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duhragonball · 3 years

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Battle Tendency Liveblog: JJBA Ch.109-113

Hard to believe we’re at the end of this crazy ride.

Last time, Joseph had defeated Kars, only for Stroheim to order his men to finish Kars off with UV rays. Stroheim just wanted Kars to hurry up and die faster, and maybe he also wanted credit for the kill, but instead he played right into Kars hands. After Joseph kicked his ass, Kars put on a Stone Mask he had stowed away somewhere, and he installed the Red Stone of Aja into the Mask.

I should probably go over that a bit, since it hasn’t been mentioned for a while. Kars has been perfecting the Stone Mask technology for thousands of years. It turns humans into vampires, but for his species it unlocks even greater powers. But Kars hit a wall in his research. He wanted to design a mask that would make him the ultimate life form, but he lacked the means to power such a mask. He discovered an answer in the Aja Stone, a mineral that focuses light, but he needed a bigger, more flawless sample of it, and that’s the Stone he’s using right now, the one he captured from Lisa Lisa.

So instead of killing Kars, Stroheim accidentally made his lifelong ambition come true. One nice touch I just noticed is that the Mask itself falls apart as soon as it’s finished its task. I suppose, in theory, someone else could have tried it on and get the same power boost as Kars? Would it even work on a normal human? Well, we’ll never find out.

There’s a couple of ways to interpret this. One is that Kars’ “Super” Mask was highly experimental, and it must have been untested, since he’d never had Lisa’s stone until now. So it’s possible that the thing burned itself out after a single use. The other interpretation is that Kars designed this Mask to self-destruct after the first use, because it was never intended for anyone else but himself. The whole point of this was to become the Ultimate Life Form, the very pinnacle of all living creatures on Earth. I think it was implied that Wammu and Esidisi were expecting to share in this power when the time came, but why would Kars have ever allowed for this? What’s the point of being the greatest and best in the world if you have to share that top spot with two other guys?

Stroheim realllly wants to believe this is all a big fluke, and that he didn’t just make the bad guy stronger. The Ripple wound on Kars’ arm is still there, so Stroheim figures he’ll die anyway. Except Kars doesn’t seem too bothered by his injury. And then...

Yeah, so Kars not only repairs his injured arm, he reshapes his hand into a squirrel. Joseph speaks for us all: What the fuck?

For a hot minute, everyone thinks the squirrel he made is kind of cute, until Kars sends it to find another squirrel and kill it. Then the Kars-squirrel tears a hole through Stroheim and carves a trench in a Nazi soldier from chest to eyeball. Then it rejoins Kars’ wrist, and turns into a flower, and then a butterfly. Some Part 5 and 6 pre-references for ya.

Then the sun comes up. Wait, the Joseph/Wammu fight happened around midnight, right? How many hours have these folks been out here? And it’s February, too, so this had to have been a long night. Anyway, the sun comes up, so we’re saved, right? Wrong. Sunlight doesn’t hurt Kars anymore, thanks to the power he got from his special mask. So now what are they supposed to do?

Well, Joseph’s going to use his last resort: running away. Also, he grabs the Aja Stone, for no apparent reason. Kars grows a pair of wings to chase him. He no longer cares about the Hamon users, because they’re no longer a threat to him. But he wants to kill Joseph personally, both to celebrate his new powers and to avenge the deaths of Wammu and Kars.

Smokey joins Joseph, which doesn’t make much sense to Joseph, but Smokey wants to tell Joseph about Lisa Lisa being his mother. Except Joseph’s a little too distracted by the eldritch horror that’s trying to murder him. Read the room, Smokey.

Here’s a helpful diagram of Kars to explain what his deal is now. Basically, he’s immortal and can regenerate and reshape his whole body, but he had that before, just by being a Pillar Man. The big upgrade is that he’s no longer weak to sunlight (and by extension, the Ripple), and he can now replicate the traits of any life form on Earth. He’s faster than cheetahs and has better hearing than bats and so on. He can go for a full year without eating, and he no longer needs to sleep. Sex is meaningless to him, because procreation is only important for lower life forms to maintain their species. Kars has no need for children or bretheren. “There is but only one summit.”

Maybe Wammu and Esidisi had understood that truth all along, and they never seriously expected Kars to share this power with them. They practically worshipped Kars as it was, so maybe they were only doing this for the greater glory of their leader.

So what does Kars plan to do with all of this power he now has? The Aja Stone was his only goal before, and that’s done. He has no enemies to fear, and as Speedwagon observes, there’s no way left to kill him. This page states that his only purpose now is to create a world to match his own desire, but what is that? What’s Kars’ vision for the Earth now that he’s reached this point?

We never really find out, and I suppose that’s why it’s convenient that he decided to start out by killing Joseph. For all we know, he would have just chilled out and left humanity alone after that, but this way there’s still an immediate threat to deal with.

Miraculously, Joseph manages to stay ahead of Kars long enough to find the airplane that brought Stroheim here. You’d think Kars could have caught up to him with all these fancy new powers, but Kars was never in much of a hurry. He took his time to search for the Aja Stone, and he made it a point to trap Jojo and Lisa rather than risk fighting them fairly. So even now, when he has such an overwhelming advantage, he seems to be playing things the same way. He has no weaknesses, so he may as well take his time and stalk Joseph, if only to watch him squirm.

Joseph tries using the plane’s weapons to even the odds, but Kars grows armadillo hide on his wings to protect himself, and he fires the armor at Joseph like shrapnel. So machinery doesn’t seem to make much of a difference.

So Joseph just flies south, using the plane’s engines to give himself a comfortable lead. He’ll run out of fuel in a couple of hours, but Speedwagon calls him on the radio and tells him that they’ll figure out a plan. Except that Joseph already has his own plan. There’s a volcanic island off the coast of Italy. I assume this is Stromboli Island, since Italy has only three active volcanoes, and Mt. Stromboli is the only one on an island. Anyway, Joseph plans to lure Kars into the volcano, and destroy him with molten lava. I mean, Kars is still flammable, right?

Speedwagon hates this idea, because he doesn’t see any way for Joseph to pull this off without getting killed in the process, and that sounds way too much like what happened to Joseph’s father and grandfather. Oh, and his great-grandfather. I didn’t notice George I up there until just now. Speedwagon tries to tell Joseph about Lisa being his mom, but Joseph can’t hear him because of all the piranha noises in the plane. Wait... what?

Yeah, all the feathers that Kars turned into armor and launched into the fuselage? Well, he’s still controlling those things, and now Kars has turned them into piranhas. Well, I guess not literal fish, since they’d never survive up here. The point is that Kars can control every cell in his body and mimic any animal traits he wants, so if he wants to make small bitey creatures to wreck Joseph’s plane, he might as well make them look like piranhas. ALso he makes an octopus that tears up one of the engines.

So Joseph bails out, but he’s a sitting duck in that parachute. Kars calls him a butterfly caught in a web, which is the second time we’ve seen that analogy in Part 2. Araki just out here telling everyone what Jolyne would be wearing in twelve years.

But the parachute contains a dummy. Why did Joseph waste time drawing a face on it? Because he knew he had to fool Kars’ razor-sharp senses, of course. Kars probably saw the dummy, and got suspicious, but then he noticed the eyes and mouth, and though “Oh, okay, I guess that’s a real person then.”

Anyway, this suckers Kars in so that Joseph can crash into him with his plane and they can both go into the volcano together.

But Kars thinks he can tear up the plane before it lands. Except a robot hand grabs him from behind, and he finds Stroheim stowed away. Wait, so Stroheim outran Joseph AND Kars and hid in this plane before Joseph took off?

Anyway, Stroheim manages to get Joseph out of the plane to relative safety, but he crushes his whole lower body in the process. But it seems to be worth it, because Kars landed smack-dab in the volcano! Awesome! Fuck you, Kars, you screwed over Lisa Lisa, and that’s what you get! He tries to protect himself, but he can’t grow a defense against 1000 degree heat...

... is what I would say, except no, Kars totally does that. Just when Joseph thinks Kars has succumed to the lava, Kars pops out and slices off Joseph’s left arm with his goofy blade.

How the fuck did Kars survive? Well, he couldn’t grow a lava-proof shell, but he could create a porous layer beneath the shell, and use the air inside to insulate the rest of his body from the heat. That wouldn’t protect him indefinitely, but it was enough to get the drop on Joseph.

So that’s it then, right? Not even molten lava can kill Kars, unless you could shove him down in there and keep him still for like ten minutes, and who’s going to pull that off? Stroheim begins to lose all hope...

Then we get a flashback to Kars’ origin. Long, long ago, there was a race of subterranean humanoid with long lifespans and an aversion to sunlight. Prehistoric humans thought of them as gods or demons because of their reclusiveness and power. Also, they would eat humans and animals, so that probably made them dangerous, too.

But I don’t think they were nearly as powerful as the Pillar Men we’ve seen in this story. I say this because the flashback establishes that Kars was the one who discovered the latent power in their brains, and he was the one who invented the Stone Mask technology to harness that latent power. So it stands to reason that much of what he and the others could do was the result of Stone Mask enhancements. The problem is that those enhancements increased the amount of blood they needed to consume, and the others in the Clan feared that Kars’ experiments would destroy their whole ecosystem. So when they tried to stop Kars, he killed them all. The only survivors were himself, Esidisi, and two young children who grew up to become Wammu and Santana.

So that story tells you something about what Kars might do with this newfound “ultimate” power. He didn’t achieve this for the good of his own people, because they’re all dead now, and he wiped most of them out personally. If he would do that to his own kind, the rest of the Earth would be expendable to him.

Back to the present, Joseph’s not giving up yet. He tries to use the Ripple one more time, but it doesn’t work. Worse, Kars counters with his own Ripple. Because Kars can do that now, you see. He’s got the powers of all life on Earth, and that includes Ripple users, I suppose. Worse, Kars’ Hamon power is hundreds of times greater, so he ends up getting badly burned on his right knee.

So now Joseph’s completely out of tricks, and he starts to accept the inevitable. Kars decides that the best way to kill Joseph would be to destroy him with his own finisher, Ripple Overdrive. So he charges up the most powerful Hamon attack he can muster, and just as he’s about to strike...

Joseph impulsively grabs the Red Stone of Aja and uses it to block, kind of like how he stymied Kars back on that cliff in Switerland. Only this time, Kars doesn’t hold back, and the Hamon attack is amplified. It bursts through Joseph’s right hand and into the volcano below.

The narration says that not even Joseph really understood any of this. He just sort of acted on instinct. That bothered me once, but now I see that it wasn’t entirely unconscious impulse. Back in Venice, when Lisa first told Joseph about the Aja Stone, Joseph suggested destroying it to deny Kars his prize. But Lisa said there was a legend that foretold that Kars could never be defeated without the Aja Stone. And that would at least explain why Joseph picked the thing up back in Switzerland before he fled to Mt. Stromboli. Maybe it was unconscious action that made him pick up the stone in this fateful moment, but I think it was a more conscious thought that made him take the stone with him in the first place. On some level, he remembered that legend.

Okay, so there’s a mega-ultra-Super-Saiyan-5-Ripple that just went into a live volcano. What good does that do? Well, it makes the volcano erupt, and it launches Joseph and Kars into the air. So what? Kars can fly. Yeah, he could, but...

You know, Joseph’s lost hand really left an impression on me when I first watched the anime of Part 2, but now that I’ve read the manga, I’ve noticed tons of severed and wounded forearms all through this story, almost as if Araki had been building up to this moment. I’d make a Part 4 joke, but nah, that’s too easy. But it wasn’t even that long ago that Wammu lost both of his hands, and then he launched them as Joseph to distract him. Kars lost his hand before he grew it back and turned it into a squirrel. Hell, Stroheim launched his robot hand at Kars to distract him for the volcano crash. And now Joseph’s hand has somehow launched itself into Kars’ throat to distract him again!

I’m assuming that Hamon energy has a lot to do with this. You’d think Joseph’s hand wouldn’t have survived getting fired up this high, and it shouldn’t be powerful enough or alive enough to bother Kars this much, but it does. So I’m chalking it up to all that Ripple energy. It briefly reanimated Joseph’s hand and made it follow Kars up to this altitude, kind of like how Jonathan controlled Wang Chung’s decapitated body at the end of Part 1.

So Joseph taunts Kars about this, and implies that he planned this somehow. And when Kars pauses to ask if he did plan this, more rocks and stuff from the volcano hit him and send him even higher up into the air.

And Joseph claims that he did plan this entire thing! That’s bullshit, but he hopes Kars will believe it, if only to make him more frustrated. Maybe Joseph didn’t plan all this out, but he seems to have deduced what’s happening here.

Kars has been launched so high into the air, and at such an incredible speed, that he’s achieved escape velocity. Does Kars even realize what that means? I mean, he’s super-intelligent, especially now, and he’s been alive for thousands of years, but what could he really know about outer space? Has he ever even considered it before? It seems like all of his ambitions involve the Earth, and only the Earth, and everything living upon it.

As for Joseph, the chunk of rock he’s on does not fly into space. Instead, it starts to fall back down, and Joseph assumes that he’s probably not going to survive the impact. Eight hours later, Stroheim makes it back and informs Speedwagon that Joseph must have died in the eruption.

But Kars isn’t worried at first, because he thinks he has this whole “vacuum of space” thing figured out. He just takes a page from Wammu’s playbook and makes air jets on his back to expel compressed gas from his body, like the maneuvering thrusts on a spacecraft. Except that’s not nearly enough to counteract the force of the volcano that sent him up here.

Yeah, Kars has no idea how space works. Instinctively, he probably counted on friction to slow him down, except there is no friction in space. He probably also expected his air jets to push him a little bit at a time, and maybe he could pull in more air as needed, except there is no more air. Even the air from his body is denied to him, because it just dissipates into the vacuum of space. Kars talks about the air freezing as it comes out, but I don’t think that’s right. What’s happening to him is like when you use one of those compressed gas canisters to clean your keyboard. Release a lot of the gas at once, and the can starts to get cold. That’s because the liquefied gas left inside the can now has more room, and it begins to boil as it expands. This draws in heat from the surroundings, which makes the can feel cold to the touch. That’s what’s happening to Kars here. All he’s doing it losing all his body heat. Maybe some of the air really is freezing around him, but I don’t know. It depends on whether the sunlight is hitting him, I think.

Anyway, the last thing Kars says is “I can’t go back!!!” And that’s what makes this so perfect. In the anime, we see the Earth recede into the distance as he continues to tumble further and further away. By surviving the lava, Kars had “mastered” the Earth, but now he’s been separated from the Earth. He’s got all this incredible power, but without the Earth, he’s got no one to use it on.

And then we come to the pièce de résistance of Battle Tendency: The epilogue page that establishes, in no uncertain terms, that Kars never returned to the Earth. There’s no miracle escape this time, no clever trick or loophole. He simply doesn’t have the necessary acceleration to push himself back the way he came.

Did he die? Nope, because he made himself immortal, remember? Not even sunlight or starvation can destroy him now. But now death is the only thing he craves, because he’s completely alone and has nothing to do. I can’t imagine he’s very comfortable like this either, because it’s incredibly cold in outer space, and Kars must be able to sense that cold, even if it doesn’t actually hurt him.

And this is such a fitting punishment for a villain like Kars. Just as Stroheim wanted to become superior and lost his humanity in the process, Kars ruthlessly sacrificed friend and foe alike to achieve this Ultimate form, and what good does it do him? It’s become his prison, his hell. At long last, he’s become the supreme being, a world unto himself, but with no one around to lord it over, there’s really no point to any of it.

I just really love this ending. I’m not sure how else I can express it. This is what should have happened to Akio Othori in Revolutionary Girl Utena. But Araki was brace enough to do it to Kars.

I suppose I could attempt some exercise in JoJo Part Comparison and connect Kars’ final fate to all the other JoJo villains. But I dunno, this is getting pretty long in the tooth as it is. I’ll just say that I’m suddenly reminded of Reimi’s final words to Kira in Part 4, when Kira asks where he’s being taken. “Who knows? But I’m sure it’s somewhere you won’t be able to rest in peace.”

So all that’s left is the matter of Joseph’s funeral-- Nah, just kidding, he’s not even dead. What’s weird is that Smokey says he met Joseph “six months ago”, which seems a lot longer than the events of this story. Anyway, Joseph returned to New York, only to find everyone at the cemetary. He wonders who they’re mourning, and he’s shocked to discover it’s him.

So yeah, the rock Joseph was on acted as a “shield”, and he managed to survive the fall, and even ended up near Venice, where Suzie Q found him and tended to his injuries. Stroheim even set him up with a robotic hand to replace the one Kars lopped off. I guess Stroheim never sent word of any of this to the U.S., probably because of Nazi Germany gearing up for World War II.

Anyway, Suzie took care of him for like two weeks, and they got married. So in a way, Joseph did follow in the legacy of Jonathan. Not in the “dying young” way, but the “Beat the bad guy and wake up in the care of a gorgeous blonde lady who eventually marries you” kind of way. You love to see it. But Suzie forgot to send a telegram to New York to let everyone know Joseph was okay, which is why everyone is so shocked and why Joseph is so shocked about them being shocked.

Then we get the epilogues for all the surviving characters. I mentioned this when I liveblogged the Part 5 manga a few years ago, but the stark contrast between Battle Tendency and Vento Aureo is that Part 5 is very ambiguous about its ending. We know who wins and who loses and who survives, but that isn’t really enough. We don’t know what will happen to Giorno Giovanna after Part 5. Does he live up to his lofty dream, or does he succumb to corruption like his wicked father? I think that’s intentional, because Giorno is the “golden wind” in the story. He’s an agent of change, but we don’t get to see the effects of his efforts, only the cause that he fights for. But Part 2 operates in the exact opposite way. We know exactly how and when Speedwagon dies. I’m a little confused how Stroheim could have died at Stalingrad when Kars and a volcano couldn’t kill him, but maybe the Russians had Stand powers. I think the only minor mystery is that we don’t know what happened to Lisa Lisa after 1948. It’s likely that she survived into Part 3, and maybe beyond, but we never see her again.

It’s also kind of weird how upbeat this epilogue is about reporting on the deaths of so many characters. Like, Stroheim died in one of the worst battles in human history, but he went out on his own terms, so it’s cool? I guess? Even the characters without deaths, like Smokey, it’s sort of implicit that he’ll die sooner or later. But it’s a good thing because it’s final and proper. It’s something Kars craves now, but can never experience. A life worth living, made more precious by its limitations. Kars tried to use cheat codes in nature, and he ended up clipping through the map and making the game unplayable. But Smokey, he‘ll be mayor someday.

As for Joseph, we see him in an airport in 1987, bullying Japanese people because his daughter married a Japanese guy and moved there. He’s headed to Japan right now to see her and his grandson, who probably doesn’t even recognize him, it’s been so long.

On the other hand, he appreciates his Walkman, which is either Joseph giving the Japanese some credit, or maybe he’s just too dense to notice the irony.

I hate that he’s listening to the Beatles, because the Beatles are overrated trash. My favorite thing about the Part 2 anime is how they changed his music to “Bloody Stream” by Coda, which a) kicks ass and b) wasn’t a song by the shitty Beatles.

And that’s Battle Tendency. Kind of neat how it closes on Joseph’s flight departing to visit his daughter and grandson, in contrast to the final panel of Part 1, which showed Erina floating in a coffin alone in the ocean. Joseph has bucked the curse and he’s graduated to Part 3, for better or worse.

But I feel kind of weird leaving it here, because I do love the way the anime wrapped up, so I’ll close out with this:

Tsugi ni omae wa “Grazie!” to iu!

#jojo's bizarre adventure #battle tendency #joseph joestar #kars #rudol von stroheim #lisa lisa #robert e o speedwagon #smokey brown #esidisi #wammu #erina joestar #george joestar #jonathan joestar #george joestar ii #suzie q

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terramythos · 3 years

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TerraMythos 2021 Reading Challenge - Book 3 of 26

Title: Acceptance (The Southern Reach #3) (2014) - REREAD

Author: Jeff VanderMeer

Genre/Tags: Horror, Science Fiction, Ecological Horror, Cosmic Horror, Weird, First-Person, Second-Person, Third-Person, Unreliable Narrator, Female Protagonists, LGBT Protagonist

Rating: 10/10

Date Began: 1/11/2021

Date Finished: 1/20/2021

Area X, a self-aware wilderness along the coast, has existed for decades behind a mysterious border. The landscape itself annihilates humans and repurposes them for its own ends. Hundreds of people have died attempting to uncover its secrets. But no one has yet discovered its origins or true purpose.

Now, Area X has spread past its former borders, perhaps to the entire world. Acceptance follows several key figures through the history of Area X, and their attempts to fight against an impossible threat.

You feel numb and you feel broken, but there’s a strange relief mixed in with the regret: to come such a long way, to come to a halt here, without knowing how it will turn out, and yet... to rest. To come to rest. Finally. All your plans back at the Southern Reach, the agonizing and constant fear of failure or worse, the price of that... all of it leaking out into the sand beside you in gritty red pearls.

Full review, major spoilers, and content warning(s) under the cut.

Content warnings for the book: Extreme body horror, altered states of mind, and psychological manipulation, including hypnosis. Several characters lose their sanity, and you see it happen in real time from their perspective. Intentional self-harm/mutilation as a plot point. Some violence and gore. There are brief references to animal abuse and terminal cancer. Not many happy endings in this one.

This review contains major series spoilers. It’s also super long, as the book covers a lot of material.

Acceptance is the most narratively ambitious book in the Southern Reach trilogy. While Annihilation and Authority feature a single protagonist/perspective, this one has four rotating POVs and one guest narrator partway through the book. It also covers a broader timeline than previous entries, from the origins of Area X 30-ish years ago to the ongoing present-day apocalypse. Acceptance is one of the few books I've read that utilizes first-, second-, AND third-person narration in a single volume, adopting whichever one makes the most sense for the character and their situation

While this sounds complicated, it's basically just a way to tell four different stories at the same time. VanderMeer also uses each storyline to address the major questions of the series. How did Area X come to be? What happened to the biologist? What was the former director of the Southern Reach trying to accomplish? And perhaps most pressing-- what is the fate of the world now that Area X has spread? Not everything is resolved, but it's definitely a conclusion.

The stories have some unifying connections, containing similar themes and callbacks/references to each other. However, for the purposes of this review I will be looking at each story and protagonist individually.

First up is Saul Evans the lighthouse keeper. He's been mentioned before, but never in much detail. Going in, we know a few things-- (1) he knew the director/Cynthia when she was a child and (2) something happened to him that turned him into the Crawler, the eldritch creature which writes the sermon on the walls of the tower in Area X. In Acceptance, we learn he's a former preacher who had a crisis of faith and left his old life, taking up the role of lighthouse keeper on the forgotten coast. It's implied this is partially due to him realizing he's gay and fleeing the resulting homophobic fallout. His past vocation explains the elevated, sermonic language of the words in the tower.

From the onset Saul is an intensely likeable character. He's trying to build a happier and more genuine life for himself. This part probably takes place during the 70s or 80s, but he's cautiously optimistic about his new life with a local fisherman named Charlie. He also forms an unlikely friendship with Gloria (aka Cynthia), a local kid who loves exploring the coast. However, he is tormented by the "Séance and Science Brigade", a shady organization that investigates/worships(?) paranormal phenomena. They sabotage the lighthouse beacon, which we learned in Authority is a marvelous piece of technology with a mysterious history. Shortly after, Saul accidentally absorbs a fragment of the beacon into himself, and shit goes downhill real fast.

While the catalyst of Area X may seem a little weird, the reader can piece together that part of the beacon has extraterrestrial origins, and Saul unintentionally activates part of it. The gradual shift from a normal life to something deeply unsettling has its appeal. I especially like seeing his logs/journal entries and how they devolve as proto-Area X overtakes his mind. The disturbing bar scene near the end is great as well. We know going in that this story has a bad ending (from a human perspective), but learning specifics about Saul as a person gives this more impact. Saul's is a sad tale of a man who wants to make a better life for himself and gets screwed over by bad luck.

Cynthia/Gloria/the former director is the next perspective character. In Annihilation she serves as the antagonist, but in Authority we learn it isn't that simple. She had ulterior motives, handpicking the biologist for the expedition in order to use her as a weapon against Area X. And, of course, we learn she was the little girl in that old picture of Saul, which means she probably grew up there before the border came down.

This part opens with Cynthia/Gloria's death as "the psychologist" in Annihilation, but told from her perspective. From there, the pacing is a little slow, in similar style to Authority. We learn how Cynthia lived her daily life, how she infiltrated the Southern Reach, and her interpersonal relationships with Grace, Whitby, and Lowry. However, her storyline ramps up when detailing Area X and the lead up to twelfth expedition. Lots of old scenes/dynamics from Annihilation hit different with the new context. Especially interesting is the interview between Cynthia and the biologist; turns out there was a lot more context that the biologist obscured in her story. On some level we already knew she was an unreliable narrator, but it's fun to have it pop up again in a different book entirely.

I admire how VanderMeer makes someone who comes off as a throwaway villain into the one of the most complex, important characters in the series. This part is also really cool as it's written in second-person perspective, and the story justification for this (Area X examining her memories) is neat. While I like Cynthia's characterization in this part, the additional bits in Saul's story and his interactions with Gloria add helpful context and emotional impact. The end of the book being her letter to Saul is so damn sad.

The third main storyline follows Control and Ghost Bird in the "current" timeline-- exploring Area X in the immediate fallout of Authority. I love this part for several reasons. The contrast between the two leads and how they perceive themselves, Area X, and the current situation is great. Control is very much losing control, feeling "the brightness" taking over (a callback to Annihilation). Meanwhile, Ghost Bird is in her element, seeing and experiencing things the regular human characters do not. There's the sense that she's truly something "new" in terms of both humanity and Area X.

We also learn a ton of stuff about Area X that is hinted in earlier volumes but confirmed in Acceptance. (MAJOR SPOILERS) The first is that Area X isn't on Earth at all; something briefly hinted at in Annihilation, when the biologist doesn't recognize the stars in the sky. Instead it mimics Earth, or something representative of it. The second big thing is that time works differently here. The uncanny state of decay noted in earlier books isn't actually a direct result of Area X. It's just the passage of time, because way more time passes in Area X compared to the "real" world.

The guest narrator/story is told within the Control/Ghost Bird storyline. The two meet up with Grace, who has managed to survive the Area X attack on the Southern Reach. She took shelter on the mysterious northern island and discovered an old journal written by... the biologist from Annihilation, which details what happened to her over the last THIRTY YEARS (yeah, the time thing) until she finally decided to give into Area X.

This section is sobering and sad; basically a glimpse at how the biologist's isolation slowly made her go mad. She finds an owl (hello cover) that she believes is her husband post Area X conversion and the two live together for decades. When it dies, the biologist loses the will to keep fighting Area X. It's ambiguous if the owl really is her husband, or if she's just projecting, but her heartbreak at the end is probably the strongest emotion she shows in the series. But what is interesting about this part is it confirms a cool detail. Injury and pain can halt the progression of "the brightness" within someone. Which is how the biologist managed to survive 30 years, how Grace survived what turns out to be 3 years, and so on. Even more interesting, when someone DOES finally succumb after warding off the brightness this way, they turn into something more strange and alien. Hence the moaning creature, and Saul/the Crawler. It's also probably why some creatures have incongruencies, like the dolphins with human eyes.

The biologist? She transformed into a giant, oceanic eldritch abomination COVERED in eyes. Just primo aesthetic. We get to see her from both Ghost Bird and Control's perspectives. Ghost Bird feels solidarity and a sort of euphoria meeting her alternate self. Control... basically breaks in the face of something like that, full cosmic horror style. Again, the contrast here is really appealing to me.

Both of their story arcs end in a way that is narratively satisfying, though the ending is open. The future seems hopeful in a bittersweet way, but presumably Area X has destroyed humanity as we know it. Whether that's a good or bad thing depends on your perspective and is a central thesis of the series.

So, I said I'd discuss how this series approaches aliens. While there's an appeal to anthropomorphic alien species one can talk to and communicate with, I think an "unknowable" perspective is more realistic. After all, who's to say alien life formed under similar conditions or has any resemblance to our own? The extraterrestrial element in The Southern Reach is very much this type. But it's a fine line to walk in fiction, because handwaving the weird alien stuff as impossible to comprehend (and thus conveniently ducking any responsibility for explaining it) is lazy writing when done wrong.

The thing I find interesting about this series is the human characters understand lots of the what of the alien elements, but not the why. For example, Area X transforms humans into various plants and animals. We know it instills a sense of "brightness" in humans exposed for too long, which encourages assimilation into itself. Humans infected in this way, even if horrified or resistant, have thoughts of this being inevitable, even a good thing. The biologist takes samples in Annihilation and finds several plants and animals have human cells. Control logically knows what Area X does to people, but he is ultimately helpless to resist the process when he experiences it firsthand.

As for the why of it all... we don't really know! There's multiple ideas presented throughout the story. Ghost Bird probably gets closest to the "truth"; that Area X is part of a machine organism from a dead alien civilization, and that it has a bizarre effect on Earth's biology based on its now defunct programming. Other worlds would have their own Area Xes based on this idea, as it's implied the Earth version is just one piece of many. But it's worth noting that Ghost Bird is a creation of Area X and sees things differently than the other characters. Unreliable narration is ironically consistent through the series. So it's hard to say if this is true or not; perhaps it's silly to think any explanation would be understandable to a human mind. Obsession with finding the answer is a recurring theme that drives characters insane. I think this is an interesting compromise when discussing the unknowable; to have some facts and theories but not necessarily a concrete answer.

If I have a criticism for this book, it's the role of the "Séance and Science Brigade", especially in Saul's storyline. While they're set up earlier in the series, we only really see them in this book. Our limited perspective via Saul leaves a lot of ambiguity as to their purpose, function, and goals. There's an implication that Control's family influenced the organization's decision to sabotage the beacon and create Area X. But I consider the subplot with Control's mom/grandfather to be one of the weaker ones in the series, and this book didn't help. The S&SB comes off as campy and ineffectual, which is perhaps intentional? But since they're narratively the fanatics who caused Area X to happen, I really wish they felt more sinister and impactful. There's some attempt to make them scary, but it's not very convincing when compared to Area X. Kind of like a Saturday morning cartoon villain vs the unknowable cosmic horror of the universe. This is a nitpick, though.

While rereading the series, I discovered there's a planned fourth book which may or may not star a minor character from Saul's story. I'm interested to see what else there is to explore about Area X and the Southern Reach. As it stands, I still really like this series. Between the horror and general weirdness, it's not for everyone, but it sure does appeal to me. I think this is one of those series that you'll either adore or hate. Obviously I recommend it.

#taylor reads #2021 reading challenge #10/10 #long review lmao

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angstymdzsthoughts · 5 years

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The Screams All Sound The Same...

This is a bit more worldbuilding and headcanon at first but there will be angst in later though some content warnings as this implies thoughts of not being human, body horror and eldritch horror as well with canon spoilers and maybe some inaccuracies.

I've always wondered, how WWX seemed in tune with demonic energy? He had only suggested it and never actually tried it before until he had no choice, he didn't seek it out until then. It only ever came to him, as if he were a magnet. So, we're going to be going back, right before his parents died.

Now, they said that WWX's parents died in Yiling and I'm not exactly sure if the Wen Sect were the closest but they are the biggest sect, so therefore, there is a chance their territory reaches that place. Which means we have Wen Cultivators watching over Burial Mounds.

Have you seen that Landborne Abyss? The place where two kingdoms fell to their demise? There had to be some eldritch amalgamations inside that graveyard battlefield, born from resentment, rose from hate, drenched with blood of it's long forgotten enemies and brethren, reaching up to claim back the life it had once before.

The Sects had said that the Wen Sect had grown more arrogant over the years, and maybe, if the reward wasn't big enough or there was no prize at all, they would ignore the monster as it was just a bother to them. And what would they gain from staying in the Burial Mounds?

What if because of that, one of those beings escaped because the Wens have abandoned their posts, not wanting to do with the cursed mountain.

(////)

This is where Wei Changze and Cangse Sanren come in, new parents who loved Wei Ying very very much. They were hired to hunt a beast, lurking near the mountain, scaring the townsfolk so they left their son at the inn and promised to come back.

But the mountain didn't trust cultivators, it did not want them hurting it and keeping it at bay anymore. So that eldritch being? The beast they were talking about, only tasting a drop of being some semblance of life, the hundreds of souls trapped and merged inside who would not let go of this new life?

It could only try to dispose of them, like a cornered animal that was abused and ready to fight, desperate to survive.

The thing looked through the two's thoughts, searching for weaknesses that it could exploit, they were stronger as it was still weak without a vessel but it was in luck.

The two mates had one kin.

And in the darkness, Cangse Sanren saw a child. Her child, out in the forest, where dangers lurk. Changze had already bolted for his son, the instinct to protect his family overwhelming the sense of wrongness. Cangse followed not soon after.

It was what cost them their lives.

Their very own son killing them in cold blood, except it wasn't their son and now the couple would die together, knowing that they had made such a foolish mistake.

The being soon looked for the little one to give their thanks in helping it escape an unwanted death. It had a twisted view of the world, all it knew was that cultivators were dangerous and children were weak but pure.

It did not know it had torn a family apart, it had no morals to begin with anyway.

And they were met with a crying human, calling for the ones that have long since left and the being paused.

It was technically indebted to this young one, it couldn't just leave this runt out here. The child was dying, ever so slowly from the gaping emptiness.

The thing needed a vessel anyway, and it thought the form was rather nice, having tried to mimic it before.

So the being took what it had and gave it all to the child. It could not reverse the dying part but it was much easier to replace it instead.

Now 'it' was Wei Ying for he had long gone to sleep.

(////)

Wei Ying didn't like dogs, they knew there was something wrong, something inhumane about him. It didn't help that their teeth can tear his flesh and the black ink dripped through the wounds.

They were loud and he already had screams echoing in his head all day and all night long. He had tried to scream, tried to screech and howl, tried to maim and maul. But he was just a child and all that came out were sobs, his hands bloody with bites as his nails were too blunt to tear through the fur.

With the mind that unconsciously forgot about the bad, it wasn't long before Wei Ying forgot what was inside him.

It wasn't long before he was found.

Jiang Fengmian had felt it but had dismissed it, ignoring the way his hands seemed to twitch as he held the boy, how he wanted to run run RUN-! This was his best friend and right hand man's son and he knew Cangse could never be anything else other than human.

It must have been because the child was near Burial Mounds, children absorbed the energy of the environment more easily to help them grow and adapt to it.

And as he brought Wei Ying back home, nobody would think of a Sect Leader welcoming a horror into his own home.

Part 1 of ???

#Look I just wanna give Burial Mounds some lore and some backstory for how his parents died #I also want WWX to look at his self and really contemplate if he is human #or monster :)))#and think about which one is worse #Dogs can see through WWX #Make this more supernatural #Make it more horror #Angst Will Come Later #I Promise It's Good #I have plans for the Jiangs and Wangxian #Me trying to bullshit on why WWX can control demonic energy even before he tried to cultivate it #hey you cant just say he's the protag #give me r ea s on s #Inspired by the donghua of that one weird glob monster welcoming WWX home in the burial mounds like he was it's wife or smth #yeah this was inspired by that one scene bc w h y #i'm rambling #here's the official tags alfnwm #TSASTS!AU #Eldritch!WWX AU #Eldritch Horror #Eldritch Beings #Wei Wuxian #Cangse Sanren #Wei Changze #submission

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procyon-podcast-network · 7 years

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HOME STRETCH! Our Kickstarter still has a little over one day left to go. We’re funded, but we would love to reach our stretch goal so we can pay all the hardworking folks who volunteered to help us make it possible. People like our artist, (@theoutsidervevo) sound engineer (@shapechangersinwinter) and musician (@sounddesignerjeans).

During our campaign Andrea Klassen (our Certified Journalist on the team and co-writer/producer for Station to Station) did interviews with the creative teams of all our shows. In case folks on the tumble missed it, we’re also posting it here!

Below the cut: Station to Station writer’s room insider with Alex Yun and Andrea Klassen on inspiration, horror, and representation in genre fiction.

When Dr Miranda Quan embarks on an 10-week research cruise in the Pacific Ocean, she expects two months of no-nonsense experiments, bad Titanic jokes and marathoning Grey’s Anatomy. Instead, her lab partner has vanished, leaving nothing but a notebook full of illogical ramblings, a voice recorder, and a half-finished maths problem she has to solve. With a storm moving in and something sinister lurking below decks, Miranda must untangle the conspiracy surrounding her or be consumed.

AK: It's really satisfying to write women who get to be flawed heroes in all the ways male protagonists do too. With moments of bad judgement and moral conflict and selfishness and stubbornness. Also as a queer woman it's... just nice to get write characters whose stories aren't tied to homophobia — where someone can have a crush on another woman, but that's not the source of conflict the way horrifying science conspiracies are.

AY: Exactly. And the reason that we do this — the point of PPN — is to create narrative space for ourselves in genre fiction, be it horror or sci-fi or fantasy, where we are allowed to take up that space and drive that narrative. We deserve to be front and centre, to have our stories not end in tragedy, to have stories that doesn't just mimic the current way the media treats marginalised identities. It is not niche to put non-white, non-straight bodies into narratives that have been historically excluding of them.

The idea that diverse stories are less appealing is based on constructed ideas of what "the norm" looks like - it's tied to the experience of what it means to be the "default" and what it means to be the Other.

The rest is below the cut!

Andrea Klassen (co-writer, Station to Station): In an effort to hold onto the old Q&A format for one question — where did the idea come from for Station to Station?

Alex Yun (creator, Station to Station): I have scientist friend who goes on these types of research cruises once a year and has for the two-three years I've known her. She talked about it last time she went (or was about to leave, back in October/November), I thought 'this reminds me a bit of Wolf 359' which lead to 'this would make a good podcast' and that's how the original idea was formed.

AK: I remember when you first talked about it, there was something so appealing about that setup. Even before we'd really delved into what was going to happen in season one, there's that combination of forced isolation and forced camaraderie. No one's alone on a research vessel, but you're very much stuck with what you've got, for better or worse... and in this case, maybe a little more of the worse.

AY: Right, and that's how it turned from 'slice-of-life dramedy with slightly creepy science' to full-blown sci-fi conspiracy horror. The restrictions of being stuck in confined space, of being unable to escape because you're literally hundreds of kilometres out at sea — that all feeds into the paranoia, the unease, and the claustrophobia of horror.

AK: Yeah, and I think all those same things are reasons this is a story that's so interesting to tell in podcast form. My favourite horror has never been the stuff that's about slicing up people — it's withheld information, the stuff just outside your peripheral vision, that sense there's something going on you don't understand. A medium that's entirely what you can hear is so ripe for that.

AY: I think a big component to horror is helplessness. When you look at these classic horror movies, so many of them are about being stuck in a building, in a room, in a house — and then adding in the growing fear and sense of wrongness that comes from the unknown and truly unnatural. The best horror is psychological. I'm not really interested in gore as a trope. There are a lot of other fears you can delve into that's simply more...interesting and rewarding as a setup. Especially when you tap into the natural-reaction gut-instinct kind of scary.

The best thing with audio is that you get unlimited ways to play with perception. 'Nothing is scarier' is a favourite trope of mine and audio is perfect for that precisely because it's non-visual. It leaves a lot of room for imagination and painting the medium.

I'm honestly not a big fan of horror films precisely because of how many rely on cheap tropes like body horror, jump scares and gore, but I have loved conspiracy thrillers because they deliver the same punch of fighting against something bigger and unknown — so I suppose I wanted to create something that used similar tropes, but that I would be able to listen to and not bug out in the middle.

AK: I love ‘nothing is scarier�� too, and if you think about it, we've got a very literal use of it here — no spoilers, but nothing really is the scariest thing going on in this show in a lot of ways.

AY: Right, the vast empty abyss of the void beyond when you're in the middle of nowhere. Which is always fun to joke about, until you start exploring what it means, and how to make use of the.... let's call it the instinctual human unease towards the unknown.

AK: One of the things that's been a lot of fun there is that at the centre of this story we have this trio of very different, complex women who do paranoia and unease in such completely different ways. (I wanna gush about our characters, Alex. I wanna gush.)

AY: That was something interesting to explore — coming up with different perspectives, different voices, different character motivations was definitely a learning experience for me as a writer as well. We have three extremely competent women of colour at the centre of things trying to solve this eldritch, unexplainable, larger-than-yourself mystery and it is very gratifying.

AK: I think it's also deeply informed the kind of story we're writing. Horror can be pretty individualistic — final girls, a single protagonist getting to the bottom of everything — but when you're telling stories about people for whom finding safe community is an essential part of survival in everyday real life, it changes the narrative.

Questions of trust are so central to this story — both who you can trust when things go wrong, and how that trust or lack of it plays out. While in this case there's a conspiracy motivating our characters, these are questions that I think resonate on a pretty personal level if you're a person with any kind of marginalised identity.

AY: Right, and being aware of the real-life subtext is vital if we want to create something unique. Every piece of fiction has multiple layers to it, and every piece of fiction is measured against the meta-narrative it exists in. We're doing a horror-sci-fi in a medium that's abundant with horror-scifi — so it's obviously important to be aware of how we build it. It's been a challenge balancing character moments and not overcomplicating plot, but that's why themes of found families and solidarity and momentary allies an integral structure of the story.

But when all is said, I'm fairly satisfied with what we've got so far — I've enjoyed working with you, I love our cast, and I'm looking forward to bringing this thing to life.

Station to Station launches this summer. For updates, check us out at s2s-podcast.tumblr.com or follow us on Twitter @S2SPodcast.

#station to station #procyon podcast network #s2s podcast #representation matters #diversity in sff #supportpocpods #p: station to station

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