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#not really touched upon in this post but this is also why risu is a REALLY a important character imo bc for curse to work he cannot just be
idiotsonlyevent · 26 days
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i've seen a lot of people mention how dorohedoro explores class through its magic system, but i really think dorohedoro could be interpreted as a very thorough exploration of capitalism and how it affects basically every single aspect of society. (spoilers through the end of the manga under the cut.)
in dorohedoro, capitalism is artificially created through chidaruma's meddling. in creating the sorcerers and allowing them to mistreat humans, chidaruma creates 'capitalism' (aka class inequality, leading to class struggle) in dorohedoro's world. this eventually leads to the creation of hole as an entity, representing the personification of class struggle.
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smoke, defined by personality and determining someone's abilities, is a form of capital, both a type of currency and a status symbol. not only is a sorcerer's position determined by how much smoke they can create, but the actual function and 'usefulness' (aka 'power') of the smoke is important as well. those without smoke - both humans and weak sorcerers - are opressed.
there are also powerful sorcerers w certain 'unique' abilities like risu and natsuki who cannot conform to these normative expectations due to the nature of their magic, showing that regardless of how 'powerful' an individual actually is, their performance and adherence to norms is what's considered most important; since they cannot conform, then they are considered failures.
en represents success in capitalism; he is a powerful sorcerer, with a useful ability at a high level of mastery, and he can produce a ton of smoke. not only that, but he literally runs a mega corporation! there are jokes throughout the manga of en's unethical and exploitative practices.
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but just because he himself is successful and runs a successful business, doesn't mean that any of 'his family' - and by extension en himself - are 'safe' from the dangers of capitalism; he is simply in less immediate danger than everyone else!
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en is revived - allowing the rest of the family to survive - because of fujita, ebisu, and sho: the three family members most frequently deemed 'weak' or 'useless.' sho's magic enables fujita to retrieve en's devil tumor for revival, and sho saves the rest of the family from being dissolved by hole. fujita's 'meek loser' demeanor is what allows him to effectively spy on the cross-eyes, retrieve the devil tumor, and negotiate with tetsujo. ebisu's relationship w kikurage and quick thinking allows her to to enlist dokuga's help to transport en's corpse, completing the revival plotline. and this is not to diminish everyone else's contributions, but to note that especially fujita and ebisu are able to help save the family because of the skills they have developed outisde of magic to survive in a world that does not value them. en's, the family's, and capitalism's survival is reliant on those they deem 'useless'; capitalism's survival is reliant on the labor of marginalized and exploited workers.
dorohedoro's cast is filled with characters who are outcasts and don't 'fit in' with societal expectations, and as the story continues, relationships between humans, sorcerers, and those 'in-between' become even more prominent. despite everything - the hardships, the resentment, the difficult histories everyone has - dorohedoro goes out of its way to consistently affirm friendship and solidarity between sorcerers and humans, regardless of the expectations that society has for them and the roles they're 'expected' to play.
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dorohedoro does not have an ending that 'solves inequality' - massive social change can't happen overnight. dorehedoro DOES have a hopeful ending, though. it reaffirms that progress is possible. that in a chaotic, unpredictable, unfair world, there is still peace, friendship, and gyoza - we just need to find it and work for it together.
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