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crimeculturepodcast · 3 years

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Hispanic/Latino horror movies

In honor of Hispanic Heritage month, this week we talked about horror movies out of Latin American and Spanish speaking countries. There were some we couldn’t get to so here is the full list:

Spain

The Devil’s Backbone (2001)

Rotten Tomatoes: 92%

Audience Score: 89%

Google Score: 85%

IMDb: 7.4/10

Critics Consensus: Creepily atmospheric and haunting, The Devil's Backbone is both a potent ghost story and an intelligent political allegory.

Description: “Set during the last years of the Spanish Civil War, The Devil's Backbone is a Spanish gothic horror movie that follows Carlos, a young orphan boy who is deposited at Santa Lucia School among several other children who have been displaced by the conflict. Though he finds friends in the professor and the head mistress, he is plagued by a wandering spirit with a link to the violent caretaker's secret past.”

Trivia: The movie, which he wrote in college and was in development for 16 years, is strongly inspired by Del Toro’s personal memories, especially his relationship with his uncle, who supposedly came back as a ghost. It is also included among the "1,001 Movies You Must See Before You Die" edited by Steven Schneider. Although filmmaker Guillermo del Toro is Mexican, this film is set in the Spanish countryside (largely filmed in Madrid) that’s why it’s on the Spanish list. The Devil’s Backbone has all of the impactful elements of spirituality, horror, and the supernatural that come up again and again in Del Toro’s work. This film has been referred to as the “brother film” of one of Del Toro’s best known works, Pan’s Labyrinth.

[REC] (2007)

Rotten Tomatoes: 89%

Audience Score: 82%

Google Score: 85%

IMDb: 7.4/10

Critics Consensus: Plunging viewers into the nightmarish hellscape of an apartment complex under siege, [Rec] proves that found footage can still be used as an effective delivery mechanism for sparse, economic horror.

Description: “Late-night TV host Angela and her cinematographer are following the fire service on a call to an apartment building, but the Spanish police seal off the building after an old woman is infected by a virus which gives her inhuman strength.”

Trivia: The movie was filmed chronologically in real locations (no sets were built for the movie). The actor’s were never given the script in its entirety and didn’t know what was going to happen to their characters until the day of filming. The movie is also a big inspiration for the horror survival game Outlast.

Considered The Blair Witch Project of zombie movies, REC had a lot of competition in the found footage style (it came out the same year as George Romero’s Diary of the Dead and the first Paranormal Activity movie). It more than holds its own among them, so much so that an American remake called Quarantine came out the next year. Director Jaume Balagueró keeps the movie disturbingly real and doesn’t fall prey to jump scare after jump scare.

Veronica (2017)

Rotten Tomatoes: 88%

Audience Score: 49%

Google Score: 80%

IMDb: 6.2/10

Critics Consensus: A scarily effective horror outing, Veronica proves it doesn't take fancy or exotic ingredients to craft skin-crawling genre thrills.

Description: “During a solar eclipse, a teenage girl and her friends want to summon the spirit of the girl's father using an Ouija board. However, during the session she loses consciousness and soon it becomes clear that evil demons have arrived.”

Trivia: Based on the true story of 18-year-old Estefanía Gutiérrez Lázaro. I won’t go too far into it because we may do an episode on it in the future but if you want spoilers, watch the movie (if you dare).

Directed by Paco Plaza (same as REC), the possession theme is done over and over again in horror but this movie is a terrifying and fresh take.

The Bar (2017)

Rotten Tomatoes: 88%

Audience Score: 55%

Google Score: 75%

IMDb: 6.3/10

Description: “In bustling downtown Madrid, a loud gunshot and two mysterious deaths trap a motley assortment of common urbanites in a decrepit central bar, while paranoia and suspicion force the terrified regulars to turn on each other.”

Directed by Álex de la Iglesia, it’s labeled as a horror-comedy. You can watch it on Netflix.

Who Can Kill A Child? (1976) - Tells the story of a happy couple, two English tourists who decide to vacation on a secluded island in the Mediterranean. There they discover – almost too late- that the island has been taken over by a group of murderous children.

The Baby’s Room (2006) - Featured on Six Films to Keep You Awake at Night. A new family renovates and moves into a grand old house. Nervous first-time mom installs a baby monitor but hears mysterious sounds on the other side. Once they install a high-tech video baby monitor, what they see chills them to the bone.

Sleep Tight (2011) - Apartment concierge Cesar is a miserable person who believes he was born without the ability to be happy. His self-appointed task is to make life hell for everyone around him, a mission in which he has great success. It has big home invasion/stalker vibes.

Timecrimes (2007) - A man accidentally gets into a time machine and travels back in time nearly an hour. Finding himself will be the first of a series of disasters of unforeseeable consequences. It sounds like a “Happy Death Day” type of plot (but proceeding it by a decade).

Thesis (1996) - Angela is doing her thesis on the effect of violence in the media when she discovers a snuff film. This discovery leads her down a dark path where she must confront her greatest fears and question everybody around her.

Witching and Bitching (2013) - One article I read said it perfectly, “What Shaun of the Dead did for zombies and What We Do in the Shadows did for vampires, Witching & Bitching essentially did for the cinematic depiction of witches, albeit on a less visible scale.” Great pick if you’re looking for something a bit more lighthearted.

Mexico

Pan’s Labyrinth (2006)

Rotten Tomatoes: 95%

Audience Score: 91%

Google Score: 90%

IMDb: 8.2/10

Critics Consensus: Pan's Labyrinth is Alice in Wonderland for grown-ups, with the horrors of both reality and fantasy blended together into an extraordinary, spellbinding fable.

Description: After the Allies invade Nazi-occupied Europe, a sadistic captain sends a troop of Spanish soldiers to flush out rebels,bringing his new wife and her daughter along on his exploits. While his family resides in the countryside, he leads his men on a murderous rampage, much of which is witnessed by his step daughter. In an effort to escape her reality she plunges into Pan's Labyrinth, a mystical world at the border of her own.

Trivia: Guillermo del Toro is famous for compiling books full of notes and drawings about his ideas before turning them into films, something he regards as essential to the process. He left years worth of notes for this film in the back of a cab, and when he discovered them missing, he thought it was the end of the project. However, the cab driver found them and, realizing their importance, tracked him down and returned them at great personal difficulty and expense. Del Toro was convinced that this was a blessing and it made him ever more determined to complete the film. Del Toro also repeatedly refused offers from Hollywood producers, in spite of being offered double the budget, provided the film was made in English. He didn't want any compromise in the storyline to suit the "market needs" (he even did the English subtitles himself). The film received 22 minutes of applause at the Cannes Film Festival and in 2007, it became one of the few fantasy films ever nominated in the Best Foreign Language Film category at the Oscars. It’s another on the list "1,001 Movies You Must See Before You Die" edited by Steven Schneider with The Devil’s Backbone. It was on more than 130 top 10 lists in 2006. It is also the 5th highest grossing foreign language film in the US.

The Similars (2016)

Rotten Tomatoes: 95%

Audience Score: 49%

Google Score: 75%

IMDb: 5.9/10

Critics Consensus: A smart homage to genre filmmaking, The Similars is a fun and frightening film that balances socio-political issues with aplomb.

Description: A monstrous, once-in-a-lifetime thunderstorm strands passengers in a remote bus station outside Mexico City in 1968. As they listen to the radio, they realized that the storm has spread all over the world. As they look at each other, they also realize that everyone’s faces are slowly changing, and not for the better.

Trivia: The film used make-up and special effects techniques never before done in Mexico. Director Isaac Ezban was influenced by B-movies of the 50s and 60s as well as TV shows and movies like “The Twilight Zone”, “The Thing”, and “Invasion of the Body Snatchers”.

We Are What We Are (2010)

Rotten Tomatoes: 72%

Audience Score: 48%

Google Score: 77%

IMDb: 5.7/10

Critics Consensus: We Are What We Are is elevated horror that combines family drama and social politics, with plenty of gore on top.

Description: After a family patriarch dies, his survivors are tasked with continuing the rigid family rituals that involve hunting meat, preparing it for consumption, and eating it. The “meat” in question is human flesh, since they’re a family of cannibals. With two detectives hot on their tail, the family of cannibals strains to maintain their family traditions in a modern urban environment.

There was an English language remake in 2013 (86% on Rotten Tomatoes) with Wyatt Russell and Odeya Rush (Lady Bird, Dumplin’, and Goosebumps)

We Are The Flesh (2016) - A joint French-Mexican production released in Spanish as Somos la carne, this post-apocalyptic nightmare involves a brother and sister who roam the land desperately seeking food until a kindly old man takes them in under the condition that they help him renovate an abandoned building. Oh, and they also have to have sex with one another while he watches. And after he breaks their will by getting them to do that, he makes them do all sorts of other things. This film was one of only four in Mexico to receive a “D” rating—which is reserved for subject matter that is considered extremely disturbing and/or pornographic.

The Witch’s Mirror (1962) - An abusive and cheating husband kills his wife so that he can be with his mistress. The woman’s godmother was a witch who originally tried casting a spell on a mirror to protect her from domestic violence, but the spell failed. Still, she is able to bring the woman back from the grave, and the two witches set out to destroy the evil woman-beater.

Here Comes The Devil (2012) - A married couple lose their children while on a family trip near some caves in Tijuana. The kids eventually reappear without explanation, but it becomes clear that they are not who they used to be, that something terrifying has changed them.

Chile

Downhill (2016)

Rotten Tomatoes: 60%

Audience Score: 22%

Google Score: 43%

IMDb: 3.5/10

Description: Deeply upset by the passing of his best friend, a professional BMX rider accepts to partake in a race in Chile. Everything goes as planned until he stumbles upon a man who is infected by a mysterious virus and becomes the target of local assassins.

Trivia: Filmed in 13 days

Post Mortem (2010)

Rotten Tomatoes: 88%

Audience Score: 61%

Google Score: 70%

IMDb: 6.5/10

Description: In Chile, 1973, during the last days of Salvador Allende’s presidency, an employee at a Morgue’s recording office falls for a burlesque dancer who mysteriously disappears.

Aftershock (2012)

Rotten Tomatoes: 39%

Audience Score: 24%

Google Score: 61%

IMDb: 4.8/10

Critics Consensus: Aftershock hints at an inventive twist on horror tropes, but ultimately settles for another round of mind-numbing depravity that may alternately bore and revolt all but the most ardent gore enthusiasts.

Description: In Chile, a group of travelers who are in an underground nightclub when a massive earthquake hits quickly learn that reaching the surface is just the beginning of their nightmare.

Trivia: Horror icon Eli Roth wrote and stars in this film.

To Kill A Man (2014) - An attack on his daughter leads a mild-mannered family man to take revenge on the vicious street thugs who have tormented him and his family for a long time.

Columbia

Out Of The Dark (2014) This is in English

Rotten Tomatoes: 24%

Audience Score: 22%

Google Score: 77%

IMDb: 4.8/10

Description: A family moves to Colombia to take over the operation of a manufacturing plant, soon they learn their new home is haunted.

Trivia: Starring Julia Stiles (10 Things I Hate About You, Dexter) and Scott Speedman (The Strangers, You)

The Squad (2011)

Audience Score: 53%

Google Score: 82%

IMDb: 5.3/10

Description: After a secret military base ceases all communications, an anti-guerrilla commando unit is sent to the mountainous location to discover what exactly happened. The squad expects to discover that the base was attacked and taken over by guerrilla units, but instead find only a lone woman wrapped in chains.

Trivia: In one scene where the actors are shooting guns, one actor accidentally picked up a real gun instead of the prop and fired a real shot (no one was hurt).

Cord (2015) - On a post-apocalyptic world of never-ending winter, a sparse cast of outsiders live underground. Due to their unsanitary conditions, sexual contact has become dangerous. Masturbation has become the paradigm of sexual experience and an array of low-tech devices with this purpose has come into existence. In this bleak reality, a dealer of such machines a sex addict make a deal: she will allow him to experiment new devices on her body in exchange of pleasure. Soon however, their relationship goes out of control.

The Hidden Face (2011)

Rotten Tomatoes: 80%

Audience Score: 72%

Google Score: 86%

IMDb: 7.4/10

Description: Shattered by the unexpected news of their irreversible break-up, an aspiring orchestra conductor is puzzled by his girlfriend's mysterious and seemingly inexplicable case of disappearance. But, can he look beyond the facts?

Trivia: There is a Turkish version of this movie and a 2013 remake out of India called “Murder 3”

At The End Of The Spectra (2006)

Google Score: 83%

IMDb: 6/10

Description: A young woman who has become agoraphobic due to a traumatic incident is holed up in her apartment, she begins to suffer from hallucinations, paranoia and an obsessive neighbour.

Trivia: There is a Mexican remake called “Devil Inside” and there were once rumors of an American remake starring Nicole Kidman but that’s the end of that.

Uruguay

The Silent House (La Casa Muda) (2010)

Rotten Tomatoes: 68%

Audience Score: 37%

Google Score: 63%

IMDb: 5.4/10

Critics Consensus: Shot in a single take, The Silent House may be a gimmick movie, but it's one that's enough to sustain dread and tension throughout.

Description: A girl becomes trapped inside a house and becomes unable to contact the outside world as supernatural forces haunt it.

Trivia: The plot is supposedly based on a true story that occurred in the 1940s in a small village in Uruguay. With a budget of just six thousand dollars, it was filmed using a handheld high-definition digital single-lens reflex camera (the Canon EOS 5D Mark II), 2 handheld lamps, and a couple of lightbulbs over a time period of just four days. The claim that the movie was filmed in one continuous take are suspect. The Mark II camera can only record up to 15 minutes of continuous video at a time. Uruguay's official submission to the Best Foreign Language Film category of the 84th Academy Awards 2012.

Monos (2019)

Rotten Tomatoes: 92%

Audience Score: 85%

Google Score: 69%

IMDb: 6.9/10

Critics Consensus: As visually splendid as it is thought-provoking, Monos takes an unsettling look at human nature whose grim insights leave a lingering impact.

Description: On a faraway mountaintop, eight teenaged guerillas with guns watch over a hostage and a conscripted milk cow. Playing games and initiating cult-like rituals, the children run amok in the jungle and disaster strikes when the hostage tries to escape.

Trivia: Moises Arias (Hannah Montana) and Julianne Nicholson (I, Tonya, August: Osage County) most of the other actors had never acted before. The movie draws inspiration from Lord of the Flies. Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. It was selected as the official Colombian entry for the Best International Feature Film at the 92nd Academy Awards.

Peru

The Entity (2015)

Google Score: 66%

IMDb: 4.3/10

Description: A group of students decide to study 'reaction videos' and are led toward an old film, hidden in the archive room of a cemetery. It appears that everybody who has witnessed the film has met an untimely demise under suspicious circumstances. When the students view the footage, they discover first hand, what the demonic spirit is capable of. Fulfilling the ancient curse of a woman cruelly killed during the Spanish Inquisition.

Trivia: The Entity has been billed as Peru's first 3D horror film and to have been loosely based on true stories. Review websites Flickering Myth and Nerdly commented that the movie suffered from being too overly familiar to pre-existing works (Blair Witch, The Ring).

The Vanished Elephant (2014)

Rotten Tomatoes: 89%

Audience Score: 72%

Google Score: 88%

IMDb: 6.5/10

Description: Crime novelist Edo remains obsessed with what happened to his fiancee Celia after she disappeared during an earthquake. When an enigmatic woman brings him photos that may help him solve the mystery, he senses he is being drawn into a dangerous game.

The Secret Of Evil (2014)

Google Score: 65%

IMDb: 5/10

Description: Video footage depicting a supernatural encounter is all that remains of a filmmaker and his crew who disappeared while exploring a haunted house.

When Two Worlds Collide (2016)

Rotten Tomatoes: 91%

Audience Score: 69%

Google Score: 93%

IMDb: 7.6/10

Description: An indigenous environmental activist takes on the large businesses that are destroying the Amazon.

El Vientre (2014)

Google Score: 81%

IMDb: 6.1/10

Description: Silvia, a beautiful 45-year-old widow, is obsessed with having a child and finds in attractive but naive Mercedes the perfect candidate to bear it. Silvia kindly offers her a job and a room in her house, and then manipulates her into seducing a young man named Jaime. They soon fall in love and Mercedes becomes pregnant. Silvia will do anything in her power to keep the baby, even if it means leaving a couple of bodies behind.

Argentina

Terrified (2018)

Rotten Tomatoes: 77%

Audience Score: 65%

Google Score: 82%

IMDb: 6.5/10

Description: Paranormal researchers investigate strange events in a neighbourhood in Buenos Aires.

Luciferina (2018)

Rotten Tomatoes: 83%

Audience Score: 25%

Google Score: 69%

IMDb: 4.6/10

Description: Natalia is a nineteen-year-old novice who reluctantly returns home to say goodbye to her dying father. However, when she meets up with her sister and her friends, she decides instead to travel the jungle in search of mystical plant.

Francesca (2015)

Audience Score: 67%

Google Score: 73%

IMDb: 5.3/10

Description: Two detectives track a serial killer who has been targeting the impure. To catch him, they'll have to solve the case of a girl who went missing 15 years ago.

Cold Sweat (2010)

Rotten Tomatoes: 75%

Audience Score:

Google Score: 58%

IMDb: 4.8/10

Description: The movie follows Román, who stumbles upon his ex-girlfriend Jackie, who has somehow gotten caught up in a torture cult run by two sadistic, old men. The aging political radicals have managed to put Jackie’s life in incredible danger. But when Román and his friend try to help Jackie out of her confines, the elderly psychos prove to be more than meets the eye.

Penumbra (2011)

Rotten Tomatoes: 50%

Audience Score: 26%

Google Score: 75%

IMDb: 5.5/10

Description: A woman desperate to find a tenant for her decrepit apartment apparently finds the perfect candidate, unaware of a sinister plot involving an imminent eclipse.

Venezuela

The House At The End of Time (2013)

Rotten Tomatoes: None

Audience Score: 72%

Google Score: 91%

IMDb: 6.8/10

Description: Dulce encounters apparitions in her house and unleashes a terrible prophecy. Thirty years later, Dulce, now an old woman, returns to unravel the mystery that has terrorized her for years.

Trivia: Winner of the Audience Award at Gävle Horror Film Festival 2016 (Sweden). Not only is it Venezuela’s highest-grossing horror film, it’s also the most distributed film from the country. By August 2016 it was announced that the American studio New Line Cinema acquired the rights of the film to make a remake for the American public. Hidalgo is still at the wheel so its chances of success are high.

Ecuador

Cronicas (2004)

Rotten Tomatoes: 71%

Audience Score: 77%

Google Score: 80%

IMDb: 6.9/10

Critics Consensus: An unsettling and absorbing cautionary tale with John Leguizamo playing an unscrupulous TV reporter who uses the medium to further his own goals.

Description: Reporter Manolo Bonilla (John Leguizamo) goes to a jail in Ecuador to interview Vinicio Cepeda (Damián Alcázar, Narcos, Narnia), a hit-and-run driver whose crime incited a riot. After Cepeda tells him he knows where a murderer called the Monster of Babahoyo buried a young female victim, Bonilla posts bail in the hopes that he'll learn more about the crime. Bonilla finds the girl's body, but, as he nears the scoop of his career, it looks as if Cepeda might be withholding some key details.

Trivia: Inspired by a true story? As well as being both a Cannes and TIFF favourite, Cronicas is the official submission of Ecuador for the 'Best Foreign Language Film' category of the 77th Academy Awards in 2005, it was produced by Guillermo del Toro and Alfonso Cuarón (Children of Men, Harry Potter and the Prisoner of Azkaban) This is John Leguizamo’s first film in Spanish. He said he felt awkward talking in Spanish while acting, like he didn't know the language.

English Language Horror

The Silent House (2011) This is in English

Rotten Tomatoes: 43%

Audience Score:

Google Score: 72%

IMDb: 5.3/10

Critics Consensus: Silent House is more technically proficient and ambitious than most fright-fests, but it also suffers from a disappointing payoff.

Description: Sarah is working with her father and uncle to renovate an old family home to prepare it for sale. Long vacant, the house has no utilities, forcing the trio to rely on battery-operated lanterns to light their way. Sarah becomes separated from her relatives and soon finds she is trapped inside the cabin, with no contact with the outside world. Panic turns to real terror as the young woman experiences events that become increasingly ominous.

Trivia: Elizabeth Olsen (Wandavision) The plot is based on a true story that occurred in the 1940s in a small village in Uruguay. Contrary to the marketing's claim that the film was shot in one uninterrupted take, the entire movie was actually shot to mimic one continuous real-time take, with no cuts from start to finish, as a result the time span of the film's plot is exactly 86 minutes. It was shot in roughly 10 minute segments then carefully edited to hide the cuts.

Night of the Living Dead (1968) - This along with the rest of the Dead series are the work of George A. Romero, whose father is from Cuba.

Ash vs. Evil Dead - I love the Evil Dead movies and although this series wasn’t perfect (I’m sure die-hard fans will say it's far from it), I still think it kept to the heart of the main story. Bruce Campbell is obviously perfect and the addition of Lucy Lawless is amazing, it’s really Puerto Rican actor Ray Santiago that steals the show.

The Others (2001) - Directed by globally renowned Spanish director Alejandro Amenábar, The Others starring Nicole Kidman is a Spanish gothic horror movie that combines elements of the supernatural, psychological, and mystical. It focuses on the strange events that occur at the estate of a woman and her young children, plagued by spirits in the aftermath of WWII. It has the distinction of being the only English-language Spanish movie to be given the Best Film Award at Spain's national film awards, the Goyas. In total, the movie has seven Goya Awards, including for Best Director. Although it might not read as particularly “Spanish,” it was produced, written and filmed all in Spain, shooting in Cantabria, Northern Spain and Madrid.

#Crime Culture #podcast #crime #true crime #murder #tcc #true crime podcast #pop culture #episode 198 #hispanic horror #latino horror #spanish horror #hispanic heritage month #horror #horror movies #spanish language horror #movies to watch

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newstfionline · 7 years

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What Are Active-Shooter Drills Doing to Kids?

By James Hamblin, The Atlantic, Feb. 28, 2018

There’s always at least one kid in tears, as they huddle under their desks in the dark. Still Beth Manias, an early-elementary literacy teacher outside of Seattle, tries to act upbeat and relaxed.

“I have them whisper about their favorite candy, dinner, books, movies--whatever, as a distraction,” Manias told me. She tells the kids they’re practicing to stay safe in case there’s ever a bear on campus. Though, she admits, “They always see through this. The older they get, the more savvy they become, probably because they are exposed to more of the news.”

At schools across the country, more children are taking part in mandatory “active-shooter drills.” Forgoing any pretense of a bear, sometimes a faculty member plays the role of a shooter, jiggling doorknobs as children practice keeping perfectly silent. Many parents, teachers, and students say that the experience is somewhere between upsetting and traumatizing.

Which may be worthwhile, if it were clear that the drills saved lives.

Active-shooter drills came into existence after the Columbine massacre in 1999. What is known of their long-term psychological effects comes from the reports of people now in early adulthood.

Ryan Marino, an emergency-medicine physician at the University of Pittsburgh, recalled that his school had adopted the drills during that period, after a student was found to have a “death list” and access to guns. He told me the drills didn’t seem real until he was 12, and a fellow student coughed during one of the drills. “The teacher told us that if this had been real, we would all be dead.”

“That single experience shaped my childhood,” Marino said. “Having to practice and prepare for a peer coming to my school and shooting at me and my friends was something that really changed the overall atmosphere. Looking back, it was a major shift in how the world felt.”

In the two weeks since the shooting at a high school in Parkland, Florida, new and renewed calls for such drills raise the question of whether they do any good--and if they might be doing harm.

The day after the event, Susan Hennessey, the executive editor of Lawfare, tweeted: “Feeling mildly nauseous reading a note from my kid’s preschool about implementing active-shooter drills.”

Brian Leff, a writer in Los Angeles, told me his fifth-grade daughter’s principal just announced the school is contemplating a surprise lockdown drill. “Now my daughter can’t stop thinking about when it’s going to happen and how she’ll know if it’s ‘real’ or not.”

The writer Allison Gibson says that at her 4-year-old son’s preschool, they’re called “self-control drills,” because the goal is to get the students very quiet. “The first time he mentioned it, when he was 2, I had to piece together what he was referring to, and it nearly broke me.”

Of course, general lockdown and disaster drills have a long history; a generation of Americans came of age hiding under desks from nuclear bombs. While the idea of such a maneuver protecting a person from a bomb blast or nuclear fallout became fodder for jokes, the drills themselves had insidious effects on kids’ senses of safety. Some teachers reported that students’ artwork changed to feature mushroom clouds and sometimes the child’s own death, bringing a pervasive sense of danger into the places where kids most need to feel safe.

Despite some similarities to natural-disaster and Cold War drills, active-shooter drills also mean exposing kids to the idea that at any point, someone they know may try to kill them.

“It’s good to do emergency drills, but active shooters are not a drill anyone should have to do,” says Meredith Corley, who taught math in Colorado in the aftermath of Columbine. “It re-traumatizes kids who have experienced violence. Getting the kids settled back into the work of learning after lockdown drills is a nightmare. That mind-set has no place in a learning environment.”

“I was slightly too young for bomb drills, but in greater Kansas City, tornado drills were de rigueur,” says Lily Alice, a Midwesterner born in 1965. “We did have tornados now and then. The difference, of course, is that no one stockpiles them to use against other people, and weather forecasts mitigated some fear.”

Even President Trump, who has expressed support for arming teachers, has warned against active-shooter drills. During a White House meeting last week, he said, “If I’m a child and I’m 10 years old, and they say we’re going to have an active-shooter drill, I say, ‘What’s that?’ ‘Well, people may come in and shoot you’--I think that’s a very negative thing ... to be honest. I don’t like it.”

Studies of whether active-shooter drills actually prevent harm are all but impossible. Case studies are difficult to parse. In Parkland, for example, the site of the recent shooting, Marjory Stoneman Douglas High School, had an active-shooter drill just last month. The shooter had been through such drills. Purposely countering them may have been a reason that, as he was beginning his rampage, the shooter pulled a fire alarm.

In any case, preparedness drills always change the baseline level of risk that people perceive. This heightening can manifest as stress and anxiety, not to mention changing the way kids understand how people treat one another--to even consider violence an option, not in some abstract way.

Colleen Derkatch, an associate professor at Ryerson University in Toronto, studies how we assess risk when it comes to our health. “The more prepared we are, the more heightened our sense of risk,” she told me. “And one potential effect we haven’t considered is how these kinds of preparedness activities affect kids psychologically, and could increase a sense of feeling at risk. They really expand the ways in which we feel increasingly under siege.”

Preparedness activities, that is, are never neutral. Derkatch’s work relates this concept to the anxiety wrought by a culture of “wellness” products, which are ostensibly meant to keep us healthy, but also enhance our awareness of health risks. “They give us a sense that we’re all constantly on the edge of illness,” Derkatch told me. “Preparedness can be a good thing, but it has very real costs and consequences. For children whose personalities are just forming--who are figuring out what kind of world they live in--if this is the input they get, I think it will have a significant impact down the road.”

Derkatch has an 11-year-old daughter who is in the sixth grade. In her school, they’ve done lockdown drills, but the drills are the sort that are generalizable to any emergency. The teachers are very clear that it’s just a drill, and they lock the doors, and kids stay in their seats. There’s no hiding or barricading, as many schools in the United States now require.

If you were to move to the United States, I asked Derkatch, would you want your daughter going through these sorts of drills?

“No,” she said. “But I wouldn’t move to the United States. And guns are the reason why. Guns and health care.”

“Kids perceive the world generally as a bit of a dangerous place now because of how they tend to be closely supervised at almost all times,” said Derkatch. “If you look at the proposals in the United States, it sounds like they’re trying to make schools an awful lot like prisons, with monitored perimeters and armed guards and possibly armed teachers. You could extrapolate from the experiences of kids living in potentially violent situations, where you never know what’s going to happen. That does have a profound impact on kids.”

“I will never be able to explain it well, but losing a feeling of safety as a child, especially at school, is a major thing,” said Marino, the emergency physician who was terrified to cough. “Anyone who has not gone through school with active-shooter drills can never understand what it feels like.”

#active-shooter drills #school shootings

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conundrum-rp-blog · 7 years

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Under the cut you can check out all the players that have been accepted for their roles. Congratulations! Please take a look at the instructions at the bottom of the page. For those who haven’t been accepted this time around, don’t be discouraged! Send me a message if you want more feedback on your application and I would love for you to re-apply in the future! Congratulations again to all of you and Welcome to CONUNDRUM!

✦ Rae, you’ve been accepted to play the role of Emmeline Vance. “Emmeline feels guilty about not being able to fully be there and support those who she feels need her, especially since she needs to be there for her friends and family more than ever nowadays. She’s used to being the emotional rock, dealing with other people’s baggage & helping them sort it. With her own optimism draining as life drags on, she feels guilty for not having enough energy to deal with the problems of others, & she’s slowly running out of ways to help.” I can’t wait to see how this turns out. The dichotomy between the old Emmeline and the new one is one of my favourite things in your application. Great job!

✦ Roman, you’ve been accepted to play the role of Corban Yaxley. “Everyone knows they’re someone to be feared, even if they haven’t seen it first hand, but those who have seen it know better than to cross them. Their anger is something hidden behind smiles as sharp as knives, something sinister lurking beneath. They like their violence to be dramatic but quiet, something that can rarely be tied to them directly, more likely to take out an enemy behind closed doors when violence is involved. There are whispers of the things they’ve done that swirl around constantly, and yet no one seems keen to suss out if they’re true or not, and no one wants to risk getting on their bad side by poking their nose somewhere it doesn’t belong.” Dramatic but quiet is a perfect way to describe what Corban does; and it’s a recurrent theme all throughout your application. I honestly can’t wait to see how they fit into this universe!

✦ Shannon, you’ve been accepted to play the role of Fenrir Greyback. “It was not the allure of blood purity that drew Fenrir to the Death Eaters’ ranks, but instead a promise of freedom. Years of living life in hiding as a second class citizen has turned him cold and ruthless, willing to do anything if it meant bettering the station of not only himself but the rest of his pack. Pureblood, mudblood, halfblood, none of that shit every mattered to him- a human was a human no matter who fucks who. The only reason why he’s willing to act as the Death Eaters’ glorified attack dog is because their deal is currently the best on the table. Now, should someone change that then he may find his loyalties changing as well.” I love to see the difference between the other Death Eaters and Fenrir. The fact that you really put the focus on Fenrir’s objectives was amazing, and I can’t wait to see him interacting with everyone else! Your Face Claim change to Jon Bernthal has been approved.

✦ Dean, you’ve been accepted to play the role of Thorfinn Rowle. “Thorfinn returned back to normal within a few months. His self righteous and cocky demeanour flew back and it was almost as if he’d never been sent away. Though he had a streak of vengeance, furious that he had to endure such a tormenting event in the first place. With a temper like his and his place in society slowly turning back to normal, it wasn’t long before the Ministry issued a whole apology to the families involved in the imprisonment. But it didn’t leave it trials, the media, with Thor’s career as a Quidditch star, would pick up on any little detail of Thor’s activities. He had to be a lot more careful, which was unusual for the man since he was never really used to being on his best behaviour.” I really liked this headcanon in particular because I can’t wait to see it develop! Thor has been so sheltered his whole life that it will be amazing to read how imprisonment changed him. Amazing job!

✦ Lucy, you’ve been accepted to play the role of Daisy Hookum. “In the light of her friends’ losses, Daisy has given up her magic. She might not have pulled herself entirely from the wizarding world yet but it felt like a safe first step. She hasn’t made a declaration of it, not until she’s sure she can handle it. It was another form of protest, as well. The entire war, every terrible, horrible thing she’d had to read and hear about, was caused by one thing – magic. Tucking away her wand and putting it out of her mind felt like a silent war that she had taken up with the entire world and it felt powerful, in its own ways.” Amazing! Such an original twist to the skeleton! I’m so eager to see how this plays out!

✦ Becky, you’ve been accepted to play the role of Narcissa Malfoy. “Let it be known that Narcissa Black begins her life as a soft, gentle creature. This is a reminder that ice takes time to form. That children are neither good nor bad, but something in between that teeters on the edge of being both. With shielded smiles and knowing eyes, it is her family who encourage her into the darkness. Her bloodline are named after stars; they shine through the gloom and know how to cope with it, but she is a flower plunged into a world where she should not thrive. Should not grow. It is for this reason that she fights harder to stay alive. It is for this reason that her life is theirs to mould and shape.” I chose this headcanon in particular because it shows Narcissa’s struggle so clearly; and the push and pull between rigid ice and softness is definitely going to reach top levels in this universe. I sincerely can’t wait to see how it evolves! Your Face Claim change to Emma Rigby has been approved.

✦ Emily, you’ve been accepted to play the role of Alice Longbottom. “The road back from hell is not one easily navigated by an Angel. Her halo is dented, its shine dulled. Her wings quiver at the base of her spine, unable to soar. The Lestranges were her demons, clawing at her skin as they sought to silence her voice - afraid of its contents. But even fallen angels can learn how to fly again. The art of being broken, Alice has learnt, is a matter of opinion. To the naked eye, she appeared shattered beyond repair - a mere shell of who she once was. They were mourning her before she had begun irreversible decay. But Alice knew better. She knew that pieces could be knitted back together. She knew that just because something was chipped, it didn’t mean you should throw it away. It took patience, but she navigated her course back to the light.” This was such a gorgeous way of portraying Alice’s struggles! I love how much detailed you put in every single section of your application and I can’t wait to see how Alice fits in this universe! Your Face Claim change to Laura Harrier has been approved.

✦ Nic, you’ve been accepted to play the role of Gideon Prewett. “They think that war to him is just another game and that his brother and all of his restraint was the one keeping him in check — but when it was his brother that was lying in the mud there was no rampage or explosion or mad dog released from his leash, only unnerving stillness as he waited faithfully by Fabian’s bedside until he woke. Beneath the joke for every occasion, Gideon has always been a man of his convictions and in that moment Gideon experienced a fundamental change inside of him.” The moment I read this part of the application I was hooked. I can’t wait to see that change in Gideon and how he navigates through it. Great job! Your Face Claim change to Richard Madden has been approved.

✦ Nikki, you’ve been accepted to play the role of Andromeda Tonks. “Andromeda can’t say that she was always the rebellious child. She wasn’t. In fact for most of her life she was obedient, the perfect daughter. Never had she spoken up, debated, or acted in any way unbecoming of the Black name. For her, it was easier to behave and focus on her love for her sisters and family. It was easier to think that if she kept her head down nothing would affect her. That was probably why her being with Ted came as such a surprise, it was her first true act of rebellion and her greatest betrayal. Andromeda never regretted it.” I really liked this part of the application because it’s a nice twist to the usual interpretation of Andromeda. We don’t really know about her history that much, so it’s quite curious to think she was much like her sisters once and then changed to the point of leaving her family. Great job!

✦ Dana, you’ve been accepted to play the role of Dorcas Meadowes. “After Voldemort’s downfall, Dorcas considered for a time stepping away from the wizarding world and venturing into the muggle world instead. As a baker, it would have been easy to integrate herself into the muggle community, open another shop and begin a new life without the threat of those in the magical community hanging over her head in such a way again. As relative peace fell over the community for some time, Dorcas remained where she was, however, as recent events have transpired, it has come back into her mind once more of stepping away and wondering if she should have done so before it was too late.” I chose this headcanon to comment on because I thought it was very original and unique, and I wonder how these thoughts will develop once Dorcas gets more and more involved in the war. I can’t wait to see what happens! Your Face Claim change to Summer Bishil has been approved.

✦ Ryan, you’ve been accepted to play the role of Amycus Carrow. “There are no nightmares, there is no regret, there is no afterthought. Amycus doesn’t fall asleep every night tossing and turning over the lives he took, he doesn’t think back and feel any type of regret over what he did. He slaughtered people, he sliced them up, he butchered them, he tortured them to the point where he had them begging for death and he enjoyed every single minute of it. Killing people doesn’t bother him, hurting people doesn’t bother him, being a monster is second nature to him. Amycus isn’t a man with redeemable qualities. He’s a bastard that takes delight in being a bastard. Every terrible, sadistic, and monstrous thing he’s done or will do is because he enjoys it and because he is not a man that gives a damn about the people he destroys in his wake.” Why did I choose this part, you might wonder? Basically because I always have a soft spot for a good old villain, who’s evil just for the sake of being evil; and I thought that was a very brave choice to make when it comes to your interpretation of Amycus. I’m eager to see him in action! Your Face Claim change to Michael Trevino has been approved.

✦ Ash, you’ve been accepted to play the role of Evan Rosier. “She joins the likes of her cousins, seating herself at Narcissa’s side in the common room, wearing identical unimpressed expressions, rings of gold and silver weighing down their fingers. She looks across and draped along the leather couches are Mulciber, Rowle and the Carrows. It feels more like a reunion than anything else. Faces she’d seen and known from galas and dinner parties since she was a child are all her housemates now.Diamond tipped hair-pins hold her curls in place, the edges sharpened a point. It’s too often she contemplates ripping them out and driving them into the eyes of those around her. But that is part of her mask, too – she must continue to squash her volatile nature down, she must blend in seamlessly. She must charm and enchant, distract, conceal and evade. Evan must hide in plain sight – and she’s become good at it.” I adored this quote because I feel you portrayed Evan’s mask perfect and how she successfully hides her violent nature in order to fit in. Spot on! Excellent job! Your Face Claim change to Jasmine Sanders has been approved.

✦ Maggie, you’ve been accepted to play the role of Frank Longbottom. “He’s not here for glory, not here to be remembered or create his name for history. He wants to be a hand, do what he can. The Order and the war did have a part in his decision to try and be an Auror, even as it’s was so far doubted he wouldn’t make it through training. His brothers believing that he would grow sick at the sight of what he was meant to run into, classmates believing he may not be smart enough. And his amount of personal training, the amount of hours he spent studying through the hours of the night were never to prove them wrong or the idea that he was afraid of failure, it’s just how he works. Giving everything. And there was a war going to begin, so he gave everything. In canon, he was a “well-respected auror,” and did make a name for himself, but not for being the top of his class, but for honest hard work and care.” I mainly chose this quote because the idea of a hero with a tender heart - as you described earlier in your app - is extremely original, and it’s something I absolutely relate to Frank. I loved that approach, and I can’t wait to see him in action!

✦ Nell, you’ve been accepted to play the role of Marlene McKinnon. “Known by the big backyard where children would fly around and play all seasons, Quidditch has always been a big tradition in the family, making many of the family members pursue careers in that field. Warm tones, wooden details and a clean cut design decorate each and every room of the house, old cottage vibes coming from a place that has seen generations of families pass by. Marlene and her siblings lived there with their parents, Richard and Deidre, and their dog Dalek— named after Liam’s favorite show and probably one of the few muggle things Marlene sort of understands. She’d never had any plans of leaving, until the murder happened. When death eaters attacked their home that night of july of 1981, marlene fought her hardest to save everyone. “remember what moody trained you for, what the order taught you.” it wasn’t until she heard her sister scream as the body of their mother fell in front of her that she realized she couldn’t win.” I swear this was one of the hardest decisions I’ve had to make in all my history as a roleplay admin. What I loved about your app (and the reason I chose that quote) is how much detail and originality you poured into Marlene’s history, her family life and how she felt when the worst happened. Amazing job! Your Face Claim change to Phoebe Tonkin has been approved.

Again; congratulations to all of you and thank you for showing an interest in this group! Now that you’re here, this is what you need to do next:

Follow EVERYONE

Track all of the tags (found HERE)

Make your character account send it in within 24 hours

Open up your askbox

If for any reason you need more time to get your account in, don’t hesitate to message me so I can keep your role open! If I don’t get a message from you then I will assume you’re no longer interested in keeping your spot. Once you send your account, you’ll be provided with the necessary links and we can get started! And of course; HAVE FUN!

#accepted

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nancygduarteus · 7 years

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What Are Active-Shooter Drills Doing to Kids?

There’s always at least one kid in tears, as they huddle under their desks in the dark. Still Beth Manias, an early-elementary literacy teacher outside of Seattle, tries to act upbeat and relaxed.

“I have them whisper about their favorite candy, dinner, books, movies—whatever, as a distraction,” Manias told me. She tells the kids they’re practicing to stay safe in case there’s ever a bear on campus. Though, she admits, “They always see through this. The older they get, the more savvy they become, probably because they are exposed to more of the news.”

Which may be worthwhile, if it were clear that the drills saved lives.

Active-shooter drills came into existence after the Columbine massacre in 1999. What is known of their long-term psychological effects comes from the reports of people now in early adulthood.

In the two weeks since the shooting at a high school in Parkland, Florida, new and renewed calls for such drills raise the question of whether they do any good—and if they might be doing harm.

The day after the event, Susan Hennessey, the executive editor of Lawfare, tweeted: “Feeling mildly nauseous reading a note from my kid’s preschool about implementing active-shooter drills.”

Despite some similarities to natural-disaster and Cold War drills, active-shooter drills also mean exposing kids to the idea that at any point, someone they know may try to kill them.

Even President Trump, who has expressed support for arming teachers, has warned against active-shooter drills. During a White House meeting last week, he said, “If I’m a child and I’m 10 years old, and they say we’re going to have an active-shooter drill, I say, ‘What’s that?’ ‘Well, people may come in and shoot you’—I think that’s a very negative thing ... to be honest. I don’t like it.”

Zachary Levinsky, a lecturer in the department of sociology at the University of Toronto at Mississauga, is one of few academics who has studied active-shooter drills. He argues that though some school violence always existed, Columbine marked a shift of the burden of prevention: “Schools were somehow positioned as blamable—as responsible for these massacres.” This created an institutional concern for reputational risk management. To implement something like an active-shooter drill was to signal to parents and the community that the school is being proactive—it was doing something.

Of course, a demand for action does not often make for prudent decisions when it comes to harm reduction. Drills cover administrator and school-district liability, and they may make parents feel better knowing that their kids are in a school that’s taking decisive action. But what are the longer-term effects on the children’s health and development?

In any case, preparedness drills always change the baseline level of risk that people perceive. This heightening can manifest as stress and anxiety, not to mention changing the way kids understand how people treat one another—to even consider violence an option, not in some abstract way.

Preparedness activities, that is, are never neutral. Derkatch’s work relates this concept to the anxiety wrought by a culture of “wellness” products, which are ostensibly meant to keep us healthy, but also enhance our awareness of health risks. “They give us a sense that we’re all constantly on the edge of illness,” Derkatch told me. “Preparedness can be a good thing, but it has very real costs and consequences. For children whose personalities are just forming—who are figuring out what kind of world they live in—if this is the input they get, I think it will have a significant impact down the road.”

The idea extends to the fact that a child is much more likely to be abused by a parent than shot in school; but there would be obvious limits to the value of putting kids through realistic simulations in which a parent turns on them.

If you were to move to the United States, I asked Derkatch, would you want your daughter going through these sorts of drills?

“No,” she said. “But I wouldn’t move to the United States. And guns are the reason why. Guns and health care.”

The two are, of course, now intertwined. President Trump and many other Republicans have a penchant for blaming “mental illness” for mass shootings—even though most shooters have no known or diagnosable mental illness. People who are mentally ill are much more likely to be victims than murderers. Most are rather, like the shooter in Parkland, described as isolated, troubled, angry, resentful men and boys. Many have a history of childhood trauma, like being abused or neglected. It is rare that a shooter has come up in an environment with multiple adults on whom they could rely—where they felt safe and secure.

A sense of safety and security in childhood is integrally tied to mental and physical health later in life—as well as emotional wellbeing, and the formation of the coping mechanisms that allow a person to deal with later adversity in ways that do not involve killing. It is this sense that can be undermined sometimes even by the best of intentions.

from Health News And Updates https://www.theatlantic.com/health/archive/2018/02/effects-of-active-shooter/554150/?utm_source=feed

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ionecoffman · 7 years