#one day i’ll do a fan art piece that isn’t so garbage lol

[aceatoerbny]

mean nicknames are a love language, right?

[jimlingss]

pt.2 of yesterday

I don’t want to flood people’s dashes, so hopefully answering your messages here will suffice!

anonymous asked: Hi! I wanted to tell you how much I love your work and how you make me enjoy every Monday thanks to your regular updates ! I saw a previous anon telling you how your writings lacks of emotion and I totally disagree with them... obviously everybody won’t like it but your stories just DON’T lack of love or emotion this is madness I want to thank you for publishing your amazing stories freely here for everyone to read. (Sorry if my English is weird I’m french ejfjekfjd)

“this is madness” LOL

You’re hilarious, anon. And your english is perfectly fine!!!

anonymous asked: Hello! Im the culinary student anon who sent you an ask a while ago and i saw you received an ask about the lack of emotion from your stories. I read kitchen romance and i actually really really like it and don’t quite understand how it lacks in emotions as I interpreted the stories more like the beginning of the oc and jin’s love story and they are only starting to open up to each other so i guess thats why anon might feel like it lacks romantic vibe from both of the characters. (1)

Anonymous said: Just want to tell you that you’re one of the best writer and ive been following you for 2/3 years now, you never failed to amaze me with your writings!! All your stories are so well written that i sometimes wonder how do you come up with such an amazing plot every single time and your stories are always nice to re-read and the effort you pour into creating your stories is also admirable (2)

while i was reading kitchen romance and ive only started s&c (currently on chapter 4) i can say that its pretty similar with how it is irl (and the part where we find out jk is an iu fans reminded me of my ex-crush whose also a culinary student, i would like to tell you a story about it but ill just waste your time lol) , just want to send you a few encouragement and love for you and your writings *sending virtual hugs* (3) -👩🏻‍🍳anon

You’re too kind, thank you (and also, welcome back!). I’ll be frank, there was a hot second I was considering taking down Kitchen Romance but I didn’t cause I don’t want my efforts of editing it to go to waste asdfghjkl. I can’t believe you’ve been sticking around me for so long :’) it’s always nice to know some folks stay. Anyway, I’m glad that Sugar and Coffee is pretty similar to how it works irl since I tried my best to do research. I definitely love a good storytime as well so don’t worry about wasting my time :>

Anonymous said: a good majority of your fics display an unfathomable amount of DEPTH. regarding character development. plot. even the shortest lines of dialogue reveal so much more to the character and unveil their true emotions. i personally think the more REALISTIC side of love may be perceived as 'bland.' ‘emotionless.’ whatever you want to call it. nothing’s wrong with portraying a relationship that isn’t overboard with a whole lot of tooth aching fluff or lowkey annoying pda. +1

Anonymous said: there’s nothing wrong with taking out a bit of emotion to fit the PERSONALITIES of the characters. some people out there don’t necessarily feel a lot of emotions. so it’s honestly not really a mistake if a story lacks it (unless it was unintentional). subtlety is an art that is hard to master, but you’ve done it! and to respond to the anon, sometimes, if you skim through a fic without reading every word the author intended for you to read, +2

Anonymous said: then it’s quite common to not feel the full extent of the emotions you were supposed to feel. just a thought but no hate. we’re all entitled to our opinions. but besides that, kina, you write on a vast scale ranging from hardcore angst to diabetes-inducing fluff. and you do it beautifully. sure there are some stories that are better than others, but i believe a LOT of it comes down to personal preference and taste. +3

Anonymous said: even if you are feeling creatively limited, you work hard to continue writing for your readers, and your determination and diligence wILL NOT GO UNNOTICED. i just want you to know that you write amazingly. your syntax is practically immaculate, your characters feel real… the endings of your stories always wrap something up and the strings are tied—even if it isn’t necessarily a happy ending. you can convey hundreds of different characters through WORDS. +4

Anonymous said: i’ll have you know that it’s hard to write. it’s even harder to write about people who aren’t YOU. so as someone who looks up to you a lot, i want to commend you for your writing. some of your fics that i read on a monthly basis: tears of a villain, a piece of the moonlight, head over heels to hell, ghost in the machine, a mark of betrayal, a kiss of poison, until yesterday, the truth between us and arcadia. +5

Anonymous said: to be fair, there were way more fics but i didn’t want to make this message any longer than it already is LOL. i find these pieces wonderful. heart wrenching. and SO DAMN EMOTIONAL IT PLAGUES MY MIND FOR DAYS. also you’re literally one of the few fucking people who can use the em dash correctly. thank you so much for sharing your talent with us! +6

Oh my goodness. I don’t even know what to say, anon. This is a whole damn thesis and it’s about my fics :’> You know, it’s easy to brush off fanfiction as a ‘whatever’ thing and indeed, it isn’t that big of a deal compared to some things in the world. But I really do take all my stories seriously and put forth a lot of effort - so to see it recognized and appreciated it makes me beyond happy. It’s good to know that my efforts haven’t gone to waste at all and that there are people out there who will support me no matter the endeavours I take. Thank you so much. You don’t know how much this means to me.

((Also, honestly I picked up the em dash usage after I wrote The Truth Between Us with gukyi who used it. I’m pretty sure I’m not using it right but to hear that I am, god damn that’s a breath of relief right there))

backtobleuside submitted: Are you kidding me!? Your stories don’t lack love at all. They’re the kind of fics that you read, soak it all in and then come back for more. I’ve cried so much when I read Beyond reach, Boo-lieve in me, A piece of the moonlight, His name, Tell me lies etc. etc, and also laughed and felt the emotions of not just the OC, but also the other characters. Kitchen Romance was also so fluffy and sweet and personally, I don’t think that anything needs to be added to it. Anyway, your fics do not lack emotion—you’re probably the first author I send a message to because your stories impacted me a lot and left a strong impression on me. I even imagine your characters as real people who have real lives that continue on even after the story is done.

asdfghjkl thank you :’) I see you every week and sometimes several times at that. I really appreciate your consistent feedback and following. You never fail to send me a message too which I appreciate a lot. I’m glad you’re enjoying everything I’m producing!!

youngfleurever said: Would just like to say that your fics do in fact make me violently sob to the boy where my eyes are so swollen I have trouble opening them the next day and I wake up feeling like there’s sawdust in my mouth because I’m dehydrated.

oh my god. please keep yourself hydrated hahahahhaha more importantly, how do you know what sawdust in your mouth is like. WHAT have you been doing LOL

Anonymous said: I’ve felt emotions that I’ve never felt before when I read your fics.... so as a person that has read your entire masterlist, I DO NOT think that your fics lack emotion.... I hope you don’t feel disheartened because you’re one of my favourite writers, not just on tumblr but like, evER 💓💓💓💓💓💓

Please, even if I was disheartened, the overwhelming amount of feedback and praise has completely overridden it :’)

joonie-mono said: when tumblr deletes the first part of your ask 🙄😌✌️

LOOOOOOOL

haylo4ever said: Sorry had to add my 10 cents. You're such a talented writer,,, I WISH I could write a smol smol 1/1000000000 that you write,,, like I remember when I followed you bc I was in awe of your writing.... I mean?? Sure maybe not every fic hits it with someone but it's just ridic to name drop (a friend nonetheless) when you're all extremely talented writers.

Trust me, writing comes with practice!! I should honestly just tattoo that on me. God knows my first fanfic was absolutely GARBAGE. I didn’t know pacing, didn’t know that I should separate chunks of paragraphs, how to write dialogue or describe scenes properly. I went in blind. Even my second, third and fourth fanfic was garbage. You could definitely get to “my level” or even far surpass it with enough dedication and practice. I mean I’ve been writing for four years, so thank GOD there’s been improvement. I wouldn’t be natural if there wasn’t. But clearly the more you practice, the better you improve! That applies to anything.

The me in ten years will certainly be better now.

Anonymous said: Hi kina! I’m here in support of kitchen romance! I actually didn’t feel like it was missing a ton of fluffy moments (and I say that as a huGE LOVER OF FLUFF) but the story was just as entertaining in the whole chase of them getting closer to each other! It’s honestly one of my favorite one shots I’ve read lately and I’m not saying that lightly! Also, that anon that said your work lacks emotion has probably not read like half of your masterlist bc oO MAN QUEEN OF MAKING ME CRY- black heart anon🖤

Thank you :’]

Anonymous said: Ok I’m very offended wow the audacity!Specially coming for my baby kitchen romance like that story made me feel so much and it’s only one of the many fics you have written kina like I’m literally baffled like dynasty has made me cry scream happy and hot all at the same time and I was literally just thinking about it that whole weekend and this anon has the nerve to say your stories lack emotions?When you are literally the queen of show casing all types of emotions in your stories!You did it all

Anonymous said: Also 😭😭😭😂😂😩hoooooooow and whereeee did they see any lack of love and emotions like have you read jungle park???? Inside my mind??? FREAKING SUGAR AND COFFEE (like this fic is made with love and I- ) Actually you know what , just read the whole masterlist😩😩💗💗💗

LOL tbh I didn’t expect Dynasty to receive the love it has. I was actually kind of wary when posting it cause it’s kind of Wild. 

bangtans-peaceful-piegon said: just gotta say u handled that whole anon thing so well which not only makes me admire u as a writer but even more as a person :] (i mean i knew u were gr8 before the whole deal but yeah love ya 💛)

tbh, I’m not sure how well I handled it cause I was flooded with over 30 messages afterwards (evidently) ;_; which I love and appreciate but I’m not really as hurt as some people think hahaha criticism should be received well but it’s still hard not to take personally tbh. It’s gonna have to be something I work on or perhaps it’ll be one of those things that I’ll take better with age.

[marshmallowgoop]

Kill la Kill Books!

Got a small haul of Kill la Kill books the other day!

SUSHIO CLUB LOVE LOVE KLKL has been a glaring omission from my collection, so when I saw a listing of the book for 3,600 yen—which usually goes for 10,000+ these days—I bought it right away.

And I figured I might as well pick up a few more things while I was at it, right? To make the shipping more cost effective?

That’s definitely the only reason.

But anyway, my growing mass of Kill la Kill books and magazines has now reached 36 items.

And I’ve talked about some of this merch before; you can find my post about the Febri volume 21 issue here, my post about Fractal 10 here, my post about the Talking About Composite books, The Complete Script Book, and The Art of KLK Vol. 3 here (and I have a whole tag for the script book, #klk-script-book), and I yammer on about the nine Blu-ray key art collection and artboard books here. I also have several essays discussing the official manga adaptation: 

Kill la Kill Manga Chapter 7

Kill la Kill Manga Volume 3, Chapters 8-17: Thoughts and Impressions

Kill la Kill Manga Volume 3: Translation Notes, Anime Differences

Kill la Kill Manga Volume 3: Worth it?

Manga Differences

And now, I wanna briefly (lol) yap about the six new additions to my collection.

Because I have a lot of love in my heart for this ridiculous, ridiculous anime.

SUSHIO CLUB LOVE LOVE KLKL

So, I got this book for cheap because it was allegedly in poor shape and “not suitable for collection.”

(My reaction to “not suitable for collection” is always, “It’s suitable for my garbage collection! I’ll give your ‘ugly’ copies a loving home!”)

But, like? There are a couple of dents and folded corners, but the condition is really not bad at all. The art is completely intact and beautiful.

Sushio—who is the character designer for Kill la Kill—has shared much of this book on his Twitter, and I would definitely recommend fans of the series to scroll through his photos and have a look. There’s such a cute, sweet charm to Sushio’s work, and along with the polished, colored pages from LOVE LOVE that he shares online, he also shares sketches of his own fanart for the series, too.

(Okay, maybe this isn’t exactly the best demonstration of Sushio’s absolutely precious artwork, but. It’s one of my favorites from the book. Ryuko resorting to such wild extremes to be with Senketsu again is just. My heart. Kill la Kill is actually adorable.)

In any case, I don’t think any of the content in LOVE LOVE was new to me, but there’s just really something about having the book in my hands. I know there’s such a strong desire for digital media these days, but call me old-fashioned—there’s nothing quite like holding this art and really seeing every stroke and line in person.

Being able to physically flip through the pages also makes me notice things I didn’t before. For instance, I found myself charmed by the little detail of Barazo, Mako’s father, loving and adoring Sukuyo, Mako’s mother.

I mean, aw? It’s stuff like this that really makes me wish Kill la Kill were a kids’ show (as Sushio himself seemed to want!) Barazo is so much more likeable when there aren’t any signs of his less-than-pleasant behavior and he’s a loving, supportive husband and father.

Seriously!

Another thing I notice from having the book now is the order in which the pages are organized. Like, I couldn’t help but be amused about how Ryuko gets her own page here...

(Smiling for her Starketsu in the sky, right? Just like he asks her to in “Till I Die”?)

...and then the next pages have Satsuki beside Nonon and Mako (and Mataro) beside Ira...

...which strikes me as a bit funny because this isn’t exactly how Sushio organized his Tweets of these images. There, Satsuki was next to Ryuko, Nonon was next to no one, Mako and Mataro were next to Ira, and Uzu was next to Houka:

So, in LOVE LOVE, is Sushio deliberately trying to say something with the changed placement? Especially when it comes to the direction of the ladies’ eyes? 

Yeah???

I kid, I kid.

(But really, it looks much better to give Ryuko her own page and not have Nonon standing next to nobody.)

Also, one of the first things that popped out to me about LOVE LOVE is how Senketsu’s pages are right next to Ryuko’s pages. As they should be.

They belong together, okay?!

And speaking of Senketsu and Ryuko, I remember a comment years back that said you could probably find pics of your OTP with matching expressions in this book.

But, uh. Just compare Senketsu posing to Ryuko posing...

They’re kind of different types of people, lol.

But hey, they do both make cute sneezy faces.

As a final note about my copy of LOVE LOVE, I will say that my only disappointment is that I received the version with print errors. As such, this page of Nui...

...was accidentally printed twice, and I miss out on this page of Nui as a result:

There are also some minor goofs, like Mako’s arm getting cut off by the background here:

But considering I got this beautiful thing for only 3,600 yen, I really can’t complain!

Now I just need Sushiotan 2 to complete my Sushio Kill la Kill doujin collection....

Takepro

This charming little volume is a collection of animator fanart for the show (and other shows). The book includes a short profile for each featured artist, and their big Kill la Kill pieces are—like all titles in Kill la Kill—named after classic Japanese pop songs. You can read and see more about Takepro here.

It’s hard to pick favorites from this doujin because there is so much adorable and wonderful artwork, but I especially love Naoki Takeda’s “ここに幸あり,” or “Here is My Happiness,” named after the song by Yoshitsu Ootsu.

The picture features Ryuko, Mako, and Satsuki sitting together, all having a good time, and there’s just something so sweet about seeing happy Satsuki.

I also found an English translation of the song’s lyrics, courtesy of beast-senior 810:

The storm breaks and the rain falls Thorny as the women's path might be I would still keep on living with you And my happiness is here in the blue sky 

I could not tell anybody of my scars A bird of love that resided in my chest If only I wander about crying and evading A sorrowful night wind will blow through the streets 

I call out your name from the bottom of my heart Who will be awaiting me at the end of the echoes? Snuggle up to you and cheerfully look up to your face And my happiness is here in the white clouds 

Aw. This song is so Satsuki.

And speaking of Satsuki, I can’t get over how cute she and Ryuko look on the cover of this book. Like??

Aw! 

I also am quite fond of a small piece by Syuichi Iseki, which is in a super-deformed style and features Satsuki comforting Nonon after her uniform is destroyed during the Naturals Election. Nonon cries, and Satsuki pats her head. In the background, Ira looks distressed at the display, Houka seems to be deciphering it, and Mako smiles. It’s really, really cute.

Yoshie Endo’s “僕笑っちゃいます,” or “I’m Laughing,” named for the song by Shingo Kazami, is also real cute. It depicts Mataro holding up Guts, who licks his face. It’s another one of those, “I-so-wish-Kill-la-Kill-were-a-kids’-show” kinda pieces....

Hiroyuki Imaishi’s Doujin

Admittedly, I don’t actually know the title of this one, but it’s a very small doujin by Kill la Kill director Hiroyuki Imaishi. There isn’t too much Kill la Kill content, but there are two pages of Ryuko and Satsuki in their respective Kamui, accompanied by some text.

I thought the text might be something about the show, but it seems like it’s actually about Imaishi’s experience working on the show. And... it’s rather sad? He talks about how he’s able to accomplish more now, but he also has to consider a lot more as well, and he doesn’t have the time and energy that he used to. It’s a lot about aging and growing old.

At least, I think that’s what’s being communicated. Here’s a transcription, though:

なんだろう。

初会社役員とか。

昔よりやれることは増えたが考えなきゃいけないことも増えて時間と体力は足りなくなっていく。

年相応とも言える。

だけどいつまでも大人気なく生きていきたいものだ。

One last interesting thing about this doujin is the material it’s made from; it’s different than any other book in my collection. I’m not an artist, so forgive me if I sound totally ignorant here, but the paper reminds me watercolor paper. It definitely took me by surprise!

SL Sketch 3

SL Sketch 3 is a small fan doujin by Buzin. You can find most of the art in this book on their Tumblr!

Sketch 3 is a really fun collection of sketches, and I especially love the cover. I’m so desperate for art where Senketsu is acknowledged as an actual person that I’m just all heart eyes over Ryuko smiling at him here.

March 2014 Newtype

Okay, so this one’s really a magazine, not a book, but wow. I was taken aback by what’s inside!

I’ll definitely have to look at this issue in more depth because there are a bunch of Kill la Kill goodies in here that I didn’t even expect. And I don’t think most of it has been translated at all!

I also realized that I’ve been mixing up my Newtypes and will have to fix my resources page. But on the bright side, there is so much to love about this issue.

Like, the Elite Four Light Novel got reprinted in the Kamui Bansho, but it’s way better here because it has pictures!

I also love how Nonon, out of all the Elite Four, is the only one who stands beside Satsuki in these illustrations.

And I don’t even know what this is (VR or something with Ami Koshimizu, Ryuko’s VA?), but it’s cute and got me smiling:

And Ryo Akizuki, the mangaka for the official Kill la Kill manga, made a small comic about his experience working on the project. I like the little title panel with Ryuko, Senketsu, and Mako a lot:

Plus, there’s a shiny ad for the manga’s second volume, too:

One of the things that most caught my interest, though, is an article about the second opening song for Kill la Kill, GARNiDELiA’s “ambiguous”:

I got so curious about this bit because I’ve heard varying, conflicting information regarding the meaning behind the song’s lyrics. On the one hand, I’ve heard that half of the song is from Ryuko to Senketsu, and the other half is from Satsuki to Ryuko. On the other hand, I’ve heard that the whole song is from Satsuki to Ryuko. But I’ve never found any concrete sources for either of these claims!

So, I was hoping the Newtype article would help, but it’ll take a lot more digging into. Still, briefly looking over the page, I did find this bit: 

そんな私の思いと歌詞が一致しました。 『キルラキル』でいう流子ちゃんと神衣・鮮血の関係に近いかもしれませんね。 

Roughly, it says, “As such, my thoughts about the song agreed with its lyrics. You might say it’s like the relationship between Ryuko and Kamui Senketsu in Kill la Kill.”

I’m not totally sure about the context here—and I admittedly don’t even know the author’s involvement in the making of "ambiguous”—but this article might explain where the Ryuko-and-Senketsu reading of the song came from. It’s definitely something I’d like to delve into more.

Because I really love the Ryuko-and-Senketsu reading of the song, okay, and I’d love some actually official backup for it!

Finally, another favorite part of the Newtype is simply all the art. Takafumi Hori’s spread is particularly great:

(You can find a cleaner image here.)

Just... dang. I wish I got a little poster of this instead of the ones actually included in the Newtype! The artwork is just stunning.

And one of the cutest things about the Newtype is all the fanart from its readers! I particularly love the little Valentine’s Day special; there’s an illustration of Ryuko giving Senketsu chocolate, and there’s also a Ryumako piece, too!

Kill la Kill Storyboard Ep. 01

Finally, one of my favorites from this haul is the Kill la Kill Storyboard Ep. 01. The book was included as a shop bonus for the original Japanese Blu-ray/DVD release, though I was able to win it by itself in an auction. I do think I overpaid a bit, but gosh, it’s a lovely addition to my collection. It’s just really neat to see the production process of an anime in action. I wish there were storyboard books for every episode in the show!

Hiroyuki Imaishi’s storyboards are also just super amusing. Here is a small sampling of some of my faves (because there is so much gold in here, my goodness):

And that’s all for now!

...I guess this really wasn’t so brief at all, huh?

Shocker.

[playchoices]

Inside Choices is a behind-the-scenes blog from the Pixelberry team!

With Choices nearing its one year anniversary, The Crown & The Flame trilogy has come to an end. It's been an epic year-long journey for Kenna, Dom, and the rest of their ragtag crew. As one of the first books to launch with Choices, the team behind TC&TF started work on it long before August. Months later, saying farewell to one of our first series feels like saying good-bye to an old friend.

The team has weathered marathon brainstorms and late-night writing sessions, and celebrated epic plot twists and awesome character art. With the final chapter in the rearview mirror, the writers of TC&TF took the time to reflect and reminisce...

The Crown & The Flame trilogy is over, and it's been quite the journey. How do you feel?

Kathleen: Super weird. It kinda feels like graduating from college, actually. Like, you've been immersed in this cool new world for so long and surrounded by these people you've grown to love (even though Val's always stealing your food and Dom wants to party all the time instead of doing homework), and you get so attached that you kind of forget there's a world outside. Now graduation is looming and half of me is like "oh thank goodness" but the other half is going "WAIT, NO, I LIKE IT HERE, AAAAA".

Eric: So many feelings! Sad because I’ve dedicated so many hours to TC&TF, and it’s like saying goodbye to close friends. Happy because we were fortunate enough to get to create this whole world from scratch! Proud because I feel we’ve brought the series to a satisfying conclusion. And of course grateful for the fans, whose passion for it made Books 2 and 3 a reality.

Since we're at the end, why not talk about beginnings? How did TC&TF first come about? What were the early days like?

Kathleen: Lot of brainstorming, LOT of revisions. The first story that we outlined was much more focused on courtly intrigue, less so on the action. It looked totally different from the version of TC&TF that exists today, but there are a few relics from that first version that we kept because we loved them so much. For instance, Sei Rhuka was one of the first characters we created for that earlier story, and she survived the move to TC&TF pretty much unchanged (because what would you change? She's perfect).

There were some late nights, and times when I definitely thought I was gonna crack under the stress. Fortunately I had Eric and Kara, two heroes of legend, fighting by my side.

Kara: The first draft of TC&TF was written under so much pressure and at such a frantic pace that it was nothing like the book that ended up being released. To give you an example of how much things change, Val Greaves, everyone's favorite mercenary, was originally a male character just named Mercenary. Kathleen had the idea of making her a woman, and then the character of Val really started to emerge as the snarky, mean voice that the cast was currently lacking.

Another thing that came about because of that time was just the incredible trust between the writers. On most products, there's a more formal process of logging changes, but because we were so short on time, we were just actively editing each other's work, and I think we managed to get through that without killing each other, so it really says a lot about how well we work together! Sometimes you write your first draft and you don't realize how much better it can be until you take a step back. I wrote a scene once where Dom is carrying a sack of flour down the castle hallway, and I thought, this is boring, I'll add in a choice. Oh, I'll give the choice a timer! Then I realized I'd just made a minigame about carrying a sack of flour. So I cut the whole thing. But sometimes it isn't until you write the scene that you realized you're going down a bad or boring path. The early days were a lot of that.

We rewrote a lot of things together, but it was such a privilege to work with Kathleen and Eric on creating this world. It was amazing when we reached a point where we'd revised and revised and revised and finally felt like we'd burned away everything that was boring or not working and all that was left was even stronger than it had been before.

Eric: Hectic! It's one thing to write a book now, knowing what Choices looks like, but back then we were writing with placeholder art (everyone was Queen Adriana!) and we just had no idea what was going to work and what wasn't.

Also, I echo everything Kara said above about trust. So many times I wrote a thing and thought, "Oh gods, I'm a fraud! I'm a terrible writer!" and then had either Kara or Kathleen or Jessica swoop in and turn my garbage into gold. Having the safety net of a great team makes standing on the tightrope a lot more fun.

Strong world building is crucial to any good fantasy story. That ranges from history and culture to what you yell when you stub your toe. What was the worldbuilding process like for the Five Kingdoms?

Kathleen: You start super general (place names, general time period/level of tech, climate), then build your details on top of that. Every detail comes from somewhere, everything is the way it is for a reason. In those early stages it helped us to give each of the kingdoms a "thing" that they're known for. For Fydoria, it's knowledge and art, for Thorngate, it's trees and archery, for Lykos, it's jerks and backstabbers, lol.

That gave you a jumping off point for what these people would be like, and how they relate to the other kingdoms. We were also very deliberate about what colors and styles of clothing the different kingdoms would wear, which I was really into. It's great to look at a character and immediately know whose team they're on (or whose team they want you to think they're on...)

Then you take your pages and pages of notes to the artists, and they do some kind of beautiful magic that turns your dreams into something real you can look at. We work with some AMAZING artists. I have the Aurelian castle set as my computer's wallpaper because I like to stare at it all day.

Eric: Ditto what Kathleen said. The incredible art helps tremendously with this process. Sometimes we'd get a piece of art back and it'd be SOOOOO good that it'd inspire us to go in a new direction. That kind of moment (like with Val) is really special.

What did you consider the most challenging part of writing TC&TF?

Kathleen: Not making every chapter 5,000 lines long, haha. I have issues with writing these super long, flowery dialogues, but thankfully Eric is there to keep me in check. It can also be hard to find a character's voice sometimes, especially if you and that character don't have a lot in common.

Eric: Keeping Kathleen in check. HA! Seriously, though, we had a HUUUUGE cast, and all of the characters have compelling backstories and fun voices and fans on social media. Trying to make sure everyone got ample screentime (while still telling a good story) was tough.  

Going off of that, what were your favorite scenes to write in TC&TF? (Spoiler alert!)

Kathleen: Oh man. I'm a mean person who loves writing the super intense emotional climaxes where everyone is crying and screaming at each other. So basically the whole Whitlock/Hex arc. One of my favorite writing moments though was when I was working on that kraken scene in book 2 and I had to turn to my boyfriend and say "Hey, what sound does a kraken make?" Boyfriend: "<kraken sound>" Me: "Yeah... but like, how do you spell that?"

Kara: My favorite scene to write was a dream sequence where Kenna and Dom get married, because I got to jump around in different scenarios and it felt a lot like fan fiction in the best way. But my second favorite was when Val has to pretend to be a handmaiden for Zenobia Nevrakis. I loved the idea of getting to see from Val's point of view as she has to infiltrate this girly world of gowns and bodices. She's usually a character who's seen it all and can handle anything, so it was fun to get her out of her element for once.

Brandon: I had a major blast with the entire final battle, but I have a special place in my heart for the scene between Luther and Kenna in Chapter 13. I love when you get to shine the spotlight on a bad guy, in a way that makes you almost sympathize with them...but not quite.

Eric: By far, the action scene where Dom turns into a dragon for the first time. I was actually writing from my apartment, and I was like, "If I turned into a dragon, what would be the most fun, badass things I could do?" (Cut to me flapping my arms through the air as I run around my apartment breathing imaginary fire on unsuspecting Nevrakis boats...) It was silly, but I did get some good stuff outta that.

TC&TF is filled with so many different villains, heroes, and everyone in between. Who was your favorite character to write?

Kathleen: I have a soft spot for terse warrior types who just have no time for your nonsense, so writing Sei is always super fun. She behaves the way we all sort of wish we could, except she can get away with it because she's crazy strong and can light you on fire with her mind.

Brandon: Oof, tough choice. I think we all have a lot of fun writing Val (because who doesn't love that character who gives the bad guy the finger?). Personally, though, my favorites to write have been the Nevrakis, specifically Luther and Zenobia. Zenobia is just so annoyed and out of place most of the time, which is fun to play with. She's like, "Ugghhh, dragons? Really? Whatever." It's like she stepped in off the set of Mean Girls. And Luther is just such a fun jerk. He's got sort of a cynical wisdom, but also has zero self-awareness and is totally unapologetic for any of the ruthless stuff he's done. That is a character I really love to hate.

Eric: Severin. I felt like his art asset was really imposing, and his character represented this first challenge for Kenna on this impossible path. It was fun to make him this physical, monosyllabic, gruff presence that couldn't be reasoned with. She'd have to eventually fight him in combat to prove herself. Plus, he's kinda dumb, and I love writing dumb characters. Alas, no one seems to care much for Severin...

In a way, TC&TF lives on in The Royal Romance. Olivia in TRR is a descendant of Zenobia, for one thing. If Kenna and Dom and the rest of the crew were around now in present day Cordonia, what do you think they'd be like?

Kathleen: Kenna is super responsible and runs her Kingdom like a proper adult, but when she gets frustrated with politics she dreams of running away to tour with Val and Sei's metal band (Damsels of Destruction). Kailani just won like, 12 olympic medals for weightlifting and martial arts. During the off season she and Noa split their time between running a gym and touring with Cirque du Soleil. Whitlock runs one of those tech companies that does supersonic maglev trains and smart dishwashers and stuff. He's totally gonna colonize Mars. This is fun, I wanna do this all day!

To write fantasy, you had to know the fantasy genre pretty well. What makes the fantasy genre special to you? And what are some of your favorite books?

Kathleen: I was raised on a diet of Grimm fairy tales and Greek legends (which probably explains a lot about me). I love the fantasy genre because you take these wild, magical worlds that look completely different from anything we know, and use them to explore themes that are really close to home (coming of age, sacrifice, family, etc). Fantasy is a dramatic metaphor for real life. Because I'm a huge nerd, I dig fantasy books that have logical, internally-consistent magic systems. Sabriel by Garth Nix is hands down my favorite book, but the Enchanted Forest Chronicles by Patricia Wrede was the first series I got super into. Arglefraster!

Eric: When I was little, I wanted to play Dungeons & Dragons with the older kids in my neighborhood, but they wouldn't let me play. That led me to this one book (I don't remember the name) that was basically like single-player D&D. It had a page where you kept track of your hit points, potions, etc. It was incredibly nerdy, but also the awesomest book I'd ever experienced. Little did I know it was paving the way for my career.

Pixelberry was the first place where I really felt comfortable letting my inner nerd loose. I finally got to not only play D&D (we ran a campaign after hours), but to write something within a similar world...

What's next for The Crown & The Flame team? Can you give us a hint about what you'll be working on after this?

Kathleen: *Evil cackling, hands rubbing together in glee* Ahem. I don't want to give anything away, but I will say that I seem to have been typecast as a genre writer and I am 100% okay with this.

Eric: No hints. We're definitely not planning something for Halloween.

Ooh, intriguing... To all the fans of The Crown & The Flame, thank you for coming with us on this epic journey! Check back every week for more Choices adventures!

-Jessica

[amorremanet]

@gaymoregirls See, I like Heath Ledger’s Joker, but I agree with Amanda that he got (and still gets) a lot of hype that isn’t entirely deserved bc it was Heath’s last complete role before he died (—and now I’m grumpy at L*to for exploiting that as part of his, ““prep”” for Suicide Squad again, oh joy).

Otoh, Heath also got a lot of over-hype because he was in the Nolanverse, which gets a lot of over-hype as a general rule because it has Chris Nolan at the helm and it’s supposed to be all ~Serious And Edgy And Artsy And Cool, Ooooo~ — I mean, it even has parts that I enjoy, but is the Dark Knight trilogy overall really better than the average comic book movie series, or does it get hyped up because it’s the cinematic cousin of shit like The Dark Knight Returns (which gets over-hyped because it’s supposedly an ~Edgy Deconstruction~ when…… actually, it’s more like “Why Pseudo-Fascism Is Totally Legit If You Are Filthy Rich And Wear A Batman Costume,” by Frank Miller)

Example of this principle in action with someone other than Heath: when The Dark Knight Rises came out, Actual Marxist Intellectual Guy, Slavoj Žižek, put out some “think-piece” about how Tom Hardy!Bane is a the real hero, a crusader for the common people, representing the rising up not of The Dark Knight but of the people who are oppressed and downtrodden by late-stage Capitalism, and this means the movie is totally a crypto-Marxist treatise, even though……… no, man, I’m preeeeetty sure it’s not?

—but, y’know, the movies are Serious And Shit, so Bane must have some legit deep, intentional sociopolitical significance (—I mean, I would say there’s a level where you can read him with that in mind, but it’s not that deep, it’s probably not intentional, and he’s definitely not a Marxist hero or whatever)

and because Žižek is a Marxist Intellectual (which I guess means that he isn’t allowed to just enjoy a movie anymore, he has to come up with some kind of ~Deep Reason~ or other for that), that (alleged) deep significance must be that Bane is the REAL hero of TDKR and blah blah blah, Bane In Leather Pants With A Marxist Paint-Job

…which all goes back to Heath’s Joker because a huge part of him being overhyped, in addition to the whole, “Heath died” thing? Has generally been that he’s a Nihilistic weirdo who spouts off a lot of lines that he cribbed from, like… a badly translated Edgelord’s Introduction to Nietzsche, The Killing Joke, Arkham Asylum: A Serious House on Serious Earth, the Man Who Laughs story, a badly translated Edgelord’s Introduction to Camus, and some How To Be A Nihilist series on youtube. Because…… being on the nose and open about your ““philosophical ideas”” means you’re Serious and Artsy or something??

So… idk. I enjoy him — and there was definitely always an element of it that came down to The Heath Factor, because I’m fangirl garbage, oops — but it’s also kind of like? He’s the best Joker for the Nolanverse, but trying to apply him to non-Nolanverse Bat-stories isn’t going to work, not because, ““nobody can replace Heath,”” but because he has a very particular mood and way of doing things that only really works as a take on the Joker within the walls and by the rules of the Nolanverse.

Then, his appeal (at least, in my experience) tends to depend a lot on how people feel about the Nolanverse in general. Like, it’s rare to find anyone saying that Heath didn’t create a good performance with the material — and arguably salvaged it from being a complete dumpster fire, given how many things he improvised or went, “hey, Chris, what if we did this differently” about — but a lot of the bigger, broader criticisms of the Nolanverse have a clearly expressed form in Heath’s Joker, so it’s like…… If their take on the Bat-Mythos isn’t something general-you like, his Joker isn’t likely to be high up your list, either

……idk, my favorite reading of him is that all of his “philosophy”-spouting nonsense is actually an in-character tic (—I mean, even by the kinda broken standards of the Nolanverse, the Heath Joker parrots on about “philosophy” more than the average person), and that he’s essentially a pretentious performance artist who woke up one morning and went, “I think I’ll go be a criminal today” because he had an abusive dad, or his wife left him, or he was a US soldier in Iraq and something something Hollywood PTSD, or whatever reason anybody likes, and he has a lot in common with some of the other creative arts people who I went to undergrad with

(namely, the ones who insisted that everything they did was Hella Significant, even when they literally just threw paint at a canvas while on their fourth day without sleep, because it was finals time and their portfolio was still a few pieces short, or who made shit up in all their theatre classes because they didn’t do the work but didn’t want to get called on it, and they were so charming and had a passable familiarity with the terms and concepts, so they got away with it, or similar)

—but that’s also clearly not the reading that CNolan wanted the audience to walk away from the movie with (I mean, he clearly wanted us to see Heath Joker as a criminal mastermind and a terrorist — which he really wasn’t subtle about, even by Nolanverse standards, between the, “lol let’s invoke the popular imagery of Osama bin Laden and his video threats” shit, and Alfred and Harvey literally calling the Joker a terrorist when they said shit like, “Should we give in to this terrorist’s demands?” and, “Perhaps both Bruce and Mr. Dent believe that Batman stands for something more important than the whims of a terrorist, Ms. Dawes”)

So, TL;DR: as much as I personally like Heath’s Joker…… eh? There are a lot of very fair reasons why someone wouldn’t like him, he’s over-hyped just like everything about the Nolanverse, and he really only works in the Nolanverse, which limits his appeal by a lot

@megaevolvedthot …I had something more that I wanted to say here before I got distracted and over-talkative at Boxy, but I can’t remember what it was, apart from, “Yeah, I agree. He’s one of my personal favorites because I’m fangirl garbage and have a very non-Nolan-approved reading of him that I like better than the official one……

“……but he really doesn’t have the versatility of, say, Mark Hamill’s Joker, and being one of the most notable Grimdark McEdgelord Jokers — and probably the most popular of them, since the ones who go further in that than he does tend to be in the comics, more contentious with fans, and definitely not as widely-seen as the Nolanverse flicks — affects things in several ways”

—sooo… yeah. I agree, and that thing I just said