#otherwise if you dislike anything i've said you can just scroll past or block me <3

[masezace]

little off topic for my blog, but i started watching a new show since a friend mentioned it was good and i'd heard positive things about it, so i just wanted to talk about it a little bit (probably never again after this since this isn't a fandom blog, but it's the only one i have rn so idc it's going here)

the show is Jurassic World Camp Cretaceous, and just going on looks alone, despite my love for dinosaurs and the Jurassic Park franchise i never would have considered it. it appears to be very much for kids, and as i'm in my late twenties now i'm not particularly interested in especially kiddy media. however a friend my age enjoyed it and mentioned it has a canon lgbtq+ couple in it among the main characters, so of course i just had to watch it. i had already been hearing that despite its initial appearance and premise, it was surprisingly good for a kids' show, so i had already been curious, but i was even more keen after knowing there were queer characters, and not even the adults, the kids themselves (in a kid's show?!! what a time to be alive), so i finally sat down and watched it.

[spoiler warning, both minor and major, for the rest of this post btw, so continue reading at your own risk if you haven't seen it yet/are still watching]

the show overall

okay so firstly, i am coming at all of this from the perspective of a writer, so my observations are from a technical standpoint more so than just as a fan of the show. and honestly, it really is a well-written show as a whole. is it geared towards kids? definitely. there are plenty of jokes/gags in it that just don't appeal to me as an adult, but beyond that, there was plenty to appreciate as an adult.

the writing is actually phenomenal? there were several points in the series where i just sat back and mulled over the way a scene went, what the thought process behind writing it was like, how well it was executed, and how important it was to the characters and overall plot.

the suspense is spot on, nothing gets dragged out too long, and i will admit there have been a few scenes throughout that actually got me; i jumped! it's actually scarier than i expected a kid show to be, but i'm so glad they went where they did because it really elevated the experience.

the pacing overall is very good, adequately engaging for kids' short attention spans (and us adhd adults 🥲) but not too short either to a point where things felt abrupt or unfinished. plot arcs are well developed and tied up nicely. also, as a bit of a dinosaur nerd, the array of dinosaurs in the show is super broad and satisfying! very fun stuff.

character element

imo the real gem of this show is the character development. honestly it's just *chefs kiss*

the characters grow and change so much and so realistically over the course of the show, it's honestly so much better and more satisfying than the character growth in most adult fiction/media recently.

the growth in ben (who btw was def my favorite character by the end of s1) and kenji in particular were my favorites and, in my personal opinion, the most interesting. the way ben started out anxious, cowardly, and rule abiding to a fault, then grew into a brave, confident, adventurous little pyromaniac gremlin, then had that stint later in the series where he regressed a bit-questioning himself-until eventually ultimately striking a great balance and really coming into himself was just... peak character writing.

kenji started out overconfident, lazy, and overly concerned with money/status. but that arrogant overconfidence and laziness slowly turned into responsibility, and a desire to protect his found family, and the realization that it's the people in your life that really matter most.

honestly what i mentioned only scratches the surface in terms of those two characters, there's certainly more that can be said about them (as well as all the others) but i'm not really in the mood for a deep dive character analysis atm. just trust me tho when i say these characters are so well done and each one of them have arcs that are super satisfying to watch play out.

queer representation

and as for the queer couple? yasmina and sammy are PERFECT. it was so beautiful watching their relationship grow from one-sided to mutual friendship, to loyal devotion, then to love. they were set up incredibly well and incredibly naturally. i have like, no complaints when it comes to them. i don't even know if there's anything i can say that would add to things, they were just a really awesome couple to watch become canon, they're the beautiful and painfully needed representation we all beg for in tv and movies.

shipping, chemistry, and intent

but oh goodness... probably my only real complaint about the entire show would be how benji (ben x kenji) and kenji x brooklyn (kenlyn? brookji? idk and idrc) were handled. because for all that this show did SO much beautifully right, they really screwed the pooch here, sadly.

i'm gonna start by saying that the writing in this show, as with most, is deliberate. what i mean by this is that despite having no clue who it would be because my friend thankfully did not even spoil me as far as the genders of the queer couple, i clocked yas and sammy as the would-be queer couple as early as season one (actually it was between them and benji, but more on that later). i could already see the chemistry, because it was deliberately written in.

shipping is subjective. anyone can ship any character, and in most cases it's pretty easy to see how there could be (romantic) chemistry between fan pairings based on their personalities, their arcs, etc. and that's okay! ships don't even have to have any canon support to be valid, because shipping is for the fandom, and it's for fun (i have a few rarepairs and crack ships across different media that i just love).

but onscreen/written romantic chemistry is a lot less subjective (to clarify, it is subjective whether or not the chemistry is good, but it's not subjective about whether or not it exists). there are literally scenes written with the sole purpose of building the romantic tension and/or chemistry between planned couples (some of which even have absolutely zero plot relevance, which usually is not advised tbh, and most of which are the cliches/tropes you see in literally any romance ever written, some are just disguised a little better than others. but make no mistake, it's all the same set of cliches. there is nothing new under the sun), as well as intentional, key moments within scenes that have other purposes. they are essential to establish romantic pairings.

and typically, the foundations for these couples are laid VERY early on. always within the first or second season (well, at least they are when the writer actually knows what they're doing and has at least a rough plan/outline for the entire series & characters. this is usually a large part of what separates the good chemistry from the poor chemistry. an author who knows who the couples are going to be and has a plan from the beginning to build them up is going to be more successful in creating a believable relationship with good chemistry. one who does not plan, or makes last minute plans will almost certainly fail, and the couple is just going to suck). when the set of characters you're working with are going to stay the same for most or all of the story, you start immediately.

i don't mean to toot my own horn, because i think it's because i'm a writer so i just pick up on narrative patterns very easily, and pretty much always clock the planned couples within the first few episodes of any series, and by the end i am right like 9 times out of 10.

that being said, do you know whose deliberately written chemistry i also clocked in jwcc? ben and kenji's.

kenji and... brooklyn?

no offense to people who like/enjoy kenji and brooklyn, you are free to love them, but the way their romance was written is... quite possibly the weakest point of the show. it felt like they were just trying to appease the upsetto heteros in charge, because there was definitely another het pairing that had a lot more potential than kenji and brooklyn (hello darius x brooklyn aka darilyn, you would have actually made sense because your relationship had amazing buildup and multiple standout scenes from s1 on. dgmw, i love that we got a m/f strong, supportive, purely platonic friendship out of them, i live for those and we really need more of them. but we could have had that with kenji and brooklyn, or darius and sammy, or ben and yas, literally any other pair instead).

kenji and brooklyn as a couple came out of absolutely nowhere. i honestly think they decided to shove them together last minute, and had no actual plan for them until they were working on s4. because their development barely started at the VERY end of s3 (the abruptness of him caring about her being held hostage so much more than literally anyone else in their group despite them having like zero buildup to that point gave me whiplash), but honestly didn't really even become "meaningful" development until s4, over halfway through the series. the two spend the first 3 seasons basically not particularly gaf about each other individually, only as part of the whole group and on an equal level with everyone else. they otherwise have no deliberate narrative foundation. it just starts in s4 with no prior hinting. which makes their development rocky and difficult to believe. the funny thing is their characters literally have dialogue (in s4) trying to draw comparisons/parallels between them to say that they especially have a lot in common and like??? no? they really don't? not any more so than any other two kids in the group. their relationship just, really falls flat.

it was disappointing to see it take such a massive spotlight in the series for almost all of seasons 4 and 5, overshadowing the friendships that have been the focus of the show and should have remained so, to the point where at times it just felt like i was watching some stereotypical het highschool romance. genuinely, it made s4 & 5 more of a drag to get through. yasammy and ben and yas' growing bond (which by the way was so sweet, it had the strongest queer solidarity vibes good lord, i sure wonder why yas chose ben out of everyone to come out to first, hmmm) were some of the few things that kept me invested, otherwise i would have dropped it if it had leaned much farther into becoming the kenlyn show than it already was. especially when it was that pair so much of the focus was given to, even though we had so readily and perfectly available, the pair that could have, should have been: benji. which finally brings me to:

ben and kenji

benji's foundation was laid in s1. their interactions, the situations they found themselves in, were deliberate (on the writers' part). i'm even gonna go out on a limb here and say the pairings were fully established in s1e3, even with parallels between yasammy and benji (sammy clinging to yas and ben clinging to kenji throughout the episode), and darilyn gets the beginning of their development too.

even though they bicker a lot in the beginning, they clearly care about each other? kenji protects/helps ben multiple times, and there are definitely some looks ben gives kenji at times. at the end of s1, the one who seems the most deeply effected over ben's "death," other than darius (understandably since he's the one who failed to save him), was kenji! immediately after it happens, we get two close up shots, darius and brooklyn then yasmina and sammy. after which, we go back to the whole group with kenji in center frame, the focus is intentionally on him. it is only kenji who drops to his knees at the loss, and then we get a close up of just kenji. he was saved for last, and he was alone in frame (tbf bumpy was in frame too, but i'm talking humans here), which implies his feelings are especially important in this moment. that is the reason for solo close ups.

after ben's "death," kenji takes to always wearing ben's fanny pack, and up until bumpy--who ben cares VERY much about--got separated from them, kenji was the one who (however briefly) took over her care, ensuring she got off the monorail with them, and he's extremely distraught, more than pretty much all of them, when they can't find her, and he's last to leave when they decide to accept that ben's gone. even when they do leave, he's distant and distracted and his mind is clearly still on ben.

other than darius, kenji is the only one (if i'm remembering correctly) to mention ben/say his name after they lost him, upset because he was actually trying not to think about him. he has clearly thought about ben, probably a lot, because it's hard not to be reminded constantly when you wear something that belonged to a deceased loved one. and frankly, he appears to be the only one who dwells on him that much.

when ben reappears alive (which btw he found the group again because of kenji's butter knife, hello), the frames literally purposely focus on kenji's reaction. he's the one in the foreground every time they show him and brooklyn in that scene. he is the first one to say ben's name, the first one to go to him and hug him, and the scene takes special care to highlight kenji's strong emotions at ben's reappearance, lingering on his teary face as the focus for a bit even after brooklyn enters the frame to hug ben (because she is not at all an important element in the scene at that moment). just like when ben "died," the way this scene is written and shot HEAVILY suggests that ben holds significant importance to kenji, specifically. because again, the focus here is on kenji and ben almost exclusively, with brooklyn as only an afterthought lol. and quite frankly literally everyone else's reaction to him being alive was pretty lackluster compared to the special attention they gave to kenji on this.

and then in s3 we have the infamous hat scene, where darius and ben are in the limo and ben sees and mentions kenji's sailor hat, looking sad and sounding like... longing?? then directly after we switch to kenji realizing he forgot his hat?? the scene has no real significance tbh other than to draw a connection between ben and kenji. like, it acts as a transition to switch to the pov of the group on the boat, but it was entirely unnecessary? why not just have darius say something about the others and then show them on the boat? if there were no special relationship between ben and kenji, it would have made far more sense if they really wanted it to be ben to say something, that he sees the hat, and sadly says something along the lines of "i hope the others are okay/doing better than we are right now/etc" which implies that the hat made him think of everyone, their whole group. rather than what we got... which very much implies that he was mostly just thinking about kenji 💀 and then kenji thinking about the hat at the same time ben's looking at it and thinking of kenji. like, this is.... a very blatant connection being made by the writing/directing here.

all of that. so many deliberate connections made between ben and kenji, they had a very solid foundation laid for a romance to develop, and by all intents and purposes one already WAS developing according to the show's own subtext. which was why up until s4 obliterated the idea, i was positive the queer couple in the show was either going to be yasammy or benji. it was extremely obvious imo. but as soon we started getting the typical, loud, cliche "we are going to pair off these characters" scenes for kenji and brooklyn, i knew we were getting yasammy and not benji (to be clear, i'm not at all upset about yasammy, they're beautiful and i love how their relationship was done, i wouldn't have had it end any other way for them. but i do personally prefer benji, i just like their personalities and dynamic more. and i feel they had so much potential that got wasted to make way for a far less interesting pairing between kenji and brooklyn. why can't we have 2 queer couples, huh? and if we really needed a minimum of one hetero pairing to appease whoever needed appeasing, darilyn was right there).

but then??? their like entire bond just gets dropped (honestly ben himself gets pretty heavily sidelined for almost all of the last two seasons, which is criminal imo). mostly so that a rushed kenji x brooklyn can be established. like there are still a few small moments here and there in early s4, and one episode in s5 (ep 10), but from early s4 till pretty much the end of the series we hardly see them have any meaningful conversations or interactions, meanwhile literally every other combo in the group does.

it's so weird? why build up benji so deliberately over the course of multiple seasons just to like, fully discard it for a pairing with far less chemistry, even after the chemistry-building scenes they shared, some of which literally had no other purpose than to affirm their connection? even though they were very sparse, the moments benji had were just so blatant (kenji leaps into the rock crevice right onto the back of a saber tooth to save ben?!!?? like he literally was just willing to exchange his life for him like that?? he basically says that he wasn't really thinking, he just did it. so he moved out of what, emotional instinct, that's what we're meant to intuit from that series of events? implying that he specifically has strong emotion and doesn't think things through when it comes to ben? because he doesn't do that kinda stuff for any of the others in the group! even better, this parallels when sammy jumped on the nothosaurus to save yasmina. and then the way benji look at each other after it's over??? hello??? and then how kenji pulls both brooklyn and ben in for that hug a couple minutes later... side eyeing the writers for that choice. they knew what they were doing there and they were evil for it). i just can't see any reason to have dropped them like they were, after all the development they shared for 3 seasons. confounding. biggest disappointment of the series.

i know this probably reads to some as just "wahh, my ship didn't become canon" nonsense. but that's not why i'm bugged. this wasn't just a ship i liked and wanted canon despite no actual narrative support, as most ships tend to be. this ship did have narrative support. there was intent behind many of their scenes together, lingering looks and little things that matter narratively and are always used to signify a stronger/special connection. and it led nowhere, for no good reason. that bothers me. writing that implies and promises something, but never delivers on it. like a person who never finishes their sentences (think Dr McPhee from Night at the Museum). ultimately it's not a HUGE deal or anything, at the end of the day it's just a ship and just a kids' show. but as a writer, it's just irritating to see something like that be done. what can i say 🤷

conclusion

even despite the wasted potential between certain pairings, and even though i do think the first three seasons were superior to the last two, overall i really enjoyed the show, and for what it was, it was really well-made. the overarching focus was of course on found family and friendship before anything else, which i absolutely love, and it was masterfully done. out of 6 kids, all of them had at least one or two meaningful bonding moments one-on-one with another in the group, so every possible combination had their moment to build strong, believable friendships with each other. i'm just so surprised by how good it was as a whole honestly, good enough to binge over the course of a week. i will happily recommend jwcc to anyone willing to give it a watch regardless of age, because i definitely think there's no age limit for a good story, no matter the medium it's told in. :)

[fedonciadale]

btw, I don't care if I come off as rude and dumb, but I HATE Sans@n. Yesterday friend send me few fan arts with Sansa looking like 11th year old girl doing we all freakin' know with looking 50 H*und. I don't have anything shippers that ship it in AU, but canon? WTF? And this all hate around Elia and Sansa? Asoiaf fandom IS THE WORST. The only people I can bear here are declared Jonsas(how cousin x cousin is worst than child x grown men?) and/or Sansa/Elia stans.

Hi there!

The ASOIAF fandom is something, that's for sure! 😂

I've said it several times on this blog already: I think that you can't ship Sans@n in canon and claim at the same time that this would be a good ending for Sansa.

But that is a question of how you interpret the books.

As for fanon : people can ship what they want and we don't know why people ship it, so we should not assume anything.

Ship and let ship does not mean that you cannot dislike or hate a ship. You just shouldn't shove that down the shippers throat.

So, blacklist, block, voice your dislike of the ship under the Anti tag, scroll past anything that gets through your filters.

I think you should definitely avoid looking at fanart for a ship you hate. It will only rile you up.

I know the temptation is there and as long as you talk in private that's completely o.k. I have just experienced that you can be sucked into hating on a ship in a private space and that can sort of sour your fandom experience.

I think that we should probably question our tendency to give 'moralistic' reasons for our shipping. How often have I heard that I shouldn't shop incest! Oh my!

So, I try not to look too often at things I hate. Sometimes it's good to share with friends and let off some steam, but sometimes it's best to avoid.

I follow Sansa and Elia fans and otherwise I don't follow any Got or ASOIAF tag. It's too stressful!

Thanks for the ask!

[by-kilian]

thanks for being a chill blog kw. imma be honest, I've been seeing a lot of stuff in fanfic popping up a lot like yandre, noncon/dubcon, incest, all that (I guess they all group into dark content). and while they make me uncomfortable, I just scroll right past. I remember your discussion with anons saying that we just stay in our lanes and others stay in theres. I've been seeing a lot of discussions about this from other blogs where they mention that fictional bleeds into reality and the normalization of these things, etc. I do agree, but I just figured that I rather not waste my time trying to rationale everything and just read what I want. I'm no crusader or anything.

That’s wonderful, anon. Firstly I’m glad this feels like a safe space for you!

Also I hear you. While I don’t write those things, I have read some of those things. Some are done really eloquently AND elegantly, and then some have left me feeling creeped out and gross. But like you said, I just scroll and stay in my lane. As I get older (I’m older than most of you), I’ve learned to just say “that’s not for me,” and that’s okay.

Additionally, I think that’s an interesting point (fiction bleeds into reality). While fiction is not real as I said in my last post, you bring up a good point which is that all of those darker things may possibly get normalized in your very real world if you’re constantly reading stuff like that, and I imagine it’s more impactful if you’re young etc.

I also personally look at some dark content as safe spaces to navigate sexual fantasies or relationships you otherwise wouldn’t in real life because you know in real life it’s harmful, but through fanfic, you get to live the fantasy and it doesn’t actually harm you because it’s not a real person and you’re not seeking that IRL. I linked this a while back where a sex psychologist said many of us just have fantasies and they often safely stay fantasies. It’s fascinating and I actually had a long discussion with another writer over it months ago.

Like you said, you could spend days trying to rationalize it. And at the end of the day, the most important thing you can do is curate your own safe space to read what YOU enjoy, whatever that is ❤️

Edit: also if it makes you feel better, even though I have read some dark content, I personally feel exhausted when I try to look for fics and see nothing but that. I’ll try to look for fluffy shit and only get like c*m d*mpster *rgies (which is fine when I’m in the mewd for it, but very frustrating when I’m not). 😂 I even have some dark content blogs blocked because I found what they write to be stuff that really makes me uncomfortable. While I find nothing wrong with creating dark content so long as it’s tagged appropriately (and it often is!)—it’s really just about curating a space for you that makes you happy and most importantly makes you feel safe. And that’s your prerogative as well as partially your responsibility for caring for yourself when you know what you like/dislike/what triggers you, etc. I say partially because the other half should be authors tagging things appropriately.

At the end of the day, I really just stay in my own lane. Read what I wanna. Write what I wanna. 🤣 nothing anyone does bothers me cause when I close my laptop or log off tumblr / AO3, those spaces are nonexistent to me. I just encourage everyone to be safe, always. So long as you’re doing that, then lovely.