Drums Of Joy Volume 2, out now!
More beats and breaks, loops and grooves from the Rubberfunk drum vault, recorded over the last 20 years or so.
The 20+ original breaks collected here are ideal for DJs, producers and songwriters alike - use them as they are, or chop, slice and re-program to suit your needs - you won't find another collection that sounds like them, that's for sure. Check the preview mix for a taste of some of the beats on offer.
Don't forget, Volume 1 still available!
12 notes
·
View notes
On this day, October 14
In 2022: My Chemical Romance performed their 56th show of the 2022-2023 Swarm tour in Inglewood, California, USA. At this show, "Kill All Your Friends" was performed live for the first time since 2008, and "All the Angels" was performed live for the first time ever. For the first part of the show, a photo of a person (potentially their producer, Doug McKean) in the recording studio was taped to the drums. Later in the show, three tally marks were drawn on the drums. The majority of the songs performed at this show were from their third album, "The Black Parade". (🖤)
Watch the show here!
Adam Pantozzi
174 notes
·
View notes
My silly little idea of how I'd end the Cobra Kai series.
It's the last scene; Johnny about to get married (Cause let's be honest, we are going down the classic soap opera trope and it always, mostly, ends with a wedding) He's in the room getting ready and Daniel comes knocking in. Cause you know, he is the best man now (yes all the og cobra's are pissed about it)
Daniel goes, "Woah, looking good there Goldie locks,"
Johnny like, "pfft, Thanks," and there is a kind of silence in the room as Daniel is about to speak up, a little sounds escapes him and shakes his head dismissing it. And Johnny goes, "What is it LaRusso? You didn't have a problem before bitching out whatever came to your mind,"
Daniel looks offended ," first of all I don't, bitch out, second-" he stalls and with his little hand gestures dismisses it again, " No, it's stupid. Don't worry about it,"
johnny gives him a deadpan stare and huffs out, "Just say it man, it can't be that bad-"
Daniel shrugs and scoffs while rubbing his chin, " No, I rather not-"
Johnny, "should I kick it out of you-?" as he moves forward pretending to strike, "You'll have to explain to Carmen why my suit is messed-"
Daniel flinches only slightly blurting out, " I used to have a thing for you back in high school-"
and it goes silence as Johnny drops his stance, and they stare at each other for what feels like hours, and And Johnny goes, "You too-?"
AND IT ENDS WITH JOURNEY'S SEPARATE WAYS CHORUS BLASTING AND IT GOES BLACK WITH THE COBRA KAI LOGO FLASHING ONTO THE SCREEN/END CREDITS.
46 notes
·
View notes
ooh im intrigued 👀 go on, what would you change to fix utopia/ sod/ lottl?
I'm so glad you asked!! These changes are in order of importance. I have a few stylistic things that just make the episodes more my taste, but that's not fixing so I'm gonna stick to things structural.
#1: Martha needs the big win
People joke about "tinkerbell Jesus Doctor" but I truly think the resolution of LOTTL is the biggest thing keeping it from being truly great. The special effect really isn't the issue (this is Doctor Who after all). The issue for me is that the final scene on the Valiant, the scene that's concluding the whole plot arc of the serial, falls emotionally flat. Why does the Doctor get Martha's big win? Why was Martha's whole task to tell everyone how great the Doctor is? Every other RTD era companion gets a chance to be the hero by the end of their season. They get to save the Doctor. Rose becomes the Bad Wolf, and later becomes a badass in Pete's World. Donna saves the Doctor in Turn Left and again in Journey's End. Martha saves the Doctor by... talking up how great he is. She keeps morale up by telling stories about him.
This is so so fixable and it wouldn't change basically anything about the plot. The original plan can even stay the same! She uses the countdown to concentrate all that psychic power routing through the existing Archangel satellites. She can even still keep the people of Earth hopeful by telling them fantastic stories about the Doctor. But here's the thing. To them, the Doctor is a mythical figure. Martha is real. Martha walked the Earth, she got out of Japan alive, she has managed to walk through warzones without Toclafane detection. She is a legend of flesh and blood who sits at their dinner tables and around their campfires and tells them how to trick Toclafane and stretch their resources and she's a doctor who can treat their people and keep them alive longer.
The people's faith should be in Martha. That psychic energy should be Martha's. Instead of chanting for the Doctor they're chanting for Martha. It concludes her character arc and the episode's plot arc so well! Martha has spent the whole season feeling like she's second best. The Master kidnapped and tortured Martha's family. Who is the Doctor to forgive the Master? Martha deserves to have the win. Maybe from her time with the Doctor she chooses to spare him, only for Lucy to shoot him later, and everything stays the same. But imagine how Martha's already amazing speech would sound after a scene like this. Martha became the Doctor, only to decide that she'd rather be herself.
#2: Tweaking/nerfing the Master's drums
I used to be in camp "get rid of these completely" but I've come around on them since I saw TWEAT/TDF. The drums need to exist in some capacity to make End of Time work, and now that it's canon (as of s10) that Simm!Master no longer has his drums after they served their purpose, fine. The thing that has always bothered me about the drums is how heavily it's implied (if not explicitly stated) that much of the Master's "madness" comes from the drums. I think that's a big disservice to his character and from all the amazing groundwork previous actors did to build up the Master.
Simm!Master in TWEAT/TDF is still self-destructive, chaotic, and violent. He didn't need any drums to make him that way. I'd revise it in the Utopia arc so that the Master still has his drums, but they're treated more like a migraine disorder or tinnitus. They're painful. They bother the hell out of him. But instead of "he saw the time vortex and they made him lose his mind" it's much more akin to that feeling of losing control when your own body is working against you and there's nothing you can do to stop it. That would certainly make him meaner, more chaotic, more resentful and angry, but now it's just an amplification of what he already is.
(I also think this makes his decision for the subliminal Archangel signal to be his drums a much more telling decision. This sound is weaponized against him, and in turn he's weaponizing it against humanity.)
#3 Tweaking the Master's relationship to Gallifrey/incorporate the Time War in a smoother way
The Master has suffered a major trauma and I think the episodes try, but do not commit, to that. Instead it's more "will the drumming stop." I have always disliked that the Master's ultimate plan was to put "a new Gallifrey in the sky." Historically, the Master has not given a shit about Gallifrey unless he rules it. His rhetoric about the glory of the time lords makes no sense to me... unless it's a response to the Time War.
From the Master's perspective, he has just fled the Battle of the Cruciform to the end of the universe. He was so terrified he fobwatched himself so they'd never find him. The next memory he has as The Master is the end of Utopia, which goes straight into Sound of Drums. He has seen the Cruciform fall days ago. It makes sense he's not acting quite like himself. (I believe this is TV canon, but he was also literally taken out of the matrix to fight in the Time War, so he was quite literally dead -> Time War -> Utopia). I wish his plan, drums, and his relationship with Gallifrey was more pointed in this direction.
These are the big ones. I think this is maybe 15-20% different from what's written and I think it makes the whole arc much stronger. BBC hire me as script editor.
76 notes
·
View notes