#piet kramer

[germanpostwarmodern]

Department Store "De Bijenkorf" (1924-26) in Den Haag, the Netherlands, by Piet Kramer

[twafordizzy]

Architect Michel de Klerk bouwde paleizen voor arbeiders

Architect Michel de Klerk bouwde paleizen voor arbeiders

Architect Michel de Klerk (1884-1923) was de grote voorman van de Amsterdamse Schoolstijl en werd bekend vanwege zijn expressieve en fantasievolle ontwerpen, waaronder ook meubelen. Hoogtepunt van zijn oeuvre is het gebouw Het Schip in Amsterdam. Vader De Klerk was al 78 jaar en had al 21 kinderen uit een vorig huwelijk toen in 1884 Michel werd geboren als de jongste van de vier kinderen bij zijn…

[vaguardaseuropeias]

CASA DA NAVEGAÇÃO – JOHAN VAN DER MEY, PIET KRAMER, MICHEL DE KLERK (AMSTERDÃ/1912-1916)

[xoqebumuboqi]

Yamaha 20 ps bedienungsanleitung philips

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  Bedienungsanleitung. Sehen Sie sich hier kostenlos das Handbuch für Yamaha K-1020 an. Dieses Handbuch fällt unter die Kategorie Kassettenspieler und wurde Yamaha F20A Betriebsanleitung 240 Seiten Bauen Sie auf keinen Fall einen Mo- tor ein, dessen PS-Leistung den Höchst- wert am Leistungsschild des Bootes Philips PFL 4606H 3606H 3506H 5606H 5406H 3406H Bedienungsanleitung Deutsch BDA YAMAHA KX-580,KX-480,KX-380,BEDIENUGSANLEITUNG , Instruction Manual. Das Handbuch ansehen und herunterladen von Yamaha RX-V450 AV-Receiver (Seite 1 von 73) (Deutsch). ebenfalls 20 cm an der Geräterückseite eingehalten Bedienung mehrerer Yamaha-Receiver ohne Signalüberlagerungen <Wechsel der Fernbedienungs-ID> . De 20. ANSCHLÜSSE. Anschließen von externen Komponenten. kein ton über chinch von hifi anlage philips mcm 700 zu soundbar yamaha ysp-1400 Eingereicht am 21-2-2021 10:13. Antworten Frage melden · externes gerät über Tokyo: Yamaha 1986. Compaan, Klaus und Kramer, Piet, The Philips „VLP“ system. In: Philips technical review 33(7), 1973, 178–180.Philips. Siemens Bedienungsanleitungen. Siemens. Sony Bedienungsanleitungen. Sony. Samsung Bedienungsanleitungen. Samsung. Yamaha Bedienungsanleitungen.

https://muhuhunuvuh.tumblr.com/post/693034807844880384/designcad-3d-max-v23-handbuch, https://muhuhunuvuh.tumblr.com/post/693034807844880384/designcad-3d-max-v23-handbuch, https://muhuhunuvuh.tumblr.com/post/693034807844880384/designcad-3d-max-v23-handbuch, https://muhuhunuvuh.tumblr.com/post/693034807844880384/designcad-3d-max-v23-handbuch, https://muhuhunuvuh.tumblr.com/post/693034807844880384/designcad-3d-max-v23-handbuch.

[xamileker]

Contaflex ii bedienungsanleitung gigaset

  CONTAFLEX II BEDIENUNGSANLEITUNG GIGASET >> DOWNLOAD LINK vk.cc/c7jKeU

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https://nefijuquvasi.tumblr.com/post/691847053606895616/kramer-kl-300-handbuch-in-deutscher, https://xamileker.tumblr.com/post/691847046201819136/deutz-d5505-bedienungsanleitung-samsung, https://xamileker.tumblr.com/post/691846915683467265/yamaha-yzf-r1-rn01-handbuch, https://hicireligeq.tumblr.com/post/691846917937840128/audi-telematik-bedienungsanleitung-cafissimo, https://taqavelobin.tumblr.com/post/691846988688506880/jura-f50-classic-bedienungsanleitung-deutsch.

[briancurrin]

THE SUITCASE SHOW feat Piet Botha, Valiant Swart, Anton Goosen, David Kramer, Akkedis, Beeskraal

THE SUITCASE SHOW feat Piet Botha, Valiant Swart, Anton Goosen, David Kramer, Akkedis, Beeskraal

https://www.mixcloud.com/briancurrin/the-suitcase-show-16-june-2020-feat-piet-botha-valiant-swart-anton-goosen-david-kramer-akkedis/ THE SUITCASE SHOW feat Piet Botha, Valiant Swart, Anton Goosen, David Kramer, Akkedis, Beeskraal Every vagabond needs a suitcase. This is a, mainly South African, mostly Afrikaans, series of shows with some well-known tjoons and many obscure ones. Some happy…

[delux2222]

Happy Birthday, Piet Kramer (1881-1961)

Mahogany and rosewood sideboard, 1920

[taliatalia]

[afotw]

Vrijheidslaan, Amsterdam. Middle-class housing (1921–1923) by Michel de Klerk and Piet Kramer in the style of the  Amsterdam School (Expressionist architecture).

[hedwig-dordt]

The 2021 Ig Nobel Prize Winners

The 2021 Ig Nobel Prizes were awarded at the 31st First Annual Ig Nobel Prize ceremony, on Thursday, September 9, 2021. The ceremony was webcast.

BIOLOGY PRIZE [SWEDEN]: Susanne Schötz for analyzing variations in purring, chirping, chattering, trilling, tweedling, murmuring, meowing, moaning, squeaking, hissing, yowling, howling, growling, and other modes of cat–human communication. REFERENCE: “A Comparative Acoustic Analysis of Purring in Four Cats,” Susanne Schötz and Robert Eklund, Proceedings of Fonetik 2011, Speech, Music and Hearing, KTH, Stockholm, TMH-QPSR, 51. REFERENCE: “A Phonetic Pilot Study of Vocalisations in Three Cats,” Susanne Schötz, Proceedings of Fonetik 2012, Department of Philosophy, Linguistics and Theory of Science, University of Gothenburg, Sweden. REFERENCE: “A Phonetic Pilot Study of Chirp, Chatter, Tweet and Tweedle in Three Domestic Cats,” Susanne Schötz, Proceedings of Fonetik 2013, Linköping University, Sweden, 2013, pp. 65-68. REFERENCE: “A Study of Human Perception of Intonation in Domestic Cat Meows,” Susanne Schötz and Joost van de Weijer, Proceedings of the 7th International Conference on Speech Prosody, Dubin, Ireland, May 20-23, 2014. REFERENCE: “Melody in Human–Cat Communication (Meowsic): Origins, Past, Present and Future,” Susanne Schötz, Robert Eklund, and Joost van de Weijer, 2016. WHO TOOK PART IN THE CEREMONY: Susanne Schötz

ECOLOGY PRIZE [SPAIN. IRAN]: Leila Satari, Alba Guillén, Àngela Vidal-Verdú, and Manuel Porcar, for using genetic analysis to identify the different species of bacteria that reside in wads of discarded chewing gum stuck on pavements in various countries. REFERENCE: “The Wasted Chewing Gum Bacteriome,” Leila Satari, Alba Guillén, Àngela Vidal-Verdú, and Manuel Porcar, Scientific Reports, vol. 10, no. 16846, 2020. WHO TOOK PART IN THE CEREMONY: Leila Satari, Alba Guillén, Àngela Vidal-Verdú, Manuel Porcar

CHEMISTRY PRIZE [GERMANY, UK, NEW ZEALAND, GREECE, CYPRUS, AUSTRIA]: Jörg Wicker, Nicolas Krauter, Bettina Derstroff, Christof Stönner, Efstratios Bourtsoukidis, Achim Edtbauer, Jochen Wulf, Thomas Klüpfel, Stefan Kramer, and Jonathan Williams, for chemically analyzing the air inside movie theaters, to test whether the odors produced by an audience reliably indicate the levels of violence, sex, antisocial behavior, drug use, and bad language in the movie the audience is watching. REFERENCE: “Proof of Concept Study: Testing Human Volatile Organic Compounds as Tools for Age Classification of Films,” Christof Stönner, Achim Edtbauer, Bettina Derstroff, Efstratios Bourtsoukidis, Thomas Klüpfel, Jörg Wicker, and Jonathan Williams, PLoS ONE, vol. 13, no. 10, 2008, p. e0203044. REFERENCE: “Cinema Data Mining: The Smell of Fear,” Jörg Wicker, Nicolas Krauter, Bettina Derstorff, Christof Stönner, Efstratios Bourtsoukidis, Thomas Klüpfel, Jonathan Williams, and Stefan Kramer, Proceedings of the 21th ACM SIGKDD International Conference on Knowledge Discovery and Data Mining, pp. 1295-1304. 2015. WHO TOOK PART IN THE CEREMONY: Jörg Wicker, Nicolas Krauter, Bettina Derstroff, Christof Stönner, Efstratios Bourtsoukidis, Achim Edtbauer, Jochen Wulf, Thomas Klüpfel, Stefan Kramer, Jonathan Williams

ECONOMICS PRIZE [FRANCE, SWITZERLAND, AUSTRALIA, AUSTRIA, CZECH REPUBLIC, UK]: Pavlo Blavatskyy, for discovering that the obesity of a country’s politicians may be a good indicator of that country’s corruption. REFERENCE: “Obesity of Politicians and Corruption in Post‐Soviet Countries,” Pavlo Blavatskyy, Economic of Transition and Institutional Change, vol. 29, no. 2, 2021, pp. 343-356. WHO TOOK PART IN THE CEREMONY: Pavlo Blavatskyy

MEDICINE PRIZE [GERMANY, TURKEY, UK]: Olcay Cem Bulut, Dare Oladokun, Burkard Lippert, and Ralph Hohenberger, for demonstrating that sexual orgasms can be as effective as decongestant medicines at improving nasal breathing. REFERENCE: “Can Sex Improve Nasal Function? — An Exploration of the Link Between Sex and Nasal Function,” Olcay Cem Bulut, Dare Oladokun, Burkard M. Lippert, and Ralph Hohenberger, Ear, Nose & Throat Journal, 2021, no. 0145561320981441. WHO TOOK PART IN THE CEREMONY: Olcay Cem Bulut, Dare Oladokun, Ralph Hohenberger

PEACE PRIZE [USA]: Ethan Beseris, Steven Naleway, and David Carrier, for testing the hypothesis that humans evolved beards to protect themselves from punches to the face. REFERENCE: “Impact Protection Potential of Mammalian Hair: Testing the Pugilism Hypothesis for the Evolution of Human Facial Hair,” Ethan A. Beseris, Steven E. Naleway, David R. Carrier, Integrative Organismal Biology, vol. 2, no. 1, 2020, obaa005. WHO TOOK PART IN THE CEREMONY: Ethan Beseris, Steven Naleway, David Carrier

PHYSICS PRIZE [THE NETHERLANDS, ITALY, TAIWAN, USA]: Alessandro Corbetta, Jasper Meeusen, Chung-min Lee, Roberto Benzi, and Federico Toschi, for conducting experiments to learn why pedestrians do not constantly collide with other pedestrians. REFERENCE: “Physics-based modeling and data representation of pairwise interactions among pedestrians,” Alessandro Corbetta, Jasper A. Meeusen, Chung-min Lee, Roberto Benzi, and Federico Toschi, Physical Review E, vol. 98, no. 062310, 2018. WHO TOOK PART IN THE CEREMONY: Alessandro Corbetta, Jasper Meeusen, Chung-min Lee, Roberto Benzi,, Federico Toschi

KINETICS PRIZE [JAPAN, SWITZERLAND, ITALY]: Hisashi Murakami, Claudio Feliciani, Yuta Nishiyama, and Katsuhiro Nishinari, for conducting experiments to learn why pedestrians do sometimes collide with other pedestrians. REFERENCE: “Mutual Anticipation Can Contribute to Self-Organization in Human Crowds,” Hisashi Murakami, Claudio Feliciani, Yuta Nishiyama, and Katsuhiro Nishinari, Science Advances, vol. 7, no. 12, 2021, p. eabe7758. WHO TOOK PART IN THE CEREMONY: Hisashi Murakami, Claudio Feliciani, Yuta Nishiyama, Katsuhiro Nishinari

ENTOMOLOGY PRIZE [USA]: John Mulrennan, Jr., Roger Grothaus, Charles Hammond, and Jay Lamdin, for their research study “A New Method of Cockroach Control on Submarines”. REFERENCE: “A New Method of Cockroach Control on Submarines,” John A. Mulrennan, Jr., Roger H. Grothaus, Charles L. Hammond, and Jay M. Lamdin, Journal of Economic Entomology, vol. 64, no. 5, October 1971, pp. 1196-8. WHO TOOK PART IN THE CEREMONY: John Mulrennan, Jr.

TRANSPORTATION PRIZE [NAMIBIA, SOUTH AFRICA, TANZANIA, ZIMBABWE, BRAZIL, UK, USA]: Robin Radcliffe, Mark Jago, Peter Morkel, Estelle Morkel, Pierre du Preez, Piet Beytell, Birgit Kotting, Bakker Manuel, Jan Hendrik du Preez, Michele Miller, Julia Felippe, Stephen Parry, and Robin Gleed, for determining by experiment whether it is safer to transport an airborne rhinoceros upside-down. REFERENCE: “The Pulmonary and Metabolic Effects of Suspension by the Feet Compared with Lateral Recumbency in Immobilized Black Rhinoceroses (Diceros bicornis) Captured by Aerial Darting,” Robin W. Radcliffe, Mark Jago, Peter vdB Morkel, Estelle Morkel, Pierre du Preez, Piet Beytell, Birgit Kotting, Bakker Manuel, Jan Hendrik du Preez, Michele A. Miller, Julia Felippe, Stephen A Parry; R.D. Gleed, Journal of Wildlife Diseases, vol. 57, no. 2, 2021, 357–367. WHO TOOK PART IN THE CEREMONY: Pete Morkel, Mark Jago, Robin Gleed, Robin Radcliffe

[germanpostwarmodern]

"Het Zwarte Huis" Housing Block (1921-22) in Amsterdam, the Netherlands, by Piet Kramer

[architectureofdoom]

Bridge 604 by Piet Kramer, Burgemeester Cramergracht, Amsterdam, 1954

[wudlflowerbank]

Mondrian & mysticism: “My long search is over” by Hilton Kramer

On Piet Mondrian: 1872–1944 seen first at the Haags Gemeentemuseum, The Hague (December 18, 1994–April 30, 1995), then at the National Gallery of Art, Washington, D.C. (June 11–September 4, 1995) and on view at the Museum of Modern Art, New York, from October 1, 1995, through January 23, 1996. 

The irrational bears the same relation to the rational that the unknown bears to the known. In an age as harsh as it is intelligent, phrases about the unknown are quickly dismissed. I do not for a moment mean to indulge in mystical rhetoric, since, for my part, I have no patience with that sort of thing. That the unknown as the source of knowledge, as the object of thought, is part of the dynamics of the known does not permit of denial… . We accept the unknown even when we are most skeptical. We may resent the consideration of it by any except the most lucid mind; but when so considered, it has seductions more powerful and more profound than those of the known. —Wallace Stevens, circa 1937

What was the nature of the quest that moved the Dutch painter Piet Mondrian (1872–1944) to abandon the representation of nature in favor of an art of pure abstraction? What, exactly, did Mondrian believe that he had achieved? In any attempt to address this question, we are obliged to deal with the fact that abstract art—and not only Mondrian’s—was born of an alliance of aesthetics and mysticism. We are obliged to examine the ideas that shaped the artist’s search for the absolute in art. Ideas, of course, are no substitute for the experience of art, and in Mondrian’s case are certainly not to be taken to be the “subject matter” of his painting. Yet without some grasp of the intellectual history that led the artist to make his fateful leap into abstraction, the spiritual imperative that governed Mondrian’s art is unlikely to be understood. This is a subject that takes us into the mind of modernism at one of the key turning points of its history. It therefore seems an appropriate subject to explore on the occasion of the great Mondrian exhibition that opens next month at the Museum of Modern Art in New York—and all the more so since the exhibition itself, as it was presented at the National Gallery in Washington this summer, gave the subject scant attention. In Professor Yve-Alain Bois’s essay for the catalogue accompanying the exhibition, for example, the author seems vaguely embarrassed that an artist of Mondrian’s stature might be seen to be seriously implicated in a system of ideas and beliefs which for most of us cannot claim a very persuasive intellectual provenance. 

Excerpted from: Kramer, Hilton. “Mondriand & mysticism: ‘My long search is over.” New Criterion, 14 issue 1 (Sept 1995): 4-14. Print.

Access the full essay here. 

[galbencearch]

De Bijenkorf, The Hague (1926) by Piet Kramer [Building] via /r/architecture https://ift.tt/36X17I9

[alkmaarcentraal]

Ere-insigne in goud voor Alkmaarders Frans Kramer en Gijs Schot

Ere-insigne in goud voor Alkmaarders Frans Kramer en Gijs Schot Woensdag reikte burgemeester Piet Bruinooge het ere-ins...

https://www.alkmaarcentraal.nl/nieuws/60047743-ere-insigne-in-goud-voor-alkmaarders-frans-kramer-en-gijs-schot

[delux2222]

Happy Birthday, Piet Kramer (1881-1961) Mahogany and rosewood sideboard, 1920