#respooled film

[liverpoollomo]

Beatles statue, Pier Head. Nikon F65. Orwo N74 (respooled.)

The Beatles statue on the Pier Head has become a popular attraction since it was unveiled in 2015 to commemorate the 50th anniversary of The Fab Four's last public performance in their home city.

It was cast in resin and clay by sculptor Andy Edwards and was donated by the Cavern Club organisation. There are some hidden details on the sculpture such as the number 8 on the sole or Ringo's boot (a reference to his childhood postcode L8.)

[shutterfox5555]

Had another charity shop find, a 620 Kodak Junior.

Seems to be in working order and no obvious light leaks in the bellows, unfortunately 620 film is discontinued. Fortunately however, the only difference between 620 and 120 film is the spool it’s wound upon. Got some 620 spools ordered and when they arrive I’ll be attempting to respool some 120 stock onto them. Should be interesting, never had a camera that shoots 6x9 frames before.

Stay tuned!

[oldmanyaoi-jpeg]

i need to buy film and more cartridges to respool for my instamatic

[zooterchet]

So what if I told you, that there’s a print comic, “Knightfall”, that encourages Jewish elders, to spread aversion disorder, which inverts upon meeting a woman you’re interested in?  It’s Film Freak’s death, at Bane’s hands.  It repeats and respools in the comic, until infinity, when great literature is finally over, and replaced by comic books. 

Denny O’Neill is a shit, isn’t he?

[mysteriouscam]

Train 6

Amtrak boarding in fog, Emeryville Daishin Seiki "Hobby Junior" with Bolta roll film (respooled Kodak 5032 from the 1970's) On Flickr © Eben Ostby February 01, 2020 at 08:55AM. All rights reserved

[panatomic-x]

Black &white film for minolta 16mm cameras

FILM PACKAGES #142

Black &white film for minolta 16mm cameras

Kodak Plus X film respooled and repackaged by Minolta Camera Co., Ltd

ASA 100

10×14mm　20exp.

12×17mm　18exp.

1977　Minolta Camera Co., Ltd

#film #vintage #filmphotography #monochrome #blackandwhite #16mm #plusX #industrialdesign #kodak　#minolta

[charleshidalgojr]

Finishing up a roll in the 1948 #brownie target six-20 #film #blackandwhite #blackandwhitephotography #respoolable 620 #outdoor #photography #naturephotography #landscapephotography #fpv #559 #westcoast #analog #darkroom

[film-120]

pete-P804 by Petko iordanov Via Flickr: Yashica 44 LM with old film. Self cut and respooled from 120 film. The film on top it was very old came with this defect from the lab, probably the rollers made this marks.

[petrany]

Mikrofilmet a népnek. Agfa Copex.

[ciophoto]

Day 59 of 365 - Pair of Brownies - The Kodak Brownie Target Six-16 on the left was introduced in July 1946 and discontinued in November 1951. It sold for $4.00 and used roll film size 616 which produced a 2 1/2" by 4 1/4" picture. The Brownie Target Six-20 on the right also introduced in July 1946 was discontinued in May 1952. This very popular camera originally sold for $3.50 and used roll film size 620 and produced a 2 1/4 by 3 1/4" picture. The Six-20 is prized by old camera buffs because it can still be used with commercially available respooled roll film. Both cameras are decorated with an art deco vertical line design on the front panel which was used on many Kodak cameras from the 1930s through the 1940s. Odds are your old family snapshots from the 1940s or 1950s were taken with a Kodak Brownie box camera. #kodakbrownie #cameracollection #artdeco #365photochallenge #project365 #monochromemarch #monochromephotography #blackandwhitephotography #leicaq2monochrom #leica (at Virginia Beach, Virginia) https://www.instagram.com/p/CL5lV8ah-FK/?igshid=ii2fk37gk3bv

[esmithextendedessay2019]

Paul Sharits ‘Shutter Interface’

http://arika.org.uk/archive/items/kill-your-timid-notion-07/shutter-interface

Paul Sharits, Study 4: Shutter Interface (optimal arrangement), 1975, ink and coloured pencil on paper, 46x58 cm

Four looped films of varying lengths are unspooled and respooled in jewel-like swathes of colour interspersed with single black frames, creating the flicker effect Sharits – who died in 1993 – was the first to explore in colour films. The images thrown onto the wall overlap at their edges, producing ghostly paler bands where hues mix within the wide polychrome rectangle, complicating patterns that emerge like waves, horizontal pulses or, more eerily, cards shuffled by invisible hands. When the black interstices disrupt the chromatic flood, the soundtracks emit high-frequency, cicada-like tones via speakers placed underneath the projected images, aurally mirroring the whirling shutters.
 To best view an installation of Shutter Interface, you have to duck before the line of whirring machines and sit on the floor in front of them. Even when stationed between the projectors and the corresponding images, however, you get the sense of being a witness to a wrenching event, both a viscerally engaged and a detached observer. As Rosalind Krauss noted of another four-projector Sharits installation, Soundstrip/Filmstrip (1972), the panoramic field formed by the overlapping images echoes the Cinemascope format, but the glorious illusion typically associated with widescreen movies is continuously disrupted by the insistently sculptural projectors and bases. Instead of being enveloped, we are, as Krauss wrote, ‘at a tangent to the illusion, forcibly aware of the generative pair: projector/projected; aware, that is, of the mechanisms that are closer to the birth of the illusion.’ Sharits viewed such works as ‘locational’ installations, which he intended to be shown outside of the context of the cinema and saw as having ethical dimensions.

Before Modernism, and even in most modernist art apart from Minimalism and Formalism, artists worked with a sympathetic understanding of the needs of the public. From the beginning of the century many artists have been fascinated at one time or another by the idea of a more perfect union between art and viewer. To suggest that serious artistic consideration of the public is new, or to argue that physical participation can establish a relationship with the public that is more honest, more complete and more respectful of its ''uniqueness and subjectivity'' does not make a lot of sense.


Art depending upon our physical participation in order to function tends to have little imaginative substance. As entertaining and clever as the objects in this exhibition are, they tend to stop the imagination, not inspire it. The most engaging objects are those that do not depend upon our physical involvement. 


[liverpoollomo]

Costa. Nikon D65. Orwo N74 (respooled.)

Whilst I do prefer to go to an independent coffee shop for my caffeine fix the ubiquity of Costa makes them a convenient option when I am not in Liverpool.

These shots were taken purely because I had my camera on me and wanted to see if I could get something decent from my f2.8 lens.

[shutterfox5555]

Kodak Junior Model D 620 film camera with respooled 135/35mm film loaded. AgfaPhoto APX 400 pushed 2 stops to ISO 1600 and developed with Ilford Ilfosol 3.

Sadly there were minor light leaks as the film and paper backing didn’t wind neatly onto the take-up spool. That said, it worked really well in spite of this. Essentially making the 620 medium format with a 6x9 frame a poor man’s panoramic camera.

[lestatdesade]

magnolias w/ street candy atm film 

tbh the inventive nature of the film community is gr8 bc theres literally a person out there in this world buying and respooling old atm film and selling it and it’s my favorite bw film. thanks based hipsters. 

[timkirman]

Another pleasing experiment. The film expired in August 1967 and is a 400 ISO film. Further proof of the amazing results of expired Ilford stock. In this instance the film detached from it's paper backing due the it's age. This can happen as the tape holding the film has just totally dried out. This usually (and did on this occassion) cause the film to jam in the supply chamber. With some care I fixed the problem sitting in the car by respooling the film losing the first 3 shots, a small price to pay! The film has clearly degraded but is still functioning just enough to produce some lovely results. Kodak Brownie Reflex Ilford HP4 (exp Aug 1967) #expiredfilm #film #filmphotography #rollfilm #lomo #lomography #analoguecamera #homedevelopment #glasgowartist #glasgowphotographer (at Falkirk Kelpies) https://www.instagram.com/p/BwEaw_lAxH-/?utm_source=ig_tumblr_share&igshid=12btbmszes36d

[mysteriouscam]

Creek bridge

An unreliable-looking wooden footbridge in Rockbridge County. Empire Baby camera, 127 film (kodak Portra 46mm respooled, developed in d76). On Flickr © Eben Ostby May 14, 2020 at 11:31AM. All rights reserved