#on the 'icons' and wondering why the icons won't open. Set the text on their computer backwards. Basically... be a nuisance.

[radioconstructed]

⌖ Think I’m GOOD ENOUGH with a COMPUTER to get into SOMEONE ELSE’S? FIND OUT ON MY ALT STATION!

[windvexer]

just scrolled through some of your account after serpentandthreads recommended you! cant say i was disappointed, i thoroughly enjoy the detailed nature of your posts. i do also have a few questions, but none are innately related to witchcraft, moreso you as a more experienced tumblr user. if you dont feel comfortable answering any of these, i totally understand!

1) when someone reblogs one of your posts and adds their own tags, can you see the added tags similarly to how you're notified when someone adds onto your post?

2) for the "submit a post" feature, how do you feel about this? should we not use it in general, or if we can- should we recommend others' posts to you, or our own for your opinion? (if you are willing to give it of course)

3) do you have any other accounts you recommend? i'm looking to build my following list so i can actually refresh my dashboard lol. no preference as to subjects, but im mainly looking for informative blogs vice casual blogs.

if you have taken the time to read and/or answer any of this, i greatly appreciate it. if you dont- its totally understandable! regardless, i hope you have a wonderful day/night !! (sorry if my message is difficult to read, i'm shit at writing lmfao)

Depending on your notification settings, yes, you will be alerted of tags. On desktop you can see tags in two places: the quick-view drop down bar (that looks like the lightning bolt), and your activity page (click on the head-and-shoulders icon, then select "Activity," which is between Followers and Drafts).

In notes, tags added to your posts will be slightly gray and always include the #. Regular content added to a reblog will be solid, not-faded text and won't include the #.

Post submission is uncommonly used and mainly seen in community-aggregate type accounts, for example if someone was maintaining a candle spell blog and people submit posts to it. Even so, Asks seem to be more commonly used.

Generally, if you want someone to check out content, on Tumblr you might post a link and @ them, like "hey this seems interesting, any thoughts?", or send an Ask inquiring as to if a person wants to review certain content.

On average however I say sending content to people is only common between people who already have some level of relationship (they reblog each other's posts, engage in the same social circles, etc).

I myself enjoy discussing ideas, but I don't think I'd want to engage in publicly "reviewing" the posts of others, especially if they're made by a third party who didn't ask to have their posts reviewed. I think I would be more comfortable having ideas sent through Asks as more of a regular discussion.

A great way to develop community discussion on ideas is to make your own posts, stating the ideas that you're interested in talking about, and asking specific open-ended questions, such as, "does anyone have thoughts on the structure of this ritual?" or "I'm trying to understand X, are there any thoughts as to why it's included in this?"

At this time I've got to get rolling on my day so unfortunately no account recs.

[theadventurerslog]

Sam & Max Hit the Road | Part 1

The Adventurer’s Log

Release Date: 1993

I wanted to get on some LucasArts games here, and because making decisions is hard I put the games I currently have in my backlog to the vote and Sam & Max won, so here we go. I am familiar with the series; I've read some of the comic years ago, although I don't remember much, and I've watched the TellTale games. This game, however, is completely new to me.

There shall be chaos. There shall also be me getting stuck because early '90s LucasArts adventure game. I remember my first times with Monkey Island and Grim Fandango (remastered in Grim Fandango's case, but still applies). The Steam copy did come with the manual and hint book, so that hint book may or may not get some use. It depends on how stubborn I'm feeling.

While I got the game off Steam, I'm running it through my instance of ScummVM, rather than what it came with, so all my settings are in place. Theoretically. I still mucked up the graphics settings and wound up with things way too smoothed out and smeary because of it. So there is going to be a graphical shift from the first few images to the rest of them. Sorry about that.

Also, it's voice acted! Which I knew before playing, but not before the game was decided on. I only found out from checking on some other stuff. It's taking me a bit of getting used to because I'm used to their TellTale game voices, but it's settling in pretty well already.

Anyway, let's get this show on the road. Opening with:

this guy mad at a woman for not wanting to go out with him and who can blame her with that attitude. In a mad scientist sort of lab. And going directly to threats.

Yeah, he's a real charmer.

But Sam and Max, Freelance Police, and their Desoto to the rescue! And for me, the very rare time of me remembering what model a car is.

They had some back and forth before Sam sicced Max on the guy while he poked at the woman's ropes and didn't appear to make any progress while the fight went on.

Max came up victorious. But it turned out the guy was a robot all along.

And worse, the head was actually a time bomb! So they skedaddle with it leaving the woman still tied up, though she pretty unfazed by it and said she would never forget them--or maybe that was a threat...

Then a credits sequence, a 'pleasantly understated' one according to Sam, before the game fully starts in their office. And they remember they still have that ticking time bomb and wonder what to do with it.

Max with the solution: just chuck it out the window. Which they do. Problem solved. A bus may or may not have been hit.

And Max is a prime example of why I needed to get my graphics sorted: he's practically lost an eye! And I don't know what's going on with this mouth.

Anyway, then the phone went off with the next mission from the Commissioner!

"Due to the arbitrarily sensitive nature of the mission", according to Sam, they have to meet a bonded city courier out on the street.

But first I had to poke around the office and learn the UI.

In the bottom left corner is a box which acts as inventory and verb selection. However there is a more efficient way to use verbs and that's cycling through them with a right click. The verbs are: Look at, Pick up, Talk to, Use and Walk. Each one has two icons: the base action and an alternate that tells you the action won't work.

I didn't have any inventory yet aside from Max himself because you can use him like an item.

I also talked to Max and learned the conversation system. Rather than text options you get icons that mean different things, so what will actually be said is a surprise.

From left to right:

Question Mark - Question Exclamation Mark - Declaration Rubber Duck - Non-sequitur Paw wave - Stop Then the next four slots are situational, so here I can ask Max something related to himself.

There were some things to toy with in the office but nothing to get, so I popped out and found another office next to theirs: Flint Papers, a private detective. There was a fight going on and some thug got thrown out. A little conversation around him but otherwise carry on. Just another day. We had a courier to meet.

The street outside is pretty rough. Just ignoring Max poking at the blood. Or, hey, maybe it's tomato juice. Who can really say?

And that's one messed up cat, who turned out to be the courier. Unfortunately, due the secrecy of the Commissioner's orders, he swallowed the message and had a hard time coughing it up. I looked around the area to find Bosco's store (I know that name from the other games!), but there wasn't anything I could do with it, and a place labelled Bad Food, but I couldn't get to it. I did briefly consider getting bad food to get the courier to, um, vomit up the message, but thankfully that wasn't the answer. I tried using the car which took me out to the map where there were some other locations, but I figured, it's the start of the game; my solution is going to be on that street and I have zero reason to leave. So back I went and realized I could use Max on him. So, Max got right in there and got it out. Courier cat seemed fine, but blech.

The Commissioner's orders were to investigate some trouble at the carnival, so it was back to the Desoto for real this time!

Onward to the carnival were I ran into two men leaving. It seemed they were looking for someone and they had no time for my pair. And I don't trust 'em anyway.

A fire-eater wouldn't let me enter anywhere until proving I was here for a reason; the Commissioner's orders sufficed. Then I went into the Hall of Oddities where I met Shep Kushman and his conjoined(?) brother Burl.

(Burl's voiced by Danny Delk! I encounter him once again. I'm up to three known times with Murray from Monkey Island, King Otar from King's Quest VII and now here. I forgot! The Special Editions of Monkey Island 1 and 2 too. Just my little yay moment. Back to business.)

I learned from the brothers that their main attraction, Bruno the Bigfoot who had been on ice escaped. And that's not at all. He also kidnapped their second main attraction, Trixie the giraffe-necked girl from Scranton.

I also found out the pair I ran into were the internationally renowned recording star, Conroy Bumpus, and his assistant Lee-Harvey. Bumpus is apparently an insane country-western singer, or maybe insane because of the country-western singing, or because he wanted to buy Bruno and Trixie from them. Or all of the above really. He wasn't happy to find out they were gone. So... interesting to keep in mind.

It was time to look around the carnival for some information starting with scooping some left over Bigfoot hair off the floor. I also found, and of course took, a jar with Jesse James' severed hand as you do. Then I found Trixie's trailer, but it was locked and it didn't seem like there was anything I could do there. Right nearby though was a mini-game, Wak-A-Rat!

I played it and won a battery-less lightless (I misremembered) flashlight.

I also found a Lost and Found tent that was apparently run by someone very grotesque and I couldn't see inside when entering, just got dialogue.

I carried on to find the Cone of Tragedy which is a ride surely everyone would want to partake in. Of course I sent the pair onto it.

What a swell time.

Asking the guy running it about Bruno gave me some info that there was a rumour that one of Bruno's buddies hangs out in there.

So I did find the Tunnel of Love... But when I checked my inventory I discovered everything was gone. I didn't want to keep going without any of my stuff so I went to the Lost and Found tent but I needed a claim ticket, so it was back to the Cone of Tragedy, where I figured my stuff was lost after all that whirling, where I was able to get a ticket. I got all my stuff back plus extra! I got a magnet with a fish on one side of which read "World of Fish". That actually opened a new location on the map--World of Fish, naturally.

And then I left the carnival. Yeah, I, uh, managed to already completely forget to go back to the Tunnel of Love. Easily distracted? A little brain-fried? Just that excited by fish? (never).

Before I went to check out World of Fish, there were three burger spots that all turned out to be gas station/convenience stores, Snuckey's. They each have a different mascot outside and their clerks have slightly different appearance details like a mustache or glasses; otherwise they're all identical. Oh, I think the guy eating ice cream at the counter has a different colour shirt from store to store too. I notice these details, but forbid I remember going back to the Tunnel of Love.

I found out the mystery of those horse rides. "This is what they do to merry-go-round horses who won't stay with the pack". A mystery of life I didn't know I needed solved. I also scooped up an empty paper cup. One man's trash is another dog's treasure or something.

I learned the clerks are all trained at Snuckey's U. One skill of use to us was the ability to open any jar and I was able to get him to open the jar with Jesse James' severed hand. Now why I want that freed is beyond me, but if the option's there, take it! Max also needed the bathroom and was given a key and left and everything. I feel like there may be something to do in that window of time, but I have no idea what what this time.

I also tried grabbing a few things and walking out... The clerk caught me and I had to put it all back. Add money to the list of needed things. Or some way to do without. I genuinely don't know whether to expect to find money, or find out some way to commit theft.

After touring the stores I went to the World of Fish.

I got some fish here, but I also saw some fish stolen by a whole helicopter.

Just scooped 'em right up.

I talked to the fisherman, who's actually allergic to fish, but a job's a job I guess and it's not being made any easier by the pilfering helicopter. Turns out it's been taking them to the Ball of Twine Diner in Central Dis, Minnesota. That opened the location on my map.

Giant Ball of Twine time! There are some giant balls of twine in the US, aren't there? I mean, not like giant diner sized balls, but big.

Twiney. Giant even.

Fish thief!!

I took a cable car up to the top of the restaurant. There was a scene showing a dangling thread and they comment about wanting to pull it. I don't know how to go about doing that yet, nor do I know how to get to the chef if it's even possible. Twine pulling would be good, but for now I entered .

There was a guy bending metal tools. I had him bend one for me because more inventory is always good. I also offered Max.

"He already looks pretty twisted." Well, he's not wrong.

There were also some loose electrical wires. I was able to connect them to a set of viewing binoculars so I could control their direction and speed. I didn't see anything of particular interest, so maybe something for later or maybe just something for touristy fun!

I didn't find anything more to do inside so I went back out and called it there.

I'll do one last sweep of this twine ball area. Given they comment on it, I'll definitely have to pull that loose thread. My current theory is that pulling it will wreck the whole thing which would certainly put a stop to the fish theft. And with this pair? In a comedic adventure game? Wanton chaos and destruction to solve the problem seems entirely likely.

I was going to go on about how if I couldn't do anything more with the twine ball restaurant I would try going back home and then to the carnival, except while double checking an earlier detail, I was reminded that I completely forgot to ever go back to the Tunnel of Love to actually explore it. So that will be my next step. See, I remembered eventually.

Also, I had thought I got a screencap of the map early on, but I never did! So here it is in its current state.

--

Time: 1:05

[incorrectchoniberonicaswangs]

hey baby won't you look my way (i can be your new addiction)

Chapter 3: ...no these are fuCKING SEXTS

ao3

Chapter Summary: There's a substitute teacher, Cheryl and Toni have a plan, and Betty is a "good fucking person."

Monday, 7:17 AM

gays united

hbicheryl: good morning gays

wannabett: CHERYL

hbicheryl: good morning gays, cousin betty

hbicheryl: happy?

wannabett: yes

hisshissmotherfucker: why the fuck are you texting us at this ungodly hour

hisshissmotherfucker: go back to sleep

nopeaz: school starts in less than an hour dipshit

hisshissmotherfucker: whatever

veroffica: cheryl, you're in a way better mood than normal. what happened?

hbicheryl: im offended! cant i just be in a good mood because i feel like it?

wannabett: no

hbicheryl: fine

hbicheryl: the history teacher is sick so we have a substitute

hisshissmotherfucker: FUCK YES

wannabett: im confused why is this a good thing??

spillthefogarTEA: oh betty

spillthefogarTEA: poor, sweet betty

nopeaz: substitutes are naive and cant control the class

nopeaz: so we can do whatever we want

wannabett: im not sure thats the best idea

spillthefogarTEA: choni and i have history first period with you, cooper

spillthefogarTEA: we'll show you what we mean

8:16 AM

hbicheryl + nopeaz

hbicheryl: this is even better than i thought

nopeaz: he looks so timid

hbicheryl: this is going to be so much fun

hbicheryl: lets begin phase one

8:19 AM

gays united

wannabett: is this cheryl and tonis master plan? to text out in the open?

jugheadalones: theyre cheryl and toni

wannabett: meaning??

jugheadalones: im sure theres more to it than that

goingtoheller: ^^tru

wannabett: i guess ill just have to wait and see

8:23 AM

gays united

wannabett: okay the sub is asking cheryl and toni to get off their phones

wannabett: theyre ignoring him ofc

wannabett: asdJFDJJSSSKKDXM

hisshissmotherfucker: WHAT HAPPENED

spillthefogarTEA: HE GRABBED TONIS PHONE RIGHT OUT OF HER HANDS SHE LOOKS SO FUCKING STARTLED

goingtoheller: LMAO

spillthefogarTEA: OH SHIT NOW HES READING CHONIS TEXTS FROM TONIS PHONE

wannabett: ...no these are fuCKING SEXTS

veroffica: I'M WHEEZING

hisshissmotherfucker: WHAT DO THE TEXTS SAY

spillthefogarTEA: "maybe after this we can sneak in a quickie between classes"

spillthefogarTEA: "i could finger you up against the bathroom wall"

spillthefogarTEA: "or i could eat you out in the storage closet"

spillthefogarTEA: "of course... youd have to be quiet"

spillthefogarTEA: "do you think you can do that? can you be a good girl for me?"

wannabett: cheryl is as red as her hair

wannabett: toni looks like she wishes the earth would swallow her whole

goingtoheller: I'M DEAD.

veroffica: THIS IS THE BEST THING I'VE EVER HEARD

hbicheryl: GUYS STOP LAUGHING THIS ISNT FUNNY

goingtoheller: no, this is definitely funny.

hisshissmotherfucker: wait were the texts from toni or cheryl??

wannabett: he didnt say

goingtoheller: ooh, any theories? i'm still on team vers. cheryl, can you confirm anything?

hbicheryl: SHUT THE FUCK UP THIS IS SO EMBARRASSING

veroffica: i should hope so!

jugheadalones: ...i did NOT need to know this much about chonis sex life

wannabett: i guess the sub isnt as incompetent as you thought

spillthefogarTEA: lmao sucks to be you guys

spillthefogarTEA: oh shit i think hes looking at the notifications

spillthefogarTEA: "spill the... fogarty!" yep im done for youre all invited to my funeral except for choni bc they got us into this mess

wannabett: fangs' phones has been confiscated as well as cheryls in case you were wondering

wannabett: haha thats karma i guess

wannabett: fuck now he wants mine too why me??

veroffica: ...guys?

goingtoheller: that was the most exciting thing that i've witnessed secondhand in a WHILE.

hisshissmotherfucker: i hope nothing bad happened to fangs

hisshissmotherfucker: or toni or cheryl or betty

jugheadalones: i wonder whats going on there right now

veroffica: well, i don't have any classes with any of them for a while, so i won't be able to know what happened until they get their phones back.

hisshissmotherfucker: ^^

jugheadalones: ^^

goingtoheller: ^^

12:03 PM

gays united

hbicheryl: WE FINALLY GOT OUR PHONES BACK

hbicheryl: I CAN PRACTICALLY TASTE THE FREEDOM

nopeaz: now i just have to go live in a cave for a few years until everyone forgets about that debacle

spillthefogarTEA: thats not going to happen any time soon

goingtoheller: fangs is right, that was iconic.

veroffica: you two will never live that down.

jugheadalones: half of riverdale high is already speculating as to which one of you two sent the texts and which one of you received the texts

hisshissmotherfucker: cheryl, toni, care to make a statement?

hbicheryl: no

nopeaz: fuck off

goingtoheller: well, at least they seem to be on the same page.

wannabett: can we talk about whats REALLY important now??

jugheadalones: and what would that be?

wannabett: ALL FOUR OF US GOT DETENTION!!

veroffica: can the substitute even do that?

spillthefogarTEA: yeah, he wrote us all up for "repeatedly disobeying a clear set of instructions"

nopeaz: at least its only for today

wannabett: ive never gotten detention before! how the hell am i going to explain this to my mom??

hbicheryl: lmao cant relate

wannabett: im a good fucking person i dont deserve this

12:39 PM

gays united

hisshissmotherfucker: wait cheryl and toni what was your master plan?

hbicheryl: oh we were just going to sext for a while and then make out in the back of the classroom

veroffica: ...that was a letdown.

goingtoheller: yeah, i expected better.

nopeaz: we were horny when we came up with that plan okay

jugheadalones: now THAT makes more sense

spillthefogarTEA: tbh im still kinda disappointed tho

1:22 PM

gays united

wannabett: SHIT

veroffica: what's wrong, betts?

wannabett: i think the school told my mom about the detention :(

goingtoheller: what makes you think that?

wannabett: shes called me four times today already

wannabett: ive been ignoring her but knowing my mom she'll probably just show up here to talk to me

jugheadalones: she wouldnt do that

wannabett: you underestimate her

veroffica: b is right. her mom is just crazy enough to do that.

1:40 PM

gays united

wannabett: huh i wonder why the secretary is calling me to the office

wannabett: it couldnt be my mom, could it??

wannabett: who wants to bet against me?

goingtoheller: a, congrats on finally living up to your screen name!

goingtoheller: b, there is no way that i'm going to be stupid enough to take you up on that.

jugheadalones: i'll bite.

jugheadalones: 20 bucks it isnt her

wannabett: youre on jug

wannabett: be prepared to lose $20

1:55 PM

gays united

wannabett: angry-mama-cooper.jpeg

wannabett: fork over the money jones

jugheadalones: ...fuck

jugheadalones: this is what i get for believing that alice cooper wouldnt be that petty??

hbicheryl: no this is what you get for being a fool

wannabett: same thing

spillthefogarTEA: okay im sure that im going to regret asking this, but what did mrs cooper want that took fifteen minutes to talk about?

wannabett: the usual

wannabett: "youre disappointing your family, you need to do better, you dont want to end up like polly," etc.

veroffica: i'm sorry, b. :(

wannabett: it isnt your fault v

veroffica: i know, but your mom clearly isn't sorry for the crazy expectations she puts on you because polly didn’t turn out the way she wanted, so somebody has to be. and i want that somebody to be me.

wannabett: you really think so?

veroffica: i know so.

spillthefogarTEA: thats so sweet

hbicheryl: and REALLY gay

spillthefogarTEA: ofc

veroffica: *bi, and betty and i are just best friends.

wannabett: ^^^

spillthefogarTEA: sweets and i are best friends and if i had said something like that to him yall wouldnt think that we were just being friends

wannabett: thats bc you and sweet pea are super gay for each other

hisshissmotherfucker: false

spillthefogarTEA: ...you dont think that im hot? :(

hisshissmotherfucker: no i think that youre the hottest person in the whole damn universe

hisshissmotherfucker: but that doesnt mean that im in love with you

hbicheryl: babe do you see this shit??

nopeaz: i see it all right

hbicheryl: im so glad that we arent like that

nopeaz: me too :)

hbicheryl: i love you toni

nopeaz: i love you too cher

veroffica: awww, that was adorable.

veroffica: but also: what will it take to convince all of you that betty and i are telling the truth??

goingtoheller: nothing, ever. you are both so clearly whipped it isn't even funny.

jugheadalones: like cheryl and toni levels of whipped

hbicheryl: except you two arent even dating!!

nopeaz: the same goes for sweets and fangs too

hisshissmotherfucker: whatever

spillthefogarTEA: ^^^

wannabett: ^^^

veroffica: ^^^

jugheadalones: why do i even try anymore

2:29 PM

gays united

hbicheryl: well its time to go into the hellish pit the school calls detention

wannabett: i wonder if theyll make us do manual labor

spillthefogarTEA: sweet pea practically lived in detention at southside high, ask him

hisshissmotherfucker: thats true

hisshissmotherfucker: and yes sometimes they do make you do some janitorial work around the school

hbicheryl: oh my fucking god im going to die

jugheadalones: stop being so extra cheryl

goingtoheller: no never stop being extra cheryl it is the best part of this chat

hbicheryl: for your information hobo i will never ever stop being dramatic and if you say that again i will fight you

hbicheryl: and dont worry keller i wont change

nopeaz: thats my girl!!

hisshissmotherfucker: as i was saying

hisshissmotherfucker: youll probably just sit in a room and do your homework

hbicheryl: thats even worse

2:34 PM

gays united

hbicheryl: THEY WANT TO TAKE OUR PHONES

hbicheryl: WHY DIDNT YOU TELL US ABOUT THIS SWEET PEA

hisshissmotherfucker: i thought it would be a nice surprise

nopeaz: screw you

hbicheryl: IF I NEVER GET OUT OF HERE TELL MY MOTHER THAT SHES AN AWFUL BITCH AND THAT I HATE HER

veroffica: sure thing, blossom.

3:00 PM

gays united

hbicheryl: MY PHONE IS BACK I LOVE IT SO MUCH THIS SCHOOL IS SHIT AND DETENTION FUCKING SUCKS

goingtoheller: that's a lot of moods.

jugheadalones: ^^

veroffica: "that's a lot of moods" is just cheryl's personality in a nutshell.

wannabett: tru

hisshissmotherfucker: tru

nopeaz: tru

hbicheryl: tru

Notes: Writing choni's sexts was the best part of this chapter, honestly. Also, I noticed that I refer to Cheryl and Toni as 'choni' an awful lot, which probably has direct correlation to my laziness. I know that this chapter has a lot less to do with the overlying plot, and that's because I'm trying something different. Tell me if you like it this way or if you want me to go back to more plot-heavy chapters.

[caranfindel]

Recap/review 14.06: “Optimism”

THEN: Starts out pretty ominous, with clock-ticky music, Jack's grace getting sucked out, "this is the end of everything," and Jack considering himself useless. We're reminded that New Charlie exists (aw, Dean looked so pretty in AU Land) and Jack has "the mind of a hunter." Michael hurting people and Dean feels guilty (aw, Sam's Beard of Despair, how I miss you). Sounds like we're in for a real downer of an episode, friends.

NOW: Nebraska. Happy music. A cheerful librarian opens up shop, and she's cute as can be but I wore that blouse in the 80s and it needs to stay there (JUST SAY NO TO THE RUFFLED YOKE, LADIES). Her name is Harper, and she has a kind-of-date with a guy named Winston tonight, though she is clearly Not Into You, Winston. An (apparent) coworker named Miles hears her "scream" and comes to her aid, brandishing a stapler, and is reminded that he needs to mind his own business. Winston leaves, clearly walking on air, and then STAYIN' ALIVE STARTS PLAYING and we focus on Winston's feet just like the iconic opening scene of Saturday Night Fever (if you're too young to remember, watch this, IT'S IMPORTANT CULTURAL KNOWLEDGE and there WILL BE A QUIZ LATER) and y'all don't even know how much I love this song. YOU DON'T KNOW. I can't help it. My mom was a huge Bee Gees fan, partially because she was very into Barry Gibb.

Coincidence?

What can I say? I am my mother's child.

Now, where were we?

(Pretty much where we always are, so could you please just move this along?)

Sorry for the digression. Anyway. Now I suspect this isn't going to be a downer episode after all. (Turns out it was directed by Richard Speight, which would have been a clue if I'd known that earlier, bless him.) While I've been digressing, Winston has happily bopped down the street, only to have a hand cover his mouth and drag him off-screen. There's a record scratch and a squirt of dark goo and a scream, so I guess it did turn out to be a downer for Winston, but not for me.

Title card!

{Sidebar: I didn't realize Saturday Night Fever was directed by John Badham, who went on to direct several episodes of Supernatural.}

Jack's drinking coffee in the bunker. He takes a sip and then pours a huge amount of sugar into it, which immediately makes me think of this scene from The Fly when Jeff Goldblum, who does not yet realize that he is turning into a fly, does the same thing.

(Spoiler alert: Ahem.)

Dean walks in and asks what he's doing, and Jack explains that everything tastes different without his powers, and he can't get the coffee to taste the way he likes it. That's because coffee is nasty, Jack. (And also, thanks to the Continuity Fairy for remembering that food tasted different to Cas when he didn't have grace.) Dean asks if Jack has seen Sam, because that's what Dean does; he probably walked in the door and felt a disturbance in the Force and realized he didn't know where Sam was. From Jack, we learn that (1) Dean went on an overnight run to Mobby's love shack cabin and (b) Sam went on a hunt with Charlie without telling Dean. Is Dean okay with this? Are we gonna okay with this? Couldn't he have at least sent a text message? He's supposed to be setting an example!

"Explain to me again how you just let Sam LEAVE."

I guess Sam had to go himself, rather than send someone else, because this is one of those times when there's no random hunters in the bunker. (And where's Rowena? Did Charlie abandon her in the Southwest? Did they have a fight?) Jack imagines Sam and Charlie are doing something "really exciting."

Cut to Sam and Charlie sitting quietly in a truck outside Memphis, bored out of their minds. Hee! It's the kind of crappy old truck I always want Sam to drive, so I love it. They're staring at a bus stop with an ad for Pete the Pestinator, who seems to be an insect exterminator. (Spoiler alert: ahem again.) Sam confirms that "this is where all those people went missing," although if he's been sitting in that truck long enough to be bored, he really should have nailed that down by now. Charlie says "yep." More silent sitting.

Back to the bunker. Dean seems surprised that Sam left Jack there alone (where's Cas?) and Jack says "Sam wanted someone around when you came back. He's worried about you."

"Yeah, that sounds like him," Dean grumbles, and hello, kettle, the pot just called, and said you're black. Jack offers some encouragement, telling him no one blames him for Michael, and Dean says "Cool. Well, I blame me, so." His self-flagellation is interrupted by Jack's Cough of Great Concern. "Maybe I'm allergic to sitting around doing nothing," Jack snarks.

Dean sits down for a heart-to-heart, and Jack says he's been hunting with Cas and wants to do more. Dean says "No offense, Cas is an insurance policy on those hunts." Jack looks hurt. I don't understand this at all. Why wouldn't Jack already know that Cas is there to protect him? And why would this hurt his feelings? I'm so confused. But I immediately forget it, because Dean says "Sam's just trying to keep you safe, okay? He's a smart guy." AND THEN WE CUT TO THIS.

Bless you, Richard Speight, writer Steve Yockey, bless you both.

I literally did burst out laughing at Sam and his fidget spinner. Charlie is not amused, and Sam puts his toy away with some embarrassment.

Bunker. Jack's found a report on our dead friend Winston, who seemed to have human bitemarks taken out of his corpse. And others have gone missing in the area. We skip part of a conversation, but whatever it was, Dean says Sam won't like it. "Sam's not here," says Jack. Oh, no you don't, Jack. Don't you go ignoring the Chief's directives just because he's not here. Dean says he'll go check it out alone, but Jack suddenly remembers Sam's Law and reminds Dean about the Buddy System.

We can be hunting buddies!

Okay, uh, (a), don't call it that, and (b), YOU'RE gonna back ME up?

Oh, Dean. You didn't do the (1) and (b) thing that I love so much. Jack gets to be the one to bare a little bit of his soul now, telling Dean that he also feels guilty about Michael, because he could have killed him but he was "distracted and stupid." He doesn't want to sit around feeling guilty all day, he wants to hunt.

Looks like that was the right button to push, because we cut to Sam on the phone, clearly not a fan of the plan and telling Dean to be careful. I assume his reluctance is because he doesn't trust Jack to watch Dean's back. But Sam, if you can trust Maggie to hunt alone, you can trust Dean with a novice backup. (I know, I know, Dean is more important than Maggie.)

Sam asks again if Charlie is sure this is the right place, and she says it's where four people disappeared. And while she was scouting around, she found a mason jar full of goo. Is this the same goo we saw when Winston was killed? (Spoiler alert: no.) And now she's trying to figure out what they're hunting, so she's reading. I'd have done my reading before the stakeout, but that's just me. (I'd also have done some reading instead of sitting there glaring at Sam while he enjoyed his fidget spinner, but that's also just me.)

(I also might have thought of more interesting things to do while I was stuck in a car with Sam, but they would have interfered with the stakeout. And they aren't anything Charlie would have been interested in anyway.)

Cut to Dick's Red Rooster Diner (ha ha, I see you, Speight). According to Winston's obituary, he had breakfast here every morning. Jack agrees with me that it's an odd thing to put in an obituary, but Dean says that when someone dies young, you don't know what to put in those things. (Oh, think of 20-something Dean's obituary.) He introduces them to the waitress as Agents Berry and Charles, and the only thing I can think of is Chuck Berry, so if someone has a better idea, let me know. He asks for details about Winston, and the only detail she can provide is that he's dead. Jack dutifully writes that detail in his little notebook. (BLESS.)

This waitress is wonderfully snippy, knows her rights, and isn't the least bit interested in talking to these FBI agents, but when Dean hands her some cash she changes her mind. She says they should should be more interested in Harper, who Winston just started "courting," and Jack is confused.

What's courting?

It's what you do before you start dating.

Ah, and that's the thing you do before the sex.

Sometimes you just have the sex.

Okay, Dean's wrong, courting is what you do instead of dating, but this is still a wonderful exchange. And the next part is wonderful too, cutting between the waitress and some customers explaining that Harper was popular in high school, but her boyfriend ran off, and now all these men connected to her have died, and she's really into romance books, and ending on I've heard too much Dean and I'm confused Jack.

Love this.

Back at the stakeout, Sam's biting his nails, which I also love for some reason, and of course the only time we've ever seen him bite his nails was when he was worried about Dean. New Charlie picks right up on it. She tells him Dean will be fine, and comments that he's got other friends, right? Which I don't understand, because it doesn't matter what other friends he has, he's not hunting with them. He's hunting with Jack. "He used to have a pretty damn good wingman," Sam says, and I think no, Sam, what are you saying, he still has you. She says he should call "that guy" to check on him, and Sam says "that guy was you." Charlie gives him a look. "No, it wasn't." And she's right, Sam. SHE IS NOT YOUR CHARLIE. And also, was Charlie ever really Dean's wingman? I don't think so. Sam, of course. Cas, literal wingman. But not Charlie. Charlie was the little sister.

Sam apologizes, and then says "I'm just saying, I'm not surprised you survived the apocalypse." Which isn't what you were saying at all, Sam. Charlie is surprised she survived, because she was just a programmer at Richard Roman Enterprises (Dick Roman! I wonder what happened to your AU version), living with the love of her life, Cara. My heart skipped a beat because I was so ready, guys, for the love of Charlie's life to be Dr. Cara Roberts from Sex and Violence, but apparently not. {Sidebar fic prompt: Sam. Charlie. Dr. Cara. Three-way.) Charlie's Cara was a baker. Charlie tells a sad story about waiting for help that never came, and Cara eventually being killed by people, not angels. Society falls apart. (Or, as Dean once said, demons I get; people are crazy.) Sam insists society isn't falling apart here, and Charlie says "not yet."

Just like last week, we're getting some needed differentiation between the characters we lost and their AU counterparts, which I appreciate.

I also appreciate pretty, attentive, sympathetic Sam.

Diner. Dean calls Jack "Mighty Mouse," for some reason, and congratulations him on finding a case. He tries to teach him about the importance of pie, but Jack's more interested in courting. He's never been exposed to off-screen romance, unless Gabriel and Rowena counts (Dean assures him it doesn't, but how would Jack have been exposed to Gabriel/Rowena anyway, since it happened while he was in AU Land and Gabriel didn't make it back?) Dean promises he'll give him The Talk when they get back, but right now they need to concentrate on finding Harper. {Sidebar fic prompt: Dean's and Sam's versions of The Talk. Would Dean's be like Dean's speech from Rock and a Hard Place?} Jack speculates she might not be human, and Dean says they're going to find out, and it's going to work like a romance novel. Hmm!

Cut to the library, where Harper is working. Dean enters and identifies himself as FBI, with questions about Winston. She doesn't want to talk, and he pushes. Then Jack shows up, asking for a book about the area's history, and defends her against the big mean FBI guy. Dean says "why don't you back off, kid" and Jack responds "No, you back off, old man" and DEAN'S FACE. This was clearly NOT IN THE SCRIPT. I love it. Dean slinks off, dejected, to examine his gracefully-aging face in the rear-view mirror. {Sidebar: I honestly think Jensen is aging a lot better than Dean is. Dean looks tired a lot of the time, and I'd like to believe Show is doing that on purpose, but I don't think it's the case. Jensen always looks awesome.} Harper is delighted, and apparently smitten, judging by the music. Jack introduces himself as "Jack Smith" and she invites him to her apartment, where she has the perfect book.

Why does this library have those convenience store perp measurements at the door? Does it get robbed a lot? Also, how many episodes have signs in the background with the title of a different episode? Not very many, I'm guessing.

As they leave, Miles the Stapler Guy follows and asks where she's going. It must be close to closing time, because Harper says she'll come back and lock up. Miles, who's carrying a bag of trash, refuses to shake Jack's hand. As Jack and Harper go one way, he stomps off in the other direction. I'm suspicious, and so is Dean, who gets out of the car to follow him. As Miles puts the library's trash in an inappropriately small residential bin, he hears a noise. We then cut to Dean, who hears Miles scream but just keeps walking? But then a trash can is knocked over and that gets his attention. He finds Miles dead, and we get a monster POV shot watching him.

Stakeout. Charlie's still reading. Apparently she brought all the books. She says she hates hunting, which surprises Sam, because she's so good at it. She points out that she's good at it because the alternative was death. "I mean, no offense, but who wants to be a hunter? This job, just a lot of tears and death."

Sam says "you said something like that to me once, long ago, about hunting." He quickly apologizes for once again conflating her with Our Charlie. At first I was annoyed at him, but then I started thinking about how awful Our Charlie's death was for him, with the MoC, and the fear, and the worry, and the guilt, and his brother saying he should be the one on the funeral pyre instead, and you know what? I'm gonna cut him some slack for trying to forget all of that ever happened. A lot of slack, in fact.

Charlie casually drops that she's glad this is her last hunt. Did you give the Chief your two week's notice, Charlie? I DON'T THINK SO. She plans to get away from monsters and people, and "live on a mountaintop or something... as long as there's good wifi." I'm sure Sam can get you set up with his magical wifi, Charlie, if you stay on his good side.

Harper's apartment. She seems to be all about love, with a decorative "amore" sign in the kitchen and a big red heart hanging on the wall. She suddenly realizes it's weird that she brought him to her apartment, though she's thinking "putting the moves on you" weird and I'm thinking "inviting a potential serial killer into your home" weird. But maybe I listen to too much My Favorite Murder.

She leaves the room to get the book (odd that it's not on the stuffed bookshelves in her living room, but they're all full of romance novels). Jack asks why the FBI was "hassling" her, and she tells him about Winston's death as he surreptitiously puts a silver coin on the floor and splashes holy water all over his hands. A call comes from Dean, but he ignores it. When she comes back with the book, she notices the coin on the floor and picks it up. She touches his hand when she gives him the coin and notices that it's wet. I would have put the holy water on the coin, although a wet coin on the floor might be as weird as wet hands. He just laughs weirdly and then does a fake cough AND SAYS CHRISTO. SOMEONE FINALLY REMEMBERED CHRISTO. Oh, my heart. I've been waiting 13 years for this moment. She doesn't react to it, so she seems pretty human. He says he's nervous, so she sits on the couch and pats the seat next to her.

Stakeout. Charlie has found something in the books called a Musca. Sam already knows it's a man-fly hybrid (IT'S THE FLY; OUR MONSTER IS JEFF GOLDBLUM) and that no one's seen them, so if they do exist, they keep to themselves. She's impressed with his Sammy smarts. He says he's read all the books, but if he'd read this one, he'd know that every few hundred years a male Musca can't find a mate and he "abandons his community and starts using people's bodies to nest, binding them together with a viscous goo." Ew.

As they walk, in the background we see a figure approaching the two women who are sitting on the bus stop bench. It's clothed in black, carrying a black briefcase, and it has a giant head. At first I think it's literally a giant fly's head. But when Charlie notices it, we get a closer look, and it's a large black hood, like a beekeeper's outfit. It sits down and then casually scoots closer to the women, who scoot away, and it's hilarious.

Harper's apartment. She asks Jack where he's from, and he tells her he lives in Lebanon, Kansas. NO, JACK. DON'T TELL ANYONE WHERE YOU LIVE. Jack coughs some more and then notices a picture of Harper with her boyfriend, Vance. She says he left town after high school because he wanted to see the world, and Jack seems astonished that anyone would leave her. And that was when her bad luck started, but she tries to stay optimistic. "Me too," Jack says. "I had some not-so-great stuff happen in my past. Trying to be positive... it can be hard." Oh, Jack, sweetie. They gaze into each other's eyes and it looks like they're going to kiss. Jack's phone buzzes with a text from Dean that says CALL ME NOW.

Jack? Do you believe in love at first sight?

Do you... (music swells)... mind if I use the bathroom?

Ha!

Jack hides in the bathroom to call Dean. He tells him Harper isn't a monster, and he thinks she's in love with him. Although Dean's sure that's not the case, Jack says "but if she is, I need to know everything about sex. Go." Ha again! Dean tells him about Miles's death, which makes Jack wonder if she's cursed. Dean says it's more like all the guys around her are cursed. "Like me," Jack ponders, just before we get another monster POV shot and a strangled shout from Dean. The phone goes dead.

Jack comes back into the living room and Harper asks if he's okay and if he wants to go for coffee. Then the door bursts open and Dean comes in, and I wonder why she's freaking out until I remember that Dean is Bad FBI Guy to her. He quickly blocks the door and tell her they're here to save her from... whatever it is that's suddenly growling and banging on her door. "At first I thought it was a ghost," he says, "but then it punched me in the face." She's freaked out about a ghost, but Jack reassuringly (NOT!) tells her that he's saying it's NOT a ghost. Dean recognizes a photo and it turns out the monster is her old boyfriend Vance, who she didn't even realize was dead.

For some reason Dean isn't carrying a lot of weapons, but he has a silver knife and finds a silver letter opener on Harper's desk. Silver will slow it down, he tells them, but there's only one way to kill the undead boyfriend. Vance breaks the door down before we learn what that is. Dean starts fighting with the silver knife and tells Jack to get Harper out of there.

Stakeout. It's nighttime now. A lone man sits at the bus stop as Sam tries to convince Charlie that she can't drop out of society. She needs people, and also, it's hard to walk away from being a hunter. "I tried. Our Charlie tried." You know, for someone who did want out of hunting, and did try to get out of it, Sam spends a lot of time convincing others to do it, or at least enabling them. I mean, Dean was all "Patience, if you can live a normal life, do it," and Sam was all "well, Claire, if you're gonna hunt, I guess I should show you how to hack." Although that (and teaching Ghoul!Adam to shoot) was more about protecting someone determined/forced to be a hunter than recruiting. So maybe I don't know what I'm talking about. Anyway, if anyone recognized the futility of getting out of the life, it would be him.

Jeff Goldblum shows up again and sits by his next victim. Charlie wants to go for the kill, but Sam thinks they should wait for him to make his move, in case he's just into weird fashion. Look, Sam, if a guy likes wearing a black beekeeper's bonnet and sidling up to random strangers at bus stops, he deserves to be hunted, whether or not he's actually part bee. When the bus shows up, it blocks their view of the duo. When it leaves, the bench is empty. Which could mean they just got on the bus, but we see something disappearing behind the stop. Sam decides it's a go after all.

Let's stick with this story, rather than cutting back and forth between them like the show did.

Sam and Charlie find a door with a bunch of goo on the handle. Sam says Charlie found something in the books that theorized a brass nail dripped in sugar water would kill a musca. Because yes, of course sugar water, WHICH FLIES EAT, would kill a fly man. (Rolls my eyes at this otherwise delightful episode.) Charlie reminds him they have neither of those things. "So we get creative," Sam says. I'm expecting some kind of MacGuyvering involving a can of Coke, or Sam's sugary coffee. (Spoiler alert: I'm wrong.)

{Sidebar: Why are all the methods of killing monsters so weirdly specific? Chopping off the head should kill ANYTHING.}

They go through the door, which surprisingly leads them into an abandoned warehouse. It's full of flies (normal ones, not half-man flies) and smells like pine cleaner and rotting meat. Yum. Eventually Sam finds the briefcase, which is full of what looks like candy wrappers and also has a white cloth, which he sniffs to discover chloroform. Dude. Don't sniff the chloroform rag. Charlie finds the most recent victim, still alive, by a pile of bodies. Something grabs Charlie's hand. She pulls loose, but falls off a low platform (seriously, it's like two feet high) and... loses consciousness? Okay. Maybe he chloroformed her and I missed it. I'm old and decrepit and this would have barely bruised me. He must have chloroformed her.

Sam tries to wake her up, but is interrupted by the WORST MONSTER COSTUME EVER. Oh god, you guys, this fly man head is so bad. SO BAD.

{Sidebar: Did you know that you don't see much of the shark in Jaws because the model was so bad, Steven Spielberg decided he wanted to shoot it as little as possible? And it actually made the movie better because the unseen monster was so much scarier? Just saying, Speight.}

(Um, have you watched any movies that were made before 1980?)

Well, that was uncalled for.

Jeff Goldblum attacks Sam and gets goo on him, and if this were really a fly, wouldn't that goo be digesting him? Isn't that how flies eat? (Why yes, it is.) Charlie regains consciousness and stabs it with something, which gets it off Sam long enough for him to shoot it in the head. Creativity in action! So, I guess I got my wish. Interesting that, just like last week, the guys figured out that there are actions that will kill anything.

Aftermath! Charlie and Sam are driving, and Sam says he feels bad for the Musca, which could have been happy if it had stayed home with its people. Subtle, Sam. Charlie's all, yeah, okay, I'm like the bug, except not so much. As we see the Musca family coming to retrieve their brother's body, Sam asks Charlie not to leave. "If we help people, then maybe they'll help people, and all that, and that's worth it. Even with all the tears and death, it's worth it." Oh, Sammy. {sniff} She says she'll think about it.

Back to Jack and Harper. It was broad daylight when they got to her apartment, so I don't know why it's nighttime now. How long did he spend in the bathroom? No wonder she asked if he was okay. Cut to Dean gleefully fighting the zombie, who suddenly stops fighting and runs off.

Jack and Harper run to the library, where she struggles with the keys until Jack remembers she left without locking the door. They scurry inside and he locks it. As they hide behind the counter, they see Zombie Vance run by. Jack tells her not to worry, because he locked the door, and she asks if he flipped the switch under the lock? Obviously he didn't, and she goes to do it herself. As she stands, looking out the door, Vance shows up. She unlocks the door, which Jack obviously DID lock, and opens it. He hands her the history book - I guess Jack dropped it - and they kiss.

Um. whoops. Vance is actually still Harper's boyfriend. And he has to eat human flesh. Like, Jack's, for example. Vance lunges for Jack, who hides in the stacks as Harper gives him the villain dialogue over the library's PA system. She likes Jack, but he's obviously a hunter, and she comes from a long line of necromancers, so it would never work out between them. She killed Vance to keep him from leaving after high school, and killing every other guy in her sights is just a fun little romantic roleplay for them. We get a little scare when a hand appears on Jack's shoulder (been a lot of that going around lately), but it's Dean. He tells Jack they have to get Vance back into his grave and then drive a stake into his heart to keep him there. And they're going to convince him using another romance novel method.

Jack tells her he wants to do things Vance can't do - walk her down the aisle, raise a family. This draws Vance out, who lunges at him but finds himself facing Dean. Vance gets Dean against a wall, and Harper calls out to him. Dean thinks she's going to call him off, but she says "Baby, kill him!" and Dean's "huh" look is precious to me. Instead, Dean slaps a handcuff on his arm and cuffs him to a pole or something. Jack cuffs his other arm to a library cart, I think, which is mobile and therefore defeats the purpose of cuffing, but good try, Jack. The cuffs burn Vance, so they're silver or enchanted or something. Seems like a successful hunt, but when the guys look up, the door is open and Harper is gone.

Later we see Harper and her suitcase at a cafe, writing a letter to Jack. So she had time to go home and pack a suitcase, and Dean and Jack didn't go to her apartment and look for her? Guys. Come on. She's sorry she's going to have to kill Jack, but it means she can bring him back to life and they'll be together forever. See you soon, she writes, sealing the envelope addressed to Jack Smith, c/o the Lebanon, Kansas post office. I TOLD YOU NOT TO LET HER KNOW WHERE YOU LIVE, JACK. Is Harper going to be a Big Bad this season? Or maybe a Little Bad? I wouldn't mind seeing her again. She's a charming little villain.

Finally, Jack's drinking coffee again, probably with a lot of sugar, in the bunker. This scene, with them facing each other, is a nice callback to the beginning of the episode. Dean tells Jack he did good, and Jack pushes for more hunts, because he was right. It's not about being right, Dean tells him, it's about what you do after you're wrong, after you've made a mistake. And about not beating yourself up, Jack points out. Dean tells him he's pretty smart, and Jack smiles and coughs and Dean promises to talk about getting him on more hunts when Sam gets back (BECAUSE SAM IS THE ONE TO ASK, YOU BETTER BELIEVE IT) and Jack lies about being fine and then coughs some more and shows Dean his bloody palm and collapses on the floor with blood oozing from his mouth and nose and WELL. THAT ESCALATED QUICKLY.

And the episode ends, without Sam and Dean sharing a single scene. Has that happened before? It's unsettling. I like the ep, though. I liked the relationship focus - Sam bonding with New Charlie, Dean bonding with Jack. I liked the humor. I liked that Sam wasn't ignored, even though the brothers had separate storylines. I liked the continuation of things that have been happening this season, the gentle reminder (but not constant siren) of Dean's guilty feelings and Sam's leadership and Jack's issues. And, of course, CHRISTO!

And there was one weird thing I noticed on first watch, but it didn't jump out at me on rewatch so I don't remember when it happened... Dean said "Son of a B." This is the second episode where they said something weird instead of bitch. What's going on there? Is Dean never going to say "son of a bitch" again? Because that's not good.

What did you guys think? And please help me stay unspoiled; thanks!