#nkechi okoro carroll

[cozyaliensuperstar7]

Beautiful Black People 👑

essence:

“The thing that keeps me strong is my certainty.” - Nkechi Okoro Carroll

Nkechi Okoro Carroll is a groundbreaking writer and producer, penning our stories with authenticity and inclusive storytelling that is second to none.

As showrunner for All American, she is not afraid to tackle timely social issues, including police brutality, mental health, gun violence, substance abuse, activism, racial profiling, and teen pregnancy.

With her talent, passion, and unwavering commitment to championing underrepresented voices, she continues to illuminate the way forward towards a more inclusive and equitable entertainment industry in front of the camera and behind the scenes.

The 2024 ESSENCE Black Women In Hollywood Awards is proud to celebrate this year’s honorees who have brought radiant power to the big and small screens through their work as film and television creatives. #ESSENCEBWIH24

Talent: @kech99

Photographer: @sheekswinsalways \nStylist: @jasonrembert

Hair: @dhairiusnyc \nMakeup: @missdrini Nails: @rachelsuenails

Set Design: @wanenmacherstudios Tailor: @costumer.shirlee

Location: @smashboxstudios Retouching: refuge.retouch

Production: @themorrisongroup ESSENCE, SVP, Creative: @coreytstokes ESSENCE, Senior Content Director: @itsnandibby ESSENCE, Visual Director: @_mq______

essence:

“Give me a world that I haven’t seen before, and that’s what excites me.” - Kathryn Busby

President of Original Programming at STARZ, Kathryn Busby, is amplifying Black stories and launching some of the most-watched television series in programming history.

The Harvard University graduate with over 25 years of experience impressive resume includes work on numerous noteworthy projects and green lighting must-see TV like BMF, Power Book III: Raising Kanan, P-Valley, Power Book II: Ghost, and Power Book IV: FORCE. Through her board appointments and career, Kathryn has continued to spearhead initiatives that impact real change as a longtime champion for diversity, equity, and representation in the entertainment industry.

The 2024 ESSENCE Black Women In Hollywood Awards is proud to celebrate this year’s honorees who have brought radiant power to the big and small screens through their work as film and television creatives. #ESSENCEBWIH24

Talent: @busbykat

Photographer: @sheekswinsalways Stylist: @jasonrembert

Hair: @imawinner

Makeup: @elaboratefaces

Nails: @rachelsuenails

Set Design: @wanenmacherstudios Tailor: @costumer.shirlee

Location: @smashboxstudios Retouching: refuge.retouch

Production: @themorrisongroup ESSENCE, SVP, Creative: @coreytstokes ESSENCE, Senior Content Director: @itsnandibby ESSENCE, Visual Director: @_mq______

bet:

The title and the crown are custom-fit for the Queen.

It’s only fitting this #WomensHistoryMonth to announce the one and only @QueenLatifah will return and grace the stage with her unmatched royal presence at this year’s #NAACPImageAwards alongside some changemakers who redefined culture as we know it:

Chairman’s Award Honoree @AmandascGorman

Vanguard Award Honoree @JuneAmbrose

Stay tuned for more announcements of excellence before the show LIVE on MARCH 16 at 8/7c on @BET✨

juneambrose:

🙏🏽 Repost from • Costume designer, creative director, and influencer will receive the Vanguard Award at the 55th . 🏆✨ Watch March 16 at 8pm ET on .

bet:

What’s a QUEEN without a reign?! 👑That’s right, the flyest girl is back in the building, and @queenlatifah will take the stage once again as our #NAACPImageAwards host! It’s time to step into her house for some weekend love with family.

Join the royal court as we celebrate U.N.I.T.Y. and a whole lot of Black excellence on March 16th at 8\7c on #BET.

bet:

We have lifted every voice and sang to the tune of for US by US and to US as a mantra.

From Jackie Robinson to Rosa Parks, we have been seated and steadfast in the calling that we are all we need. We have triumphed in the knowing that we are the chosen ones. To be Black is a blessing. To be Black is a calling that we’ve answered time and time again. We are radical. We are resilient. We are loving. We are changemakers. We are Us. What would the world be without the touch and the aura of our natural being?

The revolution will be televised on 3\16. We have marched. We have overcome, and yet we are still overcoming. To celebrate us in all of our glory and excellence is a privilege. We welcome you and your God-given gifts and exalt your talents as they are worthy of praise.

The #NAACPImageAwards. This one is for Us.

[lillaurenp96]

Is Zendaya at the Essence: Black Women in Hollywood event!!! Cause I need her to take pictures with the people who are being honored. I just know Danielle and Halle are being honored along with two other amazing black women. The actual event airs on March 15th.

[thenerdsofcolor]

'All American' Cast and Creatives Talk Season 6 and the Future of Spelivia and Jordayla

The Television Critics Association wrapped up its 2024 Winter Press Tour today with its final destination: The CW. All American executive producers Nkechi Okoro Carroll and Jamie Turner joined cast members Daniel Ezra (Spencer James), Samantha Logan (Olivia Baker), Michael Evans Behling (Jordan Baker), Greta Onieogou (Layla Keating), and Bre-Z (Tamia “Coop” Cooper) for a panel discussion about…

[biggoldbelt]

6TH ANNUAL AAFCA HONORS WINNERS ANNOUNCEMENT:

[recentlyheardcom]

Nkechi Okoro Carroll, Glynn Turman Honored

Genius: MLK/X executive producer Reggie Rock Bythewood, in accepting the award for best limited series/special at the 6th Annual African American Film Critics Association (AFFCA) TV Honors Saturday afternoon, made a political plea to attendees as he and the producing team of the National Geographic series, which includes wife Gina Prince-Bythwood, noted the anniversary of Martin Luther King Jr.…

[vintagewarhol]

[cherrygeek]

Found (NBC/Peacock) will never miss me

Your missing out if you have not watched the new series Found (NBC/Peacock) that true crime and Law & Order fans will love to watch!

I discovered the missing person series ‘Found’ on Peacock and was intrigued by the first trailer. It’s a band of damaged people looking to save the missing that is often overlooked by the police and media when they don’t look like ‘All American Next Door’. They are the team that will do anything to find and return them to family and friends. I attended a panel with the stars, show creator,…

[laf-outloud]

https://tvline.com/2023/01/11/all-american-renewed-season-6-cw/

All American renewed

“Over the last five seasons, All American has established itself as one of the all-time CW flagship franchises,” said Brad Schwartz, The CW’s president of entertainment. “All American is not only the network’s youngest series, but also the strongest performer when combining all our platforms. We look forward to continuing our collaboration with showrunner Nkechi Okoro Carroll, Greg Berlanti, Sarah Schechter, the entire creative team and the incredible cast for another season of captivating family drama.”

Interesting. Hopefully, this is a signal of other renewals coming soon. It's interesting that AA: Homecoming wasn't mentioned. It makes the possible renewal of Superman & Lois as the other WB property seem a stronger likelihood.

[alexzalben]

All American Has Been Renewed by The CW for Season 6

Surprise! The CW has granted All American an early renewal (surprised about any renewals tbh) for the 2023-2024 TV season.

“Over the last five seasons, ALL AMERICAN has established itself as one of the all-time CW flagship franchises,” said Brad Schwartz, President, Entertainment, The CW Network. “ALL AMERICAN is not only the network’s youngest series, but also the strongest performer when combining all our platforms. We look forward to continuing our collaboration with showrunner Nkechi Okoro Carroll, Greg Berlanti, Sarah Schechter, the entire creative team and the incredible cast for another season of captivating family drama.”

[themovieblogonline]

Celebrating Excellence: Highlights from the 2024 AAFCA TV Honors

The 2024 AAFCA TV Honors was a night where Black excellence in television took center stage, and boy, did it deliver! Held at the historic Hollywood Roosevelt Hotel, the African American Film Critics Association (AAFCA) pulled out all the stops to recognize the outstanding achievements in television that represent the Black diaspora. It’s like the Oscars, but with more melanin and a lot more soul. The night was a blend of celebrating new talent, honoring legendary figures, and acknowledging TV shows that have kept us on the edge of our seats (or, let’s be real, binge-watching on the couch). The AAFCA TV Honors have been doing their thing since 2019, and this year marked their sixth annual celebration, proving that Black talent in television isn’t just here to stay—it’s taking over. The Stars of the Night The evening kicked off with the announcement of the Top Ten TV Shows of the Year, a list that reads like a greatest hits album. Shows like Genius: MLK/X, Unprisoned, The Chi, and The Bear topped the list, representing the best in storytelling, acting, and production. These shows are not just entertainment; they’re cultural touchstones that reflect and shape the world we live in. Glynn Turman, an actor with more decades in the game than some of us have been alive, was honored with the Legacy Award. Turman’s career spans over six decades, from his Broadway debut in A Raisin in the Sun to his recent work in Ma Rainey’s Black Bottom. His acceptance speech was a masterclass in humility and grace, reminding us why he’s been a fixture in the industry for so long. The Salute to Excellence Award went to Nkechi Okoro Carroll, the powerhouse behind All American and Found. With these two shows under her belt, Carroll is redefining what it means to create television that resonates with audiences across the spectrum. The Impact Award goes to Starz’s “Power” Universe, celebrating a decade of high-stakes drama and groundbreaking representation. If you haven’t been keeping up with Power, Power Book II: Ghost, Power Book III: Raising Kanan, and Power Book IV: Force, you’re missing out on some of the most intense storytelling on TV. And let’s not forget Tubi, the free streaming service that’s become a go-to for Black cinema lovers, was honored with the Ally Award. Tubi’s commitment to diverse content is evident in its robust library of Black films and its partnership with The Black List, which seeks out underrepresented voices in filmmaking. The Best of the Best   This year’s competitive categories were fierce, with standout performances and groundbreaking shows taking home the honors. Black Twitter: A People’s History snagged Best Documentary, while Masters of the Air took home Best Ensemble. Genius: MLK/X was crowned Best Limited Series/Special, proving that historical narratives still pack a punch when done right. In the acting categories, Ayo Edebiri won Best TV Acting (Female) for her role in The Bear, and Wendell Pierce took home Best TV Acting (Male) for Elsbeth. These wins are a testament to the depth of talent and the power of performance in driving a story forward. A Night to Remember The 2024 AAFCA TV Honors was more than just an awards show; it was a celebration of the culture, creativity, and contributions of Black talent in television. From the groundbreaking work in series like The Chi to the legacy of industry veterans like Glynn Turman, the night is a reminder of why representation matters. But beyond the awards and the accolades, the AAFCA TV Honors is a space where it's a celebration of Black excellence. It’s a night where the Black diaspora comes together to uplift, inspire, and push the boundaries of storytelling. Here’s to the next year of groundbreaking television and the stories that will continue to shape our world. Read the full article

[seositetool]

'All American: Homecoming' Star Explains Simone's Big Love Triangle Decision 

The CW All American: Homecoming’s season 3 premiere saw Simone finally make a choice between Damon and Lando. While fans might have differing opinions on how the love triangle played out, star Geffri Maya and showrunner Nkechi Okoro Carroll are in agreement: things happened exactly how they needed to. Warning: Spoilers ahead of Season 3, episode 1 of All American: Homecoming. “We [felt like] we…

[amaya-parnell]

Representation in the Vortex of All American

The pilot episode of the TV drama All American aired in 2018 on The CW network and depicted the true story of NFL Super Bowl Champion Spencer Paysinger. Nobody would have imagined how the show would go on for six seasons and enlighten viewers with accurate and insightful representations of Black individuals, their community, and culture. In the span of almost 100 episodes, All American has remained at the top of the ratings by showcasing a predominantly Black cast who has done an exceptional job representing authentically Black identity, culture, experiences, and stereotypes. I believe the overwhelming success of All American is due to having Spencer Paysinger involved in the production of All American which has given a platform for Black voices to share their reality and societal issues with America. 

When it comes to the creation of new TV shows it is tempting to give into societal pressure and expectations in order to succeed in offering widely accepted entertainment, but the people behind All American decided to challenge the status quo and create a show that highlights the voices and narratives of marginalized communities. In a concept discussed in chapter 15 of The Media Studies Reader entitled, “Stereotypes, Realism, and the Struggle Over Representation”, the authors discuss “alternative representation” which refers to the ongoing battle faced by marginalized communities to assert their own voices and narratives into a world where dominant cultural norms often limit or distort their visibility (Ouellette). This concept also encompasses efforts to challenge the stereotypes that others outline in their viewpoints, broaden perspectives, and create space for diverse and authentic representation. The creators of All American embraced this and advocated for more nuanced, inclusive portrayals that show the complexity of individuals and identities. They believed the best person to tell Spencer Paysinger’s story was Spencer Paysinger and bringing his journey as Black male in America to televisions across the country and showing these difficult truths and realities would not only make good television, but also represent the Black community. These achievements would be enhanced further by employing a diverse writing and production team. 

The creative team behind All American has many personal things to say when it comes to the show. Spencer Paysinger articulates why he wanted to tell his story  All American, he describes it as “a show about a kid that is diving into a whole new world while still filling an obligation to show respect to the world he comes from. It's a story of an outsider, it is about a person that is just trying to find who they are in this world” (cite video). REFLECT An article from Teen Vogue titled “The CW's "All American" Brings Teenage Issues To Your Televisions” delves into the authentic and accurate representation the show achieves with the help of diverse experiences, casting, and crew members. Writer and All American Executive Producer Nkechi Okoro-Carroll shares her gratification and life experience of being a Black female writer by saying: 

When it comes to the show, we keep our barometer of telling true stories. The show is based off of Spencer’s life, and even in the scenes where it may not be exactly based on his life, we do tap into real-life experiences, and that comes from our wonderful writing room, especially our writers of color … Being Nigerian and raised in the Ivory Coast, I have my own experiences, but then we have writers from places like Oakland and Texas, and all of us have universal stories about being Black youth from these places (Nast)

Here, Carroll shows us how All American accomplishes its unique and exceptional storytelling that has given America a new look into the reality of society and marginalized individuals' lives from across the globe. 

Another aspect that Nkechi Okoro-Carroll shares about creating All American is that there are personal reasons behind using different interpretations and lenses to create the storylines and dialogue that help achieve the level of accurate representation the show has come to be known for. Carroll states:

My job as showrunner is to listen to the other writers’ experiences so it’s not all just based off of mine alone. We say this all the time, ‘there is no one way to be Black,’ and I think we’d be doing the show a disservice if we told it through one singular lens. I have two Black sons, and selfishly, part of why I do this is to keep my sons alive. If someone watches this show and can relate to Spencer James or has humanized this young Black boy a little bit more now, and if my son runs into this person at a later time, that might be one more person who ensures that he makes his way home that night. This is the multi-dimensional experience of Black youth (Nast)

Even though the creator’s, writers’, and producers' jobs and intentions are to create a show that would be well-liked by the masses, their first goal was to tell an authentic story and let the popularity follow. All American allows for Black youths all over the world to witness a show where they see people like them through a lens of appreciation and achievements. 

Stereotypes are one of the most harmful influences on race representation. The Media Studies Reader chapter “Stereotypes, Realism, and the struggle over representation” shows that using stereotypes as the primary source leads to a lack of accurate representation and constructs false identities for the individuals being stereotyped. The author states, “the sensitivity around stereotypes and distortions largely arise, then, from the powerlessness of historically marginalized groups to control their own representation” (Ouellette 209). This explains the tension between discursive authority and the quest for realism in representing marginalized communities, as we continue to see the struggle to shift beyond stereotypes and emphasize diverse thoughts while embracing the authentic identities of Black individuals. In the articles, “Television Portrayals and African American Stereotypes: Examination of Television Effects when Direct Contact is Lack” by Yuki Fujioka and “How All American explores the experiences of Black youth in America” in Entertainment Weekly, each article explores how All American destroys and distorts the stereotypes that have exited in tv shows for decades. Fujioka makes this point about television portrayals, “When direct personal contact is limited, television portrayals become a primary source of information about these groups” (Fujioka). This observation shows the importance of accurate representation and the responsibility of the media industry to portray minority and marginalized communities and individuals with authenticity. When compared to the diverse and experienced writers of All American, it becomes obvious how past shows were unsuccessful in their portrayals.

 Many forms of media have had a hand in proliforating Black stereotypes over the years. In the journal article “Media Representations and Diversity in the 100 Years of Journalism & Mass Communication Quarterly”, author Moody-Ramirez states, “Several studies note stereotypical portrayals that associate Black people with crimes, sports, and entertainment. Dulaney (1969) writes, “crime news is unfair to Negroes” and “mass media publicize crimes committed by Negroes.” These tendencies reinforce stereotypes of Blacks and “unite the White community for collective violence against Negroes” (Moody-Ramirez). Nkechi Okoro-Carroll reflects on this troubling past in the media and reacts to her own children watching All American today by saying, "For him to be able to see his world represented on screen, and not in a passive way, but as the hero of the story, the effects of that are priceless" (Yohannes). By showcasing diverse experiences and individuals, All American provides their fandom with representation that they once had not received, which has led to intensified authenticity of the characters and voices and disrupts the monolithic society narrative. These factors are vital in highlighting the importance of educating not only the media industry, but also the importance of media literacy to viewers who internalize these stereotypes. 

In addition to depicting Black individuals and identities, All American strives to show the real-life social issues faced by Black communities in our nation. Nkechi Okoro-Carroll shared how impressed she was with the content choices made by the staff behind the show. Carroll states, "Being able to go home and really sit with the trauma and sit with a real conversation that families have to have, that my husband and I have to have with our sons, being allowed to do that on TV was unbelievable” (Yohannes). Her reaction came from a specific episode of the show where character Jordan, a biracial kid from Beverly Hills, and Spencer, a Black kid from Crenshaw, are pulled over by the police. Jordan’s mother is an attorney and taught him to his rights since when it comes to situations such as this and he states them to the police officer, while Spencer repeatedly tells Jordan to put his hands on the dash. Jordan does not understand how his knowledge of his own rights is hurting them in their interaction with the police officer. Both Jordan and Spencer are taken out of the car and pushed to the ground while at gunpoint. Jordan is experiencing police brutality and racial discrimination for the first time, but Spencer talks him through it. Spencer was raised to comply with the police or risk his life, while Jordan was not taught this due to his biracial upbringing and his lighter complexion. In her article “Entertainment-education for the media-saturated: Audience perspectives on social issues in entertainment programming”, Bethany Klein touches on the preconceptions audiences have on television shows veering away from the dramatized show to bring attention to important social issues. Her research analyzes viewers’ thoughts on TV shows “discussing social issues that typically receive narrow coverage across the news and entertainment media. Cases of UK entertainment television contribute unconventional perspectives on social issues and offer the possibility of sparking deliberation” amongst viewers (Klein). Scenes such as this that depict social issues in America today, allow parents and their kids to engage in discussions of racial discrimination and profiling, police brutality, Black Lives Matter Movement, and white privilege in an age-appropriate and comfortable setting and bring awareness to the unequal and inequitable society we live in. In this way, the breakthrough initiatives behind the TV show All American have laid a path for other media to follow that includes creating genuine content that represents minority voices, engages audiences, and betters our world.

Citations (5): 

Yohannes, Alamin. “How ‘all American’ Explores the Experiences of Black Youth in America.” EW.Com, Entertainment Weekly, 14 Jan. 2021, ew.com/tv/all-american-black-youth-in-america/. 

Nast, Condé. “The CW’s ‘All American’ Brings Teenage Issues to Your Televisions.” Teen Vogue, 1 Dec. 2020, www.teenvogue.com/sponsored/story/the-cws-all-american-brings-teenage-issues-to-your-televisions. 

Fujioka, Yuki. “Television portrayals and African-American stereotypes: Examination of television effects when direct contact is lacking.” Journalism & Mass Communication Quarterly, vol. 76, no. 1, Mar. 1999, pp. 52–75, https://doi.org/10.1177/107769909907600105. 

Moody-Ramirez, Mia, et al. “Media representations and diversity in the 100 years of journalism & mass communication quarterly.” Journalism & Mass Communication Quarterly, vol. 100, no. 4, Dec. 2023, pp. 826–846, https://doi.org/10.1177/10776990231196894. Klein, Bethany. “Entertainment-education for the media-saturated: Audience Perspectives on Social Issues in entertainment programming.” European Journal of Cultural Studies, vol. 16, no. 1, 21 Jan. 2013, pp. 43–57, https://doi.org/10.1177/1367549412457482.

[news4usonline]

NAACP honor Image Awards nominees

LOS ANGELES  – The NAACP celebrated the stellar achievements of the 55th NAACP Image Awards nominees across film, television and streaming, music, literature, and podcasts, at its Nominees Brunch at the Fairmont Century Plaza in Los Angeles. Hosted by TBS’ Friday Night Vibes co-hosts Nina Parker and Kevin Fredericks (KevOnStage), the event recognized talented individuals nominated in more than 90 categories. The 55th NAACP Image Awards will broadcast LIVE on Saturday, March 16, 2024, at 8 p.m. (live ET/PT on delay) on BET and CBS from the Shrine Auditorium in Los Angeles. 

Actress Lauren E. Banks, star of "Lawmen: Bass Reeves," attends the 55th NAACP Image Awards Nominees' Brunch at the Fairmont Century Plaza in Century City, California, on Feb. 25, 2024. Photo credit: Mark Hammond/News4usonline The nominees brunch kicked off with welcome remarks from NAACP President and CEO Derrick Johnson and Vice Chair of the NAACP Board of Directors Karen Boykin-Towns who congratulated the nominees for their accomplishments. More than 130 nominees graced the stage for a special “55th NAACP Image Awards” class photo and were presented with certificates recognizing their immense talent and overall impact to their respective fields. Guests and nominees included Adrian Holmes, Aml Ameen, Carl Anthony Payne II, Choice Skinner, Chris Spencer, Elisha “EJ” Williams, Garcelle Beauvais, Gia Peppers, Glynn Turman, Jabari Banks, Jalyn Hall, Jeremy Piven, Kale Futterman, Keith Powers, LaRoyce Hawkins, Lucky Daye, Mara Brock Akil, Mila Davis-Kent, Nikole Hannah-Jones, Nkechi Okoro Carroll, Roy Wood Jr., Shoshana Guy, Tre’Vell Anderson, Vic Mensa, William Stanford Davis, and more. Pastor Brenda Palmer delivered an invocation during the afternoon, and gospel artist Pastor Mike Jr. performed his song “Impossible.” “For over a century, the NAACP has championed the fight for a society that cherishes our culture and acknowledges the invaluable contributions of the Black community,” said NAACP President and CEO Derrick Johnson. 

"Wonka" star Calah Lane attends the 55th NAACP Image Awards Nominees' Brunch at Fairmont Century Plaza on February 25, 2024 in Los Angeles, California. Photo credit: Mark Hammond/News4usonline “Today, we are honored to stand united in recognizing the transformative power of storytelling. Media shapes our perceptions, so let us embrace the challenge to be louder, to activate change, and to amplify the importance of our community, our culture, and our stories. Together, we matter, and our collective voice reverberates through the halls of history,” Johnson added. “In celebrating the NAACP's 115th birthday, we acknowledge that for nearly half its existence, this organization has recognized the vital contributions of the creative community,” said Karen Boykin-Towns, Vice Chair of the NAACP Board of Directors.  “Your work matters – it's a powerful ally to our pursuit of justice and equality. While we fight against false narratives, you craft new stories daily in scripts, songs, and books. Together, our work becomes more accessible and impactful, and we thank you for your commitment to excellence. Congratulations to all, and let's continue fighting together for a brighter future,” Boykin-Towns continued.

"Bel-Air" star Jabari Banks attends the 55th NAACP Image Awards Nominees' Brunch at the Fairmont Century Plaza on February 25, 2024 in Los Angeles, California. Photo credit: Mark Hammond/News4usonline The event's co-hosts Kevin Fredericks (KevOnStage) and Nina Parker led a lively gospel karaoke competition where select Image Awards nominees volunteered to perform gospel classics, including Kirk Franklin’s “Melodies from Heaven” and “Hosanna,” Hezekiah Walker’s “Clean Inside” and “How Much We Can Bear,” “I Just Want to Praise You” by Maurette Brown Clark, and “We’re Blessed” by Fred Hammond. Winners of the 55th NAACP Image Awards will be revealed via telecast on March 16, 2024 on BET and CBS. NAACP will also recognize winners in non-televised Image Awards categories virtually from March 11-13 on www.naacpimageawards.net, during the Awards Dinner on March 14 and the Fashion Show on March 15. For all information and the latest news, please follow NAACP Image Awards on Instagram @NAACPImageAwards.  The 55th NAACP Image Awards is proudly presented by this year’s incredible partners and sponsors, including Google, Bank of America, Gushers, FedEx, AirBnB, Amazon, Diageo, Denny’s, Alaska Airlines, and American Airlines.  Top photo caption: "Creed III" star Mila Davis-Kent attends the 55th NAACP Image Awards Nominees' Brunch at the Fairmont Century Plaza on February 25, 2024 in Los Angeles, California. Photo credit: Mark Hammond/News4usonline Read the full article