Braids
Fandom: Frozen, Frozen II
Ship: Anna/Kristoff
Words: 1,500+
Rating: K
Summary: Three times Kristoff braided Anna’s hair.
Author’s Note: So I’ve been cracking on with my contributions for Kristanna Week (because nothing screams ‘anxiety’ like preparing for a voluntary ship week two months in advance lmao) and found myself rather addicted to writing these two. Please enjoy this oneshot idea that popped into my head as I was plaiting my hair. I hope you like hair-playing fluff, and lots of it.
O N E
“So you take the strand on your left-”
“-on the left,” he whispered softly, probably not even realising he said it.
“And you take that and cross it over the one in the middle, so then that one is the one in the middle.”
“So that one is the one in the middle...” Anna felt Kristoff gently tug the strand into position. He let out a breath that he’d been holding, and she afforded him a supportive smile in the mirror.
“Great. And now, you take the strand that’s on your right-”
“-on the right.” She giggled when he repeated her words again, but she stifled it as a fake cough into her hand, so as not to discourage his efforts.
“And you put that one over the one in the middle, so now that’s the one in the middle.” Again, she felt him gently follow her instructions. “And then you just keep going! So start from the left again-”
“-the left again...”
Anna had always loved the feeling of having someone else style her hair, but this time it was even better. Kristoff had shown a great interest in her braids, and his face had lit up adorably when she offered to teach him how to do it. If she’d realised how pleasant it would be when his fingertips ghosted her scalp, and he gently brushed through the length of her hair, and carefully sculpted the strands into a single plait down her back, she would have offered to teach him sooner.
His touch was gentle, desperate not to cause her any pain. And his movements were so slow, taking so much focus from him to get it right. Anna realised just how much he was concentrating on his new skill when she noticed in the mirror that his tongue was poking out of the corner of his mouth. The sight made her feel as though her heart was melting.
“I’m at the end - now what?” He sounded mildly panicked, which made Anna chuckle.
“Keep hold of it, hang on,” she instructed, leaning forward to grab a piece of ribbon which she handed to him over her shoulder. “Okay, you should be really good at this part. Just tie this around all the hair, underneath where you’ve braided.”
Kristoff fell completely silent, and Anna could tell from his stillness that he was holding his breath. “Done.” He stepped back, reaching for a hand mirror to show her the back of her head.
The braid was far from perfect - it was uneven, very loosely fastened, and oddly lumpy in places. But it was unmistakabley a braid.
“Kristoff!” Anna cried, feeling herself brimming with pride. “You did great! Keep practising and you’ll be my royal hairstylist in no time!”
They both shared a laugh at the notion as Anna got to her feet, smoothing her skirts. She placed a hand on his chest, leaning upwards to kiss him quickly.
At breakfast, Elsa did raise an eyebrow when she saw her sister’s hairstyle, but she quickly realised why it was so haphazard and couldn’t stop a smile from spreading across her face.
~
T W O
“These instructions are terrible,” Kristoff frowned, gazing down at the book on Anna’s dressing table for the hundredth time that evening. “They could have at least included pictures for the different steps.”
“I’m sure you’ll be able to work it out.”
“I’m serious, all I have to go off is this picture that shows the finished product!”
Anna giggled lightly at his frustration. He always took hairstyling so seriously. Anna understood that this one was for a ball, but it was only a practice attempt, so she thought he really could relax about it a little bit. “You can just make something up if you can’t work it out.”
“I might just have to take you up on that, feistypants.”
As always, Kristoff fell silent as he started to braid. He was much more efficient at it than he used to be, and had even learnt styles from Anna and Elsa to add to his braiding and hairstyling repertoire. Anna in particular was more than happy to oblige his interest. She loved this time they spent together, with Kristoff’s skilled fingers twisting and braiding her hair into increasingly elaborate updos. It was strangely intimate, and she found herself looking forward to when Kristoff would shyly request to style it for her.
“You worked it out, huh?” She relaxed into his touch, delighting at the sensation of his fingers grazing across her neck and scalp as he gathered more hair.
He kept up his work, leaning over her shoulder every so often to check the instructions, occassionally huffing out frustrated whispers about how unclear they were. As ever, he was incredibly gentle, and a smile sprang to Anna’s lips when she looked at him in the mirror and saw that his tongue was poking out again.
“Okay,” he said finally, placing a comb decorated with crystals into the hair at the back of her head. “I think I got it.” As always, he held up the hand mirror for her to see.
Anna was actually impressed. The style had more little braids than she could count, twisted around into a low bun at the nape of her neck. It was neat, and felt secure, like it could survive all night at a ball. “Kristoff,” she grinned, “It’s amazing!”
He laughed slightly, admiring his own handiwork. “Yeah, it’s not bad for a scruffy ice harvester is it, feistypants?”
She wafted a hand in the air, as if batting away his insult to himself. “Looks like the work of a royal hairstylist to me!”
~
T H R E E
As was ever the case, it felt like Kristoff was the only person in the room who understood what Anna needed. Everyone had been fussing over her and the palace all day. The palace was a flurry of activity, which normally would excite Anna, but today only added to her nerves. Finally, recognising how it was all impacting her, Kristoff had discreetly asked the servants to leave his fiancée’s room, and instructed the guards at the door that no one was permitted to enter for a while.
“What if I trip up?” Anna looked at him, eyes wide, as he escorted her to the chair at her dressing table.
“That’s why you’re in flats, not heels,” Kristoff reminded her gently.
At Kristoff’s insistence, she sat down. “What if I forget the words?”
“You’ve been practising for weeks, Anna. There’s not a person - or a creature - in this castle who hasn’t memorised them by now.”
“What if I drop the sceptre?”
“You won’t do that,” he told her firmly.
She turned in her chair, placing her hands on his shoulders to stare fearfully into his eyes. “But what if I do?”
“Then I will stand up and sing some opera to distract everyone while you pick it up,” he told her earnestly. “Feistypants, listen to me. You are so prepared for this. You have rehearsed this ceremony a thousand times, and everyone is rooting for you to do well. Just make sure you grip that sceptre well before you pick it up, and everything will be fine.”
They shared a quiet smile, and Kristoff directed her to turn back around in her chair. She sighed as he gathered her hair in his hands. It felt so familiar and comforting to have her fiancé’s fingers carefully twisting and braiding her hair, as he had done a thousand times before. He worked quickly, and in no time at all he was pressing a kiss to the top of her head, before reaching for her hand mirror as she gazed into the looking glass in front of her.
“I tried to do the style that your mom has, in her portrait, I-” Kristoff noticed her eyes brimming with tears. “Oh no, Anna, oh please don’t cry. I’ll take it out, I’ll start over, I’m sorry.”
Her voice was a whisper as she gave him a watery smile in the mirror. “Kristoff, it’s perfect.”
He took her hands in his own, tugging her to her feet. Her arms went to his waist as his fingers grazed under her eyes to wipe away her tears before they could fall too far.
“Thank you,” was all she said, leaning upwards to kiss him quickly in a way that reminded him of the first time he’d ever plaited her hair, all those years ago. So much had changed. But one thing hadn’t.
“I love you, feistypants.”
Anna giggled, feeling her nerves subsiding slightly. “I love you too.”
Kristoff pulled himself upright, and put on the ridiculous accents of the diplomats and dignitaries that were no doubt flocking to their seats as they spoke. “May I escort you to your coronation, my Queen?”
Anna’s laugh was full and warmed his heart as she took the arm he had offered to her. “I’m not your queen for another hour,” she stated, rolling her eyes affectionately. “But nonetheless, I accept, sir.”
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Hindsight: My thoughts on Loki (2021)
Welcome back! Spoilers below!
I need to clarify that I watch Loki purely as an escape. I've got a biased perspective in that regard because I don’t actively try to find fault with the show, though there are definitely things I’m not so inclined to. This is more of what I noticed and think things mean and it’s something I’m doing for fun. Anyways, here's my thoughts on episode 2 my loves.
Episode 2: THE VARIANT
Pre-title scene
Miss Minutes’ monologue in the recap is different to the one last ep.
1985 Oshkosh, Wisconsin
C-20!
“Today’s guest performances” on a board. Don’t really know if it means anything tho.
The Iconic (TM) I Need A Hero scene.
Pony.
The green tent - the lair of Loki.
I know not everyone’s a fan of the lighting, but it made sense to me. They’re still in the dark about who Sylvie is.
Why does C-20 take off her helmet? For the drama?
I hope Sylvie cleaned her blade. Narnia taught me well.
The Time Samsung (I can’t remember what it’s called right now) says that the date’s 04/12/1985.
Loki’s first mission (?)
‘Volume 26’ - how many of these does Mobius have?? #giveMobiusajetski
“ONLY at your LOCAL AUTHORIZED DEALER” - subtext about the TVA being control freaks? Jet ski safety?
I googled Wake Magazine. They’re up to volume 20 from what I saw, whilst Loki is reading volume 26, so I guess that’s something
Loki and Miss Minutes lmaooo.
Behind Loki’s elbow is the taxidermy something from the last episode. Also confirms that Loki threatened Casey at Mobius’ desk lol.
The thing has an egg?? What the hell is Mobius collecting? (He’s a Harry Hart variant lmao).
There are little twitches in Miss Minnutes’ hands. That’s so cool!
The egg timer’s a nice easter egg (I’m a comedian).
Mobius! B-15! :)
Is it just me or do the minutemen look similar, but not exactly the same. Makes sense if they’re variants.
I just realised the lights are built into the ceiling. Whoops.
What’s Mobius’ favourite?
Couple of things:
The racks full of identical uniforms/ones just hung up on doors.
The music has started to pick up the pace, but not in the way we see later on in the episode.
There’s a sign saying ‘FARE THEE WELL’ on it. Google tells me that it’s ‘used to express good wishes on parting’. Dang that was some good foreshadowing!
The person that looks like Agatha is still present.
I wonder whether it was supposed to be colder or whether the weather was just like that when they filmed.
The pony’s still around.
I think B-15 certainty that “a Loki couldn’t have gotten the jump of C-20” comes from her experience with them. She constantly tries to make it clear that because she’s not a variant, she’d know Loki better than he would, which (personally) makes the revelation that she’s a variant feel more devastating.
Again with the lighting, they’re still in partial darkness, constantly moving in and out of the light. Whilst what Loki says about the variant setting a trap is true, it isn’t in the context that he says it. Sylvie whoops their asses later.
The black and red-orange flags remind me of tomb markers. It’s a stretch, ik.
B-15 only has tally marks on one side of her helmet.
Mobius has fake pockets in his suit jacket. They’re the worst.
The ticking increasing in tempo as they approach red line - great for setting up tension.
I believe that Loki uses personal space like a weapon - slowly approaching them from the front, and then going behind Mobius’ back when he wants his way. It would make anyone uncomfortable, especially on a subconscious level because there’s a threat behind you.
Or maybe it’s that I have different personal space boundaries, not everyone likes being approached from behind. Loki’s movement felt intentional at least.
Getting Mobius to physically turn his way because of that might have been very subtle manipulation?
Loki looking back and forth trying to judge their reactions lol.
I liked the music in this scene, it sets up tension for Loki’s first attempt at betraying Mobius but then doesn’t completely dismiss it when it’s resolved.
Ravonna Renslayer’s office
The music here is 18 morceaux, Op. 72, No. 2. Berceuse. 18 morceaux, Op. 72: No. 2, Berceuse (Arr. For Theremin and piano) by Clara Rockmore for anyone that’s curious. I found out through Natalie Holt’s Twitter (I think).
The score is, and always will be, perfection.
Mobius’ small talk amuses me.
“Why do you get to keep all the trophies from my cases in here, you don’t think I’d love having that roller skate?” Mobius, what about the thing on the shelf behind your desk????
Ravonna seems like she’s answered these questions before, but she has a fondness for him that makes me think they’re good friends.
Also does Ravonna have multiple complete collections of the Encyclopaedia Britannica in her office? What are those books??
“I hope it’s a double.” Me too Mobius, me too (drink responsibly).
I don’t get how people think Mobius doesn’t remember leaving the stains. It sounded like Ravonna was chiding him for a bad habit and Mobius just made up a remark, not confusion.
Although he does place the cup at a different spot to the rings.
The ship flying past in the windows is a wonderful detail.
“The variant likes to stall for time.” It's very satisfying to me how everything stays relevant. Every detail advances the plot/contributes to it.
“Look, I know you have a soft spot for broken things.”
“I don’t think so-”
“Yes you do.”
Both Mobius and Ravonna only look at the middle figure when referring to the time Keepers. Either the other two are side-lined or don’t contribute at all.
“I’ll delete him myself.” At this point in time, I think Mobius is serious. As the episode progresses, his status may have changed, especially after the Jet Ski philosophy session.
Ravonna’s sash on the peg reminds me of the ones the people talking to Casey were wearing in episode 1.
Man those doors are so cool.
Peak sitting outside the principal’s office energy.
Mobius whistles at Loki as opposed to talking to him like he does later.
Any screen shot from the following scene is pristine chaotic disaster bi Loki energy featuring tired-of-your-tomfoolery Mobius.
“Isn’t that precisely why I’m here?” This marked a change in Loki to me. Up until that point, he’d tried to use what he’d known, who he’d been by scheming his way to the Time Keepers. By admitting he wasn’t sure of his purpose, we’re back with the person at the end of the last episode. It’s very Loki to try all avenues to get what he wants, and after having his world turned upside-down a few times in a short period, maybe he just wanted the familiarity of his old tricks, who he thinks he is.
Loki tensing up and then trying to assert control again reaffirms what I just said.
Man, give Mobius a holiday after all of this. Loki really tested him, huh?
Loki definitely likes validation on some level.
TVA archives (a.k.a the Salad Scene)
I can’t believe that place really exists. The looks combined with the music are just *chef kisses*.
I’m not sure if I’m thinking of the right progression, but the music reminds me of a plagal cadence. Google examples and play it side-by-side, you’ll get what I mean, maybe someone knows what it really is?
On either side of the elevators near the Time Keeper statues are the signs TVA archives.
The symmetry pleases my goblin brain.
I believe the entire show was just flexing the skills of the Loki crew and I couldn’t be happier.
“Pretend your life depends on it. I’m gonna get a snack.” This was so funny in the trailers but Mobius is dead serious (delete him myself comment). And he couldn’t even enjoy his salad.
Love that the end of credits takes from some of the scenes in episode 2.
The archivist has neat glasses.
I want some TVA stationary y’all.
It’s that moment fam.
I can’t be the only one curious by the ‘DISPLACED by 000:000:002:162’. Is that in Units? It would explain why the time line looks slightly bendy whenever we see it, especially if Apocalypses are so frequent.
IT’S THE SALAD LADS!
Mobius is reading the magazine that Loki was looking at earlier. Jet skis are Mobius’ comfort character.
“Don’t set fire to the palace.”
Tom Hiddleston has so much energy, he can move so fast.
“Oh God.” - Mobius, Null Time Zone
“YOU.” - Casey, Null Time Zone
Casey!
No thoughts, head empty, the Salad (TM).
But seriously, people only seem to be at their tables with others that work in a similar section. Not hunters and analysts eating in tandem to me, folks.
Oh Casey. Please don’t hurt him.
Aw, Mobius’ little giggle warmed my heart. Owen Wilson’s giving me whiplash with Mobius. My heart can’t take this y’all.
79 AD Pompeii, Italy
They’re both so giddy, Your Honour, I love them.
Mobius snuck them out lol.
“Bird noises?”
“BE FREE MY HORNED FRIENDS, BE FREE!” The post wouldn’t be complete without this.
Loki just throwing food at people and telling them “...enjoy your last meal while you can” is top tier comedy to me.
This is the first time we see Loki openly say nothing matters. I feel like the case file on the destruction of Asgard really pushed him to treat fate as unchangeable.
LXXIX is 79. Nice one Loki crew!
Mobius’ eye twitching as he checks the variance is a nice touch.
Loki throws away the stick that was holding the goat pen closed at the end.
TVA Archives, TVA cafeteria
Mobius picked up those files so smoothly I had to re-watch it.
Their position reflected what they were talking about - when Loki thinks it’s his individual contribution, he’s walking separately to Mobius, but they meet up when working together. I loved the blocking in that little moment.
I seriously thought that Loki was unconscious when I first saw him asleep around Mobius. I’ll admit it, it felt out-of-character for someone with such bad trust issues. Both of them seem pretty tired tho.
It’s the Jet Ski conversation comrades!
I’m beaming. Mobius talking about Jet Skis was the only time I’ve really remembered it’s Owen Wilson talking. It’s such a fun line to think about!
Loki’s smile. Adorable.
Just go watch the scene, it’ll give you good brain juices.
Mobius does it all for the Jet Skis and nothing else. I don’t make the rules, the Time Keepers do.
“My own glorious purpose.” This is a recurring theme in the season. Ultimately, I think that Loki is going to run for as long as it brings in money/until Loki gets killed again. However, I do like to think that in following seasons we’ll move beyond setting up Phase 4 Marvel stuff and just get deep dives into Loki’s character, though it may happen in the later eps or not be as interesting. Part of what made this show so interesting is the new setting in the Marvel universe but it’s hard to make predictions as to whether it will last in a show featuring the God of Mischief. Whatever happens, I’m happy that we got to see Loki’s existential crisis together, lads.
The music picks up, signalling that this quiet moment is about to end.
“No one bad is ever truly bad. And no one good is every truly good.”
“Scared little boy.”
These lines mean a lot to me. Loki perceives Mobius as an equal, similar to himself but not completely identical. The TVA’s whole aesthetic is Kafkaesque (Disney+ used that word), the imperfections keeping the place from looking mechanical and orderly like what the TVA promotes itself to be. Loki wants Mobius to acknowledge it, but Mobius is in the past, not addressing what’s right in front of him, surrounding him. That’s probably because Mobius doesn’t believe, he accepts what he’s been told though Loki wants to change that. He’s still focused on his job, the variant. I don’t think Mobius will struggle against change in the ‘belief’ part as long as things are rational.
Kate Herron (director) said that the Kablooie scene was improv which makes me wish we had more B roll of Owen and Tom. They seem so professional, invested and fun on set.
“No wonder you’re so bitter.” I’m sorry Mobius you sound as salty as your salad.
‘Artificially flavoured chewing gum’ Has something happened causing artificial flavouring to be preferred?
‘Blue’ has canonically changed to ‘Bloo’ by 2050 in America in the MCU. I blame capitalism.
Why does Mobius look so tiny? I say that like Owen Wilson wouldn’t look like a giant next to me lol.
Owen Wilson is 3.5 inches (9 centimetres) shorter than Tom Hiddleston. Yet he is dwarfed as Mobius. I need to stop talking about this and move on.
There’s no ‘variance energy detected’ line in the report.
“You’re gonna take my job if I’m not careful.” Loki looks so chuffed.
One day, I’ll properly address my thoughts on the shipping. Until then, I just want no one to die.
“Yeah, he’s doing great.” Mobius is so hyped. Good for him.
Owen Wilson has dimples.
Ravonna’s screen doesn’t show the timeline like it does later.
Ravonna is the done mom friend. Sane, undeserving of this, please give her a jet ski moment.
Buckle up folks because the last twenty minutes of this episode are my favourite so far.
At 34 minutes in, we get the music fading in with “Okay. But Mobius...” and a transition to my favourite composition so far. Natalie Holt outdid herself. The soundtrack is nearly constant, there’s no break for a moment of clarity anymore. The progression of events is inevitable, tying the bow on a plot line created in an hour and a half. The little embellishment from the strings (possibly) as Mobius and Loki exit is perfect. Combined with Loki’s raised fist leading to a pan to the ceiling, it prepared the audience for everything being turned upside down.
The changing camera angles and shot lengths (the continuous shot when B-15 takes the knives, the circling behind as the briefing occurs) keep viewers on their toes. The continuous shot is fluid, B-15 doesn’t look at Loki or Mobius, her reaction is natural and that just proves that the timing on that scene was impeccable. The circling behind reminded me of Loki positioning himself behind Mobius as he did earlier, but now he’s on the same side, part of the team though he continues to distinguish between himself and the variant. The building sensation that change is coming is met by the incredible swell in the music as we watch the picturesque Haven Hills get destroyed by modern technology and face the terrifying reality that is the Roxxcart store. There’s a close up on the Roxxcart storefront with school buses with the words ‘Evacuation shuttle’ in the background as we see the TVA’s minutemen come out reinforcing that even when the end is nigh, large corporations will loom over. A storm is raging with worse to come. I can go on and on, but you get the point.
2050 Roxxcart Disaster
I love that y’all are calling this the Alabama supermarket breakup. Makes me chuckle, that’s for sure.
I too hate when people can hear my footsteps. Someone that gets the struggle.
Sylvie places the TVA Samsung over a Roxxcart Security manual. She’s overridden both and is in control.
The date is 03/15/2050.
I think that the way the Hunters and minutemen hold their baton things is so that they don’t get yeeted. Neat.
As always, the beats are slick yo.
I hope the Azaleas guy gets some Azaleas wherever he ended up.
I love the way Loki says “In this storm.” It’s so satisfying for no real reason.
The wonderful Wunmi Mosaku does not get the recognition she deserves for this scene. She switched from B-15 to Sylvie so effortlessly. They’re two distinct characters, her facial expressions, body language everything changed in that instant. Even from the one line, “No, they usually survive,” her delivery had changed in a way that was noticeable. It’s uncanny, exactly what was needed when facing a foe that remained unseen. And the smile? It’s before we know the variant as Sylvie, so naturally it’s that signature Loki smile with a hint of malice we associate with the variant. Damn y’all, Wunmi’s incredible! I really hope she’s recognised for being so talented in this series, if not in all her other work!
Mobius really cares about those people. I really want his redemption (?) arc.
It’s been pointed out that even in those conditions, Roxxcart were selling blankets and water. I think it means that by 2050, cash would be defunct. If only electronic payment existed, as long as there’s electricity they can run a business. Chew on that.
If the man they speak to is 50 to 60, he was a 90s kid.
There must be a difference in the reprogramming or kind of variant selected to be a hunter as compared to an analyst. The Hunters look after their own, but the analysts (or Mobius) go as far as empathising with variants.
C-20 is sitting in front of safety standards.
“A bit amateurish.” Loki knows that the variant isn’t as skilled with magic as he is.
As Loki and the possessed people walk, the lighting becomes brighter. He’s moving out of the shadows.
Me too Loki, I’m worried about B-15 too.
Sylvie unironically saying bless is hilarious.
Randy must be hella tall.
There’s a low angle shot as Loki and Randy face off with the flickering light above with a sign hanging above them like a sword of Damocles and a physical separation. Terror is nearly constant in Loki's life now, but he responds by letting go of his drive to survive.
The subtle swells in the music just add to my rising blood pressure.
C-20’s voice over is sad lads.
“I wanna go home,” we know she’s not referring to the TVA.
Mobius seems like a caring person.
When B-15 sits up and searches the room, I think it’s her realisation. Her shiver was from fear and shock, the music wasn’t about her not seeing Loki, it was about the TVA and what had happened to her.
The head snap and the score timing matching. So satisfying.
“I would never treat me like this. Hi.” I think that’s Loki realising that his foe is not willing to talk their way through conflict.
This fight scene contradicts all the magic we see later ik, but if he didn’t want to hurt anyone and was trying to draw out the real enemy it made sense.
Some of Sylvie’s powers must come into the people she possesses. The guy punched a glass screen and didn’t even bleed.
“I have shit to do.” Sylvie wasn’t raised with court etiquette (from what we know) and her lexical choice reflects that.
Dell computers survive into 2050 in the MCU. So do those robot dogs and Roombas. I am only happy about the Roombas. Where did the real dogs go? :(
“Mobius.”
“Where is he?”
“I lost him.”
“What happened?”
“I...”
Until now, B-15’s delivery has felt slightly rhythmic, like she was used to having the same arguments, particularly with Mobius. When she trails off however, I think it’s her trying to rationalise what she’s been through with Sylvie’s possession. Her devotion to the TVA was rooted in the fact that she wasn’t a variant, her life had a purpose and it was intentional. This must have rocked her, I’m invested in where she’ll go.
THE CUT TO BLACK OH GOOD GOSH.
Sylvie, my queen. I’d roll off a cliff for her.
The person with the moustache (you know the one) has pure fear on his face.
Ravonna knows what’s up.
And so do you, yes it’s the music, go listen to it.
THE RED LIGHTING
The zoom out to that incredible hallway shot and then stopping behind the time door. It was never about him after all, he was in the background of her plans.
Sylvie’s wave in Roxxcart vs. Loki’s on the train. Discuss.
The blackout, thunder and Loki’s pause under the flickering red and white light, do y’all really want me to talk about the s y m b o l i s m????
He’s conflicted, you know it, I know it, Mobius knows it.
Speaking of Mobius, there he is, we cut back to Loki and see him make his decision, zooming back in on him.
And with that final flourish in the score, we are done with episode 2!
Cue the most amazing end credits score you’ll ever hear.
Do yourself a favour, listen to all of it, including the part after the main credits, both are Works. Of. Art.
Ep 2 review
In case you didn’t notice, this is my favourite episode so far. There are parts I didn’t take to as much, but details from the previous episode being used in the plot as well as others being explained by Sylvie in episode 3. Rewatching it was easier than episode 1 though it left me wanting more. It will get more interesting from here, but until then, that was a fun romp.
See y'all next time. I hope whoever's reading this has a wonderful day!
Part 1, Episode 1 extend review link:
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