#or whatever it is that happens during that company of heroes segment. i just remember thinking 'man wtf i actually feel like i'm wasting my

[zwei-rhunen]

WAIT

THIS BETTER NOT BE A REPEAT OF ARRS MFING HEROES FEAST or whatever it was called. swear to god

Literally, my ongoing train of thoughts were:

"lol i just had the MCH feast but okay sure"

........ wait. why does this feel.. familiar.

why do i feel disgust and dread and irritation?

/war flashbacks to the overly long and tedious endless, useless chain of fetch quests for the company of heroes

oH, NAH. this better not be like that again.

no. No!

NONONONONO

/deep sigh

i'm not afraid to abandon the MSQ for another 6-9-12 months if it turns out to be like THAT experience lmfao. absolutely not.

they could have cut out that ENTIRE segment and played a bunch of cutscenes of the WoL helping out that useless group.

it didnt even contribute to the storytelling, apart from making IRL me irritated. like there was zero value in suffering thru it all.

you can torture my character all you want, but you can also do that without pissing the human off lmfaoooooo

[gastricpierrot]

Title: Heartbeat

Series: Promare

Pairing: GaloLio

Rating: T

Summary:

Lio turns himself in after the final battle, the start of a new life he must get used to.

This is a story of how Lio Fotia navigates through the days that follow, learns that support comes in more forms than he’s ever familiar with, and deals with his alarmingly developing feelings for Galo Thymos.

Also on AO3

[Prologue][Chapter 1][Chapter 2][Chapter 3][Chapter 4][Chapter 5]

[Chapter 6]

Lio’s new roommates are pretty normal upon a first impression.

Gueira and Meis are assigned to different rooms as well; perhaps it is done on purpose to encourage them to mingle around with others. At any rate, Lio’s not too bothered. As long as he’s staying with people who know how to respect boundaries and keep their mess to themselves, he’s got no complaints.

The enrollment day of fire training isn’t too eventful. They're made to sit through hours of briefings once they report in and leave their belongings in their rooms, they’re given tours across the facility. It doesn’t take long for the excited faces around Lio to slowly dim as boredom and exhaustion set in. Lio finds himself stifling some yawns of his own and suppressing a growing tinge of annoyance. The main instructor in charge of their orientation is trying too hard, speaking too loud, and being too obnoxious. There really isn’t a need to project such a forced image of toughness just to convince them that their regimen would be grueling; Lio’s sure everyone who’s signed up and passed the physical screenings are fully aware of what they’re getting themselves into.

He diligently sits through the entire program nonetheless, even making sure to take notes when necessary. Their daily schedule begins at six in the morning and ends at five in the evening. Classes are interspersed between physical training, lessons consisting of the basics and the theoretical sides of firefighting and rescue work. Trainees are allowed to eventually choose from a handful of electives as well, mainly on mission strategy, Gear piloting, and equipment maintenance. Their eligibility to choose between streams are dependent on their scores for each screening test segment.

Lio didn’t struggle too much on the written exams—those lessons during his detention did end up helping him—but he must admit to have ran into some troubles during the physical ones. He’s a bit stiffer compared to a few years back, his reaction time seems to be slightly slower than he remembers. His muscle strength and endurance seem to have improved from all the time spent doing community service, though, but Lio personally isn’t happy with how he can’t seem to pull off more explosive movements like he used to easily.  

It frustrates him, not being able to move the way he did when he’s just a little younger. It makes him wonder just how much had he depended on the Promare, and how much of his abilities then had been his own prowess.

He forces himself not to think too much about it. All he has to do is train harder if he’s that unsatisfied with his physical capabilities. He no longer has the luxury of moping around.

Lio’s enrolled into the FDPP’s academy under special circumstances, with the help of Galo and his team captain vouching for him. His expenses are covered through a grant—a scholarship of sorts. Everything he needs while training is supplied to him free of charge as long as he meets the performance standards expected of him. He's to take up extra lessons to earn his driver’s license on Sundays, the only full free day given to trainees. Lio knows he wouldn’t have the time and energy to think of unnecessary matters.

His day ends with a simple meal with his brothers at the dorm cafeteria. Gueira and Meis offer to keep him company for just a while longer, but Lio’s had enough social interaction for the day. He itches for a shower, eager to finally catch his breath and settle down to the music of a rhythm game.

Until he remembers he’s not with his usual source of music. And he still doesn’t own a phone yet.

Lio spends his entire time in the shower stall wondering how he should pass the night.

When he returns to his room later, the atmosphere there is...odd, to say the least. All three of his roommates are there, seemingly have been talking fervently among themselves when Lio enters. They stare at him intently, and he stares back, raising an eyebrow in question.

Two of them then turn away to exchange gazes among themselves, and they leave the room without another word. Lio doesn’t pay mind to any of it, stepping aside to make way. They're not the first ones who gradually recognized who he is and stared. Lio’s already ignored a dozen frowns directed at him from the older trainees and even some of the instructors. People are going to judge his decision based on his past as a Burnish, it can’t be helped. What's important that he himself maintains a clear grasp of his own goals and motivations.

“You’re the Burnish leader, Lio Fotia.”

Lio regards his remaining roommate, a boy several years younger than himself. What he senses from him isn’t the animosity he’s used to dealing with whenever someone remembers who he used to be, but rather a buzz of...excitement? Lio can no longer see where this conversation would go.

“I was,” he answers evenly, confusion growing when the boy looks at him even more starry-eyed.

“I knew it!! I thought you looked familiar when I saw you this morning!” his roommate hypes, and at this point Lio’s thought process has completely crashed. The boy then extends his hand towards him, face red. “I really!! Admire you!!”

Now this is really not within expectations.

“I’m?? Honored??” Lio hesitantly shakes, half wondering if this kid has somehow jumbled up his figures of admiration. “But can I ask, whatever for?”

His roommate retracts his hand and cradles it close, looking like he’s decided he’s never going to wash it ever again. “Um?? I just think you’re really cool!!! Fighting for your people like that!!” He then seems to abruptly notice his own intensity and grows embarrassed, averting his gaze and rubbing his nose with the joint of his finger.

“Sorry, I was still kinda young when I read about you on the news so maybe I’m still influenced by my past naivety,” he says, sullen before he perks up again. “But I still think you’re amazing, though!! Especially when you turned yourself in, my respect for you really skyrocketed when that happened!”

“It’s honestly nothing to be admired for,” Lio protests weakly, also getting sheepish as the conversation progresses. He's truly not used to receiving such genuine sentiments from strangers, much less from someone who wasn’t once Burnish themselves. “It was just something I thought I had to do.”

“It’s because you were willing to take responsibility that I’m so impressed!” His roommate insists. “You owned up even though the things you’ve done have been largely circumstantial. And that’s right after you saved the world! That must’ve taken a lot of pride and courage.”

“It really wasn’t—” Lio begins but is immediately cut off with a louder “It is!!! Incredible in my eyes!! Please at the very least accept my appreciation!!”

And what else can he do other than try not to get even more flustered and mutter a thank you? He really is too helpless in the face of people who aggressively throw praises at him like this.

“And another thing!!” The boy continues, and holy heck this kid is even more of a hurricane than Galo, Lio couldn’t help but think as he only blinks and lets himself be swept away by the flow. “How close are you to Galo Thymos??”

This, though, Lio’s expected to hear at least once while he’s here. Galo’s the super rookie of his team when he first started, the hero of Promepolis within a mere few years of being in service. With the sheer amount of merchandise Lio has stumbled upon while he wandered the streets and peeked into shops, he doesn’t doubt there’s at least one person in fire training who looks up to him. He's basically the local celebrity!

“We’re friends,” Lio answers, not one to reveal more unnecessary information that may cause troublesome misunderstandings. He figures if he mentions about being housemates with Galo for a bit the poor guy would lose his mind.

Sure enough, just knowing that they’re still in contact with each other almost sends his roommate into a fit. He makes an odd noise at the back of his throat, face growing redder with excitement.

“What kind!! Of a person is he???”

And for a moment, Lio’s stumped. It’s not a question he can answer as offhandedly as before. Galo...isn’t someone who could be summarized within a handful of words. Lio is certain that he’s yet to see many more sides of him; parts of him he may like, parts of him he may not. There’s still so much more to know, so much more to learn about.

“He’s as you see him on TV.” Lio makes his way to the bottom bunk he’d called dips on, taking a seat at the edge of his mattress. “Loud, obnoxious. Confident.”

He doesn’t notice how his tone softens as he goes on.

“He’s dumb, but not stupid. He's got an annoying habit of butting into people’s business, always trying to help even when it’s got nothing to do with him.”

He’s selfless, ambitious. He’s a nerd for his interests. He cooks well and keeps his home surprisingly tidy. He eats too much pizza for his own good. He’s too reckless for his own good.

“You seem really fond of him,” Lio’s told in the end. His roommate seems bemused, like he realized he’s accidentally stumbled upon something a bit too private. Lio ponders over his words for a moment. Well, yeah. He is fond of him. Otherwise he wouldn’t spend quite so much time with him, now would he?

“He’s been really good to me,” Lio says, hugging his elbows. “I hope to make it all up to him one day.”

“I’m sure you will!” His roommate assures, and he only smiles slightly in response.

“I’ll do my best.”

They engage in a little more small talk before Lio excuses himself, climbing on fully onto his bed and pulling the curtains shut. He lies on his side, pillow in his arms. Breathe in deeply, then out. Over and over.

He didn’t think he still remembers how to feel homesick.

xXx

The hardest part about fire training is arguably having to wake up at five in the morning to compete for the washrooms and shove breakfast down his throat within an hour.

Apart from that, though? Lio would say he’s doing pretty good. Physical training is tough, but he doesn’t think it’d kill him. He's used to physically demanding construction work, being almost constantly at it for five years. His current regimen might make use of completely different sets of muscles, but Lio’s long learnt to pace himself well and to avoid thinking of doing things like it’s a competition.

Most trainees seem to have been athletes as far as he can tell, all having the physiques one would expect to need for fire training. This also means that the younger ones in particular, are keen on showing off to one another throughout the first few days. Rivalries are declared and coarse encouragements are exchanged, and Lio can’t help marveling at how carefree youths could be, to treat job training like it’s some sort of social activity. They'll be stuck together for the next three months or so; he supposes it probably is worth building rapport among each other for the long term.

Speaking of rapport, Lio discovers the reason why his two other roommates left the room after a single look at him the night before. It turns out that they were trying to decide if Lio really is the Mad Burnish Lio, and upon finding out that he is and that the remaining guy is a huge fan, they just didn’t bother staying behind to watch him fanboy. It’s truly something Lio could never have imagined, but it’s nice to know that not every non-Burnish who recognizes him hates his guts. As insignificant as it is, it makes his chest feel just a little lighter.

Lio’s first week passes in a flurry of activities, each so new and energy-consuming that he could hardly stay upright at the end of each day. It’s almost impossible to muster enough focus to go over the textbook materials they’ll be quizzed on when he is uncomfortably aware of every muscle on his body and they are all aching. Lio has to admit that he does grow a little discouraged especially when the nightly headaches begin—until he remembers that even Galo has managed to pass the same program.

Now he definitely can’t lose. Even if it means developing a coffee addiction along with Meis and Gueira.

Sunday eventually rolls around, and Lio finishes his first driving lesson without a hitch. It’s just an online course about road rules and other such theoretical information regarding driving, held within the training facility’s computer lab over three hours. Lio’s supposed to revise the course contents over the week and pass the exam next Sunday if he wants to progress to the hands-on part of the lessons. He's not too worried about either; traffic rules seem straightforward enough to remember and he’s familiar with riding a motorcycle. He might be a little rusty after having not used his beloved Detroit for so long, but he’s confident he won’t fail. Mostly.

At any rate, that’s for future him to worry about. Present him exits the room with a slight, subconscious bounce in his steps, glad that his week is finally over. His heartbeat quickens just a little from anticipation as he heads toward the gates.

He hears the ruckus before he sees it. Galo’s standing to one side of the facility entrance, and he’s currently surrounded by a small group of excited firefighter trainees asking for autographs and training tips. He glances up just as Lio approaches, and his grin widens the moment he spots him.

“Sorry, you guys—I'll have to be going now!” he announces with an apologetic laugh. The trainees around him are fortunately understanding enough to instantly give him space, though they do give Lio strange looks when they realize he’s the one Galo’s been waiting for. The only one who speaks up is Lio’s roommate who also happens to be there, cheerfully telling him to have a great time and to be safe while he’s outside.

“Lio, you’ve made a friend!” Galo observes excitedly once they walk a bit further off to look for a place to eat. Lio wonders if it really is something that warrants that much disbelief in his voice.

“He’s my roommate,” he says, the corners of his lips curling upwards, nonetheless. “Kid’s pretty nice.”

“Look at you already going around getting along with people!!” Galo swings an arm across Lio’s shoulders in his enthusiasm. “You need to tell me everything that’s been going on while you were gone!!”

Lio’s now used to this sort of contact with him, their close proximity a comfort he realizes he misses just lately. He lets himself indulge in the moment for bit before protesting halfheartedly. “Galo, it’s hard to walk like this.”

“Right, right.” Galo withdraws his arm, and Lio bites back a wince when cold air immediately fills his absence. “Sorry, it just feels like I haven’t seen you in a while?”

“It’s only been a week,” Lio reminds him, though he can’t say he doesn’t understand. It’s only been a week, yet the sleepy mornings and quiet nights and soft “welcome home”s and “I’m home”s already feel so far gone. It feels like Lio hasn’t heard the jingle of Galo’s mobile game in forever, hasn’t humored Galo’s unpredictable energy spikes in a long while. His days have never felt quite complete ever since he left the apartment.

His days have never felt quite complete without Galo in them.

They keep up their idle chatter all the way until they find an eatery they both fancy. Lio waits until they’re seated and have made their orders before he continues sharing about the shenanigans he’s witnessed during fire training, the friendly rivalries going all around, the one time Gueira ingested so much coffee to study for a surprise quiz that he was out of it for the next day and a half. Galo’s a great listener as always, knowing well where and how to react, never shy about sharing his own anecdotes of mischief he’s seen and participated in back when he was training himself. It’s been quite a number of years since Galo attended the academy, yet so many things seem to remain unchanged. The system, the course contents, the facilities—and the trainee behaviors most of all.

Lio finds it all strangely fascinating.

“But all that aside,” Galo takes a sip of his melon soda, “I think you really are amazing, Lio.”

Lio doesn’t think he’ll ever be used to this compliment coming from Galo in particular. “What’s with that again, all of the sudden?”

“No, it’s just that it’s been on my mind for a while and—” Galo fiddles with his fingers, pausing a split second to gather his thoughts— “You’re already doing so well even though you looked so lost just a little more than a month ago! I’m just really glad that you seem to have found a goal again.”

“And who do you think helped me the most to get where I am now?” Lio places his elbow on the table and rests his chin against his palm, a lopsided smile across his lips as he gazes at Galo. “You’ll always be the most amazing one in my eyes, Galo. People look up to you, people strive to be like you. You stay true to yourself no matter what you face.”

And I’ve always thought that someone like me will never be worthy of staying by your side.

Galo frowns the moment he catches the words Lio muttered last, ready to argue when Lio speaks first.

“But I don’t want to give up,” he declares, adjusting his posture to sit a little straighter, a little prouder. “I’ll catch up to you soon enough.”

And at that, Galo grins, eyes bright. “I’ll be looking forward to that, then!”

Then as his elation fades, he seems to suddenly recall something. There’s a sly lilt to his voice when he speaks again. “Though, aren’t you being the romantic one this time, Lio?”

Lio gets the reference soon enough, and tilts his head in feigned innocence. “Why? Did it sound like a romantic confession?”

“Well, yeaaah.” Galo crosses his arms and squints, familiar enough with Lio by now to recognize certain signs indicating his verbal traps. “Kinda.”

Lio, on the other hand, isn’t nearly as bothered. “Good. I suppose it is one.”

...

“Huh?”

Lio remains calm, mostly because his brain hasn’t exactly caught up to his mouth just yet in the heat of the moment. He watches Galo’s reaction in fond amusement, heart beating just a tad faster as the words tumble out on their own, unrestrained as though freed by the realization that has finally dawned him.

“I’m in love with you, Galo.”

[sailor-cresselia]

Kamen Rider Zi-O 49: Finale

…You know what? No preamble this time. Let’s just do this.

Kamen Rider Zi-O episode 49: Season Finale.

Let’s go.

––––

We re-open with Tsukuyomi’s transformation into Kamen Rider Tsukuyomi!

Geiz is surprised, he didn’t see this coming. Woz and Sougo are both impressed, and Tsukuyomi… throws her hand forward… and… pauses everything…

Except Swartz.

Um.

She goes up to him, and.

Um.

Bows. To him. Dropping her transformation.

And says that she has obtained the powers of a Kamen Rider, and that she will be useful to her brother. That she’s royalty, too, and will do whatever it takes to save the world.

Um. Tsukuyomi? You are pretending, right? This is part of a plot to catch him off guard, right?

Because, uh, your expression isn’t one of, you know, devotion or satisfaction, or even resignation. You look like you don’t want to do this, so. Uh.

Please be faking?

Please?!

––––

If she’s not, and if she doesn’t transform again, this is the shortest Female Rider stint we’ve had. Didn’t think anything would beat Alia’s ‘literally one fight before becoming a prisoner’ run as Necrom-P, but…

––––

Woz’s recap – Oh HELLO.

The recap vault? You know how it has an appearance in the opening, with burning pages falling from the ceiling?

Guess what’s starting to fall around Woz right now.

The contents of his recap are simple. Thanks to Sougo’s efforts, Tsukuyomi’s become a Kamen Rider. And then she defected, which nobody saw coming. This is the last page until the end of the world.

––––

There are no opening credits today. We go right from Woz’s vault to the show title, to the sponsor segment, and to the episode itself.

––––

Tsukuyomi and Swartz stand on a rooftop at night, under a blood-red moon. He asks why they had her become a Kamen Rider.

Her answer? It was part of Tsukasa’s plan, because, according to him, her and Swartz’s world is trying to end because there are no Riders.

Swartz looks… I don’t know if that’s confused, frustrated, or ‘oh shit, I didn’t think of that.’

––––

It actually kind of works with Decade’s lore, too. If a world enters a Kamen Rider season, it has to have Kamen Riders, or it will start to collapse in on itself… even if that world isn’t supposed to have Kamen Riders. The Sentai-verse got a bit screwy when he crossed over with Shinkenger, to the point of the monster-of-the-day becoming Another Diend.

I wish I were kidding about that, but that MOTW was the OG Another Rider.

And we’ve only ever really visited one world that doesn’t, technically speaking, have Kamen Riders in the series that I can remember – during Heisei Generations FOREVER. At which point, Futaros’s actions in bringing Riders there started to mess with the fabric of space-time, to the point of old monsters just showing up, uncontrollably, with nobody there to stop them.

You know.

Like has been happening here.

––––

Okay, so I don’t think they told Geiz about this plan, but Woz and Sougo both knew.

Can… can Geiz just not lie? I mean, he’s super blunt about everything, and Tsukasa did say that his acting was horrible… Did they realize that he would somehow spill the Rider Tsukuyomi part of the plan, and not tell him that part? Because that’s the only reason I can think of for him to not know.

It does also allow us our exposition, though, so that’s something.

Tsukasa starts to detail the plan. By making Tsukuyomi into a Rider, her world could be restored. Thus, as Geiz points out, creating a ‘World of Tsukuyomi,’ not unlike the AR worlds in Decade, that they could use as a refuge from the currently-ending world they’re on now.

Woz says that she’s become a rider, so that means the plan is a success, isn’t it?

Tsukasa isn’t so sure. There are billions of people here. How could they all make it to another world?

(Sougo sort of slumps back at that. Geiz and Woz are still rigid, but Sougo seems resigned.)

Tsukasa continues. Right now, they’re in what could be called the ‘World of Zi-O.’ With Zi-O on one end, and Tsukuyomi on the other, the two powers could resonate, and create a bridge.

(Sougo draws in on himself. My ‘someone has to be there to close the door behind them’ theory is looking increasingly likely.)

There’s a visual of the plan, too. Two Earths, side by side, with a beam of light coming from each and meeting in the middle.

––––

Tsukuyomi is describing the plan to Swartz at the same time, saying that for it to work, both worlds would need ‘many Riders.’

––––

However, according to Woz, it’s all for nothing, because Tsukuyomi betrayed them.

Geiz wants to know why she would do that.

…Sougo looks like he’s thinking of something.

If they need one of them on each end, and the only people we know who can go between the two worlds are Tsukasa, Daiki, and Swartz…

They need some way to get Tsukuyomi to her World without Swartz constantly trying to kill her, now don’t they? What better way to do that then have her working on the inside?

––––

Swartz asks if she will acknowledge him as king, to which Tsukuyomi replies that his ascending to the throne is divine foretelling.

Toki No Ouja’s orchestral version starts to play as she kneels, while she has that same wide-eyed, almost hollow look as before.

––––

The music continues as Sougo stands up, and says that they’ll just have to hold them off, even if breifly.

Tsukasa points out that they’re speeding up the destruction of the world. Is he ready for that?

We cut briefly to the outside of the shop, and then to Junichiro working on cleaning a small gear of some sort. We don’t get to see what it goes to when the shot draws back, showing that he’s working at the front counter, with only the lights above him on. Whatever he’s fixing, it’s hidden behind the box he was holding last episode.

The music hits its final note as that shot closes.

––––

It’s daytime, now. There’s monsters everywhere.

I have no idea who this guy is that’s summoning a smoky cloud over a valley, but he’s got to be someone’s final boss… hang on… I have an idea… I saw this sort of cloud in Decade, during the World of Kuuga arc, so…

Yeah. Yeah, this is Kuuga’s final villain, N-Daguva-Zeba. This is fine. The world-destroying has progressed to end-bosses now.

That’s made all the more apparent by Evolt summoning a black hole and destroying three buildings in the process.

Geiz, in his Time Mazine’s mecha form, is beating up a giant crab…. YUP, same one from Hibiki that they fought off in Decade, a Bakegani.

Geiz is pissed, shouting that none of them are going to get away with this.

As he literally kicks the Bakegani away, those dragonfly like monsters start to swarm him, but he’s just shooting them down with… uh, okay, apparently the Time Mazines have missiles. This is fine.

Ah, and looks like I was right earlier, those dragonfly things are the swarm of mirror monsters that showed up at the end of Ryuki, Hydragoons.

––––

Woz and Decade are fighting against a plethora of mooks and named enemies, including Revol, the Katana Ganma (y’know, the one what did the thing in episode one), a Lion Inves, and Argus, one of the Phantoms.

They use a pair of finishers to defeat the mooks, but it doesn’t do any good – the larger enemies survived, and the mooks just respawned immediately.

A hail of gunfire comes from the other direction. Sup, Diend?

He’s all smiles right now, since he and Tsukasa get to ‘enjoy’ the end of the world together. Now that’s the greatest treasure he can imagine.

…

Rider-Time. Rider-Time, did. Did Tsukasa actually say ‘Enough flirting, and fight!’?!

Because. Uh. I don’t think he actually said that, but my Japanese isn’t good enough to pick up that sort of thing, but oh dear lord if this is how we get confirmation in-show that Daiki and Tsukasa are a thing…

He doesn’t reply to Tsukasa telling him off, and everyone just keeps fighting.

(But seriously, Daiki, this is not the time to flirt. I get that it’s kind of a ‘now or never’ situation, but come on, read the room!)

––––

At 9-to-5… Sougo’s almost finished a meal that Junichiro’s barely started. (Oh no.)

He’s not… taking his time, but he’s getting all that he can out of it.

Junichiro asks if everyone is fighting, and Sougo nods.

He finishes, and thanks his uncle, formally, in a way that he usually doesn’t do.

… oh shit. Junichiro picked up on it, too.

Shit.

“Sougo, you weren’t planning on this being your final meal, were you?” The shot switches from a very justifiably scared uncle to Sougo. “First off, you still need breakfast.” Sougo nods, making an affirmative noise.

He’s definitely agreeing to the first part.

Sougo gets up, and starts heading out – but Junichiro gets him to wait for a moment, and goes behind the counter to get something.

…You know how Junichiro was looking at the broken Build Watch a few episodes ago? And how the stand was empty when everyone headed out last episode? And how I said that the box he was carrying was about the right size for a pile of broken watches? And how he fixes clocks for a living?

Tokiwa Junichiro pulls out a tray, with a soft velvety fabric as a cushion… and eighteen disks, with the mask of eighteen different heroes.

All in full color.

Sougo’s astonished – how?

His uncle is tense. Why wouldn’t he be? His nephew is going off to fight, and potentially die, and there isn’t anything he can do about that. But these are Sougo’s and his friends’ precious watches, and there is no clock that he can’t fix.

“Ask everyone what they’d like for dinner, alright?”

Sougo pauses, smiling. “Got it. I’ll be back.” He looks up at Junichiro, determined.

Sougo may or may not be planning to make it out himself, but… he’s going to make sure that his friends do, at least.

(Seriously, my ‘he’d hoped that they would all keep each other company after he was gone’ line from the 22nd wasn’t supposed to happen, come on…)

––––

With Decade and Diend, Woz starts a Ginga Planet finisher, which starts to rain mini-planets down- and everything freezes.

Tsukuyomi emerges from behind them, hand outstretched, telling them that they can’t avoid the worlds destruction.

Swartz, as Another Decade, comes on scene, calling Woz disappointing. Or calling what he’s doing disappointing, it’s a little unclear. Either way, he blasts all three riders; Decade and Diend being thrown off screen, and Woz being frozen mid-air.

There’s no background music what-so-ever.

Swartz readies an energy blast, the same type he killed Tsukasa with, saying that he’ll make sure that Woz dies.

A second hand ticks, and a golden gate opens to the side, labeled 2017.

Build!

Swartz gets blasted by the Fullbottle buster, as wielded by Build in his TankTank form.

Drive!

He gets triple-struck by Drive: Type Formula running past.

Ghost!

He takes an Omega Drive Rider Kick from Ghost, in his base form.

Ex-Aid!

Five hits from Ex-Aid in Maximum Mighty X.

“Impossible! The history of Riders is supposed to be gone!”

The four summoned riders pose in a line, before turning to light and being de-spawned, the lights going back to the newly-recreated Grand Zi-O Ridewatch.

Sougo, untransformed, wearing his Ziku Driver, strides forward. “It’s not gone.” He holds up the watch. “Erase history all you want, but Kamen Riders are forever!”

There’s one big ol flaw in Swartz’s plan. Well, aside from Sougo’s determinator status. He had all of the riders coalesced into one, saying that it took away their histories. But even Grand still didn’t, since Sougo summons them out of their shows. We could see one of the canyons behind Build when he was summoned just now, and there’s the ‘OOO being summoned along with the column’ from Grands debut.

They’re not gone. They’re just tucked away, nice and safe in a little pocket of time.

Slowly, Sougo activates his two watches, places them in his driver, and, after what feels like a slight hesitation, starts his transformation.

I can’t complain about them using the full Grand transformation. Not in the last episode, not when it counts this much. It’s not nearly as bad as Decade Complete, it gets to the point way faster. This? This is good.

“One last showdown.”

––––

The orchestral battle version of Toki no Ouja plays. I specify that, because it feels… important, this time. Toki no Ouja is used as a battle theme with the higher level Zi-O forms a lot, but here it feels… more significant than usual.

Grand Zi-O and Another Decade trade punches, and knock each other back. Furious, Sougo tells Swartz to feel the power of the Riders.

OOO!

OOO Tajador swoops in, taken directly from an episode. I think it’s the episode Tajador debuted in, too – they’re definitely using archival footage, with OOO flying down and using the medal shield to block energy blasts, before he uses a Scanning Charge and claws Swartz with the Condor talons.

Sougo goes in for a quick sword attack against Swartz, moving him into the path of-

Wizard!

Wizard Infinity delivers a Shining Strike, which I think comes from that forms debut, too. He gets some damage in, but the giant fucking axe is still shoved away.

Gaim!

Gaim Pineapple Arms (this is fine) delivers a kick, but since he’s not anything more than a mode change, it’s easily deflected.

Grand Zi-O and Double CycloneJokerXtreme team up for another, powered, pair of energy slashes, which break through the shielding that Another Decade raised, throwing him to the ground.

(Okay, that’s almost all of the phase two’s accounted for, now where’s our Fourze appearance?)

Two can play at this ‘summoning the past’ game, though! They’re not just fighting Swartz, they can feast their eyes on the… Rider’s Rogues gallery.

Okay, Rider-Time, I really don’t think that’s what he called the endbosses that he just summoned, but it’s accurate enough.

So he’s opened a wall, and pulled through… uh. Not sure who that first one is, then N-Daguva-Zeba, Gamdeus, someone else, and Evolt.

Oh, wait, hang on. Still can’t tell who the first one is, but the person between Gamedeus and Evolt is Saggitarius. I couldn’t tell until he started moving, and I could see the zodiac symbols on his belt.

So, everyone charges forward. Evolt versus Wizard, Saggitarius versus Double, N-Daguva-Zeba versus OOO, and whomstever the fuck that guy is against Gaim.

And it seems that the Riders summoned by Grand can stick around as long as they need to, since they’re actively fighting now. Not that it’s a surprise, we saw this happen with Drive sticking around during the Grand vs Oma fight a while ago, but it’s good to have confirmation.

Swartz and Gamedeus team up against Sougo, and start promptly kicking his ass, knocking his sowrd away. We cut to Kuuga end-boss and whomstever taking out OOO and Gaim, and then to Saggitarius and Evolt doing the same to Wizard and Double.

(Seriously,who is this guy?! Is he one of the Lords from Agito? Because I can’t find a picture of him there, but the belt and weapon style says he would be…)

All six villains start charging attacks, which merge into one huge purple fireball, which strikes Zi-O. He’s tossed back, to the ground, where his transformation breaks and he lays gasping in pain.

Swartz charges a sickly green-and-purple fireball. “Now, die!”

He fires, and Sougo curls in on himself, bracing.

Typhoon!

Geiz Revive Typhoon blocks the blast, holding it off for a moment, before it overpowers him and flings him backward… his visor breaks as he’s thrown back, before the armor dissolves.

I don’t know if his armor broke before or after he hit the wall in an explosion.

But either way… Sougo runs to an untransformed Geiz, who’s lying on the ground, and pulls him into his arms, begging Geiz to stay with him.

Geiz is having trouble speaking, but he’s still managing, somehow, even as he’s in obvious agony. “Zi-O...” (Use his name god damn it) Geiz forces himself to grab Sougo by the shirt, as the piano version of Toki no Ouja starts. “Become Oma Zi-O… become the king of time. You have what it takes… to become the most beloved overlord.”

Sougo shakes his head, barely holding back tears, begging Geiz not to die. (Rider-Time translated this as ‘don’t leave me,’ but he’s straight up saying ‘don’t die,’ come on, guys.)

“I was so happy… to have come to this time…” While Sougo is sobbing, Geiz is staying as stoic as he can, he doesn’t have the energy to have emotions and give his last words.

“Sougo…” (We see the first tear actually fall from Sougo’s eyes, and I start crying in full as well.)

“I’m happy to have been… your comrade… and friend.”

As Sougo (and myself) beg for this to not be happening, Geiz’s hand drops from it’s deathgrip on Sougo’s shirt.

Miyokoin Geiz dies in Tokiwa Sougo’s arms.

Sougo sobs, his whole body shuddering. He turns a cold, hateful gaze in Swartz’s direction…

As sparks envelop his belt, turning the white and black driver into gold.

––––

Another Decade watches as Sougo emerges from the smoke.

Glaring, Sougo crosses his arms, and screams in rage as he throws them down. A clock emblem appears on the ground, dark golds and reds and black, seeming to crack the pavement as magma surges around.

Oh, or maybe it’s not magma, or lava. Maybe it’s molten metal. It would be appropriate for the metallic armor, after all.

The haze of the heat can be seen rising up as Sougo growls the word. “Henshin.”

The transformation is dark metal circles, and shadows and smoke. A deep gong rings out when it completes, and the sheer force of the energy pushes all the villains back a few steps.

Woz runs up, just saying ‘my overlord...’

I don’t think Woz thought that Sougo would ever actually do this. Not this Sougo, the one he’s come to know.

Especially given his shock when Sougo… when Oma Zi-O orders him to rejoice.

It’s the voice of Tokiwa Sougo, but he’s cold and empty, there’s nothing there but a calm fury. And he ordered Woz to make his speech.

The final line of which is “We are now within the moment of history’s final chapter!”

Swartz starts to laugh. (Also, in the background, Evolt’s posing it up, one hand on his hip, and whomstever the heck that unidentifiable guy is tucks his staff under his arm, and is briefly clapping sarcastically.)

Swartz laughs, saying that he’s cornered Tokiwa Sougo for all this time, for this moment. Now he can claim the power of Oma Zi-O for himself. Sending out those energy waves, he starts to draw the powers to himself.

Woz runs back, the energy there is way too much for him, but Oma Zi-O… doesn’t move. He’s standing stock still, not reacting as Swartz drains him.

Swartz is gleeful as he does this, the golden light coursing over him, eventually glowing in the gaps between the ‘cards’ of his Another Decade form. Now, he can finally surpass his sister, now, he can take the throne for himself!

The power stops flowing to him, suddenly, with a burst of fire at his chest as it cuts off.

Oma Zi-O is fine, not even having to really shake anything off. “you think someone like you can take on my power?” Ridewatches start appearing in the air – Build, Ex-Aid, Fourze, Faiz, Wizard. “i have the power of every single rider!”

And he means it. OOO, Gaim, Beast, Decade, Ghost, Kiva, Necrom, Ouja, Drive, Baron, Blade, Zeronos, Kuuga, Agito, Double, Den-O… Kabuto, Mach, Eternal, Cross-Z, OOO Tajador, Genm, Knight, G-3… Sasword, Proto-Drive, Garren, Kaixa, Rogue… and even more that I can’t identify, and more that aren’t any more than multicolored lights in the background.

And each and every one of these Ridewatches turns to pure light and draws into him.

Oma Sougo has not moved a step.

Evolt and Mystery Villain charge him, but are immediately taken out with firey punches. He turns, and a swarm of bats from OG Oma Zi-O’s Kiva attack takes out the swarm of Hydragoons that tried to divebomb him.

Kuuga’s kick takes out N-Daguva-Zeba, and a single burning punch dissolves Dragblacker as it tries to bite him.

Gamedeus gets the ‘ticking golden ball of pain’ treatment that Sougo received from OG Oma Zi-O when they met, and Sagittarius gets punched into the sky, where he promptly explodes.

Oma Sougo has only turned in order to attack. He still has not moved from his spot.

Just like when he fought himself the first time.

Swartz is impressed. But he’s gotten some of Oma Sougo’s powers, at least. He’ll go back to his world, and rule as king. He summons a wall to escape-

“HYA!”

A white blade of energy pierces him in the gut from behind, running him through.

Kamen Rider Tsukuyomi is the one wielding it.

Oma Sougo makes a small sound of surprise, as Swartz makes little choked sounds of dying.

Furious, Tsukuyomi shouts. No one needs a king like him!

“You little wench. You’ve been after my blind spot…”

Swartz turns, shoves her into the air, and blasts her, point blank, sending her flying into the far wall.

Sougo screams her name, and, furious and shaking, activates a finisher.

Demise Hour

An ominious ticking noise accompanies him as he rises into the air. Not jumps. Rises, surrounded by gold light and black swirls of smoke.

Another Decade activates his own finisher, as Oma Sougo descends, screaming in rage and despair, the clock-hand cape spreading like wings as he attacks.

The Overlord’s Decimation

Gold light from Oma Sougo’s kick meets the purple light from Another Decade’s punch, and we circle the balanced attack twice, while the deep gonging of an old bell sounds in the background.

Oma Sougo’s kick breaks through, sending Another Decade flying back, and leaving a torn ring in the air just behind where they connected.

The scene freezes, cast in the green light of the usual freeze.

––––

Tsukuyomi, with her original outfit glowing a bright white, and Swartz, in his black-and-white outfit, smoke rising from him and staggering in pain, appear.

Tsukuyomi steps forward. “This world… is already mine. Brother…”

“Sister… Spare me your words!” He’s barely able to talk, as he’s slowly dropping to his knees, juxtaposed in his human form behind the face of his paused, soon-to-be-defeated Another Rider self.

She turns to face Oma Sougo, frozen in time, as she starts to fade to transparency, pink lights rising from her. “Sougo… the two worlds are now in your hands.” She smiles, sadly and fondly, as the two Earths pictured before are shown again, and merge into one.

The royal siblings both fade. Her by quietly turning to lights as she looks at her friend. Him by crying in pain as he is turned to smoke and what looks like ash.

––––

Time resumes, and the explosion of Swartz’s destruction creates a wave of time energy that engulfs the area, spreading outward and erasing the monsters that filled the sky.

Oma Sougo stands up, and Woz approaches, arms wide. “You’ve done it, my overlord. The world is saved, and you may now reign over it for eternity.”

“No. That won’t be happening.” Oma Sougo’s tone is just shy of despondent. “Because I’m going to be tearing down space and time.”

––––

“So, this is the path you choose.”

Tokiwa Sougo, bruised, bloodied, and burned, stands in a black void in front of his future self, whos face is still obscured in light.

“You have the right to rule the world, you’re the one who saved it.”

Sougo disagrees. It wasn’t him. We cut from the wide shot of the two, to just Sougo’s face. He’s absolutely dead inside, trying not to break down. “The ones who saved the world are Geiz and Tsukuyomi, and the powers of every rider.”

Shots from throughout the show, of their lives together at 9-to-5 – of Sougo, his uncle, Geiz, Tsukuyomi, and Woz. Not as heroes or soldiers, but as people. As themselves.

Tokiwa Sougo, who was so lonely before these three time travelers came into his life, won’t accept living in a world where he rules as king, but none of them are around.

He asks his future self again. “Can the powers of Oma Zi-O only be used to destroy?”

Oma folds his hands. “Destruction… must come before creation.”

(Sir, either you’re trying to give yourself a clue, or you’ve been reading too much Fullmetal Alchemist lately. Just saying.)

Sougo firms his resolve. He’s going to bring about creation, and rewrite history.

Leaning forward, Oma has one last point to make. “You’ll never be a king again.”

Sougo disagrees. “I think it’ll work out, somehow. After all, the hands of time can only move toward the future.”

Over Quartzer starts to play.

“It may seem to move back, but time only goes forward.”

Sougo smiles, real and true, as he reminds his future self of the advice his uncle gave him, way, way back at the earliest points of the show. You can move a clock backward, but it still advances.

Oma chuckles. It’s been a priveldge to see his younger self.

Oma Zi-O, his face still obscured by blinding light, fades into golden motes and disappears.

––––

In the real world, Oma Sougo raises his arms out, and a pale gold wave of light, encircles the planet, little golden clock faces accompanying it.

Tsukasa and Daiki stand on a hilltop, as the Fuuto and Yggdrasil towers, and the Skywall, dissolve.

Daiki comments that time’s being rewritten.

Tsukasa says that it looks like a new journeys starting, and they both smirk as he opens the viewfinder of his camera and takes a picture.

The one Earth is shown glowing, before diverging into 21 separate Earths.

(It’s still only one reality, Toei, nice try. But also nice nod to the fact that there’s a new rider in town. … oh my god is the World of Zero One also the World of Tsukuyomi nah i’m just kidding but that’d be hilarious)

The worlds glow, and the TV-size version of Over Quartzer ends on a shot of the outside of 9-to-5.

––––

There’s a sign saying ‘Rooms to let’ on the door.

Tokiwa Junichiro calls upstairs. “Sougo! You’re going to be late for school!”

…wait, what?

Sougo narrates. “September, 2018. Summer vacation’s over, and the boring school days have begun.”

Wait. What?

Sougo’s on his way, walking his bike down the stairs, when some of his classmates pester him about saying he’s going to be a king, as he always does. Three of them jog past, and the fourth…

Wait. What.

The fourth says he’ll wake Sougo up, just like the anonymous one from the first episode, and flips Sougo onto his back, just like in the first episode.

Except it’s not the student from the first episode.

It’s Geiz.

Or, as schoolgirl Tsukuyomi calls him, Miyokoin-kun. Please note that they do not use her name at all. Thanks.

She tells him that he’s always too rough, grabs him by the collar, and yells at him to just be nice… before flipping him onto his back. She didn’t have to get back up like he did, and flipped him over her, as opposed to how he sent Sougo below where he was.

Sougo is recovering a whole lot faster than Geiz, who is on the ground in pain as Tsukuyomi dusts off her hands and walks away.

Schoolgirl Hora – wait what – comments that they’re always like this, and schoolboy Heure – who looks happy and that makes me happy – says that he sure admires ‘Ou-sama-sempai.’ Or, as Rider-time translates it, ‘Upperclass King.’

Hora asks what that names all about. Heure replies that well, he’s always said he’s going to be a king, right? He’s kinda dumb, but Heure thinks he can do it.

“…Whatever.” Hora checks her watch, and incidentally reveals that she’s got a little toy rabbit keychan hanging from her bag. “I’ve got some bad news for you.”

“Eh?!”

“We’re going to be late.”

All five of them start taking off – and nobody helps Geiz up, because being Geiz is suffering.

––––

They’re all running into the courtyard, and Woz watches from on top of the building. Regular, brown coat, book-carrying Woz.

He says that for Ordinary High School Student, Tokiwa Sougo, a future where he becomes Oma Zi-O is waiting for him. …Or, maybe it isn’t. Time will tell. From here on, a different history from the one in his book will have to be written.

He closes the Oma Advent Calendar decisively.

Our closing shots are of Hora and Tsukuyomi laughing to each other, Heure smiling, and Sougo and Geiz running together.

The end screen has the Zi-O and Geiz watches… and the Zero One watch in the center.

––––

So. That. Sure was an ending.

It was going great up until that world-changing maneuver.

I’ll have to try and write up some proper thoughts on this eventually, but for now…

I’ve never been a fan of the ‘it never happened’ ending for stories. It cheapens the struggles, for me. I’ll have to find a way around this when I finally get there in ReUnited, but that’s beside the point.

This is… I don’t know if I like the decision of how to save everything that Sougo came to. But the others – Geiz, Tsukuyomi, Heure, and Hora – get to have normal lives now. That’s… that’s good. They never had a chance for that before. So I’m happy for them. But…

It still feels hollow. It feels wrong that they don’t remember what happened, that nobody but Woz is around who remembers, and that he can’t even interact with them. They aren’t the same people anymore, anyway. They may be better off, they have the same quirks, but… it’s not the same.

And time even reset back to before Sougo met any of them, so this entire year may as well have never happened for the World of Zi-O.

Hm.

That’s Kamen Rider Zi-O. 49 episodes. A metric boatload of cameos from previous seasons. Two metric boatloads of re-used monster suits. A second season for Decade, and possible confirmation that Tsukasa and Daiki are a cou- okay, sorry, disregard that last bit, it’s not relevant.

But this has been the 29th season of Kamen Rider. On to season 30, Kamen Rider Zero One.

(Toei, I am begging you, find a better naming scheme, and stop using hyphens in your season names. Please.)

EDIT, MANY HOURS LATER: UTOPIA. THE VILLAIN I COULDN’T FIGURE OUT IS THE UTOPIA DOPANT. IT’S KAZU FUCKING JUN. SCREW THAT GUY.

[justanothercinemaniac]

Epic Movie (Re)Watch #199 - The Lord of the Rings: The Two Towers

Spoilers Below

Have I seen it before: Yes

Did I like it then: Yes.

Do I remember it: Yes.

Did I see it in theaters: No.

Format: Blu-ray

1) According to IMDb:

New Line Cinema wanted Peter Jackson to start the film with a prologue done by Cate Blanchett, something that Jackson didn't want to do. Ironically, a year earlier, New Line Cinema had been opposed to opening the first film with a prologue narrated by Blanchett, something, of which, Jackson was in favor.

2) Beginning this film by revisiting such an iconic moment from the first (The Bridge of Khazad Dum) and continuing to push said moment past where it ended in Fellowship helps to make the film unique. It won’t just be a retread of familiar material but instead something which continues to push the story forward as all the best sequels do. It also sets the bar high for all ensuing action, as this was one of the (if not the) best moments from the original.

3) This film really doubles down on deepening the relationships introduced in Fellowship, with the romance kinship between Sam and Frodo. It is their relationship which the audience invests in, it’s something personal we can attach to. Sure Frodo losing his life or soul to the ring would be awful, but seeing how it effects Sam just ups the pain.

4) Andy Serkis as Gollum.

Holy shit, Andy Serkis as Gollum. Don’t let the fact that this is a CG role fool you, this is pretty much ALL Andy Serkis. Gollum’s facial features were based on his performance by the animator. All the physicality, all the vocals, the emotion, the heart, the character is Andy Serkis. He is so freaking otherworldly as the iconic character, blending completely into the role in a way only the best actors can. You don’t SEE Serkis in the part because he casts anything that is him aside to embrace the devious Gollum. And while I cannot possible undersell the importance and absolutely stellar work Serkis put into the part, a motion capture role is either limited or supported by the animators behind it. The character of Gollum is a perfect marriage between animation and performance, making you not doubt for one second that this is a real living character. Stealing pretty much every scene he’s in if not the entire film, Serkis should have been nominated for an Oscar because of his role in these films but wasn’t because it was motion capture. But this does not undermine the fact that Serkis by far gives the best performance in the entire trilogy.

5) The fact that the Fellowship was broken up in the last film allows for much more character development in this one. The heroes are not fitting for screen time or development in a scene with eight other characters. By separating them into the groups of Frodo and Sam; Aragorn, Legolas and Gimli; and Merry and Pippin, all the characters get more room to shine and be developed.

6) Karl Urban may not have a lot of room to shine but that doesn’t mean he’s not as good in this movie as he is in others. Urban is a wonderfully gifted character actor, able to blend into any role which comes his way and Éomer is no different. You don’t see Urban so much as you just see the character.

7) One of my favorite things in the entire trilogy really begins to take form in this film and that is the bromance between Legolas and Gimli.

Legolas [after Éomer threatens to cut off Gimli’s head, pointing an arrow at him]: “You would die before your stroke fell.”

8) There’s this wonderful scene in the movie where Aragorn and company are at the site of the orc fight (where Merry and Pippin last were). What makes it work is that we briefly got a glimpse of this moment earlier. The orcs began fighting attackers and it looked like Pippin was going to be crushed by a horse when it just cut away. But by flashing back to what really happened while Aragorn figures it out for himself does two things well. First of all, it follows the rule of show don’t tell. Secondly: it doesn’t waste the audience’s time by showing us what happened THEN having Aragorn realize it himself. By combining it the film’s pacing improves.

9) Treebeard.

I really like Treebeard, he’s a wonderfully multifaceted character. He is able to be slow, paced, patient, but also has some deep anger sometimes. Voiced by John Rhys Davies (who also plays Gimli), the actor does a good job of making Treebeard sympathetic and interesting when (in lesser hands) he could’ve come off as boring. I dig it.

10) As with many parts of the trilogy, the Dead Marshes scene has a wonderful sense of place to it. It’s viscerally creepy and eerie, making your skin crawl and your stomach turn. Peter Jackson’s roots as a horror director really come in handy in these scene as it’s a place you know the characters should leave ASAP.

11) Can I just so: Gandalf is really freaking dramatic.

When he’s revealing to Aragorn, Gimli and Legolas that he’s been RESURRECTED (dramatic enough on its own) he even disguises his voice to make it sounds like he’s Saruman just to screw with them. And then we have this wonderful moment after Aragorn calls him Gandalf:

Gandalf: “Gandalf? Yes, that is what they used to call me.”

Dude! You did NOT forget your name! You remember literally EVERYTHING ELSE! You remember Aragorn and Merry and Pippin and everything. Take a chill pill, Gandalf.

(GIF originally posted by @marshmallow-the-vampire-slayer)

12) I really like the whole Merry, Pippin and Treebeard subplot. It’s largely conversation but it brings up a lot of really interesting ideas about why the trees should participate in the war. Not only that, but it very organically develops Merry QUITE well. He and Pippin both started out as pretty immature in the first film, but by the end of this movie (through the subplot with Treebeard) he’s accepted his responsibility and is ready to fight for what’s right.

13) Miranda Otto as Éowyn.

Although Éowyn really gets her shining moment of glory in Return of the King (and the best damn moment in the entire trilogy), I love her from the first moment we meet her in this film. She’s my favorite character in the entire trilogy. I love that she can cry/grieve but still comes off as incredibly strong. She always has the best for her people and king in mind, always looking to fight against those who threaten those she loves and constantly frustrated when others try to get in her way. She is a great leader and a great fighter, as no moment fills me with such joy as seeing this badass royal practicing how to fight with a sword. I just…gah! I fucking love Éowyn.

14) This is one of those lines in a movie which has stuck with me my entire life.

Théoden: “No parent should have to bury their child.”

It really speaks to the grief Théoden is going through and an honest truth. Children are meant to outlive their parents, not the other way around. According to IMDb:

One time while Bernard Hill was in England, a woman came up to him and told him about how one of her children had died shortly before then, and that parents shouldn't have to bury their child. His confrontation with this woman affected him so much, that he asked to have a line put in about it.

15) Cutting between the three groups in the film could have easily dogged down the pacing, but the film knows when to make their cuts. The tension continues to build organically and the structure is never disrupted.

16) The conversations between Gollum and Sméagol.

Mostly I talk about how scenes like this work from a storytelling aspect as opposed to a technical aspect. And while these moments clearly illustrate the conflict and layers within Gollum/Sméagol, I am actually more impressed with the technical aspect of it. The scene works very well with two basic rules of filmmaking: Eye line and the 180 degree rule.

You can probably gleam what eye line means just from the name of it, but it’s making sure that when you cut between two characters looking at each other between shots the eyes match. Not only is that done very well here, but so is the 180 degree rule. The 180 degree rule is very simple: it means that when two character are in the same scene they should always be on the same side of the frame. Whether the shot is a wide, over the shoulder, or whatever, unless there is movement going on in the scene they should be on the same side of the frame so the continuity matches. In this scene, Gollum is always on the left while Sméagol is always on the right. Even though they’re the same physical person sitting in the same spot, the way the scene is framed just drives home the idea that they’re talking to each other because it follows the 180 degree rule. I just really dig that.

17) One of the most tragic things about Sméagol/Gollum is that for like MOST of this film he’s actually trying to redeem himself. He’s trying to be the good buy, he’s trying to help Frodo and Sam, but it is the harm done to him by fearful men which results in his regression back to a greedy backstabber. The more you sympathize with a villain, the more powerful they are.

18) I like the little update we get on Arwen and Aragorn’s relationship via flashback, but the later extended sequence with her, Elrond, and Galadriel is always something I zone out during. I like that she’s not forgotten but also the 15 minute segment where her arc is developed can feel a little pointless TO ME at times.

19) The Wild Riders attack.

While a little long, the set piece is very well done. It has interesting, well choreographed action which takes advantage of the wide space its in and a wonderful sense of tension. And it has some very real consequences, with Aragorn not being the untouchable hero trope but instead taking a fall off a cliff and being presumed dead. Also, Legolas and Gimli have their first of many competitions of who can kill the most bad guys in it and I love that.

20) A film is a story told in cuts.

Wormtongue [after talking about how it’ll take tens of thousands to take Helm’s Deep]: “But my lord, there is no such force.”

[Saruman shows Wormtongue such a force.]

21) I get that Elrond is Arwen’s dad and he’s worried about her, but she’s an adult who is living her life. Can’t he just respect the choice she’s made to live for Aragorn instead of pressuring her out of it? Please?

22) David Wenham as Faramir.

There’s a lot more patience with Faramir than his brother Boromir had. You can see a far amount of grief in Wenham’s performance. He’s wiser than his brother but not as favored (as we will get a better peek into in Return of the King), which causes a conflict in him. He wants to please his father and make him proud, but he also understands that his father is not always the best decision maker. This conflict shows greatly in Wenham and he’s able to make the character very interesting because of that.

Faramir: “A chance for Faramir, captain of Gondor, to show his quality.”

23) Get friends who react to you not being dead like Gimli and Legolas do with Aragorn.

Gimli: “I’m going to kill him! [Not 30 seconds later] Bless you!”

Legolas [after thinking Aragorn died]: “You look terrible.”

24) I know the source material dates back to 1954, but I HATE the, “get the women and children to safety,” trope. Like, Éowyn proves that women are capable of defending themselves just as well as men can. But they’re constantly infantilized, LITERALLY thought the equivalent of children, needing to be protected and hidden away from danger. If they trusted women to fight in the battle of Helm’s Deep there wouldn’t be all this talk about, “Oh, we don’t have enough men to fight for us.” THEN FIND SOME WOMEN WHO ARE GOOD WITH A SWORD! YOU’RE LITERALLY HAVING TEENAGERS FIGHT, YOU DON’T THINK YOU CAN FIND A WOMAN WHO IS AS SKILLED WITH A SWORD AS TEENAGERS!?

25) Aragorn really gets to go on a great journey throughout the three films. I mean in the first film he’s a loner, a ranger who doesn’t lead men. But in this film he begins to accept his responsibility as a king and lead the fight in the Battle of Helm’s Deep. It’ll only grow in the third film and I appreciate that.

26) One thing that these films do really well is they don’t let situations get too dire. This is a story largely about hope and fighting because of that hope, so to have a battle be too depressing goes against that idea. Legolas and Gimli are great of keeping the human heart of a scene.

Gimli: “What’s happening out there?”

Legolas: “Shall I describe it to you? Or would you like me to find you a box?”

[Gimli laughs.]

27) Battle of Helm’s Deep

This is an absolutely incredible climax to the film in the truest sense of the word. While the battle is INCREDIBLY long the filmmakers do a great job of carrying the action and pacing so that it never loses your interest. Legolas and Gimil help with that, but so do the character choices. Théoden gives up, Aragorn is ready to fight. The battle has tides, it changes favor, and it really just does a great job of holding your interest the whole time.

28)

Théoden: “Is this it? Is this all you can conjure, Saruman?”

[Battle starts to get worse]

(GIF originally posted by @welcometoyouredoom)

29) I love this exchange.

Treebeard: “This is not our war.”

Merry: “But you’re part of this world!”

30) While this film does feature a tone of development for Merry, it is Pippin who knows what to do so Treebeard will get invested in the war. So he’ll fight. He’s a tricky one, that hobbit.

31)

Théoden: “What can men doe against such reckless hate?”

Honestly (and Aragorn’s actions prove this): unite. Stand up against hatred and bigotry together and show the world that you will not stand for it.

32) One thing I haven’t talked much about for this film which also plays a much larger factor in Return of the King is Frodo’s continued corruption. The ring is getting to him, it’s darkening him, tempting him, causing him to doubt and fear. Wood plays this VERY well, this development. It feels organic, it makes sense even if it is brought upon by an outward force. It just really works.

33) According to IMDb:

When Frodo (Elijah Wood) and Sam (Sean Astin) are in Osgiliath, Sam says, "By rights, we shouldn't even be here." This was a nod to the deviation the screenplay had taken from the book's storyline. In the book, Sam and Frodo never passed through Osgiliath.

34) I freaking love this. I forgot about this exchange and honestly it gives me hope.

35) Deciding to end the film on Gollum/Sméagol deciding to betray the hobbits in Return of the King I think works really well. It resolves his crisis of identity that has been featured in this film. He tried to be good and it didn’t work so now he’s going to be bad. I think even when a film ends on a cliffhanger there needs to be some form of resolution to it.

There’s really not a weak link in The Lord of the Rings trilogy. The Two Towers continues the excellence which began in Fellowship by giving each character more room to shine, continuing the battle of Middle Earth in an epic and investing way, while making sure these films still have a beating human heart to them. It’s just really great.

[arickert93]

Life in Japan: Weekly Update 2

Hey y’all! I’m back a little more than a week later after the first weekly update! Someone gave me a like, and someone reblogged me, and someone told me this week that they read my blog (because I shared it on Facebook) and that it was, and I quote, “pretty good.” 

I think I’m a celebrity now.

Anyway, this week was a little bit busier than normal. I wasn’t able to take ONE desk nap, and you know that is strange for me. Our school English club was preparing for a prefectural debate tournament so, naturally, I got roped into doing a bunch of research for them and editing their writing. I finally forced them to start putting all of their work into one google document after finally losing my mind from all the scattered papers that they were giving me. Most shockingly, none of my students (who are juniors) had personal email addresses that I could send the google doc link to... Which shocked me because I was already messaging strangers on the internet and living on MySpace by the time I was in junior high school.

LMAO Japan

This week’s funny Japan moment is a Japanese manga that a friend lent to me a few months ago and I finally got around to opening and it is hilarious. It’s called Junjo Ito’s Cat Diary starring Yon and Mu, and it is the greatest thing ever.

The manga artist is more famous for other horror manga, and a lot of his drawings have a horrific element, but the story is about Junjo and his crazy cat-obsessed wife getting into a new house. Almost immediately upon moving in, his wife gets an eerie look in her eye and begins asking her husband whether or not he’s a cat or dog person. He nervously replies that he’s more of a hamster person, and two days later his sparkling new house is completely covered in plastic wrap to prevent scratching and the news that his wife’s demonic childhood cat will be coming to live with them, along with a fluffy kitten she adopted to keep him company. Although he initially resents the cats, even to the point of fearing them, he then starts to grow fond of them and even competes with his wife for their attention.

If you can find an English translation, I thoroughly recommend it. The Japanese in it is actually simple enough to catch the gist of the humor, if you’re feeling adventurous. It definitely has that WTF element of a lot of Japanese stories that has become so dear to Japanophiles around the world. 

Being Cultured and Stuff

On Friday, I was reminded that I reserved a ticket to an English-accessible Kabuki production a few months ago, and I fortunately hadn’t fucked it up with any other plans and was able to go! I took an 1.5 hour train to the national theatre in Tokyo, and got whisked away into the magic of Kabuki.

The production was called “Kenuki” or “The Tweezers,” and was prefaced with an English explanation of the art, sound and tradition of Kabuki. The main thing you need to know is that Kabuki features a male-only cast (meaning all women parts are played by men), is generally based on stories hundreds of years ago, has super dramatic speaking that even Japanese people have difficulty understanding, and has really cool music and live sound effects.

The best part of this production was a small scene in which the hero of the story tries to seduce one of the adult sons of the household under the pretense of teaching him how to mount a horse, with lots of ridiculous innuendo ensuing. After being rejected for being a super creeper, the hero then tries to seduce one of the maids of the house (who is being played by a man), and is again rejected. After both rejections, the hero apologizes to the audience for being such a fuck-up and the story moves on as though nothing happened... It was obviously hilarious.

On a sidenote, it illustrates the fact that it wasn’t uncommon for samurai to have romantic and even sexual relationships with other men hundreds of years ago. I mean, we can’t say that they were gay because it’s not like boy samurai moved in together and had brunch on Sundays and went to pride parades, but we can say that human sexuality has historically been just as varied as it is today! Isn’t that FUN?!

How I Cope

I’m renaming this segment, but it is essentially the same thing as before. Living abroad is fun, exciting and wonderful, but it can also be super stressful and it’s easy to get homesick! This week, I have two things that helped me relax. First was the fifth season of Orange is the New Black. Netflix is available in Japan, and it is so nice to binge on American TV shows while occasionally checking out various obscure anime that aren’t available in the US. I remember I watched all of Friends during my first round of the winter blues last year, and Orange is the New Black has also been a great comfort.

The new season is also just REALLY GOOD. I won’t spoil anything, but the pace and general playfulness of this season is really fun. I do have some confusion regarding time during the season, considering that it’s over the course of a few days and food runs out really quickly, and the inmates are constructing super elaborate things in a matter of a few hours, when basically all I would be doing is lying around moaning for sustenance. But, whatever, it’s a TV show.

Next is IKEBANA!

This is my fifth ikebana project I’ve done at my school’s ikebana club! They made me an honorary member and even included me in their club photo! It has been really fun being more of a committed member to the club, and it’s really low stress because they only meet once or twice a month. 

This one didn’t turn out as great as I had originally hoped, especially now that I’m eyeing the photo more critically while typing this article, but whatever. It was relaxing and I’m slowly gaining more independence. I’m actually really interested in bringing ikebana skills back home and maybe volunteering at Japanese culture fairs or something, but I will need a lot more practice. Ganbarimasu (I’ll do my best!)

See you next week! Until then, stay cultured!

Also, check out my YouTube channel if you’d like to go prematurely blind:

https://www.youtube.com/channel/UCHDCHOziuCAPpbb3hdgapNg

[constructionaccounting]

0326: Understanding Other Construction Company Costs And Opportunities To Increase Your Profit

This Podcast Is Episode Number 0326, And It Will Be About Understanding Other Construction Company Costs And Opportunities To Increase Your Profit

  Many contractors are having trouble adapting to the new economy. I have made more mistakes – than ten of the average contractors put together. I've learned a great deal of hard, hard lessons, and worked my way through several "Character Building Moments." What I am about to ask you to do is something I have done for many years during my contracting days, and it still works.

  Understanding Other Costs:

  Marketing Cost

  The cost your company spent to acquire and maintain the job. Depending on how you allocate marketing dollars as a percentage of sales or a fixed budget will have an impact on your marketing cost per job. Your cost-per-call, closing ratio, and other related information is all part of your operations, accounting, and bookkeeping reports.

  Mobilization Cost 

  Are the costs you incurred to get a crew to the job site in terms of travel time and vehicle operating costs; and then the labor costs to unload tools, equipment, and material and put everything in place for easy access and not in the way of the work to be done. These costs are generally high and fixed.

  Demobilization Cost

  Are the reverse and generally lower because it takes less time to load the truck or van since you know where everything goes, and you know the quickest route back to the shop or office. These costs are also generally high and fixed.

  Add these costs together and you will understand the value of staying on each job and solving all of your customers, or client's construction and maintenance issues are so much more profitable than windshield time.

  Some contractors prefer not to offer "add on" sales, change orders, additional work orders whatever you call them because they feel it is a disservice to their clients and if it makes you uncomfortable don't do it.

  Let's Run The Numbers Starting With The Cost To Acquire A Customer:

  Step #1 – Generate a Profit & Loss Report from the previous two years and isolate total income. (Note: All companies are only two years old regardless of how long they have been in business because what happened more than two years ago doesn't matter when developing a financial forecast).

  Step #2 – How much money did you invest In Marketing? Not investing money in marketing is like winking at a pretty girl or guy in the dark, you know you are doing it, but they don't. Relying on word of mouth means being in a race for the championship of low price leaders!

  Step #3 – How many new customers or clients did you acquire during the past two years?

  Step #4 – Divide Total Income from step #1 by the number of customers or clients in step #3, and you will have a rough idea of your sales per customer.

  Step #5 – Divide The Amount Of Money You Invested In Marketing by the number of customers or clients in step #3. Just know that 80% of the marketing is done to keep current customers, and only 20% is designed to attract new ones. I have studied marketing extensively and will offer this one hint. Why do you suppose the car manufacturers invest so much money advertising their products when most people continue to purchase similar makes and models over and over?

  Step #6 – Multiply The Net Profit Percentage shown on your Profit & Loss by the sales per customer in step #4 to generate a rough idea of the net worth of a customer to your Contracting Company. This is one of the numbers that become very important if you ever want to sell your Contracting Company.

  Step #7 – Customer Gross Profit in step #6 minus marketing cost in step #5 = Customer Net Profit.

  Step #8 – Where MR > MC,  when the Marginal Revenue is greater than the Marginal Cost and risk is manageable, do the deal. 

  Step #9 – Where is Break-Even or how far can I go before it is time to quit doing it?

  Step #10 – When you know how much a client is worth, you will know how much you can invest to acquire a new one and as many new ones as you want. 

      Profit Opportunities:

  Add-on Sales

  Your Customers And Clients - Are depending on you to give them good advice and help them protect their real estate investments.

  I cannot begin to tell you the number of times people have come up to me at social and networking events to relate stories about how they did everything but get on hands and knees and beg their contractor to do a little extra work while they were already there. When I asked if they expected it for free all of them said no, they planned and were willing to pay extra.

  You can choose  to provide add on sales and services for your customers and reap bountiful profits or wait until your customer calls one of my contractor clients who are learning how to grow a profitable and successful business and they will take your customers off your hands and turn them into high-profit clients.

  Service Agreement

  Service agreement holders are more likely to be clients that add more value to your construction company because they represent the most loyal segment of your customer base. Every service agreement client represents future work. In the meantime, service agreement clients are a source of cash flow and are predetermined to call you instead of your competition when repairs are necessary.

  Non-service agreement customers are more likely to be customers and fickle. They may call your contracting company for future work, or they may decide to shop the competition and use the information they find to negotiate for a lower price. In some cases, they may not even remember you or your construction company name.

  Also, your replacement sale close-ratio usually is higher with service agreement clients and your overall pricing and related service care level can be much higher, resulting in even more raving fans. Service agreement clients trust you, follow your recommendations, and do not frequently shop around. 

  Accept Credit Cards

  Unplanned Emergencies are stressful, now add "how am I going to pay for this" to the mix, and the anxiety increases exponentially! For most people short in cash supply, it leaves them using a credit card, getting a bank loan, or selling something to raise money as their best options.

  For Example: Homeowner with a leaking roof is going to get it fixed right away because rainwater is damaging the interior of their home including some irreplaceable sentimental treasures such as items passed down from parents and grandparents.

  Who will they call? - You, I hope! If you are their contractor and you are actively working and the contractor they like and trust.

  Accepting all credit cards makes you the hero because they get instant financing and your Electronic Armored Car takes your money to the bank.

  "Everybody wins, your client gets roof fixed, they earn airline miles and other perks, and you made a sale which you could have easily lost to a competitor that accepts credit cards."

  Conclusion:

  Two Easy Ways: to massively increase cash flow and profits is to cut costs or increase revenue. One is limited the other one is not. Money is not everything; it is merely a way for you and your family to enjoy the good things in life. By serving your client base effectively giving them what they want, your wealth will provide opportunities for other people who help you to do the same.

  About The Author:

Randal DeHart, PMP, QPA is the co-founder of Business Consulting And Accounting in Lynnwood Washington. He is the leading expert in outsourced construction bookkeeping and accounting services for small construction companies across the USA. He is experienced as a Contractor, Project Management Professional, Construction Accountant, Intuit ProAdvisor, and QuickBooks For Contractors Expert. This combination of experience and skill sets provides a unique perspective which allows him to see the world through the eyes of a contractor, Project Manager, Accountant and Construction Accountant. This quadruple understanding is what sets him apart from other Intuit ProAdvisors and accountants to the benefit of all of the construction contractors he serves across the USA. Visit http://www.fasteasyaccounting.com/randal-dehart/ to learn more.

Our Co-Founder Randal DeHart - Is a Certified PMP (Project Management Professional) with several years of construction project management experience. His expertise is construction accounting systems engineering and process development. His exhaustive study of several leading experts including the work of Dr. W. Edward Deming, Michael Gerber, Walter A. Shewhart, James Lewis and dozens of others was the foundation upon which our Construction Bookkeeping System is based and continues to evolve and improve. Check out our Contractor Success Map Podcast on iTunes. 

  OUTSOURCED ACCOUNTING FOR  THE BUSY CONTRACTOR IN A MOBILE ENVIRONMENT

                          Download the Contractors APP today from the App Store or Android Store

Access Code: FEAHEROS

Click here to download the App on Android:

Click here to download the App on iOS:

Simply scan the QR code or search for ‘MyAccountants’ in the App Store and enter the Access code: FEAHEROS to utilize the powerful App features and capabilities, and benefit from having our Construction Accounting App at your fingertips, 24/7."

PS: Even if you are not a Construction Contractor you will find a plenty of benefits in the app so we invite you to download it too! It's Free so why not?

  Check out this episode about Contractors Marketing - Accounting - Production (M.A.P.)!