to help someone who clearly needs some help. it's not that izzy especially earned their acceptance or their adoption or their forgiveness. it's that the crew chose all these things regardless. that's healing for the crew. they saw someone hurting, who needed help, and they helped him. offered community. offered stability. they could still do that together.

even stede does this imo. the whole "training montage" thing, when you really look at is, is like, pretty limited? izzy tries to teach stede two things and stede is not at all shown to improve at either. i would eat my shoe if ed actually said izzy taught him everything he knows. frankly i'd eat my shoe if ed had actually said anything to or about izzy since izzy shot him. but izzy is only happy (...in his own way) when he feels needed, or useful. stede knows that he and izzy aren't in a place to have a conversation that would end in a helpful place. instead stede lets izzy feel needed and useful, puts him in a position where he can prove to himself that he's still worth something.

why?? why bother?

because they recognize that izzy's suffering. because they recognize izzy devolving into his own kraken era. because they've learned something about people in crisis through ed's experiences, and they're trying to do something to help. because they're the kind of people who help. because they're embracing stede's culture of kindness. because it heals something in them to do it.

sometimes, and i don't mean all the time, god knows, but sometimes. life will give you people who need to be forgiven even though they haven't earned it, maybe even when they aren't sorry, because you need to do that for your own self. sometimes you need to do it to heal, or for closure, or to cut off the last thing tying you to an ordeal. sometimes you need to do it to prove there's still something inside you that's capable of it. that you are still capable of goodness or kindness or even just fucking. moving on. this isn't true for every case, not for every person or every truth, but sometimes. and izzy is that sometime.

notably, this does not extend, thus far, to ed. ed and izzy have not spoken since izzy shot him. i guess i would be surprised if ed and izzy didn't eventually have A Conversation About Alla That, but at the start of ep 4, neither ed nor izzy were in a position to have that conversation. ed needs to do his healing with stede. izzy needs to learn how to exist as a separate and distinct entity from ed and from blackbeard. izzy could never have gotten there without being shown that he can be that by the crew; his arc is not, for lack of a better term, self-powered. they show him how it can be and he allows himself to be brought into change. then ed and izzy can heal what they need to heal. to stop hurting each other.

the narrative is just setting the two of them up to get there.

[dejabooooo]

Ok I’m doing it. Idk if anyone will read this but here’s a compilation of all the stancest crumbs from bill’s book along with a stancest endgame theory:

I say theory because I can’t think of a better word atm. I know this is obviously not the intention of the text. I am merely taking the information we were given and twisting it to fit my sick agenda. It’s what bill would have wanted (Well maybe not quite like this but lol fuck him anyway).

So! Obviously billford was the star of the show here, but as I learned a little bit more about the codes I didn’t just learn what they say. I learned that all the stancest ship fuel is contained within them, and even tho it’s not much in comparison, what we did get is pretty profound!

There was a brand new code alphabet introduced in this book that we’ve never seen before. This cute little bros code that Stan and Ford invented when they were kids. Besides this image, this code is used only three times in the entire book.

The first (and insanely subtle) instance is on this page where ford concludes that Stan is the only person he can turn to after bill drives him to his breaking point:

It’s very small and hard to make out. On the window amid the equations.

It says: “miss you”

Pertaining the contents of this page, my first thought was that this is probably meant to be interpreted as a message directed at Fiddleford. But that wouldn’t really make sense given how it’s presented. This wasn’t written in after the fact. It couldn’t be directed at Fiddleford, they’re standing together arm in arm. It’s a code only Ford and Stan know, and this pic wasn’t taken long after they separated. This message must be about Stanley.

Ford uses the code on the next page, the last lost journal page where he’s talking about reaching out to Stan. It translates to: “have I been too harsh all along?”

This is so gut wrenching to me because he’s never written in this code literally anywhere else in the entire journal. And he says this vulnerable little line about Stanley in this code he probably hasn’t used in years but still remembers, in this code that only Stan would be able to understand besides himself.

The last usage is by Stan. Because the rest of the family is watching him write this, to the rest of them it just looks like he’s censoring his cussing for the kids’ sakes. But to ford, stan’s slyly writing him a little message that only he can see…

And what does it say?

“Love ya bro”

Ford’s arc in this book is realizing he should put his attention and concern in the ones that love him rather than fueling his obsessive hatred toward the one who hurt him. He comes to understand that he’ll be happier if he’s open about his past and rely on his family whose affection isn’t conditional like bill’s was. He moves past his shame, and comes out of the paranoid isolation that bill had encouraged him into.

And of course he receives this comfort from his whole family. But I think it’s very interesting how bill is framed as this toxic ex, Fiddleford is framed as the one he should have put his trust in during that pivotal time in 80s where ford ultimately blew his chance, and then there’s Stan.

Stan is hardly brought up at all but his presence lingers in more than few of Ford’s vulnerable journal entries. Stan is the one who put Bill in his place. Stan is the one who made Ford realize where his priorities should be. Stan is the one who’s accepted him all along and is the one remaining by his side in the end.

Bill even blames Stan for stealing ford from him like a jealous ex who can’t stand the fact that ford has moved on with someone else. (This is directed at the reader but it mirrors his frustration with the stans when they worked together to defeat him)

In conclusion: incest somehow ended up being the healthiest partnership option all along. Who knew?

BONUS CODE THAT CAN BE MISCONSTRUED IN A MORALLY REPREHENSIBLE WAY:

At the bottom of the first lost journal page where he’s talking about his loneliness and yearning for human connection, he mentions Stan in a code again. After embarrassing himself in front of the waitress he says: “Stanley could have made her laugh” 💔