#or did this just happen because hamilton fans are a fucking plague

[especiallyhaytham]

The implication that an American Revolution fandom exists (throwing up @ that), and it's actually a different thing from being a history buff is something that's confusing in concept and terrifying in practice.

[bewaretheidesofmarchyall]

Soulmate Shenanigans Five: The Order Of The Shenanigans

Hey! Guess who has returned? 

Me!

Just the March doing her prompt writing thing, as seen on previous episodes :)

Parts one, two, three, and four here!

Prompt #5

Any intense emotions your soulmate feels you will also experience

Warnings for kidnapping mention and gifted kid “potential” mention

Okay. Not going to lie, I kind of tweaked the concept, but I like how it turned out. The idea of the sides having sides in human AUs has been in my brain, and now it’s in yours!

World Building

At first, the symptoms of having a soulmate was seen as symptoms of witchcraft

It was a reasonable assumption to make, as seeing into someone’s head and emotions wasn’t really a thing that humans did. 

However, as the population grew and communication across the globe became a thing, the instances of people finding their soulmates grew as well, and not everyone could be a witch (or, if they were, being a witch was simply being human).

It took a while for the culture around soulmates to shift, but shift it did, and people eventually figured out “Oh, that person is my soulmate, not my eternal enemy that I need to destroy via my demonic powers, which I totally have”

But people’s minds are kind of a lot, and it’s hard to process it all.

So, in modern day, people have learned to separate the pieces of their soulmate’s personality that they get bombarded with into different pieces, or sides

The sides are Logic, Morality/Emotions, Creativity (with there sometimes being a divide between dark and light), Self-Preservation, and Anxiety.

Characters

Roman: Roman is looking forward to meeting his soulmate so much!

Just...later.

When he’s a famous writer and people know about him and he’s evened out his insecurities and he deserves them!

Being perfect for them is going to take work, but most people meet their soulmates over 30, so he’s got at least fifteen years to prepare.

Until then, he was working on his fantasy story and dreaming of the day he’d get published or get the lead in a school play.

The writing club had been his idea, so you could say that everything that happens in the story was his fault. He’d just wanted to be around people who liked the same things he liked!

Roman’s Sides, ranked in order of how much control they have:

Note: Names are hard. Aaaagh.

Magnus, his creativity, romance, passion, etcetera. Magnus is really the one who calls the shots around here. He’s just as goofy of a fifteen year old (if not more) as Roman, but he has the unenviable position of running a mind palace and being the ego of someone who hates himself.

This guy just wants to listen to Hamilton, but noooo, he had to have an evil reflection of himself and self-worth issues.

The Count, his self-preservation and pretty much Roman’s inner Roxie Hart/Velma Kelly. Randomly suggests poisoning their mortal enemies a lot (note: they don’t have mortal enemies). 

The most like canon Janus out of any of the self preservations, except instead of “we live in a society” it’s more “fuck it, we’re going to be *famous*!”

The other sides will pay him to stop saying, “that’s showbiz”

The Medic, his morality and emotions. Sort of has a medieval healer thing going on (which means herbs in a satchel, not plague doctor mask).

A lovely person on his own, but when he and The Guard team up, it’s ✨Guilt time!✨

He has the question of “Am I a terrible person?” on his hands, so...good luck to him. He’s trying to hold the five of them into a cohesive unit, but it’s hard!

The Guard, his fears and anxious thoughts. He has a shield and a spear, and is kind of dressed like a (dark and stormy) knight.

No one particularly likes him, but it’s his job to recognize The Shadow, so they all need him.

He hangs around on the outskirts of the mindscape, ever vigilant.

The Alchemist, his logic. No one listens to the voice of reason in this house. Al isn’t really a fan of this, and being Roman’s logic, he thinks that if he can find a way to prove himself it’ll turn out okay.

The Shadow, everything Magnus discarded. You could call him dark creativity, but he’s a lot more. 

They used to call him Rex, when they were kids.

Patton: Patton isn’t thrilled with having to move to a new school, but he’s keeping a positive attitude

The new town is creepy and making friends is harder than he thought, and he just wants to right a sappy love story about ghosts without feeling sad.

But if he keeps his chin up, he knows it’ll all be fine!

And hey, maybe he’ll find people who like him in this writing club thing!

Patton’s Sides, ranked in order of how much control they have: 

Patrick, his morality and emotions. Patrick feels all of the loneliness and desperation that Patton feels daily, but pretends he doesn’t feel it, since he has to be there for them!

Them meaning his family, meaning the rest of Patton’s mind, as well as Patton, since he’s kind of an older brother/role model to the guy.

Covering the full scope of human emotions isn’t great when the other half of your job is enforcing the sense of right and wrong (and the general consensus in Patton’s head is showing negative emotions = burden = wrong).

None of them can cook, but that won’t stop him from trying!

The Canary, his fears and anxious thoughts. Constantly popping up to remind everyone that they’re failing. It’s kind of his job.

Stress plays the piano when things get to be too much.

The Gardener, his creativity, romance, and passion. Conjures flowers a lot. Projects wishes for a soulmate into the sappy ghost love story, which he’s mostly in charge of writing.

Hasn’t split yet, but that’s mostly because nearly all of Patton’s negative impulses that would be considered “dark creativity” already come from The Miser.

Dr. Picani, his logical side. Knows everything about cartoons, and tries to be professional, but a complete sweetheart.

Secretly knows his name is Emile, but is waiting for the best moment to tell everyone.

The Miser, his self-preservation and deceitful side. No one’s a fan of him. Patrick is kind of his mortal nemesis (in the sense that Patrick claimed the title and he just kind of went along with it?)

Everyone else in the Pattonsphere refuses to curse, but he says many a “fuck” with ease

Trying to protect The Gardener from splitting by taking responsibility for most of the things a dark creativity would do.

Virgil: Virgil just didn’t want to join the yearbook committee. 

It was irrational, maybe, to have a deep rooted hatred of the yearbook committee. 

They were just trying to categorize things, design pages-it wasn’t malicious! 

And yet, being in that classroom and seeing Amelia’s dead eyes and smile near rang every alarm bell in his system, so he needed a way out this year.

His parents weren’t going to let him not choose an activity, so he flipped a coin and ended up in some writing club.

He came into the club determined to fake some pretentious poetry about death. Just because they say the club’s about expression or whatever doesn’t mean that they can know anything about his comics.

Virgil’s Sides, ranked in order of how much control they have: 

Dante, his fears and anxious thoughts. Dante has too many eyes. Dante is lowkey a cryptid, but he’s sadly a cryptid in charge of life decisions.

There’s no way to dance around it. Dante’s a spider-human hybrid.

Dante would prefer they never be perceived by anyone for anything. He does not want to be seen, he does not want to be heard, he does not want to be perceived. Period. 

But he’s a very conspicuous spider-human hybrid. 

The Competent One, The One Who Can Actually Do Math, Steve, whatever you want to call him, he’s Virgil’s logical side.

His theories are just....

See that image? That kind of sums up his characterization.

Parker, his creativity, romance, and heroic side. He’s the one who got them obsessed with comic books, and is trying to write his own. If people don’t like the comics, he’ll probably just start screaming and never stop

He gets the purple eyeshadow!

Remy, his self-preservation. He mainly just wants Virgil to just...rest

Nap. Sleep. Take a self-care day. This is Remy’s goal.

Also to continue to have the most style out of anyone in the Virgilsphere

Remy has a talent for never being anywhere at the right time, and then popping up at the worst moments, caffeine in hand.

Tam, his morality and emotions. The most into the emo phase out of any of them, since he feels all angst!

Sometimes just hovers and screams. Everyone’s pretty used to this.

Logan: Logan was trying to ignore the things he’d seen

Logan was a scientific guy. He knew that magic wasn’t real, that the fae were just stories.

So, clearly, the nightmarish things he’d seen that night were just that: nightmares. Just nightmares caused by stress over his academic struggles.

That was the immediate problem at hand: academic struggles. Logan was always the top of his class his whole life, and words like “gifted” were thrown around. Lately, however, things have been harder to keep up with and pay attention to, and it’s a bit of a mess.

Logan joined the writing club because he thought it might help him with English class, and he did like speculative fiction.

But, more importantly, he joined it because he thought it would be a simple task he could easily ace, so he wouldn’t have to keep being told that he wasn’t trying.

Logan’s Sides, ranked in order of how much control they have:

Mimir, his logical side. Mimir is pushing himself to take care of all academic matters and keep Logan afloat.

Mimir is over his head, but doesn’t really have anyone to talk to (or so he thinks), so he’s just putting Warby Parkers over his panic and faking cold distance to make everyone think he’s doing okay.

Alastor, his moral side. Half of his job is repressing Logan’s emotions, which isn’t a great thing to be doing, but he think he’s doing it for a good reason.

Kinda strict and blaming Mimir for everything going wrong. He does care about the others, he’s just bad at showing it.

Cassandros, his fears and anxious thoughts. 

This dude-

He’s basically just [puts feet on coffee table] “Hey, did you know everyone hates us?? I made a PowerPoint that proves it!”

He’ll get character development, though.

The Chessmaster, his overdramatic self-preservation.

Tries to be clever, walks into walls.

The Detective, his creative and fanciful side. He wants to swashbuckle, but instead he’s restrained to geometry. 

But now he has a project in the writing club! He has something to do!

And The Mad Scientist is trying to ruin it!

The Mad Scientist, Logan’s dark creativity.

They never used to care about the creative side one way or another. There was no need to make a dark side when it was already looked down upon.

Now, however, there are things in Logan’s mind that he’s trying not to think about, and so the Mad Scientist has joined the fray.

The Actual Plot

This is going to be an actual fic that I write. So, I’m not going to fill out the entire plot here.

I can, however say a few of the plot lines

Plot One: Everyone’s sides are in a state of constant screaming and must learn to communicate.

They also need to let their main guys figure out they have soulmates, because they’re all repressing that information for their own reasons.

Plot Two: LAMP in a writing club, falling in love and being disturbed by first drafts!

Plot Three: The fae are kidnapping people.

And everyone needs to get them to Stop.

I guess you could call this a trailer??

I JUST REALLY LIKE THIS IDEA