#omi no kuni

[crazyfox-archives]

A painted depiction of festival rites being held at Hōgonji Temple (宝厳寺) on Chikubushima Island in present-day Nagahama, Shiga Prefecture during the 15th century

[slammpoetessmurca]

sügis

vanadele naistele on kõik lubatud vanad naised võivad olla nähtamatud ja nad on karistamatud keegi ei julge krunniga tädile vastu hakata tema jonn on lakkamatu tema häbematus ei tunne piire kuni teda kurjaks ei aja pole teda vaja karta kuig isegi siis mis ta sulle ikka teha saab

ühel hetkel olen mina vanaproua kellele on kõik lubatud kes jäetakse tervenisti rahule omi imelikke asju ajama sest keda huvitab üks veider moor ja ta nigunii ei kuula ju kedagi ma tahaksin ainult teada millal ma pole enam nii noor et keegi minust mu kehast mu sõnadest ja tegudest liiga palju huvituks ja mind milleski kahtlustada oskaks tahaks teada, millal hakkab see aeg et sellest mitte ühtegi sekundit maha magada et seda maksimaalselt ära kasutada oma süüdimatut karistamatut sügist

igaks juhuks äkki ennetavalt võiks juba täna pihta hakata

[freshdickies]

What about D, J, and W?

D: What was the first thing you ever contributed to a fandom?

I wrote a dead dove Farfarello x Omi fic for Weiß Kreuz. 😂 It was called Blood Pretty Dove, and in it Farfarello nonconned Omi on the altar in an abandoned church. I was 14.

J: Name a fandom you didn’t care/think about until you saw it all over tumblr.

Yuri on Ice! Confession: I only started watching it after I saw a post where someone said 'oh, YOI fandom has finally found a ship they've decided to hate on,' looked up the characters in question, and immediately knew I'd ship them [JYuri]

W: 5 favorite characters from 5 different fandoms.

Mihael "Mello" Keehl from Death Note

Kongou-sensei from Houseki no Kuni

Any Strider from Homestuck

Zelgadis from The Slayers

Satou-san from Ajin

[fashioninsl]

RIOT - MIDNA por Luah Benelli Via Flickr: Set: RIOT - Beckett Outfit Glasses: MIDNA - Stella Glasses Tattoo: .:CORAZON:. - Tattoo Quija Exclusive @MANCAVE Pose: OMY - Cleo Animated and Breathing Hair: Kuni - Ara Hair Rings: (Yummy) - Candy Krush Ring

[derireo]

A3! as questionable things i’ve said and done

i’m not the brightest star in the sky, so a3! has to suffer with me. these moments of mine range from age 10-18 probably

Sakuya: was doing dishes at work. accidentally flicked dish water into his eye, tried searching for paper towels with his eyes closed. walked into the cage door.

Masumi: stared at the fire he accidentally created in the kitchen and then calmly grabbed the thing and threw it in the garbage. eventually realised that garbage bags were also quite flammable. omi ran in to help.

Tsuzuru: stayed up until 5am and saw a dark figure sitting in the corner of the room. stared at it for a few minutes trying to figure out what it was but opted to go to sleep. when he woke up there was nothing in the corner.

Citron: "i forgot her name." right after befriending a nice lady at the laundromat.

Itaru: depression and laziness prevented him from doing his laundry for weeks. slept in a nest of his dirty clothes for a long period of time.

Chikage: said “do it then” in response to someone threatening to stab him.

Tenma: got lost on the way to work. he’s been going to this specific job site for three years already. got laughed at by his co-star and had to take a 30 minute nap bc he ran once he figured out where to go.

Yuki: accidentally threw someone down a small flight of stairs. not his fault tho

Muku: thought he lost a school textbook and proceeded to cry about it. paid the replacement fee of $80 only to find the textbook hiding away in his desk around two years later. too scared to return it.

Kazunari: followed his old high school teacher on instablam and proceeded to comment his congratulations on their wedding igtv.

Misumi: obsessively collected free pins from universities he visited in secret. has a triangle button pin that says ‘safe sex is cool’.

Kumon: accidentally called his coach 'dad'. and it kind of just stuck. (kumon doesn't have daddy issues, but i do.)

Banri: bodytackled some kid he had just met on the first day of school because he didn't like their vibe.

Juza: dessert would be his only meal in a day sometimes. buys & eats shortbread cookies after school. doesn't need to eat dinner until 10pm or later.

Taichi: thought he had a crush on this one person but it was just because they always had coca cola on them.

Omi: accidentally seared the back of his hand against a rotating toaster. everyone watched in shock when he didn't flinch and continued to cook. still has the scars.

Sakyo: brought his taxes to school

Azami: accidentally fell asleep standing up on the train holding onto a railing. woke up to him holding a stranger's hand instead. has never been the same since.

Tsumugi: a bee got caught in his hair once but he thought it was a leaf. tried taking it out but the bee suddenly vibrated in his fingers and he screamed. leaves don't do that!!!!!!

Tasuku: his older brother told him that the pearls in boba tea were actually made from cow balls when he was younger. didn't touch boba again until he was 17 when tsumugi said it was a lie.

Hisoka: slept for 12hrs. checked time on phone. went back to sleep. / fell asleep in a garbage can while playing hide and seek outside with natsugumi.

Homare: saw a copy of milk & honey by rupi kaur at the bookstore and had half a mind to grab it and throw it to the floor. instead grabbed all the copies and hid them somewhere in the store.

Azuma: "i know you want a piece of me, but at least close the door first." to no one in particular. the door to his room opened by itself when nobody else but himself was at home

Guy: "huh? mila kunis?" in response to one of the kids talking about their chemistry homework.

BONUS:

Izumi: typed 'what’s a lesbian’ into the google search engine

Matsukawa: put his egg salad in a tortilla wrap because he put too much salt. (it was still salty)

Kamekichi: choked on a grape for five seconds, managed to swallow it, went on about his day.

Tetsuro: "you too." in response to someone who said "have a great meal." hasn't said anything since.

[igiliikur]

siin me oleme. igal õhtul punkt kella seitsmeks on tunne, et no nüüd küll enam ei jaksa. oleks hädasti vaja kaduda tühimikku, eemalduda ajutiselt elust kui sellisest. või siis jääda tellimise peale kinni lõputusse küünlapäeva: teed ja teed, kuni lõpuks tehtud saab. teised ajavad omi asju, kuni ise paralleeluniversumis toimetan. hiljem tuleks ikka tagasi ka, sellel siin ja praegu reaalsusel pole suurt viga.

üldse ei peaks tunduma algusnoot negatiivne, taolisena polnud vähemalt mõeldud. lihtsalt ajutise ja valikulise tühjuse või olematuse idee tundub ahvatlev, sinna pole midagi teha. kui antaks, ma võtaks.

[jibuyo]

Surnames in Japan

There were a few times I talked about Japanese names, and now I’m a bit bored, so here’s another post.

At the beginning the people living on Japanese islands were formed into so called uji (clans) that were connected by blood and the place where they lived and ruled over by a clan leader called uji-no kami (in this case “kami” meaning “up, top”). What connected the members of uji was worshipping a common clan god, so called ujigami. They started to form kuni, provinces. 

With time (and fighting) powerful kingdoms started to emerge and others started to pledge themselves to their more powerful neighborhoods. One of the most powerful clans was a clan from Yamato, who was worshipping the sun goddess Amaterasu.

Now when the Yamato clans had many other serving them, they needed to distinguish them somehow. So they were given a title, called kabane. There were two hereditary ones that were given to leaders called omi and muraji. They were given to those who served the Yamato leader or who were living close. Omi was higher than muraji and was given to those who served Yamato from the beginning, for example Soga, Abe, Ki. Muraji was given to those who joined later, for example Nakatomi, Ōtomo, Mononobe. The clans would become Abe-omi, Soga-omi, Nakatomi-muraji etc., a so called uji-kabane system.

Kabane was given out by the emperor to those who served him, so the Imperial family didn’t need anything like that. Even nowadays, the Imperial family doesn’t have a surname.

In 684 Emperor Tenmu reformed the uji-kabane system and created an “eight kabane system”　(before Prince Shōtoku made a 12 kabane system.) Kabane ason was added to the list and under the current system it was the second highest. In Heian, ason turned into a universal courtier title.

Members of an Imperial family, who for some reason had to leave it, were given either Taira-ason or Minamoto-ason titles. In Heian, the most powerful clan was Fujiwara-ason, who managed to control the entire politics. And more and more people were being given these clan names that a need to distinguish different families was needed. So the families started to use surnames (myōji, naazana) to differentiate themselves, taken either from places where they lived or where they were born. For example the (regent) Fujiwara branches are names after streets in Kyoto - Nijō, Konoe etc. Other clans that come from Fujiwara, for example Katō is basically Fujiwara from Kaga, Itō is Fujiwara from Ise. But all of these were just names the families decided to use by themselves, in dealings with the court, they needed to use uji-kabane.

As for samurai, they started to use the name of the piece of land they lived in to show their ownership. If a son was given a piece of land the clan conquered, he would start to use a name of that piece of land. The samurai were using their uji-kabane less and less and the use of myōji increased. The uji-kabane started to be called “real or original name”.

While the nobles kept using their real first names, the samurai preferred to use a “nickname or common name”. That’s why a samurai would have a real family name (i.e. kabane), surname, real first name and a common name/nickname, which were never used at the same time.

Now, let’s talk about Hashiba Hideyoshi, just because.

At one point in his life, Hideyoshi decided that he’s going to be called Hashiba Hideyoshi. Hashiba was his surname. Hideyoshi his real name.

Back in the days, Hideyoshi claimed that he was a Taira, so his “real name was” Taira-no Hideyoshi. But to become a kampaku, he had to be a Fujiwara, so he let himself be adopted into a Konoe family, and became Fujiwara-no Hideyoshi. After that he received a new uji-kabane from the Emperor, i.e. Toyotomi-ason, and his real name became Toyotomi-no Hideyoshi. Toyotomi-ason became on par with Fujiwara-ason, Taira-ason, Minamoto-ason etc. And to make his rule more solid, he started to bestow the Toyotomi-ason to his vassals and even vassals of his vassals. On official documents, even people whose real names were supposed to be Minamoto or Fujiwara or whatever, they became Toyotomi-ason, so it seemed like the most powerful and influential people in the land all came from the same uji. (At the same time Hideyoshi was giving “Hashiba” to some of them as well, but the use of “Hashiba” was more limited. So when they were all signing an oath after Toyotomi Hidetsugu’s suicide, all daimyō them were using Hashiba as a surname, Tokugawa Ieyasu included.) 

In Edo period the use of real family names was very limited. If someone was given a court title, they would use it, but otherwise their surnames were used. Because surnames weren’t given by an emperor, anyone could attach it, so even non-samurai people could have surnames (until the shogunate was like, no, we can’t allow that and allowed surnames only for some of them, like rich merchants).

In Meiji, in 1869, the government wanted to go back to “real family names”, because the state “returned back to the emperor”, but because most people who came from nobles were called Fujiwara and most people who had samurai origin were Minamoto, 84% of them would be called Fujiwara, Minamoto, Taira or Tachibana, they realised, it wouldn’t work. [But some of them were most likely self-proclaimed.]

By 1875 the government forced everyone to have a surname.

[cunnvor]

22.08.2019

Meil oli põnev hüppetrenn ja Kunnu oli megatubli! Ma ei kordetanud teda ette ja kui platsile jõudsime, siis teised juba hüppasid ning see tekitas temas eriti palju ärevust. Tundub, et ta hullult fännab hüppamist ja kohe tahaks minna teiste järgi. Aga selle asemle me harjutasime kannatlikult paigal seismist kuni teised lõpetavad :P

Soojenduse ajal ta tahtis muidugi kiirustada ja pakkus kogu aeg galoppi aga õnneks tuli ilusti tagasi. Lihtsalt pidin talle iga paari sammu tagant poolpeatusi tegema. Kui sain teda natukene juba lõdvestuma, siis traavisime üle maalattide, kust ta kippus juba alguses püüdlikult üle hüppama :D

Seekord aga ta täitsa üllatas mind pakkudes ülimugavat, aeglast ja koondatud galoppi. Ka takistustele läks ta julgelt ning ei tõrkunud kordagi. Paistab, et ta üritab alati puhtalt üle saada ja talle on hüppeannet hulgi antud.

Mina ainult pabistasin paaril korral liiga palju üle ja vussisin ise takistusele lähenemise ära. Vabalt oleks võinud lasta tal endal lihtsalt minna ja kõik oleks hästi olnud. Ühel korral tuli tal üks raskem hüpe teha, kus nii mõnigi teine hobune oleks lihtsalt tõrkunud. Teisel korral aga mikromanageerisin üle kuna tahtsin ilusti lati keskele sihtida aga ei õnnestunud. Kunnu vajus liiga palju paremale ja kui ta lõpuks “kuulis” mu paremat säärt, siis pakkus üle ja läks liiga palju vasakule. Siis üritasin teda tagasi keskele saada. Tulemuseks oli paras sikksakk vigurisõit enne takistust ja meie ees oli lõpuks takistuse post. Minu suust tuli häälekas sõimusõna kui kujutasin ette, kuidas end sealt posti ja lattide keskelt üles korjan aga õnneks Kunnu jäi selle peale seisma, täpselt posti ees. 

Ma olen varemgi hobusega takistuse ees seisma jäänud aga seekord ei olnud see üldse nii järsk ja sadulast see mind lahti ei kangutanud. Mul on selline sisetunne nagu Kunnu oleks mind hoidnud sest tegelikult ta päästis mind kukkumisest kuna pidureid vajutada ma ise ei jõudnud. Kui ta oleks aga postist mööda põiganud siis oleksin ma arvatavasti innertsiga sealt alla kukkunud. Aga ta tegi pehme peatuse, piilus veits isegi silmanurgast selja taha tahtes nagu küsida “Mis sul juhtus?!” ja oligi kõik. Ma lihtsalt jumaldan seda hobust, ta on nii nii lahe. 

Järeldus: pean ise teda rohkem usaldama hakkama. Muidu tulid ülejäänud hüpped täitsa hästi minu arust välja. Ta ei tõmmanud enam nii hullusti takistuse peale, kui eelmine kord ja peale hüpet suutis rahulikult edasi sirgelt joosta. Iga korraga läheb aina paremaks. Usun, et tulevikus peaks temast saama tubli hüppehobune, kellele näitad lihtsalt suuna kätte ja ta hüppab.

Peale trenni paistis tal ka väga hea tuju olevat. Togis mind ninaga, et viiksin ta kiiremini koplisse tagasi ja oli üldse sellise mängleva olekuga. Koplis hüvasti jätmise järel kappas galopis, saba püsti omi asju edasi tegema :)

[crazyfox-archives]

“Chikubushima in Ōmi Province, No. 30 of the Saikoku Pilgrimage Route” from the series “The Miracles of Kannon” (観音霊験記 Kannon Reigenki) by Utagawa Kunisada I (歌川国貞), 1859: depicting the layout of Hōgonji Temple (宝厳寺) on Chikubushima Island in present-day Nagahama, Shiga Prefecture above, below a scene from the tale wherein a monk’s transcendent acolyte gifts him a sacred biwa to be presented to the temple

Color woodblock print, ōban from the collection of the Museum of Fine Arts, Boston

[kinnisvarablog-blog]

New Post has been published on https://kinnisvarablog.ee/parem-kui-netflix-ja-tsill-veinikino-elamus-mis-sunnib-maitse-ja-filmi-sunergiast/

Parem kui Netflix ja tšill! Veinikino: elamus, mis sünnib maitse ja filmi sünergiast

Tallinna ja Tartu Erinevate Tubade Klubides stardib peatselt õdus ja vaimukas uus sündmustesari Veinikino, mis sobitab kinosõbra filmimaitse veinielamusega. 

Ühel soojal suveõhtul sattus sommeljee Veinipesa vinoteegis sõbraga arutlema, et mis oleks kui prooviks veini panna paari hoopis filmidega. Toiduelamust õige veiniga värvikamaks muutma oleme juba harjunud, aga veini ja filmi sobitamine kaasaks lisaks maitse ja aroomi naudingule tervikusse ka audiovisuaalse elamuse. Mõneks ajaks jäi see mõte õhku hõljuma, kuni ühiste tuttavate kaudu jõudis Helen animafilmitegija juurde, kellega koos otsustati veinikino teoks teha.

Järgmisel nädalal jõuavadki publiku ette esimesed veinikino seansid viiest lühifilmist koosneva kavaga, mille kõrvale on valitud viis spetsiaalset veinimarki. Veinikino filme ja veine saab nautida Erinevate Tubade Klubi mõnusas õhkkonnas, kus saal on jaotatud elutubadeks ja igal toal on oma ekraan.

Vestlesime veinikino filmiprogrammi juhi Priit Tenderi ja sommeljee ja joogikultuuri armastaja Helen Põderiga sellest, mis ühendab veinikultuuri ja filmikunsti.

Veinikino õhtu on säherdune eriskummaline ettevõtmine, kus hulk inimesi tuleb ja lubab end täielikult meie meelevalda. Valame kuulajaskonna üle oma subjektiivse arvamusega maitsete sobivusest ja filmi-veini kooskõlast. Heietame veidi omi mõtteid, miks ja kuidas pakutud valikud sündisid ning mida erinevat meie filmis ja veinis leiame. Loomulikult ootame ka vahetut suhtlust publikuga.

Maitsete osas on arvamusi sama palju kui inimesi, kuna iga indiviid tajub erinevaid maitseprofiile veidi eripäraselt. Samamoodi loeb igaüks ka filmist välja väga erinevaid nüansse. Nii ei olegi tol õhtul õigeid ja valesid vastuseid. See pole mitte niivõrd «mul on arvamus, seega mul on õigus», vaid pigem «mina arvan nii, aga mis sina arvad?» meeleoluga õhtu. Umbes kolmanda filmi ajaks tekib oodatavasti juba väga vahetu arutelu ja kindlasti saab ka nalja. Liigselt kandilist viisakust ei maksa oodata, pigem on see ikkagi üks meeldiv õhtupoolik hea filmi, veini ja sõprade seltsis.

Filmivalik koosneb viimaste aastate jooksul mitmeid festivaliauhindu võitnud animafilmidest. Maadest on esindatud Prantsusmaa, Poola, Sloveenia, Taani. Esimesele seansile on juhtumisi sattunud kõik naisrežisööride teosed. Martina Scarpelli teos «Muna» võitis muuhulgas ka möödunud aastal PÖFF Shortsi parima animafilmi auhinna.

Valiku üheks olulisemaks kriteeriumiks on filmi meeleolu, selle üldine atmosfäär. On filme, mis on «joodavad» ja filme, mis ei ole. Programmi oleme valinud need esimesed. Valik on subjektiivne, ent võin lubada, et veini aroom ja maitse lisab igale neist teatud lisadimensiooni. Vein muudab filmid elamuslikumaks ja sügavamalt mõistetavaks.

(Naerab) Chardonnay ja romantiline komöödia ei kõla üldse halvasti! Jätan selle meelde, kui mõne filmiga hätta satun. Aga paaringud sünnivad suuresti emotsiooni põhjal. Vahel mängivad rolli domineerivad toonid, vahel heli, vahel storyline. Vahel on kaadris piipu suitsetav vanamees, kes seeläbi naelutab mu mõttesse suitsused aroominüansid. Kuna tegu on igati subjektiivse valikuga, siis lähtun eelkõige emotsioonist. Üht veini saab kirjeldada küpse erudeeritud ja intelligentse viiekümnendates aastates härrasmehena, kellel on hea maitse. Mees, kes ostab kallimat parfüümi, hoolitseb oma välimuse eest ja otsib pigem intrigeerivaid vestluskaaslasi kui üheööliblikaid – nagu ilusa arenguga Bordeaux punavein. Või hoopis veidi naiivne, rõõmsameelne ilus noor naine kahekümnendates, kellel on kindel plaan sel õhtul midagi ülemeelikut teha – nagu puuviljasem vahuvein. Eks ma katsun need veini ja filmi kuvandid miskit pidi kokku põimida. Olgu siis vastandamise, samastamise või täiendamise aspektist.

Priit: Küsimus kodusest veinikinost on intrigeeriv. Näiteks Helen, kellel on ilmselt kodus kogu aeg 48 avatud veinipudelit, võiks valida suvalise filmi ja hakata katsetama. Enda puhul pigem ostaksin ühe veini ja lappaksin veidi filmilisti, et sobiv film leida. Kumbki meetod pole vale, aga parim on ikkagi tulla ja saada osa veinikinost kui sündmusest. Oluliseks lisaväärtuseks on ka külastajate omavaheline sünergia.

K, 24. aprillil kell 19.00 Veinikino #1 — Tallinn

N, 25. aprillil kell 19.00 Veinikino #1 — Tartu

K, 8. mail kell 19.00 Veinikino #2 — Tartu

N, 9. mail kell 19.00 Veinikino #2 — Tallinn

* Veinikino ei ole mõeldud alla 18-aastastele. Klubi töötajatel on õigus küsida vanuse tõendamiseks dokumenti.

[fortunetellersdilettante]

kendinizi uma uzwela lwakho lungazifaki, aluphelele, sengikhululekile yingakho ngilahlekile, Ngenxa yokumamatheka kwakho, wenza impilo ibe yinhle ngokwedlulele, Abanye abantu bafuna indawo enhle, abanye benza indawo enhle. ngoba zona uqobo ziyinyembezi zobuthakathaka, kepha izinyembezi ezithululela abanye kuwuphawu lwamandla. Khumbula, ukuphila nohambo. Uma uthole konke okufunayo konke ngasikhathi sinye akunanjongo yokuthi uphile. Jabulela ukugibela, bese ekugcineni uzobona la “ma-backs” eqa phambili, kuphela obengeke ubone isithombe esikhulu okwamanje. Zibambe, zonke bungafinyeleleka; konke okufanele ukwenze ukukhombisa nsuku zonke, hlala uthembekile emendweni wakho futhi uzothola umcebo oyifunayo. Izinto ezinhle kakhulu emhlabeni azinakubonwa noma zithintwe, zithinteka ngenhliziyo. ” Ngiye ngafunda ukuthi ukukhathazeka mayelana nothando; kodwa ukuhlonipha ukuza kwayo ngenhliziyo yami yonke. Kwakungewona umuzwa wokuphelela engikudinga kakhulu, kepha umuzwa wokungabi nalutho aanu rẹ ko ba funrararẹ, ko pé, Mo ni ominira ati pe idi niyẹn ti o sọnu mi, Nitori ẹrin rẹ, o ṣe igbesi aye diẹ sii lẹwa, Diẹ ninu awọn eniyan nwa ibi ti o lẹwa, awọn miiran n ṣe aye ti o lẹwa.Tears ta fun ara wa ni omije ti ailera, ṣugbọn omije ti o ta fun awọn miiran jẹ ami agbara. Ranti, igbesi aye jẹ irin ajo. Ti o ba ni ohun gbogbo ti o fẹ ni ẹẹkan ko ni si aaye lati gbe. Gbadun gigun naa, ati ni ipari iwọ yoo wo awọn “ẹhin ẹhin” bi omi nla n fo siwaju, iwọ nikan ko le ri aworan nla julọ ni akoko naa. Duro tunu, gbogbo nkan wa laarin arọwọto; gbogbo ohun ti o ni lati ṣe ni ṣafihan lojoojumọ, duro otitọ si ipa-ọna rẹ ati pe iwọ yoo rii iṣura ti o n wa. Awọn ohun ti o dara julọ julọ ni agbaye ko le ri tabi fọwọkan, wọn ni ọkàn pẹlu. ” Mo kọ ẹkọ lati ma ṣe aniyàn nipa ifẹ; ṣugbọn lati bu ọla fun wiwa rẹ pẹlu gbogbo ọkan mi. Kii ṣe iriri ti aṣepari Mo nilo bẹ, ṣugbọn rilara ti ko di ofo אויב דיין ראַכמאָנעס טוט נישט אַרייננעמען זיך, עס איז דערענדיקט, איך בין פריי און דעריבער איך בין פאַרפאַלן. צוליב דיין שמייכל, איר מאַכן די לעבן מער שיין. עטלעכע מענטשן זוכן אַ שיין אָרט, אנדערע מאַכן אַ אָרט שיין. טרערן אָפּדאַך פֿאַר זיך זענען טרערן פון שוואַכקייַט, אָבער טרערן אָפּדאַך פֿאַר אנדערע זענען אַ צייכן פון שטאַרקייט. געדענק, לעבן איז אַ נסיעה. אויב איר האָט אַלץ איר'ווע געוואלט אַלע אין אַמאָל, עס וואָלט זיין קיין פונט צו לעבן. הנאה די פאָר, און אין די סוף איר וועט זען די "שטעלן באַקס" ווי ריז ליפּס פאָרויס, נאָר איר קען נישט זען די ביגער בילד אין דעם מאָמענט. בלייבן רו, אַלץ איז ריטשט; אַלע איר האָבן צו טאָן איז ווייַזן זיך וואָכעדיק, בלייבן אמת צו דיין דרך און איר וועט שורלי געפֿינען דעם אוצר איר זוכט. די מערסט שיין טינגז אין דער וועלט קענען ניט זיין געזען אָדער גערירט, זיי זענען פּעלץ מיט די האַרץ. איך האָב געלערנט נישט צו זאָרג וועגן ליבע; אָבער צו כּבֿוד אַז עס קומט מיט מיין גאַנצן האַרץ. עס איז געווען ניט דער געפיל פון קאַמפּליטנאַס איך אַזוי דארף, אָבער די געפיל פון נישט זיין ליידיקaoyb deyn rakhmones tut nisht areynnemen zikh, es iz derendikt, ikh bin frey aun deriber ikh bin farfaln. tsulib deyn shmeykhl, ir makhn di lebn mer sheyn. etlekhe mentshn zukhn a sheyn ort, andere makhn a ort sheyn. trern opdakh far zikh zenen trern fun shvakhkayt, ober trern opdakh far andere zenen a tseykhn fun shtarkeyt. gedenk, lebn iz a nsyeh. aoyb ir hot alts ir've gevalt ale in amol, es volt zeyn keyn funt tsu lebn. hnah di for, aun in di suf ir vet zen di "shteln bax" vi riz lips foroys, nor ir ken nisht zen di biger bild in dem moment. bleybn ru, alts iz ritsht; ale ir hobn tsu ton iz vayzn zikh vokhedik, bleybn ams tsu deyn drkh aun ir vet shurli gefinen dem autsr ir zukht. di merst sheyn tingz in der velt kenen nit zeyn gezen oder gerirt, zey zenen pelts mit di harts. ikh hob gelernt nisht tsu zorg vegn libe; ober tsu kvud az es kumt mit meyn gantsn harts. es iz geven nit der gefil fun kamplitnas ikh azoy darf, ober di gefil fun nisht zeyn leydi ukuba imfesane yakho ayizibandakanyi, ayiphelelanga, ndikhululekile kwaye kungoko ndilahlekile, Ngenxa yokumomotheka kwakho, wenza ubomi bube ntle ngakumbi, Abanye abantu bajonge indawo entle, abanye bayenza indawo entle.Ie-shed shed kuba iinyembezi zam zinobuthathaka, kodwa ukuzila iinyembezi zabanye ziimpawu zokomelela. Khumbula, ubomi luluhambo. Ukuba unayo yonke into oyifunayo ngexesha elinye akuyi kubakho mfuneko yokuba uphile. Yonwabela ukukhwela, kwaye ekugqibeleni uza kubona "ukubuyela umva" njengokutsiba okukhulu, kodwa awungekhe ubone umfanekiso omkhulu ngalo mzuzu. Hlala uzolile, konke kunokwenzeka; Omele ukukwenza kukubonisa yonke imihla, hlala uthembekile kumkhondo wakho kwaye uya kubufumana ngokuqinisekileyo ubuncwane obufumanayo. Ezona zinto zintle zibalaseleyo emhlabeni azinakubonwa okanye zichukunywe, zivakalelwa entliziyweni. ” Ndifundile ukuba ndingazikhathazi ngothando; kodwa kukuhlonipha ukuza kwayo ngentliziyo yam iphela. Yayingeyiyo imvakalelo yokuphelela endiyifunayo, kodwa imvakalelo yokungabinanto josels net omfettet, dan is it ûnfolslein, ik bin fergees en dêrom bin ik ferlern, Fanwegen jo glimlach meitsje jo it libben moaier, Guon minsken sykje in prachtich plak, oaren meitsje in plak prachtich. Triennen skodzje foar jinsels binne triennen fan swakte, mar triennen dy't foar oaren smard binne in teken fan krêft. Unthâld, it libben is in reis. As jo ​​alles krigen dat jo allegear tagelyk woene, dan soe it gjin punt wêze om te libjen. Genietsje fan 'e rit, en op it lêst sille jo dizze "set backs" sjen as gigantyske springt foarút, allinich koene jo it gruttere plaatsje op it stuit net sjen. Bliuw kalm, alles is binnen berik; alles wat jo hoege te dwaan is elke dei op te sjen, trou te bliuwen oan jo paad en jo sille wis de skat fine dy't jo sykje. De moaiste dingen yn 'e wrâld kinne net wurde sjoen of oanrekke, se wurde mei it hert fielde. ” Ik haw leard net te soargen oer leafde; mar om syn komst mei myn heule hert te earjen. It wie net it gefoel fan folsleinens dy't ik sa nedich wie, mar it gefoel fan net leech te wêzen os nad yw'ch tosturi yn cynnwys eich hun, mae'n anghyflawn, rwy'n rhydd a dyna pam rydw i ar goll, Oherwydd eich gwên, rydych chi'n gwneud bywyd yn fwy prydferth, Mae rhai pobl yn chwilio am le hardd, mae eraill yn gwneud lle yn hardd. oherwydd yr hunan yw dagrau gwendid, ond mae dagrau a daflwyd i eraill yn arwydd o gryfder. Cofiwch, taith yw bywyd. Os cawsoch bopeth yr oeddech ei eisiau i gyd ar unwaith, ni fyddai diben byw. Mwynhewch y reid, ac yn y diwedd fe welwch y “cefnau gosod” hyn wrth i'r cawr gamu ymlaen, dim ond na fyddech chi'n gallu gweld y llun mwy yn y foment. Aros yn ddigynnwrf, mae'r cyfan o fewn cyrraedd; y cyfan sy'n rhaid i chi ei wneud yw arddangos bob dydd, aros yn driw i'ch llwybr a byddwch yn sicr o ddod o hyd i'r trysor rydych chi'n ei geisio. Ni ellir gweld na chyffwrdd â’r pethau harddaf yn y byd, maent yn cael eu teimlo gyda’r galon. ” Rwyf wedi dysgu peidio â phoeni am gariad; ond i anrhydeddu ei ddyfodiad â'm holl galon. Nid y teimlad o gyflawnder yr oeddwn ei angen felly, ond y teimlad o beidio â bod yn wag lòng trắc ẩn của bạn không bao gồm chính bạn, nó không trọn vẹn, tôi tự do và đó là lý do tại sao tôi lạc lối, Vì nụ cười của bạn, bạn làm cho cuộc sống đẹp hơn, Một số người tìm kiếm một nơi đẹp, những người khác làm cho một nơi đẹp đẽ. vì bản thân là nước mắt của sự yếu đuối, nhưng nước mắt rơi vì người khác là dấu hiệu của sức mạnh. Hãy nhớ rằng, cuộc sống là một hành trình. Nếu bạn có tất cả mọi thứ bạn muốn cùng một lúc thì đó sẽ không còn gì để sống. Hãy tận hưởng chuyến đi, và cuối cùng, bạn sẽ thấy những người này quay lưng lại với nhau như một bước nhảy vọt về phía trước, chỉ có bạn mới không thể nhìn thấy bức tranh lớn hơn trong lúc này. Giữ bình tĩnh, tất cả là trong tầm tay; tất cả những gì bạn phải làm là xuất hiện hàng ngày, trung thực với con đường của bạn và bạn chắc chắn sẽ tìm thấy kho báu mà bạn tìm kiếm. Những điều đẹp nhất trên thế giới không thể được nhìn thấy hay chạm vào, chúng được cảm nhận bằng trái tim. Tôi đã học cách không lo lắng về tình yêu; nhưng để tôn vinh nó đến với tất cả trái tim của tôi. Đó không phải là cảm giác trọn vẹn mà tôi rất cần, mà là cảm giác không trống rỗng hamdardligingiz o'zingizni qamrab olmasa, u to'liq emas, men ozodman va shuning uchun men adashib qoldim, sizning tabassumingiz tufayli hayotingizni yanada go'zal qilasiz, Ba'zi odamlar go'zal joy izlaydilar, boshqalari esa joyni go'zal qiladilar. o'z-o'zidan zaiflik ko'z yoshlari, lekin boshqalar uchun to'kilgan ko'z yoshlari kuchning belgisidir. Yodingizda bo'lsin, hayot bu sayohatdir. Agar siz xohlagan narsangizni birdaniga olgan bo'lsangiz, yashashga hojat qolmaydi. Sayohatdan zavqlaning va oxirida siz bu "orqaga burilganlarni" ulkan sakrash sifatida ko'rasiz, faqat hozir siz katta rasmni ko'ra olmaysiz. Tinchlaning, barchasi qo'l ostida; qilish kerak bo'lgan narsa - har kuni namoyish qilish, o'z yo'lingizga sodiq qolish va siz qidirgan xazinangizni albatta topasiz. Dunyodagi eng go'zal narsalarni ko'rish yoki ularga qo'l tegizish mumkin emas, ular yurakdan seziladi ”. Men sevgi haqida tashvishlanmaslikni o'rgandim; lekin uning kelishini butun qalbim bilan sharaflash. Bu menga kerak bo'lgan to'liqlik tuyg'usi emas edi, lekin bo'sh emasligim hissi edi شەپقىتىڭىز ئۆزىڭىزنى ئۆز ئىچىگە ئالمىسا ، ئۇ تولۇق ئەمەس ، مەن ئەركىن ۋە شۇ سەۋەبتىن مەن يۈتۈپ كەتتىم ، سىزنىڭ تەبەسسۇمىڭىز سەۋەبىدىن ، سىز تۇرمۇشنى تېخىمۇ گۈزەللەشتۈرىسىز ، بەزىلەر گۈزەل جاي ئىزدەيدۇ ، يەنە بەزىلىرى گۈزەل جاي قىلىدۇ. كۆز ياشلىرى تۆكۈلدى چۈنكى ئۆزى ئاجىزلىقنىڭ كۆز يېشى ، ئەمما باشقىلار ئۈچۈن تۆكۈلگەن ياش كۈچنىڭ ئالامىتى. ئېسىڭىزدە تۇتۇڭ ، ھايات بىر سەپەر. ئەگەر سىز ئارزۇ قىلغان ھەممە نەرسىنى بىراقلا ئالسىڭىز ، ياشاشنىڭ پايدىسى يوق. سەيلە قىلىشتىن ھۇزۇرلىنىڭ ، ئاخىرىدا سىز بۇ «ئارقىغا قايتىش» نى يوغان سەكرىگەندە كۆرىسىز ، پەقەت چوڭراق رەسىمنى ھازىرچە كۆرەلمەيسىز. خاتىرجەم بولۇڭ ، ھەممىسى يېتىپ بارالايدۇ. سىزنىڭ قىلىشقا تېگىشلىك ئىشىڭىز ھەر كۈنى نامايان بولۇش ، يولىڭىزدا چىڭ تۇرۇش ، سىز ئىزدىگەن خەزىنىنى چوقۇم تاپالايسىز. دۇنيادىكى ئەڭ گۈزەل نەرسىلەرنى كۆرگىلى ياكى تۇتقىلى بولمايدۇ ، ئۇلار قەلب بىلەن ھېس قىلىنىدۇ ». مەن مۇھەببەتتىن غەم قىلماسلىقنى ئۆگەندىم. ئەمما ئۇنىڭ كېلىشىنى پۈتۈن ۋۇجۇدۇم بىلەن ھۆرمەتلەش. بۇ ماڭا لازىملىق مۇكەممەللىك تۇيغۇسى ئەمەس ، بەلكى قۇرۇق ئەمەسلىك تۇيغۇسى ئى کو شامل نہیں کرتی ہے تو ، یہ نامکمل ہے ، میں آزاد ہوں اور اسی وجہ سے میں کھو گیا ہوں ، آپ کی مسکراہٹ کی وجہ سے آپ زندگی کو مزید خوبصورت بناتے ہیں ، کچھ لوگ ایک خوبصورت جگہ تلاش کرتے ہیں ، اور کوئی جگہ خوبصورت بناتے ہیں۔ آنسو بہاتے ہیں خود کے لئے کمزوری کے آنسو ہیں ، لیکن دوسروں کے لئے آنسو بہانا طاقت کی علامت ہیں۔ یاد رکھنا ، زندگی ایک سفر ہے۔ اگر آپ کو وہ سب کچھ مل جاتا ہے جو آپ ایک ساتھ چاہتے ہیں تو رہنے کا کوئی فائدہ نہیں ہوگا۔ سواری سے لطف اٹھائیں ، اور آخر میں آپ کو ان "سیٹ بیک" کو دیکھیں گے جیسے آگے بڑھے گی ، صرف آپ ہی اس لمحے میں بڑی تصویر نہیں دیکھ سکے۔ پرسکون رہیں ، سب کی رسائ ہے۔ آپ کو صرف یہ کرنا ہے کہ آپ ہر روز دکھائیں ، اپنے راستے پر قائم رہیں اور آپ کو ڈھونڈنے والا خزانہ ضرور مل جائے گا۔ دنیا کی خوبصورت چیزوں کو نہ تو دیکھا جاسکتا ہے اور نہ ہی چھوا جاسکتا ہے ، وہ دل سے محسوس کیے جاتے ہیں۔ میں نے محبت کی فکر نہ کرنا سیکھا ہے۔ لیکن اس کے آنے کو پورے دل سے مانوں گا۔ مجھے اپنی ضرورت کی تکمیل کا احساس نہیں تھا ، لیکن خالی نہ ہونے  ваше співчуття не включає себе, воно неповне, я вільний, і тому я загублений, Через вашу посмішку ви робите життя прекраснішим, Деякі люди шукають прекрасне місце, інші роблять місце прекрасним. Сльози проливають для себе - це сльози слабкості, але сльози, пролиті за інших, є ознакою сили. Пам'ятайте, життя - це подорож. Якщо ви отримаєте все, що хотіли всі відразу, не було б сенсу жити. Насолоджуйтесь їздою, і врешті-решт, ви побачите ці «задні спинки» як гігантські стрибки вперед, тільки ви не могли бачити більшу картину в даний момент. Залишайтеся спокійними, все в межах досяжності; все, що вам потрібно зробити - це з’являтися щодня, залишайтеся вірними своєму шляху, і ви обов'язково знайдете скарб, який шукаєте. Найкрасивіших речей у світі неможливо побачити чи торкнутися, вони відчуваються серцем ». Я навчився не турбуватися про кохання; але шанувати його прихід усім серцем. Мені це було не потрібне відчуття повноти, а відчуття того, що я не порожнійyakshcho vashe spivchuttya ne vklyuchaye sebe, vono nepovne, ya vilʹnyy, i tomu ya zahublenyy, Cherez vashu posmishku vy robyte zhyttya prekrasnishym, Deyaki lyudy shukayutʹ prekrasne mistse, inshi roblyatʹ mistse prekrasnym. Slʹozy prolyvayutʹ dlya sebe - tse slʹozy slabkosti, ale slʹozy, prolyti za inshykh, ye oznakoyu syly. Pam'yatayte, zhyttya - tse podorozh. Yakshcho vy otrymayete vse, shcho khotily vsi vidrazu, ne bulo b sensu zhyty. Nasolodzhuytesʹ yizdoyu, i vreshti-resht, vy pobachyte tsi «zadni spynky» yak hihant·sʹki strybky vpered, tilʹky vy ne mohly bachyty bilʹshu kartynu v danyy moment. Zalyshaytesya spokiynymy, vse v mezhakh dosyazhnosti; vse, shcho vam potribno zrobyty - tse zʺyavlyatysya shchodnya, zalyshaytesya virnymy svoyemu shlyakhu, i vy obov'yazkovo znaydete skarb, yakyy shukayete. Naykrasyvishykh rechey u sviti nemozhlyvo pobachyty chy torknutysya, vony vidchuvayutʹsya sertsem ». YA navchyvsya ne turbuvatysya pro kokhannya; ale shanuvaty yoho prykhid usim sertsem. Meni tse bulo ne potribne vidchuttya povnoty, a vidchuttya toho, shcho ya ne porozhniy däl, men azat we şonuň üçin ýitirim boldum, ýylgyrşyňyz sebäpli durmuşy has owadanlaşdyrýarsyňyz, Käbir adamlar owadan ýer gözleýär, käbirleri owadan ýer edýär. Gözýaş dökülýär Özüň ejizligiň gözýaşlary, ýöne beýlekiler üçin dökülen gözýaşlar güýç alamatydyr. Lifeadyňyzdan çykarmaň, durmuş syýahatdyr. Islän zadyňyzy birbada alsaňyz, ýaşamagyň manysy bolmaz. Gezelençden lezzet alyň we ahyrynda ägirt uly böküşler ýaly bu “yzky yzlary” görersiňiz, diňe häzirki wagtda has uly suraty görüp bilmersiňiz. Arkaýyn boluň, hemmesi elýeterli; Bar etmeli zadyňyz, her gün görkezmek, ýoluňyza wepaly bolmak we gözleýän hazynany hökman taparsyňyz. Dünýädäki iň owadan zatlary görüp ýa-da degip bolmaýar, ýürek bilen duýulýar. ” Söýgi hakda alada etmezligi öwrendim; gelmegini çyn ýürekden hormatlamak üçin. Maňa gerek bolan dolylyk duýgusy däl-de, boş  içermiyorsa, eksik, özgürüm ve bu yüzden kayboldum, gülümsemeniz nedeniyle, hayatı daha güzel hale getiriyorsunuz, Bazı insanlar güzel bir yer arıyor, diğerleri güzel bir yer arıyor. çünkü benlik zayıflık gözyaşlarıdır, ama başkaları için dökülen gözyaşları bir güç göstergesidir. Unutmayın, hayat bir yolculuktur. İstediğiniz her şeyi bir anda alırsanız, yaşamanın anlamı olmazdı. Sürüşün tadını çıkarın ve sonunda bu “geri dönüşleri” dev ileriye doğru atılıyor olarak göreceksiniz, ancak şu anda sadece daha büyük resmi göremiyordunuz. Sakin kalın, her şey elinizin altında; tek yapmanız gereken her gün ortaya çıkmak, yolunuza sadık kalmak ve aradığınız hazineyi mutlaka bulacaksınız. Dünyadaki en güzel şeyler görülemez ya da dokunulmaz, kalp ile hissedilirler. ” Aşk hakkında endişelenmemeyi öğrendim; ama bütün kalbimle gelmesini onurlandırmak. Bu yüzden ihtiyacım olan bir tamlık hissi değil, boş olmama hissi

[fashioninsl]

[Eternus] e OMY por Luah Benelli Via Flickr: [Eternus] Siren Dress OMY - Jessie [Pose #3] amias - Necklaces KUNI - Teresa Hair Fashion in SL

[veripunaselt-leekiv-yllatusmuna]

Võltsmoraliseerimisest pea-alaspidi maailmas

"We don't bet their money, we keep their money."

"Suppose they win?"

"They won't win. They always pick the wrong horse. They have a way of always picking the wrong horse."

"Suppose they bet our horse?"

"Then we'll know we've got the wrong horse."

-- Bukowski, Factotum

On muutunud omaette käibetõeks öelda, et revolutsioonid olla alati omi lapsi söönud. Võiks aga kysida: kas siis käesoleva, käibiva ning otsekui vääramatult ainuõige maailmasysteemi elusunnis järeltulijad jäävad metafoorselt õgimata? Kui mõelda teatud inimgruppide lootustel ja ideaalidel tallumisele, nende verbaalsele räbaldamisele, day in and day out, ei näi see nii olevat (rääkimata materiaalsetest teguritest). Aga sõnavabadus, eksole.

Oma surivoodil olla yks moodsale liberalismile ja liberaalsele “demokraatiale” kaasaaitajatest[1], itaalia "politoloog ja filosoof" Vilfredo Pareto võidurõõmsalt sajatanud: "No ma ju ytlesin!"[2], sellal kui Mussolini parasjagu linna marssis. Pareto suri, hinges rahuldus, et "jõuline lõvi" toob Ordnungi ja haarab tyytu "poliitilise vabaduse" lyhikese lõa otsa[3]. Haaras ka. Hitler samamoodi. Ja mitte ainult. Pull yourself up by your bootstraps. “Igayks on oma saatuse sepp!” Teate kyll. Säärastest tõikadest, pandagu tähele, establishment liberaalid targu ei räägi. Alati on lihtsam tsiteerida Arendtit, rääkida totalitaarsusest ja ohmust massist, kes lihtsalt ei tea, kuidas elada korrekt. (Ei hakka mainimagi, et Arendti peatykk imperialismi positiivsest mõjust "metsikule" Aafrikale peaks igal normaalsel inimesel kõhus keerama panema[4]. Muust rääkimata.) Märkigem sedagi, et needsamad kehtivat korda alalhoidvad sabakoerad tavatsevad sellistel hetkedel öelda, et tegelik elevant ruumis olevat "neo-"liberalism, et kui kuidagi saaks sellest lahti, siis elaks kõik harmoonias, õndsuses ja teineteisemõistmises igavest ajast igavesti. Paraku on ajalool, ainsal materiaalse elu dokumendil, rääkida väheke teised lood. Loetagu Landat, Losurdot, ilmselt paljusid teisigi. 

Kui Charlottevilles oli teine tõrvikurongkäik, polnud mul kyll võimalust sellesse väga syyvida ning tagantjärele jäin veel haigekski, kuid päevi hiljem panid nii mõnedki artiklipealkirjad järele mõtlema. Vägisi hakkas tunduma, et alanud on teatav naturaliseerimine, peavoolustamine. "Valge natsionalist" näib muutuvat käibeterminiks, millekski, mis otsekui osundaks vähemusele või liikumisele; umbes nagu "transsooline," "feminist," või "vegan," kasvõi. Saate kontrastist aru, eks?

Umbes aasta olen pidanud taluma mõtteavaldusi nii kohalikus kui mõistagi ka eeskätt lääne meedias sellest, kuidas need tõelised fašistid ja terroristid on ikka need, kes nende eest välja pyyavad astuda, kes ise seda ei suuda. Auväärne noorliterati Pärnits kirjutas midagi sarnast kohe kiiresti eesti oma paleokonservatismi taimelaval[5], samas kui Ameerikkkas on midagi analoogset seoses black bloc'ga juba ammu märkinud „vasakintelligent“ Chris Hedges[6]. Muidugi, kõik see on paremäärmusliku lobbi vili. Kunagi oli Dinesh D'Souza, yks 80ndate pseudoteadusliku belli kõvera "teooria" esipromojatest, naeruvääristatav "marginaal," kui kasutas Churchilli tsitaati (mille algupära on vaidlustatud, ehkki on võimatu vaidlustada "riigimehe" vaateid[7]) "tuleviku fašistid on antifašistid."

Ja ometi, just see tundub olevat järjest aktsepteeritavam ning käepärasem diskursus. Kõige tipuks on sarnane retoorika siginenud juba ka sfääridesse, kust seda leida on pehmelt öeldes veider. Eilne Postimees, ntks, maalis pildi eesti loomakaitsjatest kui veristest sissisõdalastest, kes millegi ees tagasi ei kohku[8]. Reaalsuses oldakse esindusdemokraatia kammitsais, rõõmustades seadusandlike muudatuste yle umbes nagu näljasel kaob leivakoorikki hetkega suust alla.

Aga ei. Ikka tahetakse liigselt. Liiga palju. Kõik tahavad palju. Rahvusvähemused, afroameeriklased, transsoolised, geid, lesbid ja loomaõiguslased. Fuck it, loomadki. Kõik tahavad.

Aga saage aru, heteronormatiivne valge supremacist kapitalistlik patriarhaat ei lase. Ei saagi kunagi laskma, kui ise ei võta. Kui ei muutu just selleks "hirmutiseks," kellena see valge mees, juhtumisi eesti ajalehtede liidu tegevdirektor, seal eesti Stürmeris ka legaalset ja tagasihoidlikku vastuhakku võõpab.

Sest siin praeguses maailmas. Siin nähakse igas väiksemaski protestis ohtu systeemi pysimisele[9]. Ja senikaua kuni pysib systeem, sörgivad ka arvamust avaldavad sabakoerad truult selle järel.  

Ameerikkkas arreteeri yks mustanahaline aktivist selle järgselt, kui ta nelja "valge natsionalisti" käest peksa sai. Neid ei arreteeritud.

Tere tulemast Tänapäeva™. [1] Vt nt, “Pareto printsiip,” https://en.wikipedia.org/wiki/Pareto_principle

[2] Landa, I. (2010), Apprentice's Sorcerer. Liberal Tradition and Fascism. Leiden and Boston: Brill. p. 48.

[3] Vt, samas, pp. 44-54.

[4] Arendt, H. (1951[1962]). The Origins of Totalitarianism. Cleveland and New York: Meridian Books. Eriti, p. 185jj.

[5] http://nihilist.fm/alt-lefti-tous-impotentne-raev-ja-trumpi-voit/

[6] https://www.truthdig.com/articles/chris-hedges-debates-the-black-bloc/ [7]Vt nt: http://www.instituteofopinion.com/2014/01/17/we-need-to-talk-about-churchill/

[8] https://arvamus.postimees.ee/4280769/mart-raudsaar-hundid-nailonnahas [9] Vrd. https://twitter.com/h_ups/status/921088155952009218 

[crazyfox-archives]

“Kannonji in Ōmi Province, Number 32 of the Saikoku Pilgrimage Route” from the series “The Miracles of Kannon” (観音霊験記 Kannon Reigenki) by Utagawa Kunisada I (歌川国貞), 1859: depicting the layout of Kannonshōji Temple (観音正寺) in present-day Ōmihachiman, Shiga Prefecture above, below a scene from the tale wherein the regent Shōtoku Taishi (聖徳太子) is urged to establish the temple by a merman hoping to expiate the negative karma he accrued in a former life as a fisherman

[crazyfox-archives]

“Murasaki Shikibu’s Pilgrimage at Ishiyamadera” (紫式部石山詣図) by Tosa Mitsumoto (土佐光元), 1560

Color on paper from the collection of the Archives and Mausolea Department of the Imperial Household Agency (宮内庁書陵部)

Image from “Waka and Things, Waka as Things” by Edward Kamens, Yale University Press, 2017, color plate 7