#reflector magazine

[blockygraphics]

Image by Alexander Arzberger, from issue 17 of the Amiga magazine Reflector, circa 1994? (Rehosted in a compilation on cd.textfiles.com.)

[rockinshots]

The Reflectors were amped up for their gig at Great American Music Hall opening up for The Seagulls and Buzzcocks. A lineup like this can definitely get the juices flowing. This LA power pop/punk band delivers fun catchy songs full of life. Super fun show!! 👏👏🔥💥🤘 📷 @rockinshots @the_reflectors @greatamericanmusichall @mnprmagazine @soundcheck_sf

[literallymechanical]

Beryllium? I hardly know 'em!

I think I mentioned this in passing a while back, but it's an interesting anecdote and deserves its own post.

So you know that story about how during WWII, John W. Campbell – editor of Astounding Science Fiction Magazine – figured out that something fishy was going on at Lost Alamos when all the nuclear physicist readers changed their delivery addresses to New Mexico at the same time? My dad did something similar the 1980's.

He's a doctor, and he was doing his residency at [HOSPITAL REDACTED]. Over the course of a few months, he started getting patient after patient in acute respiratory distress, lungs chock full of weird granulomas, all of whom worked at [DEFENSE CONTRACTOR REDACTED].

At first, the patients were reluctant to share info about any occupational exposures. But once you've been choking on your own lungs for a while, disclosing a tidbit of Secret information suddenly doesn't seem like that big of a deal.

They all regularly worked with large quantities of beryllium.

(All y'all nuclear engineers in the room just realized exactly where this is going lol)

A few facts:

Beryllium is HIGHLY toxic. Even small exposures can cause a condition called berylliosis – all the symptoms mentioned above.

The concept of "workplace safety" had yet to be invented in the 1980's.

Beryllium is used as a neutron reflector in nuclear research.

So. That's how my dad figured out that [DEFENSE CONTRACTOR REDACTED] was working with fissile material just outside town lmao

[renellmedrano]

In the land of the blind the naked man (or woman) is king (or queen) and when said residents are also repulsive and moronic as fuck, their disgusting and nasty ass worship of Renell Medrano is by far problematic and obnoxious. Renell is simply a shitty, ignorant and shady photographer who's been laundering money while hiding behind the facade of a phantom studio owner together wither her hideous goblin faced looking partner in crime, Jess Moloney. If you've been wondering where the hell did these bozos come out all of a sudden, then why don't you search them on this fucking site or on Google. Yeah, that's a good Y/N. You're in to find a wide variety of raving mad, totally demented & completely unhinged dug up on dirt on them. And all of this is real. All rumors are indeed real. Are you doubting your reality yet? If you aren't, you should. What are you waiting for then? The answer is wholly, fully, aggressively and vigourously staring in your face. Stop praising and worshiping worthless celebrities. Are you so into this kind of fucked up degradation? You'd be way better off drinking from a public restroom. Just quit dragging your feet on rusty, broken nails already!

Renell's shots are redundant. And boring at best. She's got zero technique. They look as if they were totally taken by someone else or someone else had dialed before the settings on her camera making it easy for her just so that she just needs to press a simple button.

Yet. Still. Renell. Won. The ICP Award. And she's sharing it with Moloney as if it was some rich old fuck's STD ridden deflated penis. Oh wait. Maybe that's how they got all that fame. Nothing new. Move along, nothing to see here.

Why is she always keen on showing her underwear in the least sexual contexts that could possiby exist?

I'm not MAGA, a centrist edge or some type of conservative. But why would you sexualize yourself for the male gaze so much?

Didn't she know in the United States it is estimated that around 70% of photographers are male and 30% are female? Didn't she know this imbalance is also reflected in the gender breakdown of photographers featured in galleries, exhibitions, and publications. Why is she sabotaging ongoing efforts to promote gender equality in the field of photography?

When was the last time a man dressed up like that to an award show or during a photo session?

ICP Awards screenshot by https://jess-moloney.tumblr.com/ or https://jmoloney1.tumblr.com

FUUUUUUUCK those hideous hoes. With their phantom photo studios and all their stinking threesome shit. Fake ass ghetto hoes. I've never ever read about Renell discussing in detail about all the high end pro photo gear she's supposed to have used during her A list celebrity photo shoots. In her interviews for famous magazines are totally she gives cookie cutter instagram influencer answers to questions only somebody who was paid to interview her would ask her. She did not tag any camera, lens, brand, lighting equipment in any of her photos. She never even managed to get a camera brand sponsorship deal. She never spoke about what kind of backdrops, tripods, stands, props, accesories, reflectors, diffusers, blah blah blah she has been using in any of the Ice Studios sketchy physical locations that look like some junkies' rat infested derelict gathering dens. ffs. Her knowledge about photography lingo, history and styles is equal to fucking zero. There's photos of Renell with some analog cameras ( vintage medium format Mamiya RZ67 / unknown lens, vintage full frame Canon AE-1 with its famous f/1.8 50 mm prime lens, an unknown camera – which might be digital – with a Carl Zeiss Planar prime lens mounted on it, and probably a vintage Rolleiflex ) & 1 Canon full frame DSLR (not mirrorless) with an unknown lens. And that's about it. I'm not even going to mention her piss poor point and shoot that she was holding while wearing thong pants.......

Jess' bozo beauty ad interview is faker than a cheap Tijuana whore's feelings. It's been already debunked & you just have to search for it on Tumblr and Youtube.

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Renell's website is as lousy as the Lice, I mean the Ice Studios one. I don't know what the fuck that is, but that cannot be named a website. https://icestudios.shop/

It's infuriating how now this hypocritical bitch believes she's the illest shit in skincare regimens at the moment. When you have shit for brains and connections to various available erections you think everybody is falling for your shtick. Well guess what broke ass fake bitches? Y'all ain't gonna see what's coming and when it's gonna hit ya. When ya least expect it. I've had enough of you! All you've ever done will be de-fucking-bunked. Now go back to schmuck sucking. The next one that ya'll be feeling in the back of your throats will be the IRSchlong.

Nonetheless, their dumbass fans know that and are foaming at the mouth while banging their crap filled heads against shitloads of walls. Yet they still haven't been able to convince anyone otherwise. They have an obvious masochistic stupid wish of being proven wrong for the 100th time. Relenlessly. Poor delusional and empty brained halfwits. Yes, all this really is very stupid and tremendously dumb. But they should rest assured they're gonna have their asses kicked and will now be therefore permanently wrecked. It'd be better for them to stop screaming from their top of their lungs so much insane batshit stereotypical influencer crap. And listen to the ones who are indeed irrefutable authorities on this subject. Renell's fans make me throw up. They need a serious beating with an iron crowbar over their empty heads. How else are they going to wake up to reality then? How else will they stop bloody beating their minced up meat around a heavily thorned bush? The hands that feed her hide deadly and dangerous long, sharp claws.

Renell doesn't assume the slightest shit of responsability for what she is supposed to be doing. She's been thoroughly brainwashed to believe everybody is a mindless and unschooled hoodrat whose minuscule mind is less worthy than a recycled garbage bin. Guess what, bitch? With her opening the door to everything here and beyond, she should've been ready to expect the unexpected when they invited us in. Now we're flooding her worthless being with facts rabidly biting her face, chewing on her pieces & spitting them out. Poor Renell and Jess! Looks like their only option is letting us stay and brutally dismantle their convoluted but fickle web of lies. My advice for her is go whine and cry at another table! Her and Jess' work doesn't even amount to a shitstain, maybe they should've tried to get hired as prison garbage sorters. Go hide under a rock while you still can.

I've seen much more believable and intelligent triple x-rated casting videos than this shit.

No bitch, STFU, just because you're using a notoriously overpriced and overhyped gadget gimmick that got the worst reviews it could get (the Kodak Super8 flop) doesn't make you an intellectually and morally superior artsy fartsy 10/10 honest gram photographer or videographer influencer switch. Fuck, I hate switching swish swish bitches. Pull your head out of your ass already, wannabe fucker! You're one utterly sad incompetent mistress of fuckconnery. An impostor.

It's so vile and so offensive to think she is a high-profile photographer with craploads of top of the top A-list celebrity photo sessions as hallmarks of her portfolio. No photographer would ever dare say such unbelievably ridiculous shit. Ever!

“I always get a thrill [out] of showing new stuff on Instagram, or whatever social platform, just because I feel like the people that appreciate my work have been supporters since day one. I’m not scared to put out new work, I kind of get this high from it. If I don’t get that from a photo, then I’m doing something wrong.”

"So most of these photos were taken on this Canon A E1, um, that I stole from my dad in a yard sale when I was. like 12. Um, and it has a 50 millimeter lens on it. And I always shoot on portrait of 400 film by Kodak."

"Why," you might be asking yourself. 'Cause FUCK YOU! That's why! Fuck you, you brain rotting fanatics, you cangrenous tissue, necrotizing flesh, you mangled up cells . You'll forever be in debt to everyone right from toes till up your neck until you start explaining why you're selling fake and contrived dreams to young, naive and innocent people online, why you want them to munch on your butt while you're play pretending to be a manager, model, fashion designer, photographer, writer, therapist, why you're lying about your past and real abilities, why you're evading taxes, why you stole money from guillible individuals when they needed it most, why you gaslight and deceitfully manipulate your friends, why there's so much controversy around you, why your actions don't mach your words. Why you'll never tell the truth even if it were to lethally strangle you. Why having connections for better or for worse and bragging about them (as if she was the only one in the world with connections) to fuck knows who and what doesn't turn you into a no morals somebody from a nobody. Why you're covering for a bunch of nefarious repulsive death penalty worthy MOB asshats who deserve to be hammered, slammed, smashed and whacked, battered, pounded and pummeled to microscopic pieces untill not even the best coroner in the world can identify them by their contaminated DNA.

Even if they were to beg for attention crawling on the dirtiest carpet, even if they became the laughing stock of social media, even if they pleaded for forgiveness 24/7 7/7 28/28 29/29 30/30 31/31 365/365 366/366 till they kicked the bucket, what Jess, Renell and the others have done will not be erased from history.

Equal give and take my ass. STFU. Why are they even allowed to have a say in basically everything right now? They shouldn't. Nobody asked for their opinions. Nobody wants to hear them talk. Nobody gives two shits about them. Their ramblings are as useful as a torn apart leaking urinal. If I wanted to hear Renell and Jess talk I'd not waste my time in them, I'd go listen on Youtube how clogged toilets sound. But I don't. I'm not interested in hearing anything remorely similar to those two wet farts. I don't want to stoop at their level. They can go fuck themselves with a splinter full wooden toilet plunger. And then film their deed with the lousiest, fakest, pro camera Chinese counterfeit knock off.

Just because she's holding some random ass cameras doesn't fucking mean she knows anything about photography. Who the fuck holds their cameras in such a careless way as if they were a cheap model who were told to play pretend they're this greatly awewome celebrity photographer? A camera should be firmly held while tightly strapped so it doesn't fall on the fucking ground and makes a mess out of itself while permanently damaging the sensor, its lens + its external flash. Most cameras do weigh a lot, so why would she be dangling it around like a pair of thongs?

She admitted she's doing for the gram. And doesn't know how to tell the difference between niche photography and her pseudo commercial and editorial bullshit. What is so special about her that celebrities flock like silly, stupid geese to her in order to have their photo taken with this thing when other photographers in the game spend thousands of dollars on their gear?

They're roughly 150-200 bucks per piece(camera + lens). Dirt cheap. About the same price a celebrity pays for their designer underwear.

The estimate for a comprehensive professional camera setup in a situation like this ranges from $10,000 to $30,000 or more. Additional expenses could raise the total cost to $50,000 or more.

Who the heck even post-processes her photos? Oh wait, it's the infamous non-existent legally dubious Ice Studios. She'd have been more credible if she at least wore that "I shoot RAW" tshirt all wannabe photographers wear to impress people left and right lol. And to think she's never been seen wearing her shop's clothes.....

Compare how scam photographer Renell is carelessly holding her expensive gear vs how real photographers actually do it.

Who the fuck gets paid to shoot spoiled ass rich clients without having a legally registered business? Why exactly her? Who' been paying for her to be featured in magazine interviews? What makes her so frikkin' special than the tons of others so similar to her? How did she earn all that fame and appreciation? Who the fuck even allowed Renell to speak when she's doing nothing but excellenting at wasting precious seconds away from the listeners' attention span. Who the fuck uses such a small bag for carrying around their camera when a decent looking photographer's bag must contain at least 3 or 4 of the following: additional batteries & charger, additional bodies and lenses & straps and harnesses, lens caps, lens hoods, lens filters, lens pouches, external flash or speedlight, portable ssd drive, portable light source, protective waterproof cover, remote shutter release, additional sd cards, ultrabook, lens cleaning kits or wipes. She and Jess are pretending to do whatever they're clearly failing to pretend at. Fucking lousy decrepit wankers.

No serious photographer crams any of the following in such a way their bag is indististinguishable from a sack of potatoes.

I can't believe their work is so terribly uninteresting and so unoriginal. If it hadn't been for their. They need to be thrown ASAP in a huge giant shipping container with this label on it:"Don't open till Rapture comes. Destination: Timbuktu or bust." The earlier, the better. Do they expect people won't take a harsh stand against this incredibly scheming waste of time duo? Do they think they can go on and on living their miserable life with their series of snake oil salesmen tactics? Do they think nobody's going to take a stand and put an end to their con?

And what about Jamie Campbell Bower's role in this? Is he a voluntary participant in this fraud or is he being coerced?

They who dig a pit will fall into it.

moRoney & mudranoOB as cars vs a car cruSher

[magicgardna]

Scans from V Jump magazine January and February 2002 issues highlighting “Mythological Age” which released November 29, 2001. Regrettably, Magic Reflector is absent, making it the only holofoil card in the set not showcased here. 

[shiningwonderland]

Camus (All Star)

Translator: Mimi (twitter: _mimisaurora) Proofreader: Lala (twitter: i_am_gamer) Editors: Atsu, Noemi (twitter: dreaminbeyond)

Chapter One — The Ice Earl

The Next Day...

Tsukimiya-sensei is filming a commercial appearance in the studio today.

I decide to go and watch since I took part in the production of the commercial’s background music.

Ringo Tsukimiya: Ohayappu~, Haru-chan.

Haruka Nanami: Ah, Tsukimiya-sensei. Are you on your way to the studio?

Ringo Tsukimiya: Yep, let’s make our way over together! I look forward to today!

I met Sensei on the way and we proceeded to head to the studio together.

Camus-senpai is also participating in today’s commercial shoot along with agency colleagues Tsukimiya-sensei, Cecil Aijima, and Kurosaki-senpai...

Yesterday, I worried over who I would choose to partner up with, but decided to go with Camus-senpai in the end.

The president should have told him about it already, but I still need to introduce myself properly when we meet in-person.

Ringo Tsukimiya: Haru-chan, what’s wrong? You look tense. Are you nervous?

Tsukimiya-sensei smiles at me as we reach the door.

Haruka Nanami: Y-yes, just a little…

I can’t just quit now that I’ve chosen my partner.

I have to create a unit song and then win at the song festival with a solo, all with Camus-senpai, or risk being let go from the company.

I had made up my mind yesterday, but now that it came time to actually meet with him, my feet refuse to move.

I can’t compose a song without knowing the singer well.

This is why I have to start a dialogue with him and build a trusting relationship.

I want him to recognize my resolve and show the benefits I can offer him in this partnership.

I have to do it. But, can I really?

When it comes down to it, it’s a little scary...

Ringo Tsukimiya: It’s alright. You have the ability to overcome this challenge ahead; I believe in you.

But, if you keep looking like that, even the goddess of luck might run away! Look here, smile, smile!

Tsukimiya-sensei lifts the corners of my lips with his forefingers and smiles.

Haruka Nanami: O...okay!

That’s right. I can’t hesitate now. I answer Sensei with the best smile I could muster and I place my hand on the studio door.

Staff A: Move the center flower vase a little farther to the right! Now, adjust the chandelier’s angle!

Staff B: Hey! Where’s another flash reflector—?

The set is alive with activity.

Staff A: Ringo-san, good morning. I look forward to working with you today.

Ringo Tsukimiya: Me too! Let’s take some good shots today~

Sensei, who would be performing the commercial’s leading role, is immediately ushered away to prepare. Not wanting to be a bother, I move to watch the filming from the corner of the studio.

I wonder where Camus-senpai is…

Camus: Good morning, Tsukimiya-san. It is a pleasure to be working with you today.

From a short distance, I see Camus-senpai greet Tsukimiya-sensei with a gentle voice.

Ringo Tsukimiya: Morning, Camus-chan. ...A gentleman on site, as usual. I’m getting chills down my spine.

Camus: It is simply a matter of keeping public and private affairs separate.

Senpai, who I often see on TV and magazines, wears a composed expression on his face as he responds. He was like a completely different person in comparison to our prior encounter after the press conference the other day.

The shoot is about to start; I wonder if it'd be okay to greet him after…

The commercial being filmed is to sell a shampoo boasting three different gorgeous aromas.

The sets and costumes unify to exude a luxurious atmosphere, perfectly reflecting the concept of “A Princess’ Fragrance”.

Grand chandeliers and stained glass. A small water fountain placed in the middle.

Everything down to the smallest detail catches my eye with its stunning beauty.

Tsukimiya-sensei, who has finished makeup and wardrobe, moves to the center of the set and the filming begins.

In his dress, he looks like a fairy princess who has completely stepped out of a storybook.

And three men will be escorting him.

The first person to take his hand in a graceful manner, smiling at him kindly is--

Cecil Aijima: Welcome, Fairy Princess. I will be guiding you for a short while. Well then, let us go.

Cecil-san, the prince of Agna Palace, remarkably shines with exotic charm in his formal attire. There is refinement in every aspect of his demeanor; it feels noble.

Cecil-san is always kind and gentle, but doing this, I remember how he’s actually a prince.

Ranmaru Kurosaki: I’m not gonna pretend to be an escort. Just follow me. I’ll show you… a real dream.

Kurosaki-senpai’s wild atmosphere seems to target the gentle and calm Tsukimiya-sensei and Cecil-san.

With his charm like a shining blade, he commands the attention of those around him. And then…

Ringo Tsukimiya: ...Camus.

Camus: Have you called? Mademoiselle.

Senpai’s role is that of a head butler serving the princess. I figured it out by watching a piece of his acting for only a few seconds after filming started.

Between Cecil-san and Kurosaki-senpai's personalities, his mere presence makes him stand out. Sitting or standing, his elegance is impeccable.

Even so, he perfectly compliments Tsukimiya-sensei’s leading role.

Haruka Nanami: Camus-senpai… is amazing.

He seems to keep everything necessary for filming in mind, from his co-star’s habits, the camera’s location, and even being mindful of the way the light hits.

On top of that, by not allowing any actions to go to waste, it encourages everyone to get the best shot.

Staff A: Ringo-san. It looks a bit cluttered with four people in the center, so there’s one person’s placement I'd like to change…

Staff A: The position is going to be difficult because of how close it is to the fountain, so ideally I'd like to ask Camus to move...

Ringo Tsukimiya: You’re right. It may be difficult for anyone other than Camus-chan to go that way. Would you be able to do it?

Camus-senpai responds to the difficult request with a smile and the apologetic staff do their best in return.

One can tell even from such a small exchange that he is well trusted in this field.

Senpai was in such perfect form that you’d begin to believe that although Tsukimiya-sensei is the main character, without Camus-senpai, the filming just wouldn’t work out.

This is the man who will be my partner. This is the person who I will make music for. I trembled under the weight of my own choice.

Ringo Tsukimiya: Ah!

Camus: Please make sure to be careful. It'd be bad for Madam’s pretty fingertips to get hurt.

Camus-senpai carefully supports Tsukimiya-sensei who trips on the steps.

Ringo Tsukimiya: Hehe. Thank you.

He naturally escorts Sensei as if it were choreographed from the beginning, and they dance in the radiant light.

And then, the princess stretches out his hand toward the foreign prince and sharp-eyed young man.

I know nothing about social dancing, but it's a breathtakingly beautiful sight.

I’m fascinated by the luxurious atmosphere and everyone’s charm, butー

Cecil Aijima: Camus! Please stop that!

During the break as the lighting is being adjusted, I hear Cecil-san express his displeasure.

At his voice, Camus-senpai turns around.

Camus: You’re being loud, Aijima. Can you not be a little quieter? What are you telling me to stop, anyway?

Cecil Aijima: Don’t play dumb! You hit me upside the head when we passed each other during filming!

Huh…? Did Senpai really do such a thing?

It may have been because I was watching from afar, but he remained elegant, graceful and completely attentive until the very end…

Camus: I’m sorry about that, Your H-i-g-h-n-e-s-s.

His mocking attitude confirms Cecil-san’s words to be true.

Camus-senpai crosses his legs in his chair and glances at Cecil-san as though he were an idiot.

Camus: However, isn't it worse to have you sticking your head in my way every time I walk by?

Cecil Aijima: I am not sticking out my head on purpose!

And this leads the two of them to begin arguing.

I’d thought since they were from royal and aristocratic families, on top of having lived together during the Master Course, that they were sure to get along.

Are they not on good terms with each other?

Ranmaru Kurosaki: Seriously… What a brat.

Kurosaki-senpai is reading a magazine and merely turns to glance, but just as quickly turns to look away.

Tsukimiya-sensei is away from his seat and in a meeting with staffー

W-what should I do? S-should I stop them?

Select the phrase!

Keep watching (+15 Love)

Although Camus-senpai had been working perfectly up to that point, to have hit Cecil-san’s head during the filming…

I decide to just watch as the scene unfolds.

Cecil Aijima: Camus! Please apologize honestly. Even if I was in the way, I did not mean to do it on purpose!

Camus: ‘Not on purpose’? Well then, there really is no helping you. You’re an incredibly thickheaded cat.

Cecil Aijima: What do you mean...?

Camus: Listen well, fool. In what kind of situation do you need to get close enough for me to be able to hit you on the head where the camera could see you?

Haruka Nanami: Ah…

Maybe he’s referring to Cecil-san’s placement?

The blocking for this scene is difficult with four people moving to the same place at the same time.

For him to get so close that Camus-senpai can secretly hit Cecil-san on the head probably meant that the two of them were being filmed over each other depending on the position of the camera.

I’m sure this is what Camus-senpai is trying to tell him.

Cecil Aijima: Ugh… I wish you would just say that.

Cecil-san mumbles a complaint, causing Senpai to glare at him and retort with, “Would you want me to ruin the mood by saying something unnecessary during the shoot?”

He went on to add that it should be expected that Cecil-san would be able to notice and react accordingly to his co-stars' every move; that he needed to understand this level of detail before saying anything else.

Haruka Nanami: That surely… may be…

It may have been a little harsh, but Camus-senpai is coaching Cecil-san.

Cecil Aijima: Ugh…

Camus: What’s wrong? Your senior has taught you. Don’t you have anything to say?

Cecil Aijima: Guh… T-thank you… v-very much…

Camus: Hmph. What’s the point in saying thanks when it’s asked of you? It’s best not to say anything in that case.

Cecil Aijima: Camus! You just want to say I am wrong no matter what I do!

Camus: And you just noticed? My, a cat’s brain is smaller than that of a human, so it’s no wonder you’re so stupid.

H-huh… Just as I suspected, he just wants to be mean, doesn’t he..?

Cecil Aijima: I am not a cat! I am also not stupid! Did you know in Japan those who call others stupid are the stupid ones!

Camus: Oh? Well then, you just said ‘stupid’ so you’re also as stupid as I thought.

Cecil Aijima: Non! This only applies to the first person who said it!

Ringo Tsukimiya: Hey. What were you two up to while I was gone?

Just as it seems like things are about to get even worse, Tsukimiya-sensei returns, and the studio grows calm and bright again.

Ringo Tsukimiya: Alright, that’s enough fighting; let’s take some more shots. Kurorin, can you stand by too?

Ranmaru Kurosaki: I’m always ready, Tsukimiya-san.

Tsukimiya-sensei also urges Camus-senpai and Cecil-san to return to their previous positions; they reluctantly comply.

Ringo Tsukimiya: Now, let’s do this. Camus-chan.

Camus: It goes without saying—I’ll show you the perfect attendant.

When the filming begins again, Camus-senpai’s demeanor changes, becoming as serene as he was before the break.

There is no trace of animosity in his attitude towards Cecil-san, who was initially unhappy as well, but soon regains his on-camera face—

After that, the filming goes smoothly.

At the end of the commercial’s filming, I make my way back toward Camus-senpai to introduce myself again.

Haruka Nanami: Excuse me, Senpai…

Camus: ...What? Ah, you little girl.

He glares at me when I call out to him while he’s preparing to go home. He looks very… morose.

Haruka Nanami: Hello, I’m Haruka Nanami. I just wanted to say…

Camus: So, you’re my partner… What a great nuisance.

His gaze bores into mine, his voice like ice. It’s such a stark difference from his gentle demeanor during filming that I couldn't help but feel tense.

I, however, couldn’t let myself get intimidated.

Haruka Nanami: Yes. And as your partner, I will create a song that will make you shine. I look forward to working with you on this!

I bow deeply.

I remain that way and do not move, I hear his voice from over my head.

Camus: An idiot like you is going to create a ‘song that will make me shine’? I’m quite amazed and frankly speechless. Know your place and then open your mouth to speak, fool.

Haruka Nanami: I-I’m sorry. But, I…

Sure, I may not know how to write music for him, but he should understand my enthusiasm. When I go to open my mouth again, he lets out a huff through his nose.

Camus: But… this is also work. I will be your partner as long as Saotome orders me to.

However, recognize I do not approve of you. Let me be the first to say I’m not even interested in the unit or the song festival.

Of course, how you debut is up to you. Just don’t expect me to cooperate.

Haruka Nanami: That’s…

I’m at a loss for words at his remarks, more cruel than I could have imagined.

Camus: All you have to do is be good and bring me a song. As it is a job, I know that I have to keep up appearances, so I'll even take a quick look. Don't expect anything more than that.

Haruka Nanami: U-uh... But… What about the meetings and…?

I'm so baffled that words fail me. Can I really make a good song without his help?

Camus: I don’t care. What are you doing now? This conversation is over. Get lost. You’re an eyesore.

Camus-senpai spits out coldly from over his shoulder and drives me away from the studio.

Haruka Nanami: ...Hah.

I trudge along the sidewalk on my walk home from the studio.

Haruka Nanami: I was prepared, I had meant to do it, but…

I feel depressed thinking back to Camus-senpai’s cold gaze and unforgiving words.

He at least agreed to be my partner but…

Can I even make a unit and solo song this way?

Haruka Nanami: ...This is bad. This can’t be.

I shake my head.

I’m certainly shocked to be told he’s not interested so frankly…

But remembering the hospitality I noticed during the commercial’s filming, surely… he’s not just a cold person. That’s what I’d like to think.

Haruka Nanami: I have to do my best…

That’s when I notice a shadow stretching out over the road.

It’s…

Cecil Aijima: I had been waiting for you, my princess.

Haruka Nanami: Cecil-san...

Cecil Aijima: I have something to tell you. Please allow me a little bit of your time.

Cecil and I go to a nearby cafe to talk.

Cecil Aijima was scouted by the agency around the same time as the rest of us.

I was so busy with work since I joined the agency that I hadn’t seen much of him around.

He’s always gentle and kind and his strange remarks can be surprising at times, but he’s overall a very good friend.

I didn’t tell him this, but Cecil-san has the same colored eyes and ambiance to that of a black cat I had before.

Sometimes, I get this odd sense of familiarity with him.

I wonder what that black cat was doing now— his name was Kuppuru.

Cecil Aijima: Haruka. I heard you had chosen Camus as your partner. I am against it.

The minute Cecil-san sits down, he speaks with a serious expression on his face.

Haruka Nanami: You’re… against it?

I absentmindedly repeat his words and he nods in agreement.

Cecil Aijima: YES. Camus is a cold person. You are bound to get hurt. I do not want to see you hurt.

Haruka Nanami: Cecil-san…

He looks worried. He went as far as to even wait for me.

Cecil Aijima: You are a shining flower. I want you to always smile. That would not be possible with Camus. Please end your partnership with him.

It’s because I’m feeling so down that his kindness fills me with warmth.

However…

Haruka Nanami: Yes, Camus-senpai’s attitude may feel a little cold. I thought he was a little scary if I’m being completely honest.

But, during today’s filming, he paid careful attention when he escorted Tsukimiya-sensei.

I could tell when they interacted that the staff trusted him…

If he were truly a cold and scary person and treated his job as just work, he wouldn’t pay extra care to his surroundings like that...

I share these thoughts with Cecil-san.

Haruka Nanami: I looked at that and thought he could probably be a kind person after all. And, about you too, even though you’d fought, I think he was trying to help you as your senior.

To say that I am not afraid of Senpai is a lie, but I do absolutely want to try my best. Cecil-san looks sad at my response.

Cecil Aijima: Non. That is only when he is working.

Camus working is amazing. I am grateful for his guidance. I even… hold some respect for him.

But if he were to become your partner, you would meet the side of Camus outside of that. Everyday Camus is a cruel person.

Cecil-san’s body begins to tremble and his fingers curl, he speaks.

Cecil Aijima: Bully, tyrant, liar, selfish, ruins his food, sleeps weird, does not respect the Muse, violent, quick to yell.

Haruka Nanami: I-is that so..?

Cecil Aijima: That is not all. Camus does not listen to people. He will say one thing, and then turn around and say something completely different with no issue. He likes fish. He likes dogs.

Haruka Nanami: Uh… Fish and... dogs?

Cecil Aijima: Fish and dogs are terrible creatures! Camus knows I am not good with dogs yet he allows one to roam freely in his room!

He lied to me about the fact there was no fish and made me eat okaka with tuna!

Haruka Nanami: Well that… you know, it was to train you… and fish is really nutritious…

Cecil Aijima: Non! He just likes to see people upset! I know what that kind of people are called in Japan. He is ‘rotten to the core’!

Haruka Nanami: That’s...

Cecil-san is a very straight-forward person, he’s clear about what he likes and what he dislikes.

But he usually isn’t one to talk bad about others.

To have him speaking like this… what happened during the Master Course?

Cecil Aijima: Besides, Camus holds no love for music.

Haruka Nanami: Eh...?

As I look up in surprise, Cecil-san quietly lowers his head.

Cecil Aijima: Camus does not love music. He does not care about music. And the music does not love him.

Haruka Nanami: He… doesn’t love music?

Um, are you sure you’re not mistaken? I think his songs are very wonderful…

Up until now, I’ve listened to his singing a couple of times. I find his clean singing to be charming and the reason why I want to be his partner.

His music is highly regarded by the public; there’s no way they could be wrong.

I don’t believe that people who sing like that could hold no love for music….

Cecil Aijima: I have received guidance from Camus, so I am aware. There is no doubt that his music is amazing. It captivated people. But, there is no love there.

Creating a song for Camus would be like sowing seeds on the icy ground. No flower will bloom. Even if it is you.

When he finishes speaking, his gaze looks very sad.

Haruka Nanami: Cecil-san…

Cecil Aijima: If you stay together with Camus, your dreams will not come true. Please. Please change your partner to anybody else.

I realized then that Cecil-san was sincerely looking out for me.

What should I do...?

Select the phrase!

It’s something I’ve decided for myself (+15 Love)

Haruka Nanami: This is something I decided for myself after all, so I’m going to try and pull through to the end. Besides, I couldn’t think of him as such a heartless person...

Cecil Aijima: Gosh! Muse, you are too kind. Someday, you will be in danger. Your kindness will end up getting you hurt.

Haruka Nanami: I’m sorry. But… I want to do my best.

Cecil-san’s gaze lowers and then he quietly nods when I convey my decision.

Cecil Aijima: All right. If you say so, then I can not oppose it.

But, Muse. Whenever you begin to think you can not stand it, please call out to me. I will definitely come to rescue you.

Haruka Nanami: Thank you for worrying about me, but I’ll be okay.

But...

Should I get into any real trouble, I’ll come talk to you again.

Cecil Aijima: Yes! My princess!

Cecil-san beams happily and we leave the coffee lounge together.

From that day on, I began my research to learn more about Camus-senpai’s working habits.

If he really holds no interest or love for music, then why does he sing?

For what reason did he come to Japan and join the Shining Agency?

I read several articles Camus-senpai appeared in with books and magazines, and when I gathered the courage, repeatedly asked questions to the people around me.

Haruka Nanami: He’s really reserved, there isn’t much to be said…!

But, I didn’t gather much information like I thought I would.

Haruka Nanami: Well… Seeing as he comes from a family of nobility, he’s typically called the count idol or noble idol…

Recently it seems his elegant demeanor and his treatment of fans as if they were proper ladies has made him popular on TV.

His style of performance is referred to as “Butler Idol”. The earl acting as a butler. It’s a little strange to think about.

Haruka Nanami: Is ‘Camus’ a stage name...?

His name had been announced as just ‘Camus’. I’m not even sure if that’s his last name either. The only other things I know are that he has a dog named Alexander and he loves Japanese sweets.

According to Shinomiya-san, an animal lover, Camus-senpai’s dog is a ‘veeery cute doggie!’, but...

Haruka Nanami: What Shinomiya-san considers to be ‘cute’ is very broad, so it probably isn’t… the best to go off of.

He’s even called a shoebill, quite a scary-looking bird, cute before…

Then again, anything smaller than himself is good enough to be cute for Shinomiya-san.

And then, Jinguji-san mentioned a little amusedly that “when he and I work together, he’d often tell me to just ‘get in the car.'"

Haruka Nanami: Is he close to Jinguji-san...? Then again, Jinguji-san’s a friendly person to just about anyone.

It looks like there’s no one in the agency who he’s personally close with.

Any official announcements coming from the office for the fans are, for the most part, unremarkable.

It wasn’t any help to scroll through the internet with its lack of credibility either.

In the end, I couldn't find anything close to Camus’ true face.

A few days later, my four senpai and I gather in one of the agency’s conference rooms to hold a meeting for the unit song.

I have to create the unit song first in order to avoid getting let go from the agency.

...At last, it’s starting now. This is my last chance. I have to pull myself together.

I tightly grip the handle of the briefcase I’ve brought with me. Inside is the sample to the unit song I’ve been working on over the past few days.

It was created with the idea of showcasing each of their personalities. It’ll be okay; I’m sure they’ll like it.

Reiji Kotobuki: So, should we take a look at whatcha got, Kouhai-chan?

Everyone's gaze falls on me and I stand while gulping.

Thinking back to the simulation I repeated numerous times in my room yesterday, I began my speech.

Haruka Nanami: ... that is what I think.

And seeing as this unit song is so highly anticipated, I want this to showcase everyone’s personalities.

Ai Mikaze: In short, what is it exactly?

Haruka Nanami: In the beginning, there are abundant solo parts, as highlighting your individualities will build anticipation for what would happen if we joined them together. Everyone will sing in these parts and the last one.

Ranmaru Kurosaki: Get them excited with a bang? Well…That ain’t bad.

Haruka Nanami: And then, If I were to make a pattern of two pairs singing at a time, then we could demonstrate tons of diversity within one song.

Reiji Kotobuki: Hn. It’s easy to say, but can we pull it off? We’re pretty disconnected as it stands.

Haruka Nanami: I have made a sample. I hope for you to listen and tell me what you think…

Thanks to prior practice, I’m able to express my opinions relatively well.

Kotobuki-senpai didn’t spoil me too much, but he looks ready to listen.

Mikaze-senpai and Kurosaki-senpai are distant, but at least their ears are turned to me, indicating they’re listening.

The only one who gives no kind of response is Camus-senpai, who seems quite displeased as he looks down at the book he has on hand.

Ranmaru Kurosaki: Oi, Camus. What the hell are you doing? Not a damn thing! This woman should be making the unit song with the help of her partner.

Camus: I don't care. It’ll be alright as long as I perform the song. Kurosaki, didn’t you also have no interest in the unit?

Ranmaru Kurosaki: Ah? I just took up the responsibility that comes with the job.

Camus: ‘‘Just took up the responsibility’’? To have a change of heart for such a reason is typical of a man that lacks pride.

Kurosaki-senpai's brow twitches and shoots up.

Ranmaru Kurosaki: You’re kidding me. You’re always kissin’ up to the audience, who the hell are you to talk?

Camus: No matter what I show on the outside, I’m still myself. I will never cooperate with a deadbeat like you. You disgraced scion.

Ranmaru Kurosaki: What’d you say?

Kurosaki-senpai stands from his chair at Camus-senpai’s words.

Ranmaru Kurosaki: You bastard. You’re seriously aggravating. Wearing such a cheap suit.

This time, Camus-senpai’s brow twitches. He places his book on the table and slowly stands from his own seat.

And then, the two of them begin to glare at each other with fire in their eyes.

Camus: I believe ‘cheap’ is a word that exists for you, Kurosaki.

Ranmaru Kurosaki: Look in the mirror! What is even goin’ on with that white suit? You want me to force-feed you curry udon and stain your suit yellow? Huh??

Camus: Um… What is curry udon?

Kurosaki-senpai hesitates for a second, Camus-senpai asking with a serious expression.

But Camus-senpai looks curious. It seems he really doesn't know what curry udon is.

Ranmaru Kurosaki: Are...Are you tryin’ to make me look stupid?

Camus: Huh? Do you think I have the kind of time to tell an idiot that he's being stupid?

Reiji Kotobuki: Now, now, you two. Play nice, play niiiice. A friend’s friend is everyone’s friend!

Ranmaru Kurosaki: Shut up. Back off, Reiji.

Camus: I don’t have any friends here.

Reiji Kotobuki: Guh-

Kotobuki-senpai tries to put himself in between Camus-senpai and Kurosaki-senpai’s glaring match, but is quickly pushed away by the both of them.

Haruka Nanami: Ah! Kotobuki-senpai!

Reiji Kotobuki: There, there. Settle down, you two! Peace is number one. Love and Peace!…………Guh?!

Kotobuki-senpai’s face is sandwiched between two protruding hands.

Reiji Kotobuki: M-mugyuuu… It huwts...

Ranmaru Kurosaki: ...Yeah. Oh yeah, I just had a good idea. Let’s make a 3 person unit. The earl will have to withdraw due to injury.

When Kotobuki-senpai is finally let go, Kurosaki-senpai snaps his fingers.

Camus: Don't you mean to say you'll be the one leaving? It’ll surely be more comfortable not having to be disturbed by such noise.

Camus-senpai grins, and with a laugh, rolls up his sleeves. This is really turning into a dangerous situation.

Reiji Kotobuki: Ah, that hurt. Excuse me? I’m an idol whose face is his livelihoodー!

Ai Mikaze: Hah... A waste of time. They’ve wasted five minutes and thirty seconds. Unbelievable.

W-what should I do...? There are still things that need to be discussed…

Select the phrase!

Do my best (+20 Love)

Haruka Nanami: E-excuse me! Please, listen!!

Nobody will listen to what I have to say at this rate. I earnestly raise my voice.

Camus: What...? Did you say something, fool?

Camus-senpai’s glare turns my way.

How… scary.

But, I can’t give up now.

Haruka Nanami: I-I did! Let’s continue the meeting. You may not want to, but it will never end if we don’t continue, so…

Camus: Hmph. Did they add another noisy animal? You must have a grand proposal to have responded with such a proud mouth.

Haruka Nanami: I-I… do have an idea…

As you previously mentioned at the press conference, everyone’s genre and voice is incredibly different.

When the unit was announced, I’m sure fans were wondering about what kind of song will end up being produced.

It’s exactly because of your prominent differences that if this song is done well, it will exceed everyone’s expectations. I want to amaze your fans.

The president must have formed this unit because he had high hopes for the four of them. I sincerely spoke to him in hopes that he would rejoin the meeting.

Haruka Nanami: And so… I want to make an idol-like song!

Ranmaru Kurosaki: Idol-like song...?

Haruka Nanami: Y-yes. Despite your differences, you’re all proud idols from Shining Agency and the president is anticipating it too…

At the mention of the president, Camus-senpai seems to ponder on it a little.

Camus: ...The president's expectations? Very well. Let’s hear the sample.

With a sullen look on his face, he sinks back into his chair.

Haruka Nanami: U-understood. I’ll get ready.

Camus-senpai’s attitude quickly changes. What could have happened?

It worries me, but it’d be troublesome if another fight broke out again. I quickly prepare.

Haruka Nanami: Well then, please listen.

SONG: "QUARTET NIGHT" (S RANK)

Ai Mikaze: Eeh... I’m surprised. If you’ve done this much at this rate, we’ll have to revise the estimate of completion.

Mikaze-senpai eyes widen just a little.

Haruka Nanami: T-thank you very much.

Ai Mikaze: I simply evaluated the current sample. Don’t get too excited.

The other two seem to enjoy the sample.

The only one who wouldn’t express whether they like it or not is Camus-senpai.

The gloomy look on his face didn’t change from before he had listened to the sample.

Haruka Nanami: Camus-senpai… how was it?

Camus: Hmph. If the other three don't have any objections, then that’s fine. Keep going.

That’s all he would say before he stood and promptly left the meeting room.

Reiji Kotobuki: Wait, wait, are you going home? A-ah. He left. Myu-chan’s cold!

Ranmaru Kurosaki: Tsk… I seriously can’t stand that guy.

Ai Mikaze: Well, he’s said he’s come to his conclusion, so he’s free to leave.

The sound of footsteps fade and silence falls in the conference room.

As Kurosaki-senpai and Mikaze-senpai explained, ‘the conversation is over’, so they pull out their magazines and laptop respectively.

Haruka Nanami: Um…

Ai Mikaze: What is it? Is there still something you’d like to discuss?

Haruka Nanami: Ah, no… I’ve said everything I wanted to at this point.

Ai Mikaze: I see. Good work today.

I don’t think I’m going to have any further discussions with them.

I wonder if I should leave too.

As I was trying to pack up my things, Kotobuki-senpai rests his chin on the table and smiles.

Reiji Kotobuki: So, how’s it going, Kouhai-chan? Is everything going good with Myu-chan?

Kotobuki-senpai doesn’t compromise when it comes to his work, but is normally a very cheerful and fun person.

It appears he’s talking about Camus-senpai when he says ‘Myu-chan’.

That senpai is… Myu-chan. Kotobuki-senpai is kind of incredible.

Haruka Nanami: About that, he… Camus-senpai is a man of many mysteries.

That’s it. If I ask the three people who work with him the most, I may end up discovering something.

Haruka Nanami: Excuse me, everyone. If you don’t mind, could you please tell me something about Camus-senpai?

Hope fills my gaze, but the kind of answer I receive is...

Ranmaru Kurosaki: Ah? I don’t know anything about that idiot. He’s annoying. That’s it.

This is not good.

According to Kotobuki-senpai, Camus-senpai doesn’t talk much about himself.

Ai Mikaze: All I have is some data on Silk Palace from when Camus starts to boast.

Mikaze-senpai taps at the keys on his laptop and shows me his screen.

Camus-senpai’s country… It’s a country so far north that one can view the aurora.

It is said that although a blizzard sweeps around it, it’s probably because of its terrain that the country itself is blessed with mild weather and is often referred to as a paradise of permafrost.

The queen is deified and their industries are very well developed.

Ai Mikaze: Ranmaru’s watch was manufactured in Silk Palace.

Ranmaru Kurosaki: What? Seriously?...But I actually like it.

Camus-senpai is very proud of his country and talks about it often.

From the queen, to the palace, to the nobles…

For me, a normal person from Japan, it’s like talking about a completely different world.

Reiji Kotobuki: Myu-chan doesn’t really talk much at all. All he does is just quietly read books. Well, Ranran and Ai-Ai are pretty quiet too~.

Kotobuki-senpai jokes around, but the other two completely ignore him.

Reiji Kotobuki: Ooh, you two should cooperate a little more. If Kouhai-chan doesn’t do well with Myu-chan, it could affect our unit song.

Ranmaru Kurosaki: I don’t know what I don’t know… Speaking of his sweet tooth, he’ll eat about five youkan before a live show. It gives me heartburn just thinkin’ about it.

He carries around his own sugar and his own condensed milk. If he were to fall to the ground, ants are definitely gonna be paying him a visit.

Ai Mikaze: And then… You’re right. When it comes to Camus, sometimes it yields contradictory data.

Haruka Nanami: So does that... imply that Camus-senpai is a liar?

Reiji Kotobuki: Ah—I’m pretty sure Myu-chan is a liar. He has tons of secrets. He’s discreet, keeping secrets from everyone.

He looks busy even on his days off and he never shares why.

Kotobuki-senpai tried to send him a New Year’s card once and asked for his address, but he was ignored.

They all lived in dormitories during the Master Course, but have now returned to their own homes.

Ranmaru Kurosaki: I don’t blame him for blowing you off, Reiji. No one wants your family’s bento shop New Year’s card.

Reiji Kotobuki: That’s not the problem. There is such a thing as being too secretive even for an idol.

Ai Mikaze: You see, that’s also not at all what I was saying. I was talking more in regards to the laws of physics.

… What does that even mean?

Ai Mikaze: I’m not going to think about it too hard. I don’t want to overheat.

Ranmaru Kurosaki: What are you? A car in the summer? I don't get you.

In the end, it seems like there are a lot of mysteries about Camus-senpai for the others as well.

In the days following, I looked into Camus-senpai further but came up with absolutely nothing.

Haruka Nanami: He’s keeping his secrets from everyone...

What bothers me after all of this was what Kotobuki-senpai said a couple of days ago.

Haruka Nanami: What in the world is Camus-senpai doing?

I want to know more about him. However, his attitude hasn’t changed and I highly doubt that he would want to talk.

Not being able to come up with a solution, I bury my head in my arms.

Haruka Nanami: Ah… It’s time already.

I had completely immersed myself in my work today in the studio and the day came to an end before I even noticed.

Tomorrow will come quickly, so I have to hurry home. Before that, I have to return loaned materials back to the agency….

There’s no sense of night or day in the entertainment business, but it seems like today everyone rushed home and all was incredibly silent through the agency’s corridor.

Haruka Nanami: It’s a little scary….

I carry a paper bag full with the materials and walk shakily down the dimly-lit corridor.

Then, a white shadow crosses my field of vision and I instinctually cry out.

Haruka Nanami: J-just now…

Camus-senpai?

It was definitely Camus-senpai who had turned the corner at the end of the corridor.

There weren’t any plans to come by the agency today according to his schedule, so what could he be doing at this hour?

Select the phrase!

Call out to him (+20 Love)

This is a valuable opportunity to find someone who is always busy like him to be alone. It may be rude to do so right now, but this might be my chance to talk to him. I trot over to the corner where I had seen him disappear.

Haruka Nanami: Excuse me…

I find him again in the back of the corridor and go to open my mouth so I can call out to him but—

Camus: Hmm. Is it okay to do this here…?

That’s when he goes into one of the conference rooms.

Haruka Nanami: Senpai…

As I raise my hand to try and knock on the door, a white light appears from inside.

Camus: It’s me… is it urgent? This isn’t a good place right now. Keep it short.

I hear Camus-senpai from the other side of the door speaking to someone in a low whisper.

I wonder if he’s on the phone in there. He’s speaking in a pretty serious tone.

I knew that I shouldn’t, but I couldn’t help but strain my ears and listen.

But, why hasn’t he properly turned on the lights?

The white light coming from the door didn’t look like light that would come from a flashlight either.

Thinking this to be strange, I listen to more of his voice.

Camus: It’s about Saotome’s assassination...?

Haruka Nanami: Eh…?

My heart skips a beat and I look up in surprise.

I feel like I heard something very scary just now. Did I get it wrong? But, I definitely…

Camus: Understood. Leave it to me. I am also curious to know what the chancellor’s party is doing. What it is they could be after in this country… Yes, goodbye.

The white light abruptly goes out at the same time his voice stops.

I notice and my heart begins to beat rapidly. I have a feeling I just heard something I wasn’t really supposed to…

What could Camus-senpai have been talking about? Was he rehearsing lines from a play or drama?

But, he had absolutely said ‘Saotome’. Did this happen to have the same name as the president?

In addition to saying, ‘chancellor’...

Come to think of it, he came from a family who has served under their queen for generations…

I hear a crash come from within the conference room and I snap out of my reverie.

I need to leave now. It’s not good to eavesdrop.

When I turn away with that in mind, the light from within the room reappears.

The light this time was much bigger than before. But it was not a candle or flashlight, it was a white and cold light.

Camus: Your Majesty. My sincerest apologies for the abruptness. But, has there been any unusual activity within the chancellor’s party recently?

I’m once again surprised by Camus-senpai, who, when he begins to speak again, uses a gentle tone entirely different from anything he’s used prior.

He has a soft way of speaking when behaving himself as an idol, but this is different. This may be the first time I’ve heard anything like it.

I’m curious, but in any case, I can’t stay here. I slowly begin to back away.

Camus: I expect to have something useful to report on Saotome’s case in the near future… I understand. Everything is at Your Majesty’s mercy.

Saotome’s case? It really was about the president…?

Haruka Nanami: Ack!

I end up kicking something and accidentally dropping my paper bag.

The materials scatter around the corridor where I stand and the loud noise it makes resounds throughout the hall.

Camus: Who’s there!?

In that second, the conference room’s door is aggressively flung open together with the sound of a sharp voice.

Shoot.

W-what should I do? I try to hurry and escape, but it’s too late. I’m frozen in place.

He walks into the corridor and I gingerly try to raise my head.

His icy eyes bore into mine from above.

Camus: You… What are you doing here?

Haruka Nanami: I-I’m sorry. I-I didn’t mean to overhear stuff about ‘S-Saotome’ or ‘Your Majesty’ in the first place…

I incoherently try to come up with excuses. I’m not even sure what I was saying.

Camus: Did you seriously hear all of that just now…?

Haruka Nanami: I-I am really sorry. Truly, t-that…

Camus: If that’s what you heard, then I cannot let you live.

He draws closer as his unfeeling gaze pierces through me.

I’m taken outside after being caught by Camus-senpai.

As I’m being led, I trudge along the night road.

Haruka Nanami: Um... Where are we headed?

Camus: ...

He says nothing and continues onward.

Eventually, we arrive at a great forest.

There are no streetlights, the inside of the forest appears to be pitch black, and nothing can be seen farther in.

I drag my feet, but he doesn’t hesitate to go in.

Haruka Nanami: Um…

Camus: Silence. Stay quiet and follow me.

It’s so dark inside that I can barely see out in front of me. Whenever the leaves sway, I feel as though something is about to jump out at me, and I can’t help but tremble.

What’s going to happen now? He said I couldn’t live; would he, in these woods...

Camus: What are you doing? We’re here.

With a twitch, I raise my head and—

There stands a gloomy tower, it looks like a vampire’s mansion.

Camus-senpai reaches the entrance of the tower and into his pocket where he takes out a key. With a familiar hand, he uses the key to open the door.

Camus: I’m home.

Eh...? Wait. I-is this Camus-senpai’s home?

Alexander: Bark. Bark bark bark.

Just then, a big dog jumps out.

Camus: Sorry for being late, Alexander. Did you get to eat well?

He breaks out into a smile and strokes Alexander’s well-groomed, beautiful fur.

Alexander: Arf arf.

The dog’s happy expression as he licks Senpai’s hand, unbefitting of his slightly scary face.

Alexander is definitely the name of his pet dog. This is his home, after all.

Camus: There, there. I very much want to play, but there are still some things I need to do. Wait a second, Alexander.

Alexander: Ruff!

Once he barks, he obediently follows Senpai’s order and goes to curl up by the side of the sofa.

The sofa is very beautifully made of leather. A chandelier hangs from the room’s ceiling; deep-crimson carpet covers the floor. A white fireplace, candle stands on the wall.

Its luxury fails to make me think this could be a personal residence, but it really is… Camus-senpai’s home, isn’t it…?

With eyes narrowed, he looks away from his dog and turns to face me.

Camus: Now then… To you. What were you doing there?

I cower under his icy glare. I frantically open my mouth to try to explain myself.

Haruka Nanami: U-um, I-I, I-I’m terribly sorry. I just wanted to know more about you in order to write a song…

I hadn’t gone to the office with the intention of eavesdropping. I speak as though my life depends on it, but his face only grew grim.

Camus: I see. I thought there had been someone sniffing me out these past few days… it was you?

His hand reaches out to take hold of my head, forcing me to look at him.

Haruka Nanami: Ah…

Suddenly, I notice his cold stare. I’m frozen with fear, for I could not turn my eyes away with my head caught.

Camus: You've crossed the line even for the likes of a fool. So, how much of it did you hear?

Scary. He’s incredibly furious. I shudder from feeling the temperature around me drop.

Haruka Nanami: I… I-I… I didn’t hear anything…

Camus: Oh? So, now you’re lying to me? How brave of you.

His icy gaze turns even sharper.

Haruka Nanami: I-I’m sorry… I heard about… the chancellor. Ah, and an assasination…

Camus: Is that so?

He gives a pleasant smile.

Camus: I really cannot let you live now that you’ve heard all that.

Haruka Nanami: I-I-I am terribly sorry! I will never ever tell anyone, so please…

Camus: Silence. You were looking into me, yet say this was just a blunder made by an airhead? Can I truly trust the words from someone like that?

Haruka Nanami: I-I’m sorry. T-that’s not at all what I meant, but…

He looks down at me, as I tremble with fear, and furrows his brows a bit.

Camus: But… it’d cause a lot of trouble if you were to suddenly disappear. And if I were to let you go then…

He seems to ponder on it for a while before looking as though he’s finally come to some kind of conclusion. He grins.

Without needing to think about it, a shudder runs down my back at his expression. He abruptly releases me from his grip and I fall onto the floor.

Haruka Nanami: Hyah!

He slowly approaches the sofa and sits, crossing his legs as he looks down on me.

Camus: I cannot allow you to live, but I’m no demon either. If you were to swear yourself to me and become my servant, it’d be the only way to save yourself. How does that sound?

Haruka Nanami: S-servant?! W-why is that the…

Camus: What? It’s really more on the terms of maid… It’s troublesome to always have to call for house cleaning; I merely want to have someone for myself.

He spares a glance around the extravagant room.

It does seem like it’d be difficult to clean, but…

Camus: There’s no worries if you want to say no. Suit yourself. Though… you do realize what will occur if you refuse?

W-what should I do? I hate the thought of becoming a servant.

But, what would happen to me if I were to refuse?

His expression is serious and he doesn’t seem to be taking this lightly.

My body refuses to move as though I were a frog trapped by the incredibly terrifying gaze of a snake.

Camus: I’ll give you only three seconds. Answer quickly. Now… will you or will you not become my servant?

Select the phrase!

If I have no other choice (+30 Love)

I hate it so much, but I have no choice. I part my trembling lips.

Haruka Nanami: Alright…

Camus: Oh? So you do have the ability to make the right decisions after all. I commend you.

He grins and chuckles, reaching out to trace my lip with his fingertip.

Camus: You wished for it with these lips, don’t forget that.

Haruka Nanami: Y-yes…

How did this happen? I shouldn’t have eavesdropped… but, there’s nothing I can do about my thoughtless act now.

Haruka Nanami: I’m incredibly sorry. W-Well… If you’ll excuse me…

I quickly lower my head and try to rush out of the room, but his hand catches me again.

Camus: Don’t play jokes with me. Did you think you could go home?

Haruka Nanami: Eh, I…

He laughs and locks the door with his free hand.

Haruka Nanami: Camus-senpai…?

Camus: Why are you surprised? Didn’t you agree to work for me today? I have a lot for you to do immediately.

Only a short moment later, a mop is promptly presented to me.

Wait… What?

Haruka Nanami: Starting now…? But, it’s already getting really late…

Who knows what time I’ll be able to go home if I start cleaning right now…

Camus: What are you talking about? It won’t be necessary to go home, you have work tomorrow and the day after, as well.

Haruka Nanami: Eh…Um…

Camus: Don’t worry about where you’ll be sleeping. I’m a kind master and will prepare a comfortable sofa for you. I appreciate you.

He laughs happily and calls towards the back of the room.

Camus: Rejoice, Alexander! Your handler is here!

Alexander: Bark bark bark!

And just like that, he turns around and goes farther inside.

I’m left alone and, with a mop in my hand, I stand there dumbfounded.

Haruka Nanami: Did that just…

Then, to be trapped in this house...?

It's like a nightmare; everything is just unbelievable.

What on earth will happen now?

(Chapter End)

[y2klostandfound]

Hot New Releases - Wipeout 3 on Game Players Vol.121(Video game magazine)(Hong Kong)(26/02/2000)

Translation in English:

Playstation 1

Manufacturer: SONY COMPUTER ENTERTAINMENT Price: 5800 Yen Memory: at least 1 BLOCK Release date: on sale Capacity: CD-ROM 1-2 Players / Compatible with DUALSHOCK/Compatible with NEGCON

The fastest race in human history

The original future racing game "WIPE OUT" has been released for three episodes, The graphics and fluency of the game are definitely not inferior to other PS racing games. Maybe because the background of the story is the future, some functions can be saved. As for the quality of the game itself is not bad, and you can use weapons to attack opponents, readers who like this kind of future racing may wish to play.

Operation method (for hand button)

As this game is not a normal racing car, so the operation is a little different from the normal racing car (in fact, just use a few more buttons), and now will introduce its operation method:

← Turn left → Turn right ↑ Up ↓ Down □ Use Weapons △ Change the viewpoint X speed up O Give up weapons L1 Rear Viewpoint R1 HYPERTHRUST L2 LEFT AIRBRAKE R2 RIGHT AIRBRAKE

Game play and Tips

The gameplay is basically not much different from that of regular racing, but the game has weapons, energy (that is HP) and HYPERTHRUST, which are relatively rare (or almost non-existent) in regular racing games, so there are obviously more things to pay attention to. The way to get weapons is to drive through the floor of those special colors, if the floor is purple, the weapons obtained are used for attack (such as MINES, ROCKETS, etc.), yellow is the auxiliary system (such as HP absorption, automatic control, shields, etc.), the appearance is random, so if you are not satisfied, you can press 〇 to give it up and take it again (you can also press the button to release it in use). As for blue, you won't get any weapons, but it will increase the speed of the car (for a short time), and you can move at high speed for a short time with HYPERTHRUST. HYPERTHRUST is a HP-consuming acceleration method, so do not use it recklessly, or the car will be easily crashed.

Weapons List

AUTO-PILOT: It can be operated automatically within a certain period of time after starting, and can be used to handle troublesome corners.

FORCE WALL: Creates a force field that resists magnetic enemies on the track, which can be destroyed.

CLOAK: It will not be LOCK-ON by enemy vehicles within a certain period of time after starting.

ROCKET: A missile fired forward.

GRAVITY SHIELD: It will not take damage for a certain period of time after activation.

MULTI-MISSLES Shoots guided missiles that can be LOCK-ON.

REFLECTOR: It can reflect the attack of enemy vehicles for a certain period of time.

QUAKE DISRUPTOR: The track shakes, but the car in front is injured, and the destructible objects can be destroyed at the same time.

ENERGY DRAIN: Absorb energy from nearby enemy vehicles.

PLASMA BOLT: Hitting an enemy vehicle immediately destroys it, and destructible objects can be destroyed at the same time.

MINES: Releases floating mines behind the car, which can be destroyed.

Basic game mode introduction

SINGLE RACE Players compete with other cars on the track. The number of enemy cars can be freely adjusted in the OPTION (optional). If the CHECKPOINT is not reached within the time limit, it will be GAME OVER. If the energy is insufficient, it can be replenished at the PIT.

TIME TRIAL There is only one opponent in this mode, and no weapons will appear at the same time, but it is the same as SINGLE MODE and reach CHECKPOINT within the time limit. Like similar games, this mode has a "ghost car", but the conditions for it to appear are other than completing this mode , but also use 2 BLOCK to record data.

[sarahkempphotography]

Fashion Research - Contextual Group Task

(Carla,Colin,Emily,Sarah)

Fashion Editorial Research

Made in shoreditch Magazine – Monia Merlo

This fashion editorial was shot by Monia Merlo and all the models Monia works with are female. The story is ethereal and her images tend to show her inner feelings and a soft sentimental side to her personality. The theme shown in these images is surreal escapism, there is a fairytale like feel to the images.

The order of the images show different representations of her body, by starting from showing her face, then her legs then two different viewpoints of her full body one which is more relaxed and covered and the other which seems a bit more sensual.

The changes of viewpoint and depth of field gives more context to her surroundings, the close up shots show more details such as her face and legs and the wider shots give us context to her surroundings, which further explains the story, the changing of poses and outfits compliment the scenery with the use of earthy tones.

The common theme of nature and water is what helps to tie the images together , the colours used throughout compliment each other and have earthy tones such as green, beige, and red.

The mood shown in these images is relaxed and tranquil, they seem very quiet and peaceful images.

The lighting used is very soft and subtle and the use of natural lighting and reflectors would create this soft lighting on the model, there may also be flash in some of the images. This lighting helps to convey the mood as the soft lighting helps to create a peaceful atmosphere which better conveys the relaxed mood of the images.

Monia Marlo started her photographic journey at 40 after years of working in architecture, she used photography as a form of self-expression and a way to show her inner feelings as well as different sides to her personality. Monia only works with female models in order to better place herself into the story.

This fashion story is in the style of the photographers other work as her work takes on an earthy and ethereal feeling, they all have quite a fairytale look to them and her lighting has a soft, glowy look which connects all her images.

[scarletdisciple]

You’ve heard of the Toynbee Convector...  now i give you The Yolo Reflector.

For context, I’ve been going through boxes of old books, magazines, and papers belonging to my family. I recently turned up an entire folder full of old engineering photographs and x-rays from my father’s engineering work, which I’m going to scan over the next few weeks in the interest of sharing some really neat images. I also ran across this manual for a telescope (my father was hard into astronomy and had several quite large telescopes) and thought it was the funniest thing I’ve seen in a week. I doubt the creator of this undoubtedly useful piece of technology ever thought his name would eventually mean what it does today. Item: ‘Yolo Reflector’ user’s manual and functionality whitepaper Published by OPTICA Oakland, CA 1965

[ghostcultmagazine]

Check out our weekly news show! 📰 We cover the major stories of the week in heavy music, rock, and metal news, tour dates, and festivals, New Music Friday, and more! Hosted, written, and co-produced Chief Keefy (https://ift.tt/EgFcatK). Co-produced and Edited by Omar Cordy (https://www.instagram.com/ojcpics​​). Liquid Death Promo narration by Scott Sommer (https://ift.tt/J6q1Dre). Theme song by Salted Wounds (https://www.instagram.com/saltedwoundsnyc​). Fight riff by Fahad Syed (https://www.instagram.com/fahanzi​​). https://youtu.be/MxTpWhQDBQw RIP Mariusz Lewandowski 🎨 Buy us a Ko-fi and help keep the lights on https://ift.tt/VYdPW9B Features: Nik Nocturnal from YouTube and Termina https://youtu.be/3lih3sExp6Y Also on the Podcast - Nik Nocturnal https://ift.tt/FwndAhT Cody Souza of Hatriot https://youtu.be/zCSBRp8Q8aA Glacially Musical Pouredcast - Time for more @Mötley Crüe https://ift.tt/xK4MDLs Catch up on what you missed this week in the world of Rock and Metal news with our show! #musicnews #rocknews #metalnews #interviews #newmusicfriday #vinylcollector #metalmerch #musicnews #metalnews #rocknews https://youtu.be/nUuFV2Yz-OE This week's sponsor is YOU! Interviews with @Nik Nocturnal , @Hatriot Official , @Glacially Musical does @Mötley Crüe and The Stadium Tour reviewed @Decibel Magazine Metal and Beer fest comes to Denver with Cannibal Corpse, Raw Power Festival is coming soon, Into Darkness Fest is next weekend, @Bloodstockfestivals adds more bands, @FULL TERROR ASSAULT open air update, @Desert Fest Belgium update, @Monolith On the Mesa , @lollapalooza comes back to @Hulu , Karmaggedon Fest Norway books first bands for 2023, Maryland Deathfest gives an update, Trivium books a headline tour, Killswitch Engage to headline Metal Blade Records' 40th Anniversary show, Napalm Death and Brujeria to tour, UDO to tour the world in 2022, The Acacia Strain and YOTK book some dates, Gibby Haynes does a Butthole Surfers tour, Twin Temple and Bridge City Sinners book some shows, Limp Bizkit cancels their European Tour, NEW SLIPKNOT ALBUM YAY, Dead Cross announces a new album, Mike Patton gives an update about about his mental health, Clutch new album news, Ozzy Osbourne makes his San Diego Comic Con Debut, Cinnamon Babe destroys haters and racists, Kerry King to drop first post-Slayer music soon, Apocalyptica covers Beethoven, Rob Zombie drops a trailer for The Munsters movie, Nick Hipa joins God Forbid, Lamb of God's Art Cruz to make his debut on Late night with Seth Meyers, Extra Life returns, Diath (ex Megadeth, Entombed AD, Decapitated, Justin Chancellor of Tool revives a side-project, Devidriver new band members, and in our mailbag - Darkthrone vinyl from Gimme Metal. Time-stamp: 00:00 Intro 00:39 ICYMI 01:20 News 08:05 New Music Friday 09:02 Mailbag 09:45 Outro Get your Apple Airtags and recover your gear if it's stolen! https://amzn.to/3lusaTS Gear we use: - ***These are affiliate links and Ghost Cult makes a small commission on every sale. Set up A: Sony A7 III - https://amzn.to/3tQm422 Tamron 17-28 - https://amzn.to/3ePrlTd Tamron 28-75 - https://amzn.to/3fqCjgY Desview Mavo-P5 Monitor- https://amzn.to/33LlTub Manfrotto Befree Travel Tripod - https://amzn.to/3hxbL0e Set up B: Canon 80D - https://amzn.to/3ye8WqV Sigma MC-11 - https://amzn.to/3brZdU2 Sigma 18-35 - https://amzn.to/3tLlEd7 Tokina 11-16 - https://amzn.to/3bty9Uk Feelworld T7 Monitor - https://amzn.to/2Re9hta Audio: Sound Devices MixPre-3 - https://amzn.to/3tKkJd2 Gearlux XLR Mic Cable - 3 Pack - https://amzn.to/3w3zN6Y Deity D3 Microphone - https://amzn.to/3tRa6W2 Fifine Usb Mic - https://amzn.to/3w8JHEG Lighting: YONGNUO YN600L - https://amzn.to/2QkNrn5 YONGNUO YN300 Air - https://amzn.to/2QjN5gu Dfuse Softbox - https://amzn.to/3uQq4AN Aputure MC - https://amzn.to/3oirFgx NanLite PavoTube II 6C - http://bit.ly/NanLitePavoTubeII Light Stands - https://amzn.to/3uSBl3x 5 in 1 Reflector - https://amzn.to/33KHdjo And our iconic Rope Light https://amzn.to/3ycdmyz For the full list of Ghost Cult gear: http://bit.ly/OJCPicsKit

[elfdragon12]

I think swindle will convince the reflector triplets to take photos of the decepticons in swimwear at suggestive angles.

He’d also set up pin up magazine applications, saying it’s for the good of the decepticon cause.

Overlord sounds like he would relish in the triplets taking photos of their various, sexy swimwear.

Then overlord goads tarn to quit acting like a prude, and sign up for the pin up applications and show off some skin at the beach.

Trickdiamond probably does the same thing swindle would do, but I’m not sure if she’d sell photos of herself or other fellow decepticons.

Really, the Reflector triplets have very little in the way of morals/integrity, so it just takes the right amount of coin to convince them.

As long as they know, Overlord loves the attention and to make the fact they are very attractive and strong everyone's problem... As long as they knows. Should they find out the triplets are taking pictures without their knowledge, it will casually be made a joke... Until one of the triplets gets sent a hand broken.

It might be less goading him to be less of a prude and more by saying "oh, of course he wouldn't sign up because he's afraid no one will like his pictures".

Trickdiamond would sell photos of herself. She knows she's got appeal and that makes money. (Just let me ignore that sketchy Japanese storyline of Trickdiamond, Lunaclub, and Starscream having to do softcore.)

[photographytutorial]

4 Essential Tips for Professional-Quality Photography

When it comes to professional-quality photography, some might think that specialized equipment or extensive training is a must. However, at Studio1 Photography, we believe that anyone can achieve exceptional results with the right guidance.

From understanding subjects to mastering lighting techniques, our four essential tips are designed to elevate your photography game. Stay tuned to discover how these key elements can make a significant difference in your work and set you apart in the competitive world of photography.

Subject Selection and Understanding

Subject selection skills and mastery play a crucial role in elevating the quality of photography projects. When it comes to subject selection, it’s essential to consider the interest value of potential subjects. Interest value, a subjective rating, helps gauge the appeal of objects and determines their suitability for a photography project. Magazine editors and advertisers often rely on interest value to select subjects that resonate with their target audience. Understanding this concept is key to choosing subjects that will captivate viewers and enhance the overall impact of your photography.

In photography, visual elements like composition, lighting, and colors heavily influence subject selection. The way a subject is composed within the frame, the lighting it’s bathed in, and the colors that surround it all contribute to its overall appeal. By mastering subject selection and understanding the importance of interest value, photographers can create more engaging and compelling images that tell a powerful story. This ongoing learning process evolves with experience, leading to continuous improvement in the quality of photography projects.

Camera and Gear Selection

When moving from focusing on subject selection to discussing camera and gear selection in photography, understanding the key features of different camera types becomes essential. Camera selection plays a crucial role in determining the quality of your images. Consider factors such as sensor size, which impacts image quality and performance in various lighting conditions. Different sensor types like full-frame, APS-C, and Micro Four Thirds offer unique benefits to cater to your specific needs.

Furthermore, lens compatibility is essential when building your camera gear kit. Different lenses such as prime, zoom, wide-angle, telephoto, and macro lenses serve different photography purposes. It’s important to choose lenses that align with your shooting style and desired outcomes.

Additionally, mastering lighting techniques is vital for creating impactful images. Understanding lighting direction, utilizing the golden hour, and experimenting with different lighting setups can significantly enhance your photography skills and help you develop your signature style. By carefully selecting your camera and gear while mastering lighting techniques, you can elevate your photography to a professional level.

Lighting Adjustment Techniques

How can we enhance the impact of our studio photography through precise lighting adjustment techniques? When it comes to achieving professional-quality results, mastering the art of lighting is paramount.

Here are some essential techniques to consider:

Utilize Natural Light: Embracing natural light can add a unique, soft quality to your images. Experiment with different times of day and window orientations to capture the best lighting conditions for your subjects.

Adjust Shutter Speed: Understanding how shutter speed affects exposure is crucial for controlling the amount of light that enters your camera. Play around with different shutter speeds to achieve the desired lighting effects in your photographs.

Utilize Lighting Modifiers: Using lighting modifiers such as reflectors, diffusers, or grids can help you shape and direct light to create the desired mood in your studio photography. Experimenting with these tools can elevate the quality of your shots and add depth to your images.

Framing Focus and Composition

Exploring the art of framing in photography elevates the visual storytelling aspect of images, enhancing their impact on viewers. When we take a photograph, the way we make use of composition and framing can greatly influence how the image is perceived. Professional photographers understand that framing is not just about placing the subject in the center but involves using techniques like the Rule of Thirds, leading lines, and angles to help guide the viewer’s eye and create visually compelling images.

Here is a table summarizing key points about framing focus and composition:

Studio1 Photography Reviews

As professional photographers, we understand the value of genuine feedback and the significance of Studio1 Photography Reviews in showcasing our commitment to excellence.

Professional Pictures: Studio1 Photography Reviews consistently highlight the quality of our professional pictures, emphasizing our attention to detail and ability to capture stunning moments.

Photo Editing: Clients often commend our expert photo editing skills, recognizing the enhancements we make to ensure each image meets the highest standards of professionalism.

Camera Settings and Rule of Thirds: Through Studio1 Photography Reviews, many clients have learned the importance of camera settings and the rule of thirds in achieving exceptional results. Our reviews often mention how understanding these technical aspects can significantly improve your photography outcomes.

Some Reviews

Frequently Asked Questions

How Do You Take Studio Quality Photos?

To take studio quality photos, we focus on detailed planning, color theory, lighting setups, and posing techniques. Understanding lighting modifiers, crafting light, and directing models are crucial. Maintaining eye-level composition, using different angles, and continuous learning are key for professional results.

What Is the Best ISO Setting for Studio Photography?

In studio photography, the best ISO setting typically ranges from 100 to 400. Lower ISO reduces noise in controlled lighting, while higher ISO maintains exposure in low light. Experimenting with ISO, aperture, and shutter speed is crucial for optimal results.

How Do I Get Professional Quality Photos?

To get professional quality photos, we focus on detailed planning before a shoot. Understanding color theory, lighting setup, and posing techniques are essential. Mastering lighting modifiers, crafting light, and directing models effectively are key components for success.

How Do Professional Photographers Make Their Photos Look so Good?

We professional photographers achieve stunning photos through meticulous planning, mastery of lighting, and expert composition techniques. Our continuous practice, use of high-quality equipment, and dedication to refining our skills ensure that our work consistently looks exceptional.

Conclusion

We hope these tips have inspired you to elevate your photography skills and strive for professional-quality results. Remember, practice makes perfect, so keep experimenting, learning, and honing your craft.

With dedication and passion, you can achieve remarkable success in studio photography. Stay curious, stay creative, and never stop pushing the boundaries of your creativity.

Happy shooting!

[kaylawilliams-photography-631]

03_Lorraíne Khamali

Lorraíne Khamali is a London-based cinematographer and film director. I found her moving image works very nostalgic and sought to find if she had done any photography, which she has done, although minimally.

The first series of works of hers that I quite like, is of Sally Hee taken for Mia Sakai's Aether magazine in 2020. For an more mundane apporach to portraiture and one likely taken in the confines of COVID lockdown, it feels very relaxed as I can see the use of available light only was used to light the photos. The latter two photos, taken around the same dining table have an interesting element in how the same light source looks from two different angles. The table also, as a lighter surface, acts as a reflector in the second photo lighting the models right side of her face.

In the case of images one and two I can see that the image is metered/exposed to the model leaving the background underexposed and window overexposed.

Another one of her works that I appreciate is this photo taken of Amandine Forest-Aguié, 2020. Its a double exposure which I really like the idea of trying as a creative element in my self-portraits. The images themselves are not super well lit but the overlaying them together creates an interesting play between the highlights and shadows of both images - almost inverting them in places.

[magicgardna]

Scans from V Jump magazine the following month, March 2002, in which there is a Q&A about Magic Reflector. Vindication!

[laurenpomfrett-ardn631-2024]

Artist Photographer Model 12

Information:

Marina Dean-Francis is a portrait photographer from London, United Kingdom who specialises in "beauty, fashion, publications and model portfolios". Her photographic series "New Skin" was publicised in 2016 for the Cabinet De L'Art Magazine which operates from Moscow, Russia and focuses on lifestyle, fashion, beauty and art.

Analysis:

All three images utilise a studio setting with a red background that has a radial light gradient. They all contrast the red, pink tones with highlighting the skin with cool blue tints. The skin is glossy, wet and shiny, which indicates flash.

Left image: What stood out to me with this image was the wet, almost free falling hair that sticks to her jaw and cheekbone. This contrasts what we would expect with a beauty magazine, as we predict a clean, polished and perfect look. Out of the three, this looks to have the least amount of visible makeup and so the portrait comes across as more fluid, natural and vulnerable.

Middle image: This portrait has the most "beauty magazgine" essence with the controlled braided hair and the gold shining eye shadow. The eye shadow makes this image pop and creates a luxurious, ethereal and goddess like atmosphere. Her looking down at us creates this hierachy that she is in charge.

Right image: This image has the deepest shadows, with the use of a black reflector to create depth and to highlight her right side. What is compelling is her left shoulder darkens, yet the left side of her face has the strongest highlights. This contrast paired with her dynamic head tilt and hand position creates a feeling of mystery, curiosity and questions our thinking.

My findings: This artist model is unique in comparison to my previous examples, as I have followed a similar preference for the portraits I am drawn to. The strong red and blue combination really makes me want to play with artificial lighting myself and create different moods. I love the use of flash and the shine, it creates a grain and shows the texture of her skin. I would like to emulate this authenticity.

References:

Behance. (2023). Marina Dean-Francis. Behance. https://www.behance.net/marinadeanfrancis

‌Mdf retouching, & Dean-Francis, M. (2016, June). “New Skin” for Cabinet De L’Art Magazine. Behance. https://www.behance.net/gallery/37855203/New-Skin-for-Cabinet-De-LArt-Magazine

‌

[socalstingray]

Check out this listing I just added to my Poshmark closet: CARGO magazine messenger style bag.