The parallels between Rutabaga and Princess Carolyn and how they both see lives in terms of film narratives is SO interesting and this really comes to a head in Old Acquaintance when Rutabaga echos his infamous "movie star speech" at the beginning of the episode by calling himself and Vanessa the "good guys" and, as we know him to be a self righteous twat, we assume that this is supposed to be ironic. But then at the end of the episode, we see that he and Vanessa actually did everything right: they gave one of their clients an opportunity and were genuinely concerned when PC tried to change the offer, they let Rachel Bloom (don't remember the name) know the truth about her relationship with PC, and at the end of the episode, Rutabaga is genuinely there for his kids. By contrast, BoJack and Princess Carolyn, the people who we recognise as the protagonists, spend the episode lying and cheating people out of deals, and everything crumbles for both of them at the end. Rutabaga saying "you gotta love a happy ending" is not only ironic to us, as the audience, but from his perspective, it's true. He is the good guy, and he does get the happy ending. And honestly, despite all his slimy and emotionally manipulative behaviour, this episode recontextualises the movie star speech, both because we realise that Rutabaga genuinely does believe that the good guys always win, and because it reiterates that this is a show with no good guys, no one is innocent, and no one will just get what they believe themselves to deserve.
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Bette Davis and Miriam Hopkins in Old Acquaintance (Vincent Sherman, 1943)
Cast: Bette Davis, Miriam Hopkins, John Loder, Gig Young, Dolores Moran, Phillip Reed, Roscoe Karnes, Anne Revere, Esther Dale. Screenplay: John Van Druten, Lenore J. Coffee, based on a play by John Van Druten. Cinematography: Sol Polito. Art direction: John Hughes. Film editing: Terry O. Morse. Music: Franz Waxman.
One of those actress pairings that you can't help being drawn to, no matter the quality of the movie: Bette Davis and Miriam Hopkins. Fortunately, the movie, Old Acquaintance, is pretty good. (So was their earlier teaming in 1939, in William Goulding's The Old Maid, during which they are said to have had off-screen battles.) It's a story of two childhood friends who both grow up to be successful novelists, though Davis's Kit Marlowe is a critical darling while Hopkins's Millie Drake is a commercial success. They also grow up orbiting the same man, Preston Drake (John Loder), though Millie is the one who marries him and has a daughter with him. Eventually, Millie and Preston split, and the daughter, Dede, grows up to be played by Dolores Moran, and wouldn't you know it, to take Kit's much younger lover, Rudd Kendall (Gig Young), away from her. The central fact of the relationship between Kit and Millie, however, is that they represent opposite temperaments: Kit is solid and cynical, while Millie is high-strung and manic. All of this makes for some entertaining scenes, which is all that's needed in a Bette Davis movie, or a Miriam Hopkins one, for that matter.
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🎄🎉🎊“There comes a time in every woman's life when the only thing that helps is a glass of champagne.” Old Acquaintance” (1943). #BetteDavis & #MiriamHopkins🍾🥂🍾 #HappyNewYears
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i find it super interesting how, when Near's team is questioning Mello's statement about Shinigami existing, Mello doesn't say anything about it. he doesn't react, he doesn't try to argue or further convince Near - he just stares at Near, waiting for him to comment, and then carries on talking after Near announces that he believes him. like he knows that Near is going to trust him first and foremost, no matter what Rester and Gevanni say, and he's just waiting for Near to explain his reasoning so they can move on.
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